#indoor gadget

[teddy-bear-naps-and-random-snaps]

[pureconancommentary]

I'm going to say it now, since it's confirmed that the glass was cut: Conan was awake the entire time, and cutting glass makes that scraping nails on chalkboard sound. He should absolutely have heard it well before there was an axe raised above the bed. It's a stealthy, unconventional entry into what's normally a locked room... but only when no one is in the room to hear it.

[remaxx111]

Breathe Easy with Remaxx Smart Air Purifiers - The Ultimate Solution for Clean Indoor Air.

Remaxx offers a range of high-quality smart air purifiers that provide efficient and effective air cleaning solutions for your home or office. With advanced features such as HEPA filtration, smart controls, and real-time air quality monitoring, Remaxx air purifiers ensure that you breathe easy and stay healthy. Our sleek and stylish designs complement any decor, making them an ideal addition to any room. Say goodbye to indoor air pollution with Remaxx air purifiers.

[abeycostore]

ANNKE 2MP IP Camera Smart Home Indoor WiFi Wireless Surveillance Camera Automatic Tracking CCTV Security Baby Pet Monitor . . To watch our full range Visit Website: www.abeyco.com . . #camera #security #securitycamera #cameras #indoor #indoorhome #homeapplianaces #smartgadgets #gadgets #gadget #smartgadget #cameraforkids #cameraforchildren https://www.instagram.com/p/CojyqCcr6La/?igshid=NGJjMDIxMWI=

[cornerstoreclown]

Mornings with Art? I think it’s a cute scene to imagine Art eating while reader comes in (all sleepy and groggy and out of it cause they just woke up), wordlessly kisses him on the cheek, and makes her breakfast

Writing this before bed. So if there’s errors, I’ll get ‘em tomorrow. For now here’s some domestic shit. I did add dialogue though, I hope that’s okay! I was trying to think of how to go about it without words but then I just went wherever my head led me.

F!Reader x Art

———————————

Ever since he’d come home one particularly bad night due to a victim that just so happened to be carrying a firearm, he’d been taking it easy on himself. A few bullet wounds here and there, which you helped him patch up with the standard bandages and gauze, but for the most part he took his injuries in stride, opting to lay low and keep indoors for however long he decided. Dying was hard when you were a supernatural force, which you knew he very well was. You let him borrow the spare room to work on whatever gadgets and gizmos he wanted to create for his next escapade–for whatever that might actually entail.

As long as you’re not at the end of his knife, gun, mace–whatever weapon he decides to use, you’re fine with it. Though you know one day you might end up with one of those weapons lodged in your back or in your skull, you pray that it never happens. The first mistake would be to get comfortable around this man and let your guard down, which you never did.

However, it’s moments like this, when he’s sitting at the kitchen table when you head downstairs for breakfast that really make you want to do otherwise. Especially right now.

Art was sitting right at the kitchen table, eating frozen pizza from last nights dinner, and he’s doing it rather politely, you note. One slice on a paper plate, napkin nearby, and another slice being daintily held with both hands as he quietly and gently chews each bite he takes.

You have to remind yourself he killed someone last month and ate a rat last week. But it doesn’t stop you from tiredly smiling as you watch him through your unkempt hair that obscures part of your vision.

He merely regards you with a look, still munching away.

Fatigue whispers in your ear and urges you back to your warm and comfy bed. But whether you’re burdened by school, work, or both, there’s no rest to be had.

“Hey,” You yawn tiredly, walking your way to the coffee machine. It was either that or tea this morning. Art was a tea kind of guy, so you put on the electric kettle for him.

He resumes eating, almost finishing his first slice. He’s now got one leg crossed over the other as he assesses you in your oversized t-shirt, munching away on the crust. He has an aura of sassiness to him this morning with that body language.

“Yeah, yeah, I look rough, I know. Not all of us are divas when we wake up,” You lean against the counter, folding your arms across your chest. “And pizza? For breakfast? Come on.”

Art just responds in kind with fluffing up his imaginary hair and then flipping it over his shoulder. Bad hair day? Couldn’t be him!

“You got any plans for today, or are you just gonna go back to crafting shit in my spare room?”

Art shrugs his shoulders as he reaches for the second pizza slice, this time ripping off parts of the cold sauced and cheesed up flatbread to pop in his mouth in a very prim manner. He’s been very into letting his whims lead his decisions as of late.

“Gotcha.” You remark, not sure where to continue the conversation immediately, but you don’t need to worry about that as your coffee has finished brewing and the electric kettle has heat up the water. You sweeten your coffee to taste, as well as Art’s tea in a timely manner. He liked his drinks sweet. Anything bitter was an immediate no. With the remaining hot water in the kettle, you use it to make yourself instant oatmeal.

You plant a kiss to his cheek which he allows as you put his drink down near him. You take your seat on the other side of the table where your oatmeal waits, coffee mug in hand, watching him eat. Silence passes between the two of you until you finally voice what you’ve been thinking for the past few minutes.

“Can you rip me off a piece?”

[nishayuro]

I don’t know if you still take requests (especially for Stanley) but I’m a very thirsty girl and I miss my men (and I really like your writing) so I ask anyway!

So, if possible, can I have the fluffiest of fluff ? Like the more tooth rotting stuff you can think about that men ? I’ve been having specially hard days and I’d love to have some comfort.

Thanks a lot even for just reading this ! <3

Dr. Stone Stanley Snyder Fluff Headcanons

A/N: Hii! I’m so sorry this took so long T.T I saw this request back then and just started daydreaming but didn’t have energy to write. But here it is!!! I too, miss my man sooooo much

Genre: FLUFF AS FUCK

Warning: You’ll get cavities

GN!Reader

Stanley is an extremely loyal boyfriend. He’s in the military, he knows loyalty by heart. 

During his downtime in the military, he comes home to you and takes you on lots of dates

Be it indoors or outdoors, he’s got you covered

I feel like Stan is the type to bring you to a laser tag arena or an airsoft arena. He wants you to experience what a “battlefield” feels like. (He will let you win because the smile and laugh you make is enough of a win for him) 

He’s paid GOOD money, being a marine commander for an elite force, he’s the type to spoil you rotten. You want a new wardrobe? Go use his card. Want a new gadget, you already know his pin. Want to go dine at an expensive restaurant, you know where his card is. He will give you everything you want. 

I think Stanley LOVES cuddles, he’s away a lot and is rarely with you, so for the times that he is, he will just lay in bed with you in his arms as you both talk about everything you two wanna talk about.

Stanley is someone who will listen to everything you say, his attention to detail and memory is so good. You mentioned this one thing in passing and you’re shocked when he brings it up months later. 

If you’re not comfortable with his smoking, he won’t smoke when with you. He’s addicted to it, sure, but he won’t risk getting you sick. If he really needs to, he might use chewing tobacco instead. 

I think you both would get a matching tattoo together. It would be something you both designed and is meaningful to you both. 

Whenever he’s on his break, he will take you travelling for vacation. 

He’ll take you to beaches, resorts, tourist spots, and to other perfect vacation places. 

