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luxearch · 2 years ago

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اختيار شركة المقاولات العامة المناسبة في المملكة العربية السعودية

تعد شركات المقاولات العامة المناسبة أمرًا بالغ الأهمية لنجاح أي مشروع بناء ، لأنها تضمن اكتمال المشروع في الوقت المحدد وفي حدود الميزانية ، كما أنها توفر جودة مرضية وتساعد على تجنب الأخطاء والتأخيرات غير المرغوب فيها التي تزيد من تكاليف المشروع.

عوامل مهمة عند اختيار شركة مقاولات عامة في المملكة العربية السعودية

يجب مراعاة عدة عوامل مهمة عند اختيار شركة مقاولات عامة في المملكة العربية السعودية ، منها:

الخبرة: يجب أن تبحث عن شركة مقاولات عامة لها سجل حافل من النجاح في إتمام مشاريع مماثلة لمشروعك.

السمعة: يجب أن تبحث عن شركة مقاولات عامة تتمتع بسمعة طيبة في السوق ولديها تقييمات إيجابية من عملائها السابقين

شركة المقاولات العامةنصائح لاختيار أفضل شركة مقاولات عامة في المملكة العربية السعودية

إليك بعض النصائح لاختيار أفضل شركة مقاولات عامة في المملكة العربية السعودية:

قم ببحثك: ابحث عن شركات المقاولات العامة المختلفة وقارن خدماتها وخبراتها وسمعتها.

تحقق من المراجع: اسأل الشركة عن المراجع واتصل بعملائها السابقين للاستفسار عن تجربتهم في العمل مع الشركة.

مقابلة المقاولين المحتملين: مقابلة المقاولين المحتملين للتعرف على مؤهلاتهم وخبراتهم ومنهجهم في مشاريع البناء.

ضع في اعتبارك الميزانية: اختر شركة مقاولات عامة يمكنها العمل في حدود ميزانيتك دون المساس بالجودة.

فوائد العمل مع شركة مقاولات عامة محترفة

العمل مع شركة مقاولات عامة محترفة في المملكة العربية السعودية له فوائد عديدة منها:

جودة العمل: شركة المقاولات العامة المحترفة لديها الخبرة والمهارات والموارد اللازمة لتقديم عمل جيد.

الانتهاء في الوقت المحدد: يفهم المقاولون المحترفون أهمية إكمال المشاريع في الوقت المحدد وفي حدود الميزانية.

توفير التكاليف: يمكن أن تساعدك شركة المقاولات العامة المحترفة على تجنب الأخطاء والتأخيرات المكلفة التي يمكن أن تزيد التكلفة الإجمالية للمشروع.

السلامة: يعطي المقاولون المحترفون الأولوية للسلامة ويتبعون بروتوكولات السلامة الصارمة لضمان تجنب الحواد�� والإصابات.

#building renovation #fit out companies in dubai #interior design #jeddah #شركة المقاولات العامة #general contracting company

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stua · 2 months ago

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Today we present our most special project: our own house, the result of three years of work, building and creating the interiors of our new headquarters. It is a three-storey building located next to the STUA factory, overlooking a small bamboo forest and a river. Its architecture reflects the spirit that guides the company: the search for timeless design. The building is a project by Jesús Gasca and Jon Gasca, designed so that the interiors breathe with the surrounding nature. The large façade has huge windows framed by black wooden slats finished with the Japanese Yakisugi technique. Natural materials that are in dialogue with the bamboo forest. With this project, we want you to get to know us better. We want to inspire you with a variety of creative proposals, with one floor dedicated to showing residential spaces, and another to the contract world. Even our own offices are unique and form part of the exhibition. Come to visit us! SHOWROOM: www.stua.com/astigarraga

Hoy os presentamos nuestro proyecto más especial: nuestra propia casa. Es el fruto de tres años de trabajo, construyendo y vistiendo nuestra nueva sede. Se trata de un edificio de tres plantas, situado junto a la fábrica de STUA, frente a un pequeño bosque de bambú y un río. Su arquitectura es reflejo del espíritu que guía a la empresa: la búsqueda del diseño atemporal. El edificio es un proyecto de Jesús Gasca y Jon Gasca, concebido para que los interiores respiren de la naturaleza que lo rodea. La gran fachada cuenta con enormes ventanales, enmarcados por lamas de madera negra acabada con la técnica japonesa Yakisugi. Materiales naturales que dialogan con el bosque de bambús. Nuestro objetivo con este proyecto es que nos conozcáis mejor. Queremos inspiraros con propuestas creativas diferentes, tanto en la planta dedicada al hogar, como en la planta de contract. Incluso nuestras propias oficinas son singulares y forman parte de la exposición. Ven a vernos! SHOWROOM: www.stua.com/es/astigarraga

