#is this yet another example of bad parenting? yes

[poorlittleyaoyao]

ICONIC RESPONSE FROM JIN-FUREN HONESTLY

[galene-gothic]

𝖶𝗁𝗈 𝖺𝗋𝖾 𝗒𝗈𝗎, 𝗋𝖾𝖺𝗅𝗅𝗒?

୧ ‧₊˚ ⋅* ‧₊ I hope this reading found you in good health, every reblog is appreciated and thank you for everything :) ˖♡ ˎˊ˗ ꒰ 🐇 ꒱

˗ˏˋ༻ʚ♡︎ɞ༺ˎˊ˗             PAID SERVICES

Today we'll take a look at:

- your surface level personality/image

- your inner world

- your soul energy

︎︎⊹ ! ೀ Pile 1 ꒱

꒰ Your surface level personality/image ꒱

You seem to be struggling a lot and even others can see it or at least that’s your image. People think that you have an unwelcome community or no community at all. Even if you have friends, they could leave you out or you feel that way, or others can witness it or this is something of the past. You may feel a strong need for a sense of belonging which could lead to you overextending and being very welcoming, and gullible. However, despite this, you seem to be a bit isolated and seem to need solitude. You seem to be pretty comfortable with being by yourself. You definitely have those who think you are ‘all talk, no action’. People think that you’re judgmental and also have a tendency to overthink, that you have a tendency to overanalyse situations and people. There are people who think that you have unrealistic ideas without much planning or preparation. All of this may have been discouraging to hear but one thing is that you’re not perceived the way you actually are and that is okay, you are currently waiting for some sort of change but you’ve learned how to be patient by now. It’s not like you’re ‘all talk, no action’, you’re just patient and taking things one step at a time. You have learned how to go with the flow and are doing so for now, it’s just that others aren’t being able to see how you’ve cleared obstacles one after another and have had major expansion in comparison to your past. Your hard work is paying off little by little but you’ve not received all the rewards yet. Continue celebrating how far you’ve come, others just don’t know anything about you and your life. They think that you’re not doing well mentally and emotionally, that you’re at a rock bottom. It’s funny how people have such different perspectives of you than who you truly are. You look at it as even if those endings, hurt and situations were hard, you transformed a lot from it and you’re still in a transition period. You’re still letting go and changing. You’ve not fully gotten used to the new beginnings but you’re having a lot of them. Despite the negative feelings that tend to come forth, the fear and sorrow, the cycles have finally ended.

꒰ Your inner world ꒱

YES!! I’m so happy, I was right! Those who think negatively of you based on your surface level personality believe the same about themselves. They think that you’re ‘all talk, no action’ because they know they themselves are ‘all talk, no action’. You have a really rich inner world. At this point, you value balance, i.e. giving and receiving equally. Two people can go through the same or at least similar situations and turn out to be completely different. I wonder if you come from fairly humble beginnings, your family or you had a bankruptcy, you didn’t have a parent so you took up a lot of responsibilities, you grew up with your guardians instead of parents, started earning young or weren’t given much money (it could be a situation similar to all these examples). Even if you did come from a well off family, there was some sort of instability. There was a point when you probably didn’t have anything or didn’t have much. Also, you seem to have lost a lot, many people, things or you may not have had much to lose to begin with. I’m definitely getting that you felt unsupported by others and alone. I’m getting this in every sense, i.e. financially, mentally, physically and emotionally. Your health was bad at that time too. You didn’t look good physically (because you weren’t) and neither did you feel good internally. The loss of connections at that time was the worst thing that they could have done to you because these people definitely weren’t doing things for the sake of their peace or anything of that sort, they wanted to create chaos and pain for you. This is your confirmation that they wanted to break you down, they wanted to knock you down to a peg. You are too kind and strong though, despite all the difficult times and changes, you went within yourself to find answers and move forward. Despite all the distress that you had to experience, the moment you gained just a little more stability, you started wanting to give to others and become more good charactered. You’re grateful for what you have and try to treat everyone equally, and with respect. You already share resources from the good of your heart but you’re focused on your investments, you’re focused on building your money. You’re trying to be responsible and are generous, kind and truly valuable because you value the right things, and you also try to grow and live by certain values, morals and virtues within yourself. However, your past still is affecting you mentally because you were thrown under a bus and you’ve gotten used to thinking about it 💀. The metaphor I’m getting is that you were strolling with your group of best friends or your lover (possibly both) you had their best interests at heart and thought they had the same for you too but suddenly, in the blink of an eye, you were thrown under a bus. It was really difficult to even comprehend, the wheels crushing your bones, the confusion, until you eventually passed sway and when you woke up, you didn’t have those loved ones around you, you found out that your feet aren’t working anymore, you didn’t even receive a call from them to ask about your whereabouts and needs but instead, they started making memes about how you’re unable to walk now. You were hurt, betrayed, lonely but little by little, you tried to walk and even though it took you some time, you started being able to stand by yourself, then you started walking until you were finally sprinting. That’s just a metaphor but it was not an exaggeration, whatever those people did to you was the same level of betrayal that I’ve written in the example above (regardless of whether you realise it or not). You have a scary deal of determination but you also have a lot of energy towards those situations (in the form of aggression and anger) even if you don’t realise it.

You’ve had many revelations and still continue having them. You’ve started seeing the truth about past people and situations. All of you here lead different lives but you’ve learned how to find abundance right where you are. Some of you have good connections, some of you are progressing in your careers, some of you don’t have either of those but what you do have is that inner abundance. You have a strong desire and even daydream (possibly even literally dream) about community, healthy love, a happy family, a happy relationship, good friendships, etc. You already feel as though you have a fairly supportive work and personal environment. You’ve learned how to be emotionally content without experiencing all the highs and lows just because they might be exciting. You value belonging and long term commitments. Despite this, there are times when you get excessively negative though. You have a tendency to hold onto trauma and haven’t fully escaped your past yet. You can definitely feel a bit bitter at times. You also have a tendency to at times, let your emotions overpower your logic and at other times, let your logic overpower your emotions. Emotionally, you love unconditionally but your definition of unconditional love isn’t unconditional as in “even if you disrespect me and don’t love, I’ll still love you” but instead it is “I care about your well-being even when I’m angry at you”, “I love and respect you even when we are fighting”, “I accept your shortcomings for you are also a human”, “no matter how much we change, I’ll always love and devote myself to you”. Your emotions are also something that helps you express yourself better. When you love someone, you wish to express it wholeheartedly. You love everyone like a mother would their child, you’re incredibly giving and have a universal love. I wouldn’t be surprised if recently you’ve developed a love for kids or at least, you always have had compassion for kids and felt strongly against beating kids to discipline them, etc. You’re divine, not only do you love like a mother would their child but you also love like a child would their mother. For a child, their parents are all they know and usually even though times are changing and women work too, fathers still aren’t that actively engaged with kids, so it’s the mother that the child is strongly attached to. When you love someone, you give all of yourself to them and expect the same from them. You also have a praise kink ahahaha. It’s okay, don’t be embarrassed, I’m openly claiming to be one of your kind 😔. You have an innocent way of loving and desire to have people praise you. You are fun loving when you love people, with both friends and lovers. You trust them and can be quite naive to be honest because a child does usually naively trust people and especially they trust their own mother blindly. You’re extremely affectionate and tender, also so sensitive to little things. You could have had a parent, guardian or teacher not prioritise your gift to them or brush your affection off at least once if not multiple times and you’ve unconsciously carried it with you. It was especially bad when you were younger, if someone didn’t react the way you wanted them to, you would feel hurt and it would just make you think. You also develop a psychic connection with those you love, trying to and almost always successfully understanding their wants and needs. You are the type to send soft messages, say kind and sweet words, play around, touch them innocently, etc. Gosh, we don’t deserve you. Just looking at your inner world makes me want to love you and desire your love.

꒰ Your soul energy ꒱

Your soul is going to have to deal with a lot of pessimistic moments. However, the best way that you’re going to learn how to deal with them is by being optimistic. You’re going to experience the most exciting situations going sour and turning out wrong. It’s all so that you learn a certain level of detachment and realise that it’s not that you can’t control anything, it’s that nothing can control you, it’s not that you can’t own anything, it’s that nothing can own you. Just the way the cloud covering the sun doesn’t mean the sun isn’t there, that the sun isn’t the sun, it’s just a cloud that will pass by in its own time. Anything that causes you to not be yourself, anything that causes you to not be seen as yourself by others, i.e. the brightest star in our universe, it’s going to pass by in its own time too. Your soul has signed up for trying multiple times. Which means that your soul has also signed up to experience failures before you finally succeed. You’ll notice that the way your life works is - first you go down, then you eventually rise up, then you go down again and while most people would stay down, you rise up even higher. You’re someone who doubts people’s loyalty and well, unfortunately your soul has signed up to deal with conflicts here and there in your partnerships so that you can work through the trust issues that you’ve carried throughout other lifetimes. You’re going to have to learn overtime that a lost love isn’t real love because real love wouldn’t give up on you just the way you wouldn’t give up on them. Your soul is here to grow and expand, past all these issues. You’re supposed to learn how to just be, to just live in the present moment without any reservations and fears. You’re supposed to put your past behind and move forward while applauding your baby steps and how far you’ve come instead of being all impatient. The cycles that you experience, especially in the earlier stages of your life will come to end with many delays. There are going to be days when you’re left empty handed, also days when you won’t see major wins as victories. Don’t blame yourself for having been emotionally attached to your past at some point, you are supposed to learn how to not waste your life away for moments that have fleeted away. You’re supposed to learn how to not seek closure, how to find closure within people’s character and actions. “Pay attention to people’s actions and you’ll never be fooled by words.” You’re going to suppress pain and anger at some point, eventually overcoming a lot of trauma and emotional pain. You’re going to learn how to free yourself from unnecessary emotional energy and are going to forgive yourself, others and situations for the sake of your own peace. There is definitely going to be a point when you refuse to move on though. Until you finally accept the truth of the situation and move forward with strength. If you’re single, it’s because your type is yourself 😔. You’re emotionally mature, compassionate, caring, empathetic, wise, tolerant, loyal, devoted and passionate, and these are the same qualities that you desire in a partner. You strongly desire the affection of someone who’s emotionally mature and intelligent, and makes a good counsellor. You want to have a partner that’s better than you in some way so that you can learn from them. You want to be able to act like a brat at times. You want them to be empathetic and kind, and understand the matters of the heart by themself. You want them to be open to supporting others and especially you. You want a kind and respectable partner because you are the same way and growing to take on more and more of that identity.

︎︎⊹ ! ೀ Pile 2 ꒱

꒰ Your surface level personality/image ꒱

You seem to be exploring multiple possibilities and options, often finding it challenging to choose a single path. This can lead to confusion and a sense of being overwhelmed by the choices in front of you. However, this exploration is a crucial part of your decision-making process. People might perceive you as indecisive or lost in daydreams but in reality, you're weighing your options and considering all possible outcomes. You may find yourself feeling stuck or encountering delays. Your usual swift movement and energetic pace might seem hindered. This stagnation can be frustrating, leading others to think that you're not making progress. Despite this, you are learning to adapt and move forward at a different pace, which is necessary for your long-term growth. It’s essential to understand that this period of slower movement is temporary and will eventually lead to greater momentum. You still need more experience for spirituality, emotions and love. You might feel hesitant to express your emotions fully, leading to misunderstandings or perceived miscommunications. Others might see you as inexperienced or lacking in depth in these areas. However, this is a period of learning and growth for you. You're developing a deeper understanding of your emotional landscape and how to articulate your feelings better. This phase is crucial for your emotional and creative development. You have a tendency to overanalyse situations and people, reminds me a lot of the previous pile, you may have been drawn to it. You may be too busy on certain aspects of your life which leads you to not having time to focus on the other aspects. You seem to lack direction right now but I would say that as long as you have your priorities straight and make decisions from your heart, you’ll be fine. I think that you have a slow moving body, you seem to give slow reactions but there are other days when you give impulsive and hyperactive responses? It’s quite endearing honestly. Supposing a football was about to hit you but it hit the wall instead, on some days you’ll just stand there and not react much, not even say anything, just blink a few times and go on with your day while on other days, you’ll be like “if this ball had hit me, I swear whoever kicked it!” while waddling around the football field. I’m getting that while others may not fully understand your journey or the depth of your experiences, it is clear that you are on a path of significant personal growth. Keep celebrating your achievements and know that you are progressing, even if the rewards are not yet fully visible. Your hard work and patience will eventually pay off, leading to a more fulfilling and balanced life.

꒰ Your inner world ꒱

This is crazy. Much like the previous pile who were perceived a certain way by other people but were strongly of substance. It’s the same for you. You’re incredibly humble naturally but you still make the conscious effort to maintain and create more humility within yourself? I’ve just started reading this part but I already respect and admire you so that speaks for itself. You could have a few conservative beliefs here and there or just views that are considered to be ‘conservative’ but are actually just basic human decency? It’s very natural for you, you have these qualities innately within yourself and you unconsciously, subconsciously and consciously look for these qualities as well. You really value loyalty ‘stereo heart’ by Gym Class Heroes is playing. You’re not exactly satisfied with your current state of wealth, status and success but you still continue to carry yourself with your head held high. You want something more but you’re not underestimating the journey to get there. You understand just how precious the present moment is and you try your best to appreciate it to the best of your abilities. You’re committed to your present duties and responsibilities while still reaching for more because you understand that doing the best with what you’ve got is the only way to live a life without many regrets. You’re very human and you accept that, that’s a great part of your charm. You know that regrets are inevitable but you still try to make the most out of life. You’re very reliable and loyal. You have dreams but know how to have realistic expectations or even if you have big dreams and unrealistic expectations, you internally have the awareness of that so you aren’t discouraged when reality isn’t living up to such dreams, hopes and expectations. Plus even if you have big dreams before starting to work on a certain goal, once you start the goal, you’re able to appreciate your little steps. You also become very duty focused and wanting to do the best so instead of focusing on what you don’t have, you end up feeling good about how much you do/did and what you did manage to have. “Mindset so good even my failures are a success.” You are strong willed and are currently more interested in financial stability than romance. I’m not getting it being anything superficial. You’re an incredibly well rounded person who would love a stable and loving connection, it’s just that you are a person who understands that you have this one life to live and you don’t want to have a futile life where you didn’t even make the most out of your own potential. Also, your goals seem to be more within your reach than romance. You want romance and relationships in general (platonic ones as well) to not be forced so you’re just patiently working on yourself. You have a grounded approach to success as well.

