#is good and makes the whole thing better for you! and all of us. just imo

[fluffylino]

angry sex with mean!dom minho

things get heated when the two of yall decide to have a petty argument.

-contains mature themes (minho is mean but its all consensual...sir kink?!?!?)

minho's pissed.

you're pissed.

the atmosphere in the apartment is beyond unimaginable. you came back from university, in a bad mood. sometimes people merely existing made you angry.

you couldn't explain it but you weren't in a great mood at all, and you weren't in the mood to try and make yourself calm down.

minho comes home, half an hour later. quietly entering and slamming the front door behind him.

not even bothering to keep his keys on the glass table with more care. walking right past you to the bedroom.

he has that look on his face when he joins you in the kitchen. drinking the water you had poured for him absentmindedly.

"wash the glass, will you" you mutter, sighing in exasperation. you knew this would only make things worse.

"what?" and his tone gets laced with irritation.

"i had a bad day, okay and i'm not in a good mood" you say to him. leaning back on the fridge.

"yeah? you think i'm not having a fucked up day too?" he spits back, crossing his arms, ready for battle.

"i never said that. stop being so bitchy"

"fix your attitude." minho warns. looking down at his feet before rolling his eyes at your behaviour.

"stop rolling your eyes at me" pointing a finger at him in annoyance.

"don't point a finger at me"

raising an eyebrow at you with a challenging look in his eyes.

"why don't you just go pick a fight with chan or seungmin"

you seethe out, not wanting to argue. if the two of you got more time to calm your nerves this wouldn't have happened.

"pick a fight? what the fuck"

he mutters under his breath. and it makes your eyes burn with tears. now he's mad at you.

"what fucking attitude do i have. i'm sick of dealing with people"

you raise your voice, exhaling heavily.

"and you think i'm not? i just had dance practice for nearly six hours and they told me i needed to do better"

minho says through gritted teeth. running his fingers through his messy hair.

"maybe you do need to do better" you snark back. wanting to get on his nerves just for the hell of it.

"watch what you say."

he warns for the second time and you take it as a challenge.

"or what? you're going to give me a lecture on how to..."

bringing your hands up to gesture quotation marks

"...fix my attitude?"

.

🐱

.

"not gonna fight back huh." your mouth opens to curse at him. and he uses it as the opportunity to pull you back.

ramming himself deeper into you.

"fucking brat"

minho grits out, fingers digging into the soft flesh of your sides. grip strong enough to have him holding you up singlehandedly if he wanted to.

"took it too far. i'm a bitch?" his voice shakes when your arms give in. falling face down into the sheets. back arched and ass up. the position makes things more sensitive.

"answer me."

you can't. teething at the pillow while you fisted at the soft bedsheets beside you. trying to ground yourself.

the feeling of his length pushing in and out of you with slow hard thrusts. torturing himself just to torture you.

"answer." eyes widening at the way he lays a sharp slap over your cunt. all while pulling out all the way.

"me."

sliding past your swollen walls with a filthy squelch. his force strong enough to have your whole body jerk forward. gasping in ecstasy.

you shake your head. or atleast try to, eyes rolling back at the strength he uses to meanly shove your thighs even further apart.

till you're practically presenting to him.

"open that smart ass mouth and use your fucking words." his tone dropping. theres a heartbeat of silence as he gives you a few seconds to answer him.

"ah- m-minnie"

moaning embarassingly loud when he slides his hand down the curve of your back. tugging a fistful of your hair, forcing you up on your arms. till you're on your fours.

"minnie? its sir to you. you don't deserve to even call me minho."

scalp burning with a mix of pain and pleasure.

your mind buzzing when he also gets on his fours. body pressing into yours from above.

"who's a bitch now"

minho says in your ear. brushing his lips against your earlobe. it sends a wave of heat straight to your cunt. throbbing uncontrollably around his dick.

the position has you thinking of how pathetic you are. cursing him out, only to be fucked like a dog from behind.

"are you my needy little bitch" hooking his chin on your shoulder. his arms on either side of yours.

thick thighs framing your smaller ones. you feel small under him. small and weak.

"y-yes sir" whispering softly. chest burning with humiliation. he clicks his tongue. not satisfied.

"speak up, mutt."

"yes sir...m'your needy bitch"

fucking the sentence out of you, in a way that has you breathless. arms trembling as you struggle to hold yourself up.

"taking it like you're in heat."

slowing his thrusts to roll his hips into yours. hitting that spongey spot that has you keening for him.

"next time you act like a fucking brat, don't expect me to be this kind"

he warns, subtly rubbing at the redness on your sides from how hard he was gripping your waist.

you nod vigorously. quietly mumbling apologies.

"is my needy puppy gonna take me all the way in her tight wet cunt hm"

.

.

.

"if i'm your bitch, you're my bitch" you whisper, lightly smacking him on the chest.

"i never said i wasn't a bitch" minho smirks, successfully teasing you.

"y'know i love you, right baby?" he mumbles, kissing your cheek lovingly.

"you're my cute little puppygirl or WAIT MY KITTY CAT!!!"

.

.

..

.

.

tada!

[reysdriver]

Apple Of My Eye | E.M.

You and your coworker Eddie finally do something about your longtime mutual crush when he asks you out after a wild day at work — line cook!eddie x waitress!reader fluff

warnings: customer service nightmares, reader cries over it, I think that's it actually

words: 4.8k

The last thing you heard before shutting the walk-in freezer door behind you was a pan dropping to the floor and Eddie cursing loudly at no one in particular. You sat down with your back against a sack of potatoes beside the vegetable shelf. 

The tears that pricked at your eyes were free to run down your face now that you were in the privacy of the walk-in. It’s always been a good place to cry or scream if you were frustrated at work. 

You were slightly startled by the heavy door opening, but you knew you shouldn’t be; other people worked here too, of course. 

It was Eddie walking in, looking frustrated, though his expression softened when he locked eyes with you. 

“Are you okay? What happened?” He asked, letting the door close as he sat down next to you.

You scooted a bit to make more room for Eddie, but still brushed him off.

“I’m okay.” You sniffled, looking down at your feet. “Don’t you have a whole bunch of orders to fill?”

“You know I’m never too busy for you.” He replied, which earned a smile from you. 

It was a true thing, Eddie would always take the time, even in the busiest of rush hours, to compliment you, or make you a special plate of fries, or just let you know that your makeup had smudged in all the haste. 

He never did it with anyone else, not to the same level, at least. All your coworkers used that as proof that he had a thing for you in the same way that you did for him, but you never believed them. 

“So, what’s wrong, sweetheart?”

There he goes, using that nickname that makes your heart soar. Now how could you not answer him after he asked as nicely as that?

“Some asshole got mad at me ‘cause I forgot he asked for no vegetables on his burger. He was calling me dumb and saying I’m a bad waitress and—”

“You’re not.” Eddie told you. “Don’t listen to him.”

 One look at Eddie’s pretty brown eyes told you he was being completely sincere, but you were still upset. 

“He was so mean, and he was kind of right.” You protested. 

Eddie shook his head. “Trust me, he’s not. You’re the only coworker I can stand, so you must be doing something right. Plus you just got your degree, so you’re not dumb.”

“It was community college, Eddie.”

“More than I have. Are you calling me dumb?” He nudged you slightly as he teased, and he was finally cheering you up. 

“No.” You shook your head, a bashful smile starting on your face. 

“Good.” He smiled too, happy that his mission of cheering you up was complete. “Now, I would wipe your tears, but my hands are probably covered in oil so I’m gonna need you to do it for me, okay?”

You nodded and used your index finger to wipe the tears under your eyes and on your cheeks. 

The line cook had his eyes trained on you when you looked up back at him, your eyes still glossy but your spirits higher. 

“How are you feeling now?”

“Better.” You admitted with a soft smile. “Thank you, Eddie.”

“Anytime, princess.” He attempted to stifle a groan as he stood up, then stopped before opening the metal door. “I’ll tell Robin to cover your tables for a bit, so don’t worry about getting back to work. You can stay here as long as you want.”

After thanking him again, he flashed you a smile before exiting the freezer room. 

You stayed sitting there, replaying the conversation you just had once over in your head. Once you felt you were composed, you dusted off your clothes and reentered the kitchen. 

Though, as soon as you left the freezer, you could hear shouting coming from the front of house and you knew exactly who it was. 

See, after Eddie left the freezer, when you were busy wiping your tears, Eddie rifled through the receipts to find exactly the guy who made you cry. Not that he needed it anyways, it was obvious who the asshole was when he walked out to the tables and saw some angry looking loser picking at his french fries. 

Now Eddie was in the middle of shaming the man in front of the whole diner. 

Customers had their heads turned to watch the public scolding, and all the staff had paused their duties to stare from the sides of the room as well. 

“What the hell’s the matter with you? You’re a grown man and you can’t even bear to pick some tomatoes off your burger? You need to whine about the lingering taste of fuckin’ lettuce and make your poor waitress feel like shit?!” Eddie shouted at the guy you were serving. “You better give her one hell of an apology, you hear me?!”

The man nodded pathetically, clearly shaken by the cook’s rant. He probably couldn’t muster up an agreement even if he tried. 

Robin, who you had stood next to while watching Eddie chew that customer out, turned to you. She hardly looked flustered at all, since she was used to the diner’s usual activities. 

“And you still doubt that he likes you back.” She whispered with a smugly raised eyebrow. 

Eddie looked around the room for a moment and noticed you were there. With an outstretched hand and a soft voice, he beckoned you towards him and the man at the booth. 

“Sweetheart, can you come over here for a second?” He asked, ever so politely. 

You obliged and walked over to him, holding your breath as the threat of crying again was still there. 

Standing at the end of the table, Eddie’s gaze panned from you to the slightly terrified man sitting down. 

“Now’s the time for that apology, dickwad.” Your coworker gritted. 

The man struggled to look you in the eyes as he stuttered out some words of regret. “I’m sorry— Er, I’m sorry for complaining about the burger and saying all that rude stuff, too. I shouldn’t have taken out my anger on you.”

The line cook looked over at you, gauging your reaction. “How was that?”

You nodded and flashed him a tiny smile, then told the customer that you accepted his apology. 

“Good.” Eddie declared. “Now I’ll go make you a plain, boring burger. And if you’re really sorry then this pretty girl better see a damn good tip when you finish your meal, got it?”

The man nodded meekly once again, and Eddie seemed satisfied with that. He walked back on over to the kitchen while you made your way to your other tables, and the rest of the diner resumed eating and conversing—definitely discussing what just happened.

For the rest of his meal, the man was nice to you. Avoidant for sure, but nice nevertheless. And when he paid, he left a whopping twenty dollar tip and left in a hurry. 

Now that the lunch rush was over, you checked the kitchen for Eddie, then Jonathan informed you that he was out back taking a smoke break. 

You thanked him, and headed to the back exit of the building where you knew the cook spent a part of every shift. Sure enough, he was standing right next to the door with a cigarette in hand. 

“Hey, princess,” Eddie said, exhaling a cloud of smoke away from you. “what are you doing back here?”

You smiled at him and fished the twenty dollar bill out of your pocket to display it. “That guy you yelled at left me a pretty nice tip. Here, it’s yours.”

He shook his head and held out a hand to gesture that he couldn’t take it. “No way, you deserve it. Fuckin’ least you should get after having to deal with that asshole.”

You laughed at his dismissal and tried offering again. 

“Come on, you practically mugged that guy to get this money, you have to take it.”

He looked at you with a slight grin, but you couldn’t decide if his expression was that of smugness or entertainment. 

“You can hold out that cash until your wrist falls off, I won’t take your money.”

You let out an exasperated sigh, sincere but still purposefully overdramatic. You put the bill back in your apron and quickly counted out ten ones that you had earned from other tables, then held those out instead. 

“You should at least have half. I can’t let you leave with nothing. If you don’t take it now, I’ll follow you around all day, begging you to take it.” 

Eddie cocked his head to the side and smiled. “As tempting as that is, sweetheart, I can’t steal you away from your job like that. I’ll take that money, but I’ll be spending it on you.” 

Your heart fluttered at Eddie’s flirting, which was far less subtle than usual. You had to bite the tip of your tongue to prevent yourself from grinning ear-to-ear. 

He reached out to take the cash, but he was still grinning mischievously. 

“With my half of the cash, I wanna take you on a date, if you’ll let me.”

Holy shit. You never thought he’d ask. And you had expected even less that he would ask in such a gentlemanly manner. Eddie was the type of guy to accidentally tell his boss to fuck off after coming into work hungover, not use the phrase ‘if you’ll let me’. 

“I’d like that.” You responded, way more chill than you had expected your reaction to be. “Anything you have in mind?”

“You trying to expose the fact that I’ve thought about this before?” Eddie smirked, which in turn caused you to blush even more than before. “What time do you get off work tonight?”

“Seven, and you?”

“Same. We can rent a movie and I can make you dinner at my place?” 

Shit, Eddie thought, I don’t remember the state I left my trailer in. 

He tried recalling how messy he left his home, quickly so he could take back the offer if needed. 

“Yeah, sounds great.” 

Too late now. But as nervous as he was for you to walk into his trailer and see a bunch of dirty dishes and laundry piles, the feeling of glee he felt because you said yes was trumping that a hundred times over. 

“Perfect.” Eddie said, stamping out his burnt cigarette. He opened the door back to the restaurant and held it open so you could go first. “After you.”

“Thanks.” You said, barely able to hide your giddy grin. “I gotta get back to my tables, but I’ll see you at seven.”

You both parted ways with matching smiles, hoping the rest of your shifts fly by faster than usual. For the rest of the day, you seemed to have an extra pep in your step while you waited tables. 

As seven o’clock approached, you passed off all your tables to other coworkers, told Steve and Robin you wouldn’t need a ride home, and headed to the washroom to fix your hair and touch up your makeup. 

Once you were satisfied, you headed to the locker room, where Eddie was standing casually against his own locker. His bored expression morphed into a bright look when he saw you walk in. 

“Hey.” Eddie said as you opened your locker and put away your apron. “Ready to go?” 

You nodded, and he opened the door for you once again. Such a gentleman when he wants to be. 

“So, any movie ideas?” He asked as you both got into his van. 

“Something fun.” You told him. “Maybe something like Ferris Bueller's Day Off or Splash?” 

“Anything you want.”

For the ride over to the video store, you listened to the radio—a station with both pop and rock—and chatted about everything under the sun. 

Once you got to Family Video, you headed towards the comedy section whereas Eddie got distracted by a display of staff picks near the front. He called your name, and you turned around to see him holding up The Texas Chain Saw Massacre with a simper. 

“This can be fun, don’t you think?”

You shook your head. “Not if we’re eating tonight. I’ll throw up everywhere. And that’s not the kind of thing that earns a second date.”

He put it down and walked towards the aisle you were standing in. “So you’re already thinking about a second date, huh?” 

You rolled your eyes and went back to browsing the shelves. Your eyes landed on a familiar favourite, so you grabbed it and held it up to show Eddie. 

“Clue, huh?” He raised an eyebrow. “I thought you said you couldn’t do murder movies?”

“No, I just said I couldn’t do that one. This one is hilarious and agreeable.”

“Alright. Hand it over, I already promised to pay for whatever you want.”

You give the tape to him like he asked and you both walk over to the cashier, a teenager who looked extremely disdainful about his job. Eddie pulled out some of the cash you had made him take earlier and placed it on the counter. 

Once the transaction was over, you thanked both Eddie and the bored worker, then you headed back out to Eddie’s car. 

“So, what meal are you going to spend the remaining five dollars and something cents on?” You asked him, buckling yourself as he rolled out of the parking lot. 

Eddie always hated his seatbelt, but he put it on after you—’cause of that damn new law they put in last year.

“I’ll put that in my pocket and save it for the next date. I already have all I need for dinner at home.”

You hummed, slightly surprised. 

“What?” 