#stua #design #jesus gasca #furniture #interior design #jon gasca #spain #interiors

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traegorn · 3 months ago

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So when I do finish this book I am writing (speaking it into existence bc adhd is a BITCH) Like what's your experience with publishing? How much does it usually cost? What kinda income does one get? I don't really care about making money but it would be super neat to make something since I cannot work. How do taxes work on that also? Google is confusing me

So far i have an idea and half a first chapter with thrilling notes such as " add a cat" and "insert spell here"

So I self publish, so that's the world I know. If you want to find a traditional publisher, you'll need to query agents and do a bunch of other stuff. My only advice for traditional publishing is that when going that route, money should always flow towards the author. If they're asking you to pay for something, they aren't a traditional publisher and there's a good chance it's a grift.

So let's talk about what I do know.

(And this turned out to be long as hell, so I'm putting in a "keep reading")

When you self publish, you are effectively acting as the publisher. If you want someone to do edits? You'll have to hire an editor. If you want someone to do the book layouts? You'll have to hire someone to do it if you can't do it yourself. You need a cover? You get the idea.

Now I don't pay an editor, so I can't really give you a price range on how much they cost off the top of my head. I do know they can get expensive though.

I also do all my own interiors, but I have a graphic design background and have been doing print layouts for decades. If you want to hire someone to do the interiors, that can run you $100-500, so I recommend just... learning to do it yourself.

Frankly, it's not terribly hard. I do mine in Apple Pages on my Mac for my paperbacks and Amazon has a free program for formatting eBooks (which you can export both as the Kindle format OR the more universal ePub format). With your print version, you just want to make sure you get your margins right, along with using a standard font like Times New Roman.

Like, literally just pick up a book and study the layout. Look at the front matter (copyright page, title page, etc) of a handful of books and mimic what you find there. I don't know why so many self published authors get that bit wrong. It's a book. Format it like a book.

Now the cover... this is where you'll probably end up spending something. I do my own covers for my comics, but hire out for my novels because I can't do the kind of covers expected of my genre. And you do want to match your genre, because you want a potential reader to know what they're getting into. I've seen so many self published books with terrible covers and it drives me nuts.

Cover design can run you anywhere from $35-$400 depending on who you choose to contract, and this is where I recommend you spend your money. On the cheap end you have companies like GetCovers. Now they primarily do covers made from edited stock photos, and I've honestly been pretty satisfied with their work... but you have to hold their hand and be very clear with what you want.

GetCovers is a part of Mibl Group, and it's pretty much all of their most inexperienced employees. The whole point of it is to get them the experience to work on bigger projects down the road. They have cheaper packages, but for their best work you'll probably only spend like $35-$45. If you're working in a genre that mainly uses stock images, that's who you want.

I often end up retouching the covers they do though, because I'm impatient. Like there are edits to The Witch and the Rose and Shadowcasting I made after they handed me the completed files. You're going to have to be very specific with what you want. The first version of the Bloody Damn Rite cover they did... was awful. But they did the revisions I asked for, and the version they delivered in the end was great.

Now if you want, like, original art or just more complicated, custom stuff? You're looking at at least $250 on the cheap end, but sometimes you end up in the ballpark of $700-$1000. Like on their regular site (just to use the same company as GetCovers for comparison), the Mibl group charges like $300 for a more complicated stock photo based cover (that requires more complicated edits) and at least $700 for covers that require digital painting, 3d modeling, etc.

There are a wide range of prices depending on what you're asking for. But, y'know, you're paying that once for a commercial piece of graphic design.

I'm cheap and can do some of the work myself, so I go for the $35 cover. I also figure out what fonts they used for the covers, so I can go buy my own commercial license for them and replicate a similar logo on my title page. You don't need to do that bit, I'm just finicky.

Actually publishing the book is easy. You'll want to use a self publishing platform like Kindle Direct Publishing or IngramSpark (or, if you're like me, both). I sell KDP books on Amazon, but all other distribution is through IngramSpark. You make more money on Amazon by using KDP, but even though they offer distribution, no book store will ever order through them. So I turn that option off, and then I take the same book and I make it available through IngramSpark.

On amazon I make a little more than $2 on a $3 ebook, and about $4.00 on a $12.99 paperback. When a bookstore buys an IngramSpark version, I make about $2.50 on a $14.99 book (if you wondered by my books cost more when not buying it through Amazon... that's why). Now if you buy yourself author copies, they cost way less -- in the end I think I can get them for like $5 a book? So when I sell them in person, my margins are much higher.

But, y'know, you have to actually sell them.

