#indian furnishings

[epchgoogle]

Eco-Friendly Products Fair in 2024

In a world that is increasingly becoming aware of the environmental challenges it faces, the need for sustainable practices has never been more crucial.

The year 2024 brings forth an inspiring event that echoes the spirit of eco-consciousness – the Eco-Friendly Handicraft Products Fair.

This fair is not just a congregation of artisans and craftsmen but a testament to the growing global movement towards sustainable living and responsible consumption. In this comprehensive exploration, we delve into the significance of such events, the impact they have on local economies, and how they contribute to a more sustainable and environmentally conscious future.

The Rise of Eco-Friendly Handicrafts

Handicrafts have been an integral part of human history, reflecting diverse cultures and traditions. However, as the world grapples with environmental issues, there is a growing shift towards eco-friendly alternatives in every aspect of life, including handicrafts. The use of sustainable materials, ethical production processes, and environmentally friendly packaging are becoming key considerations for both artisans and consumers.

This shift is not merely a trend but a paradigm shift in the way we approach craftsmanship and consumption. The Eco-Friendly Handicraft Products Fair of 2024 serves as a platform to showcase and celebrate the innovation and creativity of artisans who are committed to crafting products that leave a minimal ecological footprint.

The Impact of Eco-Friendly Handicrafts on Local Economies

One of the remarkable aspects of the Eco-Friendly Handicraft Products Fair is its positive impact on local economies. By promoting traditional craftsmanship that utilizes sustainable materials, the fair empowers local artisans, creating economic opportunities within communities. This not only preserves cultural heritage but also fosters a sense of pride and identity among craftsmen.

Moreover, the fair provides a unique avenue for small-scale artisans to access larger markets. Through networking and exposure gained at such events, these artisans can establish connections with retailers and consumers who are increasingly seeking sustainable products. This, in turn, contributes to the economic development of the regions where these artisans reside.

The fair acts as a catalyst for sustainable entrepreneurship, encouraging artisans to adopt eco-friendly practices not only for ethical reasons but also for economic viability. As consumers become more conscientious about their purchasing decisions, there is a growing demand for products that align with environmental values. The Eco-Friendly Handicraft Products Fair becomes a bridge connecting conscious consumers with artisans who share their commitment to sustainability.

Innovations in Eco-Friendly Handicrafts

The fair is not just a showcase; it is a breeding ground for innovation. Artisans from around the world come together to exchange ideas, techniques, and experiences in creating eco-friendly handicrafts. This cross-pollination of ideas leads to the emergence of new and innovative products that marry traditional craftsmanship with modern sustainability practices.

For example, artisans may experiment with upcycling – transforming discarded materials into high-quality handicrafts. This not only reduces waste but also adds a unique narrative to the products. Similarly, the use of renewable materials such as bamboo, organic cotton, and recycled metals is explored, highlighting the versatility and potential of sustainable resources.

In addition to materials, the fair also explores sustainable production processes. Artisans may adopt low-impact techniques, such as natural dyeing methods, energy-efficient manufacturing, and water conservation practices. These innovations not only reduce the environmental footprint of the products but also contribute to the overall sustainability of the handicraft industry.

Educational Initiatives and Workshops

A key aspect of the Eco-Friendly Handicraft Products Fair is its commitment to education and awareness. Workshops, seminars, and interactive sessions are organized to inform both artisans and consumers about the importance of eco-friendly practices. These initiatives aim to bridge the gap in understanding and provide practical insights into incorporating sustainability into the handicraft industry.

Artisans benefit from these workshops by gaining knowledge about the latest sustainable practices, certifications, and market trends. This empowers them to make informed decisions about their craft, ensuring that they remain competitive in an evolving market that values sustainability.

On the consumer side, educational initiatives raise awareness about the environmental impact of consumer choices. Understanding the journey of a product – from raw materials to finished handicraft – allows consumers to make more conscious decisions. By fostering a sense of responsibility, the fair contributes to the larger goal of creating a consumer base that values quality over quantity and sustainability over convenience.

Promoting Cultural Diversity

While the focus of the fair is on eco-friendly practices, it also serves as a celebration of cultural diversity. Traditional handicrafts are deeply rooted in the cultural heritage of communities around the world. The fair provides a stage for artisans to showcase their unique cultural expressions through their crafts.

From intricate handwoven textiles to delicately carved wooden artifacts, the fair is a kaleidoscope of cultural richness. This celebration not only preserves traditional art forms but also fosters cross-cultural appreciation. Visitors to the fair are exposed to a plethora of artistic traditions, creating a global tapestry of creativity that transcends borders.

Furthermore, the fair encourages collaborations between artisans from different cultural backgrounds. These collaborations often result in the fusion of diverse artistic styles, leading to the creation of hybrid handicrafts that carry the essence of multiple cultures. This cross-pollination not only produces aesthetically rich products but also fosters understanding and harmony among communities.

Addressing Environmental Challenges

In addition to showcasing eco-friendly products, the fair takes a proactive stance in addressing environmental challenges. Panel discussions, forums, and keynote addresses by experts in environmental sustainability provide a platform for dialogue and knowledge exchange.

Topics such as climate change, deforestation, and pollution are discussed in the context of the handicraft industry. This holistic approach aims to create awareness about the broader environmental issues that impact both artisans and consumers. By fostering a sense of responsibility, the fair encourages participants to consider the long-term environmental consequences of their choices and actions.

Moreover, the fair explores ways in which the handicraft industry can actively contribute to environmental conservation. This may involve initiatives such as tree planting campaigns, waste reduction programs, or collaborations with environmental organizations. By aligning the industry with environmental stewardship, the fair sets a precedent for other sectors to follow suit.

Networking Opportunities for Artisans

One of the invaluable aspects of the Eco-Friendly Handicraft Products Fair is the networking opportunities it provides for artisans. Traditionally, many artisans, especially those from remote or economically disadvantaged regions, face challenges in reaching wider markets. The fair serves as a bridge, connecting these artisans with retailers, distributors, and even fellow craftsmen.

The networking opportunities extend beyond the duration of the fair. Artisans often establish long-lasting connections that result in ongoing collaborations and partnerships. This not only benefits individual artisans but also contributes to the overall growth and sustainability of the handicraft industry.

Collaborations may take various forms, from joint ventures in production to co-hosting workshops and exhibitions. Such partnerships not only enhance the visibility of artisans but also facilitate the exchange of skills and knowledge. This collaborative spirit is a powerful driver for positive change within the handicraft community.

Consumer Empowerment and Conscious Choices

The fair is not just a marketplace; it is an arena for empowering consumers to make conscious choices. As consumers become increasingly aware of the environmental impact of their purchases, they seek products that align with their values. The fair provides a curated selection of eco-friendly handicrafts, allowing consumers to make informed decisions about the products they bring into their homes.

Through interactions with artisans and educational initiatives, consumers gain insights into the craftsmanship and the story behind each product. This transparency creates a sense of connection between the consumer and the artisan, fostering a deeper appreciation for the value of handmade, eco-friendly products.

Moreover, the fair encourages consumers to adopt a more mindful approach to consumption. By emphasizing the quality, durability, and timeless appeal of handicrafts, the fair challenges the prevailing culture of disposable and mass-produced goods. This shift towards conscious consumption not only benefits the environment but also contributes to the well-being of artisans who produce goods with care and dedication.

Conclusion

The Eco-Friendly Handicraft Products Fair of 2024 stands as a beacon of hope and inspiration in a world grappling with environmental challenges. It goes beyond being a mere exhibition; it is a movement that champions sustainability, celebrates cultural diversity, and empowers both artisans and consumers. The fair not only provides a platform for the showcase of eco-friendly handicrafts but also fosters a community of like-minded individuals committed to making a positive impact on the planet.

As the world continues to navigate the complex landscape of environmental issues, initiatives like the Eco-Friendly Handicraft Products Fair play a pivotal role in shaping a more sustainable and conscious future. Through collaboration, innovation, and education, this fair contributes to the ongoing global effort to create a world where craftsmanship and environmental stewardship coexist harmoniously.

