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firelxdykatara · 4 years ago

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gods, ok, apparently i’m not done.

atla fandom? we need to have a chat.

(....ok that made me sound pretentious as fuck. and maybe i am, but this needs to be said, cause i’m getting....real, real tired of a Certain Corner of this fandom and as a result, this is gonna be a discourse-heavy post so feel free to scroll past if that’s not your bag. as always, my salt posts all carry the catch-all #salt for ts tag, which you’re free to blacklist/filter at your leisure. i’m Very Annoyed at the moment, which will probably come through in the following post, so just. yknow. be prepared for that. or ignore it, that’s perfectly valid too.)

under a cut bc i do care for my followers and their sanity i swear lmao

there’s a real serious issue in this fandom with not understanding what queer terminology actually means or implies, especially when applied to a fictional narrative.

i’m specifically talking about ‘coding’, here. (if i were in a more meme-y mood, i might have said ‘the atla fandom found out about the term “gay-coding” and haven’t shut up since’.)

to the people who say ‘zuko is gay-coded’, i have this to say: you keep using that word. i do not think it means what you think it means. because he isn’t. i’m sorry, but he’s not! and the fact that this is such a prevalent claim in this fandom is distressing, bc it says to me that none of y’all know what gay-coding is or when and how to apply it! please, i’m begging you, go and look up these terms and what they mean and when they should be used before actually trying to plug them into your critical analysis, because when you misuse them and then call other people delusional for disagreeing with you it casts a pall over the entire fandom and is, i think, the root of some of the worst toxicity this fandom has to offer.

and the thing is, there are cases where gay-coding would apply--for instance, a couple series that are famous for queerbaiting their audience by coding their main characters as being attracted to one another (sometimes even despite their openly stated sexualities) come to mind, but those shows bare no similarities at all to atla and how zuko was written and portrayed! (and it would be funny, if it weren’t so obnoxious and infuriatingly wide-spread throughout the fandom, because the only queer couple we actually seen on-screen in either show wasn’t even queer-coded in any respect, and they’re canonically bi! [yes, i’m shading korrasami, or more accurately i’m shading bryke for refusing to give ka the build-up and development they deserved].)

this absolutely isn’t to say that headcanoning zuko as gay is a bad thing or invalid in any respect. (although the tendency for zukka shippers to do this specifically to keep zuko away from katara and/or invalidate his canon relationship/attraction to girls is more than a little eyebrow raising. especially since sokka is usually allowed to be bi, bc fans have no problem letting sukka stay in the background bc it’s no real threat, while jetko shippers are happy to have both boys be bi. [possibly bc katara is less a threat to jetko bc jetkotara is every bit as valid as any single ship between the three, but zukka can’t exactly let katara join in, and if the potential exists for zuko to be attracted to her then canon giving them the far deeper emotional bond becomes a threat to zukka’s existence? idk for sure--you be the judge.]) i prefer to hc zuko as bi (and always have, long before the atla renaissance), bc i don’t think zuko being attracted to boys is outside the realm of possibility, and it isn’t a threat to my ship since zuko&katara had a deep and emotional bond in canon that is very easy to develop further into something that becomes explicitly romantic--but the headcanon itself isn’t really the problem (although what it’s often in service to can be).

it’s the strange insistence that this is the only way to read his character, bc he was coded that way and so anyone who doesn’t see it must be too straight to understand--and i really shouldn’t have to say why and how that is so incredibly fucking insulting. (the ‘hetero lenses’ comment wasn’t cute when it came from bryke six years ago, and the same sentiment being repackaged and delivered by zukka shippers ain’t cute now.)

calling zuko gay-coded not only demonstrates ignorance as to what the term actually means, and how to usefully apply it in critical analysis, but also validates the frankly bullshit insertion of institutionalized homophobia in the world of atla where it was neither needed, nor wanted, nor ever hinted at in canon. as a queer woman i’m still infuriated by one fucking comic panel shoving institutionalized and systemic homophobia into a world where it was entirely unnecessary (and doing this in the first installment of the franchise showcasing a queer relationship??? making korra and asami worried about ‘coming out’ when they could have just gone on to have cute adventures together and tell people ‘hey we’re dating’ and have everyone else be ‘that’s awesome =DDD’ [because it is, in fact, possible to just have a world without homophobia i promise!!!!!] double yikes, i’m still pissed at bryke about it), and i doubly hate that ‘zuko is gay coded’ has become so widespread that ‘ozai hates him bc he’s gay’ has become a staple in that part of the fandom.

not only does making zuko gay and implying (or outright stating) that ozai hated and abused him because of it completely undermine zuko’s character arc by making his abuse about his sexuality rather than ozai’s toxic pride and anger at seeing himself reflected in his ‘weak’ son, but it comes very close to outright stating that abuse and trauma are inherently gay experiences, and they aren’t!!! they really aren’t, i promise!!!

abuse and trauma narratives exist outside of ‘my dad hates me because i’m gay’. and, quite frankly, there are MORE THAN ENOUGH queer trauma narratives out in the world. we do not need to start trying to retroactively make them canon in a series where they didn’t exist! if you’re gay and see yourself in zuko and project your own experiences on him, that’s understandable and valid. that does not make zuko gay-coded. and honestly, the insistence that he is makes very little sense to me, because you’re essentially trying to give the show credit for work you put into interpreting the characters! why would you want to do that? why not own your own headcanons and take credit for them, rather than insisting they are canon and everyone else is wrong for not seeing them??? like, i’ve said before that i’ve always headcanoned zuko (and katara) as bi, and even support it with my interpretations of evidence from the show, but the difference between ‘i think zuko is bi’ and ‘zuko is definitely gay-coded’ is that i know that bi zuko is my interpretation of canon, and that it is work i’m putting into the show that wasn’t actually intended by the creators/writers, no matter how much sexual tension i read into the jetko swordfight.

and like, zuko’s character arc doesn’t actually parallel a queer one all that well to begin with. it’s easy enough to do the work and twist it sideways just enough to make the general points fit, but the fact is, zuko’s arc is not one of self-discovery. it’s not one of coming to understand something fundamental about himself that he can’t change, that he was hated for, and coming out to his father in a dramatic confrontation where he shows that he understands himself and doesn’t need his father’s acceptance to be fulfilled.

zuko’s arc is actually one of trauma and healing. and those can (and often are--like i said, there are more than enough queer trauma narratives in the world, atla really doesn’t need to be one of them) be part of queer narratives, for sure! but they aren’t uniquely queer. and zuko’s confrontation with ozai during the eclipse doesn’t read like a ‘coming out’ at all. (yes, i’ve seen that post. yes, i rolled my eyes and moved on, bc unlike some people, i’m capable of not clowning on correctly tagged posts i disagree with.) zuko is specifically confronting ozai over his abuse, because his arc wasn’t about discovering anything fundamental about himself (and therefore realizing that ozai was hating him for something he couldn’t change)--it was about realizing that he was not at fault for the way his father treated him. it was also about realizing that the fire nation was broken and corrupt at its core, and that his father was an aspect of that he needed to break away from so that he could help the world begin to heal.

he says it himself:

Zuko: No, I've learned everything! And I've had to learn it on my own! Growing up, we were taught that the Fire Nation was the greatest civilization in history. And somehow, the War was our way of sharing our greatness with the rest of the world. What an amazing lie that was. The people of the world are terrified by the Fire Nation. They don't see our greatness. They hate us! And we deserve it! We've created an era of fear in the world. And if we don't want the world to destroy itself, we need to replace it with an era of peace and kindness.

making this about zuko being gay and rejecting ozai’s homophobia, rather than zuko learning fundamental truths about the world and about his home and about how there was something deeply wrong with his nation that needed to be fixed in order for the world to heal (and, no, ‘homophobia’ is not the answer to ‘what is wrong with the fire nation’, i’m still fucking pissed at bryke about that), misses the entire point of his character arc. this is the culmination of zuko realizing that he should never have had to earn his father’s love, because that should have been unconditional from the start. this is zuko realizing that he was not at fault for his father’s abuse--that speaking out of turn in a war meeting in no way justified fighting a duel with a child.

is that first realization (that a parent’s love should be unconditional, and if it isn’t, then that is the parent’s fault and not the child’s) something that queer kids in homophobic households/families can relate to? of course it is. but it’s also something that every other abused kid, straight kids and even queer kids who were abused for other reasons before they even knew they were anything other than cishet, can relate to as well. in that respect, it is not a uniquely queer experience, nor is it a uniquely queer story, and zuko not being attracted to girls (which is what a lot of it seems to boil down to, at the end of the day--cutting down zuko’s potential ships so that only zukka and a few far more niche ships are left standing) is not necessary to his character arc. nor does it particularly make sense.

(and before anyone brings up his date with jin--a) he enjoyed it when she kissed him, and b) he was a traumatized, abused child going out on a first date. of course he was fucking awkward. have you ever met a teenage boy????)

anyway, uh, that was a lot of words, so have a tl;dr: zuko is not gay-coded. there is nothing uniquely gay (or even uniquely queer) about his character arc or characterization, and he was certainly not coded gay in an attempt to sneak a queer character past the censors. if anyone involved with atla was gonna try that, it would’ve been in lok, and as established, they didn’t even manage to queer-code the actual queer relationship before the last few minutes of the final episode. headcanoning zuko as gay is absolutely fine (though if it’s only done to keep him away from female characters he may otherwise be attracted to, that smells more like misogyny than anything else), but insisting that this reading is the only one that makes sense, and anyone who doesn’t agree must be straight (hello, queer woman here making this insanely long thinkpiece) is very much not.

ship what you like, but stop trying to invalidate other ships and other interpretations of characters just to make your ship seem more plausible. it’s really not a good look.

#atla #zuko #zukka salt #more like zukka shipper salt #atla fandom salt #salt for ts #zuko is not gay coded and im so so tired of seeing that argument in this fandom #it's fine as a hc but it's not canon and was never remotely intended and his arc isn't particularly evocative of a gay narrative #long post #queer things

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kindahoping4forever · 3 years ago

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2021 Writing Self Evaluation

Thanks to Jess (@daydadahlias) for thinking to tag me for this!

1. Number of stories posted

15 (more than I expected tbh, given the year I had smh)

2. Word count posted for the year

84,210 solo, 109,210 counting my collab with Cass

3. Fandoms I wrote for

5SOS

4. Main pairings

Ashton/You (13), Calum/You (2)

(I struggled what to call these pairings lol. I absolutely hate calling my stories 'reader insert' or "yn" fic just because I choose to write in 2nd person - I work hard to make all of my POV characters and relationships defined and different from story to story! But Ashton/Original Reader Character sounded pretentious so idk what to call it smh 😂🥸)

5. Story with the most kudos/bookmarks/comments

My 2021 output isn't entirely on AO3 yet so of what I do have posted there, Come In With The Rain takes the prize. On Tumblr, the honor goes to either Feedback or Don't Wanna Wait On It. (Feedback has the higher note count but was posted at the height of the staff bot era so I'm sure the count is greatly inflated so I always take that number with a grain of salt 👀😅)

6. Work I'm most proud of (and why)

Honestly I could put a few different stories here, without sounding too cocky, I genuinely feel like I wrote some beautiful stories this year. But the one I keep coming back to, the one I think might actually be my favorite of all time is Come In With The Rain. It feels the closest to what I saw in my mind when I envisioned writing it and it's the story that I think most accurately conveys the emotions I wanted to make my readers feel. (Like a cozy clown deeply in love 😌) I'm also ridiculously proud of When The Sun Came Up, my collab with Cass, I think we crafted a story that was equal parts thoughtful, heartbreaking and sexy.

7. Work I'm least proud of (and why)

I truly did love everything I posted this year. If I have to pick something for this question, I'd probably go with my most recent, Threw Out Our Cloaks & Daggers Because It's Morning Now. It sets the stage for an arc I've been wrestling to write for almost a year now and while I feel like it's a necessary piece of the puzzle, I'm still not sure how effective it is as a standalone or if it feels like it truly belongs in my Gardener Ash series. I struggled to write it for months and ended up combining it with another fic I had completed but abandoned because I felt it was lacking. It mostly works and I think when I finish the rest of the arc, I'll appreciate it more but for right now, I feel like I could've done better, even if I'm not sure how. (It also flopped which shouldn't skew my view of it but it does tbh 😬)

8. Share or describe a favorite review you received

Comments and reviews matter so fucking much to me, you guys. I can't believe whenever I hear that someone goes out of their way to check for updates or reads my fics multiple times. I love when I get comments telling me something in everyday life reminded someone of one of my stories, like happened a lot with A Little Bit Scandalous ("the Invisible House story") or Handprints ("the mirror story"). But probably my most favorite type of feedback is hearing that my stories felt realistic or reminiscent of an actual experience the reader had. I always want my stories to toe the line between being dreamy and fantasy based while still seeming plausible, attainable even. So hearing I've achieved that sends me to the moon. 🥰

9. A time when writing was really, really hard

I'll be honest, I can't think of a moment this year when writing wasn't really, really hard. Many of you know I live with a number of chronic illnesses and in addition to managing those, this year I've managed to add some to the list. (Cluster headaches for a month straight! Unexplained back and pelvic pain going on 8 months!) Oh yeah, and I'm still unemployed and we're still in a pandemic. On a good day, my mind is still probably 65% clouded with stress, anxiety, depression and fatigue so the fact that I wrote over 100k words? Is NUTS to me. I fought hard for every single one of them and the frustration was absolutely worth it.

10. A scene or character you wrote that surprised you

Stage!Ash was never meant to be a series nor a love story. I truly just wanted to clown over sweaty, beardy Ash being back on stage but couldn't find a hook I found interesting enough to pursue and Cass, genius that she is, suggested the "first time seeing him drum" angle, which I loved and that led me to framing Encore as a new relationship. As I wrote it, it became sweeter and softer than I ever imagined it would and by the time I was finished, I was fully invested. I've never written a "falling in love" couple before, I'm used to "still in love" established couples so it's been a fun challenge and I'm glad people encouraged me to continue it as a series.

11. A favorite excerpt of your writing

I'm gonna be self-indulgent and highlight two passages 😅First, like I said, I'm really pleased with Come In With The Rain's ability to let the audience live in the characters' headspace for a while. This excerpt isn't anything fancy, isn't even the most poetic of the piece, but the narrative stillness is something new for me and painting this picture of quiet domesticity and loving familiarity was one of my favorite tasks of the year 🥰 (And if you're familiar with the fic, the scene that follows is def my fav smut I wrote this year, possibly ever tbh 😌)

You take your time washing up, enjoying the contrast of the warm water against the cool air of the kitchen and appreciating the sounds of Ashton absentmindedly singing along to his album of choice while he sits on the couch, scrolling away on his iPad. You finish and go to join him, guffawing at the sight of him clapping giddily when he sees you entering the room bearing a fresh cup of coffee for each of you.

You curl up next to him, tucking your feet under his thigh for warmth, much to his chagrin. You relax and sip your drink, watching the wind blow the trees outside the window, being entertained by Ash switching back and forth between reading you interesting soundbites from the articles he’s reading to singing along to the music in varying degrees of seriousness.

“Kinda feel like smokin’ something but honestly I don’t feel like getting up to get our shit. How’s that for lazy?” He muses with a grin.

A couple hours pass, maybe more; time really has no meaning on a day like this. The rain has ceased for the moment but the sky is still threateningly overcast, casting a dreamlike haze over the room. Ashton keeps insisting that “after this song” he’s going to get up and check the heater but he started saying that at least three albums ago.

You’ve ended up sprawled out on the couch, your head in his lap; it’s your job to change the record when it’s time but you’ve still managed to doze off here and there, so cozy and comfortable with Ash quietly singing above you, hands occasionally running through your hair or over your shoulder.

You sleepily turn over on your side, gazing at him through hooded eyes; after one too many jabs from you, he’s lost the iPad and as he sits there, one hand scrolling his phone, the other pensively scratching at his beard while humming under his breath, you feel an overwhelming flood of feelings. Love. Happiness. Peace. Desire.

You reach your hand out and caress the tops of his thighs, wanting to feel more of him underneath you, wanting to remind him you’re there. Your heart swells when you see a fond smile paint his face and he instinctively brings a hand down to rub over your arm, continuing the silent but appreciative conversation between your bodies.

This second excerpt, from To Love Him Is To Need Him Everywhere, is similar to the first - a quiet moment of reverent appreciation between partners. I've just always loved it because it follows an absurdly filthy section of the fic and then takes a sharp turn towards some of the softest, most flowery writing I'd done at that time. I feel like that duality became a trademark for me this year (for the Swift-literate, Cass has repeatedly declared this my "Lover era" 😅) and it really encapsulates what I find appealing about exploring relationships in fic (or in life tbqh).

He lays behind you, wrapping his arms around you and breathing a soft sigh of your name against your hair. The two of you lay in loving silence, basking in the contrast between the cool breeze blowing across your skin and the warmth of your lover’s body on you.

Ash is such a large presence, literally and figuratively, you love the firmness and safety of being enveloped by him. But after a few minutes, you find yourself needing more and you turn over to face him. His eyes are closed and you stop to study him, taking in every detail: how long his lashes are, how much you love the shape of his nose, how structured but soft his cheeks are, how kissable his lips always seem to look, how his sharp jawline still makes your stomach drop after all this time.

You notice the dimples that you love so much starting to form as he smiles at the feel of your stare. He opens his eyes and with a single look, he’s able to read your energy and know exactly what you’re needing. He fits his hand under your jaw and slowly kisses you, letting you lead the way, inviting your tongue to take and taste all you need from him.

He waits for you to be the one to break the kiss and then he’s gently pushing you onto your back so he can lay his head on your chest. You stroke your fingers through his hair while he uses his to trace designs on your bare stomach.

“I don’t know that I’ve ever been more grateful to be sharing a moment with someone,” Ashton says quietly, the thought still formulating in his mind. You look down to see his hazel eyes gazing fondly at you. “I’m glad it’s with you.”

12. How did you grow as a writer this year

I'm really proud of myself for writing for me in 2021. I wrote ridiculously long pieces when they felt right, I wrote PWP when I had a good concept I just wanted to get out into the world. I started writing in 2020 and was fortunate enough to have a solid audience from the get-go (again, thanks to Cass) but as much as I love what I wrote that first year, I can admit now that there was probably too much consideration given to what I thought other people wanted to see from me (or didn't want to see! I toned down a lot of pieces back then tbh) whereas now I aim for my priority to be what I want to spend my time thinking about.

13. How do you hope to grow next year

There's more than a few things I need to work on: I need to stop caring so much about feedback (it's my favorite part of the process but shouldn't determine the value of a fic!), I need to trust my instincts more (taking an hour to write a paragraph because I rewrite each sentence 10 times is like, not fun or practical) and I need to more efficiently manage my time. The pandemic effectively decimated my attention span so it's hard for me to sit and write without picking up my phone every few minutes, especially when the band is in an active phase since I live a double life as a fic blog/update account and I'm always itching to find content. All these things I mentioned make writing a lot more frustrating than it needs to be and I'd like to remedy that so I can enjoy the process as much as I possibly can.

14. Who was your greatest positive influence this year as a writer (could be another writer or beta or cheerleader or muse etc)

The answer to this question is always going to be @cal-puddies. My best ideas come from talking to Cass, my best drafts are the ones she actively challenges me on and I probably would've quit on about half of my fics from this year if she hadn't kept encouraging me and cheering me on to finish them. I said I wrote for me this year but really I wrote for us. 🦦🦦

15. Anything from your real-life show up in your writing this year?

I definitely drew inspiration from my real life camping experience when writing To Love Him Is To Need Him Everywhere. I do in fact, have a certain fondness for rainy days. I actually went to the Global Citizen concert and honestly that made writing Stay Here, Honey more difficult because my brain refused to accept if I had to change a detail for logistics/creative license lmao. Beyond that, there's been a few times I've wondered if I've accidentally exposed myself by writing certain kinks one too many times but I won't go into specifics. 😂

16. Any new wisdom you can share with other writers?

No idea is too niche - if you've thought about it, someone else definitely has and will love your story. (I legit wrote a fic about getting high and dry humping in a backyard and someone called it "romantic". Your fic will find its audience lmao.)

17. Any projects you're looking forward to starting (or finishing) in the new year

I'll go ahead and spill, honestly if you've read this far, you deserve a scoop: Gardener!Ash is getting pegged in 2022, if it's the last thing I do. (I've been trying to plot this arc for A YEAR but I want to do it right and dammit, I will get there!) Also, I am about 25k words deep into a Poly!Cashton series that I'm very excited about (and have also been writing/plotting for well over a year) and can't wait to share.

18. Tag some writers whose answers you'd like to read

If they feel like it, I'd love to see what @cal-puddies @talkfastromance4 @suchalonelysunflower @villainorigincal and @littledrummeraussie have to say!

#this was such a nice treat to fill out!#i really don't take the time to appreciate my efforts enough tbh #the fact I wrote so much (and was proud of so much!) despite everything I went through - I'm so happy I got a moment to recognize that 💙#i love writing so much 🥺#i have a bit of a complicated relationship with my own writing & the fic world atm if I'm honest #but I'm so excited for what this next year has in store #and I'm so glad I didn't quit in 2021 even though I tried many many many times lmao #💙💙💙#kh4f writing #fic evaluation 2021

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streets-in-paradise · 4 years ago

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Let’s talk about the amazingly on spot social commentary on The Boys

Warning: This post contains spoilers from Season 1 and the first three episodes of season 2 of The Boys

Tags: @nehoymenyoy asked to be tagged. I don’t know if my tags are working well but if they don’t i will send you the link of the post.

I decided to make this post because i finished all the avaliable episodes of the series two days ago and, having a long talk with my sister about this topic, i tought this is too awesome to not discuss it here. We are both studying in careers of the social field, i'm in sociology and she is in social work. We watched the show together and talking with her inspired my own ideas i would like to share here.

This show was a wonderfull surprise in terms of social commentary. I haven't watched one with such a great commentary since American Gods. In that case i was expecting some degree of progressive commentary because i had read the book previously and i was aware the source material had some, the one added for the series is even better and it was great, but it wasn't a shock to find it. For The Boys i haven't read the comics first and , even when i loved the show for lots of reasons, the amazing on spot social commentary was a hell of a surprise. I have been frustrated lately in terms of the messages in entertaiment products because, even when there is a lot of intention for part of the makers to make more progressive points in their stuff, everything becomes bland marketing to me most of the time. I remember that some years ago media used to came out unintentionally with some really cool progressive messages ( like, for example, " a bug's life" and its anti capitalist message). That stuff seemed soo genuine and today i feel that everytime a product targets my demographic in that sense what they deliver it's soo bland and fake that the progressive intention of the message gets lost in the absolutely obvious intention of selling something to me using my ideals as catch. Precisely this is an important point of critic in this show. I didn't expected at all to get a genuine feeling in the social commentary of a superhero show. I'm not saying that this means i think the makers believe in this (after all, it's amazon), what i praise here is how good they did it. In a time when most productions claim to have a social commentary behind to come out as cool but result in shallow fake bullshit this series has provided me with something that feels autentic. Like American Gods, what i feel the show is trying to tell me actually gets me.

Before starting with the proper talk i want to dedicate a few línes to recommend a few scenes of the show i just mentioned. I was super dissapointed after finding out they will probably end up turning it into more bland fake bullshit for season 3 but, to anyone who likes well delivered social commentary, check on Orlando Jones's scenes as Anansi. He is my favourite character from the show and all his scenes are a blessing.

I would also want to clarify that this post and the opinions displayed on it are from an anti capitalist, intersectional feminist and latin american perspective. I know the show is very american, the issues it discusses are most of the time worlwide but it has particularities of the american context so i will try to talk only of what i feel i know enough to have a word. I'm argentinian and we have our local versions of some of this problems but i will stay in the series territory trying to be as faithfull as i can to the american reality it gets inspiration from. Also, forgive me for any mistakes on my writing and expresions. English is not my native language.

Superheros are modern mythology. How would this work in real life?

This is the basic premise of the show’s worldbuilding. The great thing is that this concept is not developed in an edgy, pretentious way. It is serious and painfully real because it’s not only a subversion of tropes, it says a lot of what superheros are to us as a modern times myth. In a superficial view, the world of The Boys feels like what the MCU could have become after the Sokovia accords if they would have been efficiently followed on a worldwide scale.

In that particular universe i use as reference, our superheros are noble and morally heroic individuals.State intervention is the factor threatening to corrupt their actions making them follow the interests of the system. The risk there, along with some very shady violations of human rights to powered people, is having superheros tied to something as unstable as political power. You can fear, for example, what a Trump-like president could do if he had power over the Avengers because, again, the heros are not corrupt, their line of command is. Now, if we strip away all the idealization we had putted on this bunch of powered persons and see them as what they truly are at the end of the day, people like everyone else. Why are we supposed to believe they are immune to corruption? If we also consider the phenomenon of strong privatization of security that has been growing worldwide . Wouldn’t they be more like security workers working for a private contractor? Less like heros and more like private military / security officers? Now, this is what we are talking about.

What feels so different from this show is that it assumes a surprisingly realistic point of view on a modern fantasy we are very used to consuming and still constructs a new power fantasy that empowers the viewer. I’ m saying this as an MCU fan, I had grown too comfortable with this optimistic fantasy and this twist from it is brilliant. To put some context on what i want to say here i will try to explain myself first on why i think that superhero fiction have this enormous popularity today and it has become such a huge thing in entertainment. Besides of the obvious reason of big companies producing big exciting action blockbusters for the genre, it’s curious to think on how much these stories gathered a lot of progressive audiences. In past decades action blockbusters didn’t felt progressive, today’s superhero blockbusters were embraced by progressive audiences and this was the start of a twist in general for the media. I think that there is a contextual social reason for this, not the only factor but one i feel is considerable.