You aren’t the type to be like “once I become rich, I’ll hang out with successful and rich people, I’ll fly in the sky and forget everyone”, instead once you become successful, you’ll make sure to give credits to those who deserve it. “Thank you for instilling me with such values in the short time that we spent together, I promised to lead a virtuous life back then, maybe not out loud but within myself to honour you. You deserve a large chunk of credit for my success and once again, I promise to lead a virtuous life.” Once you’re rich and successful, you’ll be sure to bow down to those who serve you, to the community, to those who have raised you, to those who are younger, to those who are older, to those who are growing. ‘End of beginning’ by Djo is playing. I feel like there was a certain group of people that you really loved. The feeling that I’m getting is a childlike warmth and fun. It definitely seems to be a whole community with one person or a few people being the most memorable. You seem to have a lot of love for people in general and now that you’re growing, you are more appreciative of those who raised you and taught you certain things despite their own shortcomings but these people touched you on a different level in a very short time. It’s not like you don’t have appreciation for those you’ve grown up with and those who have always been around you or anything like that, it’s just that the tenderness, warmth yet firm boundaries and tough love you received from this community or maybe a certain person/group of people within this community has caused you to become more soft internally yet firm in your approach to the world yet kind, and very comfortable with your internal values of loyalty, living life to the fullest, stability, being virtuous as though it’s your duty, etc. I just heard that their humble and down to earth ways gave you a new life. They seem to be people who you are not around anymore but the warmth and love that they gave you and you have for them remains within you. This is so heartwarming. Some of you may think that you were at your worst when you received their affection, warmth, kindness and love, and it is true for many of you but just think about how loveable you must be to be loved so tenderly, warmly and deeply when you were at your worst. Due to your desire to be a certain kind of character, when you feel as though you didn’t live up to such ideals, you have a tendency to be a bit hard on yourself. You may have felt as though you had really strayed away from your morals at that time, that you had failed to maintain self respect, respect for others, your own morals and values which led you to being a disrespect-able person at that time but think about it, just how respectable of a person you must be to be respected and loved by such kind, courageous (because it takes courage to be kind and loving) and respectable people.

You deserve the world, you’re so precious. You have practical goals and planning, you’re also working hard and remaining patient right now. You’re a diligent person who is creating a stable and strong identity, and future for yourself. You try not to slack off your habits because you understand that your habits make up your identity. Think about it like this, if I smoke for a few days, that might be just for fun, due to peer pressure or something but soon that smoking will likely turn into something more, an addiction to say the least. Soon enough, my identity becomes that of a smoker. “Galene is a smoker.” Externally and action wise, you seem to be pretty well tempered. While, you may get angry here and there, when it comes to even big things, you just deal with them instead of complaining. You’re approaching life with optimism and passion. You also have your own personal philosophy through which you go through life. You’re pretty flexible right now and are just trying to be more harmonious, and cooperative. You are not aware of it but you have a lot of faith in the divine timing of things. You naturally believe and act as though things will turn out to be fine in the end, and are being pretty calm about whatever might be happening. You are just trying to remain grounded and in flow with life. You’re trying to stay true to your purpose and seem to be able to find contentment right where you are, even though you’re trying to reach for more. You have become pretty divine ahaha, you have a natural love for humanity or at least act with it. You’re looking at your life as your journey and just going through it, doing your best. This is very specific but I’m picking up on a man or a guy? I’m not sure who this is but at least one or two of you have learned from them to the point you have become them to a certain extent. Is this someone from that community setting from earlier? This person has affected you positively though. I’m getting something about your standards here. This person has raised your standards significantly. You look for stability, efficiency, mental strength, discipline and safety in your romantic connection and connections in general. This person was really wise and you’ve grown to be really wise. You have always been wise but just hadn’t been able to embrace that wisdom but you are doing so now. You also look for wisdom in your companions especially within your partner. This person looks incredibly sexy when angry. You are both very passionate individuals but your fuse used to lose when you were around them but regardless the connection between the both of you is beautiful. There was a telepathic bond. “Real recognises real”, they recognised your greatness at the worst time of your life. You have grown to become a lot like this person, likely because they actively tried to instil certain qualities, values and virtues within you. They did so because they had faith in you. Be grateful, you’re such a great person, you have great people see your brightness even when you are at your dullest.

꒰ Your soul energy ꒱

Your soul’s energy is one where your mind is often filled with hesitation and uncertainty. There are moments when you feel a lack of inspiration and motivation, which can make it difficult to start new projects or pursue your passions. This might lead to frustration and a sense of being stuck. However, this energy also leads to teaching your soul the importance of patience and the value of waiting for the right moment to act. It's a lesson in finding your inner spark even when the world feels dim. There’s a layer of complexity to your mental energy. It signifies that your mind is deeply influenced by your relationships and connections with others. You have a strong desire for harmony and unity, and your thoughts often revolve around how to maintain balance and peace in your relationships. This can sometimes lead to overthinking and indecisiveness as you weigh the pros and cons of every situation. However, it also highlights your ability to understand different perspectives and your commitment to nurturing meaningful connections. You are someone who was probably a victim of thinking about others before yourself due to how much you loved them (in the past). Your physical energy and actions are marked by a tendency to be cautious and sometimes overly defensive. You are meant to struggle with impulsiveness and a lack of direction in your actions. You will find yourself starting many things but not always following through. This is going to lead to frustration and a feeling of unfulfilled potential. However, this energy also brings a lesson in self-awareness and the importance of planning and thoughtful execution. You’re someone who is deeply involved in the present moment with those you love. Wanting to delve into that love, indulge it wholeheartedly. Due to this, you create really sentimental connections and memories. Even after you grow, you will find yourself functioning from a very childlike form of love and connection, not just that, your actions will be very childlike too. This is going to manifest in all ways, you’re going to be loving and affectionate like a child, sensitive like one too (to the actions and words of those you love) and also having fun, playing, and finding joy in simple things like a child.

Which is why, at some point, you’ll find yourself being deeply connected to your past. You will often find yourself reminiscing about earlier times and drawing comfort from familiar activities and routines. This nostalgia will hold you back from fully engaging with the present at some point, but when you learn how to deal with it and be present, it will provide a rich source of joy and grounding. Embracing the lessons from your past will help you build a more secure and fulfilling present. Emotionally, you tend to hold on tightly to what you have, whether it’s material possessions, relationships or beliefs. You might struggle with letting go and trusting the flow of life. This can lead to feelings of isolation and a fear of change. However, this energy also teaches you the value of stability and the importance of setting boundaries to protect your emotional well-being as you grow. You’re going to have nurturing and sentimental connections that might be short term, likely in community settings, most likely not romantic because you’ll love everyone from that community due to how warmly you feel towards them but leave you touched forever, you’ll learn really valuable lessons from them. You’re have probably already experience deep emotional wounds and heartbreaks in this lifetime. These painful experiences shaped your emotional landscape, leading to moments of sorrow and grief. However, this energy also signifies great healing and growth which leads to lesson being learnt. Through these challenges, you are going to develop resilience and a deeper understanding of your emotional needs. This reading is a reminder that while pain is inevitable, it also paves the way for greater compassion and empathy. Your soul is on a journey of profound transformation. The challenges you face are opportunities for growth, teaching you patience, self-awareness and the importance of emotional resilience. Embrace both the light and dark aspects of your soul’s energy, as they both contribute to your unique and powerful journey.

︎︎⊹ ! ೀ Pile 3 ꒱

꒰ Your surface level personality/image ꒱

You are often perceived as hopeful and idealistic. You possess a sense of optimism and vision for the future that others find inspiring. People see you as someone who looks beyond the present difficulties and focuses on what could be. This perception can lead to others viewing you as a dreamer, someone who is always seeking out new possibilities and ways to make the world a better place. Your ideas are often seen as refreshing and uplifting, even if they seem a bit out of reach at times. People may feel that you have a unique way of thinking and that you bring a sense of calm and guidance, much like a beacon of light in the dark. However, this idealistic nature can sometimes be misinterpreted. Some might think you are unrealistic or too detached from practical concerns. They might see you as someone who spends too much time dreaming and not enough time acting on those dreams. This can lead to misunderstandings about your true intentions and capabilities. Despite this, your hopeful outlook and ability to envision a brighter future are strengths that set you apart and make you a source of inspiration for those who truly understand you. You are perceived as someone who has faced hardships but is in the process of recovery. They think that you’ve been through periods of struggle, possibly related to health, financial stability or general well-being. Others see you as someone who is working hard to overcome these challenges and improve your situation. This perception can evoke sympathy and admiration, as it shows your resilience and determination to rise above difficult circumstances. On the surface, people think that you have experienced exclusion or abandonment in some form, yet you are gradually finding your way back to stability. They notice your efforts to rebuild. This can sometimes be seen as a sign of vulnerability but it also highlights your strength in acknowledging and addressing your difficulties. People admire your tenacity and the steps you are taking to regain control of your life, even if they don’t fully understand the extent of your journey. Emotionally and spiritually, you are seen as someone who values deep connections and harmony in relationships. You have a strong desire for unity and mutual understanding. People perceive you as someone who is compassionate, loving and capable of forming meaningful bonds with others. Your emotional energy is often focused on creating balance and fostering positive interactions, which can make you seem very approachable and caring. You are seen as someone who thrives in partnerships and collaborations. You might have a partner right now? If not, when you do have love interests or even just talk about love, you talk about it in a very pure manner. Whether in friendships, family relationships or romantic connections, you are viewed as a person who brings people together and seeks to maintain harmony. They see you as someone who sometimes prioritises others’ needs over your own, sometimes to your detriment. While your surface-level personality and image may be misunderstood by some, it is clear that you are a person of depth, resilience and compassion. Your mind is a source of hope and inspiration, your actions reflect a journey of recovery and determination, and your emotional world is centered around creating loving and balanced connections. These qualities make you a unique and valuable presence in the lives of those who truly see you for who you are.

꒰ Your inner world ꒱

You’re healing and you’re aware of that. You’ve made some transition and you can feel the shift but what I need to tell you is that you don’t realise that you’re over it all. You are over it but it does not feel like so because not everyday is a fun, roller coaster ride. You’ve undergone empowering emotional changes. You have learned from your mistakes and have found the strength to move forward. You might be realising or may have realised that a lot of the love you received in the past was false. You may be realising that the love you felt then was the love that you were back then? I’m getting an acceptance of the fact that you almost always (if not always) got the shorter end of the stick. You’re interested in living originally, being true to yourself, instead of worrying about what people will say or what’s considered to be orthodox, or the right way of doing things. You have a strong sense of blind faith, as in you know that you’ll be fine? This blind faith doesn’t even seem religious, it’s just innate, it’s because you have great faith in yourself and the flow of life. You’re still changing your views as you’re still learning. “Maybe the happy ending was developing humility while still being proud of myself.” You have developed great humility in the past few years. You are going your own way. You don’t really have mentors or teachers, you’re just doing what you need to do, with whatever resources and knowledge you save or can find. While, you are humble and changing your beliefs, you’re not bending to other people’s beliefs because you have a knowledge of the kind of belief system you possess and wish to move forward with. Many of you contemplate religions a lot. You seem to know that there’s a higher power but for you, religion is trying your best to lead a righteous path. You’re also someone who is working really hard. You tend to get consumed by your work. Also, you prefer it being this way, you like to work in a space where you can be completely devoted, in a way you can be completely devoted, in a field that allows you to do so. Currently, you may not realise how much you’re doing because you’re doing multiple things. You should be more graceful with yourself. You lack elegance in the way you speak to and about yourself. You are critical of yourself and feel as though you fail to present yourself the way you wish to. You wish to be more refined in the way you present yourself. You should be a bit careful, you may be building great success little by little, you may end up with a lifestyle that is really hard to maintain. You’re putting a lot of emphasis on prioritisation and time management because you’re balancing multiple projects plus life outside these endeavours. When you work, you don’t just do things, you devote yourself to it, you pour your all into it. So when you work, you naturally end up putting a cherry on top of all that you were asked to do. You seem to be quite busy. I need to remind you that you don’t have time to waste but please take time to yourself.

I’m not sure who needs to hear this but please don’t start your day with TikTok or Instagram reels, there’s a lot of negative content on those platforms, it’s going to drag your vibe down. Your decisions require adjustments, even in your daily life because you have a lot to do. Everyday, you assess security, risks, calculating and speculating everything. You may be struggling with laze right now but despite this, you’re persistent on your path and growth. You have an inner satisfaction and contentment despite not necessarily being happy. You’ve learned how to think about yourself and put yourself first. You’re very reliable still and are willing to work for connections but now, you’re learning how to be more patient and less controlling with how things flow. You’ve also reached a point where if something is interrupting your peace, you just block it and try to shift your mindset to something better. You’re naturally very patient with people so you are keen on not letting those who are takers and talkers, and not givers and doers enter your life anymore. You’re practical and responsible so due to this, you consider the emotions of those around you. However, now you’re at a point where you don’t try to look at things from other people’s perspective anymore, you just remain practical and try to remain grounded within yourself. When you start focusing on the negative, it becomes really difficult for you to get out because it just pulls you in. You’ve learned a lot about life, you’ve learned how to live, you’ve learned how to be in the world and of the world. You still have slips here and there but I would say that you’re doing pretty well. You’re working for what you want. However, no matter how much you achieve, you feel like there’s always more to reach for, please take the time to assess and make sure that your desires come from the right place and mindset. You seem to be greatly committed to your career, goals, study and growth more than anything. As much as you would love a stable and healthy connection that you can just delve into, if you can’t find something, a connection worth investing in, you’re not interested in putting yourself in compromising situations. You’re emotionally attached to growing. You also tend to feel guilty when you don’t work or miss out on work for a few days due to your desire and almost a need to be, and feel as though you’re remaining consistent. You’ve value a bit more of a conservative approach to connections. You value fidelity, loyalty and strong yet humble, and grounded character in both you and the other person. You wish to have connections that are real, that are grounded, where you’re not looking at your phone when with each other, where you write and receive letters, give and receive flowers, and share and buy each other books. The conclusion is that, you’re very committed to and focused on your own growth and career, and when it comes to connections, you only want those that are long term and stable with trustworthy and reliable people. You’re doing well, all the best going forward!

