#irish rebellion 1916
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stairnaheireann · 7 months ago
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History of Harold's Cross, Dublin
One explanation of the origin of the name Harold’s Cross is that it is derived from the name given to a gallows, which had been placed where the current Harold’s Cross Park is situated. Harold’s Cross was an execution ground for the city of Dublin during the 18th century and earlier. In the 14th century the gallows there was maintained by the Archbishop. Harold’s Cross stands on lands which…
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botanic-eden · 7 months ago
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Songs about Ireland / In Irish that I would recommend EVERYONE to listen to.
Firstly, we have Sinéad O'Connor's song 'Famine'. Sinéad was an Irish singer-songwriter and a prominent activist. A very interesting figure, who wrote beautifully poignant songs on issues Ireland faced in the 90's in particular, but these songs still remain very relevant today. This song deals with the truth behind the so-called famine in Ireland, and has been deemed controversial since Sinead first performed it.
Of course, next we have Hozier. 'Butchered Tongue' is a wistful song about the decline in the Irish language and Irish culture. It also touches on the pitchcapping of Irish Rebels during the 1798 rebellion against the british. Yes I cried when hearing this song for the first time.
Another Hozier song, that actually surprised me a lot, is 'De Selby (part 1)'. This song is the first time I have heard the Irish language in a song by a globally popular artist. The idea that this song was played, that Irish was played across the world still amazes me. See my translation for this song here. This song is incredibly beautiful.
A band that sings in Irish is Dysania, and I would really recommend their song 'Lasú Croí'. The song slaps, and they are incredible for keeping our language alive through modern music. I'd also recommend 'Bothar Briste'.
Another band that sings as gaeilge is IMLÉ. I'd recommend 'Éad' and 'Go Deo, Go Deo.' Their songs are incredibly moving, 'Go Deo, Go Deo' kinda reminds me of a calmer version of 'Army Dreamers' by Kate Bush.
'The Town I Left Behind' is also a classic song that practically every Irish person knows. I would personally recommend The Dubliner's version. As well as this I would recommend listening to 'Grace', and 'The Foggy Dew'. All these songs deal with Ireland's history in some way - from the troubles to the 1916 rising.
'Isle of Hope, Isle of Tears' is another well-known song that I particularly remember learning in primary school. The Irish-Americans might be interested in this one - it's a song about the mass immigration to America during the Famine.
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werewolfetone · 1 month ago
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Hi - big fan of your history posts, especially those on the French Revolution!
I wanted to ask if you could recommend any sources (books, articles, podcasts, videos) that would be a good introduction to Irish history. I only know the basics I'm afraid, and it's not always easy to know where to start from.
I'm personally mostly interested in the 18th (as well as 19th) century, but anything goes!
Only if you have time of course ✨
Okay so first of all sorry for taking thousands of years to answer this lmao, but for general Irish history a book like Thomas Bartlett's Ireland: a History is probably a good place to start if you have very little knowledge going in, or if you don't want to read a book this lecture series on youtube about various Irish rebellions is also good and should be sufficient for the 18th and 19th centuries as it starts with the United Irishmen and goes through 1916 (iirc). the Dictionary of Irish Biography is also a fantastic resource for learning about specific figures; they have pages for people who even god doesn't know about I stg.
For the 18th century probably the most accessible place to start is probably with 1798 and then working chronologically backwards, just because there's far more stuff on 1798 that's written for people who aren't already experts on the period than there is for many of the other events of the 18thc. the standard book that goes over the whole rebellion is The Year of Liberty by Thomas Pakenham, but I also often see the combination of The Summer Soldiers by ATQ Stewart and The People's Rising by Daniel Gahan recommended as good introductions to the period and having read both of them I generally agree, although do be aware that they're respectively very narrowly focused on the rebellion in east Ulster and the rebellion in Wexford/Wicklow so they leave out such things as the rebellion in Mayo and Napper Tandy's five second long "invasion" in Donegal. unfortunately I can't help as much with the 19th century but I hope this was helpful anyway ^-^
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mysterious-mr-crow · 1 year ago
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Nevermore: Morella Theory/Headcanon
I am very obsessed with Morella and the fact that Irish history and culture plays into her character, it's something that I'm very passionate about!!! (this likely won't be the last time I rant about her)
without further ado:
okay so based on Morella's spectre and also that many of the cast are theorised to be from the 19th/20th centuries, I believe that she could've died protecting a civilian during the various conflicts that occurred in Ireland during the 19th Century:
Easter Rising, 1916
Irish War of Independance, 1919
Irish Civil War, 1922
The Troubles, 1969
it's also possible that she died in a smaller scale conflict, such as those that occurred during the deployment of the British Parliamentary Force (Black and Tans) who were sent to squash the rebellion. They were particularly known for destroying civilian property and attacking civilians
But yeah as well with Morella's spectre being designed around battle, with armour, sword and shield, I think she could've died protecting someone while fighting
edit: after reading the short story Morella's name comes from there's basically nothing that lines up with my theory haha, but I still like the idea.
in the story she died in childbirth which makes me think of the Magdelene Laundries that operated from the 18th to 20th centuries but it wouldn't relate much to the armour.
but yeah if anyone has any other theories pls lmk!!
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callsigns-haze · 11 months ago
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Loves Revolution
Prologue
Pairing: Bradley Bradshaw (as Micheal Collins) x Jake Seresin (as Harry Boland) x OC! Madison Cassidy
Word count: 500words
A/n: This is the first post to my new series so please be nice! I'm going to try to make this into a series so please show this story a bit of love and reblog!
