#invert breeding

[jack-of-all-inverts]

I NEED THESE BUGS OUT OF MY HOUSE BY TUESDAY 👏

'CAUSE ON TUESDAY I'M HAVIN A POTLUCK 👏

AND I CAN'T HAVE PEOPLE COMING TO MY POTLUCK 👏

ASKING WHY THE HELL THERE'S TWO HUNDRED BUGS AGAINST THE WALL! 👏

CAN YOU IMAGINE THE QUESTIONS? 🤯

"Hey uh.... Why you have so many bugs?" 😐

HOW EMBARASSING! 😱

BUY MY BUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUGS🦋🪲🪳🦗🐜🦂🪰🐞🕷

➡️ Click here to view my new website！

[grumpy-beetle]

The last elephant beetle in my care ♥️

He took about 3 years to grow as a larvae, and unfortunately only lived a month as an adult.

I had 6 elephants in my care from that batch. 2 have pupated last year (2 years as larvae) and lived about 3~ months as adults. Unfortunately I only have the male from saved as the female was in a lay box (with unfortunately no eggs to show) and grew over with mold.

The last 3 unfortunately didnt make it. 1 died to a badly constructed pupa chamber and sustained incredible deformities that I have never quite seen before. The other two lived up to 3 years as larvae as well, however failed to make pupa chambers altogether and passed away despite my best efforts to help.

This guy at least grew a much more impressive horn than the last years male, which is quite interesting.

[spideraquarium]

One of my favorite snails is the Assassin Snail! I've had ridiculous success with breeding them too--started with five in Chaos's tank to start managing a major horde of bladder snails and micro-ramshorns, and with thick natural sand and abundant food not too many months later we had the first wave of an extra dozen leetle Assassins.

Here are the latest eggs I've found on the base of the tank's sword plant! At least four more viable sneggs, plus one I got a good macro of already hatched! They're funky-lookin' little things.

[tobacconist]

i often wonder how ‘growing horns’ ‘putting the horns on someone’ etc came to refer to cuckoldry. 

firstly, surely the one committing adultery is the one in the wrong, not the cuckold? like... hes the one being ‘horny’, so to speak

though i guess its an insult against ones masculinity, and having an unfaithful wife (was seen as) more shameful than being unfaithful yourself?

but then surely horns/antlers are a symbol of masculinity, not weakness?

no clue tbqh

[coridallasmultipass]

TRIANGLE SHRIMP ALERT !!!!

[photoeq]

Bay roan pangare Rhineland Heavy Draft mare Magma

Source: https://thepixelnomad.com/rheinisch-deutsches-kaltblut/

[sayrvne]

forgive me for committing the cardinal sin of commenting on a reblog

personally, i started out with 1 T. over the last ~3 years, that grew to 2, then onwards to 5, a jumping spider and a mantis. one of the reasons i ended up getting more inverts (aside from the fact that I Just Think They're Neat) is because i had a lot of feeder insects that would essentially go to "waste", simply because their lifespan would run out. or if you have crickets those guys are just straight up cannibals and they're stinky. not a vibe

anyway yeah, point is that if you own tarantulas, you'll probably be familiar with their all or nothing eating habits. they will go on hunger strike during premolt, sometimes for months on end, my second T was a sub-adult a. chalcodes that moulted into a mature male who did not eat for the best part of about a year before that moult. i would buy in food for him, in the hopes that he'd eat something, since his age was a mystery to me. i wasn't expecting his first moult with me to also be probably his last, but it is what it is.

on the other hand, the comments about people who have upwards of 100 inverts was something i saw come up in one of the communities i lurk in recently. the point of "what will happen to this collection of animals if you were to fall ill or die or something equally as serious that prevented you from caring for them?" and personally i think that's something that 1. doesn't seem to be something widely considered and 2. is something that probably Should be considered.

even if it's just a contingency plan of "if something happens to me, This Person will care for my inverts" rather than having to leave that decision to someone else that might not make the best decision, or potentially do nothing at all. a relatively small collection would maybe be manageable, because let's face it, your average person would probably not want anything to do with tens or hundreds of big furry spiders.

I'm genuinely curious to know your stance on invertebrate owners? Like, tarantulas specifically. I have one but the people who literally horde them kind of make my skin crawl just like bad snake owners do. Thoughts?

i've never kept inverts but the thing is inverts are usually smaller and don't require something like UV basking setups the way many herps do. I can't tell a good tarantula enclosure from a bad one or minimum space requirements, but i think it is mathematically just more feasible to ethically house more tarantulas per square foot of your house than snakes who are noodles and should be given room to fully extend their bodies

from what i've heard bin systems can work well for many inverts because they do prefer dank environments where they can just chill in the dirt or under a log

@zooophagous can give a better answer than me lol

[sunnie-angel]

if you haven’t already, please do yourself a favour and read @sanguineterrain’s knight jason todd au. i tore through this as fast as i could physically read it.

it’s a delicious slow burn, the kind that sets your teeth on edge from the building attraction and emotion. jason’s conflict between religious guilt and knightly duty vs the woman he wants is devastating. dom/sub roles are inverted from what you’d expect of an arranged marriage au, and its just so good, i can’t wait until reader finally gets to do everything she wants to him. shame, desire, and a healthy dose of breeding kink are all wrapped up together into the most excruciatingly delightful package, the kind that has you on hands and knees coming crawling back for more.

series masterlist (plus my favourite lines)

part 1: intro post

jason's a prized racehorse, but he gets skittish, moody. the nightmares don't help. what do you do to help a racehorse? you get it a goat to calm it down.

part 2: you make dinner for jason

His eyes are sad as they fall on you. It's akin to grief, the pain he wears, but you don't know why he's grieving.

part 3: temptation

Your beautiful knight, who so intently protects your honor. You'd give him your honor and more.

part 4: a bloody vow

You are an executioner, and Jason is your axe.

[hydro-city-zone]

ALTERFALL: 2024 Recap.

As of last post, ALTERFALL's entire cast of Beta Kids and Beta Trolls have been revealed! Before moving on to any further details such as auxiliary characters (Guardians, Exiles, etc.), Alpha session characters or in-depth looks into the Beta sessions, let's recap - for those who joined partway, or are only joining now!

ALTERFALL is a Homestuck Kidswap/Bloodswap AU in which, due to a single in-universe change, many characters' upbringings are altered due to the landing locations of their meteors being switched. The in-universe event that changes the course of the story and the nature vs nurture approach to changing the characters in their new roles was inspired largely by Inverted Fate, which we definitely recommend to all UNDERTALE fans! Below the cut are some images detailing each character, and at the end a links will be provided to read more about them!

BETA KIDS

A group of four human teenagers who communicate online after meeting each other in a series of odd encounters. Together, they intend to play SBURB: a mysterious video game entrenched in conspiracies, hoping to dispel the wild rumors breeding in the depths of message boards, or at least to have some fun. Unbeknownst to them, the game truly is the catalyst for Earth's apocalypse, with the four of them being thrust into another world and given the task of creating a new universe.

