#interior designers and decorators in boston

[artistofu]

Home Office - Craftsman Home Office Inspiration for a mid-sized craftsman freestanding desk medium tone wood floor and brown floor home studio remodel with blue walls

[mikellis]

Master Bedroom in Boston Mid-sized industrial master bedroom idea with a medium-toned wood floor and a brown floor, white walls, and no fireplace

[cassalexander]

Master in Boston Image of a medium-sized urban master bedroom with a dark wood floor and a brown floor, white walls, and no fireplace

[noorannmatties]

Bedroom Master

Mid-sized urban master dark wood floor and brown floor bedroom photo with white walls and no fireplace

[the-laughing-puppeteer]

Industrial Bedroom in Boston Mid-sized industrial master bedroom idea with a medium-toned wood floor and a brown floor, white walls, and no fireplace

[theyeartochange]

Boston Bedroom

[avant-greendecor]

Brooklyn Barkitecture: Industrial Panache With Pup Appeal

Visit my website for more inspiration 🌿

In this urban retreat, industrial chic meets canine charm, with a charismatic Boston Terrier stealing the spotlight against a backdrop of old brick walls, a captivating view of the Brooklyn Bridge, and a symphony of black, white, and lush greenery.

[lisatharpdesign]

Lisa Tharp Design

Website: https://www.lisatharp.com/

Address: 45 Newbury St, Boston, MA 02116

Phone: +16173419900

Lisa Tharp Design design is a leading Boston Interior Design firm.

[mappingbarcelonapublicart]

Traditional Bathroom Boston Example of a mid-sized classic 3/4 bathroom design with recessed-panel cabinets, white cabinets, solid surface countertops and beige countertops

[uluvjay]

Fall in love with you- T. Zegras

Trevor Zegras x Best friend! Reader (feat. Quinn Hughes)

Summary: you knew Better than to fall in love with Trevor

Warnings?; angst, self-doubt, crying, asshole Trevor, cursing, Quinn comes to the rescue, this is extremely old and hardly proofread so I apologize for any errors!

Next part

—

You were Trevor’s best friend, your moms were best friends in collage leading to the life long friendship of you two.

You two had always been close even when he moved to Michigan for hockey you never drifted. He begged you to come to Boston with him for collage even though he only stayed a year and your had gotten into your dream school.

It was Trevor how could you say no?

That was a problem of yours never being able to tell him no. He wanted to go to a party even though you hated them? You went, wanted you to stay up late with him despite you having a big test the next day? You did it.

You always blamed it on the fact he was your best friend but everyone besides Trevor knew you were lying, they could all see how in love you were with him they just never brought it up.

The first person to call you out on those feelings was Quinn Hughes. Trevor had invited you to the Hughes lake house two summers ago where he constantly left you and was hardly even home most nights, usually with some random girl he met that day.

There had been an argument between you and Trevor, you blew up on him after he came home from another one night stand telling him if you knew you would be spending more time with the Hughes family and their other friends then him you wouldn’t have come in the first place.

He got offended saying he was allowed to have fun to even though that had nothing to do with what you were saying, after he stormed out of the room you were staying in you made the impulse decision to book a flight back to New York, and get the hell out of there but Quinn had caught you packing.

—-

“Hey you okay we heard you two yell- woah what’re you packing for?” He asked stopping himself mid sentence

“Im going home Quinn, thank you for opening your home to me I really appreciate it and you guys have all been so nice spending time with me while Trevor’s off with random girls every night”

“Wait, why are you leaving though? Did Trevor say something? I’ll go kick his ass right now if he hurt your feelings”

“No he didn’t I-I just can’t do this anymore, he begged me to come and of course I said yes like always just for him to pretty much say fuck me and leave me to be with some random girls who probably took pictures of him sleeping so they can post them an-“

“Your in love with him” he said cutting you off

“What? No Quinn, I’m not” you replied with a defensive laugh

“Don’t lie to me”

“Quinn I’m not”

“Cut the bullshit” he told you more stern shutting the door

“I’m not lying”

“Yes you are, I see the way you look at your phone when he lets you know he won’t be coming back, how you stare at the marks on his neck and back, how you stare daggers into all the girls that talk to him, the way your face lights up when he walks into a room, your in love”

“He can’t know Quinn, it’ll ruin everything” you told him looking down at your hands

“Hey, your secrets safe with me, but you can’t do this to yourself forever kid”

And that’s how You and Quinn also became best friends

—-

Fast forward two years and here you are back at the same Lake house in the same predicament. However over last summer you became good friends with most of the guys including Jamie and Mason who came with from Anaheim.

