#intermedia performance

[sound-art-text]

Kasha Potrohosh: Springformance Music performance  Exhibition at tranzit sk 18th May 2023, 6:30 p.m.

As part of the Listening to the waterfalls of the sun exhibition, Kasha Potrohosh, whose works range from photo through painting to performance, will present her latest sonic research in the small garden at Beskydská 12. Instruments made out of natural materials, created through an intuitive process will be played by the artist through the usage of a contact microphone, accompanied by her singing and voice overs. Field recordings from the forests of Bratislava and Ostrava will also be mixed in to create a calm, healing sound. The performance strives to be a sonic experiment, a concert and a meditation inviting listeners to open themselves up to the many “unheard” sounds of the universe.

Kasha Potrohosh is a Ukrainian artist who is currently based and studying intermedia at the AFAD in Bratislava. Her work, which focuses on intermedia, covers a broad spectrum of activities and projects. In addition to her solo work, she has been an active member of the MAPSN performance group. The topics that Kasha explores touch upon the subjective experience of gender roles, self therapy as well as reflections of broader social, feminist, environmental topics. More info here.

[polishwomenartists-sztukakobiet]

Justyna Górowska is an intermedia artist creating and collaborating in interdisciplinary projects, including art, science, technology, and social activities. Through performative and interactive experiences her projects raise awareness of societal and environmental collapse.

Art by Women - Women in Arts @abwwia

Born in 1988, she is based in Skawa in the Western Beskid mountains of Poland. She received her MFA from the Performance Art Studio at the Academy of Fine Arts in Krakow and Ph.D. from the Interdisciplinary Doctoral Studies, University of Arts in Poznan. Since 2014, she has cooperated with the lokal_30 gallery in Warsaw. Her projects were presented e.g. in Berlin (Freies Museum, 2009), Quebec City (Le Lieu Gallery, 2014), Jakarta (National Gallery of Indonesia, 2016), Warsaw (Museum of Modern Art, 2017), and New York (Art in General, 2017). Source: justynagorowska.com

#JustynaGórowska #PolishWomenArtists #womensart #polishart #sztukakobiet #palianshow

[burpenterprisejournal]

JD ZAZIE AT ANARCHY IN THE GARDEN FESTIVAL

2023/07/22 Anarchy In The Garden festival HUI-CHUN LIN / ELO MASING / SABINE VOGEL SIRI SALMINEN LARA ALARCÓN MELTEM NIL / ELO MASING LORENA IZQUIERDO EDITH STEYER YUKO KASEKI / TOT ONYX MINNA ETEIN JD ZAZIE Kühlspot Social Club Berlin - DE

The second edition of Anarchy in the Garden, feminist festival curated by Elo Masing, is ready to start. It will take place on Saturday 22 July in Berlin at Kühlspot Social Club from 15:00 to 24:00.

Anarchy in the Garden provides a platform for female perspectives in the experimental arts, such as electronic and acoustic improvisation, instant composition, movement and performance, intermedia/installation as well as action poetry. This interdisciplinary and international event is aimed at audiences of all ages, genders, and species. The program of the one day festival will be the following: 15:00 Hui-Chun Lin (cello) + Elo Masing (violin) + Sabine Vogel (flutes) 16.00 Siri Salminen (dance) 17.00 Lara Alarcón (voice, electronics) 18.00 Meltem Nil + Elo Masing (movement and sound improvisation) 19.00 Lorena Izquierdo (action poetry) 20.00 Edith Steyer (saxophone, electronics) 21.00 Yuko Kaseki (butoh) + Tot Onyx (sound) 22.00 Minna Etein (performance) 23.00 JD Zazie (turntable, CDjs)

Kühlspot Social Club Lehderstraße 74-79 - HH links 13086 Berlin

fb event

[lise-fad]

FLUXUS

Fue un movimiento internacional (Norteamérica, Europa y Asia) de artistas, poetas y músicxs con un impulso compartido de integrar el arte y la vida, bajo el objetivo de recrear la experiencia artística de modo alternativo y liberatorio. Se autoproclamó como el antiarte.