Summary: Bradley, Jake and Maddie have been friends for many years ongoing. Bradley from Cork and Jake and Madison from the troubled Dublin, have been close for life. Now fighting in the 1916 Easter rising and the ongoing history to the Treaty and the independence of Ireland their story lives on.
History: Bradley (represents) :Michael Collins (October 16, 1890 – August 22, 1922) was an Irish revolutionary, soldier, and politician who was a key role in the early twentieth-century campaign for Irish independence. During the Irish Civil War, he served as Director of Intelligence for the Irish Republican Army (IRA) and as a government minister in the self-proclaimed Irish Republic. From January 1922, he was Chairman of the Provisional Government of the Irish Free State, and from July till his death in an ambush in August 1922, he was Commander-in-Chief of the National Army.
Jake (represents) :Harry Boland (April 27, 1887 – August 1, 1922) was an Irish republican politician who led the Irish Republican Brotherhood from 1919 to 1920. From 1918 until 1922, he was a Teachta Dála (TD).He was elected as the MP for Roscommon South in the 1918 general election, but, like other Sinn Féin candidates, he did not serve in the British House of Commons, instead sitting as a TD in the First Dáil. Boland was elected to the second Dáil as a TD for Mayo South-Roscommon South in the 1921 general election. He was re-elected as an anti-Treaty candidate in 1922, but he perished two months later during the Irish Civil War.
History :The Easter Rising (Irish: Éir Amach na Cásca), often known as the Easter Rebellion, was an armed insurgency in Ireland in April 1916 during Easter Week. While the United Kingdom was waging the First World War, Irish republicans started the Rising against British control in Ireland with the goal of establishing an independent Irish Republic. It was Ireland's greatest important insurrection since the 1798 rebellion and the first armed battle of the Irish revolutionary period. Beginning in May 1916, sixteen of the Rising's leaders were executed. The executions' nature, as well as following political developments, eventually contributed to an upsurge in popular support for Irish independence.
Warning: Mentions of gun use, ptsd, mentions of death, mentions of shooting, flirting, mentions of abuse, description of dead body, death, blood
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"Sir, we got the General Post Office surrounded, Sir! We believe that inside are De Valera, Macdonagh, Clark, Connolly and a lot of other rebellions, sir!" One of the funny dressed British soldiers replies to their head commander, with hand at forehead, ready for a salute. This is how the English planned it all along, for the most important rebellions to be stuck at one place, surrounded with no escape.
"So we have the G.P.O, good, very good, but what about O'Connells street, Stevens green, The Liffey and the four courts?" The head commander asked the young man who still held his hand above his head, not moving an inch. "The areas are empty, sir! Either captured or escaped but the rest are at the G.P.O, sir!"
They're all where they were supposed to be, all in one place, no room to escape and they'll give in to this nonsense, they had no way to continue fighting against the British or loyal Irish. The undertakers or loyal Irish were against the rebellions, fighting against them at this very moment, all they had to do now is give themselves up to the English.
"Are there any women inside, lieutenant?" Any innocent woman that had been stuck inside the G.P.O that had been inside the building for the past five days, did not deserve the faith they may face in several minutes from now. The soldiers aligned outside of the building will not hesitate to kill anyone on the inside but the women didn't deserve it.
"There's women of aid and very little volunteers, sir! We believe that one of the fellow female friends of De Valera's help is inside the building. Her parents put her off name Madison Cassidy, but to the public she's known as 'Maddie', sir!" A woman so apparently known to the public but how? No woman that the commander has heard of went by that name or was 'known to the public', no woman has ever had the might or power to be so known in the streets of Dublin or the county of Leinster. "What do you mean 'known to the public', lieutenant?" "She's a public speaker, sir!"
A female public speaker? And that was apparently known to people. Absurd. An absolute absurdity. Some young girl, that he has never heard of decided to become a public speaker. What a joke! She should be scrubbing the dishes, washing the linen, taking care of the kids or cooking and not wasting her time over public speeches. And who would even listen to her? Some sort of female, trying to put her thought into a speech that is apparently supposed to motivate people to do something.
And she believes that's gonna work, but like the lieutenant mentioned, she did work with De Valera. "Bring her to me, nobody lay a finger upon her, understood?" "Yes sir!"
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camisoledadparis · 14 days ago
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THIS DAY IN GAY HISTORY
based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … November 10
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1855 – Quaker poet and critic, Rufus Griswold, denounces Walt Whitman as a "scurvy fellow...indulging the vilest imaginings"
In the November 10, 1855, issue of The Criterion, Griswold anonymously reviewed the first edition of Walt Whitman's Leaves of Grass, declaring: "It is impossible to image how any man's fancy could have conceived such a mass of stupid filth". Griswold charged that Whitman was guilty of "the vilest imaginings and shamefullest license", a "degrading, beastly sensuality." Referring to Whitman's poetry, Griswold said he left "this gathering of muck to the laws which... must have the power to suppress such gross obscenity." He ended his review with a phrase in Latin referring to "that horrible sin, among Christians not to be named", the stock phrase long associated with Christian condemnations of sodomy.
Griswold was the first person in the 19th century to publicly point to and stress the theme of erotic desire and acts between men in Whitman's poetry.
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1879 – Patrick Pearse (also known as Pádraic or Pádraig Pearse (d.1916) was an Irish teacher, barrister, poet, writer, nationalist and political activist who was one of the leaders of the Easter Rising in 1916. Following his execution along with fifteen other leaders, Pearse came to be seen by many as the embodiment of the rebellion.
When the Easter Rising began on Easter Monday, 24 April 1916, it was Pearse who read the Proclamation of the Irish Republic from the steps of the General Post Office, the headquarters of the rising. After six days of fighting, heavy civilian casualties and great destruction of property, Pearse issued the order to surrender.
