#iroy

[reggae-vibes-com]

Double 12" Spin #39 = Roy Shirley/Big Youth/I Roy & Jah Larry/Ken Parker =

This edition takes a trip back to the 1970s, featuring several artists, many of whom are no longer with us. We begin with a 12" single by Roy Shirley with a medley of his biggest hits, called The Great Roy Shirley. The medley includes Hold Them, Feel Good (also known as In The Groove), and Get Ready (also known as Get On The Ball). The record was produced by the longtime partnership of Pete Weston and Lloyd Charmers, a duo responsible for numerous hits. Both Weston and Charmers went on to successful solo producing careers, with Canadian-based Weston finding success with the Micron Music label. Roy Shirley, also known as King Roy Shirley and The High Priest, launched his musical career in 1965 with the single Oh Shirley. In 1966, he recorded Hold Them, considered one of the first true rocksteady tracks, produced by Joe Gibbs. Roy's ecstatic live performances contributed significantly to his success, particularly during the 1960s and 70s. He made the UK his permanent home in 1973, where he established several organizations dedicated to mentoring artists and nurturing young talent. His final performance was at the Sierra Nevada World Music Festival in 2008. He passed away a month later at the age of 63. The B-side of the 12-inch single features renowned toasters Big Youth and I-Roy (credited here under his real name, Roy Reid). While the label lists two separate tracks, the two tunes blend seamlessly together, which is unsurprising as they both utilize the same backdrop: Roy Shirley's Hold Them, also known as the Leggo Beast riddim. Big Youth, born Manley Augustus Buchanan, is a reggae artist of exceptional stature. Emerging in the early 1970s, he quickly became one of Jamaica's top deejays, also gaining notoriety for his teeth, which were inlaid with red, gold, and green jewels. His 1973 album, Screaming Target, became an instant classic. Starting in the mid-1970s, he took control of his production, releasing music on his own labels, Negusa Nagast and Augustus Buchanan. He enjoyed continued success and prolific output until the mid-1980s, when the rise of digital riddims pushed him somewhat into the background. Since the turn of the millennium, he has returned to the forefront, frequently performing at festivals worldwide and regularly recording new music. I Roy's story, unfortunately, has a less positive ending. After working in the sound system circuit, he recorded a four-song set for producer Harry Mudie, which launched a successful career throughout the 1970s. He recorded popular tracks with various producers, and his 1973 debut album for Gussie Clarke, Presenting I Roy, was a major hit. His work with Bunny Lee is also well-known, including his "feud" with deejay Prince Jazzbo. He later signed with Virgin Records, which released several of his albums. Like many artists of the 1970s, I Roy struggled to adapt to the rise of digital riddims. He faced health issues and financial difficulties, even experiencing homelessness. He passed away in November 1999, penniless and alone, in a hospital in Spanish Town. The second 12" single features Jah Larry, a reggae deejay/singer, producer, and label owner whose output was relatively limited. Beyond his base in Clarendon, Jamaica, little is known about him. On this single, he collaborates with singer Ken Parker, who enjoyed a successful, though brief, career in the Jamaican music industry. During the latter half of the 1960s, Parker scored hits for both Coxsone Dodd's Studio One and Duke Reid's Treasure Isle. His biggest successes came with Treasure Isle, including the tunes Jimmy Brown and Can't Hide. Disillusioned with the music business, he left Jamaica in 1972, moving to the UK via the US. Since the 1980s, he has focused on gospel music and continues to perform occasionally. The track by Jah Larry and Ken Parker is a successful remake of The Techniques' 1967 hit, Queen Majesty, which itself was an adaptation of The Impressions' massive hit Minstrel And Queen. It's possible that Jah Larry and Ken Parker drew inspiration from The Jayes' version featuring deejay Ranking Trevor, famous for the iconic "takeover" scene in the film Rockers. The track is produced by Lloyd Charmers, a prominent artist and singer who has made a significant contribution to the Jamaican music industry. Read the full article

[mournfulroses]

Anne Carson, from "Glass, Irony and God," originally published in 1995

[haunted-wizard]

This chapter fucking ruled so i had to color the last 4 pages!

[mvvocaloidgifs]

DECO*27 - Volt Tackle feat. Hatsune Miku

[mayoiayasep]

Are you so read for the paralive anime to come out in. Checks calendar. Five days.

five days. my funeral is in five days guys make sure to rsvp now

[c0rinarii]

SHUT THE FRONT SHITTING DOOR AN IROKUROE DUO UNIT IS REAL. OH MY GODDDDDD OH MY GOD

[necarion]

I was talking about the different adaptations of Uncle Iroh and used the term "Irohim" and not sure whether pleased or ashamed.

[orathearsonman]

inspiration continued to strike so here we have Iroi and Wilke :D

fiddling around with character design this morning! here is Atev and Khyre, from left to right

[reggae-vibes-com]

Black Music Magazine Charts | January | 1975

In the early 1970's Black Music Magazine was the only publication that covered the world of Jamaican music. Each month the magazine published the Black Music Reggae Top Ten (singles & albums). We will regularly post these old charts on our website.

The charts were provided by Eric Denham, for which we thank him.

