#ingrid goes west (2017)

[toomuchlovereviews]

Ingrid Goes West (2017)

⭐️⭐️⭐️⭐️

God, I love when women are a bit insane.

Watch this if:

you miss 2016 aesthetics

the subgenre of Aubrey Plaza being very unsettling appeals to you

Similar Titles:

All About Eve (1950) (basically the same plot, but without Instagram)

Cam (2018) (cam girl finds her online doppelgänger, tech-y horror)

Saltburn (2023) (what if I told you none it it was accidental? also has a killer soundtrack)

[ex0rin]

Happy Birthday Wyatt Russell! - July 10th, 1986

22 Jump Street (2014), Black Mirror (2016), Shimmer Lake (2017), Overlord (2018), Table 19 (2017), Lodge 49 (2018/2019), Under the Banner of Heaven (2022), Woman in the Window (2021), Ingrid Goes West (2017), The Falcon and the Winter Soldier (2021)

[filmgifs]

INGRID GOES WEST (2017), dir. Matt Spicer

[ilovelizzie0lsen]

Elizabeth Olsen as Taylor Sloane 📱

🎥: Ingrid Goes West (2017)

[fadeintoyou1993]

AUBREY PLAZA Ingrid Goes West (2017)

[sideshow-tornado]

Ingrid Goes West (2017)

[gifsbyflcrencepughs]

↳ public ! at the source link below, you will have access to #114 gifs ( 268 x 150 ) of o’shea jackson jr. in ingrid goes west (2017). o’shea is of african american descent and born in 1991, they should be cast accordingly. all gifs were made by me from scratch so please do not claim/repost/edit as your own. 

* check my pinned post for commission information.

[heavenboy09]

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To You

The Most Iconic Blonder Haired 👩🏼 Actress Of The Later 2000's, Who Has Established A Name For Herself In Hollywood & The Academy  & She is the 3rd Identical  Sibling Of The Most Famous Pair Of Twin Sisters

Who Made It Big As Actresses Themselves In The Early 90's Of Television 📺 & Movies 🎥

Elizabeth Chase Olsen was born on February 16, 1989, in Sherman Oaks, California. Her mother, Jarnie, is a former dancer, while her father, Dave, is a real estate agent. She is the younger sister of twin fashion designers Mary-Kate and Ashley Olsen, who became successful television and film actresses as children. Olsen also has an older brother, a younger half-brother, and a younger half-sister.

She is an American actress. Born in Sherman Oaks, California, Olsen began acting at age four alongside her sisters Mary-Kate and Ashley Olsen. She had her debut film role in the thriller Martha Marcy May Marlene in 2011, for which she was acclaimed and nominated for a Critics' Choice Movie Award. Olsen received a BAFTA Rising Star Award nomination and graduated from New York University two years later.

Olsen gained worldwide recognition for her portrayal of Wanda Maximoff / Scarlet Witch in the Marvel Cinematic Universe media franchise, appearing in the superhero films Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Avengers: Infinity War (2018), Avengers: Endgame (2019), and Doctor Strange in the Multiverse of Madness (2022), as well as the miniseries WandaVision (2021) and the second season of What If...? (2023). Her performance in WandaVision garnered her nominations for a Primetime Emmy Award and a Golden Globe Award.Outside of her work with Marvel, Olsen starred in the monster film Godzilla (2014), the mystery film Wind River (2017), and the dramedy Ingrid Goes West (2017). She executive produced and starred as a widow in the drama series Sorry for Your Loss (2018–2019), earning a nomination for a Critics' Choice Television Award. Olsen has since portrayed Candy Montgomery in the miniseries Love & Death (2023), for which she was nominated for another Golden Globe Award.

Please Wish This Beautiful & Well Regarded Delightful Olsen Twin Sister Of The Olsen Family ���

A Very Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊

YOU KNOW HER 👩🏼

YOU SEEN HER SKILLS IN ACTING SINCE SHE WAS JUST A CHILD LIKE HER TWIN SISTERS 👩🏼👩🏼

& SHE IS CARRYING ON THE FAMILY LEGACY 👪

THE 1 & ONLY

MS. ELIZABETH CHASE OLSEN 👩🏼 AKA WANDA MAXIMOFF, THE SCARLET WITCH 🧙‍♀️ ♥

HAPPY 35TH BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊 TO YOU MS. OLSEN & HERE'S TO MANY MORE YEARS TO COME

   #ElizabethOlsen #TheOlsenTwins #TheOlsenFamily #Godzilla #Avengers #WandaMaximoff #ScarletWitch #MCU

[mogwai-movie-house]

Ingrid Goes West (2017)

Rewatched this thoroughly enjoyable black comedy for the Instagram generation last night; a spot-on observation of the fake paradise world we daily gaze at through our glowing screens and the flawed, frightened and desperately lonely humans that lie on either side of them.

Aubrey Plaza is pitch-perfect as the broken and unhinged nobody who becomes obsessed with the apparently perfect life of social media influencer Elizabeth Olson, and sets off to worm her way into her life. Ice Cube's son, O'Shea Jackson, is excellent as Plaza's easygoing and easily-exploitable landlord, but actually all the main cast give career-best performances throughout.

It's a small film, about apparently small things, but near-perfectly done in just about all departments. A small gem more people should be aware of.

★★★★★★★½✰✰

[veryeepysloth]

INGRID GOES WEST (2017) Dir. Matt Spicer

[filministic]

Ingrid Goes West (2017) dir. Matt Spicer

[succubusonmars]

Ingrid goes west (2017)

[drzito]

Esta semana, diez peliculas de la decada pasada.

Ingrid Goes West (Matt Spicer, 2017)

[kiki-de-la-petite-flaque]

Ingrid Goes West, Matt Spicer, 2017

[twenty-words-or-less]

Top 5 Worst Films of 2019

It's been a while since I gave you something from the vault, so you can have something, as a little treat. Best of 2019 and Best & Worst of 2021 to be interspersed throughout the next few posts.

IMPORTANT: There will more than likely be spoilers, because I do not respect these films enough to calmly articulate my feelings for them. Also there is way more swearing in this post.

5. Glass

It is a second sequel that shat on the second wind Shyamalan had after Split. David Dunn suffered an undignified death in a puddle and Dr. Staple is a member of an evil organisation that suppresses the existence of superheroes. The latter comes out of fucking NOWHERE and does NOTHING for the film, let alone the trilogy as a whole. Also, the last act is lifeless and I haven't felt this patronised by a film since 2017's Ingrid Goes West.

4. Hellboy

The 2004 movie is in my all-time top 10. This 2019 disaster of a multi-genre whiplash didn't have a chance from the off. Everyone was wasted in this, actors AND the musicians who contributed to the soundtrack. It was lazy, it was unnecessary, and the post credits scene - namely, them finding Abe Sapien - was so optimistic about having a sequel, it was cute. I'm glad it bombed. Hard.

3. Star Wars: The Rise of Skywalker

Yep, the one I saw just yesterday. Whilst I wanted Kylo Ren to fucking die, the film also fucking made Reylo canon immediately before, which is the one thing I didn't want them to do. It's soulless, it relies too much on the original trilogy, it's too long for its own good, and oh my fuck is it a elevator plummet in general from TFA. And yeah, I know 'elevator' is American. In this case, it's more effective than 'lift'.

2. The Goldfinch

Proof that a film being based on a Pulitzer Prize-winning novel does not make it good. Every scene felt disconnected from the previous one, the plot likes to pop in for a cuppa every now and then, and it has more endings than a clitoris, none of which are anywhere near as pleasurable. Also, dear Hollywood: please stop giving Ansel Elgort work. Thanks.

Dishonourable mentions:

The Intruder: not as rage-inducing as the top five entries here, but still pretty crap. The character motivation is weak as hell and is never explained in a reasonable way.

Ma: Tries to be a hybrid of Carrie and Misery, fails at being both, can just wastes Octavia Spencer (and Diana Silvers, coincidentally in Booksmart).

Annabelle Comes Home: Straight up fucking boring. The best characters are only in it for about 9 seconds (proportionally speaking). Not much else I can say on that front.

And finally, the worst film I have seen this year...

1. Burning

Oh fuck me, where do I begin?This film is based on a short story, and at 2.5hrs is about 45mins-1hr too long for its origins. The protagonist is a gormless moron (GM), the love interest is a wet blanket (WB) and the third party is basically a Korean Gatsby (KG). WB disappears, and the film makes it out to be like KG didn't murder her (which he did, movie). The film treats us like we're stupid, some shots go on for far too long, there is no plot AT FUCKING ALL, and worst of all, I didn't care about the protagonists. GM wanks in WB's empty flat and then pretends to be sad when WB goes missing. GM also stabs the shit out of KG to death at the end of the film, and honestly, I wanted to jump into the film and stab the shit out of GM himself. [REDACTED] put this as their 2nd worst film of the year, and as much as I love them, 2nd place is far too generous. Foreign language films do not get a theatrical release in the UK very often, so this was an insult on multiple levels. I wanted to like this film, I did, and I want to know more about Korean cinema beyond I Saw The Devil, but this burned me in that respect and I do not understand the praise it got from critics. Fuck this film. Fuck it to the depths of hell and back. And fuck you, whoever decided to give this a theatrical release in the UK, for that decision. I hope that you will be forever tormented by mice living in your walls that eat your food and cannot be removed, no matter what. Fuck. You.

Thanks again for reading, and happy New Year, everyone! See you soon! Hopefully for a year that is better for films than this one! ❤

~Mikey

[diyanaeatsalotagain]

Aubrey Plaza in "Ingrid Goes West", directed by Matt Spicer, 2017