Pearse and fourteen other leaders, including his brother Willie, were court-martialled and executed by firing squad. Thomas Clarke, Thomas MacDonagh and Pearse himself were the first of the rebels to be executed, on the morning of 3 May 1916. Pearse was 36 years old at the time of his death. Roger Casement, who had tried unsuccessfully to recruit an insurgent force among Irish-born prisoners of war from the Irish Brigade in Germany, was hanged in London the following August.
The suggestion that the unmarried Pearse, a hero of Irish nationalism, may have been homosexual, has drawn fierce opposition from some Irish people. However, his biographer Ruth Dudley Edwards is clear that although celibate, he was undoubtedly physically attracted to young men men and boys.
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1879 – The poet and influential critic Vachel Lindsay was born on this date (d.1931). His exuberant recitation of some of his work led some critics to compare it to jazz poetry despite his persistent protests. Because of his use of American Midwest themes he also became known as the "Prairie Troubador."
Lindsay's fame as a poet grew in the 1910s. Because Harriet Monroe showcased him with two other Illinois poets — Carl Sandburg and Edgar Lee Masters — his name became linked to theirs. The success of either of the other two, in turn, seemed to help the third.
Edgar Lee Masters published a biography of Lindsay in 1935 (four years after its subject's death) entitled 'Vachel Lindsay: A Poet in America'. In 1915, Lindsay gave a poetry reading to President Woodrow Wilson and the entire Cabinet. Lindsay was well known throughout the nation, and especially in Illinois, because of his travels which were sometimes recorded in the front page of every newspaper.
He is probably best known for this poetic apostrophe to the Salvation Army in "General William Booth Enters Heaven," although it is questionable whether he ever made it past the pearly Gates himself, since he not only liked boys too much , but also ended his days a suicide.
In his 40s, Lindsay lost his heart to the dazzlingly good-looking Australian composer and pianist, Percy Grainger, as had the Norwegian composer Edvard Grieg before him.
Lindsay killed himself (horribly, swallowing Lysol) in 1931, the year before Hart Crane leapt into the sea. His only biography was published during the Eisenhower years, a decade before homosexuality was officially invented. If it took biographers almost a century to acknowledge Whitman's Gayness, Lindsay should be due for a really serious biography around 2021.
Lindsay is credited with having "discovered" the poet Langston Hughes while staying at the Wardman Park Hotel in Washington, DC. Lindsay was dining in the hotel restaurant and the young Hughes was his busboy. When Hughes came to take his food away he left a number of his poems at Lindsay's table. Lindsay, upon reading them, was moved to declare the next day in his daily column to having "discovered a great Negro American poet." It launched Hughes' career.
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1913 – James Broughton (d.1999) was an American poet, and poetic filmmaker. He was part of the San Francisco Renaissance. He was an early bard of the Radical Faeries as well as a charter member of The Sisters of Perpetual Indulgence serving her community as Sister Sermonetta.
Born to wealthy parents, he lost his father early to the 1918 influenza epidemic and spent the rest of his life getting over his high-strung, overbearing mother.
Before he was three, "Sunny Jim" experienced a transformational visit from his muse, Hermy, which he describes in his autobiography, Coming Unbuttoned (1993):
I remember waking in the dark and hearing my parents arguing in the next room. But a more persistent sound, a kind of whirring whistle, spun a light across the ceiling. I stood up in my crib and looked into the backyard. Over a neighbor's palm tree a pulsing headlamp came whistling directly toward me. When it had whirled right up to my window, out of its radiance stepped a naked boy. He was at least three years older than I but he looked all ages at once. He had no wings, but I knew he was angel-sent: his laughing beauty illuminated the night and his melodious voice enraptured my ears ... He insisted I would always be a poet even if I tried not to be ... Despite what I might hear to the contrary the world was not a miserable prison, it was a playground for a nonstop tournament between stupidity and imagination. If I followed the game sharply enough, I could be a useful spokesman for Big Joy.
Broughton was kicked out of military school for having an affair with a classmate, dropped out of Stanford before graduating, and spent time in Europe during the 1950s, where he received an award in Cannes from Jean Cocteau for the "poetic fantasy" of his film The Pleasure Garden, made in England with partner Kermit Sheets.
"Cinema saved me from suicide when I was 32 by revealing to me a wondrous reality: the love between fellow artists," Broughton wrote. This theme carried him through his 85 years. "It was as important to live poetically as to write poems."
Despite many love affairs during the San Francisco Beat Scene, Broughton put off marriage until age 49, when, steeped in his explorations of Jungian psychology, he married Susanna Hart in a three-day ceremony on the Pacific coast documented by his friend, the experimental filmmaker Stan Brakhage. Susanna's theatrical background and personality made for a great playmate; they had two children. And they built a great community among the creative spirits of San Francisco.
In 1967s "summer of love," Broughton made a film, The Bed, a celebration of the dance of life which broke taboos against frontal nudity and won prizes at many film festivals. It rekindled Broughton's filmmaking and led to more tributes to the human body (The Golden Positions), the eternal child (This Is It), the eternal return (The Water Circle), the eternal moment (High Kukus), and the eternal feminine (Dreamwood). "These eternalities praised the beauty of humans, the surprises of soul, and the necessity of merriment," Broughton wrote.
In the Coming Unbuttoned, Broughton remarks on his love affairs with both men and women. Among his male lovers was gay activist Harry Hay.
Hermy appeared again to the older Broughton in the person of a twenty-five-year-old Canadian film student named Joel Singer. Broughton's meeting with Singer was a life-changing, life-determining moment that animated his consciousness with a power that lasted until his death. In Joel Singer he found a creative as well as emotional partner.