“Nothing.” You shrugged. “I just wouldn’t have pegged you as a chef outside of the diner. You always seem like you’re done with cooking forever when you clock out.”

“You’ve got me there.” Eddie responds. “I only cook at home when it’s for someone else. When I’m alone, my meals are mostly toast and canned pasta.”

“So who else were you planning on cooking for? You said you have all those ingredients.” That was half teasing, half genuinely curious about Eddie’s personal life. 

“My uncle, actually. I cook him dinner once a week, mostly ‘cause it proves to him that I can eat healthy.”

“That’s really sweet.”

“What can I say?” Eddie shrugged dramatically. “I’m just a sweet guy.”

Once you arrived at Eddie’s trailer, he was relieved to open the door and see that his place hadn’t been left in shambles. The place wasn’t as neat as he would like for a first date—especially one with you—but it was good enough. 

“So, this is it.” Eddie said, arms outstretched like a real estate agent. “You want a tour or is that just for stuffy old people?”

“I’ll take a tour.”

Eddie was kind of hoping you didn’t say that. The trailer was small and he was a little embarrassed. But he supposed it was his own fault for asking in the first place. 

“Alright. Here’s the living room, it’s where I smoke and watch TV.” 

You let out a giggle at the bluntness of his tour. He was glad his joke (half-joke) didn’t fall flat. 

“And you can follow me three feet to the kitchen, which is where I make good meals for others and crap for myself.”

He opened a cupboard full of canned food and snacks for the realtor effect, then did the same with the fridge. He waved a hand near it like a magician showing off a box that no longer contains a woman in a sparkly leotard. 

“We can then move on to the bathroom. It’s got a shower with mediocre water pressure, a pretty average toilet, and a sink that’s covered in toothpaste—don’t look at that, actually.”

You kept walking to the only other real room in the trailer, his bedroom. It was about the size of the kitchen area, and it was very distinctly Eddie. All the walls were covered floor-to-ceiling in posters for metal bands and movies he likes, every surface was covered in snack boxes and ashtrays, and he had one incredibly cool guitar hanging in the middle of his wall. 

After staring at the room for so long that you probably had at least one wall memorised, you and Eddie both realised you hadn’t spoken in a while. 

“This is where the magic happens.” Eddie said, not quite as smoothly as he was going for. 

“The magic?” You teased. 

He thought for a second, then clarified. “Not that kind of magic. I just make music and write Dungeons & Dragons campaigns.”

“That can be pretty magical.” You shrugged. 

“Yeah, but not as magical as the dinner I’m about to make for you. If you’re not excited already, you should start.”

You both left his bedroom and Eddie instructed you to relax in the living room and turn on the TV to something you could use as a backdrop while Eddie cooked. 

While he made dinner, you sat comfortably on his couch and chatted with him from the other room. You got to know each other, more than you do at work. Eddie told you about his band and how they play at The Hideout, you told him about your time at community college and your friends outside of the diner. 

“Alright, soup’s on.” Eddie announced, setting two plates on his kitchen table and inviting you over. “Actually, it’s not soup, it’s chicken parm.”

“I appreciate the clarification.” You sat down in the seat closest to you. “It looks good. Smells amazing too.”

And it really was as amazing as it seemed. Although you were no stranger to Eddie’s cooking, all you’ve ever had made by him was diner food. Of course, the diner food was great, but this was another level. You weren’t sure what set it apart; maybe it was just the quality ingredients and lack of yelling while cooking. 

Once your plate was almost empty, Eddie asked if you wanted dessert too. You were slightly confused as you hadn’t seen him make any dessert to go along with the meal, but you agreed anyway. 

“Did you make dessert?” You asked after he stood up. 

“Nope, but I’ve got all the ingredients, so I can make it now.”

“Oh.” You suddenly felt bad, even though he already offered and went through with making you food. “Well, I don’t want to put you out. We can just watch—”

“It’s okay. I don’t have the ingredients for anything fancy. Just the simple stuff.”

That made you feel a little better. You were still curious, but for a different reason now. What could Eddie make quickly to pair with that fantastic dinner. 

You watched as he pulled out Oreos and gummy worms. Was he making a child’s favourite snack as your dessert?

“What are you planning there?” You asked him. 

Then you saw him open the fridge and pull out chocolate pudding cups, then it all clicked in your head. 

Holy shit. Worms and Dirt. 

That was absolutely not what you were expecting, but it was definitely a welcome surprise. 

“I was thinking about just serving up sliced apples and peanut butter along with some cheesy pick-up line like ‘you’re the apple of my eye’, but I figured that would scare you away.” 

“I don’t think that would scare me away.” You told him. “In fact, I would have found it cute. But I’m happy with the pudding.”

Eddie was quite flattered by that, though he tried hard to not let it show. You could definitely see a blush on his cheeks and the corners of his lips turning upwards, as much as he covered it up.

“You ever had Worms and Dirt?” He asked, opening up the Oreo pack. 

“Yeah.” You answered from your seat at the table while he scraped off the cookie filling. “My mom used to make it for me when I was a kid.”

Eddie stopped preparing the food for a second as he turned and gave you a genuine smile. 

“Me too.” 

After that, Eddie went back to making the dessert, the happy expression still lingering on his lips. 

“I’m almost done, do you want to pop the movie in while I’m finishing up?”

You nodded, then waltzed over to the living room to start up Clue. While the opening credits rolled, Eddie took a seat next to you on the couch and spread out a couple bowls and several pudding cups on his coffee table. 

He handed you a spoon and gestured to the setup in front of you two. 

“I figured we could do like a make-your-own thing, just ‘cause I always find one is never enough, and then you can choose your portions, you know?”

You hummed in agreement. “It’s a pretty good idea.”

Eddie then pointed to the bowl in between the cookie crumble and gummy worms. Inside that one was the creme filling he had just scraped out of the Oreos. 

“Oh, and that’s for you.” 

Just like Eddie earlier, you were super flattered but didn’t want to show your cards. You thanked him for saving you the best part, and then the two of you made your desserts and brought your attention to the movie. 

Somewhere along the way while watching it, you and Eddie had moved from your spots on opposite ends of the couch to meeting somewhere in the middle, wrapped up with each other. 

You were pressed against his side with a hand on his back and an arm around his abdomen. He had his arm slung around your shoulder, and you liked it. He liked it too. And truth be told, you had both pictured yourself before in this exact position—among others. 

As Wadsworth dramatically ran through each murder and event of the night, Eddie subtly looked down to see your entertained expression trained on the TV screen. 

Even though Eddie quite liked the movie you were watching, he liked you more. He was trying to think of a way to make a bigger move on you instead of actually paying attention. 

He was about to do it too. Just as his hands started to wander, there was a knock at his front door that caused you both to back off of each other and turn your heads that way. 

“It’s probably just some kid looking for weed. I’ll be back in a second, you don’t need to pause it.” Eddie told you as he stood up.

“Okay. Hurry up or you’ll miss the ending!” You told him. 

He opened the door and sure enough, it was a kid looking for weed. Some high schooler, maybe seventeen years old. In one hand, he had a couple crumpled bills, and the other one was in his pocket. 

“Someone told me to come here for… stuff.” The kid said to Eddie. 

“Okay, how much do you want?” Eddie replied. 

The boy looked confused, thinking it through. 

“I don’t know.” He finally answered. “I was just told to bring money.” 

“Okay, well I’ve got someone over and you’re wasting my time a little bit. How about you just hand me that money, and I’ll bring you whatever that’s worth?”

“Okay.” 

The kid handed over the cash and Eddie told him to stay at the door while he counted the money and walked over to his bedroom. 

He came out with a small baggie in his hand and flashed you a quick apologetic grin before facing the kid again. 

“There you go. Enjoy.” 

Eddie shut the door behind him and walked back to the couch to sit with you again, just as the movie was wrapping up. 

“I’m sorry about that. I was hoping tonight could go interrupted, but that’s never the case, right?” 

“Yeah, it’s alright. I didn’t know you still dealt.”

The staff at the diner was pretty close-knit, and you had heard lots about Eddie selling drugs in high school, but you had figured that was in the past. You weren’t judging, though. People do what they can to pay the bills—you were both working in a diner at the edge of your crappy town, you know all about that. 

“I don’t really. Just from time to time, I guess.” Eddie shrugged. “Does that bother you?”

“No. Everyone’s gotta do what they can in life. I don’t have a problem, as long as you’re okay with it.” 

“Cool.”

You both just looked at each other for a second, not sure what to say now. Eddie missed the perfect opportunity to make the move he wanted to make on you earlier, and now the movie was over. 

You both silently cursed yourself for not doing what you really wanted to do earlier, but the mood was interrupted by a kid at the door wanting to get high. 

Although you wanted to stay at Eddie’s place for longer, you knew the night was coming to a natural end. 

“I should probably get home soon. I have work in the morning.” 

Eddie was mentally kicking himself for not doing anything earlier, but he definitely wasn’t going to try and convince you to stay since he was aware how that could make him seem. 

“Yeah, okay. I can drive you home.” He stood up and grabbed his car keys from the counter. “You know, Steve’s probably already getting his beauty sleep or something.”

You thanked Eddie and strolled over to him, who was holding the door open for you. 

The two of you walked out to his van, and you slid into the same seat where you had begun the evening. Eddie sat down next to you and flashed you a quick smile before starting the car. 

The ride back to your place was, for the most part, quiet and awkward; it was a sad change from the chemistry you were feeling just an hour ago. 

When you arrived back home, Eddie stopped the car, but you spoke before you got out and the night would be officially over. 

“Thanks for tonight, Eddie. I think we should do this again.”

He looked flustered for a moment. It was no more than a second, but you caught it anyway.

“Well, thanks for saying yes, sweetheart. Are you doing anything Sunday?”

“I have a shift in the morning, but I’m done by the early afternoon.”

“Perfect.” Eddie smiled. “I’ll think of something for us to do then.”

You unbuckled your seatbelt as you badly masked a grin. 

“Okay. It’s a date.”

Eddie opened the door on his side, and so you followed suit. 

“You want me to walk you back?” Eddie offered. 

You stood a foot and a half away from Eddie beside his van and looked back to your apartment building. 

“Steve and Robin are probably pressed against the peephole right now, so I don’t know.”

Eddie ran his hand through his hair and shook his head amusedly. “Ah, I see. You’ve already got people looking out for you?”

You hummed, biting your lip softly. 

“So…” You trailed off. 

“So?” Eddie raised an eyebrow. 

That’s when you finally took your chance. You leaned forward and pressed a kiss to Eddie’s cheek, just by the corner of his mouth. 

You backed away, and Eddie seemed flustered but happy, so you knew it went well. 

“Thanks again. I’ll see you at work, yeah?”

“Yeah.” Eddie said quietly. “See you.”

It wasn’t often that Eddie flustered like that. Usually he was calm and collected, or at least yelling, if we’re talking about being in the kitchen at the diner. But very rarely did Eddie blush, and that’s exactly what he did after you kissed him. 

He guessed that it made a lot of sense that you could be the one to make him feel things that no one else can. 

Eddie watched as you walked over to the front of your building and gave him a wave before going inside. His thoughts were moving so fast, he can’t even remember if he waved back. Damn, he hopes he waved back. 

Then, as soon as you were inside and you were both out of each other’s sight, Eddie had to let out his excitement. He took a step out and threw his head forward, shouting at the top of his lungs. 

He stopped the moment he realised you might be able to hear him, and quickly went back into his van. Then he started shouting inside the privacy of those metal walls. 

Eddie was really excited about seeing you tomorrow. 

Little to Eddie’s knowledge, you were just as excited as him, if not even more.

[sassypotatoe1]

Oh by the way I once attended a writing seminar in early high school and the journalist/author presenting it insisted that you have to keep a notebook on you at all times and write down EVERYTHING that even remotely grabs your interest. Like yeah you'll end up with a notebook full of "this guy at the coffee shop tried to carry 4 drinks without a cup holder and absolutely ate shit and then asked for a mop so sadly you could almost physically see the rain cloud above his head" but you also now have a great way to describe a similar scene in your book.

My postgrad writing class had a vignette assignment, and the task was to make the most boring setting sound as interesting as possible in 300 words. I won, because I wrote about the security guard at the cafeteria checking till slips and how tired everyone looked because it was exam season, like much better than that though, and people were actually shocked silent for a good 3 minutes after I read mine aloud.

Anything can be a good idea, it just depends on the value you attach to it and the effort you're willing to put into it. I made a vignette about a security guard checking receipts sound like Shakespeare (in the words of one of my classmates) because I didn't say "the security guard diligently checks every receipt as students leave to continue exam prep" I got his name and said "as tired as the students are of repetition and reviewing this time of the semester, they don't hold a candle to Steve, who faces the repetitive reviewing of students' receipts every day for the whole year and never fails" and like, is it my best work? Nah I was exhausted and it was exam season, but I managed to use the humanity of the experience to give life to my writing. I wanted to do Steve justice, so I gave him life in my writing.

Any silly little idea you've ever had has value, it all just comes down to whether or not you choose to pursue it. I like older fiction writing because a huge chunk of it is exposition, and it's floral, and I know that's not everyone's thing but I absolutely love reading about Elvira's drive up to her cousin Jeffrey in her old blue Ford fiesta, with her mongrel coward dog in the back seat.

A lot of modern writing forgoes exposition because the current trendy assumption is that people don't want to be explained at when they read fiction, and that people's attention spans are too short for exploring the mechanics of a world and they just want to get to the plot, but I think there's value in talking about the guy eating shit with four drinks in hand and asking for a mop, even if it has no bearing on the plot. It gives your story life, and it does the people you base it on justice.

The Shape of Ideas

[cuthechicane]

Full paywalled version of Lando's interview with The Race

Lando Norris recently sat down with The Race's Scott Mitchell-Malm for an exclusive in-depth interview about his 2024 Formula 1 title bid, taking on Max Verstappen and how fans perceive him.

You can read Scott's take on how Lando presented himself on The Race website today, but here's their conversation in full:

The Race: How do you look back on the year so far? Purely from a numbers point of view, you'd surely have taken that at the start of the year. But in terms of how it's played out, is there any kind of sense that there was a bit more on the table, missed opportunities?

Lando Norris: Err…for sure. I think that's quite obvious. Not as many as people think. And I think people in general think it's been a lot worse than what it's been. I think a lot of people think we've been a lot quicker than we have been. So I'm sure a lot of people will disagree with it. But I think those times, it’s a compliment that people think that, because it shows how far we've come. And I'm proud that in those days, whether Singapore or Zandvoort, I've still been the one that's there and making the most of those opportunities when we have a car that's quick enough. 

But there's clearly ones that we've definitely let things go away, which is Silverstone, Canada-ish – I wouldn't say completely. Maybe one or two others. But I think the other ones are the ones that people want to believe were bad for different reasons. Whether it was my starts, and those days when the starts have been ‘bad’ that everyone says, I've generally still been in the top three, four, five of starts. Even on those days. If you look at Barcelona, when I had a 'bad' start everyone says, the best starter in that race was Max. And I think I was like the third or fourth third best starter on the grid. It's just I happened to be next to the guy who got the best start.

The Race: Who wasn't the guy who ended up leading into Turn 1 anyway...

LN: He was the guy who had the seventh or eighth best start! The other one I’d say was a bit more unlucky was Budapest, where my initial start was very good, a tiny, tiny bit too much wheelspin and a downgraded upshift, and that kind of cost me that. So I think it's been better than people have thought. There's definitely been some missed opportunities, that's a fact. But I'm very happy with my whole season. I still feel like I've got a lot out of it. Things have not just gone to plan. Even if you go back to Austria and things like that, a race that I could have been first or second, whichever way around you want to look at it, I ended up with zero points. There's been certain races which have gone away from us. 