You have definitely met Xeno, Stanley introduced you to his childhood friend when he was sure that he was serious with your relationship. You would get along really well with Xeno and you both tease Stanley a lot.

Stanley would be down to wear matching outfits! You both slay so much.

We all know how attractive Stanley is, and he knows it as well. 

There will be times when someone would come up to him and flirt, he will tell them that he is in a committed relationship or will just straight up ignore them.

One time someone was getting really annoying with their flirting while you and Stanley were on a date and you went to use the bathroom. 

As soon as you arrived, he wasted no time to pull you into a deep kiss in front of the other person, making them go away from embarrassment. 

Speaking of kissing, Stanley loves kissing you! 

Be it small pecks or straight out make out sessions

Stanley also really likes skinship, mostly in private. But he doesn’t have a problem with some PDA.

Whenever he’s deployed overseas, he regularly messages and calls or video calls you whenever he has time or has access to his phone. 

He loves when you fall asleep on call with one another

Or when he’s getting ready while you fall asleep and vice versa

Overall, Stanley knows that he’s not present a lot and he wishes he could be with you more. But he loves you so much and he’s dead set to prove that to you in anyway he can. 

“C’mon babe, the movie is gonna start!” You pulled him towards the cinema, popcorn in hand and his hand in the other. “Alright love, chill. You might trip.” He replies, slowing you down. You both got in your seats and waited for the advertisements to end. You would both whisper to each other during the movie, commenting about the scenes quiet enough to not disturb the others. When the movie ended and the lights turned on, Stanley turned towards you. “You have something there” He said, pointing near your lip. “Huh?” you asked, wiping at said place. “Let me.” he said, surprising you as he leaned in and gave you a kiss on the lips while holding your chin, pulling back with a smirk on his face as he got up. “Oi! Stann, what was that for?!” you exclaimed, blood pooling to your cheeks from being flustered. “Nothin’, you were just being cute.” he answered with a smile. He took your hand in his and led you both out of the cinema. As you were walking back to the parking lot, you decided to surprise him yourself. “I love you, Stanley.” You said, looking at him and squeezing your intertwined hands. His eyes widened, ears and cheeks a light shade of pink, “heh, I love you more, y/n.” He answered back with a smile.

masterlist

navigation

[sirfrogsworth]

Frogman's Camera Buying Guide

A few weeks ago someone asked if I could recommend an interchangeable lens camera (ILC) to supplement their smartphone photos and hopefully get better pictures of important things like vacations and pets.

I decided to go very extra with my response and due to that... I'm still not finished with it.

I'm worried I am letting this person down because they did not ask for a giant post explaining every detail about cameras in the history of forever.

So I am going to do a camera recommendation post without as much explanation and hopefully I can finish the giant post at some point in the near future.

If you want to take better pictures you are probably going to need a camera with a decent sized sensor, a fast lens, a tripod, and a flash.

The bigger sensor gives you more dynamic range so you can capture brighter and darker things in the photo.

A fast lens has a giant hole in the front that lets in a ton of light. That hole is called the aperture and the bigger it is, the better your photos in dark environments will be. So you will want something that does f/1.8 or f/1.4 (lower f-stop number = bigger hole = more light). This can also help you get a lot of cool background blur.

A tripod will help get you longer exposures without any blur from camera shake. Especially good for landscape photos.

And a flash is for taking photos of pets and other moving subjects when you are indoors and don't have a lot of light. A flash is an absolute game changer for indoor photos.

HOWEVER, never point it directly at your subject.

Point it at a large white ceiling or wall. The flash happens so fast that it freezes motion. It is how I got all of my indoor photos of Otis.

Here he was playing and being rambunctious and he is not blurry.

I used no special settings. I just stuck on a flash and pointed it at the ceiling and suddenly sheep are sticking to things.

Oh, and one other huge benefit of using a flash... you can take much better photos of pets with dark fur. So if you have a cute little void in your home, a flash can help you capture detail in their fur.

Just lift the shadow slider in your image editor and that beautiful fur will reveal itself.

If you get an ETTL or TTL flash, it will output the correct amount of light automatically. You can literally just put your camera in automatic mode, aim the flash at the ceiling, and press the shutter button.

Before I talk about recommendations I want to make one thing very clear.

GETTING A GIANT CAMERA WILL NOT AUTOMATICALLY GIVE YOU BETTER PHOTOS.

Aside from my flash aimed at the ceiling trick, a big boy camera is not a magic solution for better photos. In some cases, you might actually get *worse* photos than your smartphone. You need to learn the basic fundamentals of photography and you also need to learn some basic photo editing skills.

Smartphones employ powerful algorithms and computational processes to make every photo you take look as good as possible.

ILCs say, "Here is your RAW data, you figure out the rest."

You don't have to become an expert, but if you watch this free 6 hour photography course, that will ensure you have the knowledge needed to improve your photos.

Okay, let's get into the nitty gritty of buying a nice new old ILC.

If you are on a tight budget and cannot afford a fancy mirrorless camera, I would highly suggest a used DSLR. You can get them for very reasonable prices. And unlike just about every other modern technological gadget, cameras and lenses are built to last for decades. So I have no qualms about recommending used photography gear.

However, I do highly recommend using either KEH or MPB, as they have a long trial period and decent customer service. If something goes awry with your used gear, KEH has a 180 day warranty and MPB has a 6 month warranty. So there is much less of a risk than eBay or Facebook Marketplace. You pay a bit of overhead, but the piece of mind is worth it.

Before I start my recommendations I want to quickly explain the difference between APS-C and Full Frame camera bodies. (For brevity's sake I am going to omit Micro Four Thirds bodies as they are not typically geared toward beginner photography.)

APS-C has a "crop" sensor. It is a bit smaller than full frame and does not perform as well in low light (more noise). However these bodies are cheaper and can still produce great photos. You can see above the sensor is still significantly larger than a smartphone. APS-C adds a 1.5x zoom to all lenses. This can be annoying in small spaces but advantageous for outdoor photography like wildlife and sports. You can use full frame lenses on a crop sensor body (within the same brand). APS-C lenses are usually cheaper but of lower quality.

Full frame has a larger sensor that will give you less noise in low light. It is also much easier to get background blur. Full frame also allows you to work in more cramped spaces. You *cannot* use APS-C lenses on a full frame body. However, the lenses meant for full frame cameras tend to be better quality in general.

If you can save up a little more and get a full frame body, I would recommend it. These bodies used to be geared more toward professional use, but since mirrorless cameras became popular, used full frame DSLRs have become much more accessible to those on a budget. Full frame cameras make it easier to get better results in challenging circumstances. And challenging conditions are really the main area where ILCs still kick a smartphone's ass.

For tight budgets I would recommend the following...

Canon or Nikon APS-C DSLR camera body

50mm f/1.8 lens (Nifty Fifty)

18-55mm APS-C lens (good for landscapes and portraits)

Yongnuo ETTL Flash

There are lenses called "superzooms" which can go from (as an example) 18-200mm or 70-300mm and other crazy focal lengths. That sounds fantastic and very versatile... but these are usually utter shite. You may be tempted to get one of these lenses hoping it can do everything you need, but there are no free lunches in lens land. Unless you are spending many thousands of dollars, the wider the focal range, the worse the lens will be.