꒰ Your soul energy ꒱

Right away, you’re bound for success and recognition. Your soul is on a journey of mastering inner peace and clarity. You'll face moments of conflict and competition in this lifetime, you likely already have but instead of being drawn into battles, you'll learn to seek harmony and understanding. You’ll experience many conflicts regarding competition besides the usual ego clashes. However, the thing is, as ambitious and growth focused you may be. I forgot to mention in the ‘inner world’ part of the reading but you value recognition and status. So, as much as you may care about these, you have a very grounded approach to these. You aren’t necessarily competing with people, you’re simply just trying to achieve what you want while you are going to have people in this lifetime who will compete with you over anything and everything. In fact, in the past, you may have been accused of being the competitive and inconsiderate one when in reality even your friends have been really competitive with you at some point. These experiences are here to teach you that true strength that comes from inner calm and being cooperative on the surface. Don’t get me wrong, you’re still very competitive, it’s just that your approach to competition is different. Due to how much others have competed with you, you may have felt the need to be competitive in the same or similar way that they were but you realised that you have an inner abundance that you used to function with but have gotten out of touch with. You’ll get back to your original approach to life and achievements, realising that it’s not about winning every argument or competition but finding peace within yourself and fostering it in your surroundings, regardless of whether or not you get what you worked for. Just as the clouds pass and reveal the sun, your challenges will pass and you'll shine even brighter. You’ll stop associating your self worth with how much you achieve. In your physical pursuits, recognition and success are just destined. Your hard work and persistence are bound to pay off and you’re going to have to celebrate many of your victories. Right now, you’re learning to accept compliments, praise and appreciate yourself and your achievements without doubting your worth. This phase of triumph is here to teach you the value of perseverance and self-belief.

Remember, it's not just about the accolades; it's about the journey and the resilience you've shown. Your soul has signed up for these moments to empower you to take bold steps forward. Emotionally and spiritually, your journey is deeply connected to love and meaningful relationships. You are here to experience profound connections that go beyond the superficial. Your soul seeks unity and balance, integrating different aspects of yourself to create a harmonious inner world. The lessons of love will teach you to make choices that align with your higher self and to embrace the healing power of love. Your soul's growth involves understanding that real connections are worth every trial and triumph, and that true love never gives up. You wish to merge with your loved ones especially romantically. You have a loving and considerate spirit that’s very genuine in nature, and you want to love people as if they were you, as if you are one. You wish to work with their best interests at heart so naturally, you wish to be loved in such a way too. You want to love people who see and treat you, and your connection like team and teamwork instead of working with self serving motivations. Your loving spirit is something that you’ll notice, never dies. You continue loving deeply despite how many times you may hurt because that’s just who you are. Gosh, you’re precious, never change yourself. Overall, your soul is on a transformative path, learning to find peace within, celebrate your successes and embrace the power of love. Each challenge you face is designed to help you grow and evolve. As you navigate through conflicts, rise in your achievements, and deepen your emotional connections, you'll discover your true strength in harmonizing your mind, body, and spirit. Trust that every step you take is leading you toward a higher purpose, and embrace the cycles of ups and downs, knowing each phase is a crucial part of your soul's growth and expansion.

[yoonvvs]

✧ ⠀.·:*¨¨*:·. BUT I PROMISE YOU THIS, ILL ALWAYS LOOK AFTER YOU

BLAISE & SKZ

BLAISE & BANG CHAN !

now playing > saturday nights ( khalid )

blaise & chan have such a sweet friendship. chan is so so so tolerant and patient with blaise, regardless of if she’s joking around with him, full of energy or full of anxiety. chan would 100% go to the moon and back for blaise - blaise knows whenever she gets in a sticky situation, she can run to chan and he will find a way to make the situation all better, after he scolds her for her poor decisions. she knows she can tell him anything - and he knows everything, more than anyone, even her parents - and even though it took awhile, chan knows he can tell blaise anything too, and he does. they care for each other so much.

she’s chan’s passenger princess, he’s the only member that refuses to let her be the driver when they go places together - not that chan thinks blaise is a bad driver, but he much rather not fear for his and hers life in the passenger seat when he can do it in the drivers seat. but blaise mastered being a passenger, she always has the ac on the right temp, great at giving directions and keeps the vibes good with the music! best and most chill duo!

BLAISE & MINHO !

now playing > hits different ( taylor swift )

blaise & minho are constantly on the same brain length - the amount of times they texted each other basically the same thing is unreal - causing stays to call them the “twins”. despite this, they are pretty much polar opposites, for example, to tease one another minho likes to “threaten”, while blaise likes to get overly affectionate and harass him, like “oh, you’re just mad because you think im pretty!” but they get along so well!!! always hanging out! fans also often call them tom & jerry because they are always teasing each other and have chaotic antics. there’s a literal compilation of blaise & minho chasing each other around for stupid reasons.

despite their chaos, minho is the one who gives blaise the most princess treatment. he’s always making sure she’s warm (although he might pretend to be annoyed, “blaise, stop shivering you’re making me dizzy! i’m going to make you run laps to keep you warm!” while taking his hoodie off and giving it to her), he lets her use him as a pillow if she gets sleepy, and always makes sure she has a blanket to cover up with on award shows. the glares he gives staff if she doesn’t have a blanket or is wearing uncomfortable clothes is so scary…he also loves to secretly buy her gifts and just leave it by her door, leaving no note. but blaise knows it’s from him and subtly shows her appreciation in small ways <3

BLAISE & CHANGBIN !

now playing > OMG ( new jeans )

vibes

blaise is a #1 changbin supporter, she looks up to him SO MUCH. she loves his confidence, his humor, and the amount of skill he has. she’s always trying to do his raps, and whenever she does it well SHES SO PROUD OF HERSELF! and so is changbin, he’s like “ i taught her well ☺️ ”. changbin loves that she looks up to him so much, it makes his heart so full knowing that he can be a good example for someone, esp his members! he is lovey dovey towards blaise, always giving her hugs and complimenting her, he’s always poking her cheeks and cheering her on!

changbin also likes to try to take her to the gym, and while blaise likes working out - she does not like to do changbin’s routine. she wants to match his energy…but she is not on his level ( yet ), so they pretty much just go to the gym together…then go their own ways. but besides that, they are such an adorable pairing to watch! their vlives are always so precious, and they are always laughing or giggling. stays love their vibes so much!

BLAISE & HYUNJIN !

now playing > i hope ur miserable until ur dead ( nessa barrett ) | yes, i’m changing ( tame impala )

blaise & hyunjin have a…complicated relationship. pre-debut, before anything happened, they were inseparable. they were always seen together, and they could always find excuses to spend together, pretending like they were “practicing”, while they were just hanging out. when they debuted, they quickly caught feelings for each other. they couldn’t help but fall in love through all of the chaos. fast forward a couple months later, they were dating in secert, eventually coming clean when seungmin caught them kissing…everything was going good - they were happy and in love, until hyunjin did the unforgivable and cheated on her.

for awhile, they could not stand each other, they couldn’t even breathe the same air without getting upset. they were angry, heartbroken, and petty for months. but eventually, hyunjin & blaise cooled down. hyunjin apologized, and promise he’d be better. it was genuine, he stopped being inconsiderate, and put himself in blaise’s shoes. after multiple, long, conversations, they started to heal their friendship. they aren’t back to being best friends, but they’re happy to call each other friends. now, they go on coffee trips, watch movies together, and can now have a peaceful and kind time together! they won’t ever get back to where they were again, but things are better now!

BLAISE & JISUNG !

now playing > the spins ( mac miller & empire of the sun )

the vibes only ok

BESTIES FROM DAY 1! jisung was blaise’s first friend from skz, they both joined the company around the same time, and were paired up together for their first evaluation (as well as other trainees), they showcased fly by got7! out of all the trainees they were paired with in the group, blaise & jisung got the closest. the other two trainees in the group were very rude to blaise, and jisung immediately stuck up for her, without even knowing her! after seeing his kindness, she knew immediately that they had to be friends :)

now, blaise & jisung are SO iconic, the comedic duo we all need! they always match each others craziness, and will never let one be alone in being weird. will constantly bicker like siblings, and are not scared to insult each other with no shame. minho posted a video of them wrestling each other on the beach on his insta, and later shared part two of jisung throwing blaise into the ocean like a menace 😁. blaise couldn’t let stays admire jisung’s strength for long, because she posted the video of her dragging jisung’s ass into the ocean on her own story later! utter chaos.

BLAISE & FELIX !

now playing > birds of a feather ( billie ellish )

blaise is protecting felix WITH HER LIFE! if felix is every getting a penalty and has to do something gross or just something felix is not excited to do, blaise is immediately getting up and doing it with him. she’s his literal “if you go down, we go down together” best friend. blaise also brings out felix’s impulsive side - whenever blaise & felix are together you know you’re going to have a good time.

felix also adores blaise SO MUCH. whenever blaise is off, felix immediately notices and silently tries to make her feel better, like getting her water or food, he’s the first to notice when she’s about to get hangry. that boy always makes sure she’s well fed, or else he knows they are all going to pay for it later 😀. he learned to braid hair for blaise! when they first became friends, he started practicing on her hair, and now he is so good at it! blaise always lets him do her hair whenever he wants to, she loves it so much!

BLAISE & SEUNGMIN !

now playing > best friend ( laufey )

blaise & seungmin are almost always giving each other a hard time, but it’s out of love everytime! somehow, they manage to compliment each other and insult each other all in one sentence, but they know it’s all jokes. stays love their pairing, because they are literally the yapper ( blaise ), and the listener ( seungmin ). blaise will be talking and telling stories, while seungmin is like “why is there a bug buzzing in here”, but he loves to listen to blaise even if he acts like he doesn’t.

they are literal siblings, felix & blaise are the expectation of siblings while seungmin & blaise are the reality. sometimes he just stands in her room and looks at her, giggling and running away when she finally gets annoyed. blaise always gets him back by pranking him in some way, her favorite thing to do is to knock on his door and then run away, finally revealing herself when seungmin gets frustrated. he falls for it everytime. despite their fun & games, they will always make sure they never go too far, and will check in on each other in their own ways, for example, blaise loves to bribe seungmin in running errands with her, when in reality she just wants to take him to lunch!! and she always wins in paying, but seungmin won’t give up until he gets to pay.

BLAISE & JEONGIN !

now playing > sit next to me ( foster the people )

jeongin is the human version of blaise’s impulsive thoughts. this man will encourage her to do anything, just so he can watch and laugh (and later make fun of her). she wants to spend all her money at the mall even though she’s trying to save? jeongin is giving her a long list of reasons to do it. that being said, jeongin and blaise have had countless of chaotic memories together. blaise wants to do something, and jeongin is like “let’s do it!” esp after he became legal and could drink ( blaise’s parents didn’t see this )

jeongin can always make her smile - whenever she’s having a hard time, she’s knocking on jeongin’s door, and sits on his floor - all jeongin needs is a look from her, and he’s turning on their playlist, grabbing a blanket, and sitting on the floor with her. and they will just talk, for hours, and whenever jeongin needs her, she will do the same exact thing. when things got really bad with blaise ( mental health ) jeongin was there to drag her out of the bed and pretty much forced her to live. jeongin & blaise are each other’s soul friends!

[pruneunfair]

Tropes in manhwa are awful yet people still defend them

I'm in a bad mood right now so what better way to release all that pent up anger by ranting on what can ruin a good story.

1: Slavery being inserted only for cheap plot and slaves being demonized as obsessive/greedy monsters for "not knowing their place"

Theres nothing wrong with wanting to insert slavery in your story AS LONG as it's not just cheap plot to make your MC look "better" by buying from a single to all of the slaves because let me tell you this: there is no such thing as a good slave owner, you cannot morally own another human being. A lot of manhwa like to have slavery be a part of their plot completely ignoring that just because the MC goes "wow this is terrible" doesn't make them a good person after they buy a slave.

Remarried empress does this with its villian Rashta by pushing the notion that she's being greedy for not wanting to stay in poverty so Navier won't suffer because apparently a slave wanting what the silver spoon mouthed nobles were born into is so terrible not to mention they justify slave owners and slavery in general as a punishment for criminals (neglecting the fact that children can be sold by their parents)

The villainess has fun again justifies a child slave being bought by the lead and he becomes an obsessive shouta love interest, fans continously justify by using the ancient lolicon excuse "he may look young but he's actually 99182823 years old!"

In divorcing my tyrant husband, Robelia buys 30 slaves and the only 2 that consistently show up have no other personality other then "we love you FL we will worship you till the end of time!"

There's a damn manhwa out there literally called the order of slave breeding and even when a story tries to do this correctly such as VADTD with Penelope being portrayed as a bad person for what she did to Eckles, fans have been so deluded by the idea that FL's buying slaves is "girlboss" that they think Eckles should be grateful to be Penelopes "pet"

2: ML's murdering innocent people after one guy hurts the FL

I already made a specific post about it before and I'll say it again: all this does is make your male lead/father figure look like a horrific monster. While you could say it's because its a medieval kingdom (objectively that is true that they would do this) manhwa and OI is the same place where despite in those times taking a mistress was considered normal they still view it as cheating and "how could you pick that slut when you have such a perfect wife!? 🤬" in most stories. So yes, modern morality is still inserted within these tropes. While I can get it's a way to show that the man in questions loves the FL so much he's willing to go to such lengths to protect her I think just mutilating the guy that actually did the sin would be enough because try imagining yourself as a faithful servant who was amazing at your job getting brutally slaughtered by the Emperor because your boss attacked his daughter or lover.

Into the light once again does this with Aishas dad murdering all the relatives and close friends of a count that tried to kill Ysis and Aisha, Aisha doesn't seem to care despite being in a situation where she was wrongfully executed in her past life.

