#ink dev

[splashink-games]

okay so my review content will be dry for a little while. Valkyria Chronicles 4 is a long-ish game and idk if there'll even be a review for that one so sit tight

might have some other content for y'all soon though in the form of dev logs if I can keep those (and my productivity) up

[tea-n-ink]

Homesickness is where the heart is

[splashyink]

I think they should hug and become besties again

[if-whats-new]

What's New In IF? Issue 12 (2024)

By Erika, Marjorie, Axelle, and Noi

Now Available!

Due to the early release of this issue, any release or update during June 28th unmentioned here will be included in next week's issue.

Itch.io. - Keep Reading below

Due to Internal things, the June and July issues will only update on events and games. We hope to resume regular activities and include more pages by August. Note: while Axelle is mentioned, they are currently on a break.

~ ENDED ~

The Rayuela (Spanish IFComp) released the ranking for this edition. Congratulations to the winners!

Both the Otome Jam and the Josei jam have ended this week, totaling almost 200 new VNs intended for female audiences.

Love/Violence also recently ended, with a dozen entries about love… and violence!

Eleven entries were submitted to the French jam Nouvim3000, with less then 3000 words!

Thanks to the record breaking submission count, the Neo-Twiny Jam managed to raise over $600 this year!

~ ONGOING (VOTING) ~

The 17 entries of the ParserComp are ready to be played and judged! Until the end of July, you can cast your votes!

~ ONGOING (SUBMITTING) ~

Like every July, the IFComp has opened once more their website for intent of submission, a required step to submit your game! You have until August 1st for the intent, then August 28th for the game! They are also looking for an artist to design their yearly logo! (paid)

While it is not IF-focused, the Anti-Romance Jam is once again looking for anti-romance submissions!

Did you submit an intent to the IntroComp? The deadline to submit your prototype is coming up! Don't forget, on July 31st!

The deadline for the Fix the Worst Visual Novels (Jam) has been extended until July 15th!

Are you a fan of Bluebeard? A jam focusing on the tale and its interpretations is ending this weekend!

Thinking of trying to make a Visual Novel? Try your hand at the O2A2 Jam, where you can only have one asset (of each type) and 1.000 words!

For the francophones, the French IF community is organizing a summer-long camp to create parsers. Join the Confiture de Parser if you're interested!

Until the end of July, a chill IF (text-only) game jam is happening on itch, from the Interactive Fiction Club.

~ OTHER ~

The Interactive Fiction Showcase is still running! If you have completed an IF piece this year, consider submitting it! It is happening only on itch!

~ NEW RELEASE ~

The Siren's Bet (Twine) is a short fantasy text game, where your path crosses a siren's. @kessielrg

Summer Night (Twine) is a short slice-of-life game about meeting friends. @lokeloski

Don't forget to check the events mentioned in previous pages! There were a lot of really cool entries!

~ NEW RELEASE (WIP) ~

Secunda Reforge (RenP’y) is a highly stylistic dark-fantasy and gothic visual novel. @secundareforged

Hubris (Twine) is a dark-fantasy project where you incarnate the Champion of the Gods. @hubris-the-if-game

Dragon Kin (CScript) is a high-fantasy project about struggled and power.

The Devils Privilege (CScript) is a young adult modern-fantasy project with twists.

Prismatic (CScript) is a personality-based death game with a focus on horror.

Wake to weep (CScript) is a mature mystery project with sci-fi tones.

Eschaton: The Rebirth (CScript) is a high-fantasy project with a battle for good and evil.

Phantasmagoria (CScript) is an extension project of a previous short game based on Greek Mythology.

~ GAMES UPDATES ~

A Shriek of Ash and Fire (CScript) has updated, doubling its word count, over 100k. @krogpile

Path of Martial Arts (CScript) has updated their Patreon's demo.

Drink Your Villain Juice (CScript) has made the last major update public. @drinkyourvillainjuice

Oh Mother, Where Art Thou? (CScript) has added extra content to the demo.

The Adventures of Sherlock Holmes (CScript)'s Patreon demo has been updated. @doriana-gray-games

Luuckey United F.C. (CScript) has doubled its wordcount.

Scarlet Sorceress (CScript) has updated the demo.

Citadel (CScript)'s last update is now available to everyone. @bouncyballcitadel

Agents of Lucifer (CScript)'s demo now includes chapter 8 and 9. @aprismaticodyssey

One Knight Stand (CScript) has added the second part of Chapter 2 to the demo. @oneknightstand-if

The Bar of the Abyss (CScript) has been updated with extra content. @thebarontheabyss

The Thousand of Us (CScript) updated both the Patreon and public demo. @ivanwm-05

Honor Bound (CScript) has released Chapter 7 for the public demo. @hpowellsmith

Attollo (Twine) has released the Pariah's route for the Patreon's demo. @attollogame

Honor Among Thieves (CScript) made a quick update to the demo. @leoneliterary

The Story of Sin (Twine) added two full chapters to the demo. @devilishmango

The Abyssal Song (Twine) added Chapter 3 to the demo. @ri-writes-if

A Sun Asunder (CScript) almost doubled the wordcount of the demo. @asapostapocalypseif

The Curse of Cassandra (Twine)'s demo has been updated with more content. @thecurseofcassandra-if

~ OTHER ~

The Queer Games Bundle (@queergamesbundle) is still available on itch.io for another week! Support a bunch of queer creators (including Interactive Fiction authors!) by purchasing the bundle!

The new issue of the Amare Fortnightly Bulletin is out! Check it out here! @amaregames

Tears of Tianchao (Twine) is looking for beta testers. @redbeanbunsworld-if

The Dragon's Flagon (CScript) is looking for beta testers.

Let's Make IF is back for a second season of tutorials on how to make Inform 7 games. @golmac

We apologize if we missed an update or a release. We are but volunteers trying to find as much info as possible, but sometimes news pass through the cracks.

Please, let us know if something should have been added to the zine, and we will shout it out next week!

ERIKA, MARJORIE, AXELLE, AND NOI

WHAT'S NEW IN IF? 2024-ISSUE 12

[reel-fear]

Bendy And The Power Of Representation

So those graphic novel pages huh? Seems I posted my cover post at just the right time because literally minutes after I was informed the preview pages came out and uh. This is Buddy and Norman!

Oh dear... I'll put the full graphic novel pages down below but I have so much to say on how awful this is it'll need several posts. However, right now I want to mostly talk about representation and briefly touch on why it's so damn important + inform others about the current shit Mike and Meatly are saying about the books n such.

Now note: All the things I'm saying below are based on my personal experience, maybe some people don't care about seeing the representation of their identities in the media they consume. Maybe some will think I'm merely being dramatic and I might be but I'm not lying when I say I personally believe being represented and seen in the media you consume can be one of the most wonderful feelings in the world.