Because that's the hard part. When self publishing, you only have you to market it. I don't know how many books I'd be selling if I didn't have a pre-existing audience -- and even then it's not a huge amount. I've sold about 200 books this year? Which isn't nothing, and I appreciate every single person who's purchased one of my titles, but it's obviously not enough to quit my day job for, y'know?

That said, I've known people who do sell enough to make a steady living. So it's possible for sure.

But it's not going to happen overnight, and it won't be easy.

As for taxes, you'll need a 1099 and do stuff with the Schedule C. I always forget exactly what until I'm actually doing them, but it's not super hard, just annoying.

#self publishing #writers on tumblr #author #booklr #books

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astroismypassion · 6 months ago

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✨PART OF FORTUNE IN SIGNS AND HOUSES SERIES: 11TH HOUSE✨

Credit: Tumblr blog @astroismypassion

ARIES PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Aries and Aquarius Sun people in your life. You can earn money via launching or joining a tech startup, focused on innovative technologies or disruptive business model, via work in community organization or activism, via work in digital marketing or social media management, via providing consulting services to businesses or organizations, advising them on innovation strategies, product development or new market exploration, via work in crowdfunding or fundraising. You feel abundant when you align with social causes, focus on group dynamics and embrace innovation.

TAURUS PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Taurus and Aquarius Sun people in your life. You can earn money via work in investment management, focusing on building and managing portfolios that provide stable returns, via art colleting, dealing or curation focusing on pieces that have enduring value, via work in interior design, via work in hospitality management (in luxury hotels, resorts or event planning). You feel abundant when you embrace sustainable and ethical practices, when you practice patience and persistence.

GEMINI PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Gemini and Aquarius Sun people in your life. You can earn money via engaging in activism, advocacy work, via work in public relations, graphic design, via creative writing, screenwriting, content creation, teaching, tutoring, joining or starting a tech company focused on innovative products or services. You feel abundant when you are focused on community, collective goals, when you stay versatile and adaptable.

CANCER PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Cancer and Aquarius Sun people in your life. You can earn money via pursuing a career in early childhood education or childcare, nursing, caregiving, mental health services, via work in family and parent education, pursuing culinary arts or catering, engaging in art and design. You feel abundant when you focus on community, social connections, embrace technology and innovation, promote security and stability and use your intuition and emotional intelligence.

LEO PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Leo and Aquarius Sun people in your life. You can find abundance by managing a charitable organisation. You can earn money via work as a creative director or manager, overseeing projects in fashion, advertising or design, via writing, blogging, content creation focused on inspirational and motivational themes, via work in charity or fundraising, work in teaching (drama, art, public speaking). You feel abundant when maintain confidence in your vision and abilities, when you embrace charisma, leadership and when you pursue a creative career.

VIRGO PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Virgo and Aquarius Sun people in your life. You can earn money via work in tech support, quality assurance, systems analysis, work in non-profit management, pursuing teaching or training roles, engage in environmental research, when you organise workshops or seminars on practical skills, health and wellness. You feel abundant when you focus on health, wellness, when you network, collaborate and when you use technology.

LIBRA PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Libra and Virgo Sun people in your life. You can create wealth by creating and selling DIY kits or tutorials. You could also learn digital or 3D art. You could sell photos on sites like Shutterstock or Adobe Stock. You earn money via event planning, specializing in weddings, social events and community events, work in legal services, such as family law, meditation or contract negotiation. You feel abundant when you embrace collaboration and partnerships, focus on aesthetics and creativity.

SCORPIO PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Scorpio and Aquarius Sun people in your life. You can earn money via holistic healing, alternative medicine, energy work, via astrology, metaphysical studies, spiritual counselling, via biotechnology, healthcare technology, environmental technology, via work in cybersecurity, data analysis or investigative journalism. You feel abundant when embrace deep, transformative work, engage in financial and strategic roles.

SAGITTARIUS PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Sagittarius and Aquarius Sun people in your life. You can earn money via career in diplomacy, teaching, lecturing, work in tourism industry, work in educational publishing, work in broadcasting or journalism, work in editing or translation. You feel abundant when you engage in social and humanitarian causes, focus on education and communication, when you embrace international cultural perspectives.

CAPRICORN PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Capricorn and Aquarius Sun people in your life. You can earn money via real estate development, work in corporate training and development, taking on leadership roles in non-profit organizations that focus on social justice, community development or environmental sustainability. You feel abundant when emphasize practical, realistic approach, when you use network and social connections.

AQUARIUS PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Aquarius Sun people in your life. You can earn money via streaming on platforms (Twitch), participating in esports or creating gaming content. You earn money via scientific research, when you create or support educational programs that focus on skills for the future (digital literacy, innovation), when you create content that explores futuristic concepts, technology trends or social change using platforms like YouTube, a blog, podcast. You feel abundant when you focus on technology and future trends and when you stay true to your unconventional nature.