BETA TROLLS

Twelve aliens and previous players of SBURB - or as it is known on their planet - SGRUB. Their gruesome home planet of Alternia has instilled within them all manner of quirks, prejudices and generally colorful personalities (for better or worse), but somehow, against all odds, they managed to succeed in their game and create the universe that birthed humanity. Despite this, these twelve have been trapped in their game session, unable to claim their prize of a new home and festering in their captivity. Connections have been established to the game session of the humans, however, and thus they have gained the ability to send messages to them... At any point in the timeline they so please.

POST LINKS:

Humans: John Jade Dave Rose God Tiers

Trolls: Patrons Aradia Gamzee Equius Tavros Eridan Feferi Sollux Nepeta

Misc: Correction Sprite Art Human Modus Descriptions

Chrono Tag

See you soon.

[jack-of-all-inverts]

Pairing time for the Budwing mantises! Tortoise (M) & Turtle (F).

[onenicebugperday]

I have a question, my friend: aside from their perceived ability to prolifterate, why aren't species like the German cockroach and other ""nuisance"" ""pest"" bugs more utilized as food for pet inverts? Obviously not necessarily wild caught ones, as you can never guarantee a wild caught's safety for your bug. It just seems like if they're really really easy to breed, aside from not letting them out, they seem like a GREAT idea for an easy-keep prey item?

I've never looked into it, but I would say a big factor is that there's a very high chance they will escape their containers at some point and most people would not be cool with them establishing themselves in their house. Common feeders like dubia roaches won't infest a home if they escape, and dubias are just as easy to breed.

[trashcanlore]

Kabbalah in the Worldbuilding of Genshin Impact; Part 3: Very Impure, Very Sinful

Written by Sabre (@paimoff on twitter) and Schwan (@abyssalschwan on twitter)

The Origin of Evil

In earlier parts of this theory, we've discussed how the elements of Teyvat and their ideals are similar to the sefirot of Kabbalah, as well as the implications of the similarities between Descenders and the Kabbalistic Primordial Man. In this section, we'll be discussing how the metaphors used to describe evil in Kabbalah are made literal in Genshin, specifically in the form of the Gnoses and the Heavenly Principles. We’ll also be connecting the Traveler’s role as RPG ProtagonistTM to the Kabbalistic concept of Tikkun Olam (repairing the world) and how that relates to their role in the good-evil duality. 

When it comes to the concept of evil in kabbalah, there are generally two perspectives considered: 1) evil is the result of an imbalance in the dichotomy of divine mercy vs divine judgment, and/or 2) the existence of evil is an inherent part of creation that can be affected by the actions of humans.

The Zohar, a foundational text of Jewish Kabbalah and massively influential on Western esotericism, details several explanations for the origin of evil. This theory does not contain a comprehensive analysis of the philosophy of evil in Kabbalah, but we’ve tried to at least mention or summarize the core concepts that can be tied directly into discussion of Genshin’s worldbuilding. 

The primary explanation in the Zohar is that evil originates in the sefira of divine judgment if it is not counterbalanced by divine mercy. This creates a parallel but mirrored/inverted system of the sefirot, called the Sitra Achra, which we will refer to with the literal translation “Other Side”. This dimension is associated with death and anger, and a few other unique traits we’ll explore later on. It’s important to note that according to this perspective, the existence of evil is actually a necessary part of the divine plan for the world - some of the commandments in the Torah (Jewish law), or even regular human activities like sleeping, are described as actions that ‘appease’ the “Other Side” and keep the balance between good and evil forces in the world. The Zohar even goes as far as to suggest that the “Other Side” can function as a ‘test’ for the righteous: In order for someone to be fully righteous, they must descend completely into the realm of the “Other Side” and resist all their temptations and then emerge pure. Those who fail are doomed to become breeding grounds for demons. Interesting.

The Husks in a Nutshell

The Zohar also introduces the concept of the klippot, literally husks, shells, or peels . The name Qlipoth, which players of Honkai Star Rail might be more familiar with, is just another spelling of the same term.

The Zohar’s conception of the sefirot is like a nesting doll: the sefirot are one inside the other, like concentric circles, and the klippot are the shells each sefira makes around the one inside it, as illustrated in the drawings below, where each ring or square represents one of the sefirot.

This ties in to another one of the Zohar’s explanations for the origin of evil: evil has always been mixed in with the sefira of Keter, the first to be emanated, and in order for reality to be formed, the evil had to be purified out. This was done by repeatedly creating worlds and destroying them, until the creative divine energy was purified. Think of it like when you’re washing something you’ve dyed, and it takes multiple washes for the dye to stop bleeding.

This process leaves behind “shards��� of evil, which become the foundations of the dimension of evil, the “Other Side”. The Zohar names some of the klippot as direct counterparts to the sefirot, giving them equivalent roles in their respective dimensions, but there is no consistent or complete description of all the names or comparisons. 

Similar to the process of creation and destruction described above, Rabbi Isaac Luria (very influential Kabbalist in the 16th century) described a process where there are multiple iterations of the creation of the world, resulting from the dilution of divine energy as it is emanated into the void where reality is created. (For a more detailed explanation of this, check out Part 2.) Luria compares the sefirot to vessels filled with divine light, and the farther these vessels get from the source of the light, the weaker they get. Eventually the vessels shatter and form the klippot, which here are technically fragments of the divine and not inherently evil. However, unlike the sefirot that can balance each other, these fragments are isolated and intense attributes of the divine that eventually become evil and demonic. 

In the context of Genshin, the klippot take the form of the Gnoses, reflecting their role as both remains of evil and fragments of the divine isolated from the source. 

Demons and Dead Descenders

Back in Part 1 of this theory, we briefly discussed the implications of both the inverted Irminsul and the Demon Gods, or Archons, in the context of Kabbalah. We hypothesized that Teyvat is in the dimension of evil, aka the “Other Side,” and the Archons have demon names to indicate their alignment with each of the evil equivalents of the sefirot: the klippot. There is no standardized list of demons associated with the “Other Side,” so we think that they are using the Goetic demon names instead, like some historical sources have done in their incomplete lists. 

We also suggested that the Gnoses themselves could represent the klippot of each element, the “shell” around the sefirot. This was based on the information we knew about the Gnoses at the time which was basically that: 

a. It is an “internal magical focus that resonates directly with Celestia itself,” and represents the archon’s status as one of The Seven (Archon Quest, Prologue, Act III, Ending Note). This may be related to Zhongli’s concern that giving up his Gnosis will mean that he cannot defend Liyue anymore (Zhongli Character Stories: Gnosis)

b. It can gather elemental energy for the Archon, presumably acting as some kind of amplifier, given that the Archons have elemental abilities without a Gnosis (Nahida Character Story: Gnosis). This is presumably how the Akasha (and the Oratrice) was able to be powered by the Gnosis, and how Nahida was able to use the power of two Gnoses to access Irminsul and delete Rukkhadevata, something she could not do with her own power (dendro+electro amplifying reaction indeed). 