With Singer, Broughton traveled and made more films - Hermes Bird (1979), a slow-motion look at an erection shot with the camera developed to photograph atomic bomb explosions, The Gardener of Eden (1981), filmed when they lived in Sri Lanka, Devotions (1983), which takes delight in friendly things men can do together from the odd to the rapturous, and Scattered Remains (1988), a cheerfully death-obsessed tribute to Broughton's poetry and filmmaking.
He died in May, 1999 with champagne on his lips, in the house in Port Townsend, Washington where he and Joel lived for 10 years. Before he died, he said, "My creeping decrepitude has crept me all the way to the crypt." His gravestone in a Port Townsend cemetery reads, "Adventure - not predicament."
God and Fuck belong together Both are sacred and profane God (the Divine) a dirty word used for damning Fuck (the sublime) a dirty term of depredation God and Fuck are so much alike they might be synonymous glories I'd even go so far as to say God is the Fuck of all Fucks And boy He has a Body like you've never seen - From Special Deliveries by James Broughton
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Richard Burton (R) with Elizabeth Taylor
1925 – Richard Burton, CBE (born Richard Walter Jenkins Jr.;d.1984) was a Welsh actor. Noted for his mellifluous baritone voice, Burton established himself as a formidable Shakespearean actor in the 1950s, and he gave a memorable performance of Hamlet in 1964. He was called "the natural successor to Olivier" by critic and dramaturge Kenneth Tynan. An alcoholic, Burton's failure to live up to those expectations disappointed critics and colleagues and fuelled his legend as a great thespian wastrel.
Burton was nominated for an Academy Award seven times, but never won an Oscar. He was a recipient of BAFTAs, Golden Globes, and Tony Awards for Best Actor. In the mid-1960s, Burton ascended into the ranks of the top box office stars. By the late 1960s, Burton was one of the highest-paid actors in the world, receiving fees of $1 million or more plus a share of the gross receipts. Burton remains closely associated in the public consciousness with his second wife, actress Elizabeth Taylor. The couple's turbulent relationship was rarely out of the news.
Burton was married five times, twice consecutively to Taylor. From 1949 until 1963, he was married to Sybil Williams. His marriages to Taylor lasted from 15 March 1964 to 26 June 1974 and from 10 October 1975 to 29 July 1976. Their first wedding was at the Ritz-Carlton Hotel in Montreal. Of their marriage, Taylor proclaimed, "I'm so happy you can't believe it. This marriage will last forever." Their second wedding took place sixteen months after their divorce, in Chobe National Park in Botswana. Taylor and Eddie Fisher adopted a daughter from Germany, Maria Burton (born 1 August 1961), who was re-adopted by Burton after he and Taylor married. Burton also re-adopted Taylor and producer Mike Todd's daughter, Elizabeth Frances "Liza" Todd (born 6 August 1957), who had been first adopted by Fisher.
Burton acknowledged homosexual experiences as a young actor on the London stage in the 1950s. In a February 1975 interview with his friend, David Lewin, he said he "tried" homosexuality. He also suggested that perhaps all actors were latent homosexuals, and "we cover it up with drink". In 2000 Ellis Amburn's biography of Elizabeth Taylor suggested that Burton had an affair with Laurence Olivier and tried to seduce Eddie Fisher, although this was strongly denied by Burton's younger brother Graham Jenkins.
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1955 – Roland Emmerich is a German film director, screenwriter, and producer. His films, most of which are Hollywood productions filmed in English, have grossed more than $3 billion worldwide, more than those of any other European director. His films have grossed just over $1 billion in the United States, making him the country's 14th-highest grossing director of all time.
He began his work in the film industry by directing the film The Noah's Ark Principle as part of his university thesis and also co-founded Centropolis Entertainment in 1985 with his sister. He is a collector of art and an active campaigner for the lesbian and gay community, himself being openly gay. He is also a campaigner for an awareness of global warming and equal rights.
in 1990, Emmerich was hired to replace director Andrew Davis for the action movie Universal Soldier. The film was released in 1992, and has since been followed by two direct-to-video sequels, a theatrical sequel, and another sequel released in 2010.
Emmerich next helmed the 1994 science-fiction film Stargate. At the time, it set a record for the highest-grossing opening weekend for a film released in the month of October. It became more commercially successful than most film industry insiders had anticipated, and spawned a highly popular media franchise.
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Emmerich then directed Independence Day, an alien invasion feature that became the first film to gross $100 million in less than a week and went on to become one of the most successful films of all time. His next film, the much-hyped Godzilla, did not meet its anticipated box office success and was largely panned by critics. Taking a short break from science-fiction, Emmerich next directed the American Revolutionary War film The Patriot.
After teaming up with new writing partner Harald Kloser, Emmerich returned once again to directing a visual effects-laden adventure with 2004's The Day After Tomorrow. Soon afterwards, he founded Reelmachine, another film production company based in Germany.
Emmerich's most recent efforts have been 10,000 BC, a film about the journeys of a prehistoric tribe, and 2012, an apocalyptic film inspired by the theory that the Mayans prophesied the world's ending in 2012.
In 2006, he pledged $150,000 to the Legacy Project, a campaign dedicated to Gay and Lesbian film preservation. Emmerich, who is openly Gay, made the donation on behalf of Outfest, making it the largest gift in the festival's history.
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1986 – Andy Mientus is an American stage and television actor. He is known for his role as Kyle Bishop in the television series Smash.
Mientus has toured with the first national touring company of Spring Awakening as Hanschen and appeared in the 2012 Off-Broadway revival of Carrie: The Musical.
