#investment types

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[fluffyartbl0g]

So just curious: How does Skypiea go down in the speedrun?

wait wuh

Speedrun/Time travel AU Masterlist

@thychesters @thychesters @thychesters BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE BUGGY BOOGIE

WATCH HIM DANCE BOY DANCE!!!!!!

(Yes this is canon, buggy is in skypiea,,,, whas that rascal doin up there??!1?1!)

[boy-in-red-dress]

"I once considered him the center of my life, the sun in my galaxy..."

[uncanny-tranny]

Important tip for trans men/transmascs/whoever needs the reminder: Even if you pass as a man to cis people, you still need to have either some form of self-protection on you (e.g., mace, knives (if you can use them effectively), ect.) or know some form of self-defense. Please take it from me, you don't know what will happen out there at any given time.

You might assume that if you pass as a cis man to cis people, you will be safe from any harm. While I wish that were true, it simply isn't the world most of us live in. Please do whatever you can to protect yourself out there.

[mlady-magnolia]

I miss Becky Barnes and her ra-ra, school spirit, cheerleader bullshit <3

[quirkedupfandom]

Q!PHIL SAYING, AND I QUOTE "It's nice having a lot of stuff" and things on the last vod, and also just being all weird about getting new stuff from *supposedly the federation* (cough ender king cough cough)

Combine this with how much he used to say he doesn't value material wealth and family always comes before anything. Heck, he even BURNS the feds money like 10 minutes ago before going right back into this weird new hoarding mode.

And the fact that his whole philosophy of not getting too attached to worldly possesions is something he kinda passed onto Tallulah and Chayanne, and THEY NOTICED HIS ODD BEHAVIOUR.

LIKE. THEY KNOW!!! q!phil was able to pick up when something was off when the codes were imitating them, and the kids know him Just As Well. They can tell somethings up and i'm SADD

Because it was q!phil who was sad that Chayanne and Tallulah were thrown into battle and not able to just enjoy themselves. So what do they do when it's their own parent who's now needing saved. Their rock. The constant support in their life. I'm SO scared that this is going to result in a fight or something between them.

Edit: LOOK AT THIS CLIP. WATCH THIS. TALLULAH KNOWS!!!

Anyway yeah normal fun times on the QSMP amiright hahaha...

[coyotecares]

1-a somehow finding out that their stoic, hardass homeroom teacher is absolutely stupid head over heels in love with their goofy, ridiculous, eccentric english teacher and subsequently reading WAY too much into how they interact in passing when they switch periods every morning

ie: in that scene where shouta takes too long to conclude class and makes mic wait, there's a slight pause in his canter before he calls hizashi "mic"-- class 1-a would be gripping their seats to bring that up in the dorms later about how aizawa-sensei probably almost accidentally called mic-sensei "pookie bear" since that's most DEFINIETLY what he calls him at home

they talk every morning when shouta is leaving the room and hizashi is walking in, and every day, class 1-a will watch for subtleties in behavior so closely that some of them don't even breathe or blink

[monsterfuckermilligan]

i’m sure this has been said before but when adam and michael are talking in the bunker about the possibility of michael’s dad being a grade a asshole, there’s something so so so important to me about how adam points out michael’s hypocrisy.

ADAM: Point is…. Parents keep secrets. Does it hurt to ask the question?

MICHAEL: Yes! It would mean I doubt him. The good son; the favorite doubts his father.

ADAM: You still care about that? After he left you in the cage?

this matters because michael was JUST criticizing sam and dean for leaving adam and how he is in unable to trust them. he doubts them because of their actions.

MICHAEL: You’re asking me to trust you. You who doomed me, you who let Lucifer walk free while your own brother sat in Hell.

in turn, adam is pointing out that clearly michael has a line for his family members and it’s been crossed by michael’s own, so why is his dad any different than sam or dean? what makes michael different than adam? why does his dad get to betray and abandon him and still get michael’s trust and loyalty? why is michael expendable?

he’s really tapping into michael’s beliefs that were just established to us as the audience at the diner. (ie: family sometimes hurts you and just because they’re blood relatives or ‘family’ doesn’t mean they have your best interests at heart. sometimes there are things more important than family, sometimes walking away from your family is freedom) and he’s holding michael to the same standard he’s set for the winchesters.

side note: another thing i enjoy about this interaction is that adam is being gentle, although it 100% appears as if they’ve had this conversation before since he literally rolls his eyes, and not to mention that michael is an archangel. he could easily be mean or not even care about his feelings or michael could not even take his opinion into account and do what he wants. but despite everything, adam asks for michael to listen to him, and he does. and in turn adam appeals to him with logic and reasoning, because he’s overall a very rational and strategic being that’s simply been groomed from the get go in his dad’s weird cult. adam appeals to his emotions in a way that’s familiar. they share this experience. adam knows michael is protective of him and that it’s easy for michael to hate sam and dean for the same things his dad has done. but michael’s own lack of self worth that was drilled into him by his dad for aeons is being challenged, and it’s uncomfortable for him, but adam doesn’t back down and he helps get through to him. it’s really a great scene. this post wasn’t meant to be so long but yeah i have lots of thoughts about this short interaction!