George Maciunas, Fluxus Manifiesto, 1963.

Pretende la interdisciplinaridad y la adopción de medios y materiales procedentes de diferentes campos. Varios de lxs artistas que participaron del movimento Fluxus han sido pionerxs en la utilización de video y los aparatos de TV en sus obras, dando comienzo al video arte, los videos objetos, las video performances, el happenig y las instalaciones. La estética interdisciplinaria Fluxus une influencias tan diversas como el Zen, la ciencia y la vida cotidiana para ponerlas al servicio del uso poético.

Intermedia es un término utilizado a mediados de los años 60 por el artista Dick Higgins para describir varias actividades artísticas interdisciplinarias que ocurren dentro de las obras de arte que existen entre géneros artísticos, la vida misma y los medios tecnológicos, entre otras cosas.

(Folleto publicitario del festival)

La primera manifestación colectiva «Fluxus Internationale Festspiele» tuvo lugar en Wiesbaden, en septiembre de 1962.

(Participación de Nam June Paik en el festival)

 Algunxs artistas que formaron parte son: George Maciunas, Joseph Beuys, Wolf Vostell, Nam June Paik, Charlotte Moorman, Robert Filliou, Yoko Ono, Dick Higgins, Robert Morris, Alison Knowles, George Brecht, Shigeko Kubota, Ben Vautier, Ray Johnson, La Monte Young, Allan Kaprow, entre otrxs.

George Maciunas, Burglary Flux Kit, 1971

George Maciunas (1931-1978)

Artista, empresario y galerista estadounidense de origen lituano. Miembro fundador de Fluxus.

Happy Flux Year, 1965

U.S.A. Surpasses All the Genocide Records!, 1966

Yoko Ono (1933-)

Artista, cantante y música japonesa.

Painting for the Burial, 1961

Cut Piece, 1964

https://www.instagram.com/yokoono/?hl=es

Dick Higgins (1938-1998)

Artista, compositor, teórico del arte, poeta, editor, grabador estadounidense y cofundador de Fluxus.

Danger Music Number Seventeen, 1962

Danger Music No.2 (Performance at Fluxus Internationale Festspiele Neuester Musik), 1962.

Alison Knowles (1933-)

Artista estadounidense reconocida por ser una de las principales creadoras dentro del colectivo Fluxus.​

Proposition #2: Make a Salad, 1962.

Shoreline, 2008

Ben Vautier (1935-2024)

Artista italiano, crítico de arte, poeta, fotógrafo, pintor, decorador y editor de libros.

Art Is Ego, 1971

Geste: Me Cacher Sous un Drap au Milieu d'une Place Publique, 1971

Shigeko Kubota (1937-2015)

Artista japonesa pionera de video arte, performances e instalaciones.

Nude descending a staircase, 1976

Vagina painting, 1965

Nam June Paik (1932-2006)

Compositor y videoartista surcoreano. Reconocido como el "Padre del Videoarte".

TV Buddha, 1974

Li Tai Po, 1987.

Publicado por @punkandj3rk

[longformeditions]

LE071 Ka Baird Brooding Exercises I (Second Movement)

Ka Baird is a multi-instrumentalist, recording artist, producer, and performer based in New York City. She is heralded for her boundary pushing live solo performances that involve energetic body movements, extended vocal techniques, interactive psychoacoustics, and innovative use of live electronics. She creates a radically present tense and vigorous type of body music that seeks extreme release through physical exertion and psychic extension. Her debut solo album Sapropelic Pycnic was released through independent Chicago label Drag City in 2017. Her latest recording Respires was released through Brooklyn based imprint RVNG Intl. in October 2019.

