#interview with the maine

[samd1o1]

My experience with queer media lately:

[seancefemme]

clocking in to my shift at the old man yaoi factory

[ikiprian]

Ghost Kitchen (brought to you by criminal entrepreneur, Red Hood)

Danny’s got the easiest job in Gotham.

He works as a fry cook at a shoddily-run, independent burger joint. Hardly anyone comes in, despite prices being criminally low, and portions insanely large, and while the manager looks like the average tough-as-nails ex-con, he lets Danny mess around in the kitchen whenever the place is empty. (Which is often. This place has to be the city’s hidden gem or something!)

Mr. Manager’s the only one ever there with Danny, except for sometimes when his buddies come over to smoke and play cards. Danny would find it shady, except part of his job is not to ask questions. Literally, he was told during the interview.

(It was a weird interview. Why would they need to hire someone who’s been in a gunfight before? Like, he has, but Gotham’s idea of “hirable qualities” is so bizarre.)

So instead he whips up some killer burgers with the frozen ingredients, and basks in the praise as the guys tell him he shouldn’t have, he does too much for this joint, ain’t that friendly!

Now, Danny’s a chef on the newer side. As a teen he’d preferred the look of Nasty Burger over anything with Michelin stars, and he only really took up cooking after Jazz moved out for college. But just like ecto-exposure used to turn the groceries sentient, Danny’s low-level ecto signature imbues all his food with something historically haunted Gothamites just love! And Danny’s never been one to half-ass a job when it makes people happy.

With fresher produce, real meat, Danny’s sure he can take his dishes to the next level. It takes a couple months of badgering, but his manager finally agrees to contact the mysterious store owner, who keeps the place going, despite profits Danny knows have to be in the red.

Danny spends the morning prepping. He pours his heart into his food, eager to impress. The big boss will be here soon, and he wants to prove that despite the dangerous location, this place has real potential!

It isn’t until the Red Hood shows up that Danny realizes he’s been working for a money laundering scheme.

[bivampir]

must representation be “good”? is it not enough to watch two men destroy each other's lives

[platoapproved]

I loved him. I knew it, as incomprehensible to me as he was. — THE VAMPIRE LESTAT

[laniidae-passerine]

I need Sam Reich’s phone number so I can tell him about The Newsreader. Go stare at Dale Jennings and imagine that threesome my good man

[everyones-least-favorite-bard]

(based on the Fool from the Rider-Waite tarot deck)

[nesscuro]

a style experiment….loustat edition

[claudiaeparvier]

……..the revelation that the shot of Claudia in the sunlight wasn’t Louis seeing her before his attempt at suicide but rather Madeleine seeing Claudia and all her loveliness as she’s joining her to be companions in immortality…..

[nalyra-dreaming]

Rolin Jones on IWTV s3 (going forward) and POVs:

"Everybody’s free to judge the rest of it. If all goes right, we’ll have six or seven more seasons to work on you coming around to that, or the redemption of that. [In season one,] the audience wants to kill Lestat along with Louis and Claudia. But we had to sit on it for a year and a half. So it’s okay for people to think that we made a supervillain out of Lestat and then to come around to a fuller portrait. In season three, [Lestat is] front and center, and Jacob takes a supporting role. And it’s not all about point of view. We got 80 to 85-percent of Lestat pretty solid. Retribution is easy, right? It’s being contrite. [There’s] the idea that forgiveness should be part of this cycle, too. That’s something I think we’re trying to sell." "So, what am I interested in? I’ll be less interested in point of view and memory as much. The challenge of the books is that there’s not a lot of forward story. I don’t think that you can probably mine the arcs of those for origin story after origin story after origin story. But that doesn’t mean you can’t take the same material and in very inventive, exciting ways move it forward."

And:

“The big difference moving forward is Lestat will be front and center telling the story, so it should feel like this show has been taken hostage by Lestat,” Jones says. “Aesthetically, it is going to feel different. It is not going to feel like two old guys in a room trying to figure out what brought them together. It is going to be over the shoulder of Lestat de Lioncourt, of whom you have probably seen about an 80%-accurate version of who he is — on fire and reckless. So it should be fun and dangerous.”

[reunitedinterlude]

the 2019-2020 (dan and) phil secret project

april 2019 | july 2019 | august 2019 | january 2020 (1, 2) | february 2020 (1, 2) | april 2021

[bean-winchester]

Wait I’m sorry can we talk about how the Loustat reunion in 2x08 is the FIRST TIME we as the audience meet Lestat unfiltered??? Not Louis’ narrative of Lestat, not Armand’s, not a hallucination, but the genuine article, for the first time??? And he’s so sad, so vulnerable, so… human? You can feel how different he is— Sam plays him like a new Lestat, like how he conceived of Dreamstat and Armand’s Lestat as different Lestats from s1 Lestat— and the first impression you get from this is that time and grief have changed Lestat. But what if the difference is more than that— what if these have always been elements of Lestat, flattened by Louis’ memory?

Watching that scene, the revelation of caring, grieving, tender Lestat rippled back through the show for me, subtler but more powerful than the San Francisco revelations or the revisions from the trial. Because it’s true, isn’t it, that it’s so much easier to make monsters of the people who hurt us, to remember them as powerful, intentional, and fundamentally uncaring? The truth is much harder to bear— that those who maim and abuse us feel as deeply as we do, that they love and grieve and doubt, that they cry and shake and cling to us, just as small before the hurricane as we are

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[extasiswings]

Gov. Beshear insisting constantly on using Vice President Harris and shaming others for not doing so because “it’s her title, she earned it” is incredibly attractive full stop

[slythereen]

😭 charles leclerc 😭 next wdc 😭 trust 😭 — max verstappen, probably

[il-predestinato]

Max Verstappen: "In 2012 in go karting, we had a little get together in a race. And both of us were upset. We got interviewed out of the paddock, after weighing the go-karts and stuff, basically walking back to your tent. They asked him a question. They asked 'what happened?' And he [Charles] was like "nothing, just an inchident" - so that's why we joked about it. 🎥: m4sportofficial (Bahrain Testing 2024)