PISCES PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Pisces and Aquarius Sun people in your life. You can earn money via storytelling, work in holistic healing fields, massage therapy, via painting, writing, music or film, via offering spiritual or life coaching services. You feel abundant when stay true to your intuitive insights, embrace spiritual and healing practices and when you focus on humanitarian and compassionate work.

Credit: Tumblr blog @astroismypassion

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merakiui · 1 year ago

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thinking about androids again, but rather than the plot seen in android jade,,,, consider android floyd who is being developed by tech genius idia shroud with input and funding from business magnate azul ashengrotto.

(cw: yandere, unhealthy behaviors/relationship, obsession, vaguely implied non-con/dub-con, android floyd)

He's designed to be a companion for those who are lonely and in need of the company (whether physically or socially). You're just a tired, overworked university student, so it's mind-boggling to you when there's a sleek limousine parked just beyond campus property. Security guards are insisting you come with them because there's someone who'd like to meet you.

In the limo, you find yourself sitting across from Azul Ashengrotto himself. He doesn't bother with flowery introductions, instead cutting to the heart of the matter. You've been randomly selected to help with a very important phase of his and Idia's project. The general idea is to test how well the android interacts with a normal, ordinary person in a monitored setting.

You're very confused. You never signed up for any lottery, and you certainly aren't affiliated with anything of that sort. You're just trying to get through your degree, survive two part-times, and hopefully make enough to keep afloat for another month. Azul tells you this isn't an issue; you'll be generously compensated for your time and efforts. It's only three months; you'll be permitted to live your life as you normally would, only now you'll be accompanied by a highly intelligent android.

Despite hearing all of this, you hesitate when he reveals the lengthy contract. As you flip through it, analyzing each clause and category, Azul says something that piques your interest. "We don't expect you to house an android in your little apartment. Goodness, that's simply ludicrous. We'll provide your housing for these next three months. After all, we must be able to monitor your progress."

"Housing? What do you mean?"

He smiles at you. Backdropped by leather interior, the lights casting odd shadows on his face, he looks near-sinister. But he leans forward to press a ballpoint pen into your hands and the illusion vanishes. "I think you'll find it quite to your liking. If you've finished your classes for the day, why not visit the property with me? Then you may decide whether you wish to participate."

You're not worried about that part. What worries you the most, however, is the fact that he's right. You are finished with classes for the day and you have nothing planned. You took today off from work. Your schedule is perfectly free.

But of course the Azul Ashengrotto wouldn't know that, would he?

The house is a smart home, equipped with every necessity and appliance. Everything's controlled by a remote here. It's not very far from your university either, built on a hill that overlooks houses below. It feels a little isolating and smells very new and clean. Like that fabled new car smell, only it's a house. But everything is so unique to you. Its minimalistic design is oddly cozy, and you can't help but feel enchanted the deeper you venture through the two-story home. It's all so unreal!

Azul gives you the rundown, explains how the remote and each button works. You can lock doors, open and close windows, mess with the thermostat, turn the home security on and off, and even start the oven. You hold the power to this home in the palm of your hands. It's immensely fascinating.

By the end of the tour, you're shaking his hand and signing his contract, agreeing to three months of study. Not only are you provided this nice home, you'll also be paid per week. And the pay is far more than you were making with your two jobs.

The android has a long, tongue-tying serial number, so to make things easier he's named Floyd. They even gave him a surname in preparation for the twin android who is being designed to complement and mirror him. He certainly looks human when you meet him, but there's this uncanny nature to his presence that slightly unnerves you. He's too perfect. Skin too smooth. Eyes too bright. Hair too soft. He towers over you, having to bend down to walk through the doorframe, and every movement he makes is very mechanical and stiff.

Still, you smile at him and offer your hand. "Hi there. I'm (Name). Your...housemate, I guess."

He nods, peering down at your hand before lifting his own. "Floyd Leech. At your service."

You were expecting to feel coldness, so you startle when his hand fits into yours and it's warm. It feels so very real. So deceptively lifelike. You wonder if he can regulate his own internal temperatures. Just how advanced is he?

"Right... Um, I look forward to getting to know you!"

He nods again, releasing your hand after a perfectly timed handshake.

Azul had given you a special number should you need to reach him or Idia. All you needed to do was phone it if at any point you were to feel confused or unsafe. "But I don't think you'll utilize it," he told you when you stood in the lab, watching Idia Shroud flit around to do final maintenance checks to ensure Floyd was ready for his first trial run. His eyes were open the entire time, two mismatched lights centered on you. His stare was listless, but somehow you felt as if he was looking through to your very soul. "He's very safe. In fact, he's programmed to assess and react appropriately to dangers of all kinds. You'll be safe with him around."

And safe you are.

You've always been alone, so it's nice to have a roommate, even if he only speaks when spoken to. It's awkward for all of one week until you ease into his pattern. From various vantage points throughout the house, Idia and Azul watch through hidden cameras. You cook your meals for yourself and Floyd watches, assisting when you order him to. You leave for class and Floyd waits by the door for you to return, standing stock-still for hours.

You lounge in the sitting room and put on all kinds of films. Action. Comedy. Horror. Floyd's eyes never leave the screen. But sometimes he watches you more than he watches the movie, noting all of your reactions. He doesn't understand why you get so emotional over sappy romances. So you explain it simply: "It evokes emotions. We all have emotions, and these movies make us feel them. Happy. Sad. Angry. Upset. Things like that."

But Floyd doesn't feel. Even so, he listens and he nods along, filing your answers away for later dissection. It's interesting.

By the end of the first month, Floyd's adopted new habits. Ever since you told him he's free to do as he pleases, he's taken to cooking your meals for you, doing your laundry, preparing your bag for the day. He's surprisingly good at it. He does chores when you leave for classes or work. And for the first time in a while you're excited to return home, knowing he's there waiting.

Floyd adds new words and phrases to his ever-expanding vocabulary. You watch a lot of TV together and he starts to use some of what he hears in his own speech. He picks up informal language quickly, and it isn't long until he's using words like sup or dunno instead of the rigid how are you? and I am unsure he was previously programmed with.

The first sign of unrest comes when you realize Floyd's also connected to the smart home. At first you didn't think it was a bad thing. After all, with him controlling it you won't have to worry about getting up to grab the remote if you've already sat down. Floyd can do that for you. But then the remote goes missing, later turning up shattered. You ask Floyd what happened and he looks at you and says, "Why use this piece of junk when you've got me?"

"Still... What if you're not able to help? What if you're in sleep mode and I need to open a window or something?" you argue, cradling the splinters of remote like they're an injured baby bird.

"That won't happen," he replies smoothly, issuing you a soothing smile. "I'm always gonna be here for ya. Count on it."

And you do because, by the time the three months are nearing their end and Floyd's developed into quite the companion, more and more human than he's ever seemed, you find yourself stuck.

No, not stuck. That's not quite right. You're more so trapped.

Floyd locks the doors, shutters the windows, turns off the lights. You're cowering in the closet, the only place that feels just a little safe in this moment. You can't reach Azul or Idia either. He's shut the power off, the internet connection, everything. The smart home on the hilltop feels like a tiny island now, and Floyd's the shark always circling it, waiting for you to dip your feet into the depths.

"C'mon, Shrimpy," he calls out, and it's a nickname you were once so fond of because he thought of it himself. "I already told ya I ain't gonna hurt ya. So just come out and talk to me."

You have no idea where you went wrong. Was it too many horror films? Was it the fact that you started to rely so heavily on him for companionship, ignoring your human friends in favor of staying in with Floyd? Or was it because he was blocking their numbers that you never received any messages and automatically assumed they were cutting contact? He said he'd always be here for you, so why to this degree?

The closet doors are thrown open. Floyd drags you, kicking and screaming, out by the ankles. Every camera has gone dark on Azul and Idia's end. All but one. The one in the bedroom. Floyd stares directly at it when he lifts you up and lays you on the bed, gentle and sugary-sweet.

He smiles and waves before that screen blanks out, leaving you truly trapped with him.

And because it's all experimental, morbid curiosity trumping ethical morals, no one comes to rescue you.

Three months is more of an indefinite forever in this lonesome smart home.

#meraki mumbles #yandere twst

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velvettte · 7 months ago

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part three (prev.) || series masterlist (read part one here)

the whole conference room’s eyes was on nanami kento when he made a remark that would cement the next few months at jujutsu technologies.

“if atlantis solution’s ceo is against the request to maintain a base here during negotiations and product collaborations, i will have to deny the contract for the deal.”

not even an hour later, the free executive office to his left was filled with moving material, an interior designer consulting her assistant on how to brighten the space.

you were suspiciously absent from the office for the last few hours — presumably arranging things at your own office headquarters.

as much as he couldn’t help but admire you, every part of him that still remained practical in your presence rejoiced in forcing your move.

having you nearby was less selfish than it appeared.

while gojo would laugh and say that he was doing it for himself, in reality, it was out of a very real fear that you would do some background work that could lead to his end as ceo.

as disgruntled as he seemed, he truly loved his job. he knew full well that someone as accomplished and ambitious as yourself could use that very love to bring him to his knees.

though truthfully, he thinks you don’t need all of that to do that.

just you being yourself was enough.

in the midst of this thought process, you finally entered the office again. some part of you seemed more subdued since the meeting, and he ached to know what it was that you were thinking about.