You Graduated from collage in May and got your degree in interior design, tonight Quinn and Jack were hosting you a small graduation dinner as they wasn’t able to attend your graduation along with some of the other guys.

You were standing in the Kitchen with Cole, Quinn, Jack, Trevor and Jamie who had all just come back from a workout.

“So Y/n you gonna come to Montreal and help me make my house look nice? I need some help decorating my shelves they don’t look good” Cole asked

“You can reach your shelves?” Jack asked causing everyone to laugh

“Shut up asshole” Cole replied

“Yeah Coley I’ll come help but I won’t be needing your stepladder I should be good” you said adding in to the joking

“You know what fuck all of you” he said walking off laughing

“Love you!” You called out laughing as well

“When he murders us all in our sleep I won’t be surprised” Quinn said causing everyone to let out light giggles

“Y/n what color you wearing tonight? I don’t wanna clash” Jack asked you

“You act like you won’t be wearing shorts and a random shirt ” you replied “but probably this white dress I bought a little while ago, I’m finally tan enough to wear it”

“You can’t wear white, the girl I invited is” Trevor blurted out looking at his phone

“Dude what the hell? I told you this was a lake house thing only, only the people staying here are allowed at the dinner, no extra invites” Quinn said getting a little pissed

“Aren’t your parents coming? Along with Luke, some of his friends, and y/n’s one friend? Why can’t my friend come”

“That’s our Family Z, they have a relationship with y/n and she knows Luke’s friends from them hanging around they’re like all madly in love with her” Jack said joining in

“Y/n’s fine with it right?” He said giving you the look he always did when he wanted something from you

“I’m not paying, it’s up to Quinn and Jack they organized the dinner” you said looking away

“Yeah so she’s not coming and if she for some reason does show up, she better not be in white, it’s Y/n’s night” Quinn said ending the conversation and walking out everyone else following besides you and Trevor.

“What the hell was that?” Trevor scoffed

“What?”

“You totally taking Quinn’s side!? Are you in a mood with me or something? Why can’t my friend come”

“Because I’m not paying Z, it’s not something i organized Quinn and Jack did, if I had it up to me we’d being having pizza and sitting around a fire not going to a fancy restaurant.” you told him growing a bit annoyed.

“Whatever” he mumbled stomping off.

—

Four hours later everyone was in a private room at some fancy restaurant in Michigan, in all it had ended up being You, The Hughes family, Cole, Mason, Jamie, Trevor, Dylan and Luca.

Trevor hadn’t spoken to you since earlier in the kitchen and hadn’t gotten off his phone since you guys had gotten to the restaurant.

Jamie and Mason had both said something to him multiple times but it just ended with Trevor giving both of them attitude.

You were talking with Ellen about the new things she had planted in their home garden when Trevor stood up and pocketed his phone walking out of the private room.

“Okay can I ask what the hell his problem is?” Ellen had asked loud enough for everyone to hear.

“I didn’t let him invite one of his little hookups and he got mad because Y/n took my side instead of giving in” Quinn explained.

“He hasn’t said a word to me since like noon either” Jack added.

“Okay this isn’t about him and let’s not make it about him, tonight is about Y/n and her achievements” Jim said shutting everyone up just in time as the food was being served.

Ten minutes later the door opened back up and in walked Trevor with a blonde girl.

You froze, was he serious right now? For one night he couldn’t listen and not go off and do what he wanted. You looked around and seen Jamie and Cole both rubbing their foreheads and looked next to you at Quinn who had his head titled back, then to your right to your best friend who looked like she was about to murder both Trevor and the blonde girl.

You returned to eating until you heard someone scoff and a chair scoot out, as you looked up you seen Jamie pulling Trevor out the room, leaving the girl in the room.

“And you are?” Ellen asked causing Luke and Jack to both let out slight laughs at how straightforward their mom was.

“Emma” she replied

“Mm” was all Ellen replied, she also knew about your feelings for Trevor

The door opened back up and in walked a pissed off Jamie which was a rare sight to see, and an annoyed Trevor.

“Everyone this is my girlfriend Emma” he announced and it got so quiet you could hear a pin drop as everyone looked from them to you.

Did everyone know about your feelings? Were you truly that noticeable when it came to how you acted around Trevor?

“Since when?” Mason asked

“Three months” Emma answered

Everyone just stayed quite, the tension could be cut with a knife and the amount of awkwardness was uncomfortable.