The Fontaine Archon Quest and subsequent Neuvillette character stories introduced two new crucial pieces of information that cemented the role of the Gnoses in this theory: 

a. The Gnoses are the remains of the Third Descender, and since they are remains, they are cursed. Skirk even says that the Gnosis “smells” “very similar to a god's ‘curse’.”

Skirk: Regardless, you should probably get rid of objects of "misfortune," to prevent any disasters from befalling you.

 Skirk: To live is in itself a blessing. But once a person dies, the bonds he once had with this world shall all turn to curses.

b. The Primordial One was wounded in the “great war of vengeance” (probably when the Second Who Came arrived) and couldn’t “suppress the original order” of the world anymore. They and the “one who came after” created the Gnoses from the Third Descender and used them to “subdue and control the resentment and loathing of the world.” This seems to have created a new order to the world, where the remaining primordial “fragments” were destroyed, and humans gained the “seven remembrances.” (Neuvillette Character Story: Vision). This is implied to be related to the Archon War and to humans receiving Visions, which is described as a “shattered shard” of an Archon’s authority. 

With this updated information, we have more evidence for our claims that Teyvat is in the realm of the “Other Side,” and that the Gnoses are the klippot. Here we compare key traits of the Gnoses and the Kabbalistic metaphors used for evil:

While the Gnoses and the “inverted” world of Teyvat are certainly the most overt references to the klippot and the “Other Side” in Genshin lore, derivations of these concepts are sprinkled throughout the worldbuilding in the form of repeated references to ‘shards’ and ‘husks’ of power and will. In the next section, we’ll go through two primary categories where the klippot of Genshin can be found: Death and the anger it leaves behind, and judgment, which includes the concept of sin in Teyvat, and speculation about how the Heavenly Principles turned Teyvat into the “Other Side.”

Rest in Pieces: Death and Anger

As you may have noticed, dying in Teyvat is not exactly straightforward. Death is meant to be a sort of recycling/reincarnation process via the leylines, but it seems like there are infinite exceptions to this rule. Hilichurls are cursed to never be able to enter the leylines, and thus are never able to truly die. When gods die, they can stick around indefinitely as corrosive and resentful energy (like Yaksha’s Karma and Inazuman Tataragami), or their remains can be used to permanently change the environment, like Rukkhadevata creating the Harvisptokhm out of Egeria’s remains to seal Tunigi Hollow. God-like individuals have also ‘died’ after being split in pieces, and those pieces contain some aspect of their will or consciousness, like Liloupar or Hermanubis and his Ba fragments. The Ba fragments are even associated with specific traits like the sefirot are: Sethos specifically mentions might and glory, which could correspond to the sefirot of Gevurah and Hod respectively. Both these and the resentful energy of things like the Tataragami can influence the actions of humans who come in contact with these fragments and remains. 

The will of more ordinary people can also remain after death: the Shadowy Husk enemy descriptions call them “nothing but a husk,” and that “the long years and a curse seems to have robbed them of their reason and memory. Now, all that remains within that armor is the will to "fight for something, someone, and some matter."” 

All shall decay in the end, and this is all that is left of the Black Serpent Knights amidst the merciless march of their sins, curses, and time itself.

We also have instances where a powerful being’s sacrifice provides the power for an ��impossible’ event to occur: the Goddess of Flowers using her body as a conduit to give Deshret access to forbidden knowledge, or Sybilla sacrificing her life to create Phobos. Sybilla, who was likely also a Seelie, is described as being from the land of the dead - more on Seelies later. And most relevantly, we have the death of the Third Descender being used to create the Gnoses. 

Logically, this death-associated release of power makes sense In a world that is also the “Other Side.” But it also seems to be a double-edged sword: just like how the order of the world itself is held together with the Gnoses sourced from death, the death of other powerful beings can destabilize it. 

And speaking of the Gnoses - how is it that ‘death’ energy can be used to channel elemental energy, which should belong to the sefirot? As we mentioned earlier, that’s because the klippot and the sefirot are derived from the same divine source material - at their core, the realm of the divine and the realm of the demonic are the same. The distinction between these powers in Genshin is their source: are these the true elemental powers original to this world, or is this the power stolen by the Heavenly Principles? 

Teyvat has its own “laws”: Judgment, Sin, and Curses

Earlier we mentioned that the Zohar’s primary explanation for the origin of evil is an excess of divine judgment. In Kabbalistic thought, divine judgment refers to the setting of limits during creation - without it there would be no distinction between anything and the world would just be an everything soup. For more on this idea and its usage in the Fontaine AQ, check here. When it comes to the human expression of this idea, “limits” would be equivalent to the concept of laws, both natural (like physics) and legal (like the concept of social contract).

The Heavenly Principles are thought to be the highest power of “law” in Teyvat, described in the Scroll of Streaming Song as “the universal law created in heaven, the divine laws established in the beginning.” 

Nahida also tells use that the Gnoses represent the laws of the Heavenly Principles: 

Nahida: I'm sure you remember the entity that changed your fate — the Heavenly Principles. Nahida: In fact, the Heavenly Principles has been quiet since the Khaenri'ah disaster five hundred years ago. I used this point as leverage against The Doctor. Nahida: I told him that the Heavenly Principles may be awakened if I destroyed a Gnosis. Although it was just a bluff, he still fell for it. Nahida: I assumed that the Heavenly Principles wouldn't just stand by and let such extensive damage to its "laws" take place.

What do these laws entail, exactly? Rukkhadevata in Scroll of Streaming Song explains:

"One may only bow down and worship Vaana of the heavenly spirits — no arrogation, deception, or trickery is permitted." "If one dares to imitate the forbidden arts, only calamity awaits at the edge of divine knowledge.”

As expected, these “divine laws" include definitions of sins, and conveniently for us, these sins tend to be punished with curses, yet another misfortune associated with the klippot.

There are three* curses specifically associated with the Heavenly Principles: 

The “curse of the wilderness” which turned non-pure-blood Khaenriahns into hillichurls (but may be older than the Cataclysm considering hillichurls have been around since before that time and there are other references to humans turning into various monsters that aren’t associated with the Cataclysm)

The curse of immortality put on pure-blood Khaenriahns during the Cataclysm

The Seelie curse, which has multiple variations: a. Arama says the Seelies were cursed to become “empty husks” if they fell in love with a human. The curse would make them lose their intelligence and their bodies would shrink, becoming the little treasure Seelies found in exploration  b. Wolfy in the Imaginarium Theater talks about the Boar Tribe who were forced to place parts of themselves on a scale, and then lose those parts of themselves, as a punishment. The description of what happened to these boars sounds a lot like the Seelie curse. Wolfy: Those boars who placed their heads on the scales became wolves, lizards, and snakes, leaving only their strength. Those who offered their muscles became rabbits, leaping three paces to a bound, instinctively guiding people to treasure.

