#induction year: 2005

[nfr-reviews]

NFR Reviews #4: San Francisco Earthquake & Fire: April 18, 1906

Released 1906 / Inducted 2005

Watch film here

There’s a clear progression here, a gradual tone shift that begins around the four-minute mark. At first, the camera pans slowly over the razing of giant destroyed walls and billowing clouds of smoke that sometimes obscure half the frame. When people appear, they’re either far in the distance or hurrying offscreen as soon as they can. By the end, people are the camera’s main focus, not an accidental scattered presence. They eat together in the streets and pose with mugs of some drink, fill the streets with horse-drawn carriages (complete with a joke about those newfangled automobiles), overstuff themselves into trollies, and pack boats as refugees to Oakland. 

The land that became San Francisco sits atop the San Andreas Fault, the meeting point of the Pacific and North American tectonic plates. Earthquakes are inevitable whenever a lateral motion between the plates occurs. On April 18, 1906 at 5:12 AM, an earthquake was felt from Oregon to south of Los Angeles. The quake is tied to San Francisco in collective memory due to the three-day fire it caused. There were roughly 3,000 deaths and 225,000 left homeless. A central tension of both the film and wider earthquake recovery was whether to downplay the extent of the damage for the sake of the economy or to share the full knowledge in order to improve long-term safety. 

The film’s vast isolation gives way to a cramped togetherness that almost resembles normality–at least until a title card shows soldiers stationed outside the bank with a shoot-to-kill order in the event of looting. Their presence communicates that the normal operations of law and order are prevailing over the chaos of the earthquake, people’s life savings protected. Military, police, and firefighters provided the city with relief at rapid speed, tearing down buildings to prevent fire spread after destroyed water mains prevented typical firefighting methods. The “kill looters'' order was issued by the mayor, Eugene Schmitz, despite him not having the authority to declare martial law and thus suspend normal operations of civil law (that authority fell to the California governor or US president). Confusion ensued over which forms of laws were even in effect. Due process fell to the wayside. Homeowners retrieving their own belongings and people seeking help were mistaken for looters, including one instance of a man being shot exiting his own home. Authors writing about the disaster chose to emphasize the city’s quick recovery and portrayed the military as saviors, but their presence brought both relief from earthquake-caused fires and civilian deaths from gunfire.

San Francisco’s leadership downplayed the severity of the disaster on multiple occasions. They undercounted death rates to the point where the San Francisco Bulletin’s editor joked that the death count of sunstroke during a typical East Coast summer killed more people than the earthquake. Their quick rebuild didn’t implement as many long-term earthquake safety measures as there could have been, only adding new regulations if they didn’t cost too much time or money. They minimized the earthquake in favor of calling the disaster “fire-based” because fires can start anywhere but San Francisco’s propensity for earthquakes might scare off investors. Even after the earthquake, city officials didn’t declare a 1907 plague outbreak a public health emergency and antagonized the Board of Health until Edward Taylor became mayor and took action against the disease. This was to protect the still-ongoing economic recovery. 

Which reveals the reason for doing this: the city was a key hub of business in the western US, and their leaving would cost the city desperately needed money and jobs. However, not all San Franciscans had the same chance to take advantage of economic opportunities or even post-earthquake emergency services. Working class people, who lived in crowded wooden housing, were hit the hardest by the quake and fire. Chinese people were segregated, generally unable to find work outside Chinatown, and scapegoated as disease carriers before the quake. After the quake, they were frequently relocated away from white survivors by officials and barred from relief efforts. 

Despite efforts to downplay the disaster, scientific research laid groundwork for future generations of earthquake safety policy. The governor appointed a State Earthquake Investigation Commission, the first government-backed earthquake investigation in the US. Their 1908 final report contained extensive coverage of seismographic records, photos and maps of damaged locations, and explanations of how building construction and underlying soil/rock type affected how damaged buildings became. It was still being cited in earthquake safety proposals a century later. Measurements from triangulation surveys (showing how much angles changed in fixed lines on the ground) lead to the development of the elastic rebound theory. The US Geological Survey defines the theory as “how the earth's crust gradually and elastically distorts with accumulating plate motion until it is suddenly returned to its undistorted state by rapid slip along a fault, releasing the years of accumulated strain and, in the process, generating seismic waves that produce shaking.” The idea of fault ruptures creating earthquakes instead of the other way around only gained wide acceptance after the 1906 quake research. Generations of scientists built on knowledge shared in the wake of 1906. Predicting the timing of future earthquakes is still imprecise, but experts can tell which areas will be hit hardest by fault rupturing. Engineering, zoning, and building codes are all influenced by this data to protect from future disasters the best they can. 

So where does the film fit into all this? The people-focused sections, especially the bit about troubles vanishing at mealtime and the shots of bustling horse-drawn carriages add to the "extremely quick recovery” narrative that the government was also projecting. The film avoids the most egregious crisis-downplaying, though. There’s no effort to hide the fact that an earthquake occurred and not just a fire. They do mention Chinese people in this while discussing refugees who had to leave belongings behind; they refer to them as an offensive term, but don't engage in the scapegoating rampant among residents at the time. The coverage isn’t super detailed, but it was more comprehensive than many of its filmic predecessors. Nonfiction filmmaking up to this point was dominated by actualities, which were rarely over two minutes long and lacked editing or structure. This film’s edited intertitles attempt to educate viewers, add context for the images, and give specific names to places like Market Street and St. Patrick’s Church. Nowadays, many more in-depth sources are available who utilize information discovered after this film was released. The film functions as one of those Registry entries where its greatest importance comes not from narrative or filmmaking craft but from needing to preserve footage of a major historical event. At the time, while somewhat playing into the dominant “we’re fine, we swear” narratives, it offered a decent overview of the topic to viewers far away from the damage.