“I think it’s time to head home” you whispered in Quinn’s ear

“Yeah, I’ll go grab the check” he said getting up and walking out

“Where’s he going?” Trevor asked

“To get the Check” you replied

“Already? Is that what you whispered in his ear about? I’m not ready to leave you can’t just decide when we all leave Y/n”

“Well I’m ready to head home Trevor and it was my graduation dinner but you of course found a way to make the night about you” you snapped standing up and leaving.

—

Once everyone got home you went straight to your room and got changed into comfortable clothes, went down stairs, made a drink and went outback.

You were feeling a rollercoaster of emotions, you loved Trevor and he constantly hurt you but honestly it was your fault, you were the one that never told him how you feel how’s he supposed to know you wanna be the one in his bed every night?

You were also angry at him, how dare he pull the shit he did tonight at your graduation dinner of all things. You celebrated multiple achievements of his with him and never once made it about you, it just wasn’t fair.

You didn’t even realize someone had come outside or that you were crying until you heard someone ask you something.

“Huh?” You asked as you came back to your surroundings to see Jack sitting next to you.

“I asked why your crying”

“Oh it’s nothing” you rushed out wiping your tears

“Non of that Bullshit what’s up” he asked

“I love Trevor, no I’m in love with him, have been since I was 17”

“I know” he replied nonchalantly

“What?!”

“It’s not hard to notice y/n, your pretty bad at hiding it” he said with a laugh

“You don’t think he noticed do you..”

“No he’s to stupid” he told you laughing again

“Good, I just don’t know what I’d do if he found out I was in love with him, we’ve been best friends since we were born it would ruin everything.”

“You’re in love with me?” You heard the person that shouldn’t be asking that question ask it.

“Shit” you mumbled closing your eyes

“I’m gonna head back inside” Jack said getting up and patting your shoulder

“I asked you a question Y/n, please tell me you’re talking about someone else you’ve been friends with since kids.”Trevor said

“No it’s you, I love you” you said in a low voice

“What the Fuck” he said with a laugh

“I know, I know I’m sorr-“

“Sorry doesn’t cut it Y/n! Do you know what this is going to change? Everything! Our whole lives, every moment we’ve ever shared, it’s all different now”

“I know that’s why I never said anything, I knew you wouldn’t feel the same” you mumbled

“Damn right I don’t feel that way”

“Can you not be rude right now?, you listened in on a conversation you had no business hearing and now you know information that just ruined our friendship, I don’t need you being an ass”

“Why? Why me y/n?”

“I don’t know Trevor! I ask myself that every single day, why you, why my best friend? And I don’t have an answer ” you told him.

“You should have known better”

“It not like I wanted to fall for you Trevor, it’s not like I hoped and wished that I’d fall in love with you and ruin a 22 year long friendship.”

“We need space, I need space y/n I don’t know how to feel about this.” he told you

“I’ll find the next flight to New York tomorrow and be gone” you told him walking past him and into the house.

—

As you were laying in bed you heard someone knock on your door, “come in” you said with a hoarse voice from crying

“Hey I just wanted to check in, Jack told me what happened” Quinn said walking in

“It was so bad Quinny” you said breaking down again.

“No, don’t cry, it’ll be okay y/n” he said sitting next to you and rubbing your back

“I’m leaving tomorrow” you told him

“Why?”

“He said he wants space so I’m gonna go home, I think it’s for the better you know getting away from him”

“Don’t go home, let’s go somewhere”

“Where?” You asked with curiosity

“A beach?”

“That sounds nice”

“Yeah?”

“Yeah” you said looking up at him with a smile

—-

Next part

[evan-collins90]

Assaggio restaurant - Boston, MA (mid 1990s)

Designed by Arteriors

"Enjoy Italian cuisine in a Renaissance ambiance. Assaggio, designed by Arteriors, re-creates experience of Rome in Boston. Artist-designer Stephanie and Amiel Mesner created an unconventional interior. They used no floor plan. Instead, they improvised as the project progressed. The idea originated from the artworks by Botticelli. The ceiling is filled with grapevines and ivy; Zeus and faux columns are attached to a wall that's decorated in trompe l'oeil marble blocks; the room is topped off full of woodland scenes, with a midnight-blue overhead rendering of the zodiac. Assaggio is a bistro with an underground wine bar. The ceiling is painted to simulate sunlight shining through; the stonewalls and ivy-clad columns are all faux art. The Napoli room is a recreation of a seaside villa."