Artist notes: This recording is from a performance that was filmed on my Greenpoint Brooklyn studio rooftop at sunset on October 9, 2020 for The Kitchen’s (NYC) On Screen series. The piece was timed to capture the eclipse of the day’s light, incorporating peaked ambient sounds of the outdoors environment and cityscape; a contact mic’d ground surface; and closed-off, direct input sounds from voice, electronics, and digital piano. My contribution to the Longform Editions is the second movement of this performance where I play plodding piano chords as the sun eclipses. The piece can be divided into five distinct Broods, with electronics and field recordings at time of shoot bridging the five parts together. The electronics were provided by Baltimore intermedia artist Max Eilbacher, who mostly processed and synthesised the sounds of the digital piano to create textures and drones.

The piece felt of the times, in a time of great suspension and uncertainty, especially in the US in October. Not only were we facing a long winter of the pandemic but also an election that seemed of absolute urgency and importance. The external world seemed to be in such a precarious place. My best and only defence was to slow down and listen. I am hovering here on the unknown, needing to meditate on the spaces between notes more than ever.

Listening is a portal that keeps opening up further portals. In other words, the more you listen the more you realise how much there is to listen to. Listening is political, a way of making space. Over time, we create habits and patterns of action and thought that block out certain stimuli from the outside. Deep listening or concentrated listening is a way of opening that back up, a technique for meditation and dissolving the separation between the self and its environment. It goes in with open ears, leaving judgments of right or wrong or any other types of qualitative descriptions in suspension. It is to encounter that sound as if for the first time.

[pier-carlo-universe]

Qualità della vita 2024: Bergamo al primo posto nella classifica del Sole 24 Ore

Il capoluogo lombardo svetta nella graduatoria annuale grazie a economia, salute e cultura. Alessandria in posizione intermedia.

Il capoluogo lombardo svetta nella graduatoria annuale grazie a economia, salute e cultura. Alessandria in posizione intermedia. Bergamo si aggiudica il podio della qualità della vita La classifica annuale del Sole 24 Ore sulla qualità della vita nelle province italiane premia quest’anno Bergamo, che conquista la vetta grazie a performance eccellenti in settori chiave come economia, salute,…

[visuallanguagegiovanna]

Artist Research: Ana Mendieta

‘Ana Mendieta was an interdisciplinary artist, referring to herself as a sculptor. She is best known for her earth/body works, most specifically her now iconic Silueta Series, in which she used her body, and later the absence of the body, in the landscape as a way of connecting with nature and the universe. Spanning a period of 15 years, Mendieta created groundbreaking work in sculpture, photography, film, drawing and site-specific installations using organic materials such as earth, water and fire.’

✩Best known for her “earth-body” artwork, Ana Mendieta is considered one of the most influential Cuban-American artists of the post-WWII period.

‘Mendieta received a BA in art in 1969 and an MA in painting in 1972, both from the University of Iowa. Seeking a more powerful means of image making, Mendieta then enrolled in the university's progressive MFA Intermedia Program, founded and led by the German artist Hans Breder. She found an affinity with the work of Vito Acconci, Lynda Benglis, Chris Burden, Bruce Nauman, Robert Smithson, and Carolee Schneeman, as well as the work of the Viennese Actionists and the Fluxus group.’

✩ Mendieta quickly developed a practice in which her body, the earth and various organic materials such as fire, feathers, blood and wood served as a strong subject within her photography, films, slides, and performances as well as prints and videos.

“My art is grounded in the belief of one universal energy which runs through everything: from insect to man, from man to spectre, from spectre to plant, from plant to galaxy. My works are the irrigation veins of this universal fluid. Through them ascend the ancestral sap, the original beliefs, the primordial accumulations, the unconscious thoughts that animate the world.”

– Ana Mendieta

✩ Mendieta’s most notable work, the Silueta series, active from the years of 1973-1980, where Ana Mendieta would depict her silhouette in various natural situations. In this body of artwork, Mendieta would display her body in natural forms such as within grass, dirt or against a tree. She would then cover herself in found materials such as mud, flowers etc to then become a tool within her work, painting a natural canvas as though her body was the brush, using the imprint she left behind within the earth as her final silhouette piece.