When you stick to the 18-55mm range, you can be assured the images will be decent. And if you find yourself really needing a telephoto lens, you can save up and add it to your collection later on. The 18-55 will give you wide angle for landscapes all the way to slightly telephoto for portraits and moderately close wildlife. This lens cannot be used indoors or at night without a flash. Which is why I recommend the Nifty Fifty for that purpose. $100 for a moderately sharp low light lens is a no brainer.

Also, stick to Canon, Nikon, Sigma, or Tamron lenses. You can try exotic 3rd party lens brands when you know more what you are doing. And always make sure the lens has autofocus before buying.

It's hard to give you exact recommendations as used items are not reliably in stock. So I'm going to show you an example of the above, but I am not necessarily saying you should buy this *exact* combination. You might be able to get something similar with Nikon as well.

Canon 60D APS-C DSLR

50mm f/1.8 lens

Canon 18-55mm APS-C lens (EF-S mount)

Yongnuo TTL Flash

(I wouldn't recommend getting a used flash, as the Yongnuo is already a great price and you can't know if someone used the flash 100,000 times or 20 times.)

Altogether that is about $500. You can start with the 60D and the 50mm Nifty Fifty for $330 and add on the other two items later on.

My recommended full frame setup...

Full frame Canon or Nikon DSLR body

50mm f/1.8 lens (same as before)

24-70mm full frame zoom lens (full frame equivalent to 18-55mm)

ETTL Yongnuo flash (same as before)

And an example from KEH might be...

Canon 6D Full Frame DSLR

Canon 50mm f/1.8 Lens

Sigma 24-70mm Full Frame Zoom lens (EF mount)

Yonguo ETTL Flash

And that would be about $800 total.

Again, you can start with just the camera and 50mm lens and add the other items later. So invest $500 initially and go from there.

And just to give a Nikon example as well...

Nikon D600 Full Frame DSLR

Nikon 50mm f/1.8 Lens

Tamron 24-70mm

Yonguo ETTL Flash (Nikon version)

I highly recommend researching any camera body and lens before purchase. I can vouch for the items above, but you should definitely check out some YouTube videos before buying.

All of the stuff on KEH and MBP is marked down in price for aesthetic reasons. They do test everything to make sure it is functional. If you care if the camera or lens looks pristine, it will cost a little extra. But if you don't mind if it is beat to hell, you can save some money. Ugly or not, you will get the same photos out of the gear. As I said, photography stuff is built to last for a long time. Almost all repairs are due to user damage and not defects. And usually defects manifest when the product is brand new.

Oh, I forgot about the tripod!

Amazon's $35 tripod is surprisingly decent. It even got a good review on a very picky tripod review site. I recommend starting with this and then upgrading when you know more what you need out of a tripod.

Amazon 60 inch Tripod

I worry I'm leaving out a lot of important information, but hopefully I can expand in the other post I am working on.

That said, if anyone is thinking of buying a camera and you are not sure about the items you selected, please feel free to message me and I will help you assess your choices. Please make sure you include a budget range when asking for buying advice.

I hope that helps. I will try to finish the more in depth post soon. And it will include tips for how to get better photos from your smartphone if you cannot afford an ILC at the moment.

Further resources...

Recipe for Landscape Photos Froggie's Encyclopedia of Lens Terms

[mashirodayo]

@infidgetweek Day 1: Sun/Moon (... with a twist??)

INHALES... the Infidget obsession came back in time for this!1!!1! I must be psychic heh, also this is my first time participating in something like this, I hope I'm doing it right..!

Okay, so this one has a silly story behind it (that I definitely did not come up with at 3am!!!!)

As a couple with polar opposite lifestyles, it's difficult to spend quality time with each other. Gadget works during the day as Chief Engineer of the Restoration, leaving Infinite behind indoors where he completely avoids social interaction and prevents others from seeing his face (Gadget is an exception, of course). However, in the evening, Infinite goes out on strolls where he can hide in the darkness while Gadget stays comfy at home recuperating from work stress.

Can't Infinite just stay at home cuddling with Gadget to solve the quality time issue, you ask? Well, my friend, this jackas— err, jackal has a routine he makes in the evening that I will not elaborate any further LOL (it's.... more or less tied to a personal AU comic I have... you can stay tuned to find out)

The "solution" they came up with, with the lack of quality time, was giving each other keepsakes. Since this was a sudden idea by Infinite (inspired from a couple exchanging gifts that he saw in one of his routines), neither of them had enough time nor specialized knowledge (they're dumbasses in love HAHAHSHA) about gift giving. Ultimately, they gave each other accessories that match with the ones they use daily.

Gadget receives a red scarf while Infinite gets a pair of tinted glasses. With this, they can truly match now. HOW CUTE—

Okay, but here's the thing. The twist. The silly thing that my one brain cell formulated. Apparently, the keepsakes hindered them a lot and despite that, they still wore it for a week until finally deciding it's foolish to continue attempting it...

I mean, who wears tinted glasses during nighttime and especially under the darkness... and since Gadget's work is mostly physical, the scarf makes it hotter and harder to breathe. They were persistent enough to run into accidents (quite literally for Infinite). It's not illustrated above, but Gadget definitely passed out from exhaustion.

Maybe next time they could be expert enough in love languages to give the appropriate gifts...

Bonuses yippeee

[beatinginavoid]

KineticLife

There was something about new technology that many people seemed unable to resist. Whether it was the latest phone, watch, television, sound system, or any number of devices, they simply drew people in.

Some technology appealed to certain people more than others. It all depended on one’s likes and interests after all.

The newest commercially available gadget that had gotten you all giddy really didn’t look like anything special. It was a tiny device, about the size of a fingernail, and was powered by kinetic motion. It had the ability to wirelessly connect to any of your devices that supported it.

The one downside to this gadget was that it needed minor surgery to install.

For this special piece of hardware had to be placed inside the body to work. More specifically, it was carefully attached to the apex of the heart, where the muscle walls were thickest for safety and maximum grip.

You had just left the hospital after having the procedure done. Your chest felt weird from the local anaesthetic, though getting to see the operation had been worth it. The ultrasound they used to monitor and help locate the apex had been amazing to watch. There, on full view on the screen, was your heart – the hard-working muscle that pumped your lifeblood around inside you. The one organ that drew your attention time and time again.

You could see both atria and ventricles clearly, the valves visibly opening and closing between them, allowing the flow of blood currently invisible on the screen. You couldn’t help but stare, admiring the way your strong little pump rhythmically contracted. The movement flowed elegantly, if not a little violently in its raw intensity. It picked up speed, reacting to the touch of fear and the overwhelming anticipation.

Trying to stay calm in that environment, while indulging in the gift of actually seeing your heart in action in real time, had taken all of your willpower. You wanted the operation to go as smoothly as possible after all.

And it had. You couldn’t wait to get home and try it!

The moment your front door shut behind you, you raced over to your computer and jiggled the mouse to wake it up. The necessary program was already installed and you opened it almost feverishly. KineticLife popped up and you navigated to the Sync option. A quick scan was performed and the window asked if you would like to connect to the following devices: your phone, tablet, laptop, KineticLife implant.

Without hesitation you click on the last option and wait impatiently for the connection to be made. It prompted for a device number and, having the slip of paper ready, you carefully input the sequence. Number confirmed. Connection successful. The program became full screen and finished loading.

So many options! How could you choose which one to try first?

Best to start small, with the basics, and work your way up from there.

…it was a good thing that you and your neighbours had quite a bit of space between houses, otherwise this wouldn’t be nearly as fun. Your speakers were far superior to your headphones.

You select the Audio option and can’t help but gawk at all of the things you can pick from. Basic, keep it basic. You chose Stethoscope and were presented with a variety of auscultation points. This program was thorough. You turned the speaker volume right down and clicked Tricuspid.

A few seconds passed in silence and you slowly began to turn the volume up. A faint thumping could barely be heard and your mouth opened in a little ‘o’. You turned the volume higher, higher, higher, until the sound was booming, bouncing around the indoor space.

BA-THUMP, BA-THUMP, BA-THUMP, BA-THUMP, BA-THUMP, BA-THUMP 

It was glorious! The sound was so crisp and clear. The valves sounded so clean, working beautifully. You poked the program and opted to Show Heart Rate. Numbers immediately appeared in a corner. 89.

You raised an eyebrow and started doing some squats. Your heart quickly sped up and you almost lost yourself in the drumming of the speakers. You stopped at twenty squats and looked at the rate.

BDMPBDMPBDMPBDMPBDMPBDMPBDMPBDMPBDMPBDMPBDMPBDMP

142.

It felt, and sounded, so amazing. You sat down in front of the monitor and let your breathing regulate. Every beat rang through the room, the pace slowing as your cardiac muscle recovered. You watched as the numbers dropped in time with the pounding. KineticLife made you grin widely.

You selected the Visual option, leaving the stethoscope and heart rate options running. Just like the Audio, the Visual section had quite a number of things to choose from.

KineticLife used a mixture of detecting electrical current and state-of-the-art sonar and echolocation technology that bounced off the pericardium to create high-quality images like an MRI. You had seen an ultrasound earlier that day, so you clicked on MRI then Sagittal.

Within seconds a side view, from the immediate left of your heart, emerged on the screen. The monitor was now filled, top to bottom, with a view from just above the right and left atrium, to just below the apex where the implant now lived, a small, dark square. You clicked and dragged your mouse, now enjoying a three-quarter top-down view so that all four chambers were visible.

The cardiac muscle walls and valves were dark, highly visible and contrasted wonderfully against the flow of blood that appeared milky on the screen.

You watch your heart pump, blood rushing in and out of the organ in rhythmic bursts. Each squeeze of the atria, each contraction of the ventricles was perfectly aligned with a ba-thump from the speakers. It was the most beautifully synchronised song and dance you had ever had the pleasure to witness. The rate was sitting at a nice and steady 78.

Twenty squats later you sat back down, enthralled by the fast undulations and whooshing blood.

Bdmpbdmpbdmpbdmpbdmpbdmpbdmpbdmpbdmpb-dmpb-dmpb-dmpb-dmpb-dmpb-dmpbathumpbathumpbathumpbathumpbathumpbathumpba-thumpba-thumpba-thumpba-thumpba-thumpba-thumpba-thump..ba-thump..ba-thump..ba-thump..ba-thump..ba-thump..ba-thump…ba-thump…ba-thump…ba-thump…ba-thump…ba-thump…ba-thump…

From 138 down to 81. What a true marvel of nature’s mechanical engineering capabilities. Far better, cleaner, and more efficient than any man-made motor.

You stared, transfixed, as each part moved in sequence. The left and right atrium, full of blood, squeezed, opened up a valve each, and sent the fluid rushing into the ventricles. The valves snapped shut behind the gush of blood. BA.

The ventricles then contracted, as if a hand had wrapped around them and tightened its grip. The valves to the aorta and the lungs blew open as the blood was pumped through, delivering a new precious load around the body. They too snapped shut after the whoosh of blood. THUMP.

The cycle repeated, the pump working non-stop, each action happening again and again, a cycle lasting less than a second before the next one came along.

You grabbed the mouse and dragged it around again slowly, admiring your heart from every angle in a dream come true. You eyed every twitch and pulse of your cardiac muscle, thrilled at the detail the tiny implanted device afforded you.

And there were still so many options to play with! You were going to be there for a while. At least you had a great soundtrack.

Ba-thump…ba-thump…ba-thump…ba-thump…ba-thump…ba-thump…

-----

I want tech like this. omg. Imagine how much it would cost! -cries in poorness-

Let me 👀 my 🫀

What would YOU do with KineticLife? What settings/options would you want it to have?

[teddy-bear-naps-and-random-snaps]

[momos-servants]

Zukka modern Day AU except they’re DILFS

It was "Bring Your Parent to School" day, and Zuko found himself dreading it. Not because of his daughter, Izumi, of course, but because he couldn't bear the judgmental glances from other parents and children. Yet, Izumi's pleading puppy eyes persuaded him to attend, so now he faced the daunting task of explaining a legal case to a group of fifth graders. Being a lawyer loses its spark with the kids when they realized he spends most of his day with his head in the books.

Zuko's day began to brighten when he noticed a father and his ecstatic son touring the classroom. He observed how the younger father eagerly listened to his son and gently reminded him to use his indoor voice. Comparing his own suit to the father's casual attire—a light sweater vest with a collar—Zuko realized he should have opted for a simpler outfit that day.

Zuko wondered about the other man's occupation. Maybe he was a business owner, a baker, or perhaps a stay-at-home father! Zuko could see that, definitely. Clueless about what to expect, he was in for a surprising revelation.

The cute man turned out to be a mechanical engineer, bringing an array of gadgets and tools for the kids to explore. Instantly, all the children, including Zuko's daughter Izumi, were drawn to him. Zuko couldn't shake a hint of jealousy as Sokka effortlessly stole the spotlight. Zuko stayed up late last night crafting an entire mock trial and fake props & costumes for the kids!

It’s too bad that the jealousy didn’t last long, because Sokka found him afterwards and rambled to him about how much he enjoyed the mock trail. Of course Sokka also has a passion in law. Of course he could ramble on and on about Zuko’s work. And of course Zuko accept to meet up for coffee later.

[orime-stories]

Day 6 - Halcyon

Solution Nine was the most incredible place T'nali had ever been.

More colours than she'd ever seen before — a bunch of them now layered through her hair and emblazoned across the new clothes she'd picked up as soon as being given free run of the place.

There were shops that sold candy that made your belly glow. And she still wanted one of those things everyone had on their heads that made them go absolutely berserk.

But more than anything in the whole world, she wanted one of those purple bikes.

They lit up. They zipped across the ground. They could fly.

They'd let her test drive one round an indoor track and she needed one of her own. But only residents could sign up for one of their fancy payment plans. And even if she hadn't just blown almost every last gil she had on clothes and gadgets, she still wouldn't have had anywhere near enough for what they were demanding.