Scanned from 'American Theme Restaurants' by I.M. Tao (1999)

[jamieroxxartist]

Tuesday, July 23, 2024. Episode #1409 of 🎨#JamieRoxx’s Pop Roxx Radio 🎙️#TalkShow and 🎧#Podcast w/ Featured Guests:

Doug Strong (#Director, Co-#Writer) & Kira L. Wilson (#Actress) The Parallels of Loneliness; #Film | #Short, #drama

Pop Art Painter Jamie #Roxx (www.JamieRoxx.us) welcomes #DougStrong & #KiraLWilson ( #TheParallelsofLoneliness; Film | Short, Drama) to the Show!

● IMDB (Film) www.imdb.com/title/tt31433636 ● IMDB (Doug) www.imdb.com/name/nm9950977 ● IMDB (Kira) www.imdb.com/name/nm8381237

The Parallels of Loneliness was originally made for Winterfilm XI competition. It was nominated for 10 awards and took home trophies for: Best Picture, Best Cinematography, Best Production Design and Best Lead Female Actor. This film has been revised and sent to numerous film festivals around the world. At this time, it will only be viewable during the festival screenings.

Doug Strong is a director, editor, writer, and cinematographer from Cincinnati, Ohio. Known for River Road, Psycho Bastard, 24 Percent, and The Parallels of Loneliness, He's won many awards for his work including Best Film: Psycho Bastard (Fright Film 2021), Best Narrative Short: Psycho Bastard (Blue Chip Media Awards 2022), Best Cinematography: 24 Percent (Winterfilm 2023) and Best Film and Best Cinematography: The Parallels of Loneliness (Winterfilm 2024). Best Kill for Psycho Bastard 2022 (Days of the Dead Indianapolis) and Doug has also been nominated by Cincinnati City Beat Magazine for Best Local Filmmaker 4 years in a row. He has two dogs, a German Shepherd named Elio and a red Boston Terrier named Apple. Next up for Doug is the Fright Film competition in August 2024, and currently he's doing a film festival run with Parallels of Loneliness, already being officially selected for 2 upcoming festivals including DMoff and Hilliard. A feature-length horror film could be on the horizon. Favorite movies include John Carpenter's Halloween, and Stanley Kubrick's The Shining.

Kira L. Wilson is a multi-award winning actress, production designer, and producer from Dayton, Ohio represented by Heyman Talent Agency as well as Talent Fusion. 8 years ago, Kira was a full-time insurance agent and happened to “fall into” acting on a local feature film. It had always been her dream to be an actor but never had the opportunity to do so until then. After a highly successful 2 years of networking and acting work, she left her career of 20 years to pursue acting professionally. In addition to acting, she has produced a number of highly successful short films, worked on production design/set decorating, and wardrobing, has been a location manager quite a few times, and assisted with casting projects.

Kira has been involved in over 200 projects such as commercials, print modeling, short & feature films, music videos, and industrials and can be seen on numerous streaming services and television programs for AppleTV, Amazon Prime, Tubi, Roku Channel, Cineverse, Oxygen, TVOne, and HLN networks. Kira is also known by many of her industry peers as “The Chameleon” for her ability to physically transform into practically any character thus making her a well sought after actor to portray biographical roles.

When she’s not working on projects and studying her craft, Kira enjoys traveling, watching movies, attending film festivals, filming alternative hair educational videos on Instagram and YouTube, cooking, volunteering, and fostering for animal rescue, interior design, and spending time with her family and 3 dogs.

● Media Inquiries: Doug Strong, FB: @DougStrong Kira L. Wilson, FB @kira8899

[alannacellucci]

The Breakers Music Room —

The MUSIC ROOM, designed by Richard van der Boyen and Allard et Fil, reflects the French Baroque interior the Vanderbilts would have seen in places like the Paris Opera House, and was the setting for family weddings and debutante parties. Gold and silver leaf, blue-grey Campan marble from France, mirrors, and crystal light fixtures combine to make a glittering effect for evening concerts and receptions. The spirit of music and numerous great composers are celebrated in the ceiling painting. This room and furnishings, in addition to those in the Morning Room, were designed and constructed in France then shipped to this location for installation.

————————————————————————

The Breakers Morning Room —

The wall paneling in the MORNING ROOM was designed by Richard van der Boyen, who carved elaborate garlands and figures in the late Renaissance style. Classical mythology and allegories decorate this room, from the painted allegory of the four seasons on the ceiling, to the Muses who appear in the corners of the room, painted on platinum leaf panels.

The room also displays portraits of Cornelius Vanderbilt II by the preeminent American portrait painter, John Singer Sargent, and the Count Laszlo Széchényi and Countess Gladys Széchényi, by the Hungarian artist Philip Alexius De László. Countess Széchényi was born Gladys Vanderbilt, the youngest of Cornelius and Alice's children. In 1908, Gladys married Count Laszlo Széchényi, a member of Hungary's premier aristocratic family and a minister to the Court of St. James in London and, later, to the United States.