In 2013, Mientus was cast in season two of the musical drama television series Smash as series regular Kyle Bishop. Following the cancellation of Smash, Mientus and co-stars Jeremy Jordan and Krysta Rodriguez joined the cast of Hit List, the real-world staging of the fictional rock musical created for season two of Smash. The show ran for three performances on December 8—9 at 54 Below.
Mientus made his Broadway debut in the 2014 revival of Les Misérables as Marius.
In 2014, Mientus appeared in several episodes of the ABC Family series Chasing Life. That same year, he was cast in a recurring role on the CW series The Flash as the Pied Piper.
Mientus is openly bisexual. He is engaged to fellow Broadway actor Michael Arden. Mientus and Arden both planned to propose to each other on the same exact day while on a trip in England. Michael had planned a scavenger hunt for Andy to complete and eventually lead to a proposal. However, Andy was able to execute his proposal first. Andy's proposal was a video of a young boy talking about marriage which quickly cut to all of their friends saying why Michael should say yes. The couple set the wedding to take place Autumn of 2015.
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1992 – The Louisiana Baptist Convention voted 581-199 to exclude congregations which condone homosexuality. A similar resolution was approved the same day by the North Carolina State Baptist convention.
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inspofromancientworld · 10 days ago
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Byzantium and its ancient Origins
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By Lady Ottoline Morrell (died 1938) - Public Domain, https://commons.wikimedia.org/w/index.php?curid=6961158
William Butler Yeats (W. B. Yeats) lived from 1865-1939 and was an Irish poet, playwright, and author who won the Nobel Prize in Literature in 1923 and was an important force in the Irish Literary Revival and founded the Abbey Theatre (the National Theatre of Ireland0 in Dublin), and served as Senator of the Irish Free State. His father was a lawyer and portrait painter. His mother was described as 'a shadowy figure' who ended up going 'quitely pitifully, mad'. His two sisters were also involved in artistic endeavors.
He was raised in the Protestant Ascendancy during a time that Irish Catholics and nationalism were becoming the dominant powers in Ireland, pushing for home rule, which informed a lot of his poetry. When he was two, the family moved to Slough, England. His mother raised him and his siblings on Irish folk stories and home schooled him until he was 10, he started school where he was 'only fair' as a student, possibly tone deaf and dyslexic. In 1880, the family returned to Ireland and he began writing poetry. In 1885, his first poem was published by the Dublin University Review. In 1888, the family moved back to England, were they lived until 1902. He was enthralled by spiritualism, astrology, and occultism as well as other paranormal subjects, crediting his passion for the subject for his writing, stating that '[t]he mystical life is the centre of all that I do and all that I think and all that I write.' He became a member of the Hermetic Order of the Golden Dawn in 1890, and was especially fascinated with the Rosicrucian part of the Golden Dawn as well as with séances.
In 1889, he met Maud Gonne, an Irish nationalist, with whom he was fascinated and she admired his writing but didn't return his infatuation because he didn't support Irish nationalism. In 1891, he visited her in Ireland and proposed for the first of four times, but she rejected him and married another man in 1903. Yeats complained of the loss of his muse and was delighted when the marriage turned out to be 'a disaster'. She asked for a divorce in 1905 but was only granted a separation. In 1908, the two had sex, after which Yeats commented that 'the tragedy of sexual intercourse is the perpetual virginity of the soul.' Shortly afterwards, Gonne said she didn't want to be more than friends with Yeats, asking that 'all earthly desire taken from my love for you…[and] the bodily desire for me may be taken from you, too.' When Gonne's husband was assassinated in 1916 for his part in the Easter Rising (also known as the Easter Rebellion, a week long uprising in Ireland against British rule), he hoped she'd consider marrying him and proposed again, though a biographer noted that this offer was 'motivated more by a sense of duty than by a genuine desire to marry her.'
In 1917, he married 25 year old Georgie Hyde-Lees, with whom he had two children, though he continued to have affairs with other women, especially younger women. In 1922, he was elected Senator of the Irish Free State and was a member of the Irish Republican Brotherhood, a secret society that supported the idea of an independent Irish nation. He was a member of the paramilitary group the Blueshirts and opposed individualism and political liberalism and felt that fascism as 'a triumph of public order and the national collective over petty individualism' as well as holding elitist views. When the Blueshirts began to decline, he relaxed his views a little, though he still leaned to authoritarian views. He used his status as a Nobel Laureate to promote that he won so soon after Irish independence, often writing 'I consider that this honour has come to me less as an individual than as a representative of Irish literature, it is part of Europe's welcome to the Free State.' After he died, he was was buried, per his request, at Roquebrune, France. He expressed his wishes to his wife as '[i]f I die, bury me up there [at Roquebrune] and then in a year's time when the newspapers have forgotten me, dig me up and plant me in Sligo [Ireland].' His bones weren't moved until 1948, nearly 10 years after his death.
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By Johny SYSEL - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=18318282
Byzantium is the Latinization of the ancient Greek city Byzantion that became the capital of Eastern Roman Empire, which was later known as Constantinople by the Ottoman Empire and now known as Istanbul. It was colonized in the 7th century BCE by the Greeks. Because it was on the entrance to the Black Sea, it was very important to the sailing-based trading in the area, making it pivotal to trade between Asia and Europe.
The poem begins with a picture of night falling over the city, with '[t]he Emperor's drunken soldiery are abed;/Night resonance recedes'. In the second stanza, there is 'an image, man or shade,/Shade more than man, more image than a shade' that appears on the path. The next creature to appear is a '[m]iracle, bird or golden handiwork,/More miracle than bird or handiwork,/Planted on the starlit golden bough'. The streets at midnight become a place '[w]here blood-begotten spirits come/And all complexities of furies leave'. In the final stanza, the poem focuses on the 'dolphin-torn, that gong-tormented sea'.