The fact that we're still there fighting, I'm pretty happy with the whole season that I had, because it's clear when things do go right, how amazing that they can be.  It's been still a big learning year, even though it's my sixth year and all of this nonsense, I still have to learn how to drive the car in a better way, because I still don't understand it at times. How we have to drive our car has changed a good amount, and I still have to adapt to that. Some days it doesn't suit me, some days it does. So I think it's still been a very good year, and from the outside, I understand why people think it hasn't been. And I completely almost agree with it! But once you know reasons why, of different things, I'm still pretty proud of the season it's been so far.

The Race: There's a difference between how you imagine it being when you get a car that's quick enough to fight every weekend, and then obviously what it's really like. You've learned some things the hard way, so what's that actually been like?

LN: It's been good for me. Whether I'm racing the likes of Lewis a bit more, or Max is probably the best example of all of them...Charles, Carlos, George, to be honest, all the drivers who are up the front because they deserve to be. Thing is suddenly, when I'm racing them, I'm fighting them for a win. So not coming out and doing a perfect job against these drivers, mainly Max in this case, means I win a race or I don't win a race, and therefore it hurts a bit more and it feels like there's a bigger effect to it all. 

There's more criticism or praise, whichever way around. You win, suddenly you have a lot more praise. You do one mistake, you suddenly have a lot more criticism. But I think both are good things, because people either want you to do well or they want to stand out because they want to be someone that criticises you even more. Both are compliments in ways, and I've enjoyed both of them. 

But I've paid the price, more so in terms of a championship point of view, when I’ve not done things to the correct level. And I think there's so many things that have been great, and have been completely up to the standard that it needs to be. A couple of things have not been. And I paid the price for those situations, because I'm going up against, whether it's Red Bull or Mercedes or Ferrari, on top of being strong teams, great drivers. You get punished more at the top when things don't go right than you do when you're more midfield.

The Race: There's a quote from a few years ago about Lewis Hamilton only having to beat his team-mate, in the context of a dominant team. That's exactly not the situation that you've had this year. But in terms of execution, finding out how hard it is to make sure that every single qualifying session, every start, every judgment in the race with the team – what's that been like? Because I can imagine that idea that 'once I get a car that's quick enough, I'll do it'. 

LN: First of all, I would never think that! For anyone who knows me, that's definitely not how I think. But I would say it's as tough as I've imagined because so many things can still easily go against you, even when you have the best car. Make one mistake in a Q3 lap, you're not on pole when you should have been. You don't have a perfect start when the guy who starts P2 does a perfect start, you’re P2 when you shouldn't have been. 

There's been a couple when we were so dominant – like Zandvoort – it doesn't matter if you made the mistakes at the beginning. You can come back through and you can still dominate and easily win a race. But for the majority, when people think we've had the most dominant car ever, those positions [lost] have just been costly positions. I’ve been on pole by three thousandths or five thousandths or two hundredths, and those positions are positions that just stay for the rest of the race. 

But I've always known that – it’s always just the harsh reality of when you're there, and actually you're living that situation, it’s tough to then always be positive for the next race and things like that, and know when things are going to get better. It's been a learning point, still for me, but even for the whole team, whether it's mechanics, because they feel a bit more pressure when we're leading a race compared to when we compared to when we were 10th, or the engineers because the last pole was split by three thousandths, or one hundredth of a second. Everyone wants to play a part in that, but also feels the pressure of it, including me. I think everyone's dealt with it very well.

The Race: We've seen with various drivers, whenever there's a clash with a popular driver, someone ends up getting pelted on social media. But I don't think I've seen a driver with such a negative narrative against them as I’ve seen with you this year...

LN: Yeah, I don’t know why.

The Race: You’ve noticed it as well. How do you feel about that?

LN: I find it…I find it's a little bit weird, because I read all those things. I wouldn't say I'm affected by them, but I do think of them. Do I think it affects me negatively? No. Because I've actually been used to doing that for a while. I've learned how to read things and choose what I want to affect me and almost help me be better or choose what I just want to let slip away, and I just read it for the fact of reading. 

Certain things I’d say I don't understand how people have gotten that perception. And that's when I always just have to come back to the people who know me, know that this isn't the case. And I'm very happy just knowing that as a fact. There’s certain things when I'm like, people think my ego is too big or something, it couldn't be further from the truth - especially when I'm driving. Maybe sometimes I choose wrong words or something, and people somehow use that against me.

But I think there's more and more people in the world just either don't want to listen to the truth and sometimes I think when I say the truth or facts, people just don't want to agree with them, or they want to disagree and kind of prove me wrong. But I find it odd as I feel like I haven't changed. Maybe I have, in certain things. Definitely some things have changed. I definitely don't go around and joke and laugh as much as I used to, and I think people loved that and maybe don't like it as much now I don't do such a thing. But I’ve definitely noticed it, for whatever reason. 

The Race: It's stuff as a driver, not just you as a person. You mentioned the idea you’ve got a dominant car stuff but it’s also your championship credentials and stuff like that. Maybe some people just want to just stick the knife sometimes, in a way that I personally don’t understand.

LN: Neither do I, but it's why like I always say, it doesn't affect me. I see it still as if I know I said something or I've done something wrong, I accept it. I've always been honest with when I've done a good job and done a bad job. So when I know I've done something wrong, or someone tells me I've done something wrong, I'll always accept it and acknowledge that in the right way. But when I know for a fact I haven't, and people kind of make things of it or turn it into something where I have, there’s some kind of stuff I don't understand. Especially the amount of negative stuff I get nowadays, I almost want to say for no reason. 

It puzzles me a little bit. Doesn't affect me in a good way or a bad way. People can have their own opinions. And I'm all up for people having their own opinions and supporting different drivers and not supporting me – I'm very happy about that. But turning things that are not true into what they think are facts is probably stuff that I don't understand as much. And it's confused me a little bit, but I don't think it affects me in a bad way. I do think of it because I'm an overthinker, and I think of all of those things, so I'll question myself about all of it. But I wouldn't say it affects how I go out and drive the next day all of a sudden, or anything like that, which is the main thing. 

I think it's turned into being a bit of a part of… I don’t have to read any of it, you know? So I can also not have social media, but I enjoy it still. It'll still affect me on days, but it's not like it affects how I go racing or anything else, so I don't mind. I just don't like when people have the wrong opinion about me. Because I don't mind people having different opinions, but stating incorrect things is probably the thing that I don't understand, and probably the thing that gets to me the most. But it doesn't affect my day to day life at all. And I'm very happy with the people I have around me, my group.

They're the people who are being more honest with me about when I'm doing well or when I'm not, or whether I'm being a dick, and when I'm not. I prefer people to tell me that, than not to tell me that. The reason I really don't care about what people say so much is because I know the people who actually most know me best and are most truthful about everything are just the people I have around me, and I’ll listen to them more than I'll ever listen to people on the outside.

The Race: One final thing as we sort of got side-tracked there: 18 months or so ago I interviewed you in Australia which basically turned into an opportunity to justify your new contract, because the team was in a bad place and there was a lot of noise. You always stuck to your guns. How vindicated do you feel by this season, and how excited are you for next year, because both titles have got to be the aim?

LN: That's very clear. We all as a team know that next year is the year, probably the first one since I've been in Formula 1, where I can go next year ‘We are challenging for the title’.  And we can say that now already. We've never been able to do it in the past. I'm very happy that I've stuck with the team that I believed in even when a lot of people didn't. I'm very happy that I just had that belief in the team. But also just for all of that to actually come true even when it was hard to believe at times. When we could take kind of two steps forward and then step back, and then catch up and then drop back. 

There were times when I did question it for sure, on what's the best for my future and what do I want to do and those kinds of things. But for me to always return to the belief that the team around me, whether it was Andreas [Seidl] a few years ago when we took a step forward, for sure – but then Andrea [Stella], for me, has been the key to everything. And the fact we've been able to go from where we were to beating Red Bull, when not even 12 months ago they had the most dominant season...the fact that we're now beating them, we've been beating them almost since Miami-ish, and we've been on par with them since Miami, that’s an incredible achievement. 

I'm very happy that I've been part of it all. I'm happy that I stuck through the harder times when I easily could have picked an easier route out of it, could have gone to different teams and done all this other stuff. I feel like I've rewarded myself nicely for having the belief in the team, and I think the team understands that too - the journey that we've been on together - and I think they appreciate that, which probably makes me the happiest out of all of it.

[ohnoitstbskyen]

One of the more interesting theories I've seen is "The Arcane is a metaphor for The Narrative, and Act 3 is about the characters breaking away from the path the Arcane set for them". (Admittedly, there's still a good chance that they're going to become something close to their League selves, but for the sake of the fic, "League Canon" is different from "The Predetermined Path The Arcane Has In Mind".)

I mean, that's definitely A Way™ to try and thematically integrate something like Ekko's time travel into the story... but I don't think they should or will do that, because it kinda flies in the face of everything Arcane has otherwise been about.

Arcane has been about how class and systems of power push people to act in certain ways, it has been about privilege and deprivation, it has been about how cycles of violence and trauma forcibly replicate themselves under oppression, and it has been about the ways in which all of those things can push people to become the worst versions of themselves with the absolute best of intentions.

See Silco and Vander both acting out of love for their cities to try and make the best future they can for their children and fellow citizens, and the consequences of both their methods. See Viktor and Jayce trying their damndest to invent something that will make the world better, vs the pain and devastation their Hextech causes in the world.

Season 2 goes HARD on this too - Caitlyn being enabled and very actively pushed by her class position to turn her grief and trauma into authoritarian oppression, Vi letting guilt and obligation push her into becoming a part of it "for the greater good" because she's desperately trying to live up to what Vander taught her by example.

And saying "ah, no wait actually, it is The Narrative Of The Fiction that is causing this to happen to us!" very badly undercuts all of that. The whole narrative up until this point has been about how bad systems make monsters out of good people, and to pull back the curtain, Wizard of Oz style, and find that it was just A Guy doing it, some wilful entity imposing a narrative on the world... that's a very different kind of story.

At worst, it would turn Arcane into metanarrative wank - a corporation jerking itself off over its IPs and cinematic universe, or writers jerking themselves off over how important and powerful writing is, why, it is the most powerful force in the entire world of our fiction! (looking at you, Game of Thrones Season 8).

From the very start, what I have feared the most is that Riot would turn Arcane into a story not about its characters, but a story about the League of Legends™ family of exciting and highly engaging intellectual properties which we are excited to leverage in a cross-brand synergistic market activation. A story whose ultimate point is "buy League of Legends skins and get excited for Phase 2 of the League of Legends Cinematic Universe!"

So yeah... I would like The Arcane to be a thing inside of its own universe and bound by its rules, not a thing which represents the commercial concerns of the world we live in. I hope you are not correct about that interpretation.

[scentedluminarysoul]

Yeah, gotta say as well, I'm not super excited to post new chapters sometimes. Like, I get comments, and it's great, some frequent flyers. But only on day one or two, rarely later. And then I just. Tend to forget honestly. Life goes on. And I think, maybe people just don't care.

But then I get a new comment, whether it be a newcomer or "an old friend" who's rereading, and I immediately want to publish more to get their opinions

But man. Even when I ask what people thought? Barely anyone says. I want to hear what you loved, what you didn't, what theories you have!

And I think this is in part due to creative work being reduced to "content". It's content people consume and then go to the next piece of content. People don't engage with fandom anymore. I'm old, I've been in fandom for 20 years, and it was so different back then. Now I have people just telling me to update, or asking why character X did Y. Dear readers: that's for you to ponder.

So I think in part it's also the erosion of good TV shows, actually. Used to be we had 22-24 episodes and the story unfolded slowly, questions left unanswered. Now? Shows drop all episodes at once, and only 6 of them, so we gotta speedrun, and we better explain everything every five minutes for the people on their phones.

Anyway, sorry, rambling.

Point is:

Tell an author that you liked their story!

If you're shy, or don't speak the language, that's fine! I have regulars who only comment emojis, or who comment in their native language (Spanish, Russian), or run their comment through translate to post in English.

It's fine! Emojis show emotion. And translators exist!

Just please, as a writer, I beg of you:

Comment.

Don't lock yourselves away, discussing a fic. If you like it, let the author know!

A friend of mine also spent so much time and effort plotting out a huge event in their fic, the grand finale, 30k+ words over multiple chapters, and they received barely any feedback. They were so bummed out and almost quit and deleted. They were depressed about it. And it was so good! You could tell they put so much soul into it to make it perfect. It just sucks when people don't say anything.

I often lack the energy for a long comment, so I'll just drop a short one. "I loved it! Thank you for writing!" and sometimes I go back later and leave a longer one when I have the spoons. But I want to leave something, because I know how it is

Because here's the other thing: fanfics aren't social media. You can still comment on fics that are finished and years old. I've seen people write new chapters on abandoned fics because of a single new comment!

Fandom creators provide fanworks for free. We put our heart and soul and whole pussy into it. And all we ask for in return is a little bit of appreciation

I apologize again for the rant

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[darlingdaisyfarm]

⋆. 𐙚 ˚ riding Ford and getting multiple orgasms out of him 

author note: a little request from ao3 “Reader (by the request of Bill) riding Ford and getting multiple orgasms out of him, basically typical overstimulation stuff? :]” 

tags: nsfw, p in v, riding, overstimulation, praise and degrading, triangle!Bill, tendrils

It’s not just about the way he looks at you when you’re close, or how he touches you like he’s unsure if he deserves it. It’s the little things, those soft gasps he lets slip when you press your lips to his skin as you tease him, the way his hands tremble when you pull him closer, whispering praises in his ear. 

Tonight, though, you want more than just the sweetness. You want him broken, to see the desperation in his eyes, to hear him beg. You want to take your time, savour him, consume him whole. It’s not just about pleasure; it’s about watching Stanford fucking Pines fall apart, piece by piece, under your touch. 

He’s always been the reserved one, the serious one, always ready to protect you at all costs, the intellectual, the scientist who can’t seem to let go of his fears and doubts. But with you, Ford is different. He lets go of his mask, just a little, and it makes you want him even more. 

You start slow, leaning close, kissing his beautiful lips with a tenderness that quickly turns into something deeper as you climb into his lap. It takes Ford’s breath away, and you pull him closer, your hands caressing his chest, guiding him onto his back. 

“Relax,” you murmur, kissing the corner of his mouth, then trailing your lips along his jawline, the scratch of his stubble against your skin making you smile. His chest rises and falls sharply beneath your palms, and you can feel his heart racing, how it betrays his nerves.

“Darling. . .” dear god, his voice is already trembling, his nails digging into your skin just enough to show he’s trying to hold back. But you know it’s only a matter of time before he crumbles. Ford lets out a quiet sound as you kiss him again, this time deeper, your tongue coaxing his lips apart.

You move to his neck, lips pressing delicate kisses along the curve of his throat. He tilts his head back, letting you explore, giving you more space and skin to mark. “You’re so beautiful like this,” you whisper, dragging your tongue over the spot where his pulse thrums wildly captivating beneath his skin.

He shudders as you nip gently. “Darling, sweetheart. . .” Ford’s always-so-calm voice is now already broken with anticipation, and it makes you proud of yourself. “you’re. . . quite bold tonight, aren’t you?” he smiles awkwardly.

“Bold? Sweetheart’s not bold, IQ. She’s fucking feral. Look at her, climbing all over you like she’s about to eat you alive!” Bill’s voice cuts through Ford’s mind like a razor. 

Ford groans softly, tilting his head back, arching as you nuzzle into the crook of his neck, flicking your tongue out to taste the sensitive skin there and lick the little bites you made. “Y-you don’t need to rush, love,” he stammers, though the way his cock throbs beneath you tells a different story. 

“Oh, Sixer, would you relax? You’ve got a total bombshell in your lap and you’re too busy being a nerd! Just sit back and let ’er take the reins, huh?”

You laugh softly, pressing your hips down just enough to make him gasp. “Rush? But I’ve been thinking about this all day.” 

“Christ, nerd, she’s fucking desperate! You’d better not disappoint her, though that’d be hilarious.”