When her mother Alice passed away in 1934, Countess Széchényi inherited The Breakers. In 1948, to raise funds for the Preservation Society's restoration of Hunter House, Countess Széchényi opened The Breakers to the public for tours. That same year, she leased The Breakers to the Preservation Society for $1.00 a year and continued to fund the maintenance of the house. The Preservation Society purchased The Breakers in 1972 for approximately $400,000. As an early member and supporter of the Preservation Society, Countess Széchényi made a major contribution to the preservation of Newport's architectural heritage.

——————————————————————————

The Breakers Breakfast / Dining Room —

The BREAKFAST ROOM served as both breakfast room and informal family dining room. The table, which may be extended to seat 16 would have seated the entire family or served as seating for a small, informal dinner or luncheon. One of the premier decorators for America's elite families, Jules Allard et Fils Cules Allard & Sons) of Paris, supplied the Louis XV style furniture for the room and decided on the room's color scheme. The Vanderbilts were surrounded by imagery of the harvest.

Look around to see fruits and vegetables plentifully adorning the walls. The 12 rose-colored stone columns are solid alabaster and draw your eyes upward to the ceiling painting of the goddess Aurora heralding the dawn. The massive chandeliers and wall sconces in the Imperial design are made of French Baccarat crystal, and were piped for gas and wired for electricity at the time the house was built. The crown shaped tops indicate the style, while the rings on the chains were used to adjust the flow of gas.

Allard and Sons of Paris assisted Hunt with furnishings and fixtures, Austro-American sculptor Karl Bitter designed relief sculpture, and Boston architect Ogden Codman decorated the family quarters. The mansion covers nearly an acre of the 13-acre property and has 70 rooms including 48 bedrooms for family and staff. There are 27 fireplaces. It was equipped with electricity – still a novelty in houses during the Gilded Age – as well as gas for lighting.

The Breakers has entertained presidents, royalty and guests from across the world for more than 125 years and today is visited by hundreds of thousands of people each year. It is the flagship of the Newport Mansions and a world-famous iconic image of the City-by-the-Sea. The Breakers was designated a National Historic Landmark in 1994.

[dd20century]

The New Formalist: Edward Durell Stone

“A great building should be universal, not controversial.” --  Edward Durell Stone

New York Times architecture critic Paul Goldberger wrote in his obituary of architect Edward Durell Stone:

Edward Durell Stone's career as an architect was marked by a dramatic reversal of direction. He gave up a position as one of America's leading advocates of the International Style just as that austere modern style was gaining wide public acceptance, and he began instead to evolve a personal style that was lush and highly decorative, the very opposite of the International Style. (1)

This shift would be influenced by a woman, Durell Stone’s second wife, Italian designer Maria Elena Torch. As Durell Stone said, “Maria's fine Italian hand began to show in my attire and my work. Both began to move toward elegance.”

Edward Durell Stone on the right having dinner with (left to right) architect William Wesley Peters, Stone's then-wife Maria Torch Stone, and Frank Lloyd Wright. Photo credit: Charles Rossi.

Edward Durell Stone’s Early Years

Architect Edward Durell Stone was born on March 9, 1902, in the college town of Fayetteville, Arkansas. Durrell’s grandfather Steven K. Stone was a successful businessman, Durrell’s father “Benjamin Hicks Stone (1852-1942) graduated from Emory & Henry College, in Virginia, in 1873 and returned to Fayetteville to run his father's business” (2). In 1885 Benjamin Hicks Stone married Ruth S. Johnson, an English teacher. The couple “had four children, the youngest..., Edward Durell Stone” (2).

Young Edward showed early artistic promise. His mother encouraged him to take up drawing and woodworking. J. William Fulbright was one of Edward’s childhood friends. Fulbright would go on to become a United States Senator. The two men remained life-long friends. Stone attended the University of Arkansas in the early 1920s but was unsuccessful in all of his courses except drawing. His talent came to the attention of the head of the “university's art department, [Elizabeth Galbraith who] recognized Stone's talent and encouraged him” (2).

At that time Edward’s older brother James Hicks Stone was an architect practicing in Boston, MA. Elizabeth Galbraith reached out to the brother asking him “to take an interest in the boy” (2). Edward spent the summer of 1921 in Boston visiting the city’s architectural landmarks with James. The experience made an impression on the young Edward, leading him to his calling. In 1922 Edward moved to Boston and found work as an office boy at the architectural firm of Strickland, Blodgett & Law while he studied at the Boston Architectural Club at night. There Edward met architect Henry R. Shepley who hired him to work as a draftsman at Coolidge, Shepley, Bulfinch and Abbott. Shepley would become Stone’s most valued mentor. (2)

Edward Durell Stone, Radio City Music Hall, Auditorium, (1932), New York City. Image source.