Late Stage Capitalism crushed us, we are so used to injustice and the control the system has over us is so big that we have slowly stopped dreaming of changing it ourselves. Instead, the fantasy of a superhuman who has the power we don’t have saving us from oppression feels really comforting. Captain America becoming such a huge icon in the middle of a time where extreme facism is rising again all over the world, for example. I don’t know much about his comic counterpart but, at least from what i see in the movies, Steve’s ideals feel to me like all those aspects from French Revolution’s Enlightenment that capitalism dropped away once bourgeois defeated their feudal rivals and capitalism got consolidated, the freedom and equality that feudal lower classes fought for. Today, we feel too small to make a difference so we enjoy the fantasy of powerful persons leading the fight for us. Capitalism feels more unstoppable than ever, it is the only thing who seems strong to remain in a terribly chaotic world. The suffering this cruel system brings to this world is overwhelming, we feel only a miracle can save us now. This is what feeds the narrative of the superhero as modern myth and saviour of humanity.

The Boys tosses aside all our hopes and dreams, presenting us with the most realistic escenario. Superheros are not the miracle we are waiting for, they are humans like everyone else. They are not sacred entities existing beyond our societies, they are part of the system and they insert on it as part of the security industries. They can be corrupted and they work in corrupt institutions in benefit of the ruling class like every other security provider in capitalist societies. They become a new face of the security forces in constant tension with police and military because the myth of the superhero provides them with the public trust those other two forces lost. People lost their trust in cops but they trust sups because they are supposed to be this noble individuals mobilized by their personal feelings of injustice trying to make the world a better place … right? Police are the forces of the ruling class but superheros are supposed to be with us, or at least this is what common sense and propaganda claim, having our hopes as a base to work on.

For someone so used to the typical superhero fantasy this felt like a slap on my face back to reality. It soo accurate , the system tends to capture any revolutionary input and turn it into profit. Even if the sups could had been a revolutionary factor at the beginning, the most likely thing to happen is for them to become a profitable industry. If we add to this what we already know of the actions of police and military in our real world we have a combo for disaster. The realistic twist is so fresh and painfully real, i can totally see this happening in real life if superheros were a thing.

We have already introduced ourselves in the world of this story, let’s check on the first main character this series introduces to us. Hughie Campbell, a college age guy who works in an electronics store, lives with his dad and has the most boring average life you can imagine. This guy who is too afraid to ask his boss for a pay raise changes overnight when a superhero kills his girlfriend in front of him and the big corporation the asshole works for covers up the whole thing. The “average guy becomes a hero” trope is not new at all, but the use it has here feels fresh because it is not there only to feed the male geek power fantasy. Hughie is not a geeky average guy only so geeky average guys can identify with him in an action series full of geeky references,he is not there to be the nerdy guy from Robot Chicken. Hughie’s characterization makes a point for everyone. The smallest most unimportant person, the one who can't even stand up for themselves in everyday situations, can make a change. Remember Samwise Gamgee fighting Shelob in Lord of the Rings? Hughie killing Translucent gives me that vibe. If we consider the point i already stated about superheroes being there when we feel too small to fight back injustice, this is the exact opposite. This is a fantasy that gives us the power, makes us think in our own strengths. Hughie is standing up for himself for the first time in his life and he inspires us to fight for our rights.

Pharmaceutical,Security and Entertainment industries and their business system : Superheros as lab rats,elite security forces and celebrities.

This part of the post is the hardest to write and the most exquisite. There is so much to talk about about this system Vought shaped tying these three billionaire industries together. The first thing i want to mention, as a point to start, is Butcher’s ramble over the teddy bear with a camera inside in his meeting with Hughie. Perfect introduction for the character with a delightful moment of commentary. In our current societies people live in constant fear for hundreds of reasons. Fears over street crime had skyrocketed all over the world even when crime is not growing uniformly in every country and that accelerated the privatization of security, fears of parents over the strangers they leave they kids with when they are not home inspired products like the one mentioned in the series’s moment, fears on the effects of processed foods are an impulse for the diet industry and i could keep naming lots of other examples. Fears, and the emotional response they trigger , are the base of profitable businesses.

I had been reading some authors that describe this stage of capitalism as an emotional one. Capitalism preached science and rationality during the past century but today its base of support is an emotional one. To excite the sensations of the people as consumers, to eliminate rational criticism, to push anti popular agendas through emotional excitement and mass hysteria. To cite another example that you can consider bounded to the series, Right Realism in Criminology is now almost common sense and there are people who keep asking for harsher punitive systems. This ideology, with the help of media panic, goes straight after their feelings and fears of being victims of violent crimes. Rational thinking is not the area of discussion, the base of the argument is on fear and pain. Fear of being potential victims, pain shared with the victims thinking in solutions that sound more like revenge than justice.

Going back to my point, in the world of The Boys this type of punitivism seems to have succeeded even in a greater way than in our current world because it has superheros as backup. If real life harsh punitivism feeds on fear and a wish for social revenge, in this world it has the positive emotions supes inspire on people as a trust certificate for the persons who may not feel that way. They are loved and worshipped celebrities, their faces are everywhere, they have thousands of fans… who would see flaws in what they do? Can you imagine a world in which we worshipped cops and soldiers like we worship celebrities? This is it, people put their blind faith in them because most of them seem to be their fans. Even the people who are against brutality in the actions of security forces would end up trusting them because they are famous people. Our culture has taught us to make ourselves blind to the bullshit we see on the celebrities we love. Fans have a strong emotional attachment to their favourite celebs and this can turn into emotional manipulation in this context. If actors or singers in real life can have a fanbase that forgets to see them as human people how would these actual superhumans not end up being worshipped as gods?

There has always been military propaganda in entertainment but this marriage between the industries through superheros is far more sinister than that. It makes you think about the unfair amount of credibility we put in celebrities. The plane crash scene of Homelander and Maeve it’s even more devastating looking at it from that perspective. Those persons had their full trust in them and they were safer with the terrorists. Can you imagine being a Homelander fan and dying there? That’s horrible, the last thing you get in your life is the biggest disappointment ever from someone you trusted and stanned.

Speaking of Homelander, he is a right wing wet dream and one of the best villians i had ever seen, he makes me feel sick with how fucking despicable he is. His character is an excellent point to start the ramble on the third wheel of this corporate nightmare. Superheros are products of the pharmaceutical industry, injected with a drug since they were babies. In his particular case, he was raised like a lab rat and the series is realistic even in this detail. The lab rat kid with superpowers is another common trope that we see pretty often and here it also gets twisted. I’m thinking for example on Eleven from Stranger Things, she has been raised by abusive scientists who treated her as an experiment, yet she is this sweet kiddo who has a hard time socializing. Instead, Homelander is a monster without conscience or mercy and seems to be severely affected by his abnormal childhood. Brilliant, he is the ultimate product of this corporative triangle and depicts everything that's wrong with it.

The cycle is pretty clear: drugs create them, they play their role in security and their media notoriety justifies their actions. As it is shown in season one, the security aspect of the corporate complex represented mostly in Homelander’s actions craves to grow bigger and get supes into the military since, in the startpoint of the series, they only work with cops. Since the industry feeds on fear and Vought seems to have a monopoly in the production of powered persons there were no threats big enough to justify the intervention of superhumans in wars. Dismissing the importance of this monopoly for the company, Homelander suministrates the drug to terrorist groups in an attempt to create the first super villains. This is a perfect analogy of how the american war machine works. There is no way for terrorist groups from Third World countries to get access to sophisticated war technology without help from the ones who wield that power better than anyone. The first mentions of the supe terrorists reminded me of when i was in my course of worldwide history in college and i learned there how most of those famous names in middle eastern terrorism were actually friends with the CIA before at some point. Here in South America we have other history regarding the style of USA intervention, the Plan Condor dictatorships in the 70’s and early 80’s. I was just starting my career when I had a month of history classes about the Middle East and, being pretty ignorant on the matter, it shocked me the way in which the US villainized people they used to work with. I think the series makes a great point with this part of the plot because it hints something of this war mechanics.

Gender politics of the series: a surprisingly complex approach on the topic of sexual assault ,a realistic critic to bland white feminism and the empty cashgrabbing ways in which mainstream media adapts feminist discourse.

This topic was even a bigger surprise for me. I wasn't expecting such an interesting approach of gender issues, mostly because this is the area in which media wannabe woke messages had become more dissapointing to me lately. Specially in a show about superheros, i wasn't expecting to get very interesting points.

I will start talking of the portrayals of sexual assault. We have two sexually assaulted characters in the series, Starlight and Becca. First, i think it is great that they didn't used the "rape as character development" trope. Actually, it's cool how they mock this conceptions. When Starlight saves a woman from being raped on the streets or when she makes a public statement about her sexual assault it's the people behind her, building her public image as a character, the ones who push that trope. In the first time their great character development idea is to sexualize her outfit, after the second event mentioned they literally push her sexual assault as development. I love how the public relationships team acts oftenly in a men writing women way, serving as mirror for the most common mistakes of writers on pop culture products when they write female characters.

Going back to my point, i like the effort they putted into portraying differences in both cases. Homelander is the typical portrayal of a rapist, a narcisistic monster without remorse, a deranged son of a bitch. The Deep is also a piece of shit, but of a different kind. There is a phrase that feminists of my country had popularized " los violadores son hijos sanos del patriarcado" ( it means, the rapists are healthy sons of the patriarchy. It tries to explain they are not crazy individuals who act outside societal circunstancies), the Deep reminded me of that.

He is not crazy, he is an insecure guy with a super fragile ego who abuses women for power. Insecurity on men under patriarchy tends to become bashing of women. This is not a black and white portrayal of a sex criminal, it is surprisingly complex. Of course,his actions were unexcusable. He will never repay what he did to Starlight and other women before her but he has chances of working on his issues and, eventually if he trully wants to get better, stop being the scumbag he is. He is not a deranged criminal whose only fate is to be neutralized for the safety of others.

I think this is important because, at least in my country, i had seen people using sex offenders as an example of why countries without death penalty should implement it. I don't support extreme autoritarian security measures and it makes me sick to hear that there are people claiming those as solutions in the name of women's safety. I like the approach they took to portray The Deep as the piece of shit he is but still showing the complexity of this issue instead of going for a more traditional dichotomic way.

Back to the mocking of mainstream media's attempts of adopting a feminist approach i mentioned, the season two got even better at this commentary on the "Strong Female Character" trope with the introduction of Stormfront. She is the literal embodiment of what shitty marketing says an empowered female character must be and has the biggest "I'm not like other girls" complex ever. That interaction she had with Starlight in "pink = bad, pants = cool" mood was super annoying and blaming her for the assault?? Freaking disgusting.

Honestly, i hated her soo much even before she showed her true colours completely. Stormfront represents everything i hate in Hollywood's feminism and the crappy meaningless messages it's pushing lately. She reminds me to all the fake "woke" advertisements i had seen on tv, like a Carefree (pads brand) advertisement that pissed me off last week because with the slogan " self trust is beauty" it portrayed girls who wear make up as fake and insecure.

Now, speaking of that particular scene of her killing Kimiko's brother. I felt literally sick, even sicker than in every Homelander scene. This bitch is worst than Homelander because at least he gathers a public that serves to his views. If you ever need to provide someone with a proof of why intersectionality in feminism matters use this racist bitch. Horryfying racism hidden behind the progressive mask of a bullshit privileged version of feminism, the thing i hate the most. She has a strong nazi terf vibe. I think she absolutely applies as mirror of critic to stuff like Rowling's terf nonsense.

The introspective look this series has regarding the multiple issues on today’s attempts of gender approach on media entertainment surprised me. It’s everything i would had wished something to point out but nobody seemed to have the guts to make it happen because, as i already said, the current trend is what it’s being focus of critic here.

I will end this now, i feel there is plenty of more stuff to talk about but this post is getting very long and, if i get more ideas i want to discuss, i can always make a second post. As i said before, this expresses my humble opinions and i’m open to hear different interpretations that can enrich my views.

Thanks for reading this extra long ramble.

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perpetual-stories · 4 years ago

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WHO VS. WHOM: Knowing the Difference

I don’t know about all of you, but despite writing for years now (not trying to brag, sorry if it comes out this way), I still confuse who and whom, or don’t know how to use whom.

So I decided to help others and myself, learn (once and for all) to officially memorize the difference between the two. So let’s get started!

When trying to figure out if your sentence requires who or whom, remember that whom is used to refer to the object of a verb or preposition. Not sure what I mean? Here’s nice little trick you can use.

If you’re using “him” or “her” in a sentence, try to see if you can replace them using whom.

If you’re using “he” or “she”, try and see if you can replace it them using who.

1. When to Use Who:

When you are writing a sentence, who is used as the subject.

Example: Who would like to do the dishes?

If you remove “who” and insert he or She, the sentence is correct.

Example answer: He would like to do the dishes.

2. When to Use Whom:

When you’re writing a sentence, whom is used as the object of a verb or preposition.

Example: To whom was the letter addressed?

If you were to answer the question yourself, you would see that you would use “him” or “her.”

Example answer: The letter was addressed to him.

Keep in mind that you may have to rearrange the sentence a bit while you test if you should use who or whom.

Example: Gina drivers her mother’s car to school.

Because in this sentence there is someone doing an action they are the subject. So you would use “who.”

Example answer: Who drives her mother’s car to school?

Example: The car is driven to school by Gina.

In case, the subject is not the car because the car is not performing the action but instead Gina is. You would utilize “whom.”

Example answer: By whom is the car driven to school?

I know some people don’t like whom, because they believe it sounds awkward or pretentious, since people don’t usually use it in casual conversations. But learning the differences between these two is essential as a writer! There ya have it everyone! I hope this is very helpful! Feel free to correct me or add more information regarding this! Please reblog this if you find it very useful or tag me on instagram if you choose to share it there! My instagram is perpetualstories.

Please make sure to follow me on Tumblr and Instagram for more writing, and grammar tips!

#writing #writing advice #writing tips #original writing #writers on tumblr #writerscommunity #writersconnection #writersofig #writersofinstagram #writings

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thejudgingtrash · 5 years ago

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@aph-usa-is-my-dad Thank you, thank you! 🙇🏽‍♀️

Alright lads, looks like it’s time for hot takes part III!

Here’s Part 1//Here‘s Part 2

Apollo won’t get Zeus position. Why is everyone wishing for that? And why should he? All of you really want to romanticize/project yourself onto him, huh?

Casual Reyna >>> praetor Reyna

Grover has the fattest ass in the Riordanverse, I don’t make the rules

People lack of basic reading skills part III

The fact that adults in New Rome let kids rule the fucking place is still mindblowing

Rick apologists are lame. People calling out shit isn’t an attack on you. Stop defending a product‘s/public figure‘s honor. Defending Rick Riordan is the equivalent of you defending the honor of a snickers bar. Dude doesn’t know you and dude doesn’t give a fuck about you. You are a walking dollar bill at best

Romans are still fucking wacky and despite Camp Jupiter being superior allegedly it’s a whole damn chaotic mess. Where are the supposed civilized Romans because I don’t see them?

Camp Half-Blood >>>> Camp Jupiter, especially when Percy trains in his summer vacations and beats praetor Jason’s goddamn ass who’s been training for 12 years

Why did Riordan even try to make Jason appear to come close to Percy’s level? The imbalance of power is so abundantly clear and makes Jason seem even smaller in that regard. Riordan is truly Percy’s biggest hater

The fact that CHB also glamorizes child soldiers in a more fun and relaxed way. Yikes

Nico is a white™ (again, he is European)

Rachel was annoying but didn’t deserve the blatant hate.

Annabeth should’ve had another possible love interest to spark some pissed Percy. Luke doesn’t count. Percy’s jealously revolves around (the possibility of) her not being around him (e.g. the hunters), not him ”losing“ her to someone else romantically speaking

Silena is the OG Aphrodite kid, fuck the rest

Amazons >> hunters by a slight margin. They’re also an awful bunch

The execution of the hunters is so bad omg, just let me revamp them, Ricardo

If a different take on a headcanon/characters really offends you/paint that much of a different picture of op, then I’m not sorry (only exception if the headcanon is based on discriminatory means. Someone saying they don’t like A and someone using slurs and being a douche are two different things)

The entire Aphrodite cabin is pan FYI

Team demigods who receive periods would probably be extra fucked when it comes to monsters and stuff. Let’s address this

Why exactly couldn’t the gods handle their own shit? Hunting monsters in your area makes sense as a demigod job. But stuff like retrieving Hermes‘ staff (especially when the dude is the speedy traveler guy) makes no goddamn sense

Let’s face it: Annabeth is the only good female character that Riordan pulled off. Also wasn’t she based off his wife? If so, that’s why.

The lack of irl examples for his POC and other women is abundantly clear as he can’t lure everyone from his environment into the stories especially because he has no irl connection to minorities. So he fabricated stuff/did his 5 mins of wiki and got it severely wrong. Clock that tea!

Camp Half-Blood t-shirts belong to the trash. Orange is Yellow‘s cousin and both are ugly to the max. Let’s just switch colors of both camps. Let the Romans deal with the hideous shit

Chiron and Paul are Riordan‘s self-inserts

Tbh giving Hazel super mist powers and tying Frank to Poseidon was stupid

Skater!Percy is pretty much canon but I just can’t envision it? The thought of it is cute and so 2000s but my brain goes fjfldlsöwlwbvd (and tbh gymnast!/dancer!/Parcours!Percy >>>>> skater!basketball!Percy)

People are forgetting that Percy is the unpopular kid both in the mortal realm and at camp and partially chose to be so? Let me remind you of the truth real quick

Beckendorf and Silena are the horny bastards of the Camp Half-Blood. Issa fact

The gods not really immortalizing Chiron and simply saying that he’ll live as long as he’s needed turned him into the cryptic fuck we all know. That’s why he barely helps out (On that note a tiny Chiron essay)

A headcanon, regardless of how popular it is, isn’t factual/reality. So fighting over different takes of the exact same issue is rather pointless but you do you. Some popular blog having an opinion with a large following doesn’t automatically negate your sentiment

Piper being ��unconventional“ as in hating make-up and being dressed up is in itself more than fine but the execution was lacking and her coming off as pretentious and annoying was the result

Piper also has no taste in men if she thinks that amnesia brick boy Grace > Percy. Just no. Lesbians claim haaa

If I see another Amandla or Zendaya or another biracial/lightskinned face claim for Hazel I will lose it

Everyone and their mother having a crush on Percy fuels them Gary Stu feelings, just saying

The fact that Riordan casually drops the abuse that Percy has suffered from like some fucking tic tacs just to never be spoken about should be a reason enough to whoop his ass

Not maturing and darkening HOO (there were good thoughts but also many whacky executions) was the biggest mistake Riordan had made. He should’ve went the Rowling route and transitioned from kids books to YA

The whole fire stick thing that Riordan ripped off from Meleager and slapped onto Frank was terribly executed

A lot of you people should open up more to jokes and not take everything all too seriously

The fact that people seriously ship/ped Reyna x Apollo is proof enough that this fandom should burn

Why do Luke discussions at this point still exist? You’re essentially glossing over the same four things

Hyping up fanfics to the max is a terrible idea. Also don’t shy away from giving writers constructive criticism

Stoner headcanons are here to stay and slay!

On one hand seeing discussions from the science side of PJO talking about the biology, physics etc. is super interesting but on the other hand getting heated over the illogical basis of ”magic“ is pretty much a waste of time

Riordan‘s world building is truly awful

Frazel is a crime against humanity

If you don’t get someone‘s post actually look op up and read the tags? No need to spam the exact question to everything

Fat Frank stays. I get it, Greek gods are hot, they are conceited and choose to fuck people that they perceive as attractive, so their offspring also has some higher levels in the beauty realm. But why not explore the opposite? Why does every character need a makeover or a blessing that gives them enhanced looks?

Clarisse‘s thigh can break ya neck

Also Riordan is Annabeth’s biggest hater. Let’s throw all of her most important possessions away to proof that the smart one can survive without any of it. Sure, but the emotional attachment to the stuff still remains especially when everyone else is walking out of Annabeth’s life

Making Leo another horny bastard was an accurate portrayal of your casual 16 year old boy. Annoying, but realistic

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twiceblackvelvet · 5 years ago

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Can I request a ceo playgirl Tzuyu x fem reader ? Where reader makes tzuyu believe in love? Thank you in advance and love your writing so much!

A/N; thank you so much. i have seen requests like this before where the writer places the character insert as an employee of the ceo character but i decided to try something a little bit different. also, i’ve got to be honest, i struggled to picture Tzuyu as a playgirl so this may not be too good but i hope you enjoy🖤

For the last two years, you’ve been single. Whilst you’d love to say it’s been a peaceful time-period for you, the two girls currently sitting in front of you have made it nigh on impossible. Nayeon and Sana have been your best friends since you were children but their unhealthy obsession with your dating life is beginning to become unbearable.

Sitting down to lunch, the conversation between the three of you quickly landed on the topic of what they consider your lonely, boring life. They’re animatedly discussing a brand new dating app that some wannabe hipster rich boy has created.

“So basically, you set up a profile and decide whether you wish to be the finder or the seeker. The finder is anyone looking to earn extra money by accompanying the seeker to events, parties, galas and all those other fancy things that rich people attend. They pay you for your service as their fake date and you can decide if you wish to stick with them or move onto the next millionaire. You both rate each other based on how compatible you felt the date went, it’s all very professional.”

Nayeon’s explanation of the application deserves to be placed into an advert, she’s seemingly looked into it very thoroughly before presenting the idea of you signing up.

The idea of dating some pretentious, stuck up person with too much wealth for their own good does not sound appealing whatsoever, and yet as you think about your dead-end job and various bills that are quickly mounting into an enormous chunk of your bank account being whisked away from you at the end of the month, you can’t help but give it a second thought.

“We both have profiles, there’s no shame in it. You don’t have to sleep with them or anything, well... unless you want to. You’re basically just arm candy for them to show off to all of their friends that they aren’t losers who isolate themselves to their offices to flirt with numbers and stocks. Trust me, it’s sad for them not you.” Sana adds.

“Fine, but if I end up with some weirdo who tries to get a little handsy, I’ll hunt you both down.”

A high-pitched squeal is all Nayeon and Sana gives you in response as they get to work in setting up a profile for you. Surely nothing will go wrong, right?

It’s been three days since the app has been taking up space on your phone. No messages. No notifications. Nothing. It’s not like you’re mindlessly checking it every couple of hours to check that your friends didn’t include something embarrassing that has been turning every potential seeker away from you, but it is starting to play on your self-conscious every now and then. Even more so when Nayeon reveals she has been on four dates since your lunch meeting.

Just as you’re about to switch off for the night and get some well-needed shut-eye, a small vibration emanates from your bedside dresser where your phone is placed.

[YOU HAVE ONE NEW MESSSAGE]

The bold lettering alongside the app’s logo lights up your bedroom. Truthfully speaking, your curiosity is in fact piqued for a split second until you realize it’s almost 3 AM and anyone using a dating app at this hour can’t be a good sign. You decide to still check who has sent you a message but only so you can tell them to get better nighttime hobbies.

However, what greets you when the app loads the singular message is tame compared to the despicable things you expected to see.

Hello. My name is Chou Tzuyu, I am the CEO of Chou Technology. You’ll have to forgive my being blunt but I am a bit of a newbie to this here app. If you are free tomorrow, I’d like to meet with you to discuss potentially accompanying me to a business event that I am attending the following night. If this is something you are interested in I will schedule a time-slot and give you instructions on what to wear and where we will be meeting. I know this is all very last minute but please let me know as soon as possible. Thank you.

God, just reading the message has given you a slight headache. This girl couldn’t be any more business before pleasure if she tried. You decide to click onto her profile picture to get a better sense of who she is to help you decide whether to agree to meet her or delete the message.

Flawless golden skin, wide cat-like brown eyes, plump red lips formed into a small smile and hazelnut brown hair accentuate all of the features perfectly. You definitely did not expect the person behind such a straight-forward and bland message to be quite as beautiful as the girl you’re currently looking at through your screen. Upon scrolling through the images, you can see her alongside a small Maltese dog, posing with several other women who you assume are her friends, in a business suit outside of her company building which reveals that she’s fairly tall and her figure is to die for. All in all, you’re sold that either this woman is a catfish with impeccable Photoshop skills or there really is a goddess-like beauty using this shady app when she could probably bag anyone possible.

Hi Tzuyu. Yes, I’d love to meet with you tomorrow, anytime is fine for me just let me know.

You hesitate for several minutes debating on whether or not to add an emoji to make things a bit more casual between the two of you. You eventually decide against it and hit send. The follow-up reply comes a lot quicker than you expected.

Great. 1 PM @ Jungsik.

A quick search reveals that Jungsik is a restaurant not far from your apartment, however, the reviews and images show that it’s rather expensive and definitely way out of your very small budget.

Would it be possible for us to meet elsewhere? It isn’t exactly in my price-range nor will I have anything remotely fancy enough to wear to a place like that.

Three small bubbles appear and disappear several times with Tzuyu’s face beside them. You begin to worry that she’s going to cancel and realize that someone like you probably isn’t a good fit for attending the event alongside her.

Send me your address. My driver will pick you up with an outfit for you to change into and dinner will be on me.

You must be dreaming. There’s no way any of this can be real. You read the words several times to try and kickstart your brain into processing them properly and despite believing they’d disappear or change into another message, it remains the same. You consider pinching yourself to double-check but decide against it. Your fingers disobey your thoughts about it being a bad idea to give Tzuyu your address as they lightly tap on the screen to tell her where you live.

You wait for a response but it never comes. You can see that Tzuyu has read the message though and decide to finally get some rest.

Sure enough, at 12:30 PM. the buzzer to your apartment goes off and a gentleman speaks through the intercom summoning you on behalf of one Miss Chou. Entering the sleek looking car with blacked-out windows, you quickly realize that this Tzuyu woman is from an entirely different world to the one you are used to. A white box is resting beside you and the driver instructs you to put it on.

You open up the box and pull out a black satin mini dress. The texture of the item alone calls you broke but you also notice that whoever purchased the item forgot to remove the price tag. Your jaw almost hits the floor upon seeing that it’s worth more than three times your monthly salary. Again, you’re left to question whether any of this can possibly be real until the car suddenly comes to a stop.

“I’ll step out now to let you change but please be quick. Miss Chou does not like to wait.” The driver says as he exits the vehicle.