Ford flinches, his hands tightening their hold on you, but you soothe him, threading your fingers into his graying hair. “Hey,” you say softly, calming him with a kiss to his temple. “It’s just us tonight, okay? Let me take care of you. I want to make you feel good.”

Ford knows you aren’t alone, but he nods, letting himself sink further into your warm touch. 

The kisses grow deeper, more demanding, your tongue sliding against his as you press your body closer, feeling him hard and throbbing beneath you, so needy already. You grind down against him, a slow roll of your hips that makes him gasp, his head tipping back into the pillows. 

“Darling,” he chokes out, “y-you don’t have to— ahh. . .”

“Shhh,” you soothe, your hands running down his chest, caressing his pretty scars gently, feeling the tension in his body. “let me love you, Ford.”

And with that, you kiss your way lower, down his collarbone, leaving marks as you go. Your fingers find his belt, and he stiffens beneath you.

“Don’t be nervous,” you giggle, kissing another scar on his chest as you slowly undo the buckle. “I’ll be gentle.” 

“That’s pathetic, Sixer. Don’t tell me you’ll cum before she even gets your pants off.” 

He can’t even speak, just nod and watch you with desperation written all over his face as you free his cock from the confines of his pants. Poor man squirms beneath you, all six fingers sliding over your body, unsure of what to do. But you feel like heaven and he could stay like this forever.

Ford’s cock springs free, and he exhales sharply at the sudden exposure. His painfully hot length makes contact with the cool air, and it’s all too much, too fast. He’s achingly hard, his shaft twitching against his stomach, already leaking from how worked up he is. The veins bulge slightly beneath his skin, a visual testament to his desperation. You bite your lip, unable to hide your smile as you run your thumb over the sensitive tip, spreading the bead of precum. His entire body jerks under your touch, hips bucking helplessly as a strangled cry escapes him. 

“Oh, come on, Stanford. You’re shaking already? She’s barely touched you!”

“Please, please don’t stop, I need more. . . ahh, ahnn. . .” Ford’s head falls back.

You give him what he wants. Ford's cock twitches helplessly in your grip as you wrap your fingers around his thickness, stroking him slowly from base to tip. Your thumb brushes over the sensitive, leaking tip again and you smirk. “You’re so hard,” you murmur, admiration lacing your voice as Ford’s moans fill the room. His hips buck upward, driven by desperate need.

“Oh, this is gonna be interesting. Place your bets, sweetheart! Two thrusts? One? How long before Sixer cums like the pathetic man he is?”

Ford whimpers, the sound breaking and soft, so damn apologetic. It only makes you want to ruin him more. And Ford wants it, he wants all of it, all of you.

He shudders, his hands gripping the sheets in a futile attempt to hold onto control. But it’s slipping away fast. “Darling, please, please—”you cut him off with a kiss, your lips crashing into his and swallowing his moans. Your hand continues stroking him, never relenting, only giving him more pleasure.

“God, Ford,” you whisper against his lips, pulling away just enough to watch his needy beautiful face. “You’re so big. . . I can’t wait to feel you inside me.”

Ford’s eyes flutter open, locking onto yours. God, he looks wrecked already, lips trembling, cheeks flushed, pupils blown wide with desire.

“Aw, look at you two lovebirds. Makes me sick. No, really, keep going, I’m enjoying the show.”

You smile, pressing a soft kiss to his cheek. “Does that feel good?” you coo, your grip tightening around his aching cock.

“Y-yes,” he whines helplessly. “so good! oh goddd—” the proof of it lies in the way his whole body trembles, his thighs tense beneath you, and your hand slick with his leaking precum. He thrusts up into your grip and he’s losing it. 

But it’s not enough for you. You need more. Your free hand slides down to your own heat, tugging your panties aside. You spread yourself open for him, letting him see everything, how wet you are, how your pussy clenches on nothing, dripping and desperate. “Look at me, Ford. Look at what you do to me.” 

Ford’s eyes snap open at your words, and the sight nearly undoes him. His cock jerks in your hand, more precum spilling onto your fingers. “Honey, you’re s-so beautiful. I— I love you so much. . .” 

“Touch me,” you demand, though it comes out as a plea when you guide one of his six-fingered hands between your thighs. His fingers tremble as they slide against your wet folds. Another groan tears from his throat when he feels how soaked you are.

“Right here,” you beg, pressing his fingertips to your clit. A soft moan escapes you as he begins to circle it, biting his lip.

“At least pretend you know what you’re doing, Sixer. Fake it for her sake!”

Ford’s long fingers move tentatively at first, spreading your wetness. “You’re so wet,” he stutters in awe.

“For you, Ford, only for you,” you whisper, grinding against his hand. 

Ford’s touch grows bolder with every needy sound you make, his thumb finding just the right pressure on your puffy clit. Two fingers slide lower, teasing your dripping entrance. He swallows thickly, his gaze locked on yours as his long digits press into you. Ford curls his fingers inside, brushing that perfect spot that makes you cry out, your walls fluttering around him.

His cock throbs in your other hand, twitching, begging to feel your pussy around him. Pearls of cum drip down his length, making everything so deliciously messy. Your thumb rubs over the sensitive tip in rhythm with the way you ride his hand and it’s too much for him. 

“Darling, please. I— I need to be inside you. Pleasepleaseplease. . .”

You smile as another soft moan escapes your lips. Leaning down to kiss him again, swallowing his desperate mewls, you line his cock with your pussy. The thick, leaking tip presses against your dripping entrance, twitching there, so hot and ready to fill you.

“Do you want this?” you tease, letting the head of his cock slip just barely inside. 

“Ye-yes!” Ford gasps, his hips jerking upward. “Please, love! I’ll do anything. Just please—” 

You don’t make him wait any longer because yourself can’t too. Slowly, you lower yourself onto him, feeling the delicious stretch as you sink down, inch by inch. Your pussy takes him in, wetness welcoming him, the thickness of him stretching you in the most perfect way, leaving you breathless as you take all of him. Your walls flutter around his cock, gripping him tight and you both let out matching moans when he fills you completely.

Ford’s reaction is fucking beautiful. His hands fly to your hips, his fingers digging into your skin as his head falls back, a choked sob spilling from his lips. “Oh god! I can feel everything, fuck, love, you’re so tight, so warm. . .”

The moment you start to move, Ford’s entire body goes rigid, his breath breaking into soft, helpless gasps as he just lays there and lets you ride him. He tries to hold it together, but it’s useless. You’re too much, too perfect, too wet and tight for him, and he doesn’t even know what to do with himself anymore.

And then he’s coming. His hips buck uncontrollably, his cock throbbing as he spills inside you, a pathetic whine leaving his lips. 

You freeze, your eyes wide as you stare down at him, suddenly aware of his warm seed inside you. Ford. . . did he just. . .?

“Oh my fucking god, you actually came?! Holy shit, Sixer, I wasn’t serious about the two-thrust thing, but damn! You’re even more pathetic than I thought!” 

Ford’s face burns with shame as he buries it in his hands. “I’m so sorry, I-I don’t know what’s wrong with me.” 

“What’s wrong? Oh, nothing at all, Fordsy. Couldn’t even last five seconds, huh? That’s embarrassing.”

You can’t help but laugh, though it’s a soft, affectionate sound unlike Bill’s. “Ford,” you say gently, cupping his cute face and tilting it up to meet your gaze. “It’s okay. Really. It just means you felt really good, honey. That’s nothing to be ashamed of.” 

“Nah, you should be ashamed of yourself, IQ. But judging by that stupid look on your face, you’re too far gone to care.”

Oh, sweet heavens, he thinks, you’re too kind to him. Your hands slide up his chest, tangling in his hair as you kiss him again, your lips soft and loving, taking all his embarrassment away. His head is thrown back against the pillows, his eyes glassy, lips trembling like he’s trying to speak but can’t string a single coherent word together. 

“You feel— you feel, ahh. . . so fucking good, Ford,” you breathe as you bounce on him. Ford’s eyes roll back into his head, and he groans. You lean down, stroking his cheek with a tender hand, kissing him sweetly. “Shhh, you’re doing so good, baby,” you whisper, rolling your hips again, feeling his cock pulse as you grind down on him. 

“She’s fucking herself stupid on your cock, and you’re still useless. Can’t even thrust properly anymore, can you? Just lying there, letting her ride you like the limp little mess you are.”

Ford’s hands twitch at your waist like he wants to protest but can’t find the strength. “Pussy’s s-so good,” he mumbles, his words slurred as though he’s drunk. “so tight, so warm. . .”

“Jesus fucking Christ, listen to yourself,” Bill cackles. “You’re out here worshipping pussy like it’s the first time you’ve ever seen one. All that brainpower, and you’re fucking useless when there’s a pretty cunt on top of you!”

Ford only whimpers, his face burning from Bill’s cruel mocking, because himself knows its truth, his cock twitches inside you at the words. Despite the shame, he thrusts up helplessly, chasing more, trying to reach deeper, even though he’s so far gone. 

“Does it feel good, Ford?” you murmur, leaning down to kiss his nose.

“Yesyesyes! yes! so fucking good,” he gasps, bucking his hips whenever you pull yourself up. “I c-can’t, oh, love, I don’t think I can last—” 

“Look at you,” Bill sneers. “All it takes is a tight cunt and a few rolls of her hips. What happened to the big, smart scientist? Where’s Mr. Genius now, huh?”

“It’s okay, Ford. You don’t have to hold back.” 

He can’t stop the whining that spills from his lips, so damn loud, his head tipping back to expose his throat. You seize the opportunity, pressing your lips to his pulse, kissing and sucking until his gasps dissolve into desperate cries. His cock twitches violently inside you, and then his entire body shudders again when he cums inside you with a pleading moan. 

“Oh god,” he whimpers, the realisation hitting him hard. His hands tremble on your waist as he looks up at you, his vision blurry. “I-I’m sorry! I couldn’t—” 

You don’t bother with words. Instead, you kiss him deeply, your hips still moving. Ford lets out a sharp, choked sound as you continue to ride him, your pussy clenching greedily around his now oversensitive cock. 

“W-wait, I. . . oh, fuck, love, wait. . .” 

But you don’t stop. 

“That’s it, you can give me more, can’t you? I know you can, Ford. Please.” 

Ford cries out from the overstimulation, helpless and weak to the way how your pussy swallow all what he gives you. His hands fall uselessly to the bed as you take complete control, but his cock staying rock hard, buried deep inside you. Each slow roll of your hips makes his tip brush against your cervix, what also makes you moan loudly.

“Oh m-my god,” you grind harder, obsessed with how heavenly his cock fills you. “look at you, you’re such a mess. . .”

Ford can’t even respond. He’s too lost in the way your pretty pussy feels, pulling him deeper, clenching around him tight. His mouth hangs open, breathless, his trembling fingers dig into your hips, your ass, trying to pull you closer, but the effort is weak, desperate. 

“I. . . oh, I c-can’t,” he stutters your name. “I— I can’t hold on. . . please, please, I— I can’t, just. . .”

Bill chuckles. “My little slut is so goddamn desperate he can’t even form a fucking sentence.”

You smirk, pressing your body closer to Ford’s, grinding into him in time with his shallow thrusts. His cock twitches inside you again, his body practically begging for another release but he feels like nothing might come out.

“I love seeing you like this,” you purr. “all you can think about is cumming, isn’t it?” 

His eyes are glazed, he doesn’t try to answer, he just nods desperately, the sounds escaping his lips a garbled mess. 

“I. . . I need you, da-darling. Please, ahh, please! Don’t stop. God, don’t stop, please! Don’t stop. . . It feels so good, im so close!”

“Yes, let it all out, baby. Don’t hold back. You’re such a good boy for me, Ford.” 

“Yes, yes, please, too much!” his begging is broken, barely coherent, his words dissolving into needy little whimpers. “I need to. . . mhmm, need to cum inside you! nnghn, please, let me—” 

“Aw, isn’t that sweet? He’s so eager to fill you up, he doesn’t even care how pathetic he looks.”

“Yes,” you murmur, leaning down to capture Ford’s lips. “Please cum inside me, Ford, again. Please. . .”

And that’s how he comes again, so obedient. It slams into him like a tidal wave, his cock pulsing deep inside you, spilling into your womb again and again, filling you up, flooding your walls white. He’s not even sure if he has the strength left to moan, his throat is dry.

“Look at you. Shaking, crying, and cumming like it’s the only thing you know how to do. Now that’s the kind of Sixer I like.”

But you don’t stop. He can’t take much more, but you don’t give him a choice. You fuck him harder this time, harder than before, your body slapping against his with each thrust, the sounds of your bodies joining in perfect sync.

You feel his cum dripping out, pooling where your bodies are joined and it’s so dirty and messy there, but you keep moving, grinding against him, chasing your own release now, using Ford for your pleasure now. 

“Such a good boy,” you whisper, leaning down to kiss his temple. “You’re doing so well, Ford. I love you so much.” 

“Sweetheart,” Ford’s voice already hoarse. “I need you, I need you so bad, I— I can’t. . .”

Bill's triangular shape appears directly to Ford's left. “Told ya, two seconds and you’re already a fucking puddle. You’re sobbing and begging like a fucking whore. You like it, huh? You like being used like this?” 

Ford’s body is completely undone as he turns head to look at Cipher, his words barely intelligible. “Y-yes. . . yes. . . I’m a whore. . . love, please, I’m— I’m cumming again. . .”

Before he can finish, it hits him. His cock pulses inside you, spilling another load deep into your pussy. Ford cries out as you keep riding him, milking every last drop out of him. His hands weakly grip your hips, but his body is limp, overwhelmed by the force of his orgasm. 

You smile, feeling his warm liquid until it starts leaking out from how full you are. Leaning down, your lips brush his ear. “You like it, don’t you, Ford? Being so deep inside me, cumming inside me, filling me up. . . gosh, im so close too. . .”

“Oh, for fuck’s sake,” Bill interrupts. “You two are useless. Let me show you how it’s done.”

Before either of you can react, his awfully slick, dark tendrils shoot out, snaking around your bodies. You gasp as one wraps around your thighs, while another slithers up to your clit, teasing the sensitive bundle with agonizing flicks. Another tendril brushes over your breasts, curling around them tightly before twisting and tugging at your nipples in agonising rhythm.

Ford isn’t spared, either. Tendrils wrap around his wrists roughly, pulling his arms above his head and pinning him to the bed, so he’s pretty useless beneath you as he’s forced to stay still, another tendril cups his balls, rolling and kneading them. Dark limb wraps around his torso, circling his nipples before pinching them sharply, then caressing. Ford lets out a broken cry, tears springing to his eyes from the overstimulation. 

“Look at you both,” Bill sneers and his voice is filled with nothing, but pure mockery. “a mewling little slut and a pathetic, whining mess of a man. Poor little humans can’t handle a bit of attention, huh? You’re both so fucking needy. You don’t even deserve this.”

You try to respond, try to form words, but all that escapes your lips is a whimper. The tendril on your clit vibrates suddenly, the slick, wet sound of your soaked pussy taking Ford in only fuels Bill’s mocking tone as he forces you to ride his six-fingered toy faster.

You can’t answer, you can’t think. All that matters is that pathetic whining mess called Ford beneath you, twitching and moaning, his body held immobile by Bill’s tendrils as you ride him, taking him deeper and deeper, feeling yourself close.

“Your cunt? Your cock? Your orgasms? Mine. Every last bit of you belongs to me.”

Your back arches, hands clawing at Ford’s chest to stabilise yourself, but it’s no use. The sensations are too much, your body too sensitive and overstimulated to fight back.

“Oh, please, it’s too much, B-Bill,” you manage to choke out, but even as you beg, your hips buck helplessly into the tendril, chasing the overwhelming pleasure despite the way your thighs shake. 

“Remember this moment, freaks, because you’ll never be able to fuck without thinking of me again.”

Ford isn’t faring any better, ruined by every flick of the tendrils on his nipples and the painful stimulation of his balls.