[kashishing]

[gaontara]

Elevate Your Space with Gaontara: Exquisite Handmade Indian Handicrafts for Home Decor and Furnishin

In the realm of home decor, the charm of handmade Indian handicrafts stands unparalleled. These exquisite pieces bring a touch of tradition, artistry, and cultural richness to any space. At Gaontara, we are dedicated to offering a stunning collection of handmade Indian handicrafts that elevate your home decor and furnishing to new heights. In this blog, we will explore the beauty and significance of Indian handicrafts, the diverse range of products available, and how Gaontara can help you transform your home into a sanctuary of elegance and heritage.

The Timeless Appeal of Handmade Indian Handicrafts

1. Cultural Heritage and Tradition

Handmade Indian handicrafts are a testament to the country's rich cultural heritage and centuries-old traditions. Each piece reflects the unique craftsmanship of various regions, showcasing intricate designs and techniques passed down through generations. By incorporating these crafts into your home decor, you honor and preserve this artistic legacy.

2. Artistry and Craftsmanship

The artistry and craftsmanship involved in creating Indian handicrafts are awe-inspiring. Skilled artisans meticulously handcraft each item, ensuring that no two pieces are exactly alike. This dedication to detail results in exquisite products that exude quality and uniqueness, making your home decor truly one-of-a-kind.

3. Sustainability and Ethical Practices

Handmade handicrafts promote sustainability and ethical practices. At Gaontara, we work directly with artisans, ensuring fair wages and ethical working conditions. By choosing handmade products, you support sustainable practices and contribute to the livelihoods of these talented craftsmen.

Diverse Range of Handmade Indian Handicrafts at Gaontara

1. Intricate Textiles and Fabrics

Indian textiles are renowned for their vibrant colors, intricate patterns, and luxurious feel. Our collection includes handwoven rugs, embroidered cushions, and block-printed curtains that add a touch of elegance and warmth to any room. These textiles are perfect for creating a cozy and inviting atmosphere in your home.

2. Exquisite Wooden Furniture

Wooden handicrafts from India are known for their durability and intricate carvings. Our range of wooden furniture includes beautifully crafted chairs, tables, cabinets, and more. Each piece is a work of art that combines functionality with aesthetic appeal, making it a focal point in your home decor.

3. Decorative Accessories

From ornate mirrors to intricately designed vases, our decorative accessories are sure to enhance the beauty of your home. These items are not only visually appealing but also serve as conversation starters, reflecting your taste and appreciation for fine craftsmanship.

4. Metalwork and Ceramics

Indian metalwork and ceramics are celebrated for their detailed craftsmanship and artistic flair. Our collection features brass sculptures, ceramic bowls, and other decorative items that add a touch of sophistication and cultural richness to your living spaces.

How Gaontara Enhances Your Home Decor and Furnishing

1. Curated Collections

At Gaontara, we curate our collections with a keen eye for quality and aesthetic appeal. Our selection of handmade Indian handicrafts is diverse, home decor and furnishing ensuring that you find pieces that resonate with your personal style and complement your home decor.

2. Customized Solutions

We understand that every home is unique. That's why we offer customized solutions to meet your specific needs. Whether you're looking for a bespoke piece of furniture or tailor-made textiles, our artisans can create personalized items that perfectly fit your vision.

3. Attention to Detail

Our commitment to excellence is evident in every product we offer. From the choice of materials to the final finishing touches, we pay meticulous attention to detail to ensure that each item meets our high standards of quality and craftsmanship.

4. Sustainable and Ethical Practices

At Gaontara, we prioritize sustainability and ethical practices. We source our products directly from artisans, ensuring fair trade and ethical working conditions. By choosing our handmade Indian handicrafts, you support sustainable practices and contribute to the well-being of artisan communities.

Transforming Your Home with Gaontara

1. Living Room Elegance

The living room is often the heart of a home, and our collection of handmade Indian handicrafts can transform it into a space of elegance and comfort. Consider adding a handwoven rug to anchor your seating area, complemented by embroidered cushions for a pop of color and texture. A beautifully carved wooden coffee table can serve as a stunning centerpiece, while decorative accessories like brass sculptures or ceramic vases add a touch of sophistication.

2. Bedroom Serenity

Create a serene and inviting bedroom with our range of textiles and furnishings. A block-printed bedspread can instantly elevate the look of your bed, paired with matching curtains for a cohesive aesthetic. Incorporate wooden furniture, such as a hand-carved bedside table or a wardrobe, to add warmth and character to the room. Decorative accessories, like an ornate mirror or a set of ceramic bowls, can enhance the overall ambiance and make your bedroom a tranquil retreat.

3. Dining Room Charm

The dining room is a space for gathering and creating memories. Our collection of handmade Indian handicrafts can help you set the perfect stage for these moments. A handwoven table runner or placemats can add a touch of elegance to your dining table, while hand-carved wooden chairs provide comfort and style. Decorative items like brass candle holders or ceramic centerpieces can create a warm and inviting atmosphere, making every meal a special occasion.

4. Outdoor Oasis

Extend the beauty of handmade Indian handicrafts to your outdoor spaces. Our collection includes weather-resistant textiles and furnishings that can enhance your patio, garden, or balcony. Consider adding handwoven rugs and cushions to your outdoor seating area for a cozy and inviting feel. Wooden furniture, like a carved bench or a set of chairs, can provide both functionality and aesthetic appeal. Decorative accessories, such as metal lanterns or ceramic pots, can add a touch of charm and create a serene outdoor oasis.

Success Stories with Gaontara

1. A Cultural Haven

One of our customers transformed their living room into a cultural haven with our handmade Indian handicrafts. By incorporating handwoven rugs, embroidered cushions, and a beautifully carved wooden coffee table, they created a space that reflected their appreciation for Indian artistry and heritage. The result was a warm and inviting living room that became the perfect setting for family gatherings and entertaining guests.

2. A Serene Bedroom Retreat

Another customer created a serene bedroom retreat with our range of textiles and furnishings. They chose a block-printed bedspread, matching curtains, and a hand-carved wooden wardrobe to create a cohesive and inviting aesthetic. Decorative accessories, such as an ornate mirror and a set of ceramic bowls, added the finishing touches, making their bedroom a tranquil and stylish sanctuary.

Conclusion

Gaontara is your go-to destination for exquisite handmade Indian handicrafts that elevate your home decor and furnishing. Our curated collections, attention to detail, and commitment to sustainability ensure that each piece you choose reflects your unique style and values. By incorporating our handmade products into your home, you not only enhance its beauty and comfort but also support the rich cultural heritage and talented artisans of India.Explore our collections today and discover the perfect pieces to transform your home into a sanctuary of elegance and heritage. With Gaontara, you can create a space that reflects your personality, tells a story, and stands the test of time.

[chokhidhanikalagram1]

Indian Handicrafts Online: Embrace Tradition with Convenience

India, with its rich cultural heritage and diverse traditions, is renowned for its exquisite Indian Handicrafts Online. From intricately designed home decor items to stylish footwear and fashionable handbags, Indian craftsmanship reflects a blend of tradition, innovation, and artistry. With the advent of online platforms, exploring and purchasing these unique creations has become more convenient than ever before.

Exploring Home Decor Items

Traditional vs. Contemporary Designs

Buy Home Decor Items encompass a wide range of styles, from traditional motifs to contemporary designs. Traditional pieces often feature intricate hand-carved details or vibrant colors inspired by age-old techniques, while contemporary designs may incorporate modern materials and minimalist aesthetics.

Popular Materials Used

Craftsmen across India employ various materials to create stunning home decor pieces. These include wood, metal, glass, ceramics, and textiles. Each material adds its own distinct charm to the final product, allowing for a diverse selection to suit every taste and style.

Home Furnishing Items: Adding Comfort and Style

Types of Furnishing Items Available

From luxurious bedding sets and plush cushions to elegant curtains and embroidered throws, Indian Home Furnishing Items offer both comfort and style. Whether one prefers traditional patterns or modern designs, there is an abundance of choices to elevate any living space.

Tips for Choosing the Right Furnishings

When selecting home furnishings online, it's essential to consider factors such as quality, durability, and compatibility with existing decor. Opting for handcrafted pieces ensures unique character and superior craftsmanship, adding a touch of luxury to your home.

Kitchenware Products: Fusion of Tradition and Utility

Unique Indian Kitchenware

Indian Kitchenware Products blend traditional craftsmanship with modern functionality. From intricately engraved brass utensils to colorful ceramic dinnerware, these itemsKitchenware Products not only serve practical purposes but also showcase India's culinary heritage.

Functional and Aesthetic Choices

When browsing kitchenware online, consumers can find a plethora of options to suit their culinary needs and aesthetic preferences. Whether it's traditional copper cookware renowned for its heat conductivity or vibrant hand-painted pottery, Indian kitchenware offers both style and utility.

Fancy Footwear: Walking in Style

Cultural Significance of Indian Footwear

In India, Fancy Footwear holds cultural significance beyond its practical use. Traditional Indian footwear, such as juttis, mojaris, and kolhapuris, is often adorned with intricate embroidery, beadwork, or metallic embellishments, reflecting regional traditions and customs.

Variety in Designs and Materials

From elegant bridal sandals to trendy casual shoes, Indian footwear caters to diverse tastes and occasions. Crafted from leather, silk, or textiles, each pair tells a story of craftsmanship and tradition, making them cherished possessions for footwear enthusiasts.

Buy Handbags Online: Fashion with a Touch of Tradition

Diversity in Indian Handbag Designs

Buy Handbags Online come in a myriad of styles, ranging from vibrant embroidered clutches to intricately woven jute totes. Each design showcases the creativity and skill of Indian artisans, offering fashion-forward individuals a unique blend of tradition and contemporary flair.

Craftsmanship and Durability

Handcrafted with precision and attention to detail, Indian handbags are not just fashion accessories but also symbols of quality and durability. Whether crafted from luxurious leather or eco-friendly materials, these bags are designed to withstand the test of time while making a bold style statement.

Conclusion: Embracing Indian Craftsmanship in Everyday Life

Indian handicrafts, available online, offer a gateway to the country's rich cultural heritage and artistic traditions. By incorporating these exquisite creations into our homes and wardrobes, we not only add aesthetic value but also support local artisans and preserve age-old craftsmanship for generations to come.

Frequently Ask Questions (FAQs)

Q. Are Indian handicrafts available online authentic? A. Yes, reputable online platforms source handicrafts directly from artisans or certified cooperatives, ensuring authenticity and quality.

Q. How can I ensure the durability of Indian handicrafts purchased online? A. Look for product descriptions mentioning the materials used and craftsmanship techniques. Additionally, reading customer reviews can provide insights into the durability of a particular item.

Q. Do online platforms offer international shipping for Indian handicrafts? A. Many online stores do offer international shipping, allowing customers worldwide to enjoy Indian handicrafts from the comfort of their homes.

Q. Are Indian handbags and footwear suitable for daily wear? A. Yes, Indian handbags and footwear are crafted with both style and durability in mind, making them suitable for everyday use.

Q. How can I support Indian artisans through online purchases? A. By purchasing Indian handicrafts online from reputable platforms, you directly contribute to the livelihoods of artisans and help sustain traditional crafts.

[indiatrendzs]

The art of Decorating in Indian Style

The art of decorating in Indian style is governed by its cultural diversity and the richness of traditions, ancient text called Vaastu which is similar to feng shui. Beautifully elegant and stylishly happy, radiating positivity, Vaastu or the yoga of interiors combines interior décor with the ancient traditions of Vedas. The balance of energy is very important in creating a home that is happy an…

[expobazzar]

Unveiling Our Latest Gifting Collection: Explore the Magic of Giving!

’Tis the season of joy, and we're thrilled to introduce our latest Gifting Collection that promises to add a touch of magic to your celebrations! Carefully curated and designed with love, our collection boasts a variety of thoughtful and stylish gifts for every occasion. Join us on this blog journey as we provide a sneak peek into the perfect presents that will bring smiles to your loved ones. Ready to unwrap the joy? Click the link in our bio and explore the enchanting world of giving!

Gifts for Every Occasion: Whether it's birthdays, anniversaries, or spontaneous moments of appreciation, our Gifting Collection has something special for every celebration. From personalized items to timeless classics, we've handpicked a range of gifts that reflect the sentiment you want to convey.

Stylish and Trendy Selections: Our collection goes beyond mere gifts; it's a showcase of style and trendiness. Discover fashionable and chic presents that seamlessly blend aesthetics with functionality, ensuring your gift stands out and leaves a lasting impression.

Curated for Diverse Personalities: We understand that everyone is unique, so our Gifting Collection caters to diverse personalities and preferences. Whether you're shopping for the fashionista, the tech enthusiast, or the home decor aficionado, you'll find the perfect match in our thoughtfully curated selection.

Personalized Touch: Make your gift truly special with our personalized items. From monogrammed accessories to custom-designed pieces, adding a personal touch shows you've gone the extra mile to make your loved one feel cherished.

Convenient Online Shopping: Ready to start gifting? Our online store makes the process a breeze. With just a click, you can explore our entire collection, select the perfect gift, and have it delivered to your doorstep or directly to the recipient.

Limited Editions and Seasonal Specials: Keep an eye out for our limited editions and seasonal specials. We regularly update our collection to align with the latest trends and ensure you have access to the most unique and exclusive gifts.

Conclusion: This season, elevate your gift-giving experience with our new Gifting Collection. Whether you're shopping for a loved one or treating yourself, our carefully curated selection promises to add joy and style to every celebration. Don't miss out on the opportunity to make this season unforgettable. Click the link in our bio, explore our Gifting Collection, and get ready to unwrap joy!

[chips1977]

Subject: Re:ANSWERS

THIS INFORMATION COULD SAVE YOUR LIFE AND FREEDOM THE COMING "OFFICIAL" ANNOUNCEMENT OF THE ALIEN PRESENCE ON EARTH

WHY "STAR WARS", THE HUBBEL SPACE TELESCOPE, THE SUDDEN FALL OF COMMUNISM ?

WHAT IS GOING ON? Something very SINISTER is going on. Polls reveal that over 90% of the American people believe in UFO's and 95% of these people believe the government is keeping this knowledge from the public. But why? Are they afraid the people will panic if an "official" announcement were made? Hardly. Such an announcement would create interest and excitement and many questions, particularly by the churches, but not panic. Why then the continued cover-up?

There is overwhelming evidence in the past several years from "whistle-blowers"--retired military officers who have finally said, "Enough is enough! It's time the government told the people the truth!" these officers, such as Navy intelligence officer, William Cooper, Major John Lear (whose father founded the Learjet Corp.) and Air Force officer William English, to name but a few, have all discovered the truth, and at the risk of their very lives, are trying to alert YOU to the secrets behind the UFOs and the Alien Presence on this earth. These people worked on secret projects, had access to, 'classified' Top Secret documents, had seen with their own eyes 'captured' aliens, or extraterrestrial entities, UFOs and the incredible technology they brought with them.

Sightings of 'UFOs' (unidentified flying objects) have been reported throughout history, and biblical and historic references to "flaming chariots" huqe flying 'birds' and odd-looking beings predate our history by thousands of years. In the 1940s several alien spacecraft were recovered by the U.S. and other countries, along with a few dead aliens and one live one they named EBE (a name suggested by Dr. Vannever Bush and was short for Extraterrestrial Biological Entity).

1953 astronomers discovered large objects in space which were moving toward Earth. At first they believed these were asteroids, but later evidence proved the objects could only be spaceships. Project Sign and Project Plato intercepted alien radio communication and using the computer binary language, was able to arrange a landing that resulted in face-to-face contact with alien beings from another planet. Meanwhile, a race of human-looking aliens contacted the U.S. Government, warning us that the aliens orbiting the equator were hostile beings from Orion. These human-type aliens demanded we dismantle and destroy our nuclear weapons, that we were on a path of self destruction and we must stop killing each other, stop polluting the earth, stop raping the earth's natural resources and learn to live in harmony with one another. President Eisenhower rejected these demands.

Later in 1954 the race of aliens, known as Greys, from Zeta Reticuli area in space, who had been orbiting the equator, landed at Holloman Air Force Base. They stated their planet was dying and they needed quarters on earth to conduct genetic experiments that might allow their race to survive; this in exchange for certain technology. Pres. Eisenhower met with the aliens and a formal treaty was signed. The treaty stated the aliens would not interfere in our affairs and we would not interfere in theirs. We would keep their presence on earth secret; they would furnish us with advanced technology . They could abduct humans on a limited basis for the purpose of medical examination and monitoring, with the stipulation that the humans would not be harmed, would be returned to their point of abduction, that the human have no memory of the event. It was also agreed the alien bases; would be constructed underground, beneath Indian reservations in the 4 corners area of Utah, New Mexico, Arizona and Colorado. Another was to be constructed in Nevada in the area known as S4, about 7 miles south of Area 51, known as 'Dreamland.' A multi-billion dollar secret fund was organized and kept by the Military Office of the White House, supposedly to build secret underground sites for the President and staff in case of military attacks.

By secret Executive Memorandum, NSC 5410, Eisenhower re-established a permanent committee known as "Majority Twelve" (MJ-12) to oversee and conduct all covert activities with the aliens. This included FBI director J. Edgar Hoover and six leaders of the 'Council on Foreign Relations, known as the Wise Men' and later others from the Trilateral Commission. George Bush, Gordon Dean, and Brzezinski were among them.

A major finding of the commission was the aliens were using humans and animals for a source of glandular secretions, enzymes, hormonal secretions, blood and in horrible genetic experiments. The aliens explained these actions as necessary for their survival, that if their genetic structure were not improved, their race would cease to exist.

The ruling powers decided that one means of funding the alien project was to corner the illegal drug market. A young ambitious member of the Council on Foreign Relalions was approached. His name is George Bush who at the time was president and CEO of Zapata Oil Co. based in Texas. Zapata Oil was experimenting with offshore oil drilling and it was arranged that the drugs could be shipped from south America to the offshore platforms by fishing boats, then transferred to the U.S. shore by normal transportation, thus avoiding search by customs agents. The plan worked better than anyone expected, and today the CIA controls all the world's illegal drug markets. One should remember, it was George Bush who first started selling drugs to our children. The drug money was used to finance the deep underground alien bases.

Conclusions: the Bilderburgers, the Council on Foreign Relations and the Trilateral Commission are the SECRET GOVERNMENT and rule this nation through MJ-12 and the study group known as the Jason Society. Throughout history the aliens have manipulated and/or ruled the human race through various secret societies, religion and the occult. The CFR and the Trilateral Commisson are in complete control of the alien technology and the nation's economy. Eisenhower was the last president to know the entire overview of the alien problems. Succeeding presidents were told only what MJ-12 wanted them to know, and it was NOT the truth. MJ-12 presented each new president with a picture of a lost alien culture seeking to renew itself, build a home on this planet and shower us with gifts of technology. Each president has bought that story hook, line and sinker. Meanwhile, innocent people continue to suffer unspeakable horrors at the hands of alien and human scientists who are engaged in barbarous research that would make the Nazis pale in comparison. As if that is not enough, many people end up as food for the insatiable alien appetite for biological enzymes, hormonal secretions and blood. At least 1 in every 40 Americans have been implanted with alien devices that are used to control them if necessity calls.

By 1989 over 3 million 'Greys' are occupying these deep multi-level underground complexes. Level 7 at Dulce is called "Nightmare Hall" They have welched on their agreement on abducting humans; today over 25 million citizens have been abducted and implanted, a literal army awaiting orders to march! (Whitley Strieber has written best-selling books on his personal experience as have many others). For this reason other nations were informed. Within 5 months the communist monolith Russia was dismantled to unite with the U.S. and its technology to fight the invasion. The Hubbel Space Telescope was created to keep a watchful eye on the invasion fleet; Star Wars technology has been developed to hopefully stop them in outer space before they can get to the earth.

Today, the government is on the horns of a dilemma. Too many sources are releasing alien Information. The public could get angry at continued secrecy. So MJ-12 plans soon to make an "official" announcement, under controlled conditions, probably Area 51. Network TV will be called to meet the staged 'landing' of the aliens, these being the Grays.

They will come bearing gifts, technology that supposedly will heal cancer and AIDS, retard aging, etc. They will tell us they are the 'saviors of humanity' who have come to defend the earth against an invasion of human eating aliens called Reptoids. This story is a LIE, they already work for the Reptoids! Their plan is to unify the world into a One-World Government, a 'New World Order' with the argument that only this can defeat the invasion by Reptoids. This is a trap to enslave the world's population. Control will be accomplished through the money system, a universal currency controlled by certain international bankers, who for years have been lackeys of the aliens, who seized upon their greed and lust for wealth and power as a means to bring about their evil plan to control the earth. (This also being the scenario predicted in the Bible's 'Book of Revelation' wherein only those who accept the Mark of the Beast (the aliens being the Beast' and the 'Mark' being some sort of laser tattoo or Credit Card they will use, which will allow people to buy and sell goods). Those who do not accept this 'Mark' must live outside the money system and survive somehow on their own, through barter etc.

SO BE AWARE! ONLY YOUR KNOWLEDGE OF THIS FAKE INVASION AND FAKE RAPTURE CAN PREVENT IT FROM HAPPENING. DEMAND THE TRUTH FROM YOUR GOVERNMENT. TELL THEM YOU KNOW ABOUT THE ALIENS AND THAT THERE ARE GOOD ALIENS AND BAD ALIENS AND THAT MJ-12 IS PROMOTING THE BAD ALIENS AND THE ONE WORLD GOVERNMENT THEY HOPE TO CONTROL.

INSIST ON THE TRUE STORY OF THE ALIEN PRESENCE ! YOUR LIFE COULD DEPEND UPON IT, AS WELL AS YOUR FREEDOMS !

FOR FURTHER RESEARCH AND MORE INFORMATION:

Arcturus Book Servko: PO Box 83183, Stone Mt., GA. 30083. (Specialists in UFO books and magazines, tapes, videos)

Worldwide UFO News Clipping bureau & Publlc Information Center 955 Lancastor Rd. Suite 420, Odando, FL 32809. (Tapes videos etc. on UFOs and Alien Presence).

C.A.C. Box 115, Olympia, Wa. 98507 (Cosmic Newsletter with much information on UFOs. and Alien Presence).

The William Cooper Foundation, 19744 Beach Blvd. No.301 Huntington Beach, Cal. 92648. Phone: (6O2) 567 6530

Stanley IC. Barrington, 2059 East Ave. 1, Sp.11, Lancaster CA 93535

BOOKS: An Alien Harvest, by Linda Moulton Howe ,PO Box 3130, Littleton, CO. 80161 (Secret of the cattle mutilations) The Gulf Breeze Sightings, by Ed Walterr,. Wm. Morrow & Co. Pub. The Watchers, by Raymond Fowler, Bantam Books, N.Y. Communion, by Whitby Strieber, Wm Morrow Pub. N.Y. Ask Your local bookstore!

CIRCULATE THIS INFORMATION MAKE 30 COPIES!!

[omgthatdress]

Night Gown

early 18th century

The Victoria & Albert Museum

"The loosely cut style of this man's informal robe is based on that of the Japanese kimono. Robes like this became popular in Europe from the mid-17th century, brought back by members of the East India Company, and by the 1670s European tailors were making them. The exact geographic and cultural source of the style was not generally well known in England, where they were called 'Indian gowns' when made of any non-European fabric, for example, Indian cottons, Chinese or Indian silks.

This nightgown is a striking and rare example, in very good condition for its age, made from blue silk damask woven in China for import into Europe. Such silks were primarily intended for furnishing, and appear in merchants' records as 'bed damasks'; the length of their pattern repeat was displayed to best advantage in the long drop of bed curtains. A silk damask of closely similar design to this was used to furnish a room in the summer palace of Prince Eugene of Savoy, Schlosshof, in 1725 (now in MAK in Vienna)."

[talonabraxas]

"Celestial Tree" Talon Abraxas

So, there are 12 Great Orders of Spiritual Beings or Entities and these are in some way connected with and represented by the 12 Signs of the Zodiac, namely Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn, Aquarius, and Pisces.

And within the 12 Great Orders is the 7-fold “Hierarchy of Creative Powers” and these seven are connected in some way with the Seven Sacred Planets, which are Venus, Mercury, Mars, Jupiter, Saturn, and two others, which are exoterically said to be the Sun and the Moon, but which are in fact the mysterious planet Vulcan and another planet which has not been specifically named in the Theosophical teachings but which is described by HPB in “Transactions of the Blavatsky Lodge” as “a planet with a retrograde motion, sometimes visible at a certain hour of night and apparently near the moon. The occult influence of this planet is transmitted by the moon.”

This is what is said about the Seven Hierarchies . . .

1 – “The highest group is composed of the divine Flames, so-called, also spoken of as the “Fiery Lions” and the “Lions of Life,” whose esotericism is securely hidden in the Zodiacal sign of Leo. It is the nucleole of the superior divine World. They are the formless Fiery Breaths, identical in one aspect with the upper Sephirothal TRIAD, which is placed by the Kabalists in the “Archetypal World.””

2 – “The second Order of Celestial Beings, those of Fire and AEther (corresponding to Spirit and Soul, or the Atma-Buddhi) whose names are legion, are still formless, but more definitely “substantial.” . . . As the name shows, they are the prototypes of the incarnating Jivas or Monads, and are composed of the Fiery Spirit of Life. It is through these that passes like a pure solar beam, the ray which is furnished by them with its future vehicle, the Divine Soul, Buddhi. These are directly concerned with the Hosts of the higher world of our system. From these twofold Units emanate the threefold.”

3 – “The Third order corresponds to the Atma-Buddhi-Manas: Spirit, Soul and Intellect, and is called the “Triads.””

4 – “The Fourth are substantial Entities. This is the highest group among the Rupas (Atomic Forms). It is the nursery of the human, conscious, spiritual Souls. They are called the “Imperishable Jivas,” and constitute, through the order below their own, the first group of the first septenary host – the great mystery of human conscious and intellectual Being.”

5 – “The Fifth group is a very mysterious one, as it is connected with the Microcosmic Pentagon, the five-pointed star representing man. In India and Egypt these Dhyanis were connected with the Crocodile, and their abode is in Capricornus. These are convertible terms in Indian astrology, as this (tenth) sign of the Zodiac is called Makara, loosely translated “crocodile.” … The fifth group of the celestial Beings is supposed to contain it itself the dual attributes of both the spiritual and physical aspects of the Universe; the two poles, so to say, of Mahat the Universal Intelligence, and the dual nature of man, the spiritual and the physical. Hence its number Five, multiplied and made into ten, connecting it with Makara, the 10th sign of Zodiac. . . . It becomes the task of the fifth Hierarchy – the mysterious beings that preside over the constellation Capricornus, Makara, or “Crocodile” in India as in Egypt – to inform the empty and ethereal animal form [i.e. in the early period of humanity’s evolution on this globe in this Fourth Round] and make of it the Rational Man. This is one of those subjects upon which very little may be said to the general public. It is a MYSTERY, truly but only to him who is prepared to reject the existence of intellectual and conscious spiritual Beings in the Universe, limiting full Consciousness to man alone, and that only as a “function of the Brain.” Many are those among the Spiritual Entities, who have incarnated bodily in man, since the beginning of his appearance, and who, for all that, still exist as independently as they did before, in the infinitudes of Space. . . . To put it more clearly: the invisible Entity may be bodily present on earth without abandoning, however, its status and functions in the supersensuous regions.”

6 & 7 – “The sixth and seventh groups partake of the lower qualities of the Quaternary. They are conscious, ethereal Entities, as invisible as Ether . . . as it is the Sixth – on the downward scale of Spirituality – the last and seventh being the terrestrial Spirits (elementals) which gradually form, build, and condense his physical body – this Sixth group evolves no more than the future man’s shadowy form, a filmy, hardly visible transparent copy of themselves. . . . This sixth group, moreover, remains almost inseparable from man, who draws from it all but his highest and lowest principles, or his spirit and body, the five middle human principles being the very essence of those Dhyanis. Alone, the Divine Ray (the Atman) proceeds directly from the One.”

[saintmeghanmarkle]

📋 𝐌𝐞𝐠𝐚𝐥𝐢𝐬𝐭 𝐨𝐟 𝐞𝐯𝐞𝐫𝐲𝐨𝐧𝐞 𝐚𝐬𝐬𝐨𝐜𝐢𝐚𝐭𝐞𝐝 𝐰𝐢𝐭𝐡 𝐌𝐌 𝐯𝐢𝐚 𝐀𝐑𝐎, 𝐀𝐫𝐜𝐡𝐞𝐭𝐲𝐩𝐞𝐬 𝐏𝐨𝐝𝐜𝐚𝐬𝐭, 𝐚𝐧𝐝 𝟒𝟎𝐱𝟒𝟎 📋

📌 ARO jam recipients (as of May 27th, 2024)

Tracy Robbins (designer, wife of Paramount Pictures CEO Brian Robbins) *

Delfina Balquier (Argentine socialite, wife of Nacho Figueras) * and Nacho Figueras (professional polo player) *

Kelly Mckee Zajfen (friend, Alliance of Moms founder) *

Mindy Kaling (actress and comedian) *

Tracee Ellis Ross (actress, daughter of Diana Ross)

Abigail Spencer (friend, Suits co-star) *

Chrissy Teigen (television personality, wife of John Legend)

Kris Jenner ('Momager') *

Garcelle Beauvais (actress, Real Housewives of Beverly Hills) *

Heather Dorak (friend, yoga instructor) *

📌 Archetypes podcast guests

Serena Williams 🏆

Mariah Carey 👑

Mindy Kaling (actress and comedian) *

Margaret Cho (comedian and actress)

Lisa Ling (journalist and tv personality)

Deepika Padukone (Indian actress)

Jenny Slate (actress and comedian)

Constance Wu (actress)

Paris Hilton (entrepreneur, socialite, activist)

Iliza Shlesinger (comedian and actress)

Issa Rae (actress and writer)

Ziwe (comedian and writer)

Sophie Grégoire Trudeau (former wife of Canadian PM Trudeau)

Pamela Adlon (actress)

Sam Jay (comedian and writer)

Mellody Hobson (President and co-CEO of $14.9B Ariel Investments, Chairwoman of Starbucks Corporation, wife of George Lucas)

Victoria Jackson (entrepreneur, wife of Bill Guthy: founder of Guthy-Renker, leading direct marketing company)

Jameela Jamil (actress, television host)

Shohreh Aghdashloo (Iranian and American actress)

Michaela Jaé Rodriguez (actress and singer)

Candace Bushnell (Sex and The City writer)

Trevor Noah (South African comedian)

Andy Cohen (talk show host)

Judd Apatow (director, producer, screenwriter)

source

📌 40x40 participants

Adele 🌟

Amanda Gorman (poet and activist)

Amanda Nguyen (activist)

Ayesha Curry (actress, cooking television personality)

Ciara (singer and actress)

Deepak Chopra (author and alternative medicine advocate)

Dr. Nadine Burke Harris (former Surgeon General of California)

Elaine Welteroth (former Editor-in-Chief of Teen Vogue)

Dr. Ibram X Kendi (professor and anti-racism activist)

Fernando Garcia (creative director of Oscar de la Renta)

Gabrielle Union (actress)

Gloria Steinem (feminist journalist and social-political activist)

Hillary Clinton (politician, wife of former US President Bill Clinton)

Katie Couric (journalist) *

Kerry Washington (actress)

Chef José Andrés (founder of World Central Kitchen)

Melissa McCarthy (actress)

Princess Eugenie (member of British Royal Family)

Priyanka Chopra (actress)

Sarah Paulson (actress)

Sofia Carson (actress)

Sophie Grégoire Trudeau (former wife of Canadian PM)

Stella McCartney (fashion designer, daughter of Paul McCartney)

Dr. Theresa "Tessy" Ojo - CBE, FRSA (Diana Award CEO)

Tracee Ellis Ross (actress, daughter of Diana Ross)

Unconfirmed - Edward Enninful (former Editor-in-Chief of British Vogue)

Unconfirmed - Daniel Martin (makeup artist) *

An official list of all "40x40" participants was never disclosed

source 1 // source 2 // source 3

📌 Notes:

Names with an asterisk (*) indicate that they follow ARO on Instagram

Notably missing from these lists: Netflix CEO Ted Sarandos and wife Nicole Avant, Jeff Bezos and Lauren Sanchez, Beyoncé, Tina Knowles, Tyler Perry, Oprah Winfrey, Gayle King, Kevin Costner, Ellen DeGeneres, Portia Rossi *, Brooke Shields, John Travolta, Kelly Rowland, Holly Robinson Peete, Misan Harriman *, Michael Bublé

Wedding guests missing from these lists: Jessica Mulroney, George and Amal Clooney, David and Victoria Beckham, Idris Elba and Sabria Dhowre, James Blunt and Sofia Wellesley, Janina Gavankar, Elton John and David Furnish, James Corden and Julia Carey, Patrick J. Adams and the rest of the cast of Suits, Joss Stone, Tom Hardy and Charlotte Riley, Carey Mulligan and Marcus Mumford [Source]

Sunshine Sachs must've called in a LOT of favors to get so many famous names on board the Archetypes Podcast and the 40x40 project. Vanity projects that went... nowhere.

Without Sunshine Sachs, IMO it's highly unlikely that M will ever be able to reach the same level of celebrity access on her own.

If there are any names missing from these lists, please comment below 👇

Post link

author: SeptièmeSens

submitted: May 27, 2024 at 06:44PM via SaintMeghanMarkle on Reddit

disclaimer: all views + opinions expressed by the author of this post, as well as any comments and reblogs, are solely the author's own; they do not necessarily reflect the views of the administrator of this Tumblr blog. For entertainment only.

[handeaux]

Cincinnati Was Fascinated By Talking Machines Whether Good, Bad Or Bogus

Professor Faber’s amazing “talking machine” arrived in Cincinnati to great fanfare in 1872 when that contraption shared a bill at Wood’s Theater with the famous Bandmanns, Daniel and Millicent. The celebrity thespians presented “The Merchant of Venice” and “The Corsican Brothers.” The talking machine recited whatever the professor told it to.

As early as 1844, the Cincinnati Enquirer carried reports of Austrian Joseph Faber’s progress in developing a mechanical device that could replicate human speech. The original “Professor” Faber, unhappy with progress on his own invention, killed himself in 1850, but the project was taken on by his nephew, also named Joseph Faber, who perfected the device and took it on tour. The Enquirer [25 January 1872] described it in some detail:

“On looking at it you see a table, on one end of which is a key-board with a number of levers similar to the hammers of a piano leading to an upright beam. At the front of this beam you see a mask from which you hear, in tones that remind one of a child’s trumpet, the measured enunciation of words. Back of this beam stands a pair of bellows which is operated by a treadle, and furnishes the air that is required to supply the instrument.”

Faber’s device was a sort of analog speech synthesizer, an ancestor of the Vocoder and similar electronic devices of the Twentieth Century. The operator, by pumping pedals and pressing keys, generated sounds resembling human speech. The Enquirer’s reporter, imagining no “practical utility,” was nevertheless impressed with the machine’s performance.

“During the exhibition the machine was made to speak in English, German, Greek and Hebrew. It beats the Professor speaking English, and but for the example of broken English he sets would speak almost as closely as anyone. It pronounced such words as Mississippi, Cincinnati, Chicago, Philadelphia with ease and clearness. Although it speaks with a decided German accent, one has less difficulty understanding it than the average German who has been three or four years in this country.”

While touring the United States, Professor Faber impressed impresario Phineas Taylor Barnum so much that the great showman renamed the machine as The Euphonium and engaged it and its operator for six months on a contract worth $20,000. Barnum brought the newly christened Euphonium back to Cincinnati in July 1872 as a highlight of his “Great Traveling World’s Fair.” That extravaganza also featured four giraffes, sea lions, herds of trained elephants, Fiji cannibals, American Indians, various dwarves and midgets and three rings of continual circus acts. Barnum’s Fair occupied the Union Baseball Grounds for four summer days at a time when Cincinnati had no professional baseball team. Reports indicate that Barnum got his money’s worth as his show became the hottest ticket in town. Barnum did well enough that he extended Faber’s contract for at least another year. The Euphonium continued to receive star billing when Barnum’s circus returned to Cincinnati in 1873.

Professor Faber continued to exhibit his talking machine well into the 1880s, several years after a very different sort of talking machine made its debut. Thomas Edison, the Genius of Menlo Park, unveiled his phonograph in 1877 and Cincinnati shifted its attentions to the new gadget in town. The Cincinnati Commercial dispatched a reporter to Edison’s laboratory and he filed [3 April 1878] a breathless dispatch:

“I saw the talking-machine, talked to it, and it talked back. You have heard about it, of course, but the story can not be an old one for years to come, and although the phonograph is as simple as a jackknife, it excites the awe of the beholder as a telegraph wire stirs up an Indian’s superstition”

It was another year before an actual phonograph arrived in Cincinnati, almost simultaneously with an early telephone. The Enquirer [5 June 1878] announced the dawn of a new age:

“The phonograph now on exhibition at Greenwood Hall had an increased number of visitors yesterday, our most prominent citizens leading what must become a rush to witness this real wonder, which, with the telephone, marks an era in science. It is impossible to describe the sensation created by this ‘talking’ machine, which gives back to one his own very words and tones in either speaking or singing, and which, many believe, is to revolutionize many things in social and business life.”

Edison’s mind-blowing machine inspired a couple of Cincinnati con artists to offer talking machine service to the great unwashed. At a time when phonographs cost the equivalent of $500 and cylinders the equivalent of $15 per in today’s coin, the opportunity to try out this revolutionary device for one thin dime was irresistible. According to Frank Y. Grayson’s wonderful book, “Pioneers of Night Life on Vine Street,” the flim-flam men set up shop just south of the canal.

“Across the front of the dump, spread a canvas which bore these words: ‘Come In and for a Dime Hear the Most Amazing Invention of the Age – the Talking Machine Extraordinary.’”

The dupes who fell for the pitch surrendered their ten cents and were handed a rubber mouthpiece attached to a long hose. They said their piece while the operator furiously cranked a large wheel, waited a moment and – voila! – their words of wisdom emerged from a rubber bulb sprouting a tin funnel.

“News of the wonderful invention flashed up and down the good old avenue, and the come-ons fell all over themselves getting into the place. The crooks made hay while the sun shone.”

Their demise came when the local beat cop stopped by and tested his elocution. He shouted, “What am I?” into the mouthpiece, the customary pause ensued and “What am I?” emerged faintly from the funnel – followed by a sneeze. “I didn’t sneeze,” said the cop and descended into the basement where he found a fat man in shirtsleeves, managing the other end of a couple of rubber hoses.

Talking machines so excited the imagination of Cincinnati’s residents that they infested the hallucinations of our cranks. The Enquirer [21 October 1900] related the case of Mrs. F.C. Lykins of Walnut Hills, who sent letters accusing a young man residing at the Union Bethel of annoying her with his talking machine. A detective determined that there was no such resident at the Union Bethel, and no one by that name living in the area. Mrs. Lykins insisted that voices from a talking machine filled the air around her head. The detective just smiled, closed his notebook, and headed back downtown.