Stone’s Early Architectural Career

“In 1925, Stone won a scholarship to Harvard University's School of Architecture” (2) and also studied at Massachusetts Institute of Technology. In 1927 Stone won the Rotch Travelling Fellowship which gave him the resources to study in Europe for two years. (1, 2) Stone returned to the United States he moved to New York City, just before the start of the Great Depression in October 1929, where he was hired by, “a consortium of architects designing Rockefeller Center. There he worked on what was to be considered his first major early achievement, the design of the interiors of Radio City Music Hall” (2).

 “In December 1930, [Stone] married Sarah Orlean Vandiver (1905-1988), an American tourist he had met and courted in Venice. The couple had two sons, Edward Durell Stone, Jr. (1932-2009), and Robert Vandiver Stone” (2).

Donald Deskey was one of the architects that Stone worked with on the Radio City Music Hall project. This association led to Stone’s ‘first independent commission in 1933, the Mandel House, in Bedford Hills, New York, built for owners of a prominent department store” (2). Deskey served as the interior designer on that project. (2) “The Ulrich Kowalski House, also in Mt. Kisco” (4) was built the following year. With the success of the Mandel and Kowalski Houses, many more commissions followed, and in 1936 (3) Stone established his architectural firm at Rockefeller Center (2).

Edward Durell Stone, Richard M. Mandel House (1935), Bedford Hills, New York. Image source.

Stone and The Museum of Modern Art

From 1936 to 1939 Edward Durell Stone worked on what Newsweek magazine called, "the first large museum in America to be built according to the streamlined, ultra-modern 'international' style of modern architecture."(5) The project was the Museum of Modern Art (MoMA) in New York City. Stone collaborated with Phillip L. Goodwin. Stone served as design architect while Goodwin produced the architectural drawings. (2) During this time Stone was also designing a home in Old Westbury, NY for MoMA president Anson Conger Goodyear. (4)

In 1940 Edward Durell Stone drove across the United States. Traveling to Arizona and Wisconsin, he met with architect Frank Lloyd Wright. Wright’s use of materials and decorative patterning manifests itself in some of Stone’s later work. In San Francisco, Stone appreciated the use of natural materials used in regional architecture. His greatest takeaway from the trip, however, was his disappointment at how extensively Americans had marred the natural landscape. Quoting Durell, “I scarcely encountered a place where land was used wisely and where what has been built is beautiful” (6).

Edward Durell Stone's Service in World War II

As the United States had entered World War II, Edward Durell Stone enlisted in the United States Army Air Forces in the summer of 1942, “and was stationed in Washington, D.C. Stone entered as a captain and was promoted to the rank of major in November 1943. At his instigation, the Army Air Forces established a Planning and Design Section in July 1944” (2).

As chief of this section Stone was responsible for “the master plans for airfields in Alabama, California, Florida, Louisiana, Mississippi, and Texas” (2).  He also designed the Continental Air Command headquarters at what is now known as Andrews Air Force Base in Maryland. (2)

Edward Durell Stone, William Thurnauer House (1949), Englewood Heights, New Jersey. Image source.

Stone’s Post-war Work

After the war, Edward Durell Stone reopened his architectural practice. Most of Durell’s commissions during this time were residential. The most notable were the David Stench House (1947) Armonk, NY and the William Thurnauer House in Englewood, New Jersey (1949). (2) Stone’s homes of the late 1940s ‘indicated the increasing influence of Wright — his buildings became lower, more horizontal, and relied more on the use of wood” (1).

 His non-residential projects included the 300-room El Panama Hotel in Panama City, Panama, “notable for its pioneering use of cantilevered balconies in the construction of a resort hotel” (7). In 1948 Stone designed Fine Arts Center for the University of Arkansas in his hometown of Fayetteville, AK. The center featured works by Alexander Calder and Gwen Lux, friends of the architect. (2)

Postcard photo of Edward Durell Stone's El Panana Hotel (1946), Panama City, Panama. Image source.

Read part two of The New Formalist: Edward Durell Stone.