Look I'm not here to argue with people who think that Norman in particular was never meant to be a person of color, I would argue he is very coded but the points I'm making here are not about how Norman particularly had to be black. The point I want to make is the lack of diversity in our cast in general and how Norman's design has heavily dwindled it considering most people [including myself] rightfully assumed he was at least one of three black characters in our cast. Not according to this though and looking at the the rest of the pages our chances of seeing any kind of decent diverse character designs dwindle more.

So firstly... Buddy a character who has been said to experience discrimination for being Jewish, lacks any kind of ethnic features at all. That's... Cool but yeah I think this shows a rather grim future for the character designs as a whole.

Also, Norman... As I mentioned he was largely assumed to be black due to his southern dialect, his voice, and other factors. But nope, he's a generic white guy. With... Gross looking hair tbh...

Sadly this is not the first time the topic of poor representation has come up concerning Bendy either.

[note how he disregarded the other mentioned minorities and specifically cites LGBTQ+ characters]

This sucks as a response but sadly considering Mike's recent behavior it seems to fall in line with the Bendy team's general lack of care towards representing anyone who isn't straight and white.

So how did Mike respond to all of this? Well...

TDLR - "Who cares if the Graphic Novel we're selling to our fans for full price sucks, we now no longer consider the books canon."

This is horrible, I know Mike and Meatly are only really in this for the money, the fact BATIM is in the state that it is proved that, but they really couldn't have been less obvious about it?

So basically when it benefited them, AKA when it meant people would have to buy the books to understand important lore like Boris' identity... [the character you spend all of chapter 4 trying to rescue] They were considered canon... At least the author sure thought so.

Hell even in the tweet Meatly made here he doesn't say the books aren't canon, he just says they're not needed to understand Bendy's world. Now Mike is using that as a shield instead of doing the right thing and saying "You're right, the poc in our fanbase deserve better we'll have it fixed right away!" Like most reasonable people would considering how his studio has literally been accused of bigotry, poor rep, and general lack of diversity before. Why risk making more people avoid this franchise?

Also just... Imagine how insulting it would be to be an author who helps flesh out so much of this world and gives its characters depth like NONE of the games have managed to do, filling in plot holes, creating a timeline for events, etc... Then because they couldn't bother to change the graphic novel for ur story to be better they instead throw out all ur writing and declare it non-canon.

If I were her to put it bluntly I'd feel insulted and horrible. Why make her do all the work of making sure her works align with the timeline and game's canon if they're not part of it?

I can't speak for her obviously but Meatly and Mike know of her account, so speaking out against this could very much risk her being fired or at least not allowed to work on Bendy anymore... So I would take all her tweets on this situation with a grain of salt. She very much is not in a position where she could be honest if she was against this.

So with all that history now, the question I'm sure many are wondering is... Why does this even matter? Who cares how diverse the characters are when it doesn't affect the story?

Well for one thing, if you think like that consider having more empathy for your fellow human beings but also it does affect the story. One of DCTL's themes is about the bigotry of the period it is set in.

Now the Bendy team has managed to make the discussion of this book centering around their bigotry which is ironic in a way I almost find funny... Though this entire thing is just a bit too hurtful and upsetting to find any humor in, at least for me...

But another thing is representation can bring people such joy when it's done with care. It really shouldn't be understated how far it can go to make people feel more comfortable in their own sense of self to have a franchise choose to represent them and their experiences. I know this from personal experience.

Now if you've been following me for a while, you know I'm a big fan of Transformers. I no longer engage with it much due to baggage from the fandom's awful treatment of me, but before I left I remember being able to witness the release of Transformers: Earthspark first few episodes.

These introduced the Maltos the family who meets the Transformers and serve as our protagonists and guess what?

It's a family of Filipinos!

Now look I'm not Filipino, but I am half Mexican and I have a lot of love for that part of me. So seeing the representation of any Spanish culture in this franchise I loved made me so happy! I remember just watching the first episode I was happily telling my partner how fun it was to see people like me and my family in a world I love!!

But it didn't end with the Maltos in fact... There was another character who spoke to me, their name was Nightshade. Their pronouns are They/Them and they spoke about it on the show! Not just mentioning it and moving on but actually sitting down to speak about their experiences...

This clip in particular really turned them into an absolute favorite among fans and well... I'll let you see it for yourself.

This scene... Fills me with a joy I cannot describe. It is the creators of a franchise I love telling me they see people like me and find the stories of people like me important enough to include in this series. There really is nothing like being able to say there are Non-Binary characters in a franchise I have so much love for. I was far from the only one too.

This is amazing, this is wonderful, this clip and character were moving to so so many people and...

This is a joy the Bendy creators have no interest in giving their audience. They don't care how you feel as a queer and/or black person, which... Hurts...

I... Discovered I was trans while in the Bendy community... It was where I learned the word Non-Binary and started using it for myself. To me Bendy will always have that connection... But the devs themselves seem to hate the idea of being forced to actually represent that in their games... And I still haven't really gotten over that pain or betrayal if I'm being honest.

So...

With Norman now being portrayed as white here, we are down to two black characters. Thomas [who Meatly has claimed is white in the past] based on a vague conversation with Sammy in DCTL they could easily ignore... And Jacob.... A book exclusive character which according to Mike means he is non-canon.

If we don't count Thomas' vague talk with Sammy about disrespect as confirmation he's black [which the devs don't seem to think so] then we have one black character in all of Bendy... And he recently got retconned into non-existence. Great.

Look... The Bendy fanbase has always been full of wonderfully diverse designs for the staff and even more diverse people creating them. Bendy's fandom was built with the work of queer people from all kinds of places.

If the Bendy team continues to show how little they care for anyone who isn't straight or white... I wonder who they are counting on to buy this book or in general financially support their franchise?

I know right now, I am furious, I am hurt and I most certainly don't feel like buying a book that's currently just a massive fuck you to the fans and I hope I've expressed why I feel this way in an easy-to-understand way here...

Either way, I will not be forgetting this anytime soon and I hope the fanbase does the same. Maybe just maybe, if there's enough backlash to this series of horrible decisions they'll learn better.

Right now, it's kinda of our only hope for a better future, and if you know any poc who are into Bendy right now... Maybe consider making sure they're feeling okay.

I know from experience how much this sort of thing hurts, to have the creators of a world you love straight up tell you they don't intend to fix the fact no one in their stories represents your identity or life...

What I'm trying to say is...

This is a really low point for Bendy and its fans... Even more for the poc who have to witness such ignorant and careless attitudes from Mike and Meatly towards their feelings.

Please don't forget them when you discuss these tweets or this situation. That's exactly what Mike and Meatly want right now.