You can read the poem here.
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thefinestbrandofeefa · 24 days ago
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Twix or treaty
I choose to bestow onto you a treaty! My treaty of choice be the esteemed Anglo-Irish Treaty, signed on the 6th of December 1921– just in time for Christmas! Christmas that year was thought to be marked by bombs falling as opposed to the traditional snow that we assimilate with the holiday, though this treaty would soon prove this forecast wrong! Placing an end to the 1916 rising, a rebellion that occurred between Irish Nationalists and England, the Anglo-Irish Treaty sure is one heck of a Halloween treat! :D
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eagna-eilis · 2 years ago
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As a person from a country which threw off an evil empire only to descend into instant civil war followed by theocratic oppression I actually really appreciate the insinuation, in Mando S3 E3, that the New Republic isn't all that great.
'Andor' went HARD on its parallels to Irish history. An incitement to rebellion occuring at a funeral within a culture which takes funery custom very seriously is not unique to us (in fact no revolutionary process is unique to us) but it does feel very true to Irish history. Gilroy was inspired by 1970s IRA funerals in the North, or so he has said, but to me it was more reminiscent of the funeral of Jeremiah O'Donovan-Rossa in 1915, or the funerals of the early hunger strikers in the period between the 1916 Rising and the beginning of the War of Independence in 1919. These, especially the 1915 funeral wherein rebel leader Padraig Pearse gave a rousing speech which ended 'Ireland unfree shall never be at peace', are considered by historians as pivotal moments for the shift in sentiment towards the ousting of British Imperial control in Ireland.
It is so resonant, then, that like in the history of my own culture the New Republic in Star Wars shows itself to be by turns incompetent, repressive, and undeservedly smug about its own project.
This often happens in revolutions. The problems which both predate and are caused by Imperial control do not simply go away because you took down the Cogwheels or the Butcher's Apron. (For those who don't know, that's the Union Jack).
Do I hate the thought that Cassian Andor and Jyn Erso may have died for something that still wouldn't have aligned with their ideals had they survived? Of course I do. Just as I hate how James Connolly died for the same reason in the history of my own country. Do I hate the idea that my beloved Princess-Senator-General Leia Organa struggled in vain against a government that SHE WAS INSTRUMENTAL IN CREATING only to have to turn around and start rebelling again because things went to shit? Yes. I hate it. Just as I hate how my country betrayed the heroines of our revolution (Markievicz, Gonne, Sheehy-Skeffington, Lynn, Skinneder, Farrell, Ffrench-Mullen and others) by ousting them from politics and curtailing their rights. I hate these facts of history, but I love that they are reflected in Star Wars.
I love that the New Republic sucks. I love it because it feels so fucking true to life.
The sacrifices that the rebels made, both Fadó Fadó in Éireann and A Long Time Ago In A Galaxy Far Far Away, were not worthless. Their ideals were good. They absolutely should have done what they did. Empires, British or Galactic, SHOULD be overthrown. Just because my country turned into a place where Catholic clergy traumatised generations through sexual predation, unjust incarceration for moral crimes, and the stealing and sale of babies approximately three minutes after the Tricolour went up and the Union Jack came down doesn't mean that we shouldn't have rebelled at all.
The question of 'what do you do with your revolution once you've got it' should loom large over any revolution. It is evident that the maintenance of certain statuses quo just lays the ground work for the wars to come.
Star Wars onscreen usually works in broad strokes. The minutiae are largely left to the writers of the novels, and to a greater extent those of us who write fic and meta, to create and interpret. This particular broad stroke, that the New Republic maintains certain injustices from the time before, is deeply compelling and I hope it's something that the canonical story and those of us engaged in transformative practice with it can continue to explore.
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weirdnerdygoat · 7 months ago
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i fucking love Irish history, people just stopped fighting so that ducks could be fed
In the 1916 rising, (a rebellion against the British that was pretty much doomed to fail, and fail it did, but was very important regardless), some rebels decided to take over St Stephen's Green, this tiny park in the middle of Dublin, right?
And apart from deciding to dig trenches there WW1 style, (there were tall buildings surrounding it lol, not very strategic), both sides would just drop their arms twice a day, to let the caretaker of the grounds feed the ducks.
Both sides would just stop fighting in a literal rebellion just so that the ducks could be fed XD
Source (other fun stuff about the rising in the video, and great series in general)
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stairnaheireann · 1 year ago
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Kilmainham Gaol
Kilmainham Gaol is one of the largest unoccupied gaols in Europe, covering some of the most heroic and tragic events in Ireland’s emergence as a modern nation from the 1780s to the 1920s. Attractions include a major exhibition detailing the political and penal history of the prison and its restoration. Located approximately two miles outside of Dublin city centre, it was built as a county gaol to…
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werewolfetone · 1 year ago
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Hi! So this is gonna sound weird, but I’ve kinda been learning about Irish history backwards? Like, I started with the Troubles (bc of family involvement), then back to the 1916 rising which got me more interested in the people involved which took me further back and etc etc. I know I’ve been doing it “wrong” but I’m just starting to come up to the 1798. Do you happen to have any recommended readings or particular persons of interest to read? Any collections of primary sources would be more than welcome!