*Paimon voice* “Maybe it should be called the rule of four!”: While we don’t know yet if this is associated with the Heavenly Principles, Skirk references a god’s curse, which in context seems to be related to the Gnoses and the fact that Gnoses are the remains of a dead Descender.

In summary, the Heavenly Principles, their “divine laws” and corresponding curses and punishments are the Teyvat equivalent of the excessive divine judgment that leads to the formation of the “Other Side”. According to the Zohar, the “Other Side" and the klippot sustain themselves through stealing divine energy and feeding off human sin. We’ve already discussed how the Gnoses are the means for stealing divine energy, so how does human sin play a role in this equation?

The Sinners Are All That's Left

After the war with the Second Who Came, and the Seelies were cursed, the Heavenly Principles established the order of Teyvat using the power from the death of the Third Descender: the Gnoses. They then had the gods of each nation fight to the death for the chance to win this power and become representative of their “law”, creating resentment in many places across Teyvat. Given what we know about the klippot, we must consider the Archon War as the Heavenly Principles creating strife and death to power themselves enough to maintain the order of Teyvat. 

A similar system is presented in one of the in-game novels, Princess Mina of the Fallen Nation, which tells the story of a princess prophesied to bring destruction. Her nation is plagued with wars due to “Nakura’s Hex,” which drains the life force from people and the environment to strengthen the soldiers, who then in turn, continue fighting to be the most powerful, which leads to them draining more life. In the fifth volume, Mina and her slayful samurai bestie arrive at the Sky Tower, where they meet some priests and learn the truth of their world: Nakura’s Hex was originally created to preserve the “slowly declining” world. Mina learns that she must sacrifice herself, destroy the current world, and use the stored up power from Nakura’s Hex to create a new one. It’s left ambiguous if she succeeds. 

If the Heavenly Principles are able to gain power from wars and death, then they should also be able to gain power from sin as well. And lucky for this theory, we just finished the Fontaine region, where this very concept was explored in the Archon Quest. In order to collect enough power to destroy her Archon throne and return the Hydro authority to Neuvillette, Focalors created the Oratrice. The Oratrice pronounced verdicts during court cases and converted the people’s belief in justice into Indemnitium, which was then used to power Fontaine. In reality though, most of this power was stored up to eventually kill Focalors. In other words, the crimes and well, sins, people committed against each other generated tangible power that could be used by a god. 

In this context, the fact that the title “Sinner” is associated with the cataclysm and Khaenri’ah, and the recent reveal that the Five Sinners split a “world-shattering” Abyssal power between each other become more significant. 

Considering all that we’ve discussed regarding the use of death as a power source in Teyvat and its connection to the Heavenly Principles in their capacity as the Other Side, we are left wondering if the Sinners attempted their own Third Descender moment. In the context of what we’ve theorized about the Primordial Human Project previously, Rhinedottir’s role as a Sinner feels particularly relevant here. Whatever it was exactly that the Sinners were trying to do, their power definitely was “world-shattering,” since 500 years later Teyvat is still recovering from their and the Heavenly Principles’ actions during the Cataclysm.

And speaking of the present day problems of Teyvat, we are now ready to talk about the role the Traveler plays in the interplay between the Heavenly Principles and the original order of Teyvat. 

The Repairing of a World More Broken Than Elon’s Twitter

Ever since the Traveler woke up in Teyvat they have been helping everyone around, whether it’s finding lost pets, defeating evil dragons, finding cures for the sick, cleaning buildings or leyline disorders, maybe defeating another dragon… whether big or small there’s no feat that’s beneath our protagonist. That’s what the heroes do right? Well yes. But it also has a deeper, Kabbalistic significance.

Lurianic Kabbalah builds on the Zohar’s idea that human actions can either strengthen or appease the klippot by proposing there are also specific actions humans can do to have a positive influence on the world. There are two states the world can exist in: Tohu (chaos), where the sefirot are unbalanced, and Tikkun (repair), where the sefirot are harmonized together. Luria taught that humans could contribute to the “Repairing of the World” (Tikkun Olam) by strictly adhering to the religious laws of the Torah. With time, the idea that humans can contribute to the improvement of God’s world by performing acts of kindness and altruism has become mainstream in Judaism, and in the modern day, Tikkun Olam has come to refer to the value of social justice. By performing these “repairing” actions, the Divine Energy that’s “trapped” inside the klippot is released and returns to its rightful place, contributing to the balance and harmony of the world.

Similar concepts are referenced directly in Genshin: In Chinese, the Heavenly Principles are Tiānlǐ: “Heavenly Order.” Li refers to a concept in Confucianism that literally translates to ‘rite,’ and refers to specific ritual actions that connect human action to the harmony of the greater order of the universe. Li is not necessarily religious rites as it also includes “basic” human interactions with each other and nature.

Another similar idea is the alchemical As Above, So Below, which is generally interpreted to refer to either the movement of the celestial bodies affecting events on Earth, or the correspondences between the macrocosm and the microcosm (the human being). You may recognize this second idea from Part 2 of this theory. 

In other words, this means that the actions that humans take in the material world can have a direct impact on the spiritual world (in Judaism) or on the larger movements or changes of the rest of the universe (Li and alchemy). These concepts are all relevant in our discussion of the role of the Traveler, but here we will also be using it to illustrate how the Heavenly Principles have control over Teyvat. 

The concept of As Above, So Below has been mentioned in the context of the Heavenly Principles in Scroll of Streaming Song:

"O wise Princess, if your wisdom is truly as the legends of the people say," "Please answer my second riddle as you did the first." "What rises from the earth, then descends from the sky," "No one has seen it, yet it sees all," "As above, so below, and as at the bottom, so too, the top," "Yet only top to bottom may be, and never bottom to top?" That princess of (...) answered thusly: "You speak of the universal law created in heaven, the divine laws established in the beginning." "No one has seen the eternal law, yet it governs all.”

The Goddess of Flowers is implying here that technically this principle should apply to the Heavenly Principles and their laws, but in the order of Teyvat, only the law can govern the “below,” the world, and the world can not reciprocate their influence on the “above.” This would mean that human action on Teyvat actually does not have an effect on the “sky,” which is the spiritual realm. In the Flower of Paradise Lost artifact lore, she says that the "master of the heavens, consumed by fear for the rising tide of delusion and breakthroughs, sent down the divine nails to mend the land, laying waste to the mortal realm..." This suggests that the sealing off of the connection between Teyvat and the heavens is the result of the Heavenly Principles’ fear of the power of the “invaders” and the effect they and other humans could have on them from the human ‘realm’ of Teyvat. 

More simply, this means that the Heavenly Principles are actively preventing the humans of Teyvat from performing the “Repairing of the World”. 

The (semi)literal translation of Zhongli’s burst voiceline also references this, but in connection with Li and Confucianism, rather than alchemy: “Heaven moves; all follows.” In this scenario, he, as the Archon, has the authority to act as the executor for the Heavenly Principles’ law (Tian Li), and invokes “heaven” to set a limit/boundary. You can even see this illustrated with how his burst stops the enemies from moving, as he restores ‘order’. (Credit to Cristal Marie for this insight)

The one exception to the restriction set by the Heavenly Principles seems to be the Traveler, whose helpful acts are excellent displays of “Repairing the World”: Indeed, while Traveler was initially just showing their good nature, many of their actions have contributed to restoring a balance to a Teyvat that seems to be in a state of “Tohu” (chaos).