For them to be unrepresented and therefore... Unheard.

[unagidevi]

HEYO! HAPPY NEW YEAR AND (LATE) CHRISTMAS! + WOO! HAPPY 3K AT THE LIL CHRISTMAS PARTY BLOG

——

I hope you don't mind but I used my human designs as drawing skeletons give me a headache.

@xpau-official dtiys

——

[lunaartgallery]

Character Concepts | Hellven

Sen - Messenger of Death, he went through many design changes before I settled on the top one.

Follow me on | Twitter | Instagram | Youtube Support me on | Patreon | Kofi

[magicicephoenix]

okay, maybe it was a bad idea teaching cuphead MORE ways to tick off the ink devil…

[essence-inked]

I made a thing, and now a silly little idea I came up with a while back has become a short TTRPG game about delivering weird and dangerous packages to weird and dangerous clients, and all the stuff you run into on the road along the way!

Introducing You've Got Mail!

You can snag for free (or pay whatever you think is a fair price) from the link below.

[werewolf-transgenderism]

hey do you guys want to see my art glow up for real from as early as i could find pictures for?

2014-15:

2016-17:

2018-19:

2020-21:

2022:

2023:

ok byeeeeeeee

[drawathing]

Might've designed the perfect video game character idk

[splashink-games]

Monthly Dev Log 3

well, it's actually every 2-3 weeks, which is a little sooner than a month. also, playing Cassette Beasts is still ruining me to this moment (4 finished games later) so-

no screenshots again this month because I'm still breaking and fixing things. this time, it was how I handled static data vs player-created data because of the way Godot handles reading and writing to files and the fact I'm using SQLite to handle that data, so it's been some trying times getting everything to work. if you've ever used Godot before this will make sense to you

but if you haven't, here's a simple chart that kinda maybe shows what's happening:

besides that I also really needed to implement some singletons and found out (again) that Godot has Autoloads for that. that was part of the breaking and fixing portion of the past few weeks.

something nice I did this past week that didn't break anything was implementing version control via Github. I may be currently working solo, but I've been breaking things so often, I figured it might be time to make sure I don't lose all my work

next up is making a new card duel/match/battle scene or whatever I want to call it. plus straightening out the data structures and writing some more scenes for NPCs

as always,

enjoy gaming!

[purplishly-prosaic]

Lineart for a late-game character in Sanguinaria, the "Countess". 💅🩸✨ There aren't all that many female characters planned for the game, so I really have to make 'em count. 😆 Colors soon~

[howdy-folks-its-showtime]

The Ink Demonth - Day Nine Record

Been hard at work on modelling assets for It's Showtime. I have lots to show but by far the one I'm happiest with so far is this Gramophone I made for Ink Demonth Day Nine "Record". I also created this super fun animation for it. In case anyone is wondering, I've already fully programmed it into the game~ But you guys will have to see that later! For now admire all my hard work at making this thing.

[if-whats-new]

What's New In IF? Issue 17 (2024)

By Erika, Marjorie, Axelle, and Noi

Now Available!

Itch.io. - Keep Reading below

Note: Due to the links limit per post (100), some links included in the zine won't appear in this version. It is, however, on both the PDF and .txt versions on itch.

~ EDITORIAL ~

Another Milestone!

This week, we were surprised to see we passed a few milestones! Our reader base grew quite drastically, ever since we started this zine four months ago. It is being shared in places we didn't even know discussed IF!

We are very grateful for your unwavering support! It means so much to see people cheering for us, and most remarkably helping us!

Without you all, this zine wouldn't exist!

On to the zine!!

We had a wonderful discussion with Barbara Truelove this week, who let us bombard her inbox with many many questions!

In our exchanges we learned some really neat stuff about her work and her trajectory as a creator. And if you want to know what we learned... check out our interview with Barbara Truelove on Small Talk...

We hope you enjoy this extra long issue!

ERIKA, MARJORIE, AXELLE, AND NOI

~ BE PART OF THE ZINE ~

WHAT'S NEW IN IF? HAS EXPANDED!

Since the release of issue #14, we've enacted some changes with the zine. It is now expanded with interviews of creators from all around the IF world, as well as direct contributions from you, our readers!

THIS ZINE ONLY HAPPENS WITH YOU!

Want to write 1-2 pages about a neat topic, or deep-dive into a game and review it in details? Share personal experiences or get all academic?

WRITE FOR THE COLUMN!

Prefer to be more low-key but still have something to share? Send us a Zine Letter or share a game title for Highlight on…!

WE WANT TO HEAR FROM YOU!

Excited as we are about next week's interview and have questions for our guest? Or want to see a certain author answer questions next? Message us!

SMALL TALK... IS WAITING!

Came across something interesting? Know a release or an update announced? Saw an event happening? Whether it's a game, an article, a podcast… Add any IF-related content to our mini-database!

EVERY LITTLE BIT COUNTS!

Contact us through Tumblr asks, Forum DMs, or even by email! And thank you for your help!!

~ EVENT SPOTLIGHT : Bitsy Jam ~

Tiny bites of games, with a retro feel…

The Bitsy Jam is a series of short unranked game jams, focusing on the use of the bitsy program and its forks (e.g. mosi, bipsi, ...). The jam is organized by Adam Le Doux, the creator of bitsy.

Happening monthly, based on a previously voted theme (follow Ledoux!), the Bitsy Jam brings together creators from all corners of the game development world for two weeks, to create itsy bitsy games.

Bitsy is a program to create interactive and visual short games, with a retro-pixel feel on a 2D format. Allowing for short and linear stories, as well as lengthy puzzly branching games, bitsy is a great starting point for tiny interactive fiction and pixel art.

Bisty was used in many prominent creators like cecile richard, dreamingamaris, christine mi and @cerberus-writes. A fork was used in the 2023 ECTOCOMP winning game InGirum.

The current edition (#82) is ending in two days, with the theme INTENTIONALLY BAD!

~ ENDED ~

If you like “murderboys”, the 72h Murderboys Mayhem Jam ended last weekend, with 15 entries. Check them out!

Currently in closed voting, the Ukrainian Visual Novel Jam saw 49 entries submitted last weekend. Come show your support before the results!

~ ONGOING (VOTING) ~

You can now check out the entries submitted to the IntroComp and vote for your favorite demo!

~ ONGOING (SUBMITTING) ~

If you are looking for a challenge, the yearly Velox Fabula just started! For the next ten days, this ranked jam is looking for visual novel submissions around a theme: “You Shouldn't Be Here”.

If you still want thrills but in a chiller way, the Tales to Thrill Jam also just started. Take your pick from the three themes and try your best at emulating the creepy campfire vibes!