References

Goldberger, P., (7 August, 1978). Edward Durell Stone Dead at 76; Designed Major Works Worldwide. https://www.nytimes.com/1978/08/07/archives/edward-durell-stone-dead-at-76-designed-major-works-worldwide-a.html

R. L. Skolmen and H. Stone, Edward Durell Stone: Life. https://www.edwarddurellstone.org/

Smart, G., (2024). Edward Durell Stone, FAIA (1902-1978). https://usmodernist.org/stone.htm

Wkikpedia.com, (7 February, 2014). Edward Durell Stone. https://en.wikipedia.org/wiki/Edward_Durell_Stone

"The Glass-Temple Museum: Modern Art Display Takes Over Own Building in New York," Newsweek (22 May 1939): 32.

Edward Durell Stone, The Evolution of an Architect, (New York: Horizon Press, 1962), 92.

Britannica.com, (n.d),.Edward Durell Stone, American architect. https://www.britannica.com/biography/Edward-Durell-Stone#ref81069

[musette22]

if Seb and Chris got married then do you think they'd live in Boston or NYC? cause both of those guys looooove their cities so bad 🤣 i don't even think I've ever seen Seb being in Boston? /

can I Chim in? I think Seb would be the one to move to Boston cause

1) he travels the most and he's barely home in nyc

2) he really does love nyc but he's the one who's moved out constantly since he was a kid so i don't think it would be a big problem for him

3) he "only" has his mom in nyc but they do seem to be super independent right? so i think it would be an easier move compared to Chris and his entire fam in Boston

4) he's a people's pleaser and you bet he'd want to please his hubby 😏😌

5) he knows dodger needs space

but i agree that they'd try to keep Sebs apartment so they have a place to arrive when they're in the city 😍

this question only got me wondering who'd be the one in charge of decorations tho? cause i believe Seb would live in Chris' current house and he already has a style and Seb well we've seen his apartment is pretty... empty?? and he only has his fav actor in the walls 🤣 so i wonder how would they do it, i imagine this scenario very often 🥹🥹🥹🥹🥹🥹

Of course you can chime in honey, we're all just dreaming out loud here 🥰

I see what you mean! I feel like you might be right about Chris's place becoming their home base while they keep a pied-a-terre in New York. I definitely could not ever see Chris packing up and moving his life to New York and Seb would never ask him to. But realistically (lol), I think Seb would still spend quite a lot of time in NYC, especially in the beginning. He's definitely got an entire life there, even if he travels a lot, and he's spoken a lot about how much he loves the city and could never leave and all that. I think maybe in time, if they really settle down and start a family (🥺) Seb would like to spend more time in Boston, but initially I think Seb would go to New York quite a lot, or they'd both split their time between the two places. Seb is a pretty independent guy (which happens to be something Chris has said he values in a partner!) But maybe they find a new place in New York, something a little bigger which suits both their tastes? (they've definitely got the budget for it!)

As for the decorations: I also think Seb would be fine with Chris's home as it is, and maybe just add a few pieces of his own here and there. Seb doesn't seem to be toooo fussed about decor, as you said! In the new place in New York, Seb would probably also be fine with following Chris's lead, although I do feel like they/Chris might enlist the help of an interior design stylist whom he trusts to do the majority of the work, and then they only have to sign off on the plans once they're both satisfied and add their own things and touch, you know? That's how I could see that going! 💛💛

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Maximizing Visibility with Window Signs for Businesses in Boston

In the vibrant city of Boston, where businesses thrive in diverse neighborhoods from Back Bay to the North End, making your brand stand out is essential. One of the most effective yet underutilized marketing tools is window signage. Whether you're a boutique, a restaurant, or a corporate office, window signs for business can transform your storefront into a dynamic advertisement and a captivating customer engagement tool.

In this blog, we’ll explore the power of window signs, how they elevate your business’s visibility, and why custom window graphics are an indispensable part of any marketing strategy.

What Are Window Signs?

Window signs are visual displays applied to or positioned near storefront or office windows. They serve as branding tools, promotional materials, or decorative elements, depending on the business’s goals. These signs are typically made from materials like vinyl, perforated films, or etched glass, allowing for a wide range of designs and functionalities.

Why Boston Businesses Need Window Signs

Boston’s dynamic commercial landscape demands innovative approaches to capture the attention of potential customers. Here’s why window graphics are a game-changer:

1. Instant Visibility In high-traffic areas like Downtown Crossing or the Seaport District, vibrant window signs can grab the attention of passersby and encourage them to explore your offerings.

2. Cost-Effective Marketing Compared to other forms of advertising, commercial window signs are a one-time investment that delivers continuous exposure, day and night.

3. Versatility for Every Business From temporary sales promotions to permanent branding elements, window signage caters to a variety of needs. For instance, a boutique in Newbury Street may use elegant frosted glass decals, while a café in Beacon Hill might display bold vinyl graphics to announce seasonal menus.