Singles Chart January 1975

1 Curly Locks - Junior Byles (Dip) 2 Ire Feeling - Rupie Edwards (Cactus) 3 I'm In Love - Hortense Ellis (Bimbo) 4 Hurts So Good - Susan Cadogan (Dip) 5 In My Heart There Is A Place - Ginger Williams (Paradise) 6 Together - Jimmy London (Harry J) 7 So Jah Seh - Bob Marley And The Wailers (Island) 8 Don't Go - Gregory Isaacs (Attack) 9 This Monday Morning Feeling - Tito Simon (Hoss) 10 Summertime - Pat Kelly (Fight)

Albums CHART January 1975

1 Sweet Bitter Love - Marcia Griffiths (Trojan) 2 In The Dark - Toots And The Maytals (Dragon) 3 Rock The Boat - The Inner Circle (Trla) 4 Many Moods Of I. Roy - I. Roy (Trojan Trls) 5 1000 Volts Of Holt - John Holt (Trojan Trls) 6 Let's Get It On - Ken Boothe (Trojan Trls) 7 Dusty Roads - John Holt (Trojan Trls) 8 20 Tighten Ups - Various Artists (Trojan Trls) 9 Just Between - Various Artists (Count Shelley) 10 Reggae - Herbie Mann (Atlantic)

Read the full article

[noname-nonartist]

Unsure if people who follow me knows about Digimon, but anywayyy

So a couple days back (yesterday I think?) there was a trailer for a 25th anniversary celebratory movie.

And as someone who grew up watching Digimon, it was nice to see all the kiddos (specifically the adventure + 02 kiddos) all grown up.

Anywayyy…

Fun quiz/poll timeeee

Guess which of these Digimon characters was my Favorite growing up?! XD

Let’s see how predictable I am~

Here’s a visual for those who don’t know who these characters are (in order too)

And yes. I know the quality be low as heck on couple of them. Blame wikimon lol

Edit: HOLY SHIT YESSS I FINALLY GET YO EDIT IT.

Now Miyako and Iroi are in the right place. Omg, I’m so dumb lol

[hobie-doh]

My impression of the Beta sprites

Akira: Ya know she calls me daddy too

-prolly went the harem route

-I equal parts love and despise this man

Ryuji: Weed dealer, absolutely all of the rumors are true

-Classic Dudebro/neg

- likes DC but only the live action movies

- Junpei Iroi core with that neck

Ann: Mean girl at school who has a soft side

- Ryuji's sister, look me in the eyes and tell me they aren't related in the Beta. That is Ann Sakamoto and I will hear no difference

- l o n g

Mona: the most judgemental person in school

-Hates the Phantom Thieves, maybe rightfully

-ALWAYS angry (he's weirdly always making that face in his beta sprites)

-prolly in a perpetual state of Okumura arc

Yusuke Slenderman: Shocked baby deer but no one takes pity on him due to how strange he is

- There is something MISSING from his face

- Hyper blue haired Yusuke can't hurt you, hyper blue haired Yusuke can't hurt you...

[haunted-wizard]

Fucking hell her "mom" is a fake nothing about her life is real

[jbwashere]

Have silly interaction between two General studies students. Danshin is a part of Class 1-C, along with my friends oc, Iroi (@its0nlyash), and Yumie (@reiiseyes). Disclaimer: All backgrounds were edited from the anime, except for the 2nd one, which was originally from VRchat.

[ur-fav-is-agere]

Iroi Motohashi from a Charisma House

Is a caregiver/pet regressor!

[kon-konk]

Also Touma woke up at Iroi's in PJs does Iroi have like a whole section in his closed dedicated to PJs for his 'friends' or something

I mean, if I had the money, I'd do that just for funsies

[unsoundedcomic]

How much do ghosts typically have wills or motivations tied to who they were in life? You have the red pain babies, and Timofey who is more a construct, and the two ghost children at Iroi's (who the cast seemed to see as unusual) but the rest we see feel closer to insects or pests, mischievous and annoying but in no way human. Are there ever the cases of a traumatic death or something causing some echo or figment of someone to haunt a place in a more direct way?

In Kasslyne, souls fly apart at death. Memories scatter, like a glass goblet breaking. They cannot remain as one whole soul, or ghost, in the way we tend to imagine.

So that traumatic death loses all context and, by itself, is not really so traumatic. It's weak and has no will or motivation. The khert vacuums it up like a dead cockroach.

But there is a universal law of Like to Like in Kasslyne. Mean makes mean, good makes good. Those dead cockroaches are attracted to other dead cockroaches. All these memories gather into tumorous masses of traumatic deaths, bad days, dead babies, shattered hopes, dreams deferred. They have no context for themselves. They're the merest, meanest memories of really gnarly shit that happened to someone, somewhere. These congealed pain ghosts sometimes escape the khert and haunt particles in the real world. Then they're what're called smoke eels.

These creatures almost have wills. Primitive minds have begun to form in the storm of their beings. And they're really what's caused the entire mess we're watching unfold. They've operated Cutter's Silver monster for him, they've (some of the more nuanced ones) have tried to involve Sette. They're all over the comic, sometimes just in the background, glaring. They don't like this system. They want someone to do something about it.

Now, Timofey and Iori's grandbabies are pymarics. Someone took various memories - ghosts - and combined them into new personalities. Instead of congealed pain babies, we get thoughtfully crafted... artificial minds. Timofey and Iori's grandbabies are not the ghosts of people who were once alive. Or at least, not in the way we think of ghosts. They're ghost slurry; parts of thousands of disembodied minds.

It's certainly possible that single memories can remain where they died, wafting about miserably. In fact it would be expected if they died in a khert fire or other environment where the khert couldn't easily get to them. In very specific conditions there might even be a delay where some dead bastard's soul doesn't immediately shatter at all- perhaps if they died in a super intense khert-fire~

But otherwise, as a rule, the dead shatter. It's a primary reason no one believes Duane is an actual person and instead think he's a pymaric like Timofey. I'll also point out that Anadyne is still in one piece because, impossibly, that woman's still alive. Cutter is keeping her heart beating. The dead don't shatter and the khert doesn't take them until their heart goes quiet. This was also referenced by Duane's alley attackers, who were very careful to keep his heart beating so Bastion could do his thing.