For those who created an intent to participate at the IFComp, you have until the end of the month to submit a full game… or wait for next year! (Or you can look our for beta-openings, create an account to vote when the games are released, or offer prizes!) @ifcomp

Less than a week left to create a short game with only One Choice, for the Single Choice Jam!

For the francophones, the French IF community is organizing a summer-long camp to create parsers. Join the Confiture de Parser if you're interested!

Ending at the end of August, is the summer-long unranked SuNoFes Jam (Summer Novel Festival), where you can only submit one IF/VN game!

On the CoG Forum, Halloween is already there! Until Oct 31st, submit to the Halloween Jam - it has funky themes!

Looking for motivation to try your hands at Visual Novels? The Phantasia Jam just started, and will run until Halloween! Three months to create a fantasy VN, with the theme of “Hidden Magic”.

Do you understand or write Ukrainian? Until the end of the year, the Ukrainian IF Festival is happening on itch.io!

~ OTHER ~

Over on the IntFiction Forum, the Review-a-thon is continuing its initiative to get more reviews for games. Check out this post by Tabitha if you want to participate! It ends on the 30th. This is also a sponsored event, aiming to raise funds for one of the Forum members.

The Interactive Fiction Showcase is still running! If you have completed an IF piece this year, consider submitting it! It is happening only on itch!

SMALL TALK…

WITH BARBARA TRUELOE (@barbwritesstuff - Web)

Joining us today is werewolf enthusiast, IF creator and author: Barbara Truelove - Author of the “Blood Moon”, “Thicker Than” and more!

Links included in this interview were not included due to the Tumblr links limits. Please download the itch.io version!

⟶ Welcome Barbara on Small Talk…!

Happy to be here!

⟶ Let’s jump right in! Who are you and how did you find IF?

The line I usually use is: I'm an Australian writer, game developer, and a werewolf enthusiast. I think that sums me up pretty well. I've been writing since I was little (my mum has the scrappy, incomprehensible notebooks to prove it) and have always had a particular soft spot for stories about monsters.

My journey to IF was a bit meandering. Compressing things as much as I can: In 2018 I wrote a book [Crying Wolf]. It was about werewolves in prison and I ended up selling it in 2019 to a small, independent publisher. I was editing it throughout the later half of 2019. Unfortunately, in hindsight, I don't think the editor and I were very well suited for each other. The process left me feeling really insecure about my writing. So insecure that I actually stopped writing for a while.

In 2020, I moved to South Korea. Covid arrived in the country only a couple of weeks before I did. The pandemic made it much harder for me to make friends, so I ended up playing more games and stumbled across IF. I've always liked interactive stories (I had an unhealthy love for Dragon Age: Origins back in the day) and in October 2020 I decided to try and write my own. I used ChoiceScript, because it seemed like the easiest coding language to learn, and almost gave up half a dozen times that first night. But, I was having fun writing again which was amazing.

A month later, I posted the first couple of chapters of Blood Moon which is my first Interactive Fiction project. About half a dozen people messaged me telling me they loved it and encouraging me to continue, and so I did. It might seem corny and cliche, but I'll be forever grateful for this community. IF made me enjoy writing again. Writing interactive stories is so stupidly fun, and it was wonderful having a creative outlet and a little online community during the pandemic.

⟶ Anything about IF you’d like to nerd about to start?

IF is in such a weird, odd space in the market. Is it a book? Is it a game? Is it both? Is it neither? When I'm talking about it in person I always find myself saying stuff along the lines of: “It's like those old choose-your-own-adventure books from the 90s but on your phone”. This hazy definition makes it hard in some ways. For example, the Hugo awards are happening very soon [tomorrow]. There is an interactive fiction/game category, which is awesome, but the nominations are things like Baldur's Gate 3. Obviously, that's a game. A very gamey game. IFs like the kind made in ChoiceScript or Twine aren't going to compete.

I hope IF grows in popularity and we start to see a distinct niche for it in mainstream pop culture and media. I think that would be nice. Not saying we have to get our own Hugo Award... but I'm not not saying that either. Shoot for the moon and all that.

⟶ Could you tell us a bit more about your interactive work?

My IF projects are:

Blood Moon - A ChoiceScript game about dating werewolves and fighting vampires.

Thicker Than - Another ChoiceScript game and sequel to Blood Moon. It's about surviving vampire politics as a young fledgling. Currently in development.

Something A Little Super - A game I made in Ren'py, free on itch.io. It's about raising a super powered child. A love letter to my favourite superhero: Martha Kent.

A Fairy Tale - A Visual Novel made in Ren'py, also free on itch.io. You play as a young fairy noble seeking an advantageous marriage. It's very silly. Murder is optional.

Drown With Me - A dark mermaid tale made with Ren'py. Development on his game is currently on hold.

⟶ Your ChoiceScript games are pretty chunky and inter-connected. How do you manage creating such intricate stories and keep track of everything?

I'm a VERY bad planner. I write in Choicescript and use CSIDE. I have a thousand little notebooks filled with badly scribbled ideas. I usually have a rough idea about where a story is going but I won't know 100% how it'll happen until I'm writing it. Editing is my best friend. I also just use a lot of variables and (when in doubt) go back and look at my variable list to remember what I was doing and what different choices players may have made.

Variables are still a tricky thing to keep track of! I don't have a good system for it, honestly. I just use my brain which sometimes makes mistakes or forgets about certain choices, and the variable list. But that's what editing is for. I try not to be too hard on myself if my first draft isn't perfect. I'm really grateful for readers who send me discrepancies or things they've encountered that don't make sense in my demos and WIPs.

⟶ When you started Blood Moon, did you ever think it would end up being published under Hosted Games?

When I started Blood Moon, I didn't know what I was doing. I had no idea if I'd be able to finish it, let alone get it published. The whole thing was a learning process. Hosted Games is very upfront about the requirements of publication. I followed those and submitted the game when it was finished. They reviewed my submission, asked for a few minor edits, and then gave me a publication date. Overall, I think the whole process went very smoothly.

⟶ What about Thicker Than? When did you know you wanted to write a sequel?

I didn't think there would be a sequel, just because I didn't think I would be able to do that much writing again. But then the idea of flipping the script and telling a story from a vampire's perspective happened and I just couldn't hold myself back. 😅 This happened after I'd finished writing Blood Moon, but before Blood Moon came out. I wrote a short demo for Thicker Than, but didn't start work in earnest until after Blood Moon's release.

⟶ Blood Moon is told from the perspective of werewolves, while Thicker Than is from the vampire's. How was changing that perspective between the different titles?

It was so fun!

The werewolves are very modern and have a strong rough 'n tumble found family vibe. They'd go to hell and back for each other, that they're not afraid to have distinct and loud personalities, and that they're low-key epic. They don't realise how scary they are because they're used to being the biggest, meanest thing around.

The vampires are shady, sneaky, and old fashioned, both in the way they talk and the way they do business. The most powerful vampires are really powerful, but the average vampire is much more humble and blending in is how they survive. They've also hilariously bad at team work.

The fact that these two monsters are so different makes them so fun to write. They really are the opposite sides of the same coin. Two types of paranormal monster living in the same city, but with very different struggles, cultures, and experiences. I really wanted to show that difference and give the vampires (who were very unsympathetic in Blood Moon) their due... without taking away their darkness.

⟶ You are really passionate about werewolves. What's so cool about them?

Werewolves are fun! They're my go-to monster. But I like all kinds of monsters. Vampires, fairies, evil robots. I'm a fan of stories that explore humanity through the inhuman.

I think inhuman characters are fun because they can reflect us (our thoughts, our feelings, our experiences) in unique and sometimes fantastical ways. So, for example, in Blood Moon, a major theme was family. But, rather than write about humans with families, I'm writing about werewolves with packs. It makes those themes pop. But also, monsters are fun! It's fun to imagine the world as seen through the eyes of a werewolf, or a vampire, or a robot, or an alien, or a god.

⟶ Are there other themes you'd like to explore in future projects?

I never know what I'm writing about until I'm writing it, and sometimes not even then. I process my life through my writing, so the themes often reflect what I'm thinking about and feeling at the time. I can't really predict exactly what it is I'm going to zero in on and explore until I'm already doing it.

⟶ Then, what inspires and influences your creative process?

Inspiration can come from anywhere. From books I've read, to places I've been, to people I've met. I can never predict what will spark the next idea.

Blood Moon has some obvious inspirations. The city setting is inspired by Seoul. When I wrote Blood Moon I was trying to make the city setting feel generic enough that it could be any city. I wanted players to be able to imagine it was taking place in their hometown, which is why I never named the city the characters were in. But, in my mind, the inspiration for the city is Seoul. Seoul is both a remarkably beautiful and remarkably ugly place. It's polluted, built up, and bathed in neon lights with tiny traditional alleyways twisting through the modern buildings. Magical and sinister and wonderful all at once. The perfect city for vampires and werewolves.

The various characters are all pieces of myself and/or people I've met. The vampires and werewolves have been informed by all the vampires and werewolves I read and watched growing up. I drew inspiration from: Underworld, Interview with the Vampire, Twilight, Vampire the Masquerade, and (of course) Dracula. These things are what helped shape my idea of what werewolves and vampires could be throughout my teen years.

⟶ Is there anything you wished you’d known before starting creating IF or using ChoiceScript?

I chronically underestimate how much work writing IF is. When I first started Blood Moon I naively thought I would be able to finish it in 8ish months (ha! It took about 2 years.). IFs are big. Much bigger than novels. They take a lot of work and a lot of time to write. It's also hard sometimes just holding all the different narrative threads in my brain and weaving them together in fun and satisfying ways. I want the different routes to feel unique and dynamic while also not overwhelming myself with too many variations and options. That balancing act is a skill I'm still learning and developing to this day. I think I often bite off more than I can chew and have to slow things down for a while as I try to untangle and work through it all.

⟶ Are there things you wish you’d done differently with Blood Moon?

Blood Moon is not a perfect game, but I did the best I could at the time, so I'm not going to be too harsh on myself when it comes to things I could've done better.

⟶ Then, let’s focus on the positive. Do you have a favorite scene from all your games?

I don't think I could choose a favourite scene. 😅 There's a few oddballs I'm very fond of. Marco's 'octopuses' rant in Blood Moon is so weird and wonderful, I can't help but think of it. The flashback scene in Something A Little Super is exactly my brand of corny. I'm also thinking of some more epic things I've written that I really enjoyed bringing to life. There's some moments like that in my book Of Monsters and Mainframes that'll be coming out next year.

⟶ What about a scene that was particularly challenging to put together, but satisfying to complete?

The scene I worked the hardest on was probably the final showdown in Blood Moon. I really wanted it to feel satisfying, challenging, and impactful. There's this moment (spoilers!) where the player's character gets to go toe-to-toe with the BBEG [Big Bad Evil Guy/Gal], who just so happens to be a vampire. Werewolves vs Vampires! It's an iconic match up. I wanted to write something worthy of it. I couldn't really figure out a way to make it special. Originally, it was going to be outside, in the snow. That way I'd get the dramatic visual of red blood splattering on white snow. But it also felt a little cliche. Then I saw a Say Yes To The Dress clip somewhere online and suddenly I'm writing this scene not in a snowy street but in a bridal boutique. Blood splattering on white lace felt brutal and messy and visceral in all the right ways. It really made that final showdown work. I think that flash of inspiration really rescued that scene. The early drafts of it aren't half as good.

⟶ Having branches can be hard to balance. Have you ever struggled with choices for which you can’t write a path? How do you handle it?

Some stories want to branch a lot. Some stories don't. I write the stories that don't want to branch as novels. However, sometimes I'll stumble across a section of an IF that I'm struggling to give interesting branches/stories to. In those moments, I do a faux pas and don't give the player a choice. I think it's better to have a few good/exciting choices than a lot of boring choices. And, if my brain doesn't want to write a certain choice outcome, that means that outcome probably won't be fun or rewarding for the reader either. I really hope that makes sense.

⟶ Last year, you branched out, and created 3 Visual Novels in Ren’Py. What was the driver behind this switch up?

I just wanted to challenge myself and see if I could figure out a different coding style. I'm really proud of my Ren’Py games. They're short, silly, and strange, but I learnt so much doing them. Also it allowed me to experiment with shorter interactive stories.

And I might do it again! It was a lot of fun. I'm just so overloaded with writing projects right now that I can't promise anything. 😅

⟶ Since two of these are text-only, why the choice of Ren'Py over other more traditional choice-based programs like Twine?

I don’t know why, but my brain doesn't like Twine. Totally subjective opinion! I've seen other writers do amazing things with it. I just have never been able to make it go.

Ren’Py is a really powerful tool and works in a way that is easy for me to understand. I love the built in features like the menu and save functions.

⟶ Unlike your other works, Something A Little Super is more of a slice-of-life first and foremost. What inspired you to write this story?

My mum! I wanted to tell a superhero story with a twist. Something A Little Super is inspired by Superman and Martha Kent, but the main focus of the story isn't flying around, saving the world. It's about the choices that parents make while raising their kids.

I've never been a parent, so I used my mum as my main inspiration. My mum was (and still is) a superhero.

I also really wanted to explore how different parenting choices can have a big impact on who a child grows up to be. I tried to write the game in such a way that there weren't any ‘right’ or ‘wrong’ choices. All the choices are reasonable and make sense. But they do shape who the super powered kid grows up to become. I'm so proud of Something A Little Super. It's such a personal wee story in so many ways. It makes me so happy knowing people enjoyed it.

⟶ Your other releases are more anchored in fantasy: one focusing on fairies, the other having a more nautical approach. Was there something specific that inspired you?

A Fairy Tale was my first Ren'Py game. I wanted to write something small while I figured it out... and fairies are very small.

Which is a joke, but also very true. The whole premise of the game is these tiny little creatures with very short life spans that meet and find love in one night. I used Tinkerbell and Peter Pan as inspirations but the motive behind the fairies was the ability to compress everything down into a very short, but also very high stakes story.

Drown With Me is a project I wish I had time to work on. Dark mermaids are always a ton of fun. As for inspirations... that'd be pirate music.

⟶ Did you notice differences when working on those VNs compared to more traditional text-only IF?

Writing a visual novel is much more like writing and directing a stage play than writing a book. It was fun experimenting with the script style.

⟶ You don’t just create IF games, but also write novels. How do you manage to balance all these different projects?

I don't. I'm very bad at balancing my time between projects. I often overcommit and underestimate how much work a project is going to need. I need to get better at balancing my writing in general. I just always want to do so much.

⟶ Still, you are pretty consistent with your updates (1/month). How do you manage this?

I update every full moon! It's a silly thing that I started when I was writing Blood Moon. It's a fun gimmick that I've kept up with. Some months I don't write very much, and that's okay. Some months I write heaps and that's awesome! I try to be kind to myself, no matter how much or little I get done. That's the only advice I can give. Have fun and be nice to yourself.

⟶ How do you assess whether your work is enjoyed by people?

I don't know how many people enjoy my work. That's a really hard thing to know! I know there's some very lovely people who message me sometimes. I think I'm very lucky to have found people who mesh with my style of writing. The internet is a big, tangly place and it's always wonderful when you find people who are on your wavelength. It's really humbling to know there are other humans out there who think about my characters and stories.

⟶ As an outsider, it is undeniable you are pretty popular on Tumblr, where parasociality is pretty common. Have you experienced this phenomenon yourself?

There are boundaries I set when I talk to people online. I think that's important. I'm kinda private, actually, and a wee bit shy in my day-to-day life. I don't always seem that way, but when I'm online I'm usually just talking about my writing. That's what I really enjoy doing.

⟶ Have you gotten messages, like feedback or reviews, that weren’t as nice? How do you handle criticism and negative comments?

Oh, all the time. I get some very harsh feedback in my inbox. I try to take it in my stride, but some days that's easier said than done.

I divide all feedback I receive into two groups: Actionable feedback and Unactionable feedback, i.e., something I can fix, or something that I can't. Examples of unactionable feedback would be stuff like ‘I don't like werewolves’. Obviously, my story isn't the right fit for that person, and there's nothing I can do about that. I ignore unactionable feedback. If someone sends me actionable feedback, I try to do my best to fix it.

The good thing is, I get a lot more positive messages than negative.

An author I met last year said something very wise that's stuck with me. She said, no matter what, there are some people who won't like what you write. And that's fine. In fact, that's good. You want people to love or hate your work. That means they're reading it!

There is no such thing as a game/book that everyone likes. Keeping that in mind, it's much easier to read the negative feedback, find the actionable feedback in it, then get back to work.

⟶ On days that are difficult to take the feedback in, do you take breaks or get right back to work?

I let myself feel my feelings and (if I need to) I complain to my friends. 😅 But it honestly doesn't happen often. I'm pretty good at taking negative feedback, bad news, rejections, etc... in my stride. It sucks, but it's also just part of being a writer.

⟶ Do you think your traditional writing background helped you process this negative feedback this productively?

I don't think so. I think being able to take negative feedback is just a skill writers learn over time, no matter the medium. When I was in university, I did a couple of units in scriptwriting, and some of the feedback I got then was very critical. Before that, when I was in school, I did a creative writing class which was also pretty brutal. I used to write fanfiction, and people didn't pull their punches there either. It sucks, but I think it's normal to get a lot of various responses to your writing. Like I said, I ignore any feedback which is unactionable.

That said, there are times when it gets to me. Like I said before, I was very insecure about my writing after editing my first novel. It's hard some days. But writing is my art. It's how I process the world. When I stop, I feel like I'm missing something in my life. I focus on the good because I want to feel good about what I do. It's not always easy, but it's important to me.

⟶ You started your writing journey publishing a book, with another one on the way. How does writing a novel compare to creating interactive fiction?

I'm really not sure how to compare writing a novel and writing IF. In some ways, they're not that different. The main focus of both is to tell a good story. There are some nitty gritty differences, but overall I think stories are stories. I will say, some stories need to be IFs and some need to be novels. Blood Moon wouldn't work as a novel. That story wanted to branch from the moment I started writing it. Similarly, my most recent novel, Of Monsters and Mainframes wouldn't have ever worked as an IF. That story felt more direct, contained, and character focused from the first word typed.

I guess it's just whichever medium suits the story.

⟶ What advice would you give to an aspiring IF creator, based on your experiences?

Write something you're passionate about! For me, it was werewolves. It doesn't matter what the subject is, just make it something you could stay up until 4am talking about. I worry a lot of new writers feel they have to chase trends, but the only thing that does is ensure you'll be behind the curve. Write what makes you happy, and that love will shine through.

⟶ Many people rave about your work, but are there any games you rave about? Anything you would recommend to our readers?

Recommendations are so hard! I feel like I'm just going to gush about the games everyone already loves. VTM: Night Roads, Fields of Asphodel (@chrysanthemumgames), The Northern Passage (@northern-passage), Choice of the Vampire, etc.

There are so many fantastic games out there and so many WIPs!

⟶ After Thicker Than, what is on the horizon for Barbara Truelove? And where will we be able to follow your progress?

Thicker Than still needs a lot of work. It's a very big, complex game and I think I'll probably be working on it in some capacity for at least another year. IFs aren't quick and easy but they're a ton of fun! I've also got a (non-interactive) novel coming out next year with Jaysen Headley at Bindery Books titled Of Monsters and Mainframes and I've got a couple more projects I'm working away on behind the scenes. You can find me on my website, Tumblr (@barbwritesstuff), and KoFi.

HUGE THANKS TO BARBARA TRUELOVE FOR ANSWERING OUR MANY BRUNING QUESTIONS!

~ NEW RELEASE ~

The Ghost and the Golem (CScript) is the latest release from Choice of Games @choiceofgames

Oh, Vagabond (Ink) is an atmospheric short text horror adventure about what remains. @an-excess-of-eyes

Nusantara: Bermuda Triangle (Ren’Py) is an eight-year-long in the making adventure otome visual novel.