Sources

https://www.loc.gov/static/programs/national-film-preservation-board/documents/san-francisco-earthquake-and-fire.pdf

https://earthquake.usgs.gov/earthquakes/events/1906calif/18april/revolution.php

https://earthquake.usgs.gov/earthquakes/events/1906calif/18april/

https://www.usgs.gov/faqs/why-are-there-so-many-earthquakes-and-faults-western-united-states

https://www.moma.org/collection/terms/actuality

https://hazards.colorado.edu/uploads/observer/2006/may06/may06.pdf

https://www.cairn.info/revue-annales-de-demographie-historique-2010-2-page-217.htm?contenu=article

https://escholarship.org/content/qt00f913xm/qt00f913xm_noSplash_2a0a8269463659626adcab8d09b6366f.pdf?t=p0tadq

https://www.nps.gov/prsf/learn/historyculture/1906-earthquake-law-enforcement.htm

[bonewaryreblogs]

I know it's very soon after my last post, but I think I've mostly got a working timeline

There are more specifics I could get into, but I tried to limit the info in this particular timeline to what's super important and identifiable. Like, I have a whole other post I could make about the Justice Society of America and how it led to the creation of the Justice League, or how Amity Park was founded and by whom, but trying to put it all here would be too cumbersome.

My main sources for general info is whatever I can find on the DC Fandom Wiki, as well as my experiences watching various DCAU media growing up and my favorite Batman show, The Batman from 2004 (good god, I didn't realize it was that old). I tried to fit Young Justice in here too, but it actually conflicts with the first two timelines more than I thought it would, so I might just use it for story ideas for after Danny gets adopted. The Wayne Family Adventures webtoon mostly just supplied the template for how I want them to end up by the time Danny enters the picture, leaving the "how did we get here" up to me, which this timeline hopes to solve.

Also, I couldn't find a good source for it, but supposedly Danny Phantom might have taken place in 2014? Which would've been the future for when it came out in 2004. I considered going with that, but ultimately I decided that DP happens in 2004, taking Danny about a year to establish himself before he gets adopted by 2005.

A big part of why I made this timeline in the first place was to make sure I know how old everyone is when things happen, which is why I put their ages everywhere.

1920s - Martha Clark and Jonathan Kent are born sometime in this decade.

1939 - Alfred Pennyworth is born.

1940 - James “Jim” Corrigan (30) “died” and became the Spectre with Aztar, the Vengeance of God. The Justice Society of America is formed, though they are sometimes called the All-Star Squadron when working with those not formally inducted as members of the JSA (including those with and without superpowers).

1952 - The Kents (~30s) are told they cannot have children biologically. Shortly thereafter, they find the Kryptonian baby Kal-El, rename him Clark Kent after Martha’s maiden name, and adopt him as their own son.

1957 - Alfred (18) joins the British military.

1960 - Bruce Wayne is born. Vlad Masters is born.

1961 - Jack Fenton is born. (Google says his birthday is October 2, 1971, but that would make him like 10 when the Ghost Portal Prototype fails, so I’m just gonna set it back an extra decade lol)

1963 - Maddison Elliot is born. (Google says her birthday is March 16, 1973, so same deal as Jack)

1964 - After many misadventures in England, Alfred (25) takes over as the Wayne Family’s butler from his late father. (Bruce 4)

1968 - 8 year old Bruce’s parents are killed. (Alfred 29)

1970 - After 2 years of flailing, Bruce (10) decides to travel the world and learn martial arts, among other things.

1971 - Barbra Gordon is born.

1974 - Dick Greyson is born.

1977 - Jason Todd is born. Superman (25) debuts in Metropolis, inspiring Bruce (17) to change his plans to become a superhero rather than a crime boss. Obviously there were other superheroes around at this time, but none gripped Bruce like Superman did. He will never, ever admit this.

1978 - Superman (26) is quickly inducted into the Justice Society of America.

1980 - Stephanie Brown is born. Cassandra Cain is born. Bruce (20) returns to Gotham and starts his career as Batman. He begins cutting through red tape to regain control of Wayne Enterprises. Meanwhile, Vlad (20), Jack (19), and Maddie (17) are all at the University of Wisconsin and build the prototype Ghost Portal, which fails catastrophically, causing several important chain reactions; Vlad is blasted with Lazarus Water, the Ghost Zone comes into existence, Vlad falls ill, Amity Park’s Lazarus Pit dries up, Pariah enters the Ghost Zone and declares himself Ghost King, etc.

1981 - Tim Drake is born. Disenchanted with the JSA, Superman (29) starts figuring out how to create his own, international superhero team.

1982 - Bruce (22) adopts Dick Greyson (8) after his parents die publicly.

1983 - Vlad (23) discovers he has “ghost powers” and starts figuring out how to use them. Dick (9) discovers Bruce’s (23) secret and Bruce begins training him.

1984 - Bruce (24) finally lets Dick (10) join him on the streets as Robin. Batman and Superman (32) meet for the first time (which plays out similar to how they meet in “The Batman”).

1985 - Bruce takes over Wayne Enterprises just in time for his 25th birthday. With the company secured, Bruce no longer has to prove himself as responsible and plays up his image as a playboy philanthropist to throw off rumors that ditzy but well-meaning Brucie Wayne couldn’t possibly be the dark and brooding Batman.

1986 - Superman (34) approaches Bruce (26) with his plan for the Justice League, hoping Wayne Enterprise would agree to be the “secret” benefactor. Bruce says he’ll think about it. Barbra Gordon (15) takes the name Batgirl for the first time. (Alfred 47, Bruce 26, Dick 12)

1988 - Jasmine Fenton is born. Cass (8) kills someone for the first time, is horrified, and runs away from her assassin father.

1989 - Duke Thomas is born.

1990 - Daniel Fenton is born.

1991 - Jason Todd (14) tries to steal the Batmobile’s tires after his father is sentenced to prison time, putting him on Batman’s radar. (Alfred 52, Bruce 31, Dick 17, Barbra 20)

1992 - Dick (18) decides to strike out on his own as Nightwing. Jason Todd (15) catches the eye of Talia Al Ghul. Shortly after, Jason’s (step-)mom dies of a drug overdose while his father is still in prison so Bruce adopts him, making Jason the second Robin.

1993 - With Nightwing (19) established and able to take over many of Batman’s (33) responsibilities in Gotham, Bruce asks Clark Kent (41) if he’s still interested in his Justice League idea, which he’s now had 7 more years to refine. Global threats had become more common (which threatened Gotham vicariously and he wasn’t confidant he could take them on by himself) and the JSA had become too entangled with the USA government for anyone’s liking. Now was prime pickings for upcoming talent that had grown up with the idea of superheroes as a necessary force in the world that could see the limitations of government funded (and therefore government controlled) superhero teams.

1994 - Stephanie Brown (14) became Spoiler to “spoil” her father’s criminal career as Cluemaster. After his capture and imprisonment, Bruce (34) “convinced” Spoiler to “retire”, though Barbra (23) kept in contact, as did Dick (21) and Jason (17) to a lesser extent. Steph continued to train on her own, planning to rejoin the hero scene when she was a bit older. The Justice League debuts, led by Superman, Wonder Woman, and Batman, along with half a dozen other members, though their ranks would quickly expand.

1995 - Jason dies at 18. Talia Al Ghul seduces the grieving Bruce (35) to get Jason’s body, accidentally-on-purpose getting pregnant along the way. Jason had unfortunately been dead for a few months by then; however, he was too angry and stubborn for his spirit to move on, which allowed him to be revived via Lazarus Pit. He still came back pretty zombified, though, so Talia used magic to help restore the connection between his mind/soul and his body, and had him train with the League of Assassins to keep him sharp. Part of Bruce’s grief spiral was to throw himself into Justice League work. (Alfred 56, Dick 21, Barbra 24)

1996 - Bruce (36) is spiraling from his loss when Tim Drake (15) basically forces himself onto Batman as the third Robin.

1997 - Cassandra Cain (17) arrives in Gotham, trying to keep a low profile but couldn’t help but save Commissioner Gordon from her assassin father, putting her on Batman’s (37) radar. After Barbra (26) is paralyzed and forced to retire as Batgirl, she asked Bruce to offer Cass the title in her stead, taking on the role of “man in the chair” with the name Oracle. Barbra also pressures pretty much everyone to train with Steph (17), since she can’t anymore.

1998 - Jason (21) returns to Gotham as the Red Hood. (Alfred 59, Bruce 38, Dick 24, Barbra 27, Tim 17, Cass 18)

1999 - Cass (19) takes on the name Black Bat, giving the title Batgirl to Steph (19) as she (re)makes her superhero debut.

2000 - Settling into more of an anti-hero role after getting rid of (most of) his hatred for Bruce for not avenging him, Jason (23) has turned his sights on Crime Alley, doing whatever he feels is necessary to make it safer for the families (but especially the kids) that are forced to live there. He unknowingly is fulfilling Bruce’s original plan of becoming a crime boss and dissecting Gotham’s crime problem from the inside out. (Alfred 61, Bruce 40, Dick 26, Barbra 29, Tim 19, Cass 20, Steph 20)

2001 - I’m going to modify his story, but Duke Thomas (12) ends up on Bruce’s radar.

2004 - Danny Fenton (14) has an accident that gives him “ghost powers”. (Vlad 44, Jack 43, Maddie 41, Jazz 16)

2005 - Damian Wayne (10) becomes the fourth Robin, pushing Tim (24) to move out and become Red Robin instead. (Alfred 66, Bruce 45, Dick 31, Barbra 34, Cass 25, Jason 28, Steph 25, Duke 16, Danny 15, Jazz 17)

-

Damian’s first, big, world-ending crisis is barely a month or two after his arrival, when Cris Allen enlists the Batclan to help him fight Pariah Dark and they join Danny Phantom’s resistance.

I haven’t quite decided what will happen next but Batman figures out Danny isn’t fully dead like the rest of the inhabitants of the Ghost Zone and looks into it after Pariah is defeated. From here, I want it to take less than a year for Danny to be in Bruce’s custody. Duke (at 16) is recruited around the same time as Danny (still 15), so both of them begin training together. I’m sure Bruce wouldn’t mind pulling some strings to get Jazz (17) into a college in Gotham, potentially getting her to study under Barbra/Oracle.

[shewhoworshipscarlin]

Earlene Dennis Brown

Earlene Dennis Brown, a three-time Olympian, was the first African American woman to win a medal in the shot put. Throughout her life Brown excelled in a variety of sports, gaining attention, recognition, and honors. She is the only shot-putter to compete in three consecutive Olympics (1956, 1960, 1964). Brown won Olympic bronze for Women’s shot put in 1960; was Amateur Athletic Union Champion in shot put (1956-62, 1964); won Amateur Athletic Union Championship, discus (1958-59, 1961); won gold medal in shot put, silver medal in discus, USA-USSR dual meet (1958); was shot put and discus champion, Pan-American Games (1959); and placed 12th in shot put, Tokyo Olympics (1964).

Earlene Dennis, born July 11, 1935, in Latexo, Texas to Espenola Tillis Dennis, a domestic servant, and Willie Dennis, a semipro baseball player with the Negro League in Texas. When her parents separated in 1938, Dennis remained with her mother and they moved to Los Angeles in 1945. Dennis’s mother married Julius Walker in 1946. Dennis attended Jordan High School in South Central Los Angeles, where she excelled in track and field. Her athletic ability was noticed by many, including Adeline Valdez, Dennis’s high school gym teacher, Josephine Spearman, and Coach Clarence Mackey, who tried to get her to compete in the Helsinki Olympics (in 1952 in Helsinki, Finland). Valdez is credited with putting the first discus in Dennis’ hands while her history teacher taught her to shot put. Before competing in shot put and discus, Dennis anchored the relay team.

In 1956, Brown finished in the top ten in the shot put and the discus. In 1958 Brown received the #1 world ranking and became the first American to break the 50-foot barrier. Brown won gold medals in the shot put as well as discus events at the Pan American Games in 1959. At the Tokyo Olympics in 1964 Brown placed 12th in the shot put.

Brown retired from the shot put competition in 1965. The same year she took up another sport, roller derby. Brown’s career in skating began as a blocker for the New York Bombers.

In 1975, Brown retired from all athletic ventures and worked as a beautician to provide for herself and family. On May 1, 1983, Earlene Dennis Brown passed away in Compton, California at the age of 47. On December 1, 2005, Earlene Brown was posthumously inducted in the National Track and Field Hall of Fame by the USA Track and Field (USATF) Association during the Jesse Owens Awards and the Hall of Fame Induction Ceremony in Jacksonville, Florida.

[rhapsodynew]

#On this day

Billy Gibbons – 75th anniversary of the leader of ZZ Top🎸

Happy birthday to Billy!🍻🤗

William Frederick Gibbons was born on December 16, 1949 in a suburb of Houston, Texas in a creative family: His father was a pianist, conductor and worked for MGM. At the age of five, Billy's mother took Billy and his sister to an Elvis concert; and at seven, he was present with his father in the studio at the recording of BB King. Billy started his musical career as a percussionist, but at the age of thirteen he found his first electric guitar. Billy went to California, where he combined his studies at the Warner Brothers School of Art with work in local teams. He would return to Texas and organize The Moving Sidewalks; the band played psychedelic rock that was fashionable at the time and recorded several singles and one LP. The team was lucky to be "opening for" Jimi Hendrix, and he will teach a young colleague some guitar lessons. In 1969, Gibbons organized ZZ Top (he also came up with the name). After several line-up changes, the band will find its unmistakable style: hard rock, boogie, blues and southern rock. (No less recognizable beards will appear later). In 1971, the trio debuted with the longplay "ZZ Top's First Album"; according to Gibbons: "... we named it so as to make it clear that others will follow. At the same time, we were not sure that we would get another chance in the studio, but we really hoped for it." The band's second studio album, "Rio Grande Mud" in 1972, will be in the middle of the US Billboard 200 rating, and "Tres Hombres" in 1973 will reach the 8th position, becoming gold in the USA and Canada.

Over the following decades, ZZ Top would sell over 50 million copies of their recordings; in 2004, they were inducted into the Rock and Roll Hall of Fame. All these years, Billy remained the guitarist, main songwriter and lead vocalist of the trio; in 2015, Rolling Stone ranked him 32nd on the list of the greatest guitarists of all time. The 15th studio album, "La Futura", was released in 2012 and successfully performed on the charts. In 2021, Dusty Hill died; according to his wishes, guitar technician Elwood Francis took the place of the bassist. According to Gibbons, Hill managed to record his parts for the new album. In addition to ZZ Top, Gibbons has appeared in films, on TV, released three solo albums, a book and participated in projects of many musicians, including Nickelback, Queens of the Stone Age, BB King, Kid Rock, Sammy Hagar, Jeff Beck and John Fogerty. In 2005, Gibbons married his long-term girlfriend Gillian Stillwater. Billy is a fanatical collector of retro cars; his 1933 Ford Coupe, known as the "Eliminator", is featured in several ZZ Top videos and on the cover of one of the albums.

[mydaddywiki]

Bobby Bowden

Physique: Average Build Height: 5'9"

Robert Cleckler Bowden (November 8, 1929 – August 8, 2021) was an American college football coach. Bowden coached the Florida State Seminoles of Florida State University (FSU) from 1976 to 2009 and is considered one of the greatest college football coaches of all time for his accomplishments with the Seminoles. Bowden was first among active coaches for winning percentage in bowl games at the time of his retirement, and is currently second for all-time bowl wins and second for bowl appearances.

The beloved Hall of Fame coach led FSU to an National Title in 1993 and a BCS National Championship in 1999, as well as 12 ACC championships. But fuck that shit! He was sexy southern guy who is just adorable at any time in his coaching career that got me giddy. Giddy? Yeah I said giddy.

The beloved, folksy Hall of Fame coach led FSU to an National Title in 1993 and a BCS National Championship in 1999, as well as 12 ACC championships. But fuck that shit! He was sexy southern guy who is just adorable at any time in his coaching career that got me giddy. Giddy? Yeah I said giddy. A devout Christian, Bowden didn’t smoke or drink, and “dadgummit” seemed the sharpest word in his vocabulary. Which some how makes him hotter to me.

Sadly, passed away Aug. 8, 2021 at the age of 91, after a battle with cancer. The Birmingham, AL native and his wife had six children, including two who became college football coaches, former Clemson coach Tommy Bowden and current University of Louisiana at Monroe coach Terry Bowden. I would probably toss a dick to all four of his sons, particularly Terry. Good genes I guess.

But back in the 90s, DAMN Bobby was scorching hot and I would have loved to make him cum. Accept his Christian faith wouldn't have allowed that. But I could dream.

Head Coaching Record Overall 377–129–4 Bowls 21–10–1

Accomplishments and Honors Championships 2 National (1993, 1999), 12 ACC (1992–2000, 2002–2003, 2005), 2 ACC Atlantic Division (2005, 2008)

Awards: Bobby Dodd COY (1980), Walter Camp Coach of the Year Award (1991), Amos Alonzo Stagg Award (2011)

College Football Hall of Fame Inducted in 2006 (profile)

[allthedesiredusernamesaretaken]

... listen to music ...

55 years ago today the Rolling Stones released their Let It Bleed, with the classic tracks "Gimme Shelter" and "Midnight Rambler."

Released shortly after the band's 1969 American Tour, it is the follow-up to 1968's Beggars Banquet, and like that album is a return to the group's more blues-oriented approach that was prominent in the pre-Aftermath (1966) period of their career. Additional sounds on the album draw influence from gospel, country blues and country rock. In 2005, the album was inducted into the Grammy Hall of Fame, and is on Rolling Stone magazine's 500 Greatest Albums of All Time list. Robert Brownjohn designed the cover, which displays a surreal sculpture. The image consists of the Let It Bleed record being played by the tone-arm of an antique phonograph, and a record-changer spindle supporting several items stacked on a plate in place of a stack of records: a film canister labelled Stones – Let It Bleed, a clock dial, a pizza, a bicycle tyre and a cake with elaborate icing topped by figurines representing the band. The cake parts of the construction were prepared by then-unknown cookery writer Delia Smith. The reverse of the LP sleeve shows the same "record-stack" melange in a state of disarray. The artwork was inspired by the working title of the album, which was Automatic Changer.

[thedisabilitybookarchive]

Lis Hartel- Disabled Olympian, Equestrian Champion

Olympic season is in full swing, so it seems only appropriate to give a little love to some of history's most notable disabled Olympians as the games get underway. What better place to start than with the story of Lis Hartel and the impact she had upon equstrian sport.

[ID: A book cover. The cover art shows a brown horse being led by a woman in a black dressage suit. The background is light blue. A beam of light is shining on the woman and horse. Text above them reads: The title “Jubilee” in large red writing, “The First Therapy and an Olympic Dream” below in smaller black writing. “By KT Johnson” and “Illustrated by Anabella Ortiz” below in smaller, black capitals. /end]

🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎🐎 [22 horse emojis]

Hartel was trained in the art of equestrian sport from a fairly young age, regularly competing in showjumping and dressage competitions by her teens, and, eventually becoming the Danish dressage champions in 1943 and 1944. In September of the latter year, at the age of 23 and whilst pregnant with her second daughter, Hartel contracted polio.

The disease left her paralysed below the knees, though she decided to continue her equestrian career against medical advice.

In 1947, then, Hartel finished second at the Scandinavian championships. She would then win a silver medal in individual dressage at the 1952 Olympics, becoming one of the first four women to compete in Olympic equestrian sport against men, and only losing out on the gold by 20 points, coming second to Swedish rider Henri Saint Cyr. At the 1956 Olympics, she would go on to be awarded another silver medal in individual dressage, again only coming second to Henri Saint Cyr.

Hartel was also the Danish dressage champion from 1952-54, securing the title again in both 1956 and 1959.

She eventually retired from competitive riding sometime later but continued to coach, give demonstrations, and raise money for polio survivors and therapy riding for disabled people.

In 1992, Hartel was inducted into Denmark's Hall of Fame. Two years later, in 1994, she became the first Scandinavian to be inducted into the International Women's Hall of Fame, and, in 2005, she was named one of Denmark's top ten all-time athletes, an honour she still holds today.

Hartel would pass away in 2009, at the age of 87, but her legacy as a decorated Olympian, equestrian, and great disabled athlete continues to live on.

The Lis Hartel Foundation in the Netherlands continued her work in the disabled community, by creating and providing riding opportunities for disabled riders.

Her Olympic success and position as a disabled athlete was greatly admired at the time and inspired many other "fledgling" movements, including the momentum that would eventually lead to the formation of the Riding for Disabled People's Association in the UK.

She has been written about countless times, with her story even being transformed into a children's educational picture book by KT Johnson (information for which can be found in the archive).

Yes, Hartel's impact on both equestrian sport and sporting history as a whole can never be denied. And so let us close out this Disability Pride Month by honouring a great disabled champion:

[ID: Black and white photograph of Lis Hartel riding a horse. /end]

Sources: 1, 2, 3, 4, 5, 6, 7

[blackswaneuroparedux]

Man is the creature who does not know what to desire, and he turns to others in order to make up his mind. We desire what others desire because we imitate their desires.

- René Girard (1923-2015)

Frnechman René Girard’s work has been enjoying a renaissance in recent years. He has long been recognised for his theory of human behaviour and human culture. In 2005 he was inducted into the Académie française, and in 2008 he received the Modern Language Association's award for Lifetime Scholarly Achievement. He was Professor Emeritus at Stanford University.

Back more than 50 years ago, René Girard started teaching French literature because he needed a job. He hadn't even read many of the books he was assigned to teach. Then, as he studied the classic novels of Stendhal and Proust with a fresh mind, staying one step ahead of his students, he was struck by a series of similarities from novel to novel. Unbound by any narrow research agenda, Girard discovered a simple but powerful pattern that had eluded sophisticated critics before him: imitation is the fundamental mechanism of human behaviour.

Stories thrive on conflict between characters. By reading the great writers against the grain of conventional wisdom, Girard realised that people don't fight over their differences. They fight because they are the same, and they want the same things. Not because they need the same things (food, sex, scarce material goods), but because they want what will earn others' envy. Humans, with a planning intelligence that sets them apart from all other animals, are free to choose. With freedom comes risk and uncertainty: humans don't know in advance what to choose, so they look to others for cues.

People can desire anything, as long as other people seem to desire it, too: that is the meaning of Girard's concept of "mimetic desire." Since people tend toward the same objects of desire, jealousy and rivalry are inevitable sources of social tension.

[kiki-de-la-petite-flaque]

Pretenders front woman Chrissie Hynde with James Honeyman Scott in tow. For a brief shining moment they had brass in pocket, and they weren’t afraid to use it, and then the musician’s curse reared its ugly head. In 1982 and 1983 both Scott and bass player Pete Farndon expired due to drug intolerance leaving only Hynde and drummer Martin Chambers remaining as original members.

In March 2005, The Pretenders were inducted into the Rock and Roll Hall of Fame. At the induction ceremony, the band performed "Precious" and "Message of Love". During her acceptance speech, Hynde named and thanked all the replacement members of the group, then said:

"I know that the Pretenders have looked like a tribute band for the last 20 years. ... And we're paying tribute to James Honeyman-Scott and Pete Farndon, without whom we wouldn't be here. And on the other hand, without us, they might have been here, but that's the way it works in rock 'n' roll."

[justforbooks]

Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright, essayist and screenwriter in the 20th-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), and A View from the Bridge (1955). He wrote several screenplays, including The Misfits (1961). The drama Death of a Salesman is considered one of the best American plays of the 20th century.

Miller was often in the public eye, particularly during the late 1940s, 1950s and early 1960s. During this time, he received a Pulitzer Prize for Drama, testified before the House Un-American Activities Committee, and married Marilyn Monroe. In 1980, he received the St. Louis Literary Award from the Saint Louis University Library Associates. He received the Praemium Imperiale prize in 2001, the Prince of Asturias Award in 2002, and the Jerusalem Prize in 2003, and the Dorothy and Lillian Gish Prize in 1999.

Miller's writing career spanned over seven decades, and at the time of his death, he was considered one of the 20th century's greatest dramatists. After his death, many respected actors, directors, and producers paid tribute to him, some calling him the last great practitioner of the American stage, and Broadway theatres darkened their lights in a show of respect. Miller's alma mater, the University of Michigan, opened the Arthur Miller Theatre in March 2007. Per his express wish, it is the only theater in the world that bears his name.

Miller's letters, notes, drafts and other papers are housed at the Harry Ransom Humanities Research Center at the University of Texas at Austin. Miller is also a member of the American Theater Hall of Fame. He was inducted in 1979. In 1993, he received the Four Freedoms Award for Freedom of Speech. In 2017, his daughter, Rebecca Miller, a writer and filmmaker, completed a documentary about her father's life, Arthur Miller: Writer. Minor planet 3769 Arthurmiller is named after him. In the 2022 Netflix film Blonde, Miller was portrayed by Adrien Brody.

Miller donated thirteen boxes of his earliest manuscripts to the Harry Ransom Center at the University of Texas at Austin in 1961 and 1962. This collection included the original handwritten notebooks and early typed drafts for Death of a Salesman, The Crucible, All My Sons, and other works. In January, 2018, the Ransom Center announced the acquisition of the remainder of the Miller archive, totaling over 200 boxes. The full archive opened in November, 2019.

Christopher Bigsby wrote Arthur Miller: The Definitive Biography based on boxes of papers Miller made available to him before his death in 2005. The book was published in November 2008, and is reported to reveal unpublished works in which Miller "bitterly attack[ed] the injustices of American racism long before it was taken up by the civil rights movement". In his book Trinity of Passion, author Alan M. Wald conjectures that Miller was "a member of a writer's unit of the Communist Party around 1946", using the pseudonym Matt Wayne, and editing a drama column in the magazine The New Masses.

In 1999, the writer Christopher Hitchens attacked Miller for comparing the Monica Lewinsky investigation to the Salem witch hunt. Miller had asserted a parallel between the examination of physical evidence on Lewinsky's dress and the examinations of women's bodies for signs of the "Devil's Marks" in Salem. Hitchens scathingly disputed the parallel. In his memoir, Hitch-22, Hitchens bitterly noted that Miller, despite his prominence as a left-wing intellectual, had failed to support author Salman Rushdie during the Iranian fatwa involving The Satanic Verses.

Works

Stage plays

No Villain (1936)

They Too Arise (1937, based on No Villain)

Honors at Dawn (1938, based on They Too Arise)

The Grass Still Grows (1938, based on They Too Arise)

The Great Disobedience (1938)

Listen My Children (1939, with Norman Rosten)

The Golden Years (1940)

The Half-Bridge (1943)

The Man Who Had All the Luck (1944)

All My Sons (1947)

Death of a Salesman (1949)

An Enemy of the People (1950, adaptation of Henrik Ibsen's play An Enemy of the People)

The Crucible (1953)

A View from the Bridge (1955)

A Memory of Two Mondays (1955)

After the Fall (1964)

Incident at Vichy (1964)

The Price (1968)

The Reason Why (1970)

Fame (one-act, 1970; revised for television 1978)

The Creation of the World and Other Business (1972)

Up from Paradise (1974)

The Archbishop's Ceiling (1977)

The American Clock (1980)

Playing for Time (television play, 1980)

Elegy for a Lady (short play, 1982, first part of Two Way Mirror)

Some Kind of Love Story (short play, 1982, second part of Two Way Mirror)

I Think About You a Great Deal (1986)

Playing for Time (stage version, 1985)

I Can't Remember Anything (1987, collected in Danger: Memory!)

Clara (1987, collected in Danger: Memory!)

The Ride Down Mt. Morgan (1991)

The Last Yankee (1993)

Broken Glass (1994)

Mr. Peters' Connections (1998)

Resurrection Blues (2002)

Finishing the Picture (2004)

Radio plays

The Pussycat and the Expert Plumber Who Was a Man (1940)

Joel Chandler Harris (1941)

The Battle of the Ovens (1942)

Thunder from the Mountains (1942)

I Was Married in Bataan (1942)

That They May Win (1943)

Listen for the Sound of Wings (1943)

Bernardine (1944)

I Love You (1944)

Grandpa and the Statue (1944)

The Philippines Never Surrendered (1944)

The Guardsman (1944, based on Ferenc Molnár's play)

The Story of Gus (1947)

Screenplays

The Hook (1947)

All My Sons (1948)

Let's Make Love (1960)

The Misfits (1961)

Death of a Salesman (1985)

Everybody Wins (1990)

The Crucible (1996)

Assorted fiction

Focus (novel, 1945)

"The Misfits" (short story, published in Esquire, October 1957)

I Don't Need You Anymore (short stories, 1967)

"Homely Girl: A Life" (short story, 1992, published in UK as "Plain Girl: A Life" 1995)

Presence: Stories (2007) (short stories include "The Bare Manuscript", "Beavers", "The Performance", and "Bulldog")

Non-fiction

Situation Normal (1944) is based on his experiences researching the war correspondence of Ernie Pyle.

In Russia (1969), the first of three books created with his photographer wife Inge Morath, offers Miller's impressions of Russia and Russian society.

In the Country (1977), with photographs by Morath and text by Miller, provides insight into how Miller spent his time in Roxbury, Connecticut, and profiles of his various neighbors.

Chinese Encounters (1979) is a travel journal with photographs by Morath. It depicts the Chinese society in the state of flux which followed the end of the Cultural Revolution. Miller discusses the hardships of many writers, professors, and artists during Mao Zedong's regime.

Salesman in Beijing (1984) details Miller's experiences with the 1983 Beijing People's Theatre production of Death of a Salesman. He describes directing a Chinese cast in an American play.

Timebends: A Life, Methuen London (1987). Miller's autobiography.

On Politics and the Art of Acting, Viking 2001 an 85-page essay about the thespian skills in American politics, comparing FDR, JFK, Reagan, Clinton.

Collections

Abbotson, Susan C. W. (ed.), Arthur Miller: Collected Essays, Penguin 2016

Kushner, Tony, ed. Arthur Miller, Collected Plays 1944–1961 (Library of America, 2006).

Martin, Robert A. (ed.), "The theater essays of Arthur Miller", foreword by Arthur Miller. NY: Viking Press, 1978

Daily inspiration. Discover more photos at Just for Books…?

[gone2soon-rip]

TINA TURNER (1939-Died May 24th 2023,at 83).American-born and naturalized Swiss singer, dancer, actress and author. Widely referred to as the "Queen of Rock 'n' Roll", she rose to prominence as the lead singer of the Ike & Tina Turner Revue before launching a successful career as a solo performer.Turner began her career with Ike Turner's Kings of Rhythm in 1957. Under the name Little Ann, she appeared on her first record, "Boxtop", in 1958. In 1960, she debuted as Tina Turner with the hit duet single "A Fool in Love". The duo Ike & Tina Turner became "one of the most formidable live acts in history".They released hits such as "It's Gonna Work Out Fine", "River Deep – Mountain High", "Proud Mary", and "Nutbush City Limits" before disbanding in 1976.In the 1980s, Turner launched "one of the greatest comebacks in music history".Her 1984 multi-platinum album Private Dancer contained the hit song "What's Love Got to Do with It", which won the Grammy Award for Record of the Year and became her first and only number one song on the Billboard Hot 100. At age 44, she was the oldest female solo artist to top the Hot 100.Her chart success continued with "Better Be Good to Me", "Private Dancer", "We Don't Need Another Hero (Thunderdome)", "Typical Male", "The Best", "I Don't Wanna Fight", and "GoldenEye". During her Break Every Rule World Tour in 1988, she set a then-Guinness World Record for the largest paying audience (180,000) for a solo performer.Turner also acted in the films Tommy (1975), Mad Max Beyond Thunderdome (1985), and Last Action Hero (1993). In 1993, What's Love Got to Do with It, a biographical film adapted from her autobiography I, Tina: My Life Story, was released. In 2009, Turner retired after completing her Tina!: 50th Anniversary Tour, which is the 15th highest-grossing tour of the 2000s. In 2018, she became the subject of the jukebox musical Tina.Having sold over 100 million records worldwide, Turner is one of the best-selling recording artists of all time. She has received 12 Grammy Awards, which include eight competitive awards, three Grammy Hall of Fame awards, and a Grammy Lifetime Achievement Award. She is the first black artist and first woman to be on the cover of Rolling Stone. Rolling Stone ranked her among the 100 Greatest Artists of All Time and the 100 Greatest Singers of All Time.Turner has a star on the Hollywood Walk of Fame and the St. Louis Walk of Fame. She has twice been inducted into the Rock and Roll Hall of Fame, with Ike Turner in 1991 and as a solo artist in 2021.She is also a 2005 recipient of the Kennedy Center Honors and Women of the Year award.https://en.wikipedia.org/wiki/Tina_Turner

[xabiramone]

Hendrix was inspired by American rock and roll and electric blues. He favored overdriven amplifiers with high volume and gain, and was instrumental in popularizing the previously undesirable sounds caused by guitar amplifier feedback. He was also one of the first guitarists to make extensive use of tone-altering effects units in mainstream rock, such as fuzz distortion, Octavia, wah-wah, and Uni-Vibe. He was the first musician to use stereophonic phasing effects in recordings. Holly George-Warren of Rolling Stone commented: "Hendrix pioneered the use of the instrument as an electronic sound source. Players before him had experimented with feedback and distortion, but Hendrix turned those effects and others into a controlled, fluid vocabulary every bit as personal as the blues with which he began."

Hendrix was the recipient of several music awards during his lifetime and posthumously. In 1967, readers of Melody Maker voted him the Pop Musician of the Year and in 1968, Billboard named him the Artist of the Year and Rolling Stone declared him the Performer of the Year. Disc and Music Echo honored him with the World Top Musician of 1969 and in 1970, Guitar Player named him the Rock Guitarist of the Year. The Jimi Hendrix Experience was inducted into the Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. Rolling Stone ranked the band's three studio albums, Are You Experienced, Axis: Bold as Love, and Electric Ladyland, among the 100 greatest albums of all time, and they ranked Hendrix as the greatest guitarist and the sixth greatest artist of all time.🎂🖤#LovingMemory

[wrestlinghistorywithkay]

Gail Kim After Signing With TNA Wrestling, 2005

Gail Kim was signed to Total Nonstop Action ( TNA ) Wrestling in 2005 after being released by WWE in 2004. She made her debut as the Valet for the tag team, America’s Most Wanted ( AMW ), which consisted of Chris Harris and James Storm. She soon found success as a solo competitor in 2007 when she became the first TNA Knockouts Champion after winning a 10 Woman Gauntlet Match at the annual Bound For Glory Pay Per View. Kim also had a legendary rivalry with fellow Knockout , Awesome Kong. Kim also won the award for Knockout Of The Year in 2007.

Gail Kim was inducted into the TNA Hall of Fame in 2016. She also holds the record for seven reigns as Knockouts Champion. She was also a one time Knockouts Tag Team Champion, her partner being Madison Rayne . Kim had her final match in 2019 against Tessa Blanchard, the daughter of WWE Hall of Famer and Four Horsemen member, Tully Blanchard. She is now a Producer and a member of the Creative Team for TNA.