“B-Bill, my muse, please, stop, I can’t, I c-can’t take it,” he’s breathless, his voice breaks on every syllable. His words are desperate, but his body betrays him, his cock twitching as the tendrils toy with him. “I’ll. . .I’ll cum again, im gonna. . .”

“Oh, you’ll cum again, alright,” demon laughs. “And again. And again. Don’t think I’m letting either of you off easy.”

Bill shifts his attention to you, the tendrils around your clit and breasts tightening, pulling your nipples painfully before switching to gentle, torturous strokes. Your cries fill the room and Bill’s laughter only grows louder. 

“And you, beautiful,” his glowing yellow form leans closer to your face. “You’re no better. Moaning like a bitch in heat while I play with you. Can’t even decide if you want me to stop or go harder, huh? You’re just a messy little thing like him, aren’t you?”

You try to glare at him, but your head falls back with a loud moan as the vibrations on your sensitive clit intensify. The pleasure so sharp it borders on pain. “I’m gonna! oh fuck, I’m gonna cum! Bill, just let me cum!”

“Already, baby? Does it feel that good, having me play with your little clit while poor Sixer can barely keep up?” Cipher appears right in front of you way and his tendrils slow their movements just enough to pull you back from the edge, leaving you trembling and whining in frustration, the orgasm just out of reach when you was so ready for it.

Ford sobs as he feels your cunt grip on him. “B-Bill, please, please, oh god, it’s too much, I c-can’t hold on, please, let me cum, I need to— please! It-it hurts!”

“‘Need to’? Oh, how cute! You need to cum, Sixer? But you wanted to be a pathetic, trembling mess, no? Then I’ll make sure you fucking stay one.” Ford cant believe he’s being denied to orgasm now, when his balls are so tight he might explode. The tendrils on his nipples twist sharply.

You’re no better as your body helpless against these Bill’s disgusting things that tease and torment you mercilessly too. “P-please, I can’t take it anymore, I need to cum, please, Bill, please!” you cry.

Bill leans back, materializing a glass of wine for himself, laughing loudly as he watches. “Listen to yourselves. Begging me like the pathetic little toys you are. God, you’re both so fucking easy to break, it’s even boring.” 

His glowing yellow form looms over you both when his voice lowers. 

“Don’t worry, freaks, I’m not stopping until I’ve ruined you completely.”

[obeymestory]

I don't know if you do these, but could you make a scenario of the demon brothers taking care of MC while they're pregnant with their kid?

Of course!! I was kinda waiting for someone to ask me to do one of those things. <3

Warning!!: Slight mature mentions!! Hope you enjoy this though my dear lambs.

✒ Lucifer 🖋

Would be shocked at the first mention of you being pregnant, asking you to take a test to confirm the pregnancy if you hadn't already, then putting his hand on your belly and feeling a huge sense of admiration towards you for carrying his child, as well as a huge sense of responsibility.

Would do his best to make sure you're always comfortable.

Would help you downstairs even when you're just a few weeks along.

Would probably have you near his desk on something comfortable while he does his paperwork so he could be there immediately if your water were to break.

Would think your food cravings were strange but would fetch the food for you immediately.

Always pick things up for you, even if you just dropped something.

Probably be more stressed in the delivery room than you were because of him wanting everything to go smoothly, and because he's worried about you and your guys' baby. "What's taking the doctor so long?" (Referring to the doctor being late, you're the highest priority to him.)

Have Barbatos make you tea every night to help you relax, especially when you start having contractions.

Would rest his hand gently on your belly while you're napping near him, happy to be the father of a new soul.

Probably wouldn't have coitus with you until he knew it was alright, and even then he would make sure to be gentle, resting his hand on your belly while he pleased you, mainly only focusing on your satisfaction.

Be more focused on you to the point where Diavolo or his brothers would have to do some of his paperwork while he took care of you.

When the baby kicks he immediately rests his head gently on your belly, having a small smile on his face as he remembered that he helped make such a lovely being. "I can't wait to meet you."

💰 Mammon 💸

Would think that you were messing with him at first upon telling him about your pregnancy with his child.

Always wanting you not to be too active and to constantly be comfortable.

Would instantly fetch your cravings and not question them.

Would rest his hand on your belly and rub it every now and then when you both were spending quality time together, especially when watching movies.

Would talk to your belly like the baby was able to listen, mostly complaining about how the baby was making you feel during pregnancy. "Why ya' always gotta make yer' mommy throw up, huh? She's doing all this work for ya', so ya' better be a good kid when ya' come out."

Would freak out as soon as you said your water broke, rushing to get you the care and doctors you needed.

Would probably try stacking poker chips on your belly, considering it both quality time for you and your guys' baby.

Would worry about you during contractions, pouting the whole time and asking if he could do something to ease the pain.

If you were to suggest coitus to him, he would accept immediately, then process what you said and ask if it's okay to do while you're pregnant. He'd be rough or gentle for you as long as you and the baby were safe. "Yes! ...Wait- is dat' okay for us to do?"

Would constantly ask if you were okay, and if you weren't he'd comfort you to the best of his abilities.

When having hot and cold flashes he'd probably fan you with a wad of cash or wrap his arms around you to warm you up.

🪼 Leviathan 🍡

Would think that you're pranking him at first as you said that you were pregnant with his baby, then once you confirmed that it wasn't a prank he'd tear up and hug you happily. "Not funny Y/N... you shouldn't joke like that... w-wait... r-really? I'm gonna be a daddy? *sniffles happily*"

Would cuddle you constantly and hum anime intros as he rubbed your belly, picturing showing your guys' baby a bunch of anime as soon as they were born.

If you were to suggest coitus he would be extremely hesitant to agree, and he would only finger you or eat you out.

Would turn on your favorite anime while you were having mood swings.

Would not know what you meant when you said; "my water broke" and would gasp and instantly call out for his brothers to help you as he made you all comfortable. "Hmm..? Your water broke? What does that mean? O-oh... OH!! The baby's coming!! GUYS- THE BABY'S COMING!!!!-"

Would caress your belly as you had contractions, giving you a worried expression.

Would probably suggest names for the baby first, and the names would be based on anime characters you like, not what characters he liked, what characters YOU like.

Would let you play video games when you had more severe mood swings, like extreme anger.

If it came to it, he wouldn't be mad if you ended up accidentally throwing up in his tub-like bed, he'd clean it up and start putting a little trash bag near you so it wouldn't happen again.

Would buy you a whole new bed so you weren't uncomfortable laying in his tub-like bed.

Would gasp as he saw the baby kick, asking if that hurt you or made you uncomfortable.

📚 Satan 🐈‍⬛

Would blink as you told him you were pregnant with his child, he would promptly close his book and blush deeply, still taking a full minute to process what you just said then get up and pull you into a tight yet careful hug. "You have no idea how happy I am."

Would read a bunch of books on human pregnancy, wanting to know how to take care of you during the next nine months.

Would have a good idea on how parenting goes, but would still check out a bunch of books from the library about parenting just in case there was something he didn't know.

Would read you a bedtime story every night, keeping one of his hands on your belly as he read from his book.

If you were to suggest coitus he would agree, having learned that it's beneficial during childbirth, and wanting to satisfy your needs as much as possible, being gentle and sensual the entire time.

Would pick everything up that you were to drop, hold the door open for you, and help you down the stairs without hesitation.

Would suggest healthier foods if you were to ask him to go get certain things you were craving, but would abide by your wishes.

Would already be prepared for you to throw up, keeping a trashcan nearby you at all times.

Would make sure you're laying on your left side whenever you would take a nap or go to bed.

Would put both of his hands on your belly as the baby kicked, being extremely happy, especially if the baby would constantly move, knowing that it meant the baby was healthy. He did feel bad that you were uncomfortable every time the baby moved though.

Would have you in the royal medical room as you reached your last month of pregnancy, wanting to be entirely prepared, and remaining beside you no matter what, even if you were to say that you were fine and he could go do his usual things. "No. I'm not leaving you both whatsoever."

Since he was a straight A student he could just skip school to take care of you.

💄 Asmodeus 💅

Would gasp and widen his eyes, covering his mouth at the revelation of your pregnancy, squeaking happily and kissing you lovingly, immediately suggesting name planning. "Oh my goodness!! We need to start thinking of names!!~"

Would agree to coitus, but would be gentle, he'd also do it as many times as you wanted.

Would massage you every night, especially your breasts since he knew they were producing milk and were gonna be sore soon.

Would wash you in the bath and take care of all your self care needs.

Would hold your hair back carefully as you threw up.

Would shower you with compliments, especially when your belly starts growing in, knowing you might be insecure about yourself due to your body changing but saying that he loved you no matter what. "Oh hon. You're gorgeous... especially your skin. It's so radiant and youthful, I'm so jealous~"

Would whisper sweet nothings and comfort you as you cried or had mood swings.

Would design a HUGE baby shower for you both.

Would paint his and your nails to the color the gender was revealed to be.

Would record a video of the baby kicking, happy tears welling up in his eyes as he replayed the video over and over, asking for your permission to post it on Devilgram.

Would kiss all over your belly and murmur a soft "I love you~" to your belly every night before murmuring the same thing in your ear.

Would help you to the hospital gently and carefully, holding your hand all through labor and giving you little whispers of encouragement the entire time.

💪 Beelzebub 🍔

Would take a whole six minutes to process you telling him that he made you pregnant. "Wait-....Really? We're having a baby?"

Would carry you everywhere and anywhere, no questions asked. The bathroom, downstairs, the kitchen, the delivery room, etc!! (He'd even wake up to help you to the bathroom.)

Would not mind your food cravings, but he's making you eat a bunch of healthy stuff afterwards if your food craving wasn't healthy.

Would watch your belly with sparkles in his eyes as the baby kicked, putting both of his hands on your belly. (It's like that gaze he gives whenever he sees food.)

Would love to go out and buy baby stuff with you, especially baby clothes.

Would place a piece of his meal on your belly, calling it; "Feeding the baby."

If you were to ask to have coitus during your pregnancy, he'd put his hand on your belly and get worried about the baby, needing you to tell him it was good for the baby beforehand, and he'd do it rough or gentle for you, just as long as the baby was okay.

Would pick up everything for you, carrying everything you were attempting to carry, and holding the door open for you if you did convince him that you were okay to walk instead of being carried everywhere by him

Would let you squeeze his hand as hard as you needed during labor, staying beside you no matter what and giving you encouragement just after the doctors do.

Would probably give you hot or cold food when you were having hot or cold flashes. He'd give you cold food when you were hot, then hot food when you were cold.

Would immediately learn to start carrying a vomit bag around for you just in case, rubbing your back as you threw up.

Would get scared at first once your mood swings started happening, feeling guilty until you or one of his brothers reassured him that it was part of pregnancy.

🌌 Belphegor 💤

Would gasp as soon as you said you were pregnant, diving down and resting his head on your belly for a while, nuzzling against your skin and having a dorky lazy smile on his face, knowing you were carrying his baby.

Would definitely join you for naps, offering to massage your chest before he used them as pillows.

Would definitely use your belly as a pillow at one point, listening for movement with his ear pressed against your skin.

Would definitely help you make a nursery, "testing" the baby's bed to make sure the baby would be comfortable. "Hmm? Oh. I'm making sure the bed is okay for our baby. Would you like to join me?"

Will always make sure you're comfortable and laying on your left side when sleeping.

If you were to suggest coitus he would do it very gently, knowing that you were more sensitive now and treating you very delicately.

Would hum or sing soft lullabies to you and the baby to help you fall asleep.

Would probably become more clingy during this time, helping you everywhere and caressing your belly whenever he had the chance.

Wouldn't mind your mood swings, offering his body pillow to punch if you ever got angry to the point where you needed to blow off some steam.

During labor he'd ask Beel to help carry you as he comforted you all the way to the delivery room, caressing your hand as you squeezed his hand for dear life.

Would probably suggest some constellation related names. "Maybe Cygnus? For a boy. Or... Andromeda? For a girl?"

(Hope you enjoyed this!! My ask box is still open, so feel free to ask or send anything!!~)

[dresshistorynerd]

The Morrisian case against fast fashion

Today I discovered that H&M made a William Morris collection some years ago. The heath death of the universe can't come quickly enough. We can stop now. Satire is dead and we killed her.

It's not just the whole concept of H&M using William Morris' designs for their fast fashion which is insanity inducing, but also the critical response it garnered. Like sure, people did realize this is insane and there was a lot of think pieces about it at the time, but I read several of them and they all seem to still miss the point in spectacular way.

The basic premise of these think pieces go along the lines of: "Would William Morris spin in his grave with a speed of light because of the H&M collection of his designs? A difficult question indeed. William Morris was a complicated man. He wanted art to be affordable to everyone. Isn't H&M affordable? That kinda fits. Though probably he would have some concerns about H&M's practices."

On the surface - yes - but like in reality - fuck no. There's no nuance in this particular issue. He talked about many times what he though of the H&Ms of his time, the retailers selling poor quality industrially produced "fashionable" bullshit. We know exactly what he would have thought of H&M. Here's couple of quotes from his 1884 lecture "Art and Socialism", which makes it very clear.

"It would be an instructive day's work for any one of us who is strong enough to walk through two or three of the principal streets of London on a week-day, and take accurate note of everything in the shop windows which is embarrassing or superfluous to the daily life of a serious man. Nay, the most of these things no one, serious or unserious, wants at all; only a foolish habit makes even the lightest-minded of us suppose that he wants them, and to many people even of those who buy them they are obvious encumbrances to real work, thought and pleasure. But I beg you to think of the enormous mass of men who are occupied with this miserable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit day-long year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen, who not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn't want them but buys them to be bored by them and sick to death of them."

He is describing the birth of consumerism, which was taking form during his lifetime in the late Victorian Era, which fast fashion is the extreme logical conclusion of, and he fucking hated it. He specifically railed against endless consumerist products, which H&M is the perfect representation of. It was definitely not the art and beauty he believed everyone required and deserved. He makes the distinction often.

"Now if we are to have popular Art, or indeed Art of any kind, we must at once and for all be done with this luxury; it is the supplanter, the changeling of Art; so much so that by those who know of nothing better it has even been taken for Art, the divine solace of human labour, the romance of each day's hard practice of the difficult art of living."

"And here furthermore is at least a little sign whereby to distinguish between a rag of fashion and a work of Art: whereas the toys of fashion when the first gloss is worn off them do become obviously worthless even to the frivolous—a work of Art, be it ever so humble, is long lived; we never tire of it; as long as a scrap hangs together it is valuable and instructive to each new generation. All works of Art in short have the property of becoming venerable amidst decay: and reason good, for from the first there was a soul in them, the thought of man, which will be visible in them so long as the body exists in which they were implanted."

When he thought of popular Art he thought of the craftsmanship of the common people. The art people have made from useful everyday objects with skillful handicrafts. This is what he means by "divine solace of human labour". It's not reverence of Puritanical work ethic, on the contrary, it's the reverence of creation, of the earnest joy people feel when they get to express themselves through their creative pursuits. He certainly didn't believe in work for work's sake, work needed to be worthwhile and enjoyable. He summarized his own position on what labour should be thusly:

"It is right and necessary that all men should have work to do which shall be worth doing, and be of itself pleasant to do; and which should he done under such conditions as would make it neither over-wearisome nor over-anxious."

He urged his middle class audience to reject consumerism (the lecture was for a very much middle class atheist society):

"For I say again that in buying these things: 'Tis the lives of men you buy! Will you from mere folly and thoughtlessness make yourselves partakers of the guilt of those who compel their fellow men to labour uselessly?"

I think it's glaringly obvious H&M and fast fashion in general is what he would consider luxury. Rags of fashion that are just churned out and discarded without thought and produced by compelling people to labour uselessly. It's not popular art that's made by workers and craftsmen, who are able to express themselves through it. There's no agency for the abused workers in H&M's sweatshops, they are not expressing their joy of creation, they are simply labouring uselessly.