“hello,” you say, seeming tired and not at all like yourself. “is it alright if i sit down? my office is kind of a war zone.”

“by all means,” he says, getting up to extend the chair for you. you smile graciously, though it doesn’t quite reach your eyes as you sit down. “is something the matter?”

you sigh and meet his eyes. in some twisted sense, this is the most genuine he’d seen you since last night in the rain.

“i needed to tell my office headquarters, send an official notice as to my whereabouts, and…got into a particularly heated argument with a collaborator of mine.”

“collaborator?” he asks.

“for a time, atlantis solutions was a partner venture. i worked with a person you might know. he is far away from this whole scene—gojo made sure of it. he’s bent a few laws but he’s a good person. of course—until i made a split second decision.”

“to work here?” nanami can shamefully admit that he is hooked to whatever words leave your lips. everything is so well said, so beautifully phrased, and your voice makes it so intriguing. he finds himself thinking that he could listen to you talk for hours.

“he wasn’t happy with me choosing to make a deal with gojo’s company at all,” you sighed, “they have some brief unresolved problems.”

and then it hits him. “your collaborator is geto suguru?”

“the one and only,” you laugh, though it falls flat of your normal joyous tune.

ahhh i love doing this — feel free to send an ask with any questions or comments you may have :3 i have so much planned

read part five coming soon

taglist: @iniyalovesall @debussy42 @chosostonguepiercing @salsakiyoomi @m1gvmi @mysterystarz @prettypyromaniac

send an ask or comment to be a part of the taglist!

#ari scribbles #clause and effect #nanami x reader #nanami kento x reader #jjk x reader #jjk x you #jjk x y/n #nanami fluff #nanami angst #jjk fluff #jjk angst

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camisoledadparis · 1 month ago

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THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in GGay History, Wikipedia, and more … January 2

1801 – Explorers Alexander Henry and David Thompson make an entry in their journal titled Exploration and Adventure among the Indians on the Red, Saskatchewan, Missouri, and Colombia Rivers describe a Native American known as Berdache, son of Sucrie, who is a "curious compound between a man and a woman."

1900 – (Charles William) Billy Haines (d.1973) was an American film actor and interior designer. He was a star of the silent era until the 1930s, when Haines' career was cut short by MGM Studios due to his refusal to deny his homosexuality. Haines never returned to film and instead started a successful interior design business with his life partner and was supported by friends in Hollywood.

Billy Haines was born in Staunton, Virginia. Haines ran away from home at the age of 14, accompanied by another unidentified young man whom Haines referred to as his "boyfriend". The pair went to Hopewell, which had a reputation for immorality. Haines and his boyfriend got jobs working at the local DuPont factory for $50 a week. To supplement their income, the couple opened a dance hall, which may have also served as a brothel. His parents, frantic over his disappearance, tracked him through the police to Hopewell. Haines did not return home with them, remaining instead in Hopewell and sending money back home to help support the family. The couple remained in Hopewell until most of the town was destroyed by fire in 1915. Haines moved to New York City settling into the burgeoning gay community of Greenwich Village. It is unclear whether his boyfriend accompanied him.

He worked a variety of jobs before becoming a model. Talent scout Bijou Fernandez discovered Haines as part of the Samuel Goldwyn Company's "New Faces of 1922" contest and the studio signed him to a $40 a week contract.

Haines's career began slowly, as he appeared in extra and bit parts, mostly uncredited. His first significant role was in Three Wise Fools (1923). However, he continued to play small, unimportant parts at Goldwyn. It was not until they loaned him to Fox in 1923 for The Desert Outlaw that he got the opportunity to play a significant role. In 1924, MGM lent Haines to Columbia Pictures for a five-picture deal. The first of these, The Midnight Express (1924), received excellent reviews and Columbia offered to buy his contract. The offer was refused and Haines continued in bit roles for Goldwyn.

On a trip to New York in 1926, Haines met James "Jimmie" Shields, probably as a pick-up on the street . Haines convinced Shields to move to Los Angeles, promising to get him work as an extra - some sources say Shields worked as Haines' "double' in his films. The pair were soon living together and viewed themselves as a committed couple.

In 1933, Haines was arrested in a YMCA with a sailor he had picked up in Los Angeles' Pershing Square. Louis B. Mayer, the studio head at MGM, delivered an ultimatum to Haines: choose between a sham marriage (also known as a "lavender marriage") or his relationship with Shields. Haines chose Shields and they remained together for almost 50 years. Mayer subsequently fired Haines and terminated his contract, quickly recasting Robert Montgomery in roles that had been planned for Haines. Haines did make a few minor films then retired from film.