Can't Buy Me Love (Ren’Py) is a visual novel based and all about the Beatles. @brummelliana

passenger9027 (Twine) is a short sci-fi game, where you wake up in a spaceship.

The Robot (Twine) is a short sci-fi game, where you have a conversation with a robot.

TECH // LOOP (Twine) is a cyberpunk game where you play a looper.

As always, don't forget to check out the submitted entries to the events mentioned in the previous pages. They deserve some love too!

~ NEW RELEASE (WIP) ~

Small Charms (Ren’Py) is Visual Novel project about daily use magic, a coffee date and a terrible decision. @viscereye

We Troubled Souls (CScript) is a high fantasy project involving godly and mystical beings, and survival.

to the place where death rests (Twine) is a sapphic project where a woman falls in love with the lady of/in her dreams. @bntarwarn

Intensions (CScript) is a high fantasy project where you play as a fae, with the weight of your people on your shoulders.

Vessel of Harkahn (CScript) is a fantasy project where the survival of the world resides in your locked memories. @vatiiagames

That Distant Shore (Twine) is a supernatural fantasy project where your curse will be your undoing, unless… . @exkowrites

Aphni's Quartet (Twine) is a cyber-punk fantasy project where you play a loath prophet. @marblesstorystudio

Press Play (CScript) is a slice-of-life project where you are part of a mysterious band. @pressplay-if

Tale of the Dragoons (CScript) is a fantasy project where you are a dragoon.

Carrion (Twine) is a mermen adventure game where you must defeat an ocean cult. @kinglyoverlord

~ GAMES UPDATES ~

Social Democracy (DendryNexus) has received multiple updates.

Dice & Dungeon Masters (CScript) added extra content to the demo.

Echoes of Kingdom: The Last Stand (CScript) updated with dozens of new words.

Honor Among Thieves (CScript) added extra content to the demo. @leoneliterary

The Judgement of Tarkar (CScript) came back with 2 new chapters.

Summer of Love (Twine) added a new chapter to the demo. @summeroflove-if

Dance of the Night (CScript)'s demo now includes Chapter 2.

Remnants of the Past (Twine) started its second act in this update. @remnantsofthepast-if

The Abyssal Song (Twine) added Chapter 4 to the demo. @ri-writes-if

The Bureau (CScript) added extra content to the demo. @morbethgames

The Game of War (CScript) updated with extra content.

The Night Market (Twine) added Chapter 6 to the Patreon demo. @night-market-if

Path of Martial Arts (CScript) added new paths to the demo. @nicky-if

Love in a Time of Earthquakes (CScript) completed Chapter 6.

Vendetta (CScript) updated the Patreon demo. @vendetta-if

The Bastard Crown (CScript) updated with major re-writes. @eddyiewriting

The Ultimate Magic Student (CScript) updated the Patreon demo.

Abnormal (CScript) updated the demo with major re-writes. @abnormal-aninteractivezombiegame

The Six That Thrives (Twine) added Chapter 3 to the Patreon demo. @the-six-that-thrive-if

Dragon of Steelhorn (CScript) has put out the demo for bonus chapters for beta.

~ OTHER ~

The last HG release, Halls of Sorcery has been withdrawn from sale due to AI-generated content. If you have bought the game, and have not received a refund yet, you should contact HG support.

Magehunter: Phoenix Flame's demo (CScript) will be soon removed from viewing, as it is expected to go into beta testing. This might be your last chance to play it.

Heavens’ Revolution (CScript) is looking for official beta-testers.

Drew Cook started a new series of articles: Let's Write IF. @golmac

If you are fan of podcasts about IF, Adam Cadre uploaded the latest episode of Radio K, discussing Lost Pig, Child's Play, and An Act of Murder. @adamcadre

The 55th issue of the Indipocalypse was released recently, including multiple IF games.

On IntFiction, mathbursh completed the Brief History of the SpringThing, ahead of the release of his IF History Textbook.

~

As always, we apologize in advance for missing any update or release from the past week. We are only volunteers using their limited free time to find as much as we can - but sometimes things pass through the cracks.

If you think something should have been included in this week's zine but did not appear, please shoot us a message! We'll do our best to add it next week! And if you know oncoming news, add it here!

~ A CYOA Poem ~

1 Catered with abundance, the player peruses the IF wares, meticulously thinking about what to take next. Go to 2.

6 There isn't a single choice. You are bombarded with options. Your commands push the story seamlessly. It only returns failed actions. Your fingers go numb from clicking, pressing, typing... Go to 7.

4 The world is simple but immersive. The world is large and neverending. You only stand in your room. You travel wide distances. It is a peaceful journey. You get hurt at every turn. Go to 5.

3 The adventure doesn't start before a character is selected. Or maybe it has already. There is so much to choose from. There is nothing to choose from. Go to 4.

7 And it's already the ending. You won't get there for another dozens of hours. You wait patiently for the next update. The experience is complete. You lurk. You ask for details. You rate. You comment. Go to 8.

END You played an IF game. Return to 1 to restart.

8 You spam everyone with links so they play it too. You never speak of that experience ever again. You make fanart and daydream about everything. Go to END.

5 You meet a bunch of characters. You are utterly alone. You romance one, or maybe six. You only find peace with yourself. You love them. You hurt them. Go to 6.

2 Yesterday was slice-of-life, tomorrow surely sci-fi. But for today, a simple fantasy will do. Go to 3.

IFLover2495

~ HIGHLIGHT ON ~

A couple of games that we thought were cool.

(Don't) Save Me by Coral Nulla @nullamirrors (Decker - itch.io - IFDB)

What happens to the ‘manic pixie girl’ at the end of the story? This is what the game tries to find out, giving a voice to the trope we love but never wonder what is under the surface. A wacky adventure filled with choices, with a funky UI.

//recommended by anonymous//

Swooning over Stans by sovonight @gfdatingsim (Ren'Py - itch.io - VNDB)

“Recent memes reminded me of the insanity that is this game. You barely need to know any lore of Gravity Fall to reach the endings and feel fulfilled by this weird fan-game. And it's not just SO GOOD story-wise, it's so freaking well made too! Fans are the best, they make the coolest shit.”

//submitted by (peace sign emoji)//

The Dying of the Light by Amanda Walker (Inform7 - itch.io - IFDB)

A heartbreaking text-adventure told from the perspective of an older woman with dementia, as she struggles to communicate her needs, wants, and fears.

Though fighting the engine may be frustrating, it displays an effective manner to convey the difficulties of dementia.

Linear progression. Input HINT for help.

//recommended by C.//

Your favourite game here?