Morris didn't shame workers for buying affortable things even if they weren't Art with big A, because that's the problem he despised the whole economic system for, for taking away the popular Art from people, making it inaccessible, and selling back mass produced products with very little practical or aesthetic value. So I don't think he would have problem with people who can only afford fast fashion today. They are the victims of capitalism too, because Art has been taken away from them. But the idea that some of these think pieces had that perhaps the H&M's Morris collection can be good actually if you squint, that H&M has the capacity to bring the art and beauty Morris advocated for for the people, is level of stupidity that's hard to express in words.

Morris didn't believe anything made with exploited labour could be truly beautiful, truly art. In his 1879 lecture "The Art of the People" he put it like this:

"That thing which I understand by real art is the expression by man of his pleasure in labour."

The way I understand this, is that art is communication. Through it we communicate feelings, ideas and thoughts, that is it's purpose. So for that communication to work, for it to be imbued with message, the person making it needs to feel passion and love for it's creation. How can there be love and passion if the hands making the garment belong to a tired exploited worker who has no egency what so ever in their work and can only think about survival to the next day?

Beyond the fundamental exploitativeness of H&M and fast fashion, this collection would still get zero points on aesthetic values from Morris even with his own designs. Because the work itself was such an important part of art for Morris, good design was nothing without good craftsmanship. Good design in his mind was always relative and dependent on it's purpose.

"For everything made by man’s hands has a form, which must be either beautiful or ugly; beautiful if it is in accord with Nature, and helps her; ugly if it is discordant with Nature, and thwarts her; it cannot be indifferent." (The Lesser Arts, 1877)

Here when he says nature, he means the nature of the thing that is made - basically it's purpose and function - and the nature of the materials it's made from. Basically, the design must always be made to bring out the function of the art and the qualities of the material it's made from, not fight against them. This is because he believed handicrafts were uniquely suitable for expressing the love of creation, therefore superior labour, and to really bring out the qualities of the craftsmanship and enjoy the creative process, the design should be suitable for that craft. The other side, which was the joy of using and experiencing art, required the craft to be selected for the suitable purpose. Using poorly functioning furniture for example is not very enjoyable, nor is using clothing that's made from materials that are not suitable for the climactic conditions it's supposed to be used in.

H&M of course utterly fails in this. They use Morris' designs in fully unsuitable ways. They print patterns made for example for wall papers on poor quality fabrics with synthetics dyes they weren't made for. This line from one blog post I came across really got me: "Therefore, without cheapening the artistic value of Morris’ designs, H&M’s collection offers an unparalleled potential for accessibility to them." No. Fuck no. They do in fact cheapen Morris' designs in every single way possible. Literally this is atrocious.

Despite the popular depiction, Morris wasn't in fact against industrial machinery or industrial art even, or at least he wasn't once his views on art and politics matured. He did think technology was useful, but he thought the people should use industrial methods for the benefit of all, not be enslaved by the industrial machine.

"I have spoken of machinery being used freely for releasing people from the more mechanical and repulsive part of necessary labour; and I know that to some cultivated people, people of the artistic turn of mind, machinery is particularly distasteful, and they will be apt to say you will never get your surroundings pleasant so long as you are surrounded by machinery. I don't quite admit that; it is the allowing machines to be our masters and not our servants that so injures the beauty of life nowadays. In other words, it is the token of the terrible crime we have fallen into of using our control of the powers of Nature for the purpose of enslaving people, we care less meantime of how much happiness we rob their lives of." ("How we live and how we might live", 1887)

However, he thought that the designer should approach it the way they approached any craft, by designing for the strengths of the machine work.

"But if you have to design for machine-work, at least let your design show clearly what it is. Make it mechanical with a vengeance, at the same time as simple at possible. Don't try, for instance, to make a printed plate look like a hand-painted one: make it something which no one would try to do if he were painting by hand..." ("Art and the Beauty of the Earth", 1881)

He did use some machinery for fabric and wall paper printing, but he was very intentional about their use. Still his designs weren't made for the type of methods these modern H&M machinery uses and he did for example use natural dyes. Particularly insulting is that some of the H&M clothes are made from viscose, rayon made with viscose method. Viscose method is extremely toxic and is known to cause long term health consequences for the workers and the people in surrounding areas. This has been well proven knowledge for ages. William Morris' wall paper factory in the beginning used the typical method used at the time which involved arsenic, but once he learned this could pose risks for the workers, he changed the method. Many of the new synthetic dyes were toxic at the time, which is the major reason he so favoured natural dyes, known to not cause health issues for workers or pollute the environment.

The question many of these think pieces about the H&M Morris collection posed was, would Morris disapprove and should we care? The first part of that is very easy to answer. Yes. Of course Morris would disapprove. He is currently powering the whole of British Isles with purely the kinetic energy his grave-spinning produces. Should we care though? If you care about Morris' art, if you want to see more of that kind of art in this world, you should care. Morris' art is not about the superficial qualities. Copying his designs and aesthetics and styles, will only lead to hollow imitations, that are exactly what he described the rags of fashion to be; as the shininess of novelty wears off they will reveal themselves to be soulless, useless and utterly empty. This collection is just that. To see more of the kind of art that makes you feel like his art makes you feel, not just something that reminds you of that feeling, you should focus more on the way the art is made and less on the specific aesthetics. If his vision of labour and art was realised, all art produced of course wouldn't be loved by every person, but all of it would be loved by someone, even if that someone was just the maker. And that would be more worthwhile than every single rag of fast fashion.

I will stop William-Morris-posting now and return to my thesis.

[fierceawakening]

Yes! That’s… less of a clear answer than I feel comfortable with to join a movement or admire its leaders, but it’s something.

I always get the sense in conversations like this that people are much more comfortable than I am just being like “who cares about the edge cases?”

I care about them, both because I’ve *been* the victim of things committed by people too deep in their mental illness for anyone who tried to convince them to stop, and because if we truly believe everyone is a person (which I see as a key tenet of leftist values and part of why I choose them over right wing values in the first place) then we believe some things are too cruel even for people who do horrific things.

So I don’t see it as an issue we can avoid.

Also like I’ve mentioned I work at a homeless shelter. The reason a lot of academically inclined leftists can talk about crime like it’s rare is because they don’t spend time in environments where people who’ve committed crimes are common. I don’t think they’re wrong that most people are basically good, but I think they can be naive about what it takes to convince someone crimes are not a great idea. If someone has a patten of criming, it’s because that’s what they believe works for them. Getting them to stop is about changing their outlook and habits, which is far from impossible but a lot slower and more bumpy than many people who never did much criming want to think.

Also I think a lot of people really don’t have an accurate picture in their heads of serious mental illness. I think very often people have an idea that even very acutely ill people are fairly rational, and you can usually help them deal with their anxiety, give them meds, whatever, and they improve a lot. Again, I don’t think this is fundamentally incorrect; disease isn’t destiny. But having interacted with a lot of people whose illness is particularly intractable, I think that people often have… the same kind of image in their mind, where they don’t really understand how incremental incremental can be.

There are many people, including one client I’m very morose about, who improve a little when treated well, but a little isn’t enough. My moroseness? That client has been banned for fighting, unless she appeals the decision and wins. I don’t *like* the thought that she’s going to lose her place here and that’s likely to only make things worse… but I don’t have the fundamental confidence to say that kicking people out for violence is too cruel, we can make sure it’s fine. Making sure it’s fine is very clearly above my pay grade, and while there are people with more experience and better degrees than me I don’t have the impression they’re less confused.

All of which says to me that deciding we’re ready to stop imprisoning people who do bad things is at the very least premature (and to their credit a lot of abolitionists do agree that prisons will be phased out over time.) I think it’s unrealistic not just in a way that paints a rosy picture of humanity (as a whole? My picture of humanity is also fairly rosy!) but also in a way that fundamentally ill prepares us to really help perpetrators in ways that matter.

[aboutcustardcreams]

Time Ticking, Patience Thinning

Here’s another chapter that I hope you enjoy 🫶🏼 please lemme know if you do~ would make my day!

previous chapter

“What’s your name again-? I didn’t quite catch it the first time.” 

When the boy opened his mouth to answer Agatha’s question, your gaze instinctively shifted to him. What happened next took you by surprise. As he began to speak, a shimmering sigil materialized above his lips, silencing his voice entirely. Your brows furrowed in confusion as your gaze slowly shifted to Agatha. 

“Interesting,” that’s all she said. 

"What do you mean?” 

“Nothing to shout about,” she waved it off, giving you the hint of keeping that detail Teen a secret for now. “Anyway, I can’t promise I’ll remember your name.” 

Her words caught you off guard, and it took everything in you not to burst into a cackle. Even so, a tiny puff of air escaped your nose, almost sounding like a snort. Agatha turned to you then, her composure always impeccable, infuriatingly so. 

“We better get going now,” she brushed past you towards the front door, or rather, the spot where it used to be.

You smacked your lips at her nonchalance. If you weren’t in such a rush, you’d invade her personal space right there and now, capture her lips with yours to wipe off that knowing grin from her face. 

Instead you only said, “I drive.”

She didn’t object to that. In fact, she preferred it when you were the one behind the wheel. It gave her the liberty to let her hands wander over your skin. 

As you slid into your car, Teen's eyes sparkled with the hopeful anticipation of claiming the shotgun seat, but Agatha cut off his enthusiasm rather quickly. 

“Be a good pet and sit in the back, will you?” 

The boy shot you a sideway glance and you muttered a soft ‘sorry’ in his direction. Resigned, he slid into the backseat, clicked his seatbelt into place,and slouched in quiet defeat, arms crossed over his chest, reminding you of his young age. 

“Maybe on our way back you two can switch-”

Agatha didn’t even let you finish, “Or maybe not,” she muttered sarcastically. 

You sighed and started the car, with no clear destination in mind just yet, “very mature.”

She didn’t respond to that and simply hummed.

“So, where are we going?” Teen asked after a bunch of minutes. 

You looked at him from the rearview mirror, “for starters we do need a Coven to walk the Road.” 

He looked like a child on Christmas day, “you’re taking me to your Coven?” 

With your eyes back on the road, you hummed, “Uhm, not exactly.”

“We never had one,” Agatha clarified, “I mean, not for long anyway.” You glanced at her briefly, wondering what she might say to the boy next. For a fleeting moment, you thought she might blurt out the entire truth right then and there. But it wouldn’t be like her, so you brushed the thought aside almost as quickly as it came to you. 

“They annoyed me,” she said with a dramatic tut, “so one day I woke up, feeling inspired, and turned them into dust.”

You nearly veered into the opposite lane when she said that, your knuckles whitening on the steering wheel. It wasn’t the whole truth, but it wasn’t entirely a lie either. Yes, she had killed her Coven, of that there was no dispute. But what she left unsaid were the reasons that forced her hand, reasons that probably nobody knew, that’s why people were so quick to come up with the ‘witch killer’ nickname. 

Teen looked terrified and uncertain what was to say next. And Agatha, being Agatha, looked quite pleased with it. 

"That’s not exactly how it went,” you mumbled, giving away the hint that there was more to say, without actually saying it. You stole a glance at Agatha, her smile teasing, slightly amused by the familiarity of the situation. There you were, once more, doing your best to clean up her reputation. She told you many times you didn’t have to do it, but you couldn’t help it. “What I can say is this: they’ve blown the whole ‘witch killer’ thing way out of proportion. Agatha isn’t a bad person.” 

Sure, you couldn’t deny the fact that Agatha killed witches, more than a few. But survival had a way of sharpening its edges, forcing impossible choices. She killed to save herself when no one else would. She killed to save Nicky. And later on… she killed to find a way to save you. It’s long overdue that people knew the truth, yet you knew it wasn’t your place, at least not only yours, to spill it. 

When Rio sent the Furies after you, they took possession of your mind, twisting reality until it was unrecognizable to you. Their voices inside your heart hurt in the most inexplicable way, but you resisted, you vowed to. You never fully understood how your condition affected Agatha and Nicky, because whenever you had a fleeting moment of clarity, they chose to savor the time together rather than tell you how much it hurt them to see you like that. During that time, Agatha’s killings increased but you wouldn’t know. She didn’t need to kill witches to heal Nicky, though. The moment you used your magic to bring him back to life, the curse had been lifted and with it, Nicky’s illness. But your magic had come with an unexpected price to pay. Rio had warned you, but you refused to listen. 

Noticing the way your eyes dimmed, Agatha slid her hand above your knee. She knew you too well to figure out exactly where your thoughts had gone. You were blaming yourself again. And she couldn’t let you do that. 

“Don’t listen to her, Teen. She has the tendency of picturing me softer than I really am,” despite her serious tone, the way her hand squeezed your knee, told you a whole different story. All she wanted was for you to let go of your sense of guilt. “When it comes to survival, you’ll do whatever it takes— anything. I hope it never comes that far for you.” 

Teen considered those words in silence. Your version compared to Agatha’s and it all just clicked. You were protecting her and she was protecting you. In that moment, he decided the rumors about the two of you didn’t matter, whether they were true or not. From now on, he would form his own picture of you both by living in the present and watching you do your thing. 

“I think it’s sweet that you found each other and stuck around for all these years. Centuries, I presume. In a way you form a Coven of two–” 

Your heart warmed up at Teen’s words. It was kind of cute to think of it that way. Your lips spread in a smile and so did Agatha’s, but more because she was amused by the whole thing he just said. Sure, she agreed with him- the fact that there was a bond between you two was true. An understatement, to be frank. You went through so many things together that the sole thought of parting ways for whatever reason felt now like a complete idiocy. You belonged to her like she belonged to you. 

“Teen, I’m sorry to cut your enthusiasm, but she and I are in a relationship. That hardly makes us a Coven.” 

“It makes us a family, though,” you pointed out. 

You caught something flickering in Agatha’s eyes, a shimmer of emotion, maybe even vulnerability. Had it been just the two of you, she might have let it linger, but with the boy in the car, she felt uneasy. So she averted her eyes, focusing on the passing landscape to her right. 

Noticing her hand slip away from your thigh, you pouted. Stubbornly, you reached out and placed it back where it belonged and when she turned, your lips curled up once again in a mischievous grin. Agatha snorted. That sass of yours— 

“There’s no time to be namby-pamby, my love. I need you to be focused.”

You rolled your eyes, but chuckled, “Fine. Wouldn’t want you to lose your only chance at surviving against the Salem Seven.”

Agatha's expression twisted into an exaggerated version of your own, mimicking your tone as she repeated the words you just said. The effect was immediate and both you and Teen burst into laughter, incredulous on your part. 

“I don’t sound like that!” 

“You do,” she insisted, lips twitching in a smirk. 

“I think she did a pretty good ‘you’”, Teen added, only fueling your mocking disbelief and Agatha’s enjoyment. 

“Whatever, I’m done with you two.” 

Your eyes squinted towards a peculiar building standing in the middle of nowhere to your left. You decided to try your luck there, took a rapid turn and parked right in front of the building, your instinct telling you there was a potential witch in there. The faded sign hanging above the door caught your eye, and you read it aloud: Madame Calderou’s Psychic Readings. 

Agatha clasped her hands together, before rubbing them as if she was plotting something mischievous, “Right. Seems like we are here.”

Teen’s interest piqued once again, “You think there’s a real witch in there?”

Before you could respond, Agatha preceded you, “we shall see if she knows the witchy handshake first.”

“Oh my God– there’s a witchy handshake?”

You let out an exasperated sigh while Agatha giggled to herself. It was so easy to play with that boy. “Teen, she is pulling your leg. There’s no such thing as a witchy handshake. Honestly that would be so demeaning.”

“Such as flying brooms or pointy hats,” she agreed with you. 

“I like flying brooms,” you retorted, as you three walked up towards the building. 

Agatha draped an arm around your shoulders and pulled you into a squishy, however affectionate embrace, “Course you do,” she purred, “next you’ll be telling me you want to adopt a black cat as familiar.” 