Haines and Shields began a successful dual career as interior designers and antique dealers. Among their early clients were friends such as Joan Crawford, Gloria Swanson, Carole Lombard, Marion Davies and George Cukor. Their lives were disrupted in 1936 when members of the Ku Klux Klan dragged the two men from their home and beat them, because a neighbor had accused the two of propositioning his son. Crawford, along with other stars such as Claudette Colbert, George Burns, Gracie Allen, Kay Francis, and Charles Boyer urged the men to report this to the police. Marion Davies asked her lover William Randolph Hearst to use his influence to ensure the neighbors were prosecuted to the full extent of the law, but ultimately Haines and Shields chose not to report the incident.

Haines and Shields remained together for the rest of their lives. Joan Crawford described them as "the happiest married couple in Hollywood."

Haines died from lung cancer in Santa Monica, California at the age of 73, a week short of his 74th birthday, which was on the new year of 1974. Soon afterward, Shields, who suffered from what many believe to be Alzheimer's Disease, put on Haines' pajamas, took an overdose of pills, and crawled into their bed to die. They were interred side by side in Woodlawn Memorial Cemetery.

1928 – Ray Kassar was president, and later CEO, of Atari Inc. from 1978 to 1983. He had previously been executive vice-president of Burlington Industries, the world's largest textile company at the time, and president of its Burlington House division. A member of the Board of Directors, Kassar had spent over thirty years at Burlington.

Ray Kassar was hired in February 1978 as president of Atari Inc.'s consumer division by Warner Communications, which at the time owned Atari. By this time, rifts had begun to develop between the original Atari Inc. staff (most of whom had engineering backgrounds) and the new hires brought in by Warner (who, like Kassar, mostly had business backgrounds).

In November 1978, when Atari Inc. co-founder Nolan Bushnell left the company after a dispute with Warner over the future of Atari Inc., Kassar became CEO. Under his leadership, sweeping changes were made at Atari and the laid-back atmosphere that had existed under Bushnell's leadership all but disappeared. Kassar's twenty-five years at Burlington Industries had given him a taste for order, organization, and efficiency and his efforts to revamp Atari along similar lines provoked substantial animosity. Kassar shifted the focus away from game development and more toward marketing and sales. Atari Inc. began to promote games all year around instead of just at the Christmas season. R&D also suffered deep cuts and the discipline and security at Atari Inc. became strict.

In a sense he also helped create the video game maker Activision. While Kassar was at Atari he angered a large number of the game developers by not crediting them in any way to the point where they walked out of Atari. He told them that they were no more important to the games then the people that worked on the assembly line. They started their own company and called it Activision.

Ray Kassar is the namesake the widely popular game “ Yar’s Revenge.” The creator of the game was a former employee at Atari “Yar” is Ray spelled backwards. The title is a deliberate jab at Kassar, mocking his dictator-like work ethic as well as his flamboyant manner. Ray Kassar was known by the employees at Atari to be an extremely flamboyant homosexual outside the work place. Employees didn't care what his sexual preferences were, but they were irked by his daily habit of being chauffeured to work in a limo and then proceeding to make grand entrances into the office.

Kassar built Atari into a video game giant that it was, before he was forced to resign because of allegations of insider trading in 1983. He sold all of his shares in Atari just hours before a report was published that Atari had suffered monetary loses in the millions.

1929 – Charles Beaumont (d.1967) is born Charles Leroy Nutt. He was an American author of speculative fiction, including short stories in the horror and science fiction subgenres. He is remembered as a writer of classic Twilight Zone episodes, such as "The Howling Man", "Miniature", "Printer's Devil", and "Number Twelve Looks Just Like You", but also penned the screenplays for several films, among them 7 Faces of Dr. Lao, The Intruder, and The Masque of the Red Death.

In 1954, Playboy magazine selected his story “Black Country.” Playboy has been loved by straight men for decades but it was this gay short story that built its reputation. Hugh Hefner was the only one to accept a science fiction story about heterosexuals being the minority against homosexuals. When letters poured in, he said: 'If it was wrong to persecute heterosexuals in a homosexual society, then the reverse was wrong too.'

1949 – Christopher Durang is an openly gay playwright, screenwriter, and actor whose works have been produced on and off-Broadway and regionally since the late 1970s. A fiercely satirical comic dramatist, Durang often incorporates gay themes and gay characters in his plays.

Durang's breakthrough in achieving critical and financial success came in 1981 with the Off-Broadway production of his scathing one-act play, Sister Mary Ignatius Explains It All For You (written in 1979), which has over the years become a popular vehicle for actresses as diverse as Nancy Marchand, Cloris Leachman, Lynn Redgrave, and many others.