Maybe she could take one for another test drive and drive it right out of the whole city. Those stupid soldier things would probably have something to say about that, but they'd have to catch her first. And she was pretty sure she could take them anyway.

But this place was so cool — what if they didn't let her back in?

She probably shouldn't risk pissing everyone off that badly. Yet.

For the Final Fantasy XIV Writing Challenge 2024

Other Entries: Steer / Horizon / Tempest / Reticent / Stamp / Halcyon

[louisupdates]

The Habit He Can’t Break, 1/4

IQ 123 | Gordon Masson | 9.11.2023

Usually, when an act completes a world tour, they come off the road for an extended period to rest, record new material, and then typically two or three years later, the wheels are set in motion for an album, released, promo, and tour dates.

Louis Tomlinson did not get that memo.

His first solo tour ran late due to the pandemic restrictions, meaning that by the time it concluded in September 2022, his second album, Faith in the Future, was scheduled to drop and tickets for the associated tour were ready to go on sale.

“This tour went on sale late October or November - basically a year in advance,” explains agent, Holly Rowland, who represents Tomlinson alongside Alex Hardee, internationally, while Wasserman Music colleagues, Marty Diamond and Ash Mowry-Lewis do likewise for North America. 

Despite that quick turnaround between tours, Rowland reports that ticket sales for the current tour are going very well indeed. “The first leg went through Scandinavia before doing the Baltics and Eastern Europe – Romania, Bulgaria, and Greece – places that most people, especially arena-level acts, don’t really go. And the second leg, which is more mainland Europe, started 2 October.”

The tour is big. Very big for just a second outing in his own name. 

Between May and July this year, Tomlinson played 39 dates in the US and Canada across a mix of amphitheaters, arenas, pavilions, and stadiums. In August, he returned to Europe, where he currently is in the midst of another 39 dates in arenas across the continent and the UK, which will take him to 18 November. Then, in early 2024, the Faith in the Future tour goes to Australia for two outdoor dates in Melbourne and Brisbane, before he takes the show to the country’s biggest indoor venue, the Qudos Bank Arena in Sydney.

And, as IQ went to press, Louis Tomlinson released dates for a return to Latin America in May 2024 for a mix of indoor and outdoor shows, including stadia, across Mexico, Argentina, Brazil, Chile, Colombia, Costa Rica, Panama, Paraguay, Puerto Rico, and Uruguay.

“We’re going to Australia and part of Asia early next year,” states artist manager Matt Vines of London-based Seven 7 Management. We then go into Latin America in May and June. And then we’ll handpick a selection of festivals next summer, before we draw the line on the campaign at the end of the summer.”

Rowland comments, “The tour before obviously was a Covid tour where the dates had to be chopped and changed. The positive aspect of that was that we were able to upgrade venues where that made sense. But it was really nice to start from scratch on this tour to make sure the routing was all going in the right direction.”

Back to You

Playing a major role in shifting that ticketing inventory is a network of promoters also enjoying Tomlinsons rising star.

“On this tour, it’s mainly Live Nation – we use a lot of the One Direction promoter,” explains Rowland. “But for Greece, we used Honeycomb Live, Charmenko did Romania, 8 Days A Week promoted the three shows in the Baltics, All Things Live did Finland, Fource are doing Orague, it’s Gadget in Switzerland, Atelier in Luxembourg, and when we get to the UK, it’s SJM, and MCD in Ireland.”

With a total of 39 European dates, Rowland split the outing into separate legs, scheduling a break after Scandinavia, the Balkans, Baltics, and Athens, Greece, and another after mainland Europe, ending in Zürich, Switzerland. 

“It’s a perfect ratio, if I do say so myself,” she laughs. “It was right to split it up – 39 dates is a long, long tour, especially with the American tour throughout the summer being 11 weeks! We made sure to schedule days off, for everyone to recharge their batteries.”

In Spain, Nacho Córdoba at Live Nation promoted Tomlinson’s shows in Bilbao, Madrid, and Barcelona, and reports sell-outs at each of the arenas involved. 

“When Louis was last here, it was three days before the pandemic shut everything down in Spain. In fact, I think he played the final show before the market closed because of Covid.,” says Córdoba.

“Last year, Louis organized his Away From Home Festival in Fuengirola, and that also sold out, so we know he has a big following in Spain, and we also know that Spanish fans are super loyal. So, on this tour we sold out 7,000 tickets at Bilbao Arena Miribilla, 13,600 tickets at Wizink in Madrid, and 11,200 at Palau St Jordi in Barcelona.”

Already looking forward to Tomlinson “and his fantastic team” returning on the next tour, Córdoba believes it will be important to see what happens with the next album – and Tomlinson’s expectations – before making any plans. 

“The most important thing is to keep the fans happy and keep the momentum building with Louis,” he states. “I am a big fan of the arenas, because the atmosphere at his shows was incredible. So, rather than look at going bigger, it might be a case of looking at other arenas in other markets. Whatever he does, we cannot wait to have Louis back in Spain.”

Stefan Wyss at Gadget abc Entertainment in Switzerland promoted Tomlinson when he visited Zurich’s Hallenstadion on 23 October and explains that he previously played the city’s Halle 622 venue on the first tour.

Recalling the debut solo outing, Wyss tells IQ, “At first, we announced a mid-size theatre club show, 1,800-capacity, but it sold out instantly. Then we moved it to Halle 62, which is 3-500-cap and that also sold out immediately, so it was a really big success. 

“They’ve invested a lot in the production of this current tour, and it’s doing really strong numbers, so that’s why we decided to go to the arena this time around, where we set a mid-size capacity of 7,000, which is good for a small market like Switzerland, especially because he’s coming back just one year later and playing a much bigger show.”

Wyss adds, “He’s kept the ticket prices reasonable – and he never wants to do any gold circle or VIP tickets. I think that’s why he’s so close to his fans, because it’s not about maximising profits. Another reason for his success is that in addition to attracting a mainstream audience, he’s also getting the music lovers because he’s just a very good songwriter and has brilliant songs.”

Wyss also notes that with many young fans typically arriving the day before the concert, the responsibility to look after them is extended. “We set up toilets, we have security overnight, we give water away. It’s part of the organization that we will take care of the fans.”

Fresh from announcing 12 dates across Argentina, Brazil, Chile, Colombia, Costa Rica, Peru, Paraguay, Panama, Puerto Rico, and Uruguay, promoter Fabiano Lima De Queiroz at Move Concerts reports that Tomlinson will visit a mix of arenas, as well as stadiums in Santiago, São Paulo, and Buenos Aires, during his May tour.

“Our first tour with Louis was supposed to be in 2020 and we’d booked half arenas everywhere – 5,000–6,000 capacities,” he informs IQ. “Louis was one of those acts who connected very well with the fans during the pandemic, so when we shifted the dates, first to 2021, and then to 2022, we ended up selling out and having to upgrade in certain metropolitan markets.”

2/4, 3/4, 4/4

[dailytomlinson]

Faith In The Future Tour (Behind The Scenes) for IQ

Full interview with Matt Vines, tour promoters, agents and more people involved in the making of the tour under the cut:

Usually, when an act completes a world tour they come off the road for an extended period to rest, record new material, and then typically two or three years later the wheels are set in motion for an album release, promo, and tour dates. Louis Tomlinson did not get that memo. His first solo tour ran late due to the pandemic restrictions, meaning that by the time it concluded in September 2022, his second album, Faith In The Future, was scheduled to drop and tickets for the associated tour were ready to go on sale. 

“This tour went on sale last October or November ‒ basically a year in advance,” explains agent Holly Rowland, who represents Tomlinson, alongside Alex Hardee, internationally, while Wasserman Music colleagues Marty Diamond and Ash Mowry-Lewis do likewise for North America.

Despite that quick turnaround between tours, Rowland reports that ticket sales for the current tour are going very well indeed. “The first leg went through Scandinavia before doing the Baltics and Eastern Europe ‒ Romania, Bulgaria, and Greece ‒ places that most people, especially arena-level acts, don’t really go. And the second leg, which is more mainland Europe, started on 2 October.”

The tour is big. Very big for just a second outing in his own name.

Between May and July this year, Tomlinson played 39 dates in the US and Canada across a mix of amphitheaters, arenas, pavilions, and stadiums. In August, he returned to Europe, where he is currently in the midst of another 39 dates in arenas across the continent and the UK, which will take him to 18 November. Then, in early 2024, the Faith In The Future tour goes to Australia for two outdoor dates in Melbourne and Brisbane, before he takes the show to the country’s biggest indoor venue, the Qudos Bank Arena in Sydney. 

And, as IQ went to press, Tomlinson released dates for a return to Latin America in May 2024 for a mix of indoor and outdoor shows, including stadia, across Mexico, Argentina, Brazil, Chile, Colombia, Costa Rica, Panama, Paraguay, Puerto Rico, and Uruguay. 

“We’re going to Australia and part of Asia early next year,” states artist manager Matt Vines of London-based Seven 7 Management. “We then go into Latin America in May and June. And then we’ll handpick a selection of festivals next summer, before we draw the line on the campaign at the end of the summer.”

Rowland comments, “The tour before obviously was Covid tour where the date had to be chopped and changed. The positive aspect of that was that we were able to upgrade venues where that made sense. But it was really nice to start from scratch on this tour to make sure the routing was all going in the right direction.” She reports, “We’ve done nearly 16,000 tickets in Amsterdam, and 14,000 in Paris, which I think just underlines his credibility as an artist and his growing reputation among fans.”

Playing a major role in shifting that ticketing inventory is a network of promoters also enjoying Tomlinson’s rising star.

“On this tour, it’s mainly Live Nation ‒ we use a lot of the One Direction promoter,” explains Rowland. “But for Greece, we used Honeycomb Live, Charmenko did Romania, 8 Days A Week promoted the three shows in the Baltics, All Things Live did Finland, Fource are doing Prague, it’s Gadget in Switzerland, Atelier in Luxembourg, and when we get to the UK, it’s SJM, and MCD in Ireland.”

With a total of 39 European dates, Rowland split the outing into separate legs, scheduling a  break after Scandinavia, the Balkans, Baltics and Athens, Greece and another after mainland Europe ending in Zurich, Switzerland. 

“It's a perfect ratio, if I do say so myself,” she laughs. “It was right to split it up ‒ 39 dates in a long, long tour, especially with the American tour throughout the summer being 11 weeks! We made sure to schedule days off, for everyone to recharge their batteries.”

In Spain, Nacho Córdoba at Live Nation promoted Tomlinson’s shows in Bilbao, Madrid, and Barcelona and reports sell-outs at each of the arenas involved. 

“When Louis was last here, it was three days before the pandemic shut everything down in Spain. In fact, I think he played the final show before the market closed because of Covid,” says Córdoba. 

“Last year, Louis organised his Away From Home festival in Fuengirola, and that also sold out, so we know he has a big following in Spain, and we also know that Spanish fans are super loyal. So, on this tour we sold out 7,000 tickets at Bilbao Arena Miribilla, 13,600 tickets at WiZink in Madrid, and 11,200 at Palau St Jordi in Barcelona.”

Already looking forward to Tomlinson “and his fantastic team” returning on the next tour, Córdoba believes it will be important to see what happens with the next album ‒ and Tomlinson’s expectations ‒ before making any plans.

“The most important thing is to keep the fans happy and keep the momentum building with Louis,” he states. “I am a big fan of the arenas, because the atmosphere at his shows was incredible. So, rather than look at going bigger, it might be a case of looking at other arenas in other markets. Whatever he does, we cannot wait to have Louis back in Spain.”

Stefan Wyss at Gadget abc Entertainment in Switzerland promoted Tomlinson when he visited Zurich’s Hallenstadion on 23 October and explains that he previously played the city’s Halle 622 venue on the first tour.

Recalling that debut solo outing, Wyss tells IQ, “At first, we announced a mid-size theatre club show, 1,800-capacity, but it sold out instantly. Then we moved it to Halle 622, which it 3,500-cap, and that also sold out immediately, so it was a really big success.

“They’ve invested a lot in the production of this current tour, and it’s doing really strong numbers, so that’s why we decided to go to the arena this time around, where we set a mid-size capacity of 7,000, which is good for a small market like Switzerland, especially because he’s coming back just one year later and playing a much bigger show.”

Wyss adds, “He’s kept the ticket prices reasonable ‒ and he never wants to do any gold circle or VIP tickets. I think that’s why he’s so close to his fans, because it’s not about maximising profits. Another reason for his success is that in addition to attracting a mainstream audience, he’s also getting music lovers because he’s just a very good songwriter and has brilliant songs.”

Wyss also notes that with many young fans typically arriving the day before the concert, the responsibility to look after them is extended. “We set up toilets, we have security overnight, we give water away. It’s part of the organization that we will take care of the fans.”

Fresh from announcing 12 dates across Argentina, Brazil (x 3), Chile, Colombia, Costa Rica, Pery, Paraguay, Panama, Puerto Rico, and Uruguay, promoter Fabiano Lime de Queiroz at Move Concerts reports that Tomlinson will visit a mix of arenas, as well as stadiums in Santiago, São Paulo, and Buenos Aires during his May tour.

“Our first tour with Louis was supposed to be in 2020 and we’d booked half arenas everywhere ‒ 5,000-6,000 capacities,” he informs IQ. “Louis was one of those acts who connected very well with the fans during the pandemic, so when we shifted dates, first to 2021, and then to 2022, we ended up selling out and having to upgrade in certain metropolitan markets.”

“In Santiago, for instance, we’d sold out two full arenas of 13,000 cap, but then the government declared that for mass gatherings the numbers needed to be limited to 10,000 people.”

Rather than let fans down, Move added a third date, which again ended up selling out. “I remember being on a night plane from Miami, while Matt Vines was flying in from Dallas, and we were both using the aircraft wi-fi to negotiate via text for that third show,” says Queiroz. “It was an interesting way to confirm putting the third date on sale, just three days before the actual show!” 