“I already have a familiar, thank you very much,” you pointed out, “a nice turtle that your bunny keeps bullying shamelessly.”

Agatha gasped dramatically, but you knew it was just an act, “he doesn’t! Take it back–” 

“He does,” you chuckled. “And no, I won’t.” 

“Uhm, we are drifting off here,” Teen interjected, with an awkward smile. He pointed at the building, making both you and Agatha shift your attention back to the reason why you were there. Gather a Coven of Witches. 

“Right,” she took a mental note to return to the subject another time. 

You nodded, stepping forward to open the door. Holding it wide, you gestured for Teen to go in first. He slipped inside without a word, rather excitedly actually, and as Agatha approached, she brushed past you, but not before her fingers slid into yours, her hand fitting perfectly in your grasp. 

A small, teasing grin tugged at your lips. “I thought we didn’t have time for sappy moments.” 

“Don’t be such a brat,” she whispered into your ear, in a cheeky tone, you didn’t miss. Couldn’t, if you tried. 

*

“You’ve been under the influence of another, haven't you? Someone you hurt,” the clairvoyant started, her voice solemn as she took in Agatha’s blue eyes. The smirk of confidence that had tugged at Agatha’s lips faded as soon as she realized that Lilia Calderou wasn’t a fraud and knew who she was. You gave Agatha’s hand a tentative squeeze, a way to let her know you were there– that everything was okay. Her fingers tightened around yours in response. 

“And she paid the price, too. They took your agency, but not hers,” she continued, her eyes landed on yours as you frowned uncomfortably. You never blamed Agatha for anything and you certainly wouldn’t start now just because a clairvoyant said so. “I feel it, your magic. It’s restless, volatile and quite dangerous. It should not exist.” 

You leaned back in your chair and crossed your arms over your chest, “Here we go again,” you muttered, voice laced with dry sarcasm. Agatha snorted out a low chuckle in response to Lilia’s words, “You know nothing about her talent, so I’d suggest you to be quiet about it.” She never cared about what other witches thought about her, but whenever it came to you, she would completely lose her mind, if someone dared to judge who you were, basing their opinion on a prejudice as old as the world. 

“So you’re a witch?” Teen’s question came in a hopeful tone.

“Divination witch is my guess,” you replied before Lilia could. 

A mischievous grin tugged at Lilia’s lips. “If you intend to overstay your visit, I’ll have to charge you again.” 

“Oh, I think you can grant us another ten minutes of your time,” Agatha groaned, “It’s not that there’s a line in here or something.”

In response, you saw Teen bow his head to wipe the grin off his face. You, on the other hand, made no effort to hide yours. 

Annoyance was evident in her eyes, as she retorted, “whatever you want from me, I’m not interested,” Lilia stood up and without another word, she stood and disappeared behind the curtain at the back of her shop. 

You and Agatha shared a knowing glance. 

Teen appeared more disappointed than concerned, “Now what?” 

“Now we persuade her.” 

To preserve Agatha’s life, it was essential to gather some magic and you would have, no matter what. So you stood, eyes flashing with a newfound calm mingled with determination. Agatha noticed and smiled. She loved you for so many things and that behavior of yours, was just one of those characteristics that reminded her of why she chose to stick by your side so many years ago. 

She gave you a nod of her head and followed you, as you took the lead. On the other side, you found yourself in what could loosely be called an apartment. A single room stretched before you. To the left stood a corner kitchen, its countertops cluttered with mismatched utensils, jars of herbs, the faint glimmer of copper pots, and a kettle she just turned on, probably to make herself some soothing tea. 

“Join us,” Agatha insisted, as you and Teen kept looking around. “Honestly the way you live is kind of disappointing. You deserve more and better than whatever this place is…” Her gaze drifted to the far end of the room, where a mattress leaned against the wall, probably to save up space. 

You wondered if there was a toilet hidden behind it. How low could a witch go?

The clairvoyant’s gaze flickered with hesitation, her lips pressed into a thin line as Agatha’s words sinked in. The shrill whistle of the kettle cut through the silence, drawing her attention and causing both you and Agatha to roll your eyes, when she spun around. 

“Lilia–”, you couldn’t do this all day.  

“I don’t know what you want me to say,” when she turned to face you, her eyes locked onto yours, sharp and intense. You could tell she was conflicted, exasperated even. “I won’t make the same mistake and fall into Agatha’s manipulative ways. They say you endured the Furies’ wrath because you did and yet here you are, still standing by her side. I don’t understand that.”

To say you were shocked was an understatement. 

She had no idea what she was talking about– Agatha had nothing to do with the Furies. For some odd, infuriating reason, nobody knew a thing about Rio Vidal, instead: the true cause of everything. Instead, according to the stories, it had always been you and Agatha all along, so whatever bad thing came your way, Agatha bore the brunt of the blame. You were sick of that. 

Teen was in shock too, he didn’t speak, but a part of him ached to defend both you and Agatha. He’d read about the Furies, knew the torment you endured for years, but not for a second had he ever believed Agatha was responsible for it. It just didn’t sit right with him. It couldn’t be.  Not when Agatha looked at you the way she did, as if you held all the stars in the sky just for her. As if you were everything she had left.

Watching you from her peripheral vision, Agatha recognized clear signs of your struggle. Your jaw clenched tightly, your hands curled into fists at your sides, and your lips pressed into a thin line, “If you really think Agatha is somewhat responsible for what happened to me, which by the way is none of your business, maybe you lost your talent–”, your words hung in the air, adding to the already tense atmosphere lingering in the room. 

Lilia looked somewhat self-conscious about what she said and how they affected you, yet she didn’t apologize. However, she held herself back from responding to your bitter remark about her.

Agatha’s lips stretched into a sad, tight smile the moment her fingers brushed against your forearm, and you failed to meet her eyes, “hey– don’t go there again. It’s not worth it,” she cooed, voice firm, yet veiled with the usual fondness she only reserved to you. You clenched your eyes shut for a moment, your magic sparkling at the tips of your fingers. Lilia was right about one thing: your talent could be dangerous especially when wielded by a witch emotionally distressed or simply pissed off, like you. 

“You’re right,” you sighed, “Look, we are going to walk the Road. The Witches’ Road. And we need a divination witch, but the choice is yours. You can keep living your eternal life in this kind of shack you call home or try to go back on top. Be a witch again.”

Lilia’s mouth almost dropped, then. “The Road is a death wish.” 

“I survived,” Agatha waved with a grin. 

“And yet you’ve got no power.”

“That’s why I need to walk the Road, again. To restock.” 

Lilia swallowed thickly. The offer was appealing and yet, she was uncertain. Agatha was, after all, known for having betrayed her entire Coven, at a very young age too. “How can I trust you won’t take my power at the earliest opportunity?”

Before Agatha could say anything, you stepped forward. “She won’t. I guarantee it for you.” Despite your growing distaste for Lilia at this moment, your principles held steadfast: no more witches would die because of Agatha. Or you. That was a promise you intended to keep. “You seem to know very well what Agatha’s capable of, but my question is, are you just as familiar with my talent?”

Lilia almost found it amusing that you’d question her knowledge about witches of your kind. “I do. At least to some extent,” she clarified, “I know what a necromancer witch can do. And I also know you’re not a killer,” she finished on a softer note. 

“Agatha isn’t either,” you pointed out.

“Well, isn’t your loyalty sweet–”

Your lover took a step ahead, stretched out a hand, and moved you behind her, the moment your magic intensified around you and her, “Look, you’re right, I’ve got a reputation, I can’t help with that–” she trailed off, gesturing animatedly while doing so. “I don’t have time to persuade you into believing my intentions are genuine. Time’s running out and if you’re not willing to tag along, then fine. I’ll still Walk the Witches’ Road, restore my powers, and get my life back. Just remember that the path you’re currently on leads nowhere.” 

Her words were convincing enough, but it was the small piece of paper she was holding that truly caught Lilia’s attention. You hadn’t noticed it before, nor were you sure where it had come from, but the realization struck quickly. A smirk tugged at your lips as everything suddenly fell in place.

That was an eviction notice.

“Even if I were to accept, you’d still need more witches.”

Agatha had a solution for that too. She grinned from ear to ear, “I was hoping you’d use your witchcraft to come up with a list of names. You can do that, can’t you?” 

It was a rhetorical question, she knew she could. 

Lilia’s lips stretched into a defiant smile, “give me that,” she said, snatching the piece of paper from Agatha’s hands, along with a pen that lay on the table. She didn’t even have to think about the names, they were already there, poised on the tip of her tongue or rather, the pen. 

When she handed the paper back, both you and Agatha went as pale as a sheet. It couldn’t be. At the top were your name and Agatha’s, followed by Lilia Calderou, Jennifer Kale, Alice Wu Gulliver, and, finally, Rio Vidal.

[suzukiblu]

Do you read much fic yourself? and if u do, do u have any recs?

I kinda read fic in fits and starts, to be honest? Like it ebbs and it flows, pretty much, hah. So sometimes I read a TON of it and sometimes I pretty much don't read any at all. So like, currently not really, but previously enough that I def DO have recs, haha.

Not an exhaustive list of my faves, just some random Good Ones I can think of off the top of my head ( all some variant of DC or DPxDC ).

( also def read the tags on these, there's def some tags on a few of them that at least some people would wanna know about before reading. )

Catching Icarus by Fantasyfire ( YJA!Conner gets Super-adopted, interdimensionally-speaking. Fully the inspo for that "the last son of Krypton meets Hypertime Kon" WIP of mine, for the record. )

I Want It That Way by WynterSky ( Tim/Kon but make it 90's and also an emotional rollercoaster. )

Stress Relief by daemoninwhite [ nsfw ] ( Kon goes to a sex club in space for some free-use/stuck-in-wall-style stress relief and gets exactly what he wants. )

Jasmine Luthor by Die_Erlkonigin6083 ( Jazz finds out her biodad is Lex Luthor and literally does not care until she finds out CONNER Luthor exists. )

The Unnecessarily Dramatic Death of One Jasmine Fenton by Rowan_the_Escapist ( Jazz and Jason meet at a party and it all goes to shit pretty quick. fyi I will chew on this worldbuilding and also this version of Jazz/Jason until I ALSO die. )

Lazy Sunday by Faeriekit [ nsfw ] ( . . . I did not think I'd be so into Jason/Tucker but uhhhhh turns out I'm real into Jason/Tucker and especially into Jason getting consensually hypnotized into a househusband while absolutely desperate for his boyfriend Dom to fuck him, go fig!! )

The French Mistake by Vamillepudding ( The wrong Bruce is in this reality but he's a much better dad than the right one, so is that really a problem?? )

Buy One, Get One by iselsis ( Incubus!Jason gets rescued/surprise-adopted by Batman and then tries to figure out if it's safe to ask Bruce to save his succubus!mom from his shitty dad. )

Catherine/Bruce Medieval AU by iselsis and PotatoLady ( I am not emotionally well about this whole entire concept, hahaha. Omegaverse medieval AU where Bruce beats Willis in a fight and therefore wins whatever belongs to him. Which in this scenario includes Catherine and Jason. )

bystander by greeneyedfirework ( Batfam omegaverse where alpha!Jason finds a messed-up Robin!Dick in heat and it is a Problem(tm). One of the specific genre of omegaverse-Robins-in-distress that was inspo for the "Robin gets nested" WIP. )

Eyes Like Kryptonite by dragonez ( Lena Luthor gets a strange Kryptonian on her balcony who doesn't know if he's from an alternate reality or time-travelling and wants specifically HER help. Kara/Lena. )

your ghost i will gladly bear by merils ( Interdimensional Timkon featuring two Robins on a rooftop while they're both dead. THIS CONCEPT, I LOVE IT. )

This isn't how things are supposed to go. But we've always been unorthodox. by RenkonNairu ( Please and thank you for this slightly niche and highly interesting omegaverse take including omega!Kon, bless. Also Tim/Kon and Bruce/Clark, accidental and deliberate and deliberately-AVOIDED bonding, and the shitty version of Lex/Clark. )

Fairy Godbrother by envysparkler ( Batbrothers accidentally-on-purpose decide to meddle in another reality's version of themselves in quick succession, or over the course of several years, depending on how you timestream it. )

. . . . . . like, just go check out thebodydies and Briarwitched, I cannot effectively narrow down the options there, haha, just gooooo.

[margoshamangolord]

A BIG POST WHY TFA SENTINEL IS A GOOD CHARACTER WHILE STILL BEING A FUCKING PIECE OF SHIT

lots of thoughts under cut

I hated him like any tfa viewer is expected to, and i still do, because he's wrong oftenly and very fucking immature about his own actions, but it's just that fandom treats him like a simple flat cardboard designed for nagging the main characters, while he's not. Even people usually fond of discussing character depth just go "ew" at him, but i want to prove that he's not worse than even ratchet or bumblebee in terms of writing. His actions have depths, reasons and explanations. I do not want to excuse him in points where he actually fucked up, but i do want to remind that he's a character with a history and insecurities like others in tfa

I want to start off with the fact that while the hate he has inside the fandom is not really interesting, it is easily expected. He acts like a piece of shit and has a lot of negative traits (for example you have his attitude towards organics, and while you could kinda write it into being a reaction to Elita's 'death', it wouldn't be really valid, since Optimus was there too, he saw the same things as him, but he has no disgust towards humans)

The first thing i want to show would be this screenshot from the allspark almanac. It actually broke me when i saw it and prompted to write this because it brilliantly explains his whole character drama.

He feels guilty. He actually knows and admits he made a mistake and he is weighed down by it. He is fully and painfully aware of his stupidity in the situation.

But is he going to admit it? Is he going to apologise? Of course he's not. He cannot carry the weight of his guilt, but he cannot apologise and let himself be weak. So he made a vow.

He presses Optimus down and puts that weight on him because it's easier for him to stand straight reassuring himself that he's not at fault at all here. He feels that if he says sorry, then he'll be guilty forever and will never let go if he acknowledges it. He is guilty and he knows it, but he's immature and he does not want to think about it at all. He distracts himself with the rules and regulations.

"I did it, i fucked up trying to be something greater than i should, breaking rules. I'm never gonna wash it off, I'm guilty, but i must be better. If I don't make any more attempts at throwing over the rules, if I hold down others from doing so, i will be better, right?"

Rules are safety and comfort for him. Breaking rules and trying to be special is something he associates with Elita's death, and his thought process basically is "no rule breaking=no tragic accidents to be responsible for". He's confident that if he does everything by protocol, how he's told, then there will be no situation he would have to be blamed in. Of course he takes it to an extent. You oftenly see him obsessing over rules and regulations more oftenly than others — and now that makes sense.

The second thing would be his profile and Optimus's words about him. This text doesn't really serve us much important information, just a simple outside opinion on how he acts, except the first phrase.

"Sentinel means well, he really does."

As bizzare as it sounds, even Optimus, who he has a very sour relationship with, understands this. Sentinel actually means well — but it's just his experience and perception that really distort what comes out in the end. His "well" is very different from others' "well", but he definitely does not actually mean intentional harm in most occasions.

An unconcious goal that he most likely has is "do not let the elita incident happen again". It actually explains why he's trying to press down Optimus's ambitions and yells at young autobots about the importance of listening to the code. He may see himself in others.

Last is miscellaneous details. He actually covered Optimus and Elita when they were retreating — wouldn't do this if he was as selfish as creators want us to believe. He says he made a mistake in the almanac (when he was kinda being interviewed, he told the truth). Wouldn't really do that too. Most times he's been a dick to Optimus and his crew were him simply not believing immediate information without proof like he believes is the right way, like he's supposed to, and from his perspective he was genuinely sure he's doing the right thing

Conclusion

I would still slap him if i met him. But it doesn't mean that he should be rushed and avoided during discussion of character flaws and I'm tired of him just getting flatted down by the fandom as "mean and stupid do not touch". I want him to be taken seriously, and tbh finding out that he actually feels bad about archa seven is all it takes to be suddenly enlightened about the inner workings of his brain, because it connects all the dots.