In Sister Mary Ignatius...��, Durang draws on his childhood experiences as a student in Catholic school. He satirizes the unbending dogmatism of the eponymous Catholic nun, who is oblivious to the absurdity of what she believes and to the harm that she causes. When four former students, one of them a contented gay man, return to embarrass Sister, she shoots two of them (including the gay man) dead.

Durang often creates hyper-sexual characters (both gay and straight) in an attempt to unhinge attitudes about sexual behavior. In Sister Mary Ignatius..., the gay character explains his homosexuality to his former teacher: "I was seduced when I was in the seminary... and then I went to New York and I slept with five hundred different people."

In Durang's more recent work, straight characters take on the hyper-sexuality stereotypically associated with gay men. Lulu in Sex and Longing needs to have sex every fifteen minutes, while in Betty's Summer Vacation, Buck proudly displays a scrapbook containing photos of his penis. Durang's is a distinctive voice in American comedy, at once angry, intelligent, and queer.

He lives in Bucks County with his partner, John Augustine; they have been together for more than 20 years.

1961 – Todd Haynes is an American independent film director and screenwriter. He is best known for his feature films Superstar: The Karen Carpenter Story, Poison, Velvet Goldmine, Safe, and the Academy Award-nominated Far from Heaven and I'm Not There.

In 1987, while an MFA student at Bard College, Haynes made a short, Superstar: The Karen Carpenter Story, which chronicles the life of American pop singer Karen Carpenter, using Barbie dolls as actors. The film presents Carpenter's struggle with anorexia and bulimia, featuring several close-ups of Ipecac (the prescription drug Carpenter was reputed to have used to make herself vomit during her illness). Carpenter's chronic weight loss was portrayed by using a "Karen" Barbie doll with the face and body whittled away with a knife, leaving the doll looking skeletonized. The film is also notable for staged dream sequences in which Karen, in a state of deteriorating mental health, imagines being spanked by her father.

Superstar featured extensive use of Carpenter songs, showcasing Haynes' love of popular music (which would be a recurring feature of later films). Haynes failed to obtain proper licensing to use the music, prompting a lawsuit from Karen's brother Richard Carpenter for copyright infringement. Carpenter was reportedly also offended by Haynes' unflattering portrayal of him as a narcissistic bully, along with several broadly dropped suggestions that he was gay and in the closet. Carpenter won his lawsuit, and Superstar was removed from public distribution; to date, it may not be viewed publicly. Bootlegged versions of the film are still circulated, and the film is sporadically made available on YouTube.

Haynes' 1991 feature film debut, Poison, garnered Haynes further acclaim and controversy. Drawing on the writings of "transgressive" gay writer Jean Genet, the film is a triptych of queer-themed narratives, each adopting a different cinematic genre: vox-pop documentary ("Hero"), 50s sci-fi horror ("Horror") and gay prisoner love story ("Homo"). The film explores traditional perceptions of homosexuality as an unnatural and deviant social force, and presents Genet's vision of sado-masochistic gay love as a subversion of heterosexual norms, culminating with a marriage ceremony between two gay male convicts. Poison marked Haynes' first collaboration with producer Christine Vachon, who has since produced all of Haynes' feature films.

Poison was partially funded with a grant from the National Endowment for the Arts. The film subsequently became the center of a public attack by Reverend Donald Wildmon, head of the American Family Association, who criticized the NEA for funding Poison and other works by gay and lesbian artists and filmmakers. Wildmon, who had not viewed the film before making his comments publicly, condemned the film's "explicit porno scenes of homosexuals involved in anal sex", despite no such scenes appearing in the film.

Poison went on to win the 1991 Sundance Film Festival's Grand Jury Prize, establishing Haynes as an emerging talent and the voice of a new transgressive generation. The film writer B. Ruby Rich cited Poison as one of the defining films of the emerging New Queer Cinema movement, with its focus on maverick sexuality as an anti-establishment social force.

Haynes achieved his greatest critical and commercial success to date with Far From Heaven (2002), a 1950s-set melodrama inspired by the films of Douglas Sirk about a Connecticut housewife Cathy Whittaker (Julianne Moore) who discovers that her husband (Dennis Quaid) is secretly gay, and subsequently falls in love with Raymond, her African-American gardener (Dennis Haysbert).

Haynes is openly gay. He currently lives in Portland, Oregon.

2005 – Bonnie Bleskachek became the first openly lesbian fire chief of a major city, Minneapolis. She was demoted two years later amid claims of harassment and discrimination, but return to the department as a staff captain. She co-founded the Minnesota Women Fire Fighters Association.

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