[ruvviks]

Officer Michele Diaz finds herself among Militech's most invaluable agents from the last decade. Specialized in handling external affairs and one of the top executives of Militech's Special Projects Department, she is a hardworking and confident woman who will not simply take no for an answer— and who will do anything to get what she believes she deserves.

taglist (opt in/out)

@velocitic, @deadrlngers, @euryalex, @ordinarymaine, @gurathins;

@mojaves, @shellibisshe, @dickytwister, @mnwlk, @rindemption;

@ncytiri, @calenhads, @noirapocalypto, @florbelles, @radioactiveshitstorm;

@strafethesesinners, @fashionablyfyrdraaca, @radioactive-synth, @katsigian, @estevnys;

@elgaravel, @aezyrraeshh, @carlosoliveiraa

[welcometogrouchland]

(on my hands and knees begging tumblr to not mutilate the quality of this drawing 😭) anyway, coming out as a secret marvel fan to announce that i really enjoyed the recently she-hulk run w/ Jen and her boytoy and am sad to see them go. Jack pls dont disappear into the ether i just got attached to you (ID in alt)

[transmutationisms]

…so can you expand on the psychological ramifications of stewy being in private equity? that has definitely been lost on me given that i barely understand what private equity is

ok this is an underrated funny aspect of the show imo, and also good insight into stewy and kendall. i'm trying to spare you a bunch of stupid business jargon but basically, maesbury capital (which stewy represents but sandy/sandi ultimately own) is a private equity fund, meaning it's a big pile of a bunch of rich people's money, and stewy's job is to take that money and invest in private companies. a PE fund can invest at a few different points: at the very beginning of a startup's life (venture or angel investing), at a point where the company is trying to grow or restructure (growth investing), or when a company is struggling financially, in which case the fund is usually planning to either dismantle it and sell it for scrap, restructure and go public, or sell it for cash to another company. PE firms like to present themselves as doing a lot of growth or venture investing, but in truth many/most are primarily engaging in this third category of investment strategies, because they're lucrative (and because many startups are stupid, and only good for generating investor payouts).

so, when kendall went and dismantled vaulter in season 2 because logan decided that selling most of it for scrap would be more profitable? that's basically a dramatisation of what stewy does routinely, except of course the exact financial instruments and strategies will differ because stewy represents a PE firm. like, if kendall's venture capitalist schemes tell us about his delusions of creating cool new products and services, stewy is sort of the opposite because his structural goal is usually to dismantle companies and liquidate them however is best for maesbury's backers. it's a total destruction of all use-value and a conversion of it into pure exchange-value in the form of capital (which goes into his pockets and maesbury's). stewy generates money by destroying utility, which is perverse if you think capitalism is supposed to create and sustain human life, but actually completely comprehensible if you understand that capitalism is an insatiable growth machine with inherently contradictory internal tendencies and no raison d'être beyond the endless accumulation of pure capital itself.

many viewers think stewy is insane because he is friends with kendall roy. this is true, but on a deeper level stewy is insane because his job is to participate in the inexorable tendency to more and more abstraction in the capitalist mode of production. it literally does not matter at all to someone like stewy whether people are fed or clothed or happy, or have any of their needs met. the point is solely to create money, to turn all social forms and values into numbers on a balance sheet. this is why, when kendall tries to threaten him on axos at the end of season 2, stewy is able to casually tell him that "it doesn't matter; it doesn't mean anything." he and sandy are convincing shareholders that their offer will be able to make them more money, "and that's all that this is." stewy speaks the language of business differently than logan, because stewy doesn't care about dick-swinging competitions or demonstrating dominance in logan's cringey old catholic military way. which makes stewy more rational in certain ways, but also more insane, in that he operates in a way totally detached from this type of social value system and solely motivated by cold hard numbers.

the irony is that, whilst being detached and disembodied in his business practices, stewy is also better than the roys at appreciating the material fruits of wealth. he eats; he dresses well; he enjoys the "several houses" he owns. kendall is always trying to come up with some grand moral bullshit masculinity reason that what he's doing is noble or whatever, and he's alienated from his body and afflicted with severe catholic martyr disease. stewy just bypasses all that shit, measures his success by his payouts, and enjoys wealth because he sees it as an end in itself and not a means to logan roy's respect.

this is also why kendall's line in 'living+' about "it's enough to make you lose your faith in capitalism" is so funny. kendall can't just accept that business is a bunch of meaningless bullshit confidence games played by coked-up assholes who like to win; he always has to try to convince himself he's making cool new tech shit, or saving the world from the spectre of death itself or some shit. it's like, insane that he made it to literally 40 years old, growing up in a media conglomerate of all things, and still thinks that what he's doing requires actual skill or creates actual social value—but of course, part of the reason he still thinks this is because he deified logan and was therefore incapable of ever seeing logan or waystar for what they really were. stewy would never say that line because he can't be disillusioned this way on account of he already knows the whole thing is bullshit. it's just that to him it doesn't matter, because being bullshit does not preclude it from paying well.

[faerieriddle]

The fact that there’s no good long fanfictions about Eliot Spencer is a crime and if I were a more dedicated writer I’d fix it. Unfortunately, my motivation comes in rice grain sized portions and my creativity is that of a rat.

[rosemarytrash]

I love your rose cuz of her big eyebrows 💔

trust that life is all about change and transformation, nothing will ever stay the same, even that which appears stagnant is slowly being corroded and degraded into new, fresh form, and the only constant in life is that what you have now is not yours forever

except for how I draw rose's eyebrows. that will never change

[lokh]

the way zoro is depicted in that one shirt reminds me of a nice dress and also i wanted to try out a different coloring style so here it is 👍

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything