#instead of creating things

[skinnypaleangryperson]

This is just strange creepy old woman autistic nostalgia that I'm posting about with no particular point, but I've literally been so nostalgic and reflective over the past week ever since I've seen the second movie have had it left a significant impact on me.

I had never seen the amount of love and connection in my entire life happen so quickly with the first one (and I've been on this app since I was about 11 years old, and like most Americans I am obnoxiously aware of the phases that we have gone through as a country with media consumption) when the first Joker movie came out. For a movie that was about so much pain and wretchedness, I literally gained, and I'm not exaggerating, over a thousand followers literally overnight just for posting a bunch of crappy posts about how much I loved Arthur. A lot of other people did too, and every single post had several hundred to over a thousand notes within literally just a few hours. There was a new post or fanfiction that was made literally every 5 seconds, and I'm not exaggerating. I remember waking up in the morning after sleeping for even just 6 hours and I woke up to at least 30 different posts of new fanfictions, all very passionately written, literally just over the past 6 hours.

No matter what literally anybody says about the movies, that kind of love and magic is so rare that's sometimes I almost feel like I hallucinated the whole thing. Because it was almost too good to be true. I've literally never seen that kind of community come together like that in my life, and I might not ever again. I know it is not the same this time around, but God, the fact that I even had that kind of experience of so many invisible sad neglected tormented people coming together over something like that literally overnight, it's the kind of magic that I am quite a literally going to keep with me forever (considering I got a tattoo).

[aurumacadicus]

I don't have the words for this but. Art and science are always hand in hand.

The perfectionism of artists has them researching stuff in a way that only scientists can compare. Some artists become experts in biology or anatomy. Other special interests have them going down rabbit holes to make them better at their art.

Disney animators said "we are perfecting the code for this snow if it kills us" and researched and invented code until it acted like real snow in Frozen and snow scientists were like hey. Did we just fucking solve the Dyatlov Pass mystery. And the animators answered no. We made snow. YOU applied the knowledge and did the experiments to solve what could have happened at Dyatlov Pass.

And it was a team effort because of course it was. You can't have art without science. And you can't have science without art.

[rocketbirdie]

fateful encounter

[simkoos]

needed some fresh uni students for my current save and got a little carried away 🥴🤎

from left to right;

milan, latisha, asia, jerrod, demi, maegan, brooks, & shawna

[yourlocalabomination]

This is Hatchetfield, People go missing everyday!

[fleursdesmorts]

every year people get angry when ao3 requests donations but honestly in a world where almost all spaces online are slowly being eaten by corporations which censor the content on those sites, having a fan-run fan-sponsored place where people can create gay art without fear is great

[hyakunana]

Pocky Valen when?

[aroaceleovaldez]

underappreciated Nico detail that I like - he seems to be an angry crier! very frequently he's angry when he cries and he cries when he's extremely angry. very AuDHD of him. emotional regulation sucks my guy and he's just going through it.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[shiraishi--kanade]

"It's so embarrassing to admit I only create art for validation" did paleolithic humans not paint for other humans to see. Does a child making their first drawing to show their parents makes it any less valuable. Do gardens arranged for the visitors' eyes make the roses any less beautiful. Do love poems written for one person alone to hear make your heart ache less. You're fine

[hikarry]

So, I was rewatching season 1 and got stuck in that scene between Shadwell and Aziraphale in the bookshop.

What if Aziraphale never stepped into the circle? What if the fire never really happened?

Imagine:

Shadwell is lost in his shenanigans, ready to banish Aziraphale to whatever place witchfinders banish witches, and Aziraphale is slowly walking backward.

"Oh, but this is utterly ridiculous." He stops on his tracks, looking Shadwell in the eye. "I'm sorry, good man, but I have no time for whatever silliness is happening right now. If you don't mind, I have an Armageddon to stop." Aziraphale snaps his fingers, and Shadwell disappears, reapearing a few streets over at the other side of Soho. There surely he wouldn't get in the way.

Careful not to step on the active circle, Aziraphale leaves the bookshop and flags down the first cab he sees. The driver stops right in front of the bookshop, and he gets in, giving him Crowley's address in Mayfair.