[weepingfoxfury]

Sunday, Sunday, Sunday and Popcorn is playing on the radio, there's coffee to the side of me (of course) and Biggest Dog is snoring on the settee behind me.

Orange and yellow weather warnings whilst I sit inside my yellowy orange walled house. Being in the middle of everything you never know what weather you'll get.

Yellow kickstep ... red tin pencil case ... green Indian scarf ... I can see all these things from my desk without even moving my head. I'm surrounded by colour, far away from the shelves in the shiny metropolis that are filled with items the colour of nothing. The 'soft furnishings' aisle is like walking into a black and white/sepia film where the actors already quit.

Night Train To Lisbon, a film I've never seen but have a hankering to. The idea of finding someone else's coat, a book, a train ticket and just doing something on a whim. I love trains ... I miss trains ... miss the sound that, until now, was always present somewhere in the distance.

The trains are out there ... I just have to close my eyes and remember ...

[queenbeewrites]

Love Equals To Domination /chapter 1./

femdom short story

DESCRIPTION

Riku's tears ignite a primal hunger in Ziya. Driven by a desperation to connect, she explores the dangerous edges of desire, where love and obsession, submission and control, intertwine. How far will she go to love and to feel loved

*****

December was taking its first steps, soaking the roads and dressing society heavily in its style, causing roughness and blush to the skin. It decorated the glass windows and glass doors with dreamy fog, and once again popularized hot steaming food.

The twelfth month had turned the moon brighter and colder, which shone every night in its different clothes.

As usual, the moon was hanging in the sky, sprinkling silver through the glass window of the kitchen, upon the bubbling tomato curry on the stove that perfumed the wooden furnished, simply artistic, and minimalist apartment with a scrumptious and spicy aroma. Boiled potatoes chopped into bite-size pieces steamed on the chopping board with a bowl of boiled chickpeas beside it.

In the living room, where the bubbling of the curry could not reach ears, an Indian chef in a cooking show, stirring the pot, advised adding chopped coriander leaves to the freshly cooked chickpea curry.

A bundle of cookbooks on Indian cuisine delivered thirty minutes ago, sat upon the Kotatsu, adjacent to the bowl full of fresh oranges, bought the same day.

Riku, a young man of twenty-three, sitting under the warmth of the Kotatsu, right before the television, could not pay much attention to the advice of the chef, for his black eyes were focused on the orange, his thick fingers carefully peeling it.

He unthreaded the orange from the whites, wiped his hands onto his pink apron, which made him look even bigger, and with his experienced fingers brushed his black silk,y and tired hair away from his eyes, allowing his keen vision to decorate the orange on the dish in the shape of a flower.

Riku had transferred from Japan to India, to learn about the cuisine and art form of India. From his merciless to neck-cracking height, broad shoulders, thin waist, sharp eyes, and sharper jawline, he seemed a thug. However, he was unlike his stone physic and was a mismatch with his sharp features.

He spoke gently, smiled often, both with his eyes and his teeth, and cooked with passion. He was a warm friend and a caring boyfriend. These qualities had popularized him during college and kept him away from loneliness. These same qualities also intrigued Ziya.

Ziya, a woman of 25 years old, was born and raised in the lands of India and was as gorgeous as any man's dream, an outstanding literature student during college. She spoke like her slender figure, had trust in herself taller than her height, smiled like her gorgeous brown eyes, and moved like her black layered and long strands.

She had not many, but a few friends, dear and aid to her in times of need, and also a declaration of her distaste for socializing.

She was sitting behind him under a warm blanket, on the warm setting they had created, the size of a large bed, and just a few inches from the ground.

Upon Riku's orange offering, she expressed politely, denied without looking at the warm expression on Riku's face, and went back to writing on her laptop, with soft music playing in her ears through the heavy headphones.

Riku's arm remained still for a second before he rolled it back and placed the dish on the table, staring through the pieces of the orange as if he were trying to understand the formation of the color orange.

He inhaled sharply and exhaled with the same strength, then stood tall and went into the kitchen to finish cooking the chickpea curry.

He had been learning how to cook the curry for a while now, never putting it into the pan. That day was the first he had ever served her, something unusual to his taste.

At the dinner table, he eagerly questioned the taste of the curry, and she simply answered that it tasted good. He felt happy at the accomplishment and wished to know if she would like to eat something else as he had gotten magazines on Indian cooking. But she suggested he cooked whatever he wished.

It had been happening for a while now. She had stopped demanding him to cook for her. She said she's happy with anything he cooks.

She repeated herself when he asked once again, washing dishes with her, her hands an inch away from him, but his eyes glued on her.

His body was finicky throughout the whole time, his skin was sizzling with tender sensation, a reaction he always showcased before she caressed his body in her arms while washing dishes, soiling the counter with water everywhere.

She'd seize him from behind and kiss his neck tenderly, making him giggle and soil himself like a little girl. The occurrence was as usual as the moon.

But maybe the moon had not risen that night, for she wiped her hands with the kitchen towel, done with washing, and left him staring at her before disappearing into the bedroom.

Those same dense eyes kept staring at her when he was cuddled up in her arms under the darkness of the night until she unwrapped her arms from his curled-up body and turned her back on his face.

No reaction seized his features. He just kept staring until his eyes took him to the day they had shifted to that apartment after a decision to live together.

He was reminded of that night when she fondled him until it was morning, how she fondled him each day before that day, and also three months after that night.

He reminisced about the moment when she was unboxing her books to place them accordingly in the new apartment and suggested that she'd do his unpacking as well if he cooked her something spicy.

She always used to demand spicy food, the polar opposite of him, and had never eaten more than two spoonfuls of something sweet until she had met him.

He was reminiscing about the time when she would bring him all kinds of sweets each time she'd go out with her friends each Saturday.

Would she bring something today? He wondered like usual of his routine each Saturday evening, disposing of the dried-up orange he had peeled yesterday for her, while she was going through many handbags of different colors to carry for the night.

It was the day when she would meet her two friends, Rahul and Amara. These two were the only ones that could help her solve the questions and difficulties of her mind, for no one ever understood or fathomed to perceive her to ever be in trouble.

After being confused between the bag of an orange color and black, she came to choose the darker shade and suggested Riku sleep early, alarming him about the dirty patch on his pink apron.

That day she returned home, late at night, at 12 o'clock, when everything was quiet and dark inside the apartment. Only the dim light of a lamp near the Kotatsu was beaming. He had forgotten to turn it off.

She noticed the lamp and proceeded to turn it off, when her ears picked up muffling noises, coming from the bedroom, right beside the kitchen.

Bewildered, she stood quietly outside the bedroom, breathing silently, and pressed her ear to the door, to hear clearly. She heard Riku choking back on tears. 

Upon hearing his trembling noises of tears, her fist tightened up around the string of the bag, her toes curled up inside her shoes, and her breaths halted for a second.

For a while she just stood there, just listening to her lover cry inside the bedroom. She kept standing as if in a trance even after he stopped crying and turned off the light.

She slept under the Kotatsu that day, wearing the same clothes, and when she woke up, she found him cooking in the kitchen as if nothing had happened.

Her clothes had wrinkled up, and her hair was a mess, but at least she had not been cold the whole night. When he noticed her standing beside the kitchen counter, he quickly began combing her hair with his fingers, caring and loving as always, while she quietly kept staring at his swollen and red eyes.

"Why did you sleep here?" He questioned, caressing her face as if he was putting it back into the perfect shape it finessed and then offered warm water to drink.

That day she kept hazily staring at him at any chance she got but did not say anything much. In fact, she talked less than the other days, for her attention was on the redness of his eyes.

She tried warming and wiping the redness off of his eyes with her thumbs when he was leaving to meet his friends, but she could not succeed and had to watch him leave with that redness.

END OF CHAPTER 1.