He adds, “We’re taking a big bet on this tour when it comes to the number of cities and the capacities of the venues, but we’re hoping for the best and we’ve gone out strong. We feel that the artist is in a good moment and that the latest album has just created more interest, so we’re looking forward to when he arrives in May.”

Further north, Ocesa will prompte three dates in Mexico, including a stadium show at the F1 circuit, Autódromo Hermanos Rodríguez, deepening Tomlinson’s footprint in that crucial North America market. 

Meanwhile, in Tomlinson’s homeland, Jack Downling at SJM is promoting seven UK dates in November at arenas in Sheffield, Manchester, Glasgow, Brighton, Cardiff, London, and Birmingham, which will round out the European leg of the tour.

“SJM has done every show Louis has been involved with, including all the One Direction arena and stadium shows,” notes Dowling, adding that on the first tour, the London show was originally pencilled in as a Roundhouse, then two Roundhouse shows, before finally being upgraded to Wembley Arena.

“This time, The O2 arena show in London will be sold out, while all the others have passed the expectations of where we wanted to be on this tour. In fact, when the UK dates were announced, it ranked as the fourth most engaged tour on social media in SJM’s history ‒ his fans are just nuts.”

But Downling also reports that the fanbase for Tomlinson is expanding. “The demographics are pulling not just from pop but also from indie rock now.”

Downling adds, “Louis really looks after his fans. On the last tour they did a deal with Greggs {bakery chain} to give free food to the people waiting in line, as some of them camped out for days in advance.”

Ensuring his fans are looked after properly is the number-one priority in Tomlinson’s live career. 

Noting that Tomlinson’s audience comprises mainly young women and girls, Rowland reveals that, at the artists’s insistence, a safety team has been added to the tour to ensure everyone that attends his shows is looked after. “Thry manage all the safety within the shows for the fans,” she explains. “They came in for the Wembley show last year and have been with us ever since ‒ they’ve been beneficial to the running of the tour.”

“When he played in South America, some of his fans were camping outside for a month. So we have a responsibility to look after them. Coming to a show should be a safe space, it’s where they find joy, and we have a responsibility to protect that.”

Manager Vines comments, “One issue we came up against almost all last year was crushing and fans passing out. We adopted a system where we could communicate with fans, who could hold up a mobile phone with a flashing red-and-white sign if they were in trouble but then we’d see them all popping up.”

“I don’t know whether some of that was a hangover of the pandemic where fans just weren’t used to being in venues. But we experienced a number of situations where hydration and temperatures in venues became an issue. I know Billie Eilish went through similar issues.”

With Tomlinson determined to meet a duty of care towards his fans, Vines says that the team now sends a “considerable advance package” to promoters ahead of their tour dates. “Our safety team goes into venues in the morning and basically ensures that a number of different things are in place ‒ making sure that water is given to the fans, where the water comes from, and at what points in the show it happens.”

And on the crushing phenomena, he reports, “We’ve worked out how many fans it’s safe to have without a secondary barrier. So we instruct promoters to have certain barriers in place to relieve that pressure and avoid crushing.”

He adds, “I get detailed incident reports after each show, which lets myself and my management team know exactly what happened, and so far on this tour, we haven’t had any issues with crushing or hydration, which is fantastic.”

Production manager Craig Sherwood is impressed by the way the tour has pivoted to protect the ‘Louies’. “The welfare officers are vital for the young girls who are aged from, I guess, 14 upwards. They can get dehydrated and malnourished pretty quickly if they are camping out for days, so it’s important that we look out for their wellbeing,” says Sherwood.

Citing the extremes that the Louies will put themselves through in an effort to secure themselves prime positions at the front of the stage, Sherwood recalls, “The first show on our US tour was in February, and it was freezing, but we found out that girls had been camping out on the pavement for five days. It’s crazy, as we know these young girls are coming from all over the world to see Louis.”

However, Tomlinson’s connection with those fans is evident in the level of merchandise sales at each show. “It’s a huge part of our business,” says Vines. “In America, we averaged about $36 a head, and it’s not much shy of that in Europe ‒ we’ve set a few national records in terms of spend per head. But we spend a lot of time on merch plans, and we do venue-specific drops and give it a lot of care and attention, as it’s a really important element of Louis’ business.”

Making sure that the Faith In The Future tour delivers Tomlinson to his growing legion of fans, PM Sherwoord’s long association with artist manager Vines made him the obvious choice when the artist first began his solo career.

“I remember doing a lot of promo dates around the UK and US before we started touring properly,” says Sherwood of his work with Tomlinson. “In fact, one of the first shows I remember doing with Louis was in Madrid when he played in a stadium, and I could see it was a taste of things to come.”

The partnership between Sherwood and Vines is crucial.

“In terms of the show growing, our biggest challenge is keeping costs down, because we’re extremely cautious on ticket pricing,” says Vines. “We don’t do dynamic pricing, we don’t do platinium ticketing, we don’t do paid VIPs, we don’t increase ticket prices on aisle seats ‒ all those tricks that everyone does that most fans don’t know about: we don’t do any of those.”

“So, when it comes to the production side of things, we need to be incredibly careful. But I’ve been working with Craig for a decade, and he knows the importance of trying to keep costs as low as possible. For instance, we’ll run the show virtually a number of times so Louis can watch it with the show designer, Tom Taylor, make comments and tweak things. Then we’ll go into pre-production. But we try to do as much in virtual reality as possible before we take it into the physical world.”

Sherwood states, “Basically, we started out with two or three trucks, but now we’re up to nine, and things seem to be getting bigger day by day.”

Thankfully, Sherwood has amassed a vastly experienced crew over the years, allowing them to handle even the most unexpected scenarios. “I’ve been touring since the dawn of time, but the core crew I work with now have been together since about 2010, and I trust them implicitly, so I leave it up to them who they hire, as long as they think I’m going to like them, and they’ll get along with everyone. So far, it has worked well,” Sherwood reports.

And that veteran crew has dealt with some terrifying weather extremes on the current tour, including a show at Red Rocks in Colorado where the audience were subjected to a freak storm with golf ball-sized hailstones injuring dozens of people.

Elsewhere, the crew has had to act quickly when the threat of high winds in Nashville caused problems on that outdoor run. “We didn’t want the video screens blowing about above the heads of the band, so it must have been amusing for the audience to see us taking them down,” Sherwood reports.

Indoors in Europe, the environment has been more controllable. The production itself involves an A-stage set 180 degrees across the barricades, although Sherwood says that on occasion a catwalk is also used by the performers.

“It’s a great lighting show and fantastic for audio, as we have a phenomenal front-of-house sound engineer ‒ John Delf from Edge Studios ‒ who makes life very easy for the rest of us,” says Sherwood. He also namechecks Barrie Pitt (monitor engineer), Oli Crump (audio system designer), Tom Taylor (lighting designer), Sam Kenyon (lighting technical director), and Torin Arnold (stage manager), while he praises Solo-Tech for supplying the sound, and Colour Sound Experiment (CSE) for taking charge of lighting video, and rigging equipment.