✩ Born in Cuba and torn away from her home at an incredibly young age, Mendieta allowed the process of these works to reconnect with her home. The motif of her silhouette within her work served as a reminder of how she had been wrenched away from Cuba, leaving only her body’s imprint in the earth, symbolic of her connection with the land.

✩ Not only was her work giving a voice to feminism but also having clear reflections and communicating themes regarding race, intersectionality as well as immigration as she remained incredibly connected to her roots tributing these parts of herself fascinatingly and beautifully.

✩ https://www.anamendietaartist.com/about

✩ https://www.guggenheim.org/artwork/artist/ana-mendieta

✩ https://www.theartstory.org/amp/artist/mendieta-ana/

✩ https://womenshistory.si.edu/blog/how-groundbreaking-artist-ana-mendieta-remembered-her-homeland

[chez-mimich]

NU ARTS AND COMMUNITY 2024 (II)

Potremmo definire come appartenente ai “nuovi suoni” la performance di “Pelli Verdi”nell’Arengo del Broletto, luogo sontuoso e medievale che sembra particolarmente adatto a sonorità intime e quasi ancestrali, ibridate da una tromba jazz, quella di Mario Mariotti, ormai quasi di casa sulla scena novarese. La voce magnifica di Bayza Cakir trasporta il pubblico negli universi dell’anima del grande poeta turco Nazim Hikmet. Peccato non avere tra le mani i suoi testi di per poter gustare appieno il concerto e non so dire quindi quanto siano pertinenti le deformazioni delle parole di Hikmet, ma vero è che i brani sono molto intensi, mistici e solenni in una cornice di estrema modernità: “Il faut être absolument moderne” diceva Rimbaud e sembra proprio che la strada intermedia tra una folk music ed una più contemporanea, sia nettamente tracciato. Sulla scena anche Guglielmo Prati all’elettronica e Walter Prati al violoncello elettronico. Sullo stesso filone è “Hurdja”, secondo concerto della serata, un progetto con al centro Massimo Silverio nella parte di un ricercatore di lingue morte da un riesumare o di lingue dimenticate, in particolare l’antica lingua carnica. Non sarebbe stata una cattiva idea cercare, anche in questa circostanza, di avere un programma di sala che permettesse la lettura dei testi, perché se con un po’ di buona volontà si può orecchiare l’inglese, lo spagnolo e il francese, col carnico tutto risulta un po’ più problematico. Silverio è un personaggio molto carismatico nonostante la sua giovane età e occupa con autorevolezza il centro della scena, in piedi con le sue chitarre e il suo violoncello modulando la voce come in una salmodia contemporanea creando l’effetto di una poesia-preghiera che ci immaginiamo arrivare da cavità profonde della terra e da cupe e intonse foreste alpestri. Un bel programma anche per questa seconda serata di “Nu Arts and Community”.

[cuerpoglitch]

limbo - acción 4: transpiro (track - lado b)

trance sonoro registrado en un umbral, entre insomnio y portal inquieto, para entregar el cuerpo a ese tránsito que bordea el límite. consciente e inconsciente, controlado y no. con todas las capas que somos en presencia e intercambio lúcido y aleatorio.

limbo: performances y sonidos surgidos entre voces noctámbulas y exploradoras de estados intermedios entre el sueño y la vigilia, para acompañar y transitar estados de trance y loops insomnes, parálisis del sueño, sueños lúcidos, sonambulismo y otras mutaciones. ¿en qué dimensión intermedia de cuerpo - consciencia - inconsciencia nos suspendemos en esos estados antes de llegar a un sueño profundo en que soltamos el control? ¿de qué formas intentamos sostener las riendas de ese limbo para jugar los personajes que somos ahí, hipersensoriales? ¿qué información podemos traer a nuestro ser tangible después de nadar ahí? ¿y si ese limbo no es solo mío?

[earcandle]

ECP0839 The Illuminated Corridor: The Great Wall of Oakland Cam 3, Tape 1 3/2/07

Ear Candle Productions captured an evening multi-media event by the Illuminated Corridor, curated by Suki O'Kane on March 2, 2007. This is Camera 3, Tape 1, in a series of six.