Examples are varied and extensive, but we can categorize Traveler’s actions as follows:

Returning things to their rightful place: repairing the Statues of the Seven by returning the Oculi, helping the Seelie return to their courts.

Repairing and balancing Leylines: cleansing Leyline disorders at places like Chenyu Vale, the different islands of Inazuma, cleansing leftover Forbidden Knowledge at Sumeru.

Aiding people and living beings: from the Aranara and Melusines to Scaramouche and Dvalin,  ill or struggling NPCs,  lingering ghosts, etc

Defeating and suppressing evil forces: Osial, Beisht, an eroded Azhdaha, the Thunder Manifestation, the Tatarigami at Yashiori, different agents of the Abyss Order, the All-Devouring Narwhal.

Performing appropriate rituals: the Funerary Rites for the “passing” of Morax, the Rainjade Rite at Chenyu Vale, the Festival Utsava, the Watatsumi Goryou Matsuri, the Sakura Cleansing Ritual, etc.

All this repairing, cleansing, returning things to correct places and balancing elemental energy fits with the Lurianic description of how “Repairing the World” is achieved.

In the first part of this theory we compared the Kabbalistic sefirot with the seven elements of Teyvat, as different “colors” derived from elemental energy. We also mentioned how the famous array of the Sefirot in the “Tree of Life” is an idealized state: the truth is that they won’t be arranged in such a balanced way until the coming of the Messianic Age, and that will only be achieved once the repairing of the world is complete. In this context then, the Traveler’s actions should be accelerating the arrival of this ideal state. 

But… isn’t Teyvat the world of the “Other Side”? Who exactly is the Traveler aiding with their actions? Aren’t they strengthening the klippot by maintaining the order set by the Heavenly Principles, who have been accused of being “usurpers” chaining the world to an unnatural order? Or is the Traveler actually reversing this and returning the world to its natural state?

There are a few instances when we are led to doubt that the Traveler is doing the ‘correct’ thing as they purify/restore places in Teyvat. During the Chenyu Vale world questline, Lingyuan says that the adeptal energy the Traveler gets from Fujin has the power to “suppress nature” and that their efforts to perform the Rainjade Rite go against nature as it is intended to be. She also makes a cryptic comment about how humans used to be part of nature, but are no longer. This may simply refer to how humans affect the world around them, or perhaps it’s meant also as commentary on the Traveler’s actions and the way they are generally considered to be positive and restorative. 

In this case, if the Traveler is doing wrong, could it be that the “true Messiah” is out there, being labeled as a “sinner” for trying to release Divine Energy from the evil grasp of the klippot?

After all, we know someone who fits that description: the Traveler’s own sibling.

Purification through Sin: how the Abyss Order are the good guys akshually

There was actually a movement in Jewish mysticism that believed that doing exactly the opposite of what Luria advised (following the laws of the Torah) is what would achieve the complete repairing of the world. This movement  started in the 17th century, in the Ottoman Empire, when a man named Sabbatai Zvi claimed to be the long awaited Messiah. It wasn’t the first time this happened, indeed Christianity arose from one of those very claims. 

The Sabbatean movement, like many before them, drew criticism from more conservative Rabbis particularly due to the seemingly unstable behavior of their leader: sometimes boldly going against Jewish law, other times falling into periods of melancholy that were “unbecoming” of the Messiah. The breaking point for the detractors of Sabbatai Zvi was his public conversion to Islam after being threatened with torture and execution by the Ottoman authorities, effectively becoming an apostate to the Jewish faith. Despite this, Sabbatai Zvi had a big following, and his conversion didn’t deter them.

What’s relevant about this Messianic claimant movement is that much of the fuel for its credibility was based on Kabbalistic thought. Nathan of Gaza, an accomplished student of Jewish theology, was the first believer that Sabbatai was the real Messiah, and from then on used his deep knowledge of Lurianic Kabbalah to argue why Zvi’s questionable actions were what had to be expected from the Messiah, including the most serious sins. Much of the reasoning for this is explained in a text that is still polemical today: the Treatise on Dragons.

Nathan argued that even though the entirety of the created universe was emanated from Divine Light, that doesn’t mean all of this divine essence was used up: there was a good amount of Divine Light that wasn’t involved in creation, and in a way “didn’t desire” to become created matter.  When the endless Divine Light “retracted” to make space for the future world, the leftover “Void realm” had remnants of Divine Light that didn’t want to be part of creation, and were even hostile to it. Afterwards, Divine Light entered the Void in a “vertical line”, penetrating it and kicking off creation, including the subsequent shattering of the vessels mentioned earlier. Eventually, the shattered fragments of the vessels and the hostile remnants of Divine Light  formed the realm of the “Other Side.” So now, the upper levels of the Void is where the created world is located, and it’s also the realm where humans can aid the “Repairing of the World”. However the lower levels, where the klippot are located, are so evil that only the Messiah themselves can “repair” them. That’s why the soul of the Messiah was cast into the “Other Side” even before creation, when Divine Light penetrated into the Void Realm. This soul would be particularly connected with the klippot, incarnating many times across history as different people that would endure terrible temptations and suffering, all with the objective of purifying the klippot at the bottom of the “hole of the great Abyss”, from the inside.

 While this interpretation of Lurianic Kabbalah was devised to explain the behavior and life of one particular individual (Sabbatai Zvi), for our Genshin Impact theory it serves as an explanation for the actions of the Traveler’s Sibling. After all, we have never seen them hold contempt or hatred against Teyvat like the exiled dragon sovereigns seem to have. Rather, the Sibling and the Abyss Order focus on toppling the Heavenly Principles. The Sibling even seems to have tried to reverse the initial effects of the Cataclysm, attempting to save Khaenri’ah and parts of Teyvat along with Dainsleif, until whatever they saw at the “sea of flowers at the end” made them change their mind. Abyss Sibling is also constantly somber and serious, even when chatting amicably with the Traveler during Bedtime Story, which fits Nathan’s explanation on how different people containing the soul of the Messiah have tended to have a melancholy disposition, constantly battling the temptation to sin and struggling with the uglier side of life.

All this, plus the constant description of the Abyss Order and other Khaenri’ans as “sinners” leads us to think that the actions of its current leader, the Princess/Prince of the Abyss, are in line with the Sabbatean notion of “purifying the klippot through sin”.

Why Am I A Broken Messiah and other old Death Note anime lyrics

One final comparison to draw in this “redemption through sin” is actually from different Abrahamic religions other than Judaism. Gerschom Scholem in his book about Sabbateanism also points out the similarities of this movement to at least one, or perhaps more, early Gnostic Christian sects.