Indeed, CSE has ten personnel out with the Faith In The Future tour. “We have eight screens on the road ‒ six on stage plus two IMAGS that we use wherever appropriate,” the company’s Haydn Cruickshank tells IQ.

“We need to tweak the rigging on a daily basis, as we move to different venues, but other than that it’s a fairly smooth process thanks to Craig Sherwood. He is old-school and planned and worked on the production very far in advance, which is a great scenario for all involved. Craig is definitely one of our favourite production managers to work with.”

Garry Lewis at bussing contractors Beat The Street is also a fan of PM Sherwood.

“Craig split the European tour into different runs. So, from Hamburg to Zurich, we had two super high-decker 12-berth buses for the tour party and two 16-berth double-deckers for the crew,” says Lewis. “After the show in Athens, we still have the two super high-deckers, as Louis loves them ‒ he prefers to spend time on the bus, rather than in hotels ‒ but we also have two 12-berth super high-deckers for the crew, as well as another crew 16-berth double-decker.”

Lewis continues, “We’ve worked with Craig for a good few years, and we have a great relationship with him. He plans everything way in advance, so it means it’s all very straightforward for us with no issues. So, we use single drivers for each bus, except on the longer runs or when our drivers are scheduled for prolonged breaks, and then we’ll fly in extra drivers as needed.”

With the production travelling to Australia in early 2024, before shifting to Latin America, Andy Lovell at Freight Minds is gearing up to become involved with Tomlinson once again.

“We did the Central and South America dates on the tour last year, and onto Mexico,” says Lovell. “It was very challenging back then as we were still coming back from Covid, and various systems and infrastructure were in pieces. But it all went well in the end, as we kept an eye on things and worked on it every day to make sure we had solutions to everything that was thrown our way.” 

Lovell continues, “Things on this tour kick in early next year for us. Historically, Australian services were quite reliable, as we could use any number of airlines. But post-pandemic, the number of long-haul flights still aren’t as frequent as they were. As a result, the production is being reverse engineered with the budget being worked out before we can see what we can afford to take as freight, and then we try to plan accordingly.”

“Similarly, in Central and South America there are still just a fraction of the flights operating, compared to pre-Covid, so that makes it very challenging. If there aren’t the flights to handle the gear, then you have to start looking at chartering aircraft, or alter your schedule, and that can become very expensive, very fast.”

With everyone working on the artist’s behalf to make sure the tour remains on track, being able to call on such experienced production experts is paying off on a daily basis.

Sherwood notes, “There are a few back-to-back shows over long distances that occasionally mean we don’t arrive at the next venue until 11am, rather than 6am. But we’ve never failed anywhere to open the doors on time, so we know we’re capable of getting things done, even if we have a late start at mid-day.”

Such dilemmas are not lost on agent Rowland. “It’s not so much the routing, it’s more like the timings, because Louis does have two support acts, so the show starts at 7 o’clock, and then when we’re done, we need to load out to get to the next show in good time for loading in the next morning and soundchecks, etc.”

Nonetheless, Sherwood admits that he loves the trickier venues and schedules. “Because I’m a dinosaur, I relish anything that makes things difficult or awkward for us on the production side of things,” he says. “I think everyone on the crew looks forward to challenges and finding the solutions to problems.”

Having amassed millions of fans through his association with One Direction, Tomlinson very much has a ‘pay it forward’ attitude to music and is building a reputation as a champion for emerging talent, wherever he performs. 

“He’s a great advocate for alternative music,” says manager Vines. “Louis realises that he’s in an incredibly privileged position in terms of what he can create in terms of awareness. He loves alternative music and indie music, and he understands how hard it is for that music to be heard. But we have this amazing platform where we can put these bands in front of these audiences as a showcase that allows them to build these authentic new audiences. It’s a hude part of his love of music, wanting to help younger bands.”

Rowland agrees. “He took an act called Andrew Cushin ‒ a very new artist ‒ on the road in America with him as his support, and he’s doing the same for Europe. Louis is a fan and is championing his career.”

Indeed, Tomlinson’s A&R skills have knock-on effects for his agent, too. “He asked me to confirm the Australian band Pacific Avenue as support for his Australian tour last year. The music was great and they didn’t have an agent, so now I’m representing them!” says Rowland.

As the European tour speeds toward its conclusion, agent Rowland is enjoying every minute of it.

“It’s incredible ‒ they’ve really stepped things up,” she says, fresh from seeing the show in Athens and Paris. “They’ve got 6 hanging LED screens on the stage, and the whole production just looks polished and professional.”

And Rowland is especially excited about next year’s Latin America dates, which will deliver her first stadium shows as an agent.

“The return to Latin America is going to be huge ‒ Louis is playing arenas and stadiums in South America and Mexico: 15 shows in 11 countries,” she says.

Vines is similarly enthused. Harking back to the Covid situation, when a show would go on sale, sell out, be postponed, and then rescheduled in a bigger venue, Vines says, “For example, in Chile, originally the show was scheduled at a 5,000-cap, half-capacity arena in Santiago. And what we ended up doing was three nights at 10,000-cap in that same venue.”

Vines contends that Tomlinson’s work ethic is outstanding. “He loves his fans, and he loves performing for them, it’s as simple as that,” he says. “He just loves being on the road and seeing how the songs connect live. In fact, the second album was very much written with the tour and live shows in mind ‒ ‘This song could work live,’ ‘This one will open the set,’ ‘This is the one we can do for the encore.’”

Another element to Tomlinson’s psyche has been his decision to visit places off the usual tour circuit. 

“Louis has a real desire to perform to fans in markets that are often overlooked,” says Rowland. 

Manager Vines explains that while the Covid-delayed first tour allowed them to upgrade venues pretty much everywhere, “On this tour, we’re a bit more competent on venue sizes, but we still speculate a little bit in different territories. In Europe, for example, we’ve gone into the Baltics and a number of different places to test the markets there, while in America, we are looking at A and B markets but also tertiary markets as well ‒ we go to places where people just don’t tour in America, just to see what the reaction is. That was something that very much interested Louis ‒ to play in front of people who don’t normally have gigs in their town. So there’s been a lot of experimentation on this tour in terms of where we go and what room to play.”

That concept is something that Vines has employed before. “I manage a band called Hurts who were pretty much overlooked by the British radio system and we have spent 15 years building a business outside of the UK. And that was built on going to play at those places where people didn’t normally go. They built to multiple arena level in Russia, for instance.”

“If you can build fanbases in lots of different places, you have festivals that you can play every summer, as well as youring those places. It allows you to have more consistency over a number of years, by having more opportunities.”

Such a strategy found a convert in Tomlinson. Vines tells IQ, “Louis also is extremely fan-focused in everything that he does. He comes at it from a perspective of ‘I want to take the show to them,’ meaning he’s always more willing to take the risky option to try something out.”

And the results? “It’s a combination,” concludes Vines. “There have been a couple of places where we now understand why tours don’t go there. But there are more places where it’s worked incredibly well. For example, we enjoyed incredibly good sales in Budapest. And overall, it’s allowing us to get a clearer idea, globally, of where the demand it, which will help us when we go into the next tour cycle.”