The last time he called, the demon was home, so that's exactly where Aziraphale hoped he remained. With a bit of luck, he hadn't left for Alpha Centauri... Now that he thought about it, he mentioned having an old friend over? As far as he knew, he himself was the only friend Crowley had, so that statmebt now sounded like a load of nonsense. But whatever. He just needed to speak with Crowley, old friend present or not. Heaven clearly wanted the war to happen, and he had been naive to think they would see reason. The only chance the Earth had of surviving now was the angel and Crowley. He could only pray it wasn't too late and Crowley wasn't gone. He knew where the Anti-Christ was, after all. They could stop this!

When the cab stopped on the street of Crowley's building, Aziraphale paid his fare and threw a quick blessing in the driver's direction for his speed and efficiency before crossing the street and entering the complex.

He had been to Crowley's flat once or twice in the last 20 years. All he had to do was go through the entrance, get on the lift to the last floor, and walk down the corridor towards the last door. And that's exactly what he did, always fiddling with his fingers in a show of the nervous energy that seemed to take over him. They were running out of time. The end of the world would occur any minute now, and Crowley needed to be home. They still had to drive all the way to Tadfield's airbase, and the clock was tickling rather ominously inside his head.

Finally in front of the door to Crowley's flat, he knocked. A few seconds passed with no response, and he decided to knock again, stronger now, but he got exactly the same result.

Aziraphale looked around the hallway, taking a deep breath and smoothing his waistcoat, considering his options.

"Crowley?" He ended up knocking again. "Crowley, we need to talk!" Silence. "I know you're cross with me after our last conversation, but you were right. I talked to the Metatron. And they want the war. As I told you on the phone, I know where the antichrist is, and it would be very nice of you if you opened the door so we could get a wiggle on and stop the Apocalypse." Once again, he was met with silence.

Was it possible? Did Crowley actually leave for Alpha Centauri? He was here minutes ago! He couldn't have left already, right?

Oh, bless it all. He wasn't going to waste any more time.

With a final deep breath, Aziraphale snapped his fingers, and the door unlocked. He opened it slightly, peering inside.

"Crowley? I'm sorry If I'm intruding but this matter is rather urgent." All he got in return was silence. Not a single noise from the demon himself or the so called old friend.

He pushed the remainder of the door open and stepped inside, silently closing it behind him. He looked at the living room, but it was empty of any living soul, apart from the plants on the far wall.

"Crowley?"

Aziraphale called again, now walking towards the office to the left. The door was slightly ajar already, so he spied inside. It looked empty, but he walked in regardless, almost stepping on a pile of goo right there in front of the floor.

"What the...?" He looked down, stepping over the weird substance.

It smelled weirdly of sulfur and...was that Holy Water?

His head snapped to the desk, where he found the thermos he had given Crowley back in the 60s, the cap unscrewed by its side.

Suddenly, he felt his heart stop, and his veins turn into ice. His body gave an involuntary step back away from the smudge, his back hitting the throne as he lifted a now trembling hand to cover his mouth.

No. This couldn't be happening. He would-! Crowley certainly wouldnt-!

A sob escaped his throat as his whole body started shaking.

Oh lord. This was a nightmare. It could only be a nightmare. This wasn't real. Couldn't possibly be real.

Oh Crowley...

Aziraphale's legs failed him, and he ended up on the floor, back leaning against the side of the ridiculous throne Crowley liked so much. Not that he would like anything ever again because he was gone. Crowley was gone. And it was Aziraphale's fault. He was the one who gave him the cursed thermos against his better judgment. And now all his fears were laid bare right in front of his eyes.

Another sob escaped him and he let the heartache take charge, spilling warm tears down his cheeks.

Crowley was gone. The Apocalypse was coming and Crowley was gone. Not to Alpha Centauri but actually gone. Utterly destroyed. And all that remained of his best friend was an unidentifiable goo. Not a trace of Crowley remained.

He hugged himself, hanging his head low, letting the tears fall on his crossed arms and allowing the wretched sobs to take over. He couldn't bear to look at it a second longer. The smell of sulfur and Holy Water was starting to get nauseating.

Well, contrary to popular belief, Crowley was actually very much alive, speeding through the streets on London in the direction of the bookshop. He parked in his usual place and snapped his finger to open the doors of the building.

"Aziraphale?" He looked around, quickly spotting the active circle. Lifting an eyebrow above his sunglasses, he carefully walked towards it, still searching for any trace of the angel. "Aziraphale, are you here?"

The circle was still active with holy energy, so no one had actually stepped through it, and Aziraphale was clearly not in the bookshop, so where could he possibly be?