"The Great Wall of Oakland [West Grand between Broadway and Valley]. The Illuminated Corridor takes on the Great Wall of Oakland, the seven-story north facade of the former Breuner's Furniture Store with a three-part performance projection featuring the films of 2006 Phelan Awardee Alphonso Alvarez and intermedia work by myrmyr (Marielle Jakobsons and Agnes Szelag), Shudder (Phillip Greenlief, Kyle Bruckman, Lance Grabmiller), and a new work commissioned for this site by composer Dan Plonsey and performed by Myles Boisen, Merlin Coleman, George Cremaschi, Jeff Hobbs, Lisa Mezzacappa, Jonathan Segel, John Shiurba, and Bill Walter."  --  The Transbay Creative Music Calendar.

Ear Candle Productions is a small music label, video production, and eLearning website designed to be a place for the arts to stay and to be a venue for the creative products of the owners, John Bassham (AKA J Neo Marvin) and Debra Nicholson Bassham (AKA Davis Jones). We live in San Francisco. Come visit our website, check out our YT, Bandcamp, Ear Candle Radio, and other pages at https://earcandleproductions.com

[bitoftime]

Blog post - Rachel Banks Rachael Banks is a Little Elm, Texas-based photographer who specializes in capturing the human experience. She first became enticed with photography during her freshman year of high school as it became her outlet of expression. She developed a passion for taking images of people early on and pursued this as a career. Even yet, she had a difficult beginning to her studies in photography as a result of a drug overdose brought on by the pressure to perform well in college. She managed to obtain her bachelor's degree in painting and photography from Bellarmine University and an MFA in photography from Texas Woman's University with a secondary focus on intermedia (bookmaking, papermaking, and printmaking). Her work has been exhibited at PhotoPlace Gallery, Darkroom Gallery, Black Box Gallery, The Center for Fine Art Photography, and the Kinsey Institute. It has also been featured in Fraction Magazine, Prism Magazine, Posi+Tive Magazine, Superstition Review, Feature Shoot, and Lensculture. Her photos where really centered on people but they were executed very well. I really enjoyed seeing into another person life through the picture she took. I am primarily focusing on "Between Home and Here" because of the emotion seen in the family. I love how everyone looks pleasing with bright define features, such and the red hair and blue eyes. Her photos also remind me a lot of our class since we focus a lot on people and what they are doing. It makes me wonder what is the purpose of all these people and why are they in the picture. “Rachael Banks.” Fraction Magazine, www.fractionmagazine.com/rachael-banks. Accessed 7 May 2024.

“Q&A Rachael Banks.” Strange Fire, www.strangefirecollective.com/qa-rachael-banks/. Accessed 7 May 2024.

[pistonsx]

¿Cuál equipo ha tenido mejor desempeño en los encuentros recientes, Fulham o Manchester United?

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¿Cuál equipo ha tenido mejor desempeño en los encuentros recientes, Fulham o Manchester United?

Rendimiento actual de Fulham

El Fulham Football Club ha estado mostrando un rendimiento contrastante en la temporada actual. El equipo ha luchado por encontrar consistencia en sus actuaciones, lo que ha llevado a una posición intermedia en la tabla de clasificación. A pesar de contar con jugadores talentosos y una dirección técnica experimentada, el equipo ha enfrentado dificultades para mantener un buen desempeño en la Premier League.

El Fulham ha tenido momentos destacados durante la temporada, logrando importantes victorias contra equipos de alto calibre. Sin embargo, también ha sufrido derrotas sorprendentes que han dejado a los aficionados desconcertados. La falta de regularidad en el rendimiento del equipo ha sido uno de los principales desafíos que ha enfrentado el Fulham en la presente campaña.

El cuerpo técnico ha trabajado arduamente para identificar las áreas de mejora y motivar a los jugadores a dar lo mejor de sí en cada partido. Si bien el camino hacia el éxito ha sido difícil, el Fulham ha demostrado que tiene el potencial para competir a un alto nivel en la Premier League.