During her first run in WWE, she won the WWE Women’s Championship in her debut match for the company. This happened when she eliminated Victoria as they were the last two standing in a Seven Woman Battle Royal on RAW on June 30,2003.

My Final Thoughts:

If you have been following me on social media or know me personally, I’ve always stated that Gail Kim is my favorite TNA Knockout of all time . I enjoyed writing this mini article about her because she is a legend and a Trailblazer when it comes to Women’s Wrestling. I hope to meet her at WRESTLECADE this year!

Love You All,

- Kay

[nevesmose]

Can I ramble about vampires for a bit? There's a very good short story called One For The Road by Stephen King which is a sort of sequel to Salem's Lot, set several years later where it shows that following the events of the book the Lot has become a dilapidated ghost town that everyone in the local area is afraid of and knows to avoid.

and by "ghost town", haha, well. let's justr say. Their vampeanits

Without their leader the vampires don't really do anything, they just kind of exist from one day to the next and survive by hunting people who do happen to be unlucky or unaware enough to wander too close to town. Anyway the story is about two old guys in the next town over who encounter a man from New York whose car has broken down leaving his family stranded in the Lot...

"Mister," she said in a high, clear voice, as sweet as morning mist, "won't you help me find my mother? She's gone and I'm so cold—"

"Honey," I said, "honey, you better get in the truck. Your mother's—"

I broke off, and if there was ever a time in my life I was close to swooning, that was the moment. She was standing there, you see, but she was standing on top of the snow and there were no tracks, not in any direction.

I was reminded of this because I started thinking about Sylvania and the Vampire Counts in general. I really liked them in Warhammer Fantasy and maybe one day I'll try to figure out what their Age of Sigmar equivalents are, but... it's just not the same, ya know? Sylvania was what I liked. It was an interesting place to read about.

My favourite part was always the bits we'd find out about the humans who lived there and served the vampires because it's always interesting to think about their point of view and motivations and the weird codependent relationships they could form.

Like in the first Ulrika the Vampire book her mentor has a small group of human knights that are totally loyal to her and aware of what the deal is. What's their motivation? Are they all just simps blood-swains? I don't actually remember for them specifically because it's been a while since I read those books but, in a more general sense, it's an interesting question to ask.

I'm getting back into a vampires obsession just now anyway which will no doubt lead to me resuscitating that novel I've had on the go since 2015. But I could see my way clear to writing some related stuff on here/ao3 as well. Did you know there's a shocking lack of Vampire Griffith fics? (I might need to fix that sometime. No guarantees though.)

It just seems like if I file off some serial numbers a suitably inclined vampire could exist as the leader of a late medieval/renaissance era mercenary company whose inner circle are all inducted into The Terrible Secret forming a creepily obsessed cultlike atmosphere all centred around his endless desire for power. Wouldn't it be nifty if it was revealed that Vampfith has been doing this over and over for decades with an endlessly replaced cast of followers, failing every single time due to his own personal flaws that no amount of effort can fix? That would be tragic huh. 🤔

You know what, you deserve a reward for making it this far.

Ten thousand years ago the BBC used to cover various kinds of niche entertainment interests grouped under the Cult theme on its website - this for example was where Doctor Who used to be prior to the 2005 series. Anyway, vampires was one of them so here are some just about two decade old short stories.

[shefanispeculator]

An induction ceremony will take place on Wednesday, October 30, 2024, at 1 p.m. at Music City Walk of Fame Park. Members of the public are invited to view the ceremony. Reed and Cody are being honored in tribute to the Grand Old Opry celebrating its 100th anniversary next year. Jimmy Buffett passed away on September 1, 2023, after a four-year battle with Merkel cell skin cancer, and will be inducted posthumously. 

Colin Reed is Executive Chairman of the Board of Directors of Ryman Hospitality Properties, formerly Gaylord Entertainment Company, after serving as Chief Executive Officer since 2001 and Chairman of its Board of Directors since 2005. 

Bill Cody is a pre-eminent voice in Nashville, serving as the announcer and host of the Grand Ole Opry and these very Music City Walk of Fame induction ceremonies.

[lboogie1906]

Johnny Lee Stallworth (born July 15, 1952) is a former football wide receiver who played for 14 seasons in the NFL for the Pittsburgh Steelers. He played college football for the Alabama A&M Bulldogs and was the Steelers’ fourth-round draft pick in 1974. He played in six AFC championships, and went to four Super Bowls, winning all four. His career statistics included 537 receptions for 8,723 yards and 63 touchdowns. His reception total was a franchise record until 2005. He played in three Pro Bowls and was the Steelers’ two-time MVP. He was inducted into the Pro Football Hall of Fame.

A native of Tuscaloosa, Alabama, he was an All-Southern Intercollegiate Athletic Conference receiver for Alabama A&M. He earned a BS in Business Administration and an MBA with a concentration in Finance from Alabama A&M University.

He was inducted into the Black College Football Hall of Fame.

He was selected 82nd overall in the fourth round of the 1974 NFL Draft, a class of which he was one of four Pittsburgh Steelers picks who would be inducted into the Pro Football Hall of Fame. Scouts from various NFL teams observed him run the 40-yard dash on a wet track at Alabama A&M University and were disappointed by the results. He became a starter in his second season and held that job for the rest of his 165-game career. He battled a series of fibula, foot, ankle, knee, and hamstring injuries that forced him to miss 44 regular-season games.

He led the AFC with a career-high 1,395 yards gained on 80 receptions in 1984 when he was named the NFL Comeback Player of the Year. He helped the Steelers defeat Super Bowl champion San Francisco for that team’s only loss of the season and led the Steelers in a playoff run that featured an upset win over the Denver Broncos in the AFC Divisional Playoffs at Denver’s Mile High Stadium.

He was inducted into the Pro Football Hall of Fame in August 2002. #africanhistory365 #africanexcellence