Remarried empress does this too. After Navier is nearly killed by Krista's brother, Heinrey tortures and kills the dad and slaughters the servants of the zemensias. I can't remember if he also murdered the remaining family members but I wouldn't put it past him.

3: protagonist centered morality

Protagonist centered morality is the biggest indicator that a piece of media is dealing with a mary sue FL. Whatever the protagonist says is right is immediately morally correct. This is actually used to justify the last 2 examples with "it was for the FL!" Things like slavery, murder, workplace abuse, union busting, pedophilia, and being a POS to your loved ones are all justified if the protagonist finds a cheap way to justify it and you HAVE to agree with her because her backstory is very tragic 🥺. Protagonist centered morality also ruins the chance for good characters since the FL herself never has to grow as a person so she stays the same exact thing as she was just with more enablers and random characters will be treated as villains even if they aren't actually wrong about being suspicious of the Protagonist or calling out her behavior. It twists the narrative in such incomprehensible ways that you don't even know what your reading anymore. I can't even list all of the manhwas that do this given how many there actually are so I'll just list some that are at least self aware there Protagonist is awful/morally grey or isn't even a bad person but they still have flaws that can be pointed out

Villains are destined to die

My in laws are obsessed with me

Not sew wicked step mom

Depths of malice

The villainess turns the hourglass

Beware of the villainess.

4: villains being dumbed down to make the lead look smarter

This is unfortunately another common staple often used as a quick way to make the FL look smart and witty but is that really hard to look smarter when everyone else around you is an idiot? Not only does the FL not have to put in actual effort to best her enemies but you just start to pity the villain for basically being a punching bag. Dimwitted villains aren't always bad in fact they can be some of those most entertaining characters no matter much they lose but that only works when they are meant to be seen as a goofy character that your not supposed to take seriously. Villains that are written as extremely childish and stupid but your still supposed to treat them as serious antagonists on the other hand are just annoying since you wonder how the protagonist even got killed by them in the first life if they're so stupid.

Isabella de Mare while admitly having a good reason for being dumbed down (she's a teenager in the 2nd life so it's reasonable she wouldnt be as smart as her adult counterpart) is still a joke of a villainess who keeps flipping back and fourth from a snot nosed whiny brat to a mastermind only at convenient opportunities when the plot needs conflict.

Mielle from the villainess turns the hourglass was first portrayed as extremely conniving as she arranged for Arias downfall in the shadows but in the second life she fails at every scheme she has even though she has Emma and Isis to help her out.

Ragibach is a literal demon possessing the body of another woman with the goal of setting demons loose on the word to start another human vs demon war and she succeeded in that the first time, the devastation was all there so clearly she has to be a formidable antagonist right? Well no, she's another case of being dumbed down further and further so Keira can succeed and while they do understand some plot holes such as Ludwig not trusting her as much in the second life it doesn't change the drastic character change from evil genius to bumbling idiot.

In short: dumbing down your villains so your lead can look smarter is essentially going to give the equivalent of a hydrogen bomb vs a coughing baby.

5: feminine women being demonized as basic "other girls" sluts

Okay this one isn't nearly as terrible as the others on this list because we all love the good old "a demon makes itself look beautiful to deceive humans" kind of villain, in fact as you probably know by me by now, white lotuses are my favorite kinds of character and even in media outside of manhwa I always find myself drawn to angelic villains but it seems like this is less of that and more of "Oh those are all the other girls who just want a man to save them, look at how much better my badass rich boss babe is for working for herself while taking all of their men at the time 😎" in manhwa. As soon as a traditionally feminine girl shows up, comments are already calling her a two faced bitch and half the time protagonist is already skeptical of her. This is the opposite of what being a feminist really is, a real feminist wouldn't be putting down other women just because they dress with more pink with bows and skirts and while I do think for most manhwa this is unintentional I do wish that we could have more characters like Psyche, Helena, Athy, and Jennette that prove that being overly feminine doesn't make you a backpedal on feminism. This doesn't make the badass or sexy fl's bad either, it just means they can co-exist.

An angelic villain should be treated as evil for being a well calculated schemer, not because they have a light colored color scheme

6: toxic relationships being romanticized as good

You know for a large community that claims to be about girl code a good chunk sure likes to look the other way when it comes to toxic relationships as long as the abuser is "hot" and theres always the terrible excuse such as "he has trauma!" Or "he doesn't know how to show his love normally!" No just no we aren't doing that here. Cry or better yet beg has this problem with not only the narrative claiming that Matthias graping Layla is okay because she actually loves him and doesn't know it but a large part of the fanbase also defends it, the same goes with try begging, a manhwa written by Solche who also wrote cry or better yet beg and once again despite Leon being an abuser everyone's ready to justify his actions because he's just a soft little boy who ends up falling in love with Sally awww 😍 (what the hell?) Everyones all about not justifying abusers because they had a sad past until it's the "sexy" male leads with daddy issues.

7: maid slapping

This shit isn't asserting your dominance as a boss bitch it's just work place abuse. This trope has gotten so out of hand of being justified by narratives and readers that there is an entire webtoon called this isekai maid is forming a union that's all about criticizing twisted manhwa tropes that get brushed off with maid absuer being at the biggest one. It's funny because a lot of people complain that Isekai maid union villainizes the nobles too much but they never ask the same questions when a OI is demonizing maids as greedy and lazy in order to deserve a beating. This doesn't just stop at hands either it can escalate to threats of mutilation just to assert dominice which is absolutely sick. Most of the time these leads used to be office workers or terminally ill patients, they know how terrible it is to be treated like garbage by their superiors yet they continue to absue every maid who isn't getting on their knees for them. Most maids in real history would not mistreat a noble even if they were the most hated in the house and even if they did they'd be fired without a letter of recommendation so why can't the FL's just fire the rude maid if they care about dignity so much because I'm pretty sure getting violent with a maid isn't very dignified either.

8: disgusting age gaps

Very similar to #6 but in this case while the ML/FL isn't a cruel monster to their partner it doesn't change the fact that grooming and pedophilia is still a crime worthy of life in prison. You'd think "oh no way, this can't be justified can it?" You'd be wrong. Now I belong to house of Castillo thankfully has a larger fanbase of people who think that a relationship between a girl who got groomed by her knight is bad but in cases like into the light once again a lot of people like to say "Well Aisha is technically 28 so it's fine!" When it really isn't since Aisha is still mentally 14. Taming my ex husbands mad dog is another one that does this with Reinhardt grooming a 16 year old boy and its apparently meant to be "cute".

9: claiming a character as unattractive yet giving them a perfect body and appreance

I just think this is a major cop-out since there's time where they want to make a realistic story yet also wanting a fantasy fufilment. I don't think its a coincidence that the only woman in tears of a withered flower that yout supposed to support is a Victoria's secret model body type. Even though she's meant to be an overworked exhausted 33 year old woman being mocked for losing her beauty she sure as hell isn't drawn that way, the only other women around hae soo are all women with smaller boob's and in general more common body types that are either classed as stupid or jealous that Hae soo is so beautiful that all the attractive men want her

how about we don't pit all the women against each other for once? And let's especially not villainize other women because their jealous they could never be have large boob's and tiny arms+waist at the same time?

10: the commoner protagonist actually being a noble rich person all along

Look I know most of us had loved those "the hated child is the lost princess" GLMM but we need to drop it because it's kinda disappointing that the nobody who had to work their way to the top is actually a secret magical princess who had royal blood in them all along. While I did think the villainess turns the hourglass was a pretty decent read I was super disappointed finding out that Aria was of noble descent all along. I liked seeing a commoner protagonist for once and it really felt like it was critiquing the idea that all commoners and poor people who want nice things like the nobility are greedy animals. Something similar can also happen with certain saintess manhwas that decide to twist itself into "the villainess was the true saintess all along!" And I'm just sitting here thinking "well there goes the hope that you didn't need the super duper rare power to be a strong character"

I feel way better now after writing all this.

[ooctlt]

I think the etiquette of ask blogs is a forgotten art. what I'm saying is (imo) it's not that people don't want to play, it is they don't know HOW, and more importantly they don't understand that the game exists to begin with. obviously you do not have to teach people the rules because your time and energy is finite but idk. it feels like from some of your OOC responses that you assume people know the rules and are playing badly, but I genuinely think people (me) just don't know what you are wanting them (us) to do. and also they (i) don't know how to tell if they (i) are playing the game correctly.

An example I am genuinely confused about is, is inciting a "shut up" answer a signal that the game is being played correctly, because we are inciting a reaction from the character? or is a "shut up" answer a signal that we are playing wrong and need to do something different? I'm sorry. I really love your art and seeing the story unfold but I'm confused and I want to play and I don't understand how.

yeah ive had a couple people tell me this has been the first active askblog in a while and the concept of askblog etiquette has been forgotten- @thatneoncrisis and i made a diagram:

link to full-res image

a "shut up" reaction will hopefully show whether or not it's a closed path of exploration: if you have gideon sweating, going "pshhh its nothinggg" it means there is something worth exploring. if you have harrow slamming the door in your face, that is an advance that wont work on her

transcript under the readmore:

DEAD END QUESTION ANON: CAMILLA DO YOU THINK HARROW'S HOT?

"Please stop talking to me."

This question is BAD because it's BLUNT, INCREDIBLY PERSONAL and founded on INCOMPLETE KNOWLEDGE of their relationship.

NOTE that its not that shitty questions will NEVER be answered, its that 1) they have a LOWER chance of being answered and 2) they have a HIGHER chance of being made fun of in character

gideon: haha who thinks harrow is HOT

DECENT INCONSEQUENTIAL QUESTION ANON: CAMILLA DO YOU LIKE TO DO ANYTHING FUN WITH HARROW?

"Sure. We run a lot of errands together."

This kind of question may not advance the plot, as it is INCREDIBLY BROAD yet NONINVASIVE. They're good for quick 1-3 panel answers. May generally be met with a less EXCITING answer.

It might also be DIFFICULT TO ANSWER because a broad question could include MULTIPLE ANSWERS - asking "do you guys go out" could not be answered SUSTAINABLY, because i cannot draw all the places they visit

ANON: EVERYONE, WHAT IS YOUR FAVORITE CLOUD / WATER / MOLECULAR STRUCTURE / BONE / CAR / COFFEE BRAND/ BOOK CHARACTER?

me: "i have to do so much research"

NEAT QUESTION CAMILLA HAS HARROW EVER ASKED YOU TO DO SOMETHING WITH HER SHE WAS EXCITED ABOUT?

"Yes, actually. She once invited me to [REDACTED], I didn't know she liked that sort of thing."

This question is SICK AS FUCK because not only do you learn something SUBSTANTIAL about the characters, you have stumbled upon A NEW PLOT BRANCH, one that actively deepens character connections and their past within the world. It specifically remarks upon a MEMORY* rather than AN OPINION and will typically be LONGER.

Another good option is to PROMPT something following this:

ANON: CAMILLA, MAYBE YOU SHOULD TRY TAKING HARROW OUT TO DO [REDACTED] THAT SHE LIKES BEFORE XYZ?

and this can then spiral onward…

*DM, ONE TIME I ASKED ABOUT A MEMORY AND I GOT A RUDE ANSWER; WHAT DID I DO WRONG?

It's not that this topic can never be spoken about, it's about WHEN you asked it and HOW you said it, or even WHO you asked.

Some topics, like the nature of HARROW AND GIDEON'S UPBRINGING are too recent for them to talk about, it has only been TWO YEARS since they left and there are SPECIFICS about the situation that the AUDIENCE hasn't discovered yet. There are things like GIDEON'S PARENTS that she CANNOT answer because she DOESN'T KNOW and answering multiple asks with I DON'T KNOW becomes repetitive and dull for both the DM and PLAYER.

BUT! She can learn! Over time, when the time is appropriate and feels the most natural for STORY PROGESSION. Think of it like a BAD ENDING in a visual novel. You START OVER and ask a DIFFERENT QUESTION, or approach it from a DIFFERENT ANGLE. If Gideon reacts poorly to someone congratulating her leaving BAD CIRCUMSTANCES, consider talking to her about the FUTURE. Instead of trying to pry at Camilla to see if she had an INTIMATE RELATIONSHIP with Pyrrha, try to ask about other things in that period of her life, like how they met or what caused her to move out.

FINALLY, if you'd like an ask to be answered out of character, your best bet would be to goto @notedchampagne and send it there. If you'd like an ask to be answered SINCERELY or you don't want SNARK, you can specify this in the ask, but know this blog may not be your thing.

[night-raven-tattler]

Say hi to daddy!

Summary: How would these characters behave as fathers? What does their ideal family look like?

Characters: Savanaclaw dorm (Leona, Jack, Ruggie)

Other parts of the series: Heartslabyul, Octavinelle, Scarabia, Pomefiore, Ignyhide, Diasomnia, Royal Sword Academy

Warnings: none

By opening the document, you agree to Mx Tattly's terms of source confidentiality.

-ˋˏ’✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

The chances of Leona agreeing to having kids is very low: he has a lot of baggage and personal beliefs that would make him not be fully on board

Plus, why would he need another screeching box when Cheka is already around?

But then a bit later in life... something happens and suddenly he has a child in his and his partner's care

Because why would anything ever go the way he wants?