Con el apoyo de los aficionados y el compromiso de los jugadores, el Fulham sigue trabajando para mejorar su rendimiento y alcanzar sus objetivos en la temporada actual. A medida que el equipo continúa su travesía en la liga, los seguidores esperan ver una mejora en su desempeño y resultados más positivos en el futuro cercano.

Últimos resultados de Manchester United

El Manchester United es uno de los equipos más reconocidos y seguidos en el fútbol internacional. Los aficionados del club siempre están ansiosos por conocer los últimos resultados y desempeños del equipo. En las recientes jornadas, el Manchester United ha estado demostrando un buen nivel de juego, lo que ha generado entusiasmo entre sus seguidores.

En su último partido de liga, el Manchester United logró una importante victoria en un emocionante encuentro disputado en casa. Los jugadores demostraron su calidad y determinación en el campo, lo que les permitió llevarse los tres puntos en juego. Este triunfo ha impulsado la confianza del equipo y ha fortalecido su posición en la tabla de posiciones.

Además de los resultados en la liga, el Manchester United también ha tenido participaciones destacadas en otras competiciones. En torneos internacionales, el equipo ha avanzado de manera sólida y ha dejado una buena impresión en sus encuentros. Los seguidores del club están ilusionados con el desempeño del equipo y confían en que seguirá cosechando éxitos en las próximas jornadas.

En resumen, los últimos resultados del Manchester United han sido positivos y han generado optimismo entre sus seguidores. El equipo sigue trabajando duro para alcanzar sus objetivos y brindarles alegrías a su fiel afición. Los aficionados del Manchester United esperan con ansias los próximos partidos para seguir disfrutando del buen fútbol que caracteriza a su equipo favorito.

Comparativa desempeño Fulham

En esta comparativa de desempeño del Fulham, equipo de fútbol con sede en Londres, se analizarán diversos aspectos que han sido determinantes en la performance del equipo en la última temporada.

El Fulham ha tenido altibajos en su desempeño, mostrando momentos de brillantez pero también enfrentando dificultades en varios partidos. Durante la temporada pasada, el equipo luchó en la English Premier League, enfrentando a equipos de alto calibre y demostrando su capacidad para competir en un entorno exigente.

Uno de los aspectos más destacados del desempeño del Fulham ha sido su defensa sólida, que ha logrado mantenerse firme en muchas ocasiones clave a lo largo de la temporada. Además, el equipo ha contado con jugadores talentosos en el mediocampo, capaces de crear oportunidades de gol y controlar el ritmo del juego.

Sin embargo, el Fulham también ha tenido dificultades en la delantera, mostrando falta de eficacia en la finalización de jugadas y convirtiendo en un aspecto a mejorar de cara a futuras temporadas.

En resumen, el desempeño del Fulham ha sido un reflejo de su capacidad para competir en una liga exigente, destacando por su defensa sólida y mediocampo creativo, pero enfrentando desafíos en la línea de ataque que deberán abordar para seguir progresando en el fútbol inglés.

Estadísticas encuentros recientes Fulham

En los últimos encuentros, el Fulham ha demostrado un rendimiento variable en la cancha. Analizando las estadísticas más recientes, podemos observar que el equipo ha tenido altibajos en su desempeño. Con un historial de partidos disputados, se evidencia que el Fulham ha logrado victorias contundentes, pero también ha sufrido derrotas sorprendentes.

Durante los encuentros más recientes, el Fulham ha mostrado un juego sólido en algunas ocasiones, con una defensa compacta y una ofensiva efectiva. Sin embargo, también ha experimentado momentos de desconcierto, donde ha mostrado debilidades en su estrategia de juego.

Es crucial destacar la importancia de analizar detenidamente las estadísticas de los encuentros anteriores para identificar patrones y áreas de mejora en el desempeño del Fulham. Estos datos pueden proporcionar información valiosa para el cuerpo técnico y los jugadores, permitiendo ajustar tácticas y estrategias para futuros partidos.