Secondary sources I would recommend:
The Year of Liberty by Thomas Pakenham - about the rebellion in general
The People's Rising by Daniel Gahan - about the rebellion in Wexford
The Summer Soldiers by ATQ Stewart - about the rebellion in Ulster
Wolfe Tone: Prophet of Irish Independence by Marianne Elliott - about Wolfe Tone
The Life and Times of Mary Ann McCracken by Mary McNeill - technically this is just about Mary Ann but I think it's pretty good for Henry Joy McCracken too because there aren't many biographies of him
Orangeism in Ireland and Britain 1795 - 1836 by Hereward Senior - obviously exercise caution on whether or not you think you can mentally handle this subject but book about loyalism during 1798
Castlereagh: War, Enlightenment, and Tyranny by John Bew - about Lord Castlereagh
2 things that I would also recommend reading about for context are the French Revolution and the British radical movement of the late 18th century. for the French Revolution 1 book I would say is good is Liberty or Death by Peter McPhee and for the British radical movement... the book The English Jacobins by Carl B Cone does a good enough job
Primary sources:
The Memoirs of Theobald Wolfe Tone by Theobald Wolfe Tone - title is pretty self explanatory. It's Tone's account of his own life + his diary
The United Irishmen, Their Lives and Times by RR Madden - this is considered to be the 1st history of the rising & was written with the help of many people who lived through it, so it includes a lot of first hand accounts. HOWEVER. beware that Madden was your archetypical mid 19th century Catholic Irish nationalist and the bias created due to that shows through in every single part of these books
Memoirs of the different Rebellions in Ireland by Sir Richard Musgrave - this is another very early history of the rising, also written with the help of people who lived through, also including a lot of first hand accounts. HOWEVER. Musgrave is like Madden's Orange counterpart in that this book is also wildly biased and should also be read with a degree of caution
Personal Narrative of the "Irish Rebellion" of 1798, Sequel to Personal Narrative of the "Irish Rebellion" of 1798, and History and Consequences of the Battle of the Diamond by Charles Hamilton Teeling - 3 accounts of politics in Ireland in the 1790s written by someone who as a young man led the Catholic paramilitary the Defenders
The Drennan letters (a collection of letters that Belfast doctor William Drennan and his sister, Martha McTier, wrote to each other between the 1770s and 1820s), if you can find them, are another great primary source on both the United Irishmen & on what life was like back then in general, as are the McCracken letters, which I know are available free online somewhere I just can't remember where exactly I got the pdf from
There are a lot of them but if you're interested in primary sources you might also read some of the political pamphlets/books that were going around back then -- the most famous that come to mind in this context are Wolfe Tone's Argument on Behalf of the Catholics in Ireland, Thomas Paine's The Rights of Man, and Edmund Burke's Reflections on the Revolution in France but there are wayyy more than that and at least some of them are on the internet archive
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alchemisland · 1 year ago
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SubDublin
A wild hunt rides out tonight
Hate is sallied forth
Troubles now are here again
What did we learn up North?
Send them all underground like the Poddle
“Send them all back” its backing breaking bottles
The ill-thought glow of a public bus in flames
Tear chairs out and carry them up the Gaol
Execute the Gael, upon them seat James.
Ana Livia I live here and could more make
Of breaks spent refusing requests for change
The Green goes red, the red is green, easter egg 1916
Skyline laws and peeling frontages, Blessing basins by ton, and Burgesses
Dublin’s not one for change
The change is never spare.
To do for Dublin, to be its Blake
Garda bike the Liffey takes
Clandestine as a married man’s Fetlife username
Print it all, Ashley Madison, immortalised on Traitor’s Gate
Leon jumped into the Liffey, on its bridge the youth getting lippy
In Garda’s face, he returns the lean projecting strength 
Hoping comrades will invade the scene.
The sound of Irish rebellion is a wailed air from a keening woman
The anguished wail of a beauty-leched crone
A blood-bloated battle God whose icon is a crow
The Dwarven rhythm of iron working stone
Rebellion here has a distinctive air
A smell you’d know, an old one, a vintage rare
Wolfe Tones escaping the stout-stripped cheeks of the men who’re there.
Liars light the beacon fires inciting false rebellion
Aren't your countrymen frightened inside? You are, all of you, Trevelyan
No foreign man on Irish shores will loot thy corn for thy family’s stores
Meanwhile on every wall a pale-eyed Eastern gentleman crowned in thorns
Forgiver of forgivers, Enoch that Cain built, Enoch that spoke of rivers, Gods with horns
Riots relish, the city hellish again recalling old destructions; upriver, approaching forms
Drakeprowed viking vessels and direct invited Norman settlers
Arnott’s gutted and cameras culprits spy, what you’d imagine: spides, idlers and should-be-spayeds
We have taken up our hod and spade and ensured that public transport is yonks delayed
We left behind our God and said ‘sure, let’s have something that’s worse instead’
We have always been a mongrel breed, loam bed that rejects no seed.
A country of tall tales, tale tellers talking their tones tuning and tales talling transcendentally
Tall men up north, not quite hyperborean or Pictish but a breed apart, Giant seed
At war their well whetted bodies in violent supremacy the battle ballet, at sport their breathstealing speed
An island of ancient sports and good humoured rough stuff, Tailteann games which bring earthly fames
Men who drain drams and etch out dire dreams, Doirbh agus Draiocht and Craic agus Ceoil
Men who express disbelief through their anuses: “it is in me hole.”
Out with hatemongers down Winetavern street
Into the Liffey, we’ll observe ye all sink
The river that stinks with your blood flows sweet
The soul of the nation is suffering now, I think.
A wild hunt rides out tonight
Hate is sallied forth
Troubles now are here again
What did we learn up North?