Yet, he grows attached, with the help of his partner

He's the only one who can put the kiddo to sleep, and the only one whose hair the kiddo likes to play with

While his lazy predisposition doesn't allow Leona to go too much out his way for the kid, he's far from an absent father

He is not only present but trying his best to be an example

Because, even if the child ends up seeing him as a bad example, he will be satisfied with the lessons he managed to teach

He loves roughhousing with the kid or challenging their young mind

And when he's too overwhelmed, Cousin Cheka is available for babysitting duty

For Leona, fatherhood becomes a time of finally healing inner wounds while becoming more understanding without being dejected: it's the time when he finally finds an inner balance and find some peace

...he still won't ask Falena for fatherly advice though

Leona is, for sure, a girl dad; he also will pump the brakes at 1 child, 2 children would probably open old wounds he's not quite ready to deal with

『••✎••』

Jack is, undeniably, a family man whose life goals follow a pretty traditional route: get married, have children, grow old and see his family thrive

His classmates sometimes teased him lightly about it, but they all were happy for him when they saw Jack's content smile at his wedding and later at the apparition of his first child

From the very beginning, Jack is a good husband and a doting father, and he loves spending one on one time with his kids the most

Jack loves having his little ones join him in his training regimens, even if all they do is watch and ask questions

That's what they do usually anyway, the kiddos have been waddling towards their dad since they were in diapers

Dominant beastmen traits or not, he still expects them to do their best physically, and he's the dad to sign up every kid for a sport

Not that he wouldn't be understanding if any of his kids happened to take a less physically challenging path in life: he'd be just as supportive, but he'd also reflect on his actions and ask his partner if they think he's done something wrong

Parenthood is a chance for Jack to learn how to be more of a team player, not only as part of a parental unit, but also as a dad who needs to meet his kids in the middle and understand that the "pack leader" can still be wrong if he doesn't listen to his pack

Jack would enjoy 3-4 kids, he loves the idea of a big family, and he'd totally be a boy dad

『••✎••』

Ruggie

Ruggie never really thought about having kids, his main focus has always been financial stability and reducing that food anxiety

But it's very likely Ruggie would end up with an unplanned kid

He wasn't completely on board with the idea of parenthood... until his little one looked into his eyes and smiled

Did Ruggie accidentally pass down his pickpocketing skills to this kid? Because they just stole his heart

But that doesn't mean he really has a good grip on what parenting really means; yes, Ruggie is dependable and responsible, but he also is an orphan who has always fought against a lot of prejudice

So he often relies on his grandma for advice, she's the closes thing he has to a parent

He's the dad that really pushes his kid to learn as many things as they can, anything that can become a life skill will eventually come in handy

He helps his kid build up their independence, while they help him become more open and honest

Ruggie is very open with his child about his upbringing from the moment he feels like they are ready to hear it, and he makes them understand that his position in the Sunset Savannah is nowhere near the top as a hyena beastman

But he promises them that they are not any less worth being someone deserving of living comfortably just because of some societal garbage

Ruggie doesn't really have a gender preference, but would prefer 1 child, so the financial burden wouldn't be too heavy

『••✎••』

[demi-god77]

Saw byler doubt on my tl and I won't have it, so I'm here to try and ease your doubts @lucystark12

(English isn't my first language and I'm currently running on zero hours of sleep. This might be a bit incoherent)

BYLER AND CHARACTER ARCS

First of all, you have to think of this in context to El's character arc as well!

Her arc has always been centered around found family and her own sense of self (the things she lacked for most of her life while she was in the lab, especially since her entire identity was reduced to a number.)

Romantic love (ending the show in a relationship with Mike) would not be beneficial for her arc, as it is not something she lacked prior, she didn't even know what a boyfriend IS when she escaped from the lab. It also sets her back on her path of self discovery (+ she is shown to learn the most about herself when she and Mike are apart).

In an arc about found family, self discovery and independence, forcing her into a relationship that actively separates her from said found family and creates conflict (with Hopper and with the rest of their group), that also doesn't let her figure out who she is, what her interests are and overall stuns her self discovery and independence, would make zero sense. It would not be a progression for her character at all. Especially for someone that has been controlled by others (and men specifically) her entire life.

~~~

About Will now, if his arc was actually about moving on, there was absolutely no reason to make him in love with Mike. All of their conflicts COULD be purely platonic, if their purpose was to signify that he needs to move on/grow up. But they weren't. There would be no reason to make him in love with Mike, he arguably wouldn't even have to be gay for this arc. And yet, his sexuality is mentioned even prior to s1, in the pilot script -clearly important for his character. Him moving on from those feelings would not be beneficial for his arc either, especially since he has already tried to. He has tried to hide from the world, he has tried to repress his feelings and it didn't work out. They even straight up told us he's not able to move on ("[I] need you and [I] always will")

Furthermore, he already believes that his feelings will not be reciprocated, that he needs to let go and that he will never experience a romantic relationship, will never find love. To have him be right does not make for a good story. It sets his storyline back to square one. Him coming into his own and confronting his trauma is definitely a part of his arc, no doubt about that. Moving on from his feelings however, giving up on a love he never let himself believe he could have in the first place, is not.

~~~~

Lastly, Mike himself. I honestly don't really think he has that much of a communication issue. His communication skills are of course not great, they are pretty bad yes, and he obviously struggles with verbally explaining his feelings, but he shows his love through actions and not words. That's something that has been shown since s1 and that's always been how he communicates his emotions. Through actions.

But even so, he has been shown to productively communicate using his OWN words and his OWN feelings before, the shed scene in s2 being a prime example of that (arguably the bedroom scene in S4 as well). His parents' main issue with their relationship is not that they don't communicate imo, it's that they never really loved eachother (and that also ties in to Nancy and her relationship with Steve).

Another thing:

Mike needs to be needed, that's when he feels useful, that's when he feels loved. El is coming into her own, becoming independent, realizing she doesn't need to depend on others, on him. But Will in his monologue confessed that he always will need him, something that will never change.

Moreover, if his arc was truly about learning to communicate effectively, I don't think they would put such emphasis on his insecurities, thinking of himself as inferior and trying to conform. (Also, forcing a confession, especially one based on someone else's feelings would be a horrible writing choice in an arc about self expression.)

Mike actively tries to push aside his nerdy interests and the things he enjoys (who he is) while in the relationship, in order to appear cooler, mature, normal. Pretend he's not himself. THAT is something he gets from his parents. And THAT is not something attributed to bad communication skills, but forced conformity.

And after all, forced conformity is killing the kids.

[dismissivedestroyer]

Hi! So I want to make a Spooky Month OC but I suck at drawing, do you have any tips or advices about drawing characters in the Spooky Month artstyle?

Okay so, I might not be the right person for this, cause I also am not all that great at drawing in the Spooky Month artstyle, but I did some character design at school so I might be able to give a few tips! Please do take everything I say with a grain of salt tho!

Spooky Month's strong suit is definitely character design. It's SO expressive and well done it's genuinely unreal. You might want to know exactly what your character is gonna be doing, or how their personality is gonna be like, because character design in Spooky Month cares a lot about things like these. For example: Radford works at a cinema, so of course he's wearing 3D glasses, but also his HAIR IS LITERALLY SHAPED LIKE A POPCORN.

So maybe decide on a job for your character, and try to start from there, get crazy with shapes and have fun! Spooky Month characters have designs that are both extremely simple to draw, since they use mostly basic shapes, but also are extremely thought out and meaningful. Another example of great character design is Pump

Now, I have no idea if you already had an OC in mind, but make sure to choose the right shapes to represent it. Something I see around in the fandom is people making these OCs that are like, serial killers and dangerous people and stuff, but then give them the "Lila"-like oval head. And honestly, nothing wrong with that, that's a choice you can use! But still, shapes allow us to understand a lot about how a character is just by looking at them. So you might want to experiment around a bit!

Ovals in Spooky Month are the "good" shape, let's just say. Most character with an oval head are sweet, helpful, kind-natured! It's often paired with oval eyes, so it's mostly a shape that's used for not villainous characters.

Circles are a bit more complicated, because Spooky Month subvertes the Circle Characters. While yes, they're also used to draw children, such as Skid and Pump, so they may come off as unthreatening at first, most main villains, such as Eyes, Bob and Dexter Doll (which is meant to represent the likes of a child, so that's a nice contrast), are mostly circle-shaped.

There's a very wide range of Square characters in Spooky Month. Square characters are usually bulky, big and strong. They often come off as threatening (such as Moloch), but there are so many other fun things you can do with them. Like, take Frank. EVERYTHING in his design should alarm us, him being square-shaped, the black eyes, the wide smile. Yet, he has a shape of the eyes that's very relaxed and chill, so we end up trusting him. As for Dexter, he's a mix of circles and squares, so we can't really understand his intentions right away, because he's shaped in the most confusing way possible. He's just made to be unsettling and leaving us to wonder if he's a bad guy or just an oddball.

You can do SO MANY fun things by mixing up shapes of faces and eyes it's INSANE. Also, you can mix up other characters' features to create a new one, if you're planning to do a fankid or stuff like that. Look at Ross, he's literally a mixture of all his parents' features!

My main tips for drawing in the Spooky Month artstyle are mostly

1) Play around with shapes. Be as cartoony as possible.

2) Try to be consistent with proportions, because, based on personal experience, if you draw the pupils of the eyes slightly off it changes the whole character's expression drastically

3) don't worry too much about details, Spooky Month has a very simple artstyle. You don't have to draw a perfectly anatomically correct hand, just whip up some cartoony three-to-four fingers and you're good to go

4) try to redraw some pre-existing screenshots from the serie to get familiarity with the way Pelo draws expressions. It helps a bunch.

So yeah, that's all! Good luck with your oc :)

[bayleavesfromthevine]

some kn8 ramblings (with a side order of manga spoilers)

i love that (as far as we know) kafka and mina's tragic backstory is "dead cat." we know nothing of their parents, homes, or friends from after the kaiju attack, only that mina's cat died. (obviously, the series isn't over yet, so this could be totally disproven at any point, but bear with me lol.)

i actually find that really refreshing. yes, it's so heartbreaking to lose a pet, but it's not the typical trope of a character's power level correlating to how traumatized they are (ex: family massacres, everyone they've ever loved ending up dead, backstabbing, torture, etc etc). their traumas are grounded in very realistic and relatable circumstances, and i think that goes to show that a character doesn't need these extreme reasons to want to do good and fight the scary monster. mina's cat died in a kaiju attack and she wants to make sure that no one else has to lose their best friend/ball of floof to a kaiju ever again. that is enough of a reason and a noble one at that.

soshiro, as another example, has a complicated relationship with his family, but they aren't dead or rogue. he's not seeking revenge on them, but rather they did not support him when it mattered and made him feel inferior - that is a traumatizing environment to grow up in, and unsupportive parents & sibling favoritism are also SO grounded in reality.

it really makes these characters feel real, and i think it's a powerful thing for a reader who maybe doesn't have the best relationship with their parents/siblings like soshiro, or who has lost a beloved pet like mina, or who doesn't have natural-born talent in a specific field like kafka, to see these characters take those experiences, work through them, find a support system, and overcome them.

(side note: i LOVE to see that soshiro actually went no contact with his brother for past behaviors! that sets such a powerful example to readers that it's okay to cut out people who have made you feel like shit!!)

of course, there are other characters like narumi and reno who have heavier backstories, but i love that their experiences don't automatically turn them into the brooding emo characters who think only of killing kaiju and seeking revenge with zero intentions to form friendships with the people around them.

it's just really nice to see. i feel like in stories that have a large cast, it's easy for a character's backstory to completely shape their personality, rather than being shaped by a multitude of experiences - good and bad - gained throughout life. (in cases like reno and kikoru, we see them grow as people & change their outlooks due to their positive experiences with kafka and the rest of the defense force. that doesn't override their past experiences, but adds layers to who they are overall.)

i see kn8 getting criticized a lot for lacking in depth or themes - and i do think there is a conversation to be had about locating the series' central theme and whether or not it's been clearly communicated (and whether or not that even matters) - but i also think part of that criticism stems from having a fantastical premise (that maybe SHOULD have a little more death, but that's another conversation entirely lol) with deeply grounded characters, a contrast we don't see too much of - especially from series in the battle shonen & shonen-adjacent genres (thinking about shows like naruto, aot, jjk, demon slayer, hell's paradise, etc).

basically, i find it refreshing that kn8 isn't over-traumatizing its characters despite the fact that the premise would allow it lol

[astheworldgoesonitswickedway]

Get ready for yet another analysis of Count Olaf's behavior. Every time I make one of these I feel like I have to explain that I'm not justifying his actions but there's just so much complexity to him. Especially for someone who hides behind so much shenanigans. And honestly, the man is a psychopath, right, and he's one of the most chaotic fictional characters i can think of. The reason he is so interesting is because a character so chaotic and careless of his own well-being, doesn't usually last long enough to allow us a deep analysis of their unhinged behavior. Speaking of, let's talk about the way Olaf repeatedly tries to murder the Baudelaire children in drastically horrific ways such as decapitation, only to occasionally try to preserve their lives and keep them. Ok so, we know he needed at least one for the fortune, but that excuse doesn't explain all his behavior. Especially considering how rich Esme was, he didn't even need the fortune. There's definitely an element of being obsessed with the chase, he thrives on it sure. But how about his attempts at making them his henchpeople? I offer two reasons for this contradiction and he's so messed up, maybe both apply. I propose that 1. He believes corrupting them and making them his slaves is the best way to get revenge on their parents/corrupting them would make it easier to convince himself that becoming a monster wasn't really his fault. And 2. in a manner of speaking, he becomes attached. As far as corrupting them goes, he accepted their "help" without hesitation in the Penultimate Peril because it made sense to him they would be as disillusioned as he was and want to lash out. He thinks they HAVE been corrupted, and he's pleased. Yet, just before this, in the books, the children use their skills for him for once, and he is openly impressed by the things he previously mocked them for. I think he was secretly impressed the whole time, always wondering how they pulled off these unlikely escapes. They lost their parents, just like he did and he knows what that feels like. Its not confirmed whether it was by Olaf's hands but i hold to the idea that he was at least involved. Maybe a small part of him feels responsible for making them feel the way he felt. They've experienced horrible things, definitely by his hands, but they stuck to their principles. Sure this is part of why he hates them, it frightens him. If he recognizes they are right, its the same as recognizing he is wrong. It means in a way, they are stronger than him and he desperately wants to prove they are wrong and he is stronger. But I think a tiny piece of him can't help but admire them too. Later, in The End, he accepts them as his henchpeople strangely quick, and constantly repeats that offer despite their disinterest. Yes, he no longer has any henchpeople, but the Baudelaires have never been conformable to his wishes, it doesn't make sense to try so hard to keep them just because he needs new "employees." The harpoon incident is a good example of his attachment to them. Its slightly different between the book and show because the book indicates Olaf would have forced himself to go through with it and in the show he stands down. When finally given the opportunity to kill them easily and all at once, he struggles and cannot do it. Proving that at some point, he changes his viewpoint and doesn't REALLY want to kill them. He was relieved when they turned out to be alive in the Slippery Slope, even if he tried to play it off as being about the fortune. Which I know, its about THAT fortune, on "principle" but still. By the end of the show, he has changed his priorities from killing the children to keeping them. Don't get me wrong, he would have been horrible to them. But I think his plan was to do to them what his mentors did to him. As a side note, I love that as Olaf begins to associate himself with them, it works vice versa. They wonder if they ARE becoming as bad as him. Which is kinda sad to read/watch, because, of course they aren't. Don't you just want to reassure them?