With a sigh, Crowley turned around and went back to the Bentley. He drove around Soho for a bit, trying to spot some blond curls in the crowd but falling short of success.

"Aziraphale, where the bloody hell are you?" He muttered to himself, carefully scanning the streets, until he gave up, changing his course back to Mayfair.

He needed to regroup. Without knowing where Aziraphale was and without the information on the antichrist he apparently had, Crowley needed to think.

He made his way back to his flat without paying much attention. When he noticed, he was already unlocking the door with his key and stepping inside. And, as soon as he did so, he heard it. Sobs coming from the office. That was...bizarre. Could it be Hastur? Had he figured out a way to leave the answering machine, and now he was crying over Ligur? Crowley almost laughed at himself with such a thought. Hastur? Crying? Now, that would be a sight he would pay to see.

Still, in the name of caution, he slowly made his way to the office, trying to be as silent as possible, when he quickly spotted the angel he had been looking for throught the wide open door, sitting on the floor besides the throne, arms around himself and face hidden while his whole body shook and heartbreaking sobs escaped his vocal chords.

Carefully and confused, he approached, stopping short of the door.

"...Angel?"

Aziraphale's head snapped up, staring at him with wide eyes, his face marked by tears.

"...Crowley?"

"Yeah." He slowly walked his way to the angel, careful not to step on Ligur, squatting in front of him. "Are you alright? What happened?"

He was still staring at him with clear confusing in his eyes, opening and closing his mouth repeatedly until he finally appeared to have found his voice again:

"You-! The-!" Aziraphale's body trembled, looking over Crowley's shoulder and then back at the demon. "You...you're gone!"

Crowley raised an eyebrow, clearly confused.

"I just went to the bookshop searching for you, but when I arrived you weren't there already." Aziraphale shook his head, some more tears escaping his eyes along with a single sob. "Hey, hey." Crowley placed his hands on his shoulders, squeezing them. "What's-?" And then that's when it suddenly clicked inside his head. He looked up at the empty thermos on his desk and back over his shoulder to what remained of Ligur. "Oh, Aziraphale. No, no, no." His hands moved up to Aziraphale's face, forcing him to look up at him, his thumb brushing away some of the new tears running down his face. It burned considerably; angel tears were holy water after all, but right now, that wasn't his focus. "That's Ligur. I used the holy water to make a trap for him and Hastur when they came to take me." He brushes his thumb through Aziraphale's trembling lips, leaning in closer. "That's not me, angel. I'm alright."

Aziraphale sniffed, trying to regain control of himself, but failing miserably.

"I-I thought you were dead. I thought you had used the Holy Water. I thought-"

"Shhh." Crowley wrapped his arms around the angel, leaning his face against his, pulling him into an embrace. They had never hugged before, so it felt a bit strange. Awkward even. "I'm right here. That's not me." The angel grabbed handfuls of his shirt and pulled him closer, burying his face on the crook of his neck, taking deep breaths. "Yeah, that's it. Breathe." He ran his hand through his curls, trying to soothe him. "Everything is alright. I'm right here."

After a while, Aziraphale finally calmed down and moved away, just enough to be able to look at Crowley's face. For a moment or two, they just stared at each other. Aziraphale's red rimmed blue eyes looking right at Crowley's yellow ones; his sunglasses had ended up on his head at some point. The angel's eyes slipped down to the demon's lips for a second and Crowley's licked them involuntarily, before his gaze went back to his eyes.

"You were right." Crowley tilted his head in confusion. "I talked to the Metraton. They want the war to happen...The Anti-Christ..." Aziraphale mumbled those last words.

"Right." Crowley stared down at Aziraphale for a couple more seconds before getting up, offering his hand to the angel to help him do the same. "You said you knew where he was?"

[poorly-drawn-mdzs]

Round and round, In circles we go.

[First] Prev <–-> Next

[finzphoenix]

"I would have you by my side in Menzoberranzan."

Minthara and Kalius sharing an intimate moment above the lights of Menzoberranzan city, commissioned by @ilikedetectives!🖤🤍 Their inwoven braids representing the bond of marriage; symbolising memories, fate, and someone's personality/essence.

Kalius, OC © ilikedetectives

Minthara © Larian Studios

Art © FinzPhoenix

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[sepdet]

I bet more people will understand this comment on Tumblr than did on YouTube

(Although one might substitute "Edison" to cover the ways in which they differ)