And i would give all my money to see him canonically get a better development and more focus in the show. I would love if he accepted his wrongs, and if he had a genuinely honest conversation with Optimus. I really would.

[hetrosjistin]

No you know what, I thought I was done, but I'm not.

The problem with this shit is that it misses the point of having shit like the crows in Thedas at all.

You can't sanetize stuff and have it have the same impact, it's not just the hollowness, it literally reduces the conflict to a nothing burger.

You know why Dorian is, perhaps, one of my FAVORITE goddamn characters in the entire DA game series?

BECAUSE HE LITERALLY HAS TO GO THROUGH DEPROGRAMMING HIMSELF OF HIS RACIST SLAVER CULTURE! It's not enough that he wants to oppose the Venatori and all that nonsense. It's not enough that in inquistion, he literally went to the part of the world where he's taught they ENSLAVE people like him and burn out their brains if they're not good little obedient pet mages.

He goes there because it's right and that doesn't make him magically a perfect and good person. He's STILL flawed, he STILL has the baggage of his culture, and ADDRESSING IT is a constant fucking undercurrent of his dialogue and interactions throughout the game. How he is both proud of everything his civilization, the oldest extant civilization in the world, and horrified by the excesses of it's bad actors, and as time goes on his REALIZATION of how horrific each and every element of it is.

Like, when the Venatori take over minrathos. It's depicted as something ABSOLUTELY HORRIBLE but frankly? That implies things were pretty okay before that!

What would ahve been SO MUCH MORE INSIDEOUS, would have been to show how LITTLE things had changed. Oh, have the burned out ruin of the hide out, have a few ventatori guards standing here and there, but now show how ABANDONED AND CALLOUS they all are. They don't -need- to set up a fucking police state, Tevinter already HAS IT IN PLACE. You don't NEED fucktons of venatori guards around docktown.

But by doing it the way they did they robbed so much of the substance of Tevinter from the game.

Like I'm actually on board with some of the changes. The Broodmother thing about the darkspawn was handled just about as well as it was ever going to be handled in Origins, so them all but abandoning them from the lore as time went on is a smart move IMO. Making significant changes to the dark spawn with the blight is a big deal, and a smart move.

But the draining of life from all the rest is unpardonable.

Have the Lord of Fortune -not give a shit- about other people's culture. It's pretty, it's bling, if it was so important why wasn't it better guarded? Why was it so stealable? Have that be a FLAW in their goddamn thing as FUCKING PIRATES.

Have the found family elements of the Crows, have them have a whole blood debt and true contract society thing. Have us confront the fact that if someone fails a contract their life is FUCKING FORFEIT. Play up the whole idea that found family can be JUST as toxic. Play up the idea that these orphans and street kids taken in by a fucking -assassin cult- effectively are molded to SERVE the interests of the nation as members of the 'family'.

I was -so- incredibly happy with inquisition where they CONTRASTED Blackwall so hard with the order at large. The Grey Wardens are a -death cult- created to fight the APOCALYPSE through wrote tradition and absolutely seething loyalty to the idea that they are the thin line against the darkness.

Play that up, show how god awful the anderfels are scoured of life by the blight and still infested with dark spawn. GIVE THE FIRST WARDEN A NAME AND WHY THE FUCK IS THIS GUY IN FUCKING MINRATHOS?! Play up the ENTIRE IDEA of what's wrong with them and contrast it with -our- experience of wardens from, basically, wardens who never actually underwent the indoctrination process.

Someone else on this hellsite said that the longer you think on veilgaurd instead of playing it, the worse it gets and goddamn is that the truth.

Problematic fiction is good because it coaches us through stories on how to fucking DEAL with actual bad things.

By sanitizing your fiction you rob it of it's ability to -teach- the audience any lessons beyond 'bad people bad'.

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[gunpowder-gemini]

Hi I have many many thoughts on Dandadan and where specific characters are going in the story, so incoming ramble posts lol. I've got thoughts on Okarun, Turbo Granny and Kinta specifically.

WARNING: SPOILERS FOR THE MANGA THROUGH CH. 175

First up: Okarun!

So obviously he's lost his turbo granny powers bc he's a good boy who keeps promises, but him having yokai curse powers is like, half the concept of the manga right? (The other half being Momo getting powers due to alien abduction). So clearly, he's gonna get them back because we can't just have one of our two main characters permanently sidelined. The question is just HOW.

I'm pretty sure Turbo Granny is gonna come back, she's a major supporting character and she had a whole little montage panel of Reasons To Stay despite her saying she has none but I'll get into that in a different post lol. HOWEVER! I don't think she's gonna give Okarun her powers again. I mean, they're HERS. And she just spent all that time getting them back why would she give them away again? So Okarun can fight? She can use her powers way better than he can, so if they're needed SHE'LL use them.

I think Okarun is gonna develop his own spiritual powers like Momo's.

In the recent chapters it's gone out of the way to highlight how ridiculously fit Okarun is now. Like, SUPER fit. Most obviously in the fitness tests, where he blew everyone out of the water:

But also in the fight against the pygmies he easily kept up with Aira, who was in her yokai form at the time.

Which I mean, it makes sense that he got fit - he's been fighting for his life as an after-school hobby lol. Obviously continually training to handle Turbo Granny's powers AND fighting things would result in him getting incredibly fit. But they've like REALLY emphasized it these past few chapters. It feels like they're really calling attention to it, you know?

But that in and of itself isn't the real reason I suspect he's got his own spiritual powers. It's actually because he can enter Empty Space.

So per the Serpoians, Empty Space is something aliens create that only pulls in humans with high spiritual power so the aliens can capture and study them. It's why once Aira got her acro silky powers she could enter Empty Space.

Okarun's high spiritual power wasn't his, it was Turbo Granny's. He was able to enter Empty Space because he had her power, but without it he's just a normal kid. So once he gave it back he should be unable to enter Empty Space. And yet:

He's gets pulled into Empty Space to fight the pygmies. He himself calls that out as strange! He shouldn't be able to! He doesn't have Granny's power! But there he is! So he must still have high spiritual power!

I think he spent such a long time with Turbo Granny's full power inside him, utilizing it so frequently, that it changed him. Either it awakened latent spiritual power within him or left behind an imprint of itself, I'm not sure lol. But I think he's developed his own version of Turbo Granny's power. I think it'll be a bit different from her, but still similar (I don't think they're gonna give him a completely different power ya know?). I suspect it'll come with a cool form change to his yokai form, like a costume upgrade lmao.

Furthermore, I think this happened because of the Danmanra arc. During that arc, in the final fight against the Fairy-Tale card, Okarun went all out three times.

He's never been able to do that - it's been kinda implied it would kill him. But through the ~power of love~ he managed to pull it off, and I think it is going to have an effect/consequences. I think this moment here changed him in some way, and it might be the catalyst for him developing his own version of Turbo Granny's powers.

Further to that point is Count Saint-Germain. He cornered Okarun, got him to yield and clearly intended to take his powers, but didn't.

I suspect it's because he wanted Turbo Granny's powers, but Okarun no longer has them. I think he either doesn't know Okarun has his own powers, or he does know and is waiting for Okarun to properly awaken them before he takes them. I'm like 90% sure the Empty Space in the pygmy fight was caused by him. Empty Space is pretty clearly outlined to be an Alien Thing and while the pygmies are spirits/yokai/whatever, Count Saint-Germain is probably an alien given his affiliation with the Kur. AND he was the one who gave Keiko the knife and the mission to steal Momo's power. Since Okarun got pulled into that Empty Space, if pretty boy here didn't know Okarun has some hidden spiritual power, he sure does now.

Either way, Okarun yielding to him here is definitely a Chekov's gun that's gotta fire at some point, and I've got theories on that but I'm gonna save them for my post on Turbo Granny lol.

Anyway TLDR; I think Okarun has his own superpowers like Momo now and we're gonna see them awaken in this arc.

Thanks for reading!

[coriphallus]

DA: The Veilguard Spoiler Review pt3 - Politiks

oh my little void in this world wide web, we are really in it now.

a little PSA before you read this word vomit, i am from westernmost middle east, and that will inform much of what i know about the topics i discuss. i wont know about race politics of america or the intricacies of it beyond what i can see online but as an immigrant i do have some perspective on western experience. so when i talk about heavy topics it will come from a foreign place. i do understand and admit that i cannot ignore that BW is a north american studio and that colours every theme they touch.

so there are two angles to approach this, 1st is to assess DAV on its own and 2nd is to assess it as a part of a whole and continuation of a franchise.

lets get 1st out of the way, its safely uncontroversial beyond taash's story. and eff-plays voiced my feeling verbatim on that subject more succinctly than anything i can possibly write.

2nd is very, very grim.

every DA game that came before had been interlaced with politics of its world so severely that its absence is disorienting. every game you were given the choice to change the political landscape of the countries youre playing in, for better or for worse. even the 2nd game with its vastly smaller scale sees hawke trying to navigate through their life as an immigrant, even at the games climax you are given a choice to drastically alter how this uprising will be remembered and it tells hawke that there are no half measures, they need to pick a side.

"Slavery or no, flesh is always for sale."

in my very first DAV playthrough i picked a shadow dragon elf, i didnt give her any backstory as i though being an elf in minrathous would shape her world view regardless.

first scene i got when organising my room rook pulls out the SHACKLES of a slave shes freed as she reminisces about how much good shes done, and puts them on her bedside. then proceeds to talk to a book and say "everybody looks down on elves but we were here first >:c"

(at this point i rerolled my character so i dont yet know how shadow dragon background plays out.)

at the very beginning of the game we see similar shackles and varric informs us that solas hates slavery, hes been freeing them.

when we make it to minrathous we learn that these people in neves circle have been freeing slaves.

alright so, the heavy handed deliveries aside, what purpose do all these scenes/expositions serve?

well, it makes these people look good. we know theres slavery in this part of thedas and these people are fighting against it not by any elaborate means but dont worry kitten <3.

[i had to look up the english for some of these terms so feel free to correct me if im wrong] patterson describes slavery as "one of the most extreme forms of the relation of domination, approaching the limits of total power from the viewpoint of the master, and of total powerlessness from the viewpoint of the slave". death of the soul, death of what makes one human -and for the purposes of this section- death in the eyes of state. slavery has such a long history that predates early modern colonization of africa by thousands of years. it is a staple of human history and where we have come from shapes what we are now. we can shun it, call it abhorrent but we cant pretend it never happened. theres always been people dead in the eyes of state.

heres the uncomfortable truth, there aint never been enough steel in the world to hold every hittite or mittani slave. to assume slavery is people getting abducted and put to irons is as naïve as human trafficking being a rando ruffying you and hauling you across the sea in a crate. yea, it could happen but 99% of the time its just a waste of time to physically hold someone against their will by force. and this idea makes us think its this far off thing that happened thousands of years ago by bad individuals doing very comically bad things, which is a very deliberate choice, because to depict period accurate slavery would be to portray social and economical classes, and that would be confronting how little we've changed in certain aspects.

people were born into that caste, shaped by it, worn down by it, and abused by it systematically.

in DAI Dorian says something -apparently- very controversial that i dont think this fandom has fully unpacked, and i aint gonna do that here either because im not remotely qualified. he likens the working class of south to slavery of north, theres no way to engage with this argument in any meaningful way, even as an elf, and in general people brush it off as dorians pro-slavery rhetorics.

try as DAV might to disregard, we actually did meet an ex-slave and trafficking victims on three separate occasions, and the games have set a premise already. we got to talk about their unique circumstances, and they were handled with some measure of dept. maybe you liked them, maybe you didnt, but you knew them and that makes a difference. they had agency in their own stories. a far cry from DAVs nameless faceless props for righteous gentiles to circle jerk about.

but, sure, lets tell ourselves showing them would be too gratuitous.

can you imagine how batshit insane it would look if zevran kept the belt her husband used to beat isabela with as a trinket, to display in his tent? that scene with rook disturbed me more than most anything in this entire franchise and coming from an anders supporter, thats saying something.

this is how little the writers were willing to engage with their source material. this is how little they are willing to engage with the world around them.

which makes the next blunder inevitable.

alot has been said about the absurdity of elves feeling responsible for the events of DAV, but maybe this hasnt been said enough; this is a blatant fascist rhetoric.

i will spell it out though, even though i never thought it needed to be said, the social performance of accountability indicates that the party who has done harm has benefited and continues to benefit from that harm, this is why reparations are paid, and thats what "check your priviledge" means. elves in DA have never benefited in any way from the warmongering of evanuris, they were enslaved by them.

to say that these people should feel some sort of responsibility towards what befell dwarves is a fascist rhetoric used irl to offload responsibility and divide and alienate the opposition further from eachother.

i cant tell you if this mouth piece is same everywhere but i know a few people who have clocked it immediately so im gonna assume it was obvious. and truthfully, i wouldnt even be annoyed if i thought it was intentional. genuinely, one of my favourite games is an unapologetic military propaganda whos protagonist would make ayn rand write sonnets about, and the game knows what it is. but no, i fully believe the studio tried to address the criticism they got about their lackluster handling of elves and either completely misunderstood or willfully disregarded the experiences of marginalised peoples that the games drew inspiration from.

the writing is so hollow beyond horrible dialogue that when writing an enby character whos also multicultural they didnt even notice the parallel theyve created. i know this because after an entire plotline about their struggle with binaries their story concludes with a binary decision on their culture. this just confirms to me that any dept this game has is completely accidental.

imma level with yall i dont subscribe to the belief that you need to have some type of experiences to write some type of characters and i find that "ofc a white person wrote it so..." response very tired because yea we should be allowed to expect more from white people. i too had OCs of different cultures that i wasnt very familiar with and handled poorly, but unlike me, a company can afford a consultant.

i played greedfall recently, and sure the maori tattoos were a shit decision, and im disappointed that after all the criticism they still stuck with it, and yes maybe its story was not sensitive enough but you know what? as the person whos recommended it to me said, i rather have a story who boldly engages with its own themes than one whos terrified of them. say what you will about its shortcomings but at least at the end of that game you can have an ending where the colonizers leave for good, and yes their plague is not healed but the narrative doesnt punish the natives for their isolationism. i am glad that the game allows that catharsis to its players.

DAV could have had 300 well thought-out endings and still not please everyone, but the endings they chose to include directly implicates the group theyre trying to appease and its literally just people who either want to punch or kiss solas, thats how fucking deep they think their fanbase it. not the people who wanted to end slavery, or achieve equilibrium with beings no matter how alien they are. or people who wanted to see a culture connect with its roots etc etc.

and maybe they were right, many people have been enjoying this game immensely and i am just, so fucking jealous. i wish i liked this game and enjoyed it and didnt want to tear out my hair every second i spent in treviso. i wish i wasnt seething white knuckling my sink like an insane person when a little kid wrote to crow rook that hes recruiting orphans now. i wish i had any belief in this game to read that as satire.

at least i wish i felt any form of vindication when i immediately realised this game was going to be a soulless cashgrab that unashamedly uses the name of a popular IP to push a sub-par product earlier this year, i just spend 80+ hours watching a company parade the carcass of a franchise i loved and beat it like a pinata as it continuously slapped me on the face with a botched wax figure of it.

i just feel this profound sense of sadness. i wish this game didnt exist. and no i dont feel any kind of brand loyalty, even when i actively enjoyed their work i didnt but i definitely dont now, not after 3 consecutive games that theyve delivered with more or less the same problems. as the company is today, i dont care whether bw survives or not, its been made clear time and again that the bw i liked is long gone and bw today is clearly not interested in making games for me.

even as i write this i dont feel fuelled by my anger for DAV but by the love a have for what came before. i still think the story deserved better, the fans deserved better, the people who contributed into making DA universe what it was before DAV deserved better. and, as rook told harding, our anger is justified.

but, hey. hair looks really good.