[tigreblvnc]

YOUR LIFE IN BLUE LOCK — @soleilonthesun

BACKGROUND HEADCANONS;

♤ You were probably invited by Ego, “We need a few calm and collective people to act as natural leaders. Even in Blue Lock, structure is needed.”

♤ So you were scouted for your level headedness on field and overall encouraging vibes :D

♤ I believe you accepted just because you were interested, and were excited to explore a new environment anyway

♤ During Ego’s whole speech, you had to make a decision. It was either risk your future to reach your true goal, or fall back and continue to live in our mundane society.

♤ Of course, your parents would advise you to take the latter. But this was your choice, wasn’t it? Entering Blue Lock would be your best chance at reaching your goal.

♤ After all, if you didn’t accept, it would take ten fold effort, and even more risks. If you didn’t accept, would you ever truly be happy with the path you set yourself on? You refused to live with that sort of guilt. So you vowed to win. To become the person you always wanted to be.

♤ To be someone who could be looked up to.

COLOR AURA;

♤ Lime Green

♤ #9cf569 (example, not necessarily exact)

♤ I KNOOWWW IT MAY NOT SOUND THE BEST- BUT LEMME EXPLAIN

♤ It’s a strong colour for sure, but of everyone I really do think you’re the only(or one of the few) person who could pull the colour off

♤ NO IT WOULD NOT LOOK LIKE FART- THATS NOT MY INTENTION CHAT U GOTTA BELIEVE ME

♤ Lime Green is NOT a colour you could ever ignore. I think it’s presence would be very indicative of yours on the field.

♤ Green means go right?

♤ The vibes, comfort, assurance, and encouragement you bring, it fits green.

♤ I spent quite a while deciding on this one. Green was one of the first to come to mind, but I was hesitant to finalize it (maybe it was the fart effect, im not sure) but playing around with the colour wheel, it really did seem best fitting.

♤ Green isn’t necessarily a loud colour, at least it doesn’t come first to mind when you think of one, but it certainly isn’t quiet, or easily look passed.

♤ Within the colours of pigment, Green isn’t actually a primary. But in the colours of light, it is. It’s the core of many other colours, and is needed to balance the others out.

♤ But it still isn’t usually considered a primary colour, due to its absence in pigment.

♤ And yet it’s still a lot of people’s favourite. The few Green likers I know are very passionate and dedicated, especially since there isn’t another colour that gives similar vibes.

♤ Lighter blues and purples often give the same vibe, majority of reds are still very red no matter how you tint it, etc. ♤ But lime green wouldn't be generalised

♤ If you break down the pigment, it is just blue and yellow. It’s an interesting blend, given that one is known to be incredibly energetic, and the other completely calm. Green’s a good blend.

♤ But yes, green.

TEAM SELECTION;

♤ Ubers! You want to advise the others on your team yes?

♤ Thatd be pretty hard if you were on a more… violent team- it could definitely work, but I think your teammates on Ubers would even ask for you opinion at points

♤ I think Ubers is a team that needs more structure, determination, and overall leadership.

♤ Nothing bad to Snuffy, but they’ve got incredibly good players(imo) (ex. Japan’s national defender, Japan’s Ace, one of bllk’s best strikers, and one of bllk’s best defenders) but I wouldn’t say they’re using them all that well… (pls no dox /j)

♤ In Uber’s you could advise(control) marjory of their players, using your imagination to throw together fun play plans.

♤ Ok yea Barou probably isn’t the happiest with it, but the rest of the team is more than eager to try something new!

♤ Playing with Ubers would also help with your weaknesses. Since they have an incredibly stable defensive line, you don’t have to worry or hesitate as much. Staying static and overthinking will eventually decrease as you learn to trust them on field.

♤ I won’t speak much about off field… Individually, Ubers is an interesting set of people…

♤ They wouldn’t bother you too much though (but Aiku will probably try-)

♤ I think overall, Ubers gives you a strong base to work with, allowing you to do what you’d please from there.

♤ + They probably would benefit a lot working with someone like u! So even if they aren’t necessarily your first choice, they’d probably throw in a good offer for ya ;)

BEST FRIEND;

✦ My dear dumb bunny.

✦ Admit it, you didn't see that coming!

✦ As soon as I saw the word "magic," I knew I had to pair you with the magician of the team.

✦ You two share much more in common than you might think. And as I like to say: I'm shocked that you've never noticed the resemblance between you and Ness all this time.

✦ You're so similar. Two big idealists, dreamers, poetic souls, both passionate about things that don't exist.

✦ You hit it off right away, from the very first day, the moment you joined the soccer club. I believe the saying "birds of a feather flock together" is true.

✦ Typically, you cry in each other's arms when you suffer a defeat, go through a hard time, or get overwhelmed with emotions. You're completely in tune with being hypersensitive, and you own it fully.

✦ I think that if Kaiser weren't around, Ness would spend his time glued to you.

✦ He just needs a little human warmth, poor thing.

✦ He needs a sun, not a winter.

✦ To life, to love.

RIVAL;

✦ And I hope you're catching my drift with this matchup.

✦ Aren't Ness and Noa the perfect opposites?

✦ Emotion versus cold logic.

✦ You're rivals in the sense that your ways of thinking and doing things are very contradictory once you're on the field together. But it's also quite a challenge for each of you.

✦ I also think you'd have had quite a bit of trouble with Noa regarding your place in a team where he's present. Luckily, that's not the case.

✦ Besides, I like to imagine that Ness struggled quite a bit during his years at the Bastard München club, with his way of being so opposite to what Noa represents.

✦ So yes, Noa is that intimidating coach who gives you a knot in your stomach before every training.

✦ But he's also a likely path for your future development.

✦ Will you seize the opportunity, or stay in your comfort zone?

✦ It's up to you, little sunshine.

POSITION ON THE FIELD;

✦ Midfielder.

✦ I think you do a great job of being a bridge between people. A human bridge, I mean.

✦ That is to say, you're skilled at connecting one person to another, and this also applies on the field.

✦ People can trust you to make passes that are both surprising and game-changing for your team.

✦ This is the true strength of this matchup: placing you as a midfielder gives you the chance to prove your worth. You can combine your creativity and imagination with the rational thinking of passing to the best player at a key moment in the match.

✦ It's this position on the field that will not only strengthen your value in Ness's eyes, but also counter Noa's belief that a creative, free spirit has no place in a high-level match.

© TIGREBLVNC 2024 | OCTOBER '24 MATCHUPS EDITION.

[anonymousewrites]

Burden of Truth (Book 1) Chapter Six

Father Figure! Marc Spector x Teen! Reader

Father Figure! Steven Grant x Teen! Reader

Mother Figure! Layla El-Faouly x Teen! Reader

Chapter Five: Against the Jackal

Summary: (Y/N) and Marc arrive in Cairo and begin their search for Harrow.

            (Y/N) was exhausted from traveling, but they had finally arrived in Cairo. They knew that as soon as possible they’d need to start investigating where Ammit’s tomb may be, but they just wanted to fall asleep for a hundred years. Having never been in such a physical fight, (Y/N) really needed to rest, but on the plane ride over, they had forced themself to stay awake in case any of Harrow’s people appeared to attack them.

            “(Y/N)?”

            The teen turned from where they were waiting on a cab to see Marc. “Oh. Hi.”

            “Are you going to a hotel on your own?” asked Marc.

            “Yes,” said (Y/N).

            Marc furrowed his brow and made a quick decision. “Follow me.”

            “…Are you sure?” asked (Y/N).

            “Come on, kid,” said Marc.

            (Y/N) hesitated. Marc was intimidating, and after they’d seen what he’d done to those archaeologists, (Y/N) wasn’t sure how close to him they should get. But at the same time, he’d protected them from the jackal. He’d wanted them to be left out of Harrow’s danger.

            (Y/N) gave a short nod. They’d take a leap and trust him. A little.

l

            “This is where I’m staying,” said Marc. “I’ve been here before. We’ll be safe enough.”

            “It’s nice,” said (Y/N).

            Marc gave a mirthless laugh. “Yeah, right.”

            “It is. I stay at the cheapest places possible,” said (Y/N).

            “That’s not safe,” said Marc.

            “I’m alive,” said (Y/N).

            Marc frowned. “That’s a terrible measure.”

            “It is?”

            Marc sighed. He had thought his position as an Avatar had caused him issues, and now this kid came along just as lost. “Yeah, kid. It is.” He picked up the phone. “I’m ordering food. What do you want?”

            (Y/N) shrugged. “I don’t know.”

            “Seriously, kid, just tell me,” said Marc.

            “I was being serious,” said (Y/N) quietly.

            “No one’s ever serious about that. They just lie to not seem pushy.” And if Marc knew one thing, that kid looked like someone to keep their problems to themself because gods weren’t exactly the most sympathetic.

            “I’m not lying.”

            Marc sighed. “Kid, I’m really too tired for this.”

            “I can’t lie!” said (Y/N) quickly, pushing out the words.

            They looked down and shifted awkwardly. They hadn’t told anyone that after their parents died. Only Ma’at knew, and it had brought Ma’at to them.

            You…what?” said Marc.

            “I can’t lie,” repeated (Y/N). “I just can’t.”

            “Does Ma’at not allow you to?” It is definitely the sort of thing one of these shit gods would have their Avatar do.

            “No, I never could, even before Ma’at,” said (Y/N). “I can’t tell a lie.”

            “That’s…unhelpful as a thief,” said Marc, brow creasing. It was yet another example of Ma’at putting a child—already an issue—into further danger because they wouldn’t be able to get themself out of trouble.

            “It’s not all bad,” said (Y/N), shrugging and rubbing their arm. “I can tell when someone’s lying or telling the truth. That’s helpful.”

            Marc sighed and backed off. He wasn’t going to press (Y/N), not when they were so clearly uncomfortable. He knew all-too-well how damaging the stress adults could inflict on kids.

            “Alright. So you don’t care what we eat?” said Marc, going to a safer subject.

            (Y/N) shook their head. “I’ll eat anything. I just want to eat and sleep.”

            “We can agree on that,” said Marc. He wasn’t sure how to approach working with or even dealing with the teen, but he knew they both needed rest before they stopped Harrow.

            Whatever it took.

l

            (Y/N) and Marc ran across the roofs of Cairo, anxious to reach the one follower of Harrow that was ready to give up where he was. Unfortunately, the moment they pulled themselves onto the roof, two other men were stabbing him, and a third was keeping watch.

            “Oh, shit. You killed him?” said Marc. “We needed to talk to that guy. About a dig site. Guess we’re gonna have to talk with you instead.”

            “You’re two late,” said one man. “You’re never gonna find Harrow.”

            “Really? Kid, what do you think the truth of that statement is?” asked Marc.

            (Y/N) shrugged. “It’s opinion, but I think we’ll find him.”

            The man took out his knife and flipped it around, showing off his skills.

            Marc watched him and moved between him and (Y/N). “Oh. What, are we dancin’? We fightin’? What are we gonna do?”

            The first man leapt to the side, and the second attacked Marc. He blocked them and threw them into the wall while kicking another back. The third, a teenager, ran up to attack (Y/N), and they jumped back, dodging his knife attacks. Marc grabbed him and forced him to his knees. He raised his fist to punch the younger boy, but when he flinched, Marc relaxed and just struck him with his palm.

            (Y/N) blinked as they saw it. Something about it made them feel…safer around Marc. They’d seen what he was capable of, and to know that he knew when to held back meant (Y/N) could feel alright near him. (Which was strange in itself since (Y/N) never had an adult to trust after their parents)

            Another man came at them with his knife, and (Y/N) dodged, scrambling onto another section of the roof. The man slashed at them, but (Y/N) kicked him back into Marc’s waiting arms to disarm him.

            The teenage boy grabbed the knife as it fell to the ground and spat at Marc in Arabic, “in your face, foreigners!”

            He threw the knife at Marc’s face, and it barely missed. By this point, the first man had gotten back up, too, and it was three versus two again. The first licked his knife dramatically. Marc punched him before he could try anything. As he slumped backwards, the second man grabbed Marc and pulled him away. (Y/N) leapt onto his back and struck his head over-and-over until he let go and fell to the ground. (Y/N) stood between the teenage boy and Marc, panting but refusing to give up. Marc had helped them, and they weren’t going to let that go unrepaid.

            The teenager attacked (Y/N), and they blocked, hissing as the blade cut through the outside of their forearm. Still, they didn’t let up and kicked the boy back. Marc quickly got up and tripped him, effectively taking him down without causing much harm.

            The second man stabbed at (Y/N), and they rolled to the side to dodge, but he advanced again. Marc grabbed him and fought him back, pinning him to a wall and pushing his knife against his throat.

            “Marc. Stop it,” said Steven softly, afraid, from the reflection of the knife.

            Marc paused, and (Y/N) watched, glancing between him, the teenager, and the man he had trapped.

            “Marc?” asked (Y/N).

            Marc slammed the man’s head against the wall. “Where’s Harrow?” he hissed. He slammed his head against the stone again to make a bone.

            (Y/N) frowned and took a step back. Not Marc? The accent was all wrong, but (Y/N) wasn’t sure what to do. This felt stranger than Steven and Marc.

            “I-I don’t—” the man coughed, his airway constricted. “I-I won’t—”

            Not(?) Marc smashed his head against the stone and let him slump to the ground. “Inútil.”

            Useless, translated (Y/N)’s mind.

            Not(?) Marc tossed the man to the side and turned away. Without another word, he turned away and walked towards the exit of the roof. He passed (Y/N), paused, and grabbed their wrist, pulling them with him.

