#iso3200

[oxidi]

My dear friends in Iceland, 2022

[caseykinney]

@MikeNess of @SocialDistortion at #DeepEllumLive in #Dallas #Texas on June 7th 2002. Shortly after capturing this photo I took a few punches and nearly had my camera smashed by a some wildly enthusiastic bouncers. After a bout of polite shouting I was able to stay and enjoy the rest of the show by giving up the two rolls of DUMMY FILM I always had for just such an occasion. . . . . . . . . . #SocialDistortion #DeepEllum #DallasTx #Kodak #KodakP3200 #iso3200 #DummyFilm #BlackAndWhite #BnW #Film #FilmCamera #CanonAE1 #AnalogFilm #ShootMoreFilm #igblackandwhite #instagrambnw #blackandwhiteimage #instabnw #blackandwhitefilm #blackandwhitepicture #instabnwpic #instablackandwhite #bnw_captures #blackandwhitepic #blackandwhite_photos #blackandwhitephotograpy #OldExpiredFilm https://www.instagram.com/p/CnqGOpOsthy/?igshid=NGJjMDIxMWI=

[hellfiremodels]

I'm like a professional photographer but if they were really bad at their job

[helluvatimes]

Fixing A Sweet Tooth

A wasp feeding on what looks like honeydew on a red button ginger. Photo credit: Jonathan Chua.

This that looked like a wasp was feeding on something that was possibly honeydew, a sugary secretion left by other insects on this red button ginger.

This was produced by a 2013 four thirds sensor and was also a substantial crop of the original image. The auto ISO mode on the EM1 had given me ISO3200 for this one with the exposure pushed 2/3 stop brighter.

[tomorrowcatistoolate]

Golden penguin

SIGMA 100-400mm f5-6.3 DG OS HSM

100mm f5 1/160 ISO3200

[samantha-dan564]

銀座線浅草駅の撮影ポイント。ただ、死ぬほど明るいレンズと高感度に対応したカメラがないと走行中の写真は難しいと思う

ちなみにこれはf2.8、ISO3200、1/250で撮影。コンデジ君にはかなりきつい条件だった

[silvercopen]

「ガーデンイルミネーション 2023-2024」 CANON EF CANON EF 24-70mm f2.8L Ⅱ usm f/2.8 1/60s ISO3200 +0.3step 24mm 2024/1/2 宮城県仙台市 仙台ロイヤルパークホテル

[ablativephotography]

Clevedon, England. 24/02/2024.

1 second, ISO3200, F4.5, Clubman MC 80-200mm @ ~100mm, FujiFilm X-T20. A bit noisy and grainy, but I do love the full moon reflecting off clouds AK out.

[yuezhouars281summer]

after dark: Cities and mountains

On the busy streets, the sound of car horns mingled with the sound of hurried footsteps. Every building holds the hopes of countless people, and every street corner has a different story.

Into the mountains, everything seems to be different. The mountain air is fresh. It's a quiet place, and it feels more peaceful than ever.Feel the passage of time. Everything here is so natural, no pressure, no rush, only inner peace and contentment.

Cities and mountains, noise and quiet, are all part of life. They complement each other in contrast, adding a rich color to our life.

1: 1/4s f4.5 iso3200

2: 1/125s f5 iso3200

3: 1/60s f8 iso3200

4: 1/4s f11 iso3200

5: 1/100s f5 iso 51200

6: 1/60s f4.5 iso8000

[egegursel]

Stuck indoors

Canon M50m2 • f/6.3 • 1/60 • ISO3200

[irsaitama]

α7 II &  Tamron 80-210mm f3.8-4 CF Tele Macro BBAR MC(Model 03A)にて撮影

1979年発売のMF望遠ズームレンズで東上線を撮影していた。この1枚は若葉駅を発車する下り急行を後追いしたもので、前方車両通過中に車体側面のピーキング機能で赤くなる部分を見計らってピント位置を識別して置きピンし、最後部が通過したタイミングでシャッターを切ったもの。

焦点距離180mmの絞り開放F4ではピントの合う範囲が相当狭く、シャッタータイミングがほぼ一瞬になってしまう上後追いでタイミングが掴みづらいので、狙って成功するかと言われればかなり成功率は低そうな感じ。

古いレンズの上に絞り開放で被写界深度が浅く、若干周辺減光気味なこともあってかフイルム時代を思い起こすような写りになった。フィルム時代は常用感度がISO400程度だったので、シャッタースピードを速くしたい動体撮影では必然的に絞りを開けざるを得ず、被写界深度が浅めになっていたことを思い出した。

現代のフルサイズミラーレス機ではISO3200や6400でも十分実用になるので、動体撮影でもある程度絞って被写界深度を確保できてしまうけど、それはフイルム時代では実現できない写りであるということを再認識させられた。

[666blackpanther]

本日より開催

兒嶌秀憲 写真展 二十六夜　

大全紙ISO3200粒子感の世界へようこその感じです

2023.5.21-5.27

1階展示室にて開催

大全紙10点　イルフォードRC44M　PEARL

イルフォードﾃﾞﾙﾀ3200

MIRANDA SENSOREX 50ｍｍｆ1.9

サンパックＢ3000S

簡単ですが展示動画公開中です

https://www.youtube.com/watch?v=3FUjPNyzkiI

[goodbyegirl1974]

Panasonic Lumix DC-G100 LUMIX G VARIO 12-60mm/F3.5-5.6 ASPH./POWER O.I.S. 1/80 f5.6 ISO3200.

[enjoycameralife]

Tokyo Station from KITTE, redux

it was a familiar sight, unchanged over the last 4 years. people come to this observation deck located on top of the KITTE mall to get away from the madness on the ground level. taking in the magnificent view of the old western-facing facade of Tokyo Station, with the towering grey skyscrapers looming over the station on the eastern side. the sounds of the trains and their screeching brakes echo as they come to a stop at the station. i spot many couples huddling close together as they take in the panoramic view of the station and the surrounding plaza, a group of photography enthusiasts and their models making good use of the city skyline as a backdrop for their portraiture photographs. oh, how i envy them all for having people accompany them on their respective excursions. i sit amongst the couples, fidgeting with the my camera’s settings and concluding that i have to shoot at ISO3200 or more with my EF 100mm F2.8 lens. once again, my measly tripod i lugged all the way from KL is useless just like it was in Motosuko, but i’ll probably be able to put it to better use on ground level. tonight was different - i didn’t feel the need to rush myself, not because i was short on time, not because it was too cold for me, and certainly not because i was exhausted. i let it all sink in, this atmosphere of being back in Tokyo - at the epicenter, making the most of my week-long trip while not pushing myself. i still had a few more days left, after all. what’s the rush? after a few shots, i put my camera away and let myself blend in with the background.

[helluvatimes]

Afternoon Snooze

A King Penguin catching forty winks in the former Jurong Bird Park. Photo credit: Jonathan Chua.

A stop of positive exposure compensation was used to lift the shadows of this snoozing king penguin. The camera had to be braced against a handrail as the shutter speed was a mere 1/50 second at ISO3200. Lighting was pretty dim in the air-conditioned penguin pen.

[tomorrowcatistoolate]

X

SIGMA 100-400mm f5-6.3 DG OS HSM

220mm f5.6 1/500 ISO3200