En resumen, las estadísticas de los encuentros recientes del Fulham reflejan una combinación de éxitos y desafíos en el campo. Con un análisis detallado y un enfoque en la mejora continua, el equipo puede capitalizar sus fortalezas y superar sus debilidades para alcanzar un rendimiento óptimo en los próximos encuentros.

Análisis rendimiento Manchester United

El Manchester United es uno de los clubes de fútbol más emblemáticos y populares de Inglaterra, con una larga historia llena de éxitos y momentos memorables. En la actualidad, el rendimiento del equipo ha sido objeto de análisis por parte de expertos y seguidores.

En la temporada reciente, el Manchester United ha mostrado un rendimiento variable en la Premier League y otras competiciones. Si bien ha tenido momentos de brillantez y victorias destacadas, también ha experimentado algunos tropiezos y resultados decepcionantes.

Uno de los aspectos que ha sido objeto de críticas es la irregularidad en el rendimiento del equipo. En algunos partidos, el United ha mostrado un fútbol dinámico y efectivo, pero en otros ha carecido de consistencia y ha cometido errores que le han costado puntos importantes.

Otro punto de análisis ha sido el desempeño de jugadores clave en la plantilla. Algunas estrellas han destacado por su liderazgo y aportes al equipo, mientras que otros han sido cuestionados por su bajo rendimiento y falta de compromiso en ciertos encuentros.

En resumen, el análisis del rendimiento del Manchester United en la actualidad muestra un equipo con potencial pero que aún debe trabajar en mejorar su consistencia y nivel de juego para alcanzar sus objetivos deportivos. Los aficionados esperan que el equipo pueda superar sus desafíos actuales y volver a brillar en el escenario futbolístico internacional.

[connorchen-saddog8]

I AM READING THE SEX ESSAY

or; Synaesthetic Cinema and Polymorphous Eroticism from the book Expanded Cinema by Gene Youngblood

rough notes relating to my chair porn idea (which has now expanded greatly and will be documented in a future post)

reading this less in the lens of eroticism evolving through orgies and more through evolution of eroticism through technological development and specifically relating to the contemporary internet.

"A genuine social underground no longer is possible. The intermedia network quickly unearths and popularizes any new subculture in its relentless drive to satisfy the collective information hunger."

i will unearth the fictional underground chair sex fiends in a performance feigning the discovery of a website documenting a unknown niche lolcow on a quest to make chair porn

relating now more than ever the constant rise and fall of trends - turning this to a radical extremist lens, the quick discovery, celebration and rapid, quiet falling out of notoriety of anything.

"The vast political and social revolution that is now irreversible in its accelerating accelerations around the planet is merely a side effect of the more profound revolution in human self-awareness that is producing a new sexual consciousness."

discovery a lot of trends are born out of fetish or popularized out of fetish

large amounts of media produced for fetish passed on as simply the oddities of the internet. (content farm elsa and spiderman, nickacado avacado mukbangs...)

"Girlie and stag films take the opposite approach: they represent sex in various stages of "unredemption" until the point of watching them becomes more an act of rebellion, of something "dirty," clandestine, without redeeming qualities, than the enjoyment of sex."

i will make the image of a chair into sin

"Eupsychia and utopia are both quite inevitable and both quite out of our hands, for they are the irreversible result of technology, the only thing that keeps man human."

technological progress (specifically hyper online and within social media) towards sexual utopia (as in freedom and or lack of condemnation)

degeneracy at the click of a button without any restriction, and the mere peripheral effects of this seeping into hub media and manifests in public consciousness

(paraphrasing) the effects of industrialization and cybernetics indicate a change in sexual activity where reproduction is no longer the main focus, rather pleasure. this is why "girls begin to look like boys and boys and girls wear the same clothes."

"Repression and censorship become impossible on an individual level when technology outstrips enforcement."

"Polymorphous-perverse self"

"The effects of habitual group sex, even when exclusively hetero-sexual, become obvious: man inevitably realizes that there is no such thing as "perversion" apart from the idea itself. We begin to recognize that our sexual potential is practically limitless once psychological barriers are erased."