            (Y/N) had a feeling they shouldn’t fight Not(?) Marc and let themself be pulled down and out onto the street where Not(?) Marc called a cab. He looked around surreptitiously before pushing (Y/N) in first. Then, he slipped in.

            “Marc? What’s going on?” asked (Y/N) hesitantly, shifting away from the man beside them slightly.

            “Airport,” he said to the cab driver.

            “Marc?”

            Not(?) Marc groaned, and his eyes rolled back before settling. He looked around in confusion.

            “What…?” he trailed off as he saw they were in a cab. “Stop, please!” he said in Arabic to the driver.

            “You’re speaking Arabic, eh?” said the driver. “Why are you acting like a foreigner?”

            Marc looked at (Y/N). “Where were we going?”

            “You said the airport,” said (Y/N) cautiously.

            “I—no, I didn’t, I couldn’t…” He paused as he saw the teenage boy and man he’d fought exiting a nearby building. He opened the door of the cab and got out to speak to them. “Let me talk to you.”

            The two stepped back nervously.

            “Just let us go, man,” said the teenager.

            “That wasn’t me!” cried Marc.

            The teenager and the man made a run for it, and Marc took off after them.

            “My money!” shouted the driver.

            (Y/N) pulled out a couple bills, paid, and ran after Marc.

            They ended up in a marketplace, and the four continued their game of cat-and-mouse through the people and stalls, heedless of any obstacles in their way. Finally, Marc got his hands on the man and threw him to the ground to slow him down. He grabbed his coat and pushed him against the wall.

            He punched him in the stomach, and (Y/N) frowned as they saw it. They had seen terrible things in their life, but they were still getting used to it. They still disliked violence fundamentally, but they knew that when it came to Ammit, it was going to be unavoidable.

            “Where’s Harrow?” questioned Marc. “Where’s Harrow? Tell me!”

            “Marc,” said (Y/N), and Marc paused. “He’s not going to tell you. We already know that—Ah!”

            The first man from the fight on the roof appeared and struck them in the back of the head. (Y/N) stumbled forward, and Marc was distracted long enough to get hit by the man he had pinned, and he fell backwards.

            “Marc!”

            Marc’s unconscious body suddenly awoke, eyes bright and awake. In an instant, he was upon the men, attacking with reckless abandon. It was far more intense than anything else (Y/N) had seen yet. This was once again not Marc. This was violent, and it scared (Y/N). They took a step back, and the moment Not Marc sunk the man’s knife into his own side, (Y/N) made their decision.

            They couldn’t watch this violence.

            (Y/N) turned and ran. They ran until they felt safe, until it was quiet, until they had found an alley to curl up in and control their breathing.

            I can do this. I can do this. I can handle this, thought (Y/N), tapping their fingers rhythmically.

            “What are you doing?”

            (Y/N) looked up to find Ma’at standing over them. “I-I can’t do the killing. I can’t.”

            “It is your job to see the ugliness of the world so that others may be protected,” said Ma’at.

            (Y/N) flinched. “I know. I just-I couldn’t.”

            “You will have to learn to handle this,” said Ma’at. “Ammit will not hesitate to kill, and neither will Harrow. You must be prepared.”

            “I-I will be. I won’t run away again. I promise,” said (Y/N).

            “Good.”

            (Y/N) knew Ma’at was gone after she spoke, but the deity’s disappointment in her Avatar remained a burden on (Y/N)’s shoulders whether she was there or not.

l

            Marc looked around in confusion as the man’s body he had stabbed fell to the ground. He had blood on him, and he stood on a cliff overlooking Cairo. It was just him and the men he was fighting. Well, not anymore. The two men were both dead, killing by their own weapon by…Marc?

            He shook his head. “What…? Oh, god. Steven, what did you do?”

            Steven glared out from the blade. “I swear, that wasn’t me!”

            “Then who was it?” said Marc. His eyes widened. “And where’s the kid?” (Y/N) was nowhere to be seen, and an unexpected amount of fear flashed through him.

            “I don’t know,” said Steven, shaking his head.

            Before Marc could reply, the teenage boy from before moved, still alive. His leg was broken, though, and he could only drag himself back.

            Marc swallowed. “Where’s the kid I was with?”

            “Ask him about the tomb,” said Khonshu’s voice, and Marc straightened. “Take him to the ledge.”

            “He’s just a kid,” said Marc.

            “He’ll talk,” said Khonshu.

            Marc obeyed and picked up the teenager, holding him up near the ledge, careful not to let him drop. Marc had never been one to harm kids, but all of a sudden, the boy’s face because (Y/N)’s for a sickening moment, and Marc held onto his scarf all the tighter.

            “Where is Harrow?” he demanded, wanting this to be over with quickly.

            The boy looked down and back at Marc. “Praise Ammit.”

            “No, kid—”

            The boy cut his scarf with his knife before Marc could do anything, and he plummeted to his death. Marc’s eyes widened in horror.

            “Mm.” Khonshu barely reacted. “I thought he’d talk.”

            Marc nearly snapped and asked whether or not (Y/N) would think that was a lie. He swallowed his anger, though, and directed it on Steven—and himself.

            “What the hell’s wrong with you, Steven?” he questioned.

            “Me?” Steven’s reflection shone out of the side mirror of a car. “You’re the one going on a killing spree and scaring (Y/N)!”

            “I didn’t do any of this,” snapped Marc.

            “Me neither. Listen, if you’ve got a problem with the high body count, I suggest you stop listening to that bloody pigeon,” retorted Steven.

            “Stay out of my way,” said Marc, turning away. He cleared his throat. “Well, if we can’t find Harrow’s digging crew, we’re gonna have to stop ‘em another way.” He looked around. “I need to find (Y/N) first, though.”

            “Ma’at has an eye on them. You have no need to concern yourself,” said Khonshu dismissively.

            “Oh, yeah, because the gods seem so kind and worried,” muttered Steven in the reflection, and Marc was inclined to agree.

            He looked at Khonshu. “What about the other gods?” he asked. “Are they just going to stand by and allow somebody to unleash Ammit?”

            “To signal for an audience with the gods is to risk their wrath,” said Khonshu.

            “Why? What’s the worst that could happen?” asked Marc.

            “Anger them enough, and they’ll imprison Ma’at and me in stone,” said Khonshu.

            Marc tsked. “That doesn’t sound so bad to me.”

            “See how you fare against Harrow without the protection of my healing armor or Ma’at’s strength,” said Khonshu.

            Marc threw up his hands. “Alright. So what? Do you have any good ideas? If not, I’m going to find (Y/N), Ma’at’s ‘concern’ be damned.” He turned away.

            “I have a bad idea.” Khonshu disappeared.

            “Khonshu?” Even for the bird, that was unusual. Marc looked around, and his eyes widened. “What are you doing?”

            A dark shadow was crossing over the sun, blocking out its light in a sudden eclipse.

            “Sending the gods a message they can’t ignore.”

l

            (Y/N) felt the shadows rush over them before they saw the eclipse. They looked up in awe as the sun was blocked out.

            “Ma’at?” they asked. “What’s going on?”

            “Khonshu is risking the wrath of the gods,” said Ma’at. “There is to be a meeting of the Ennead.”

            “Can’t they help with Ammit and Harrow?”

            “They could. Or…” Ma’at’s eyes narrowed. “They could imprison Khonshu and I in stone.”

            “Have you two done something wrong?”

            “According to their nonsensical rules.”

            (Y/N) frowned. Ma’at never avoided speaking matter-of-factly, so to avoid speaking truthfully and twisting her words meant something significant. Still, there wasn’t much (Y/N) could do, and as a doorway opened beside them, (Y/N) knew that they had bigger problems at hand.

            (Y/N) stood, squared their shoulders, and stepped through the door.

            It was time to face the gods.

Taglist:

@jaytheaceenby

@severussimp

@dmitrytherat

@slytherinroyalty16

@grippleback-galaxy

@alexpangender

@thewittyfanficreader

@aew-kun-age-regression

@oscarissac2099

@amberforest08

@kyalov

@yyourmotherr

@im-making-an-effort

@the-toskaverse

[mono-dot-jpeg]

me, my boyfriend, and my 37 plushies - lifeweaver [p. niran]

summary; ah yes, me, my s/o and their 37 named plushies...

genre/extra tags; one shot/drabble(?), fluff, slight comedy, lifeweaver is a plant dad, reader is a plushie parent, silly things ensue ig

[gender neutral! reader]

word count; 326

a/n; haven't played ow in few, stopped playing a little bit before when the eldritch horror bp released and i havent looked back. so sorry that this was late. hope you enjoy

it wasn't hard to believe that you loved something so sweet and plush. your friends knew you love for all things cute, soft, and everything in between. and a plushie was the best example of cute, soft and everything you loved. well, mostly everything...

"niran."

"y/n."

"hear me out, niran. i need this." you hold your phone up to him, the screen bright and shining as it shows a plushie you have not obtained yet.

"what about your other little guys?" niran vaguely gestures to the pile of plush animals and inanimate objects all cuddled up in a corner of the bed.

"but look at 'em!" you almost push the phone closer into his face but he stops by holding your wrist gently with a tired grin. "it's so cute!" the plushie of your favorite animal remains on the screen as niran gives you a look. "it even comes with a matching blanket. a matching blanket, niran!" you swipe to the right, briefly glancing at the screen to make sure you're swiping correctly.

"my love, you have so many plushies and blankets that we would be hotter than the sun in winter."

"please niran. it's not that bad." you huffed. "i don't get mad at you and your sun room garden when you add another plant to the collection."

"that's different."

"is it, niran?"

you two have a stare off before you kiss him softly, putting him out of his stare.

"last one for this month, i promise." you tried to convince though you both were sure that you would want to buy another one before the end of the month.

he takes in a breath for a moment before letting out a heavy sigh. he's caving in.

"fine."

he caved in.

"i love you so much, niran. you know that? i'll even care for your plants this weekend."

"i love you too but i don't think you and my plants get along well."

"hey!"

[sadist1224]

A FREE IDEA FOR FAN FICTION

Sorry for the mistakes, English through translator.

In general, this post is for readers too, but mostly for the authors.

I'm too lazy to write a whole fanfiction, but I'm not too lazy to illustrate it, in general…

ROYAL AU!

I NEED A ROYAL AU!

I have already read enough medieval stories, and I have not yet seen such a plot, so I will summarize it briefly.

The main character is the reader /"Y|N"/ you are the indirect heir to the royal throne. That is, you seem to belong to the royal blood, but you are not close to the board at all. Your father is the king's cousin, so you don't have much chance to rule, and you don't need to. You and your family have been slandered in every way possible to keep your parents away from the capital and the palace. Of course, as a child you were in the palace, at balls and so on, but that was a long time ago.

You and your father lived on the outskirts, in a small estate with an adjacent village. You weren't poor, but you weren't rich either. You know what it's like to live in the common people, what hunger and disease are. You don't need the throne because you have a deep resentment and dislike for the crown, which is why your family suffered.

You had almost no childhood. Your father had his own crazy mission - to teach you everything he knows himself. Politics, economics, even military affairs and fencing. Sometimes it came to paranoia. One of his lessons turned out to be a disaster for you and now your back is decorated with a long torn scar (you can make up a story).

And one day, your father is called back to the capital. He doesn't tell you the reasons, but he's coming back after a month. Really sick. Over the next week, you had the feeling that your father had been poisoned. He's dying in your arms. Weak, exhausted, not like himself.

And a year later, 4 horsemen with the coat of arms of one of the most powerful clans in the kingdom come to your estate. 141, headed by the family of John Price. Along with him come the "dead knight" Simon "Ghost" Riley - his right-hand man and chief adviser, John "Soap" McTavish and Kyle "Gaz" Garrick (you can also add Roach and others here).

Price announces to you that practically the entire royal dynasty was killed in a coup and now you are the first in line to the throne. At first, you give up the crown and send them back, BUT then you agree.

1) Price uses blackmail (how exactly and what kind of blackmail is at your discretion)

2) You need to find out what happened to your father (the main reason you agree.)

3) You really don't have a choice (why?yes, the dick knows, we need to come up with)

FURTHER SPOILERS!

The irony is that you were chosen for a reason. The former king and his family were frankly terrible rulers, and in fact it was 141 who staged the coup (but the reader will learn about this as the story progresses)

Price's plan was to put someone on the throne, in the role of a puppet. In that case, he would have the power. And Price is not a bad person, he wants only the best for your country, but he cannot entrust its development to anyone.

That's why he chose you, but you ruin his plans almost immediately.

You're really taking control of the country into your own hands. You don't let yourself be controlled, you are constantly learning and developing. You're really smart! It is important! More importantly, you can't trust anyone from the royal court. After all, in addition to 141, there is another clan - CorTak (who is in charge of it, who is in it and what they do is up to you. THE ONLY THING is to add Koenig, I love him, and women, because without them there are only men in the palace).

Whether CorTak will be involved in the coup is also up to you to decide.

The main conflict can be tied to foreign policy. For example, Shepard is the ruler of a neighboring country, and his representative in your kingdom is Graves.

Maybe Shepard wants to take over your lands? Was he involved in your father's murder? ???

You can also add Laswell to your side, as an ambassador on your side.

A FEW HEADCOUNTS OF CHARACTERS:

JOHN PRICE

Cunning, smart, wise. Do not think that behind his "calmness" there is really "calmness"He has a good command of his face. A great political player, an excellent leader with his dark secrets and injuries.

Military, fighter, fencing at the highest level. Kapets is so strong. He can be mean. I'm used to achieving my goals. He usually avoids harsh immoral things, but when things "smell fried", he will do anything to protect his clan.

Did he have a wife? Maybe, but he's got a lot of mistresses. Rather, he is single, or frankly does not love the woman he married.

Really RICH. He's a lord or whatever. He has lands and he is one of the king's confidants, his adviser, even if the king is dead, John still holds this position.

She can blackmail the reader, and in principle, at first treats her with distrust and prejudice. After some time, he begins to deliberately annoy her, attract attention to himself and behave quite boldly (for example, enter her personal space). Sexual tension is 100%. But he's still a gentleman.