It’s difficult to discern what was genuine belief and what were accusations of heresy by mainstream Christian theologians, but there are at least two Gnostic groups that seemed to identify themselves with Biblical characters typically associated with sin. 

The Cainites allegedly claimed that since the God of the Old Testament was nothing but an evil imposter, salvation would come by opposing his laws and engaging in sin. In their narrative, Cain was but a victim that triumphed over the evil Demiurge and his minion: Abel, while Judas was either the most illuminated disciple of Jesus, who aided him in opening a path for humanity’s salvation, or a hero who opposed the evil Jesus’s attempt to further hide the truth of the world. The second group were the Ophites, who identified themselves with the snake that invited Adam and Eve to go against God’s prohibitions in the Garden of Eden, because doing so would actually reveal the truth about the Imposter God and the True God to them and their descendants.

Whether what we know of these groups is reliable or false, we also know that there was a more generalized Gnostic belief that humans were “sinful bodies” made of “lesser matter” that nonetheless contained “sparks of divine essence” within them: it was through the discarding of the “lesser body” and the “ascending of the divine sparks” towards the Pleroma that humanity could gain salvation. This is very reminiscent of the Kabbalistic notion of “releasing the sparks of Divine Light” from the “husks” of the klippot.

Gnosticism is one of the chief inspirations for the world building of Genshin Impact. If the notion of the Other Side accurately describes the condition of Teyvat, and the characteristics of the klippot are comparable to the order imposed by the Heavenly Principles, then it’s very likely that “repairing” the world will be done in a Gnostic way, whether it’s escaping Teyvat or entirely destroying it.

Also, the Twins having opposite stances when it comes to the “salvation of the world” could be compared to the Christian and Islamic belief that the arrival of the end times will be heralded by a fake “Anti Messiah”, right before the appearance of the actual Messiah of salvation. It could be then, considering the role of the “Sinful Messiah” described before, that the Princess/Prince of the Abyss is behaving like the Antichrist precisely because this is a necessary role to be performed so the Traveler can bring salvation to the world.

At this time, we still don't know which of the twins are the one whose actions are actually leading to the “salvation” of Teyvat. Is the Traveler unwittingly helping the klippot exert tyrannical control over an exiled, scattered Divine Light? Or are they returning the world to a state older than the Heavenly Principles? Is the Abyss Order actually trying to liberate Teyvat from the oppression of the “Other Side,” or are they just looking for power and vengeance? And what role does the exiled Dragon race play in this dichotomy of divine and demonic? 

Perhaps Natlan can bring us those long-awaited answers…

References:

The Origins of the Klippot / Qliphoth & Sitra Achra in the Zohar - Kabbalah on the Problem of Evil

Introduction to Kabbalah and Jewish Mysticism - Part 10/14 - Christian and Lurianic Kabbalah

Major Trends in Jewish Mysticism (Scholem). Sixth Lecture: The Zohar II: The Theosophic Doctrine of the Zohar

https://en.wikipedia.org/wiki/Li_(Confucianism)

https://en.wikipedia.org/wiki/As_above,_so_below

Major Trends in Jewish Mysticism (Scholem). Seventh Lecture: Isaac Luria and his School

Introduction to Kabbalah and Jewish Mysticism - Part 10/14 - Christian and Lurianic Kabbalah https://youtu.be/gqvcifVWjvM?si=BYS_7FbX8lz9iQJy 

https://en.wikipedia.org/wiki/Sabbateans 

Introduction to Kabbalah and Jewish Mysticism - Part 12/14 - Sabbateanism and Mystical Heresy II https://youtu.be/F5QU5ylhOqA?si=dSR4SEbnkMfCUJj_ 

Sabbatai Ṣevi : the mystical Messiah, 1626-1676 (Scholem). Chapter 3: The Beginnings of the Movement in Palestine (1665)

https://en.wikipedia.org/wiki/Cainites 

https://en.wikipedia.org/wiki/Ophites

Anticosmicism: Gnostic Dualism https://gnosticismexplained.org/anticosmicism-gnostic-dualism/ 

https://en.wikipedia.org/wiki/Antichrist 

[thesleeptokenarchive]

Social Media Update: January 6 2022

The first post for the collective in 2022 to their socials was about their first cover of a magazine, Metal Hammer issue 357, that went on sale this day.

Behold, an expression of Worship from the @MetalHammer publication. Consume - http://bit.ly/buyhammer

[X]

Additional photos from the article, by Andy Ford.

Words by RICH HOBSON. Article can be found here: [Link]

Sleep Token are a Mystery

Anonymous members, no interviews and sold-out shows: Vessel et al have become a modern metal phenomenon. We followed them on tour to try and find out more.

The view from 2022

As Vessel doesn’t talk, we predict the next 12 months on his behalf

What are his New Year’s resolutions?

To ensure a Sleep shrine in every home in the UK, perfect for accepting His offerings. Also for Vessel to kill fewer people using his telekinetic abilities (see: the video for Alkaline) and to use them for something more constructive instead, like whale conservation.

Sleep Token vocalist Vessel stands in front of 1,500 people at Birmingham’s 02 Institute, and the room falls silent. All eyes are fixed on the masked and cloaked singer for a sign – any sign – that might betray some message or hidden meaning behind the band’s mystique.

What’s going to be the biggest thing in metal in 2022?

“We love you!” cries a young woman. Finally, the spell is broken, and the crowd erupt into cheers that Vessel politely acknowledges with a slight nod. Then he moves, and the church-like quietude falls again. Leaning towards the mic, for the briefest of moments it seems Vessel’s five years of almost total silence will end, with Birmingham about to receive gospel from one of metal’s most enigmatic forces. Instead, he clenches his hands together in a sign of gratitude, saying everything by saying absolutely nothing – and everyone loses their minds.

Sleep Token will engage in a holy war with Ghost, ultimately triumphing and ending the line of Papas. Satan will convert to Sleep worship, rendering the whole ‘satanism’ thing redundant. Deicide will become door-todoor missionaries, converting people to the Sleep cause. Black metal musicians will end up switching to country, singing about the good ol’ days when you could burn churches and burn inverted crucifixes into your head.

We’re at the second night of Sleep Token’s eight-date UK tour, and since emerging in 2016, they’ve maintained an iron grip on their anonymity: they obscure their faces, they don’t talk onstage, and they have only ever done one interview – with this very magazine in 2017. The closest comparison is Ghost, but even they had ‘Nameless Ghouls’ who acted as regular spokespeople until Tobias Forge eventually broke cover, a decade into the band. It’s all very impressive – but who the hell are they?

What event or issue will define the world in 2022?

Here’s what we know: in that 2017 interview, Vessel told us that their music is all in service to ‘Sleep’, a mysterious deity whose roots stretch back centuries.

Sleep Token will make history by hosting the first livestream to be beamed directly into your dreams. A bit like with U2 and Apple, the whole thing will cause a massive fuss but ultimately blow over. Mastodon will try to do the same and end up falling through space/ time like a live-action replication of Crack The Skye.