You change into the dress as fast as humanly possible and exit also. You follow him through a set of doors into the stylish restaurant. This is no doubt be the cleanliest place you’ve ever eaten and worlds apart from the diner you’d regularly visit on your work breaks. Oh, how the other side lives you think.

“The table at the back, blue jacket. Enjoy.” The driver directs you towards a woman with her back facing you and hurriedly leaves.

Your steps towards the table are hesitant and you can’t help but smooth out the new dress several times in fear you aren’t wearing it correctly or rather doing such a fancy item of clothing justice. When you finally reach the table where Tzuyu is seated you decide upon clearing your throat to gain her attention instead of sitting straight down. She stands to face you and her eyes scan over your entire body on the way up.

Even in high-heels, Tzuyu is still somehow towering above you both in height and demeanor. She’s elegant and graceful in her movements and you instantly feel self-conscious under her intense gaze. The pictures of her showed you that she is beautiful and yet here before you, they do not fully do her justice as she’s that and more.

“Please, sit.” She motions you towards the chair opposite her own and waits for you to be seated until she herself does the same. “Thank you for joining me. I hope the dress is adequate enough, I had to guess your size based on your pictures. I wasn’t sure if it was something you’d like but it felt like a safe guess.”

“It’s beautiful, thank you.” She nods at your graciousness and moves to pick up one of the menus, when you go to do the same she grasps your hand and prevents you from doing so.

“If you don’t mind, I’d like to order for both of us.” You drop your hand back to beside your lap and allow her to inform the waiter she’d like you to have her usual whilst she goes for filet mignon. “It’s by far the best dish, you won’t be disappointed.”

However, when a lobster dish is presented before you, you can’t help but feel out of place. Tzuyu is quick to notice your confusion and fears she has in fact let you down before she’s even been able to present her plan for you to join her next week to you.

“Is everything okay? Do you have an allergy? Is it not cooked to your standard?”

“No, it’s fine. It’s just, well… I’ve never eaten lobster before. I’m unsure of where to start.” A laugh lodges itself in Tzuyu’s throat with your words. “I’m glad you find my lack of fine-dining experience funny.” You roll your eyes annoyed at her clear arrogance.

“I promise you, I am not laughing at you. I was once the same, I had no idea about any of this kind of stuff for a long time.” She offers you a genuine smile as she stands to move beside your seat to show you how to properly remove the flesh and what not to eat. “There you go, this stuff here is fine but this is the shell. Unless you wish to choke, stay clear of it.”

Before you can truly think about it, words just begin flying out of your mouth after seeing such a kind action from by far the most gorgeous woman you’ve ever laid eyes upon.

“I have to ask, how come you’re using that app? If you don’t mind me saying, you’re a beautiful and charming woman. I don’t understand how you’re possibly single.”

A more genuine and louder laugh exits Tzuyu’s mouth this time and for the first time, you can see that this is the real her and not the person she must try hard to present.

“Well, for a lot of years I struggled to see the appeal of commitment. I had plenty of companions to fill my spare time, however, none of them were ever the right for me. The position I’m hoping you will fill is somewhat different. As far as the women I have previously engaged with, I’d rather not show up to something like this with someone I have had casual sex with on my arm.”

Your face must be in a stunned state as Tzuyu continues to chuckle looking deeply into your eyes. Her honesty is weirdly refreshing and unsettling at the same time.

“I apologize if my bluntness surprises you, I just figure it’s best if we are both honest with each other here. In fact, that leads me to my next question,” She lightly brushes her mouth with a napkin before continuing. “Are you currently dating or meeting with anyone else from the application?”

Not willing to ruin the flow of honesty between the two of you, you tell Tzuyu that she is the first to reach out to you and that you wouldn’t be using the app if you were dating. She seems surprisingly happy with your answer though you’re unsure why.

“That’s… good. I’d like it very much if you would keep it that way until I am sure that I no longer need your services. I don’t believe you will run in the same circles as those attending the event but I have to be sure.” You nod along not wishing to interrupt her thoughts. “Don’t worry, the event may be formal but I promise you the people attending will all be far too busy discussing themselves to bother you much. If you feel uncomfortable, simply tell me you need some fresh air and I will make sure to get you out of there.”

So far, Tzuyu is too good to be true. You will have to thank Nayeon and Sana for convincing you to sign-up for this app.

“I will have another dress delivered to you in the morning with suitable shoes and accessories. Do you have a-” Tzuyu physically stops herself from finishing her question and curses to herself. “I will also send a stylist to take care of your hair, make-up and anything else you’re worried about.”

“Are you sure all of this is necessary? I’m no one special Miss Chou.” The use of her family name stirs up a dark expression as Tzuyu’s eyes appear to be mentally undressing you. She shakes herself out of it before you can take notice of it.

“Yes, you are. It may have been on short notice when I contacted you but quite frankly, you are a naturally beautiful person. I have seen plenty of attractive people within my life but none more so than you. Why do you think I have gone to all of this trouble thus far? I don’t just do this kind of thing for anyone. The majority of my relationships are a one-time thing that are not given the chance to progress further.”

Once again, Chou Tzuyu has managed to confuse you. Your eyebrows have never felt so scrunched together quite as tightly as they are now.

“What exactly are you saying?” is all you can whisper out in response.

“I’m saying that I’d like for you to attend this event with me. But, more importantly, I’d quite like it if you’d agree to do something like this with me more often. I will gladly pay you for your services tomorrow night in making me look good in front of a bunch of boring, old businessmen. Afterward, I’d like for you to allow me to date you. I can’t say that it will be an easy thing for either of us as I still very much so fear commitment, but I am hoping to learn, for you.”

This time, you do pinch yourself to make sure everything you’re hearing is real and the stinging in your arm confirms you’re not currently dreaming. Your brain is running at a thousand miles-per-hour and struggling to formulate clear thoughts.

“You do not need to answer now, attend the event with me. We can get to know each other whilst everyone else inflates their own ego. Then, we can see where things lead us. How does that sound?”

Truthfully, it sounds like a whirlwind, and yet you can’t help but agree.

“It sounds lovely.”

#twice #twice scenarios #twice reactions #girl group scenarios #kpop scenarios #chou tzuyu #tzuyu #twice tzuyu #fluff #kpop

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spicycreativity · 4 years ago

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Soft-Shoe Shuffle - Ch 10

Chapter: 10/12 Additional Notes: See Ch 1 for more information. Read on AO3 under "WizardGlick." Any formatting/italics errors are holdovers from AO3 that I was too lazy to fix. Chapter Content Warnings: N/A; ask to tag Excerpt: "I'm the scary one," Remus muttered in Janus' ear. "Not you. So don't ever scare me like that again, okay?" Janus considered the humor-to-consequences ratio of falling limp in Remus' arms and decided it wouldn't be worth it. "I won't."

If it all falls down, falls down, falls down

I can warm a crowd, I can make them shout

I can juggle verbs, adverbs, and nouns

I can make them dance 'til they all fall down

Janus woke up exhausted, which really wasn't fair considering the amount that he'd been sleeping lately.

Someone was stroking his hair, which was nice. Probably Remus. Remus wouldn't care that Janus' hair was stiff with dried sweat and that he hadn't brushed his teeth in who even knew how many days.

He shifted and nuzzled Remus' thigh.

Realization dawned slowly. Remus' nails were longer than this, Remus didn't smell like this, Remus had never sat still like this.

Janus couldn't even bring himself to be embarrassed at the mix-up. He was too tired and sore to really care who was petting his hair like this.

Except that it was probably Patton.

Subconsciously, Janus pulled the teddy bear closer to his chest. It had to be subconscious, because he would never cuddle a stuffed toy on purpose.

Janus opened his eyes.

Patton withdrew his hand like he'd been burned. "I'm sorry," he said, cheeks coloring. "Did I wake you up?"

Janus shook his head. His skin still tingled where Patton had touched him and he wanted it back so badly , but he didn't know how to ask.

"Remus made me promise I'd go get him next time you woke up. Well. Logan made me promise. Remus threatened me. Anyway!" Patton was already halfway to the door.

He was gone before Janus found his voice. "Don't go," Janus whispered to the air.

A moment later, Remus came barreling in with Logan in hot pursuit. Then came Virgil, then Patton again, and finally Roman.

Logan lunged forward to try to catch the back of Remus' shirt, but he was just a split second too late. Janus braced for impact, but Remus only fell on his knees by the bedside and pulled Janus into a tight hug.

"Awww," Patton cooed from the doorway.

"I'm the scary one," Remus muttered in Janus' ear. "Not you. So don't ever scare me like that again, okay?"

Janus considered the humor-to-consequences ratio of falling limp in Remus' arms and decided it wouldn't be worth it. "I won't."

Remus pulled back and made a lewd hand gesture. "Scout's honor?"

Janus manipulated Remus' fingers into the correct position and held his own hand up as well. "Scout's honor."