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panderp123 · 2 years ago
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☘️ Robin OC ☘️
ART BY KALDRAWS8280
Name: Patrick Flynn
Age: 25 (Died 1916)
Nationality: Irish ☘️
Sexuality: Bisexual
Species: Robin
Rank: WWI Solider & Rebel
Personality: Determined, Kindhearted, friendly, smart, brave
Backstory: During the Irish Rebellion, there were many Irish who were too afraid to fight but there were many fractions of the rebellion that were the brave ones to oppress the British.
Many sadly fought their brethren who severed in the UK forces just to make money for their families.
Patrick was one of the many brave souls who did their best to fight against the British but he came to the decision to join the British army in the WWI efforts so his mother and grandmother could have food on the table.
They were even given a new cottage off the coast of New Ross in Wexford.
Sure they had to move away from their home county of Cork but it was for the best.
Patrick trained at the Wexford Barracks, he was so anxious of being sent to fight the Irish Rebellion against his relatives and friends. Thankfully or not quiet so he was shipped France to fight the efforts.
Unfortunately Patrick never returned to Ireland as he died on the battlefield during the lengthy Battle of the Somme.
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indyflanery · 2 years ago
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1, 3 and 11 :)
As usual, it got lengthy when I was given a chance to explain Indy's background. But I welcome all questions even without prompts!
Also with Indy 5 coming out, I retain my dibs on RPing this version of the Indiana Jones character, as I haven't seen anyone else write it as long as I have on this hellsite. Lol
1. What made you pick up this character?
It was a no brainer. I've been watching Indiana Jones basically since it originally released. It's my go-to comfort movie series. I watched the TV show when it aired, or at least I have vague memories of watching it! Any archaeologist who says they didn't want to be Indiana Jones when they grew up is a liar, and I stand by that.
When I first picked up RP with then-friends as it developed from a side AU that started from The Boondock Saints, the Sean Patrick Flanery character for the group that I picked had to be Young Indy. Plus, I was still in grad school for archaeology at the time. It definitely wasn't a stretch and I have not regretted writing him.
3. What’s the best thing about the show/series/books/comics/etc.?
There's too many good things about the movies/series/character. It's hard to decide. The Young Indiana Jones Chronicles really tried to go for that exciting, educational aspect for its audience, however outrageous of a time frame for all his adventures. Not to mention, Lucas developed a lot of Skywalker Sound's digital editing with this show.
I think the best thing is between the show and the supplemental novels, they tried to fill in the gaps that hadn't previously been fleshed out for Indy's life, like details on his mother, the shitty relationship with his father mentioned in Crusade, and the backstory of the search for the diamond shown at the start of Temple. Fuck, Harrison Ford was actually in an episode! Thankfully, they confirmed the show as canon in the fourth shan't be named movie (the Pancho Villa reference). Too bad they canceled it before young Indy could first meet Marion Ravenwood and Rene Belloq.
Problem being, however, is that a lot of people just getting into the Indiana Jones world don't know about the novels/TV show, so there's crazy ass postulations out there that makes me go, 'No, they answered that already!'
11. Are there some things you dislike about how the show/series/etc. portray the character you have picked up? If so, what?
Hmm...I mean the given answer is that he's a terrible archaeologist and so many people are like 'Concept: Indiana Jones but he returns things to museums!' You can't actually divorce the context of the time the movies and the TV show takes place in from the character's actions. Archaeology in the early 1900s was a horrible, unethical discipline and that's just who Indy was - at that time there was nothing wrong with his actions.
Otherwise, I think things that irked me a little were some episodes like the one that takes place during the 1916 Irish Rebellion with vague hints of depth to Indy's character that in today's world could have been explored in different ways (i.e., sexual tension with another male character because a few scenes came across as very loaded). He was also a bit overly naive and they probably could have chipped away harder at the naivety once he experienced the Somme.
Also, just the sheer amount of shit he did in his life - not just as a young adult, but also as an adult. He'd have no time to do anything else with the small gaps in between adventures.
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harpersoath · 2 days ago
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the canticle of the turning/ óró sé do bheatha ‘bhaile — the crossing
from the halls of power to the fortress tower, not a stone will be left on stone. let the king beware for your justice tears every tyrant from his throne. the hungry poor shall weep no more, for the food they can never earn; there are tables spread, every mouth be fed,for the world is about to turn...óró ‘sé do bheatha ‘bhaile, (oh-ro you're welcome home… ) anois ar theacht an tsamhraidh! (now that summer's coming)
[discussion of composition / historical significance of the songs and general themes rambling below the cut!]
this song is a combination of the liturgical hymn the canticle of the turning & the irish nationalist march "óró sé do bheatha ‘bhaile". the messaging of both songs is a joyful call for freedom, justice, and change -- and the hope that those ideals inspire in the singers. change is coming, and these songs together build on each other's central message.
the composer / writer on the canticle of the turning uses the well known folk melody 'star of the county down', as "irish folk music, with its narrative milieu of longing for freedom and a sort of 'bloom where you are planted' [feeling] in the midst of penury and oppression, seemed to me to be a natural fit." the lyrics of the song draw on mary's magnificat / mary's canticle [luke 1:46–55], which speaks of the promise/fulfillment narrative of jesus' birth -- that is, the nativity narrative -- he has come to over throw tyrants & to right the wrongs done to those harmed by the cruelty of those tyrants & their systems. (1)(2)
similarly, in the early 20th century óró sé do bheatha ‘bhaile received new verses by the nationalist poet patrick pearse and was often sung by members of the irish volunteers during the easter rising. it was also sung as a fast march during the irish war of independence…the lyrics of the newer version were written by patrick pearse, one of the leaders of the irish rebellion of 1916, as an invitation to all irishmen away from ireland to return home and join the fight for independence. (3)
SOURCES: 1, 2, 3
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