#ingham

[redrcs]

Pause, and reflect.

Tyto Wetlands, Ingham.

On my travels

[unteriors]

Allingham Street, Ingham, Queensland.

[cathyrossphoto]

Ingham, Nyawaygi country

[thunderstruck9]

Bryan Ingham (British, 1936-1997), Upright Jug No. 2, 1986. Oil, pencil and collage on board, 60 x 29 cm.

[foliejpg]

doc there’s a hole where something was 💔

[hum--hallelujah]

something something true blue (magic) or whatever that guy from Fall Out Boy said

[haveyouseenthismovie-poll]

[oldsardens]

Bryan Ingham - Butterfly

[bagelarts]

here i am, not sure you should take a chance...

(insp)

[redrcs]

Brown Backed Honeyeaters building a nest, Tyto Wetlands, Ingham.

On my travels.

[unteriors]

Fairford Road, Ingham, Queensland.

[cathyrossphoto]

cars on a bridge

[limitedtouredition]

2024.03.31

[psikonauti]

Charles Cromwell Ingham (American,1797-1863)

The Flower Girl, 1846

Oil on canvas

[thunderstruck9]

Bryan Ingham (British, 1936-1997), Mediterranean Head, 1996. Oil, collage, pencil and chalk on board, 46.5 x 33 cm.

[uwmspeccoll]

Wood Engraving Wednesday

THÉO SCHMIED

The French painter and illustrator Pierre Brissaud (1885-1964) was commissioned to produce watercolor illustrations for the 1950 Limited Edition Club (LEC) production of Gustave Flaubert's Madame Bovary. The watercolors were turned over to the workshop of master French wood engraver Théo Schmied (1900-1985) to be reproduced for the edition as these remarkable, multi-block color wood engravings.

Schmied's Swiss-born father François-Louis Schmied (1873-1941), also a wood engraver and formally trained in the book arts, established his Paris workshop in 1910 to produce deluxe, illustrated limited editions. Théo Schmied took over the management of his father's workshop beginning in 1924 and inherited the business after his father's death.

This edition was designed by Francis Meynell of the Nonesuch Press in London, with the text composed in Monotype Ehrhardt at the Curwen Press under the supervision of Ernest Ingham and printed letterpress at the Marchbanks Press in New York on specially-made paper bearing the title of the book as watermark by the Curtis Paper Company of Newark, Delaware. The edition is limited to 1500 copies signed by Pierre Brissaud.

Click or tap on the alt-text for each image to see captions.

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