4. Enhances Aesthetics Custom-designed window graphics can elevate the look of your storefront, aligning it with your brand’s identity and making it more inviting.

5. Effective Use of Space Windows are prime real estate for advertising. Leveraging this space ensures you communicate your message without cluttering your storefront or interior.

Types of Window Signs for Businesses

Boston’s diverse industries and neighborhoods inspire creativity when it comes to window signage. Here are the most popular types of window signs:

1. Vinyl Window Graphics

Vinyl graphics are a versatile choice for showcasing your logo, services, or promotional messages. They’re durable, weather-resistant, and available in countless colors and designs.

2. Perforated Window Films

These films allow you to display vibrant graphics on the outside while maintaining visibility from the inside, making them perfect for businesses that want privacy without sacrificing marketing opportunities.

3. Frosted Glass Decals

Ideal for offices, spas, and upscale retail stores, frosted decals create an elegant, professional look. They can also be used to add privacy while incorporating branding elements.

4. Temporary Promotional Decals

For seasonal sales, new product launches, or grand openings, temporary vinyl decals are an excellent way to grab attention.

5. Full-Window Wraps

A full-window wrap turns your entire window into a striking advertisement, creating a bold statement that’s impossible to ignore.

Designing the Perfect Window Sign for Your Boston Business

Creating an effective window sign involves more than just aesthetics. Here are some tips to ensure your signage delivers results:

1. Keep It Simple Focus on a clear, concise message. Use bold fonts and high-contrast colors to ensure readability from a distance.

2. Incorporate Your Branding Your window sign should reflect your brand’s personality. Include your logo, brand colors, and a consistent tone to strengthen brand recognition.

3. Choose the Right Materials Boston’s weather can be unpredictable, so durability is key. High-quality vinyl or perforated films ensure your sign stays vibrant and intact through rain, snow, or heat.

4. Consider Placement and Size Strategically place your window signs where they’re most visible. The size should be proportionate to the window while still leaving room for light to enter the space.

5. Add a Call-to-Action Encourage engagement by including a clear call-to-action, such as "Visit Us Today," "Shop Our Sale," or "Call for Reservations."

Industries That Benefit Most from Window Signs in Boston

From historical landmarks to modern office spaces, Boston’s businesses are as diverse as its neighborhoods. Here are some industries where commercial window signs can make a significant impact:

Retail Stores

Shops in areas like Newbury Street or Quincy Market use window signs to advertise promotions, highlight new arrivals, or reinforce their brand identity.

Restaurants and Cafés

Window graphics in Boston’s culinary hotspots, like the North End or South Boston, often showcase menus, daily specials, or unique dining experiences.

Fitness Centers and Gyms

For fitness businesses in neighborhoods like Fenway, bold window decals can promote memberships, classes, or wellness programs.

Corporate Offices

Offices in Boston’s Financial District often utilize frosted glass decals to add privacy while maintaining a polished, professional appearance.

Spas and Salons

Spas in Back Bay or salons in Cambridge use elegant etched glass graphics to create a luxurious ambiance and promote their services.

The Process of Getting Custom Window Signs

At Boston Signs and Graphics, we make the process of creating your custom window signs for business seamless and efficient.

1. Consultation We start with a consultation to understand your needs, goals, and design preferences.

2. Custom Design Our design team crafts a unique window sign tailored to your brand, ensuring it aligns with your marketing strategy and resonates with your audience.

3. Material Selection We guide you in selecting the right materials based on durability, visibility, and your budget.

4. Professional Installation Our skilled installers ensure your window graphics are applied flawlessly, leaving no bubbles or imperfections.

5. Ongoing Support Need to update your graphics? We provide maintenance and replacement services to keep your signage fresh and relevant.

Real Success Stories in Boston

Boutique Retailer in Back Bay We helped a boutique revamp their storefront with frosted window decals and vibrant vinyl graphics. The result? A 25% increase in foot traffic during the first month.

Restaurant in the North End A small Italian restaurant used perforated window films to showcase their menu and promote weekly specials, drawing in both locals and tourists.

Corporate Office in Cambridge A tech startup used frosted glass decals to enhance their workspace privacy while maintaining a modern and cohesive design.

Partner with Boston Signs and Graphics for Exceptional Window Signs

If you’re ready to elevate your business’s visibility and make a lasting impression, custom window signs are the way to go. At Boston Signs and Graphics, we combine creativity, quality, and local expertise to design and install signage that captures the essence of your brand.

Contact us today to discover how commercial window signs can transform your storefront and help your business thrive in Boston’s competitive market.