“How we got here is as irrelevant as who we are – what matters is the music and the message,” they said. “We are here to serve Sleep and project His message.” And… that’s about it. Cheers for the insight, pal.

Despite – or perhaps because of – their secrecy, Sleep Token are fast becoming a cult sensation. While the lore is centred around Vessel, Sleep Token describe themselves as a collective, suggesting a collaborative effort between seasoned musicians, all feeding into the art. That may go some way to describe their fluid approach to genre, pulling elements of everything from tech metal and alternative to pop and R&B – part of a new breed of heavy bands who aren’t afraid to embrace multiple genres, as well as nontraditional ways of working.

In 2019, they drip-fed a series of singles that eventually became their debut album, Sundowning, rather than going ahead with a straightforward release. Even though they couldn’t tour during the pandemic, last September’s This Place Will Become Your Tomb charted at No. 39 in the UK, and this current run will conclude at London’s 2,000-capacity Shepherd’s Bush Empire. It’s no small feat.

“Sleep Token are an expression of where metal is in the 2020s,” says Ihsahn, co-founder of black metal legends Emperor and pioneering avant garde solo artist, who’s on the same label as the collective. “From the first time I heard them, I was completely intrigued – the way they mix modern metal elements with very dark moods, but also very clear, modern R&B-style production values.”

Sleep Token are by no means the first anonymous collective in metal, but their symbol-emblazoned masks, dark body paint, and use of everything from Nordic runes to Hindu symbology in their artwork have piqued the curiosity of metal fans and fellow musicians.

“It’s similar to what we had with the black metal scene, with the masks and mystery that helps to raise it all,” Ihsahn explains. “Emperor wouldn’t be where they were without that theatricality, because we needed to do something to distance ourselves from the spotty teenagers we were!

“It creates a clear distance and space between the art and the artist,” he continues. “I’ve always appreciated artists who created that distance – going back, you can watch all these interviews with David Bowie but it never feels like you knew him. The art he created was an offering and you just had to try to understand it.”

Of course, with Vessel it’s even more difficult. Our attempt to get answers in 2017 was like grasping at mist: when we asked why they wished to remain anonymous, Vessel turned the conversation towards what he thought was truly important – the art itself. “Our identities are unimportant,” he said. “Music is marketed on who is or isn’t in a band; it’s pushed, prodded and moulded into something it isn’t. Vessel endeavours to keep the focus on His offerings.”

When asked what the future held, Vessel simply replied: “Nothing. Lasts. Forever.” Does that mean there’s a time limit on the band? What the fuck is going on?

It’s tinfoil hat time. Outside of live performances, Vessel has only appeared in music videos. His first onscreen appearance came as a shadowy, grasping figure in the 2016 video for Thread The Needle, before appearing maskless in the 2017 video for Calcutta – albeit with Slipknot/Before I Forget style editing that only showed his mouth, cheek and eye. He’s become more prominent in recent videos – even telekinetically taking out a room of hazmat-suited goons in the video to Alkaline – but still no obvious, overarching narrative has emerged.

Elsewhere, his mask has made its own separate appearances. In the video for Fields Of Elation it floated free in a body of water, and in Nazareth it appeared standing alone in the video’s final moments, before appearing in blink-and-you’ll-miss-it moments in Jaws, where it’s worn by the video’s star.

Which raises the question: is Vessel the man behind the mask, or something the mask brings forth?

Sleep Token’s acolytes have been searching for clues. In a Discord server set up by Coventry-based fan Chris, they pore over the band’s lyrics, album artwork, music videos and merchandise in an attempt to decipher hidden meanings, like a metal take on The Da Vinci Code. “It was actually through Metal Hammer that I got into the band,”

Chris tells us. “Reading the interview with Vessel on the website, I wanted to find out more. I took to Reddit to see if there was a community for the band and at the time there wasn’t, so I decided to create it.”

Now numbering more than 900 members, the group have become adept at deciphering codes left by the band. They discovered that a string of numbers featured on a t-shirt design were coordinates for a ‘whale fall’ – an event where a whale’s carcass falls to the ocean floor and becomes a source of nourishment for an entire ecosystem. When This Place Will Become Your Tomb was released, Benjamin, one of the admins, even took on the semi-joking role of Keeper Of The Lore, maintaining and steering discussions for each new song.

“I loved the hidden identities and world-building the band was presenting,” he explains. “There was a whole experience outside of just the music. The new album features heavy imagery of a decomposing whale and the animals that would feed on it; a representation of life in death –a topic lyrically discussed by Vessel frequently – and eternal recurrence.”

The Discord continues to provide fascinating insights into what the band may – or may not – be exploring through their art. But without any form of ‘official’ statement on their theories, and with a potential fixed end point for Sleep Token, couldn’t the fanatics be setting themselves up for disappointment down the road?

“Nothing lasts forever – until then we Worship,” Chris says matter-of-factly.

Aside from discussions on mythology, the Discord has also become a social club that binds people together. “The Discord community is amazing,” says New York-based fan Veronica, aka BluKittie. “There are people from all over the world and we share the same love and passion for the band. We are always there for each other. Last year my father passed away and the members of the community helped me through that rough time, and still do. I am just happy to have found friends there.”

An hour before Birmingham’s 02 Institute opens, the queue is already snaking down the street as far as the eye can see.

At the band’s request, we’re not allowed backstage lest we see their faces, but we do speak to their support act, solo artist AA Williams. Like Sleep Token, she’s found an audience with metallers even though her music spans alternative, pop, soul and metal –a sound we’ve previously tagged as ‘death gospel’.

“I think we work pretty well together,” she says. “It’s great to see an artist who is able to explore both pop and really heavy music without the need to hold back or overcompensate on either element. The shifts in dynamics really come to life live, and their crowd utterly lap it up – it’s like going to church.”

Are there any difficulties that come from playing with such a secretive act? Has anyone tried to get her to reveal Sleep Token’s identity? “Well, it’s not like we’ve had to sign NDAs or anything,” she says. “At the same time, you do want to make sure you’re not impinging on their privacy, and respecting their choice to present their art in a particular way. If anyone asks who they are, I think I’ll make up a celebrity – it’s Robert De Niro. Next question – ha ha ha!”

Tonight AA commands rapt attention, but there’s no competing with the headliners. All chatter is silenced as the room plunges into darkness. Moments later, Vessel strides onto the stage alone to cheers of approval, his mask the only thing visible against now-muted lighting. He tinkles the ivories for Atlantic and the crowd are soon singing along to every word, even though the album has barely been out two months.

AA WILLIAMS

For 90 minutes, Sleep Token hold attention in a way that defies logic. How can a band that don’t speak be so damned expressive? Compared to the stagecraft of bombastic arena bands such as Iron Maiden or Sabaton, Sleep Token are low key, but Vessel radiates gravitas, his twisting and grasping movements bringing to mind the theatrics of interpretive dance, where each flick of the wrist could be conveying some hidden meaning. The fans are utterly enraptured, moshing and singing along with religious fervour, lending credence to the band’s social media descriptions of their shows as ‘rituals’.