SIMON RILEY

I think he probably has an estate with a village, but most likely it is empty, or he is being looked after by several servants. He hardly ever shows up there.

Otherwise, it is a canonical rough, hard, cold Ghost, with its own backstory. He serves Price faithfully.

Sleeping with Johnny? I don't mind, we're all a bit perverted here.

JOHN MCTAVISH

Ahhh, typical Johnny. A funny guy, a fucker, shamelessly flirting.

He can run after skirts. He'll end up with Simon anyway. \(-_-)/

He has a BIG family. Right now, yes. I think he's from a small town in Scotland. Maybe Price found him?

KYLE GARRICK

The same story as with Sope.

I also have a family, but I don't think it's rich.

In general, sexual relations between 141 are welcome. Let's be honest, "141 x reader" is much more interesting when chemistry flows between all its members.

Speaking of love lines: 141 x reader + KorTac x reader.

You can put Vaqueros and Graves in here. I love everything, I like everything.

DESCRIPTION OF THE READER

I repeat that the reader is smart! This is really important! The reader is not naive, he does not have pink glasses.

Stubborn, arrogant, strong in spirit and character. responsible and independent.

He also manages his face well, but not at the same level as Price.

About 22-24 years old.

The reader has a lot of skills, but he will have to learn a lot more to run the country.

He doesn't like luxury. More for practicality than beauty.

She knows etiquette, can play the piano and violin, and she loves music, but she rarely gets to do it.

He doesn't like dancing. She's cold enough for balls and social evenings, but she can't do anything about it.

He reads solely because of the information. Uses any free minute for any activity.

He doesn't know what rest is. The guys have to forcibly drag her out for walks. She won't say, but she's grateful to them.Sincerely loves to laugh.

She can be sarcastic. I like to put people (especially those who deserve it) in an awkward position. It amuses her.

SOME SCENES THAT TAKE PLACE.

Damn, I can see how Price is sending Sop and Gas to convey some information to the reader, which is not very important, but he requires transmission right now. Imagine the guys' faces when they find you naked in the bathroom, sitting with your back to them, with a book in your hands. And in fact, you are not embarrassed by their presence, but begin to nightmare them, amused by their reaction. Or maybe Price won't send anyone, but will go looking for you himself. Or will it be a Ghost?

In general, I need such a story on AO3 or here, it doesn't matter. I just hope someone gets inspired by it and writes it. And also. Leave a link in the comments to the fanfiction, if any.

[spotlightlowlife]

Helluva Boss has responsibility issues - Stolas, Stella and Octavia edition

Yep, Stolas is likeable, in his own right and the fact that he's part of a ship, which is a formula to certain success. However we know Stolas, we don't know Stella nor Octavia.

Let's be honest, this drama started off pretty reasonable.

We had no reason to believe Stella had done anything wrong, when we met her in a flashback, what was there to indicate Stella and Stolas didn't like one another?

We even see them sharing a bed in that big whole castle.

Fast forward to the future and Stolas has cheated which lead to their bitter divorce, which is an unfortunate common case, Stolas is in the wrong, doesn't mean he's a monster who deserves the worst to happen to him. Stella on the other hand has put a hit on him, a horrible thing to do yes, but a random act of malice, no.

Yet the worst happened in making light of Stolas's very common mistake and pushing it onto Stella

Why do this? Why take away from his story, his tough decision making and the fallout from his actions, the loneliness he feels in his big dark home and the fear of retaliation? He was a complex character in the making and pretty likeable regardless of his questionable conduct.

He has been absolved of responsibility in an attempt to make him more liked than he already was.

He could have been sympathetic simply down to the unsuitable arrangement and being born to fulfil a purpose, something that seems a theme in his lineage.

Now he's another victim. A victim of years of abuse at the hands of this horrible volatile woman who humiliated him every chance she got who he had no choice but to put up with because arranged of the evil institution of arranged marriage. He initiated the divorce, easily, which would have to be on grounds of his adultery

so Stella moved out, but he had to put with years of this marriage, which had the clause of a child being essential, their child is 17.

Stella and Stolas get given the exact same sob story

yet where Stolas was a cute, innocent and inquisitive child who just met his first friend and crush in little Blitzø, Stella was an aggressive scary fiend from day one, so as Stolas grows up to keep some of his childhood attributes, where does this leave Sella? A mean girl at her core?

This is a absolutely what we get, a simply irredeemable villain, a dramatic woman scorned who put a hit on her ex, then when we learn more, she's elevated to a wicked woman who just loves the drama.

With Stolas being a victim now who deserves the transactional relationship with his first crush and Stella being a evil and proud yet probably set to be shadowed by her probably more padded out brother, we also have their neglected daughter.

We don't have any evidence of Stella being a bad or inattentive parent, just because she was a bad wife that one episode, but we also don't know anything about their dynamic, this rare example of a character having parents, having a mother and being of an age of dependency, but nothing.

One interesting thing about Stolas's backstory was that he appeared to have his own palace, no mother only staff, his dad visited and wasn't sure which of his children Stolas was but what he did know was that this particular one had that purpose and this business arrangement had been made for him. Loneliness and the realisation of dysfunction could have served as Stolas's personal conflict in choosing to upkeep the unsuitable relationship, rather than 'Stella is a meangirl'.

We are used to sad backstories, yet we have Octavia, a child being left behind in real time and as grown as she may seem, she's still a kid, yet she manages to be one of the most sensible characters in this.

On top of maybe knowing about the bounty on her dad (pity we never see how his hospitalization impacted on her as his technical only loved one)

and having to be reminded of his cringy hookups with Blitzø (that dirty talk over the phone in her presence, also the reminder that though Blitzø is our likeable leading character, he's someone deeply obnoxious by design) and the time he manages for him,

along with growning up amungst hostility, she is now a child of divorce, which shouldn't be a bad thing considering her parents open dislike of one another and their marriage being something forced, however there are other factors, the back and forth continues dispite her being old enough for neither of them to speak again, along with her birth alone being the contracts completion.

Yet she doesn't ask for much, a dad who's interested on the occasions we see her, hears her and sticks to their plans. She expressed no idealistic wishes for her parents to be back together nor did she feeling the need to know what their issues were nor pick a side and fight for it.

Her interests are in the stars and sky, Stolas's line of work.

When it comes to interest and investment in a subject that could go on to be her trade, Octavia may be up there with the sin leaders we have met so far. She has been show to want to learn and be resourceful, going as far as to sneak into IMP to steal back the travel grimoire in order go about alone a day out she looked forward to.

It wasn't as heartwarming as I'm sure it was intended to be when Octavia's very valid upset undermined by Loona, who truly doesn't know any better, who advised Octavia to cut her dad some slack, Loona who is in her mid 20s and proved that episode that a toddler has more reason and self control than her. But this was Loona's time to shine in her grow up moment before returning to her usual aggressive self, so that's that.

[joys-of-everyday]

On the fifty shades of morally grey

So quick thoughts on how MXTX writes morally grey.

Sorry, I mean, excessively long meta post on how MXTX writes morally grey. Light spoilers for all three books.

A gazillion caveats to begin with. Firstly, I don’t want to argue about whether character x is morally good, bad, grey, pink or whatever. In my books, arguing about whether someone is or is not morally grey is like arguing whether a colour is green, blue, teal, or turquoise – we’re arguing definitions. To add to that, I’m not saying that concepts like ‘this person is overall good’ doesn’t exist, but I would posit that a morally unquestionable person does not exist. Secondly, I also don’t want to pass moral judgements on any of the characters. That’s for a different post. I strictly want to focus on the storytelling techniques that make the reader think ‘hang on a second, are they good or bad?’. Thirdly, this whole post is mainly based on How Arcane Writes MORAL AMBIGUITY (9 Methods, 4 Rules) - YouTube. Great video, great channel (no knowledge of Arcane required). Would recommend if you are interested in story writing techniques!

1) The information gap and the poor narrator

Best example is Shen Jiu from SVSSS. We barely know anything about Shen Jiu. Almost everything we know is from SQQ’s notoriously unreliable perspective, so we’re left to fill in the gaps ourselves. Depending on exactly how those gaps are filled, you can get two completely different people. E.g. Did he have designs of NYY, or was he just ridiculously misunderstood? Who knows! We’re never told. Even if we were told, we should doubt it because it’s SQQ telling us.

2) 4D characterisation

Schnee’s video goes into this in more details, but this is where you build two narratives on top of one another. Best example is Jin Guangyao from MDZS. Is he an underdog who did what he could out of his situation and tried his best to be a better person working for the good of the common people? Or is he a selfish, manipulative, ambitious snake who at every stage pretends to be good in order to win the favour of those around him? The point is that both narratives make sense in the story. There are moments that lean more one way or another, but you can never quite pin him down completely.

3) Moments of weakness

Best example is Xie Lian from TGCF. On the whole, XL is a wonderful human being who you 100% want to root for. Except… there was that one time he made a mistake. He let his hurt and pain overcome him; he became hurtful himself. The point here is to add in just a few ‘moments’ which fundamentally impacts how the rest of the world perceives them from that point forwards. They are forever trying to redeem themselves, forever weighed down by what is a tiny proportion of their life. The underlying question is ‘is a moment of weakness a moral failure?’

Another good example is Qi Rong from TGCF. On the whole, he’s a piece of s***. But then there are moments when he’s a genuinely good father to Guzi, and that’s confusing.

4) Well-intentioned idiot

Trying to do the right thing and absolutely failing. Best example is Wei Wuxian from MDZS. His intentions are always good. There are extremely few moments where he is selfish or overly cruel. He is always fighting for justice, always self-sacrificing, always kind. And yet the outcome of his actions is pretty bad. The underlying question is ‘should you judge a person based on their intent, or on the consequences of their actions?’

(btw the name of the method is from schnee’s video. No shade on WWX. He is very smart… well, unless it comes to LWJ’s feelings.)

5) Excuses

Yes, they’re bad. But we feel sorry for them! Almost everyone fits into this boat, because doesn’t MXTX love trauma dumping? As one example, let’s look at Jiang Cheng from MDZS. JC’s behaviour towards WWX is pretty bad on its own. But given the context of his childhood being compared to him, of having his self-esteem brutally crushed by both parents? Knowing how much he’s done and sacrificed for him, how much he truly cared for him as family? It hits different.

A small point: ‘excuses aren’t enough’ we say a lot (and I agree, to an extent). But compare, for example, Jin Guangshan vs Xue Yang. JGS seems to be a power-hungry asshole for absolutely no reason. On the other hand, put XY in different circumstances and we feel like he might have been a better person. Just as food for thought, there was a Japanese monk Honen (1133-1212) who said: ‘The good person can reach the Pure Land, so of course the evil person can as well’. The point being that the people who struggle with anger and hate because of their circumstances are most in need of salvation.

6) World building and presenting hard questions

What is acceptable sacrifice in war?

Is it okay to make a super dangerous weapon for the sake of deterrence?

How much personal responsibility does someone hold for a lifetime of circumstances pushing them towards a morally questionable path?

What are the responsibilities of a leader – to do what is right, or to do what is best for their people?

The world of MDZS is imperfect. It’s full of horrors and disasters, as well as a mob of outsiders all trying to impart their opinions despite knowing little about the situation. An imperfect world presents unanswerable questions. We see the characters struggle with these questions, come to decisions, and make mistakes, all naturally arising within the complex world that’s been presented. 

TGCF does this most explicitly. We literally have Kemo and Pei Xiu arguing about the ethics of war and XL concluding that it’s a Hard Question. In fact, every backstory of every Heavenly Official presents a new Hard Question. I don’t know if I like this method over the more subtle style of MDZS, but I have Thoughts about the storytelling styles of both (long story short, I love them both for different reasons).

7) Worlds are colliding

A slightly complicated method that takes a huge amount of set up. To summarise, set up two arcs that we the reader both feel invested in. Then set up a point where the ‘good’ outcome of one is the ‘bad’ outcome of another. For MDZS, we have 1) JC and WWX’s brotherhood arc. 2) WWX standing up for justice arc. They’re both merrily developing all the way through the conflict with the Wens… right until the moment WWX has to make a choice: stand up for justice and leave JC behind, or to fulfil his promises to JC and turn a blind eye to the injustices against the Wens. The decision is a lose-lose scenario because of the way these arcs have been set up.

8) Spectrums, Spectrums, we love Spectrums

Gongyi Xiao is a cinnamon roll. As is Wen Ning and Quan Yizhen. Meanwhile, the Old Palace Master? Literally no redeeming qualities. Wen Chao? Absolute scum. Then there’s everyone lying somewhere in between. We like Lan Wangji more than JC (I think that seems to be the case for most people?) but we certainly like JC more than JGS. Having a spectrum of morality is important because it gives us reference points to contrast and compare. It also emphasises the moral greyness of everything, because sure, Mu Qing isn’t a noodle like Shi Qingxuan, but is he worse than White No Face?

9) Spectrums aren’t enough – adding depth

Almost all of WWX’s moral ambiguity comes from the fact he has hard decisions to make. And for each of these decisions, the outcome is murky. He developed a new technique to fight against the Wens, but at what cost later down the line? He defended the Wens and gave them a few years of life, but was it worth it?

Compare with JGY. JGY does a lot of good. He also does a lot of bad. The magnitude of both lists is ridiculous. Sure, you wouldn’t usually find someone who’s killed most of their family members in any way likable, but how often do you come across someone who literally ended a war?

So one way of creating moral ambiguity is to make each decision difficult, but another way to go about it is to just… make them do loads of things. Like loads of things. Good things, bad things, all the in between things. Judging each thing is not that hard, but then trying to judge the overall person based on it is extremely difficult.

10) Pulling from the real world

Often, moral questions in fiction is hard because (surprise, surprise) moral questions are just hard full stop. Idk enough Chinese history and culture to accurately pin down all of MXTX’s references, but things like stupid misunderstands leading to conflict, poverty and inequality, less than ideal family situations, the horrors of war… these are all things that happen irl. No matter how fantastical the setting, grounding moral conflicts in reality makes us feel more emotional and invested.

Anyway, I hope that was an enjoyable rundown! This is an imperfect list, so comments, criticisms, suggestions greatly appreciated!