Remus nodded in apparent satisfaction, so Janus grabbed his shoulder and used it to haul himself upright. Virgil and Patton fidgeted by his desk while Roman leaned against the doorway and Logan hovered behind Remus.

"Well," Janus said, trying to sound better than he felt. "As you can see, I've died. Virgil will handle my estate, so please direct your concerns to him."

"Like I want all your pretentious steampunk crap," Virgil mumbled, looking around at the leather and brass and hardwood.

"It's art deco," Janus and Logan said at the same time, albeit with very different intonation.

Janus squinted at Logan, who seemed to take this as his cue to speak. "You need to eat something."

"Like a dick!" Remus crowed.

Janus sighed, expecting an uproar, but nothing more dramatic than general collective eye-rolling and awkward throat-clearing occurred in response.

Logan carried on, "Something light like chicken broth or dry toast." He cocked an eyebrow, indicating that this was a question.

"Goodness, however shall I choose," Janus said, trying and failing to keep the venom out of his voice. He did better on stage than he did under a microscope, yet here everyone was, studying him. It was all he could do not to squirm.

Patton's voice echoed in his ears suddenly:

He never asks for anything, he just talks around it until you figure it out on your own.

"Could you…" Janus balled both hands into fists. "I want…" He squeezed his eyes shut and expelled a breath through his nose."I just love that you're all in here staring at me. It's not awkward at all. " He fixed his gaze on the ceiling, only just managing to hold back a frustrated curse. Another failure. Another reason for the others to go back to hating him.

"Oh, gosh!" Patton said, but he didn't sound hurt or angry. "We're sorry; it's probably overwhelming to have us all in here at once, huh?"

Janus nodded, not trusting himself to speak. The feeling had grown uncomfortably familiar as of late.

"We'll let Logan look you over," Patton said. He shuffled out of the room after Roman, waving for Virgil to follow him.

Remus winked and wiggled his tongue at Janus. "Have fun playing doctor." He bounded out and shut the door behind him.

"So," Janus said, fidgeting with one of the teddy bear's ears. "He and Roman can stand to be in the same room as each other now?"

"It helps that they were both quite worried about you," Logan said. A pause. "As was I." He preoccupied himself clearing off a space on Janus' nightstand, willing a plate of dry toast into existence, then methodically taking the cap off a bottle of Gatorade and inserting a white bendy straw.

"Plastic straws are killing the sea turtles, you know," Janus said.

Logan looked at him, puzzled. "Rest assured, this one will not and indeed, cannot find its way into the water supply." A moment later he said, "Oh. You were making a joke."

"It's polite to laugh."

"Please excuse my rudeness, then."

Janus smiled. "I think Remus likes you," he said to cut the tension.

Logan tilted his head at the nightstand. "Why?"

Janus took the hint and began pulling the crust off a piece of toast. "I just have a feeling."

"Hm." Logan thinned his lips, but did not press the issue.

"Logan?"

"Yes?"

"What happened? When I was…"

"Incapacitated?"

"Sure."

Logan pushed up his glasses. "You were in a state of delirium for approximately five days. What is the last thing you remember?"

"Clearly? I had a conversation with Patton about… certain choices I had made in regards to Roman." Logan raised an eyebrow but did not interrupt. "It gets hazy after that. You and Patton were in my room, I think. And… I'm not totally sure this happened, but I seem to recall trying to apologize to Roman."

Logan nodded. "You did. Then you fainted in his room, and the ensuing chaos actually led to the temporary resolution of several interpersonal conflicts we had been experiencing."

"Just according to plan," Janus said, steepling his fingers. Logan didn't laugh. "Another joke."

"Please eat your toast."

"Alright, alright." Janus finished picking the crust off one slice and took a hesitant bite.

"Good." Logan nodded in approval. "To further answer your question, Remus has enacted a truce with Patton, Roman, and Virgil. Which essentially means that he agreed to 'tone down' his more distracting behaviors and the others would refrain from, ah…" Logan checked his note cards. "'Getting their strawberry-flavored edible panties in a twist'."

Janus nearly choked on his toast and made a hasty grab for the Gatorade. "How sweet."

"Yes, the sugar content of Blue Cherry Gatorade is regrettably rather high-- Oh. Yes, I suppose it was rather nice of everyone. Virgil also ceased his self-isolation for the sake of seeing you and talked a little about his feelings, as did Roman."

"Hmph." Janus shoved the rest of the toast in his mouth so he wouldn't have to talk. It had been his goal to fix everything, but not quite like this. Not at all like this, actually. He had become another piece on the chessboard, and not even a powerful piece like the queen. No, he was more like a bishop, moving laterally to move forward. And now he had no idea how to get what he wanted.

"Interestingly," Logan said. "I believe it was your involuntary display of vulnerability that led the others to treat each other more gently.

"I get it, I'm the hero," Janus said sourly. Hooray, he'd solved Patton's problems by running around like an idiot. How impressive.

"I was… I was trying to make you feel better."

Janus smiled despite himself. "Thank you. Really."

"Something is bothering you," Logan said. "I can't tell what it is. I had thought you might feel embarrassed, but you are handling matters very calmly, despite the fact that you have a tendency to raise your voice and lash out when agitated or threatened. This leads me to believe you are experiencing a different negative emotion, but I cannot identify what it is or why." Logan paused and cleared his throat, his eyes downcast. "This bothers me because you are my friend."

"I couldn't possibly be tired," Janus snapped, realizing a split second later he'd inadvertently proven Logan's point. "Oh."

Janus sighed and flicked over his metaphorical king, albeit in his own way. "I'm not thinking about all the ways a relationship with Patton could go horribly wrong."

"But you have a relationship with Patton--" Logan's eyes widened. "I see. Are you concerned that your feelings are unrequited?"

"Well, that and the opposite."

"I don't follow."

"Virgil told me that if I break Patton's heart, he'll break me . Literally."

"You're afraid of Virgil ?"

Janus ran his fingers over his temple and took in a breath while he waited for Logan to put the pieces together.

"You're afraid you'll hurt Patton."

"I'm not exactly known for my communication skills."

"Have you tried speaking sincerely instead of hiding your intentions with sarcasm?"

"No , the thought has never crossed my mind."

Logan smiled. "It was a joke."

Janus didn't hiss at him.

Logan continued, "I do think you should try to be honest with Patton."

"Easier said than done."

"But it can be done."

"I'll...think about it." Janus waved a hand to dismiss the topic.

#spicywrites #spicywrites soft-shoe shuffle #song featured: if it all falls down - jimmy buffett

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opaquestrategies · 4 years ago

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2020 in review

tagged by @7rc --thank you, I love doing these kinds of things. and since i always write too much for them, the list is under the cut.

Top 5 movies I saw this year:

Emma. (last film I saw in a theater!)

Roman Holiday (hOW did it take me this long to watch this. how is roman holiday not more embedded as a fanfic au plot trope? a pure delight.)

The Host (went through all the Bong Joon Ho movies I could find after seeing Parasite and this one was my favorite. B-movie but make it art!)

Naussica of the Valley of the Wind / The Castle of Cagliostro / Porco Rosso (As of this year, I’ve watched every Miyazaki movie! all three of the ones I caught up with are great, and I can’t bring myself to choose between them.)

The Hateful Eight (we hooked our laptop up to our stereo to watch this after Liminal Election Week and it was so cathartic to live in a world with different, more visceral problems and to see people in lockdown for a different reason)

Top 5 TV shows I watched this year:

Halt and Catch Fire (I didn’t post much about this show at all when I watched it in June because it was so good that I watched all four seasons in one weekend. Stick with it thru the first season where it’s still just “diet 80s Mad Men and Lee Pace and MacKenzie Davis are there” and you’ll get a show that’s also a stunning mediation on how people you’ve grown apart from can still be part of you even after time changes both of you several times over and what it means to be able to forgive and be forgiven. you’ll feel like you lived a lifetime after finishing this.)

The Simpsons (first nine seasons! this is what I watched over the summer when packing up the apartment I’d lived in for four years)

What We Do in the Shadows (the first season was a great time, but somewhere around the Jackie Daytona episode was when I realized I was watching a masterclass sitcom)

Derry Girls (this was the perfect stress-barricading watch for the first week of quarantine! absolutely sublime.)

Simone Giertz’s youtube channel (loved the consistent experience of being able to watch a cute, talented woman follow the inscrutable exhortations of her soul, especially when those exhortations were things like “make a coffee table out of matches and then light those matches,” “build a robot deer I can hunt with a compound bow” and “build a scissor lamp.” her whole spirit of “yeah, fuck it, I’m just gonna manifest this thing because I want to” is infectious and brought a lot of joy back into covid summer)

Top 5 Songs:

Choose literally any Fiona Apple - Fetch the Bolt Cutters track and insert it here

Fleetwood Mac - “Angel”

Throwing Muses - “Not Too Soon”

Adrienne Lenker - “Anything”

Haim - “Don’t Wanna”