As it was in Birmingham, so it is in Glasgow, Sheffield, Dublin and beyond. By the time the tour arrives at London’s sold-out Shepherd’s Bush Empire, it’s clear that, much like Ghost before them, Sleep Token are fast outpacing their status as a cult phenomenon, smaller academies no longer able to contain their rapidly growing fanbase.

If Birmingham was about reverence, London is outright revelry – an irrepressible crowd engaging in a bacchanalian frenzy that has little to do with the extortionate bar prices and everything to do with the explosive performance unfolding onstage. And then, a couple of lads start Cossack dancing in the middle of a circle pit. Sleep help us…

Not to be outdone, Sleep Token bring out their own dance troupe for Fall For Me. Not that they need any help capturing people’s attention: here, Sleep Token are preaching to the converted, a cult threatening to spill over into the mainstream.

No one knows what direction Sleep Token will go in next, and it’s not as if they’re about to tell us. But then, that’s how things have always been with the band – each release a mystery that fans can’t wait to unwrap. “When I heard the second album, there was no indication of where they were going, so in my mind it just had so many seeds of development,” Ihsahn says. “There’s more maturity and there’s clearly something they are building towards, though exactly what that is, is impossible to say…”

Perhaps the stock answer from Vessel, five years on, would still be “nothing lasts forever”. Will they push their sound even further? Will they start conducting interviews? Will they ever unmask? Right now, anything is possible – and that’s what makes Sleep Token so exciting.

[risoria]

I’m so goddamn tired. I hate it here so fucking badly. I hate it here. It’s 2024. We know better and yet we are pushing these ads and these dogs everywhere, STILL - why do we as a society love animal cruelty so much?? I will never understand.

I’m going to be brutally honest - people are stupid. People will not open their phones to google for three minutes before buying an expensive dog, that lives for 15 years - and media affects people IMMENSELY. Remember how everyone and their mom got a husky (an extremely hard dog to keep, because they’re working sled dogs) after game of thrones? How every single child got a rat after ratattouille, and how most likely a lot of them were abandoned? This happens with frenchies and pugs as well because they are featured EVERYWHERE.

”Oh wow its so ugly i love it ;;” ”Oh it’s so cute I want one!!” No. Dogs who need surgery where you cut their nostrils open just to be able to breathe a /little/ better is not something you should want or support. Animal cruelty is not something you should want or support.

This is a chart for assessing stenotic (pinched) nares in brachycephalic dogs. The open nares seen here are not even actual normal nares - this is what they look like in non-brachy dogs.

There is no other way to say this: these dogs can’t breathe. That’s why they make noises like little pigs - they can’t actually get sufficient air into their lungs because their airways are so closed. They are partially suffocating - every single minute of every day.

Here’s the reasons why:

- the nostrils are closed. you can see how hard and panic-inducing it is to ”breathe” like that by pinchig your own nostrils for a little while. it’s very common to have surgery to cut the nostrils open - but even if it might help a little bit they’re only ONE reason why these dogs suffer

- the face is flattened - this is why the tongue cant actually fit in their mouths, which of course makes the tongue constantly dry and uncomfortable. they also have teeth problems because, again, the teeth literally cant fit in their mouths. they also can’t cool down the way dogs normally do by panting - because the area in their nasal cavity where this happens is extremely small. this, together with the breathing issue, makes them extremely prone to over-heating and dying as a result.

- their soft palates are, again, too big for their mouths and make the dogs’ airways more closed as a result. surgery to cut this soft tissue away is common.

- their laryngeal sacculis are often inverted - think of a pocket of your trousers that is turned inside out. these sacs are located in the back of the throat and further obstruct the airways

- laryngeal collapse is also not uncommon

- their tracheas are VERY thin. That’s why breeding for a different type of bulldog and pug etc is important and thats why ONLY opening the nares and lengthening the snout is not the answer - if the trachea is the dimension of a straw, they will still be unable to breathe properly - and you can’t assess this without image diagnostics, of course…

- because these dogs struggle to breathe and are prone to over-heating they can have trouble exercising and this easily get overweight. The extra fat will collect around the neck, amongst other places, and this can pinch the anatomy of the throat and airways of the neck even further

- some symptoms of BOAS (brachycephalic obstructive airway syndrome) that people find ~cute and unique include:

-> snoring loudly and snorting when breathing. This is because of the obstructed airways and means they struggle to breathe both while asleep and while exercising/walking

-> ”smiling” (pulling corners of the mouth up) and rolling the tip of the tongue is something seen when the dog is labouring to breathe

-> these dogs often find toys to keep in their mouths when they sleep - this is not normal, they do this deliberately because they can’t breathe.

-> these dogs are the ONLY dogs who will be happy about having a tube inserted into their trachea while undergoing surgery. Normally you remove this the second the dog starts to come to - because it is extremely uncomfortable having essentially a straw inside your airways - but for brachy dogs they enjoy being able to breathe fairly comfortably and they will sit fully awake with the tube for long periods of time. It’s heartbreaking.

PLEASE don’t get these dogs and please call out advertisements etc promoting them - because we all know that they are already extremely popular and that marketing sells even more of them. It’s downright evil, and it’s animal cruelty in the name of ~marketing. Yes of course there’s a lot of them in shelters needing adoption - BUT it’s very important to know what you’re getting into. A lot of these dogs DO need surgery to be able to breathe at least partially, and these are invasive and very expensive.

This was just off the top of my head but here’s a link with more info -> BOAS in dogs

[gimmethemprimals]

With the way that all the newer breeds are looking I'm starting to think that all the deities are actually all unethical dog breeders who keep making dragons with progressively shorter snouts until we get to the light ancient which will have an inverted head to parallel the multiple heads of emperors

[yandere-daydreams]

breeding vs abortion vs impregnation kinks are a great example of what makes something an inverse versus what makes something an opposite, in this essay i will

technically true, anon, but remarkably unhelpful!

as a refresher, the inverse of a statement is, theoretically, the opposite of the original statement. for example, if the statement was "Alhaitham has a breeding kink", then the inverse would imply be "Alhaitham does NOT have a breeding kink", which successfully negates the original statement and creates a new statement that can stand on its own.

but, in this case, we're not looking to invert the full statement "Alhaitham has a breeding kink" but the particular clause "breeding kink" while leaving the "Alhaitham has" portion in-tact, as seen by the placement of 'opposite' in the original ask ("Alhaitham has whatever the opposite of a breeding kink is". This leads into the new statement "Alhaitham has a not-breeding kink", which if translated into practical language can be taken to mean "Alhaitham has a kink that depends on his partner not being bred", which can be further simplified to "Alhaitham as a contraception/sterilization/abortion kink", depending on user preference. i guess it would be more accurate to say he has a sterilization/contraceptive kink, since the phrase 'not breeding' implied some level of foresight, but by having this conversation at all we have still pieced together the idea of an abortion kink and thus continued to take the communal L, as it were.