"Genital man is to become polymorphously perverse man, the man of love's body..."

"The art and technology of expanded cinema will provide a framework within which contemporary man, who does not trust his own senses, may learn to study his values empirically and thus arrive at a better understanding of himself. The only understanding mind is the creative mind. Those of the old consciousness warn that although the videotape cartridge can be used to unite and elevate humanity, it also can "degrade" us by allowing unchecked manufac-ture and exchange of pornography. But the new consciousness regards this attitude itself as a degraded product of a culture without integrity, a culture perverse enough to imagine that love's body could somehow be degrading."

John Dewey reminds us that when art is removed from daily experience the collective aesthetic hunger turns toward the cheap and the vulgar.

Eroticism is the most subjective of experiences; it cannot be portrayed or photo-graphed; it's an intangible that arises out of the aesthetic, the manner of experiencing it.

The difference between sex in synaes-thetic cinema and sex in narrative cinema is that it's no longer a spectacle. By definition synaesthetic cinema is an art of evocative emotion rather than concrete facts. The true subject of a synaes-thetic film that includes fucking is not the act itself but the metaphysical "place between desire and experience" that is eroti-cism. It ceases to be spectacle because its real subject cannot be displayed.

note: The Liberation of Mannique Mechanique by Steven Arnold and Michael Wiese "explore the polymorphous subterranean world of unisexual transvestism."

chair porn - eroticism without flesh, pure structures and splintering wood?

idea of nearly replicating a linear narrative corny porno in a most maximalist way, but removing the subject of the body and superimposing pure emotion onto chairs

perhaps mechanical in process

do i want to make good chair porn or bad chair porn? would the fictional (fictional) character of chair porn maker be good at making chair porn, or would these art historical references be extrapolated by the fictional internet theorist?

Carolee Schneemann on her work, Fuses 1965-68, "The thing that is disreputable in the idea of pornography for me, is that it tends to have to do with the absence of feeling, the absence of really committed emotions. I was after some kind of integral whole-ness; the imagery is really compounded in emotion."

[hugopaquete]

Dear colleagues and friends, it's we great pleasure that my composition "Pulsar" will be presented at 40.4 Festival. The B2 Center for Media, Arts and Performance is proud to host the third annual 40.4 Festival, an audio-forward intermedia sonic summit! The festival features a lineup of events focused around the B2's state-of-the-art spatial audio array. This festival is made possible through the generous support of many partners, including:

ATLAS Institute & ATLAS B2 Center for Media, Arts & Performance Department of Critical Media Practices Cycling '74 Anton Bruckner Private University Ars Electronica LEAF (Lafayette Electronic Arts Festival)

40.4: Sonic Saturday (presented by Anton Bruckner Private University and Ars Electronica) Freshly made spatial music presented in the past two editions of the Sonic Saturday at the Anton Bruckner Privatuniversität in cooperation with the Ars Electronica in Linz, Austria.

1) Amias Hanley / SUNKLAND / 2021 / 10:40 2) Chin Ting Chan / Mirror Sculpture / 2023 / 09:10 3) Tolga Yayalar / Impulse Impromptu II / 2023 / 07:47 4) Asahi Yamanoshita / Interweaved Vertex / 2022 / 6:08 5) Jakob Gille / Neo Ornithologie / 2022 / 14:00 6) Panayiotis Kokoras / Qualia / 2017 / 9:40 7) Patrick Hartono / Spectral Chaos / 2022 / 12:25 8) Tuce Alba (Tuǧçe Albayrak) / Ouroboros / 2021 / 12:25 9) Hugo Paquete / Pulsar / 2022 / 12:48"

Saturday, April 20th 2:00 pm Location: Black Box Experimental Studio, Roser ATLAS Institute, CU Boulder

40.4 Festival | The ATLAS Institute | University of Colorado Boulder (live-ucb-atlas.pantheonsite.io)