Do you have a favourite game that deserve some highlighting?

A old or recent game that wowed you so much you spam it to everyone?

Tell us about it! And it might appear here!

WE LOVE TO HEAR FROM YOU ALL! WETHER IT'S GOOD OR BAD, OR EVERYTHING IN BETWEEN...

Hi What's New in IF team! This is a tiny zine letter for you, to thank you a whole lot for including my game in your zine. It was really nice of you! and I got a whole lot of new people checking it out thanks to you. Keep up the good work! - anonymous

I hope @catskets sees this, because I really enjoyed their interview. It was so fun and insightful, and honestly, pretty inspiring. And now I have 30+ new games to play, and links to link between all the stories! - a new fan

Hi ThereIsMoreButICantFindIt, Thank you for the links, it was pretty enlightening. Please keep me in mind if you do find other sources about Modern IF! -Rich

is this section limited to authors only? because i wanted to give a shout-out to @elfroot-and-laurels, my favourite artist, who's done imo the best (fan)art of IF projects i've ever seen. -aureuslaureus

Have something to say? Send us a message entitled: Zine Letter!

As we end this issue, we would like to thank:

a new fan, aureuslaureus, C., ghostlykittenshark, Rich, (peace sign emoji), and a bunch of you anonymous users!

For sending news, interview questions, helpful tips, cool links, filled form, written Sheet line, even emails... all these help us so much to make this Zine possible!

And as always, huge thanks to all you readers to liked, shared, and commented on last week's issue! What might be tiny actions are huge support and motivators to us! Thank you for cheering us on this journey!

~ ~ ~ ~ ~ ~

We also hope you join us again next week, for we have a very special guest on the zine:

Award-winning creator, retro-IF enthusiast, parser craft writer, Drew Cook @golmac sits down with us next week!

Want to know more about his work? How he found IF? Or learn more about his non-dev projects? Send us all your burning questions!

And see you again next week!

ERIKA, MARJORIE, AXELLE, AND NOI

WHAT'S NEW IN IF? 2024-ISSUE 17

[reel-fear]

Genuinely so curious who Mike thinks is gonna be buying The Cage or the new DCTL GN bc with the way he tweets as far as he's concerned, it's not gonna be:

The queer people he has actively admitted he will never show any representation of in the games.

2. The POC he has actively fought against representing in his franchise. [Who he also mocked for thinking they would be represented in his franchise]

3. The Bendy fandom which has always been concerned with topics of diversity esp in the sense of queer people since its creation. Who he has responded to really poorly esp in regards to the GN.

4. The fans who critique him. [He blocked me for doing so lol]

5. His fans in general who he tweets about like this currently. [He's being vague about why people were mad at him or sent him 'nasty messages' because if you actually looked into why you'd see he was in the wrong. Either way, a very hateful way to speak abt ur own fanbase.]

Reminder while Mike is trash talking his fans he has always treated them rather poorly. The fans who won the fanart contest for Chapter 5 never got their posters actually in game due to it being rushed. Not only was chapter 5 a big slap to the face story wise, but it was literally so rushed he couldn't be bothered to add in the art his fans gave him for his game FOR FREE. [Meatly blames this on a crazy timeline, reminder him and Mike are the literal ceos of this company. The proposal of future updates here is also pretty cruel considering Mike nowadays happily admits he corrupted Chapter 5's source code and therefore literally can't update it At All currently. Because he is a moron]

At least they got to be in Boris and the dark survival, and by that I mean that was the Only game they got to be in so far, isn't that just treating your fans like you love them? Shoving their hard work into a spin off game almost nobody has played or addresses much. [Hell, who knows if with the Lone Wolf rebrand they'll even stay there. In which case they'll be in None of the games, only in the credits of BATIM]

6. The Bendy fans who just generally disagree with him on stuff. Like the new ink demon design where there is literally a public poll showing people generally prefer the old one.

7. The Bendy fans who can see he is actively lying to them. To their fucking faces.

He says this has always been the case, but screenshots and links to tweets regarding the books being canon prove it was not. Does he really think bendy fans are stupid or something? [Unless he's admitting here he lied to Kress when he told her the books were canon which sounds worse!]

8. Anyone who doesn't like the idea of giving money to a guy who laid off tons of employees then afterwards thought it was a great idea to express his anti-union views! Also brag about how good of an employer he was, according to his employees, he was not!

So in summary; Mike is an awful person who has not learned anything from the awful things he did. I will not be purchasing The Cage because, combined with this and his absolute refusal to take any kind of critique or see any differing interpretation of his franchise, I have no reason to think my problems with the franchise will ever be addressed or fixed. I probably will pirate The Cage along with any future Bendy Products [Including the movie] and will do my best to avoid giving it any kind of monetary support. Unless this changes any time soon, I can't see myself making anymore positive Bendy posts soon.

Mike has just managed to make it so hard to speak positively or optimistically of this franchise when he's so willing to broadcast how little he cares about it or its fans. I'm at the point where I refuse to pull any of my punches with my problems with it. What's the point of trying to play nice with my critique when either way the people creating it don't care?

So with this post, I want to invite anyone who feels similarly about the franchise to tell me, make a post or send an ask talking about how all of this makes you feel. It may not change how things are, but genuinely seeing other people share my feelings of anger makes me feel better. It feels nice to see when other people share our same concerns and worries. I'd also love to know if anyone else thinks they'll be avoiding purchasing Bendy products over this.

I'm not forcing anyone to participate in it nor trying to say anyone who doesn't supports mike but genuinely maybe if we can collectively decide to boycott things like the movie, graphic novel and The Cage... It might at least make the bendy devs acknowledge how much they have destroyed their own fandom's faith and trust in them.

The way Mike tweets about his actions like he had no control over why people were mad at him at least proves to me he takes NONE of it back nor regrets it. If you didn't know about his actions and only went off his tweets, you would be led to believe Mike has been needlessly picked apart by fans over things he couldn't control [or in his own words, had his words twisted and taken out of context]. That is not how you speak about your actions if you have actually learned better from them.

anyway, that has been my bendy dev callout post. This is an open invitation to anyone feeling similarly upset about the way the franchise is going to talk about it. It's genuinely nice to see how people feel about this and the more we talk about the more it's likely the bendy devs are forced to address our concerns. I don't think they will but hey, that's why I'm not gonna support them with my money anymore nor am I gonna be nice to them in any content I make critiquing Bendy. I mean I'm also basically making this post just in case anyone asks me Why I feel this way towards to bendy devs/as a way to respond to anyone who thinks I am too harsh in my critique in the future.

As always, it seems the best part of Bendy isn't actually anything about canon but about what the fan's are creating with the ideas Bendy failed to do anything interesting with.

Also the books, the books slap.