Early Access on:

Patreon: https://www.patreon.com/c/Sugarush

Boosty: https://boosty.to/queenbeewrites

[fatehbaz]

The [British] annexation of Kumaun and Garwhal [in the "Indian" Himalayas, after 1816] [...] not only heralded new systems of revenue, land ownership, and forestry but also gave rise to novel aesthetic forms of valuing "nature." [...] [S]portsmen like Colonel Fred Markham declared that [...] hunting musk deer [...] and blue sheep [...] in the Himalayas could not be rendered into prose as dramatically as tiger hunting in the plains. Thus, in the mountains colonial writers relied upon the aesthetics of the sublime [...]. [M]usk deer and bharal hunting on the slopes of the Gangotri glacier […] had become a "set-piece" in hunting journals […] by the middle of the nineteenth century. English travelers to the Himalayas considered themselves unique in their inclination to "wander through strange lands for the mere purpose of seeing the country [...]," a trait that was ostensibly beyond the comprehension of "natives". Colonial travelers acknowledged the hill dwellers' love of home but dismissed them for taking "little interest in scenery which threw us into raptures." [...]

The life and legend of Frederick Wilson (1816-83) [...] reflects the ways in which the "psychological sublime" as it unfolded in the Himalayas was tied to colonial constructions of racial difference. To metropolitan readers and gentlemen sportsmen, Wilson was a self-trained natural historian, a paternalistic employer of natives, and a connoisseur of the wild. [...] He was a guide to famed hunters such as Fred Markham and Robert Dunlop. [...] Wilson's writings reduced paharis from perceiving subjects into unseemly objects of dirt: "Like the inhabitants of most cold, mountainous, and half civilized countries, the Puharies are extremely dirty; dirty in their persons, in their clothes, their cooking, their dwellings, and, in fact, in everything." [...] Although historians have located the major break in systems of land use [in the British-controlled Himalayas] [...] in the advent of scientific forestry in the last quarter of the nineteenth century, [...] new forms of economic exploitation [and racialization, and environmental management philosophies, had already been present earlier] [...]. Wilson's pursuit of hunting as a profession was exceptional among nineteenth-century sportsmen in the subcontinent. To monopolize trade in Himalayan musk pods (the gland of the musk deer) and pheasant hides, he relied on [...] contracts with the subordinated princely ruler [...]. "Shikari Wilson-Hunter and Lumberer" exported bear grease, monal pheasant feather, taxidermied birds, and musk before extracting wood from the forests of the Bhagirathi Valley in the 1860s to furnish the expansion of imperial railway networks. [...] The success of his enterprises relied upon "native" labor and knowledge [...].

---

[Initially,] animals and forest produce [had] effectively remained common property. [But] [a]fter he obtained a contract for the animal trade at a nominal rent from the Tehri Raja Bhawani Shah, who ruled under the paramount authority of the [British] colonial state, Wilson proved able to exploit this [...]. His ability to monopolize the hide trade suggests how the context of colonial domination reshaped the ecology of Garhwal even before the advent of scientific forestry [a particular style of British forest management for the purpose of long-term profit from timber extraction, implemented in the later decades of the century]. Wilson relied upon [...] "lower" caste shikaris and bajgis trained as taxidermists, centralized "bird godowns" for the collection and processing of skins and hides, and a commission agent dispatching time-sensitive orders to distant markets. He managed to dominate the taxidermy trade [...] with the use of arsenical soap as a preservative. A single season could yield "upwards of 500 birds, principally pheasants and partridges," "scores of the deer tribe," enough bears to furnish "upwards of a hundred quart bottles of grease," and four leopards. Musk and monal were his chief products before he successfully petitioned the raja of Tehri for the lease of the Bhagirathi forests in 1858. [...]

---

Wilson dispatched [these animal products] [...] to the imperial metropole [London, etc.] and Himalayan hill stations [where British administrators lived] in unprecedented quantities. We might consider Wilson's role in expanding the trade in monal hides and feathers as an example. The monal pheasant was little known in Britain before the latter half of the eighteenth century, when it was first coveted by East India Company officials. Lady Impey, wife of the the chief justice of Bengal, first housed a monal in her extensive menagerie. The pheasant was subsequently named Lophophorus impeyanus in her honor. With the expansion of the monal trade, the high-ranking colonial official's fascination with this once rare and exotic emblem of oriental riches spread to the metropolitan public. Toward the latter half of the nineteenth century, monals were used to ornament women's bonnets and serve as ornithological specimens. Metropolitan ornithologists [...] singled out Wilson's taxidermied pheasants as objects of praises, creating a demand for them in the process. Over his thirty-year career, Wilson sent an average of fifteen hundred monal skins to Britain yearly. [...]

---

Wilson continued to curate the Himalayan sublime for European sportsmen well into the 1860s. [...] However, by the 1870s, the scale of Wilson's extractive enterprises in the Bhagirathi Valley was gaining notoriety. Writing in Hume's Stray Feathers, Edwin Brooks admonished the wreckage left behind by Wilson's logging operations, writing that "such wanton and wholesale destruction of the timber of a fine valley is not to be met anywhere else upon the face of the earth." Though Wilson defended himself against Brooks by arguing that the destruction of "grand old forests" was a "sad necessity," his lease over the Bhagarathi forests ultimately transferred to the Forest Department. While the advent of scientific forestry in the Central Himalayas heralded a new discourse about the management of nature [still in service of extraction and profit], the demarcation of racial difference remained central to the colonial imagination of Himalayan peoples and places.

---

All text above by: Nivedita Nath. "Imperial Hunting and the Sublime: Race, Caste, and Aesthetics in the Central Himalayas". Environmental History 26 (2021): 301-323. doi: 10.1093/envhis/emaa084. Published April 2021. [Bold emphasis and some paragraph breaks/contractions added by me. Italicized text within brackets added by me for clarity and context. Presented here for commentary, teaching, criticism purposes.]

[chokhidhanikalagram1]

Indian Handicrafts Online: Enhancing Your Home Décor

Introduction

Welcome to the vibrant world of Indian handicrafts online, where tradition meets modernity. Embark on a journey through the rich cultural tapestry of India as we explore exquisite home decor items, mesmerizing home furnishing products, functional kitchenware, stylish footwear, and trendy handbags, all available at your fingertips.

Discovering Indian Handicrafts Online

Unveil the treasure trove of Indian Handicrafts Online, where artisans pour their heart and soul into every creation, preserving age-old traditions while embracing contemporary designs. From intricately carved wooden artifacts to elegantly handwoven textiles, each piece narrates a unique story of craftsmanship and heritage.

Exploring Home Decor Items

Step into a realm of aesthetic bliss with Buy Home Decor Items. Adorn your living spaces with hand-painted wall hangings, ornate brass figurines, and majestic tapestries, infusing warmth and character into your abode. Elevate your interior styling game with indigenous artwork that reflects your personality and cultural sensibilities.

Revamping Home Furnishing

Revitalize your home interiors with our exquisite collection of Home Furnishing Items. Indulge in luxurious silk cushions, plush embroidered throws, and intricately quilted bedspreads, transforming your living spaces into havens of comfort and style. Embrace the timeless charm of Indian textiles and let your home exude elegance and sophistication.

Unveiling Kitchenware Products

Embark on a culinary journey with our array of Kitchenware Products that blend functionality with aesthetics seamlessly. From handcrafted copper utensils to intricately painted ceramic serveware, enhance your dining experience with artisanal creations that celebrate the art of cooking. Infuse your kitchen with the flavors of tradition and elevate your culinary prowess with our curated selection.

Stepping into Fancy Footwear

Make a style statement with our exquisite range of Fancy Footwear that combines traditional craftsmanship with contemporary design. From intricately embroidered mojaris to embellished kolhapuris, each pair is a testament to skilled artistry and impeccable quality. Step out in confidence and embrace the timeless allure of Indian footwear that seamlessly blends comfort and elegance.

Indulging in Handbags Online

Accessorize in style with our chic collection of handbags that exude charm and sophistication. From vibrant jute totes to intricately beaded clutches, our handpicked selection caters to every taste and occasion. Elevate your ensemble with a touch of Indian craftsmanship and add a dash of flair to your wardrobe with our exquisite handbags.

Conclusion

Embrace the cultural richness and artistic heritage of India by exploring the vast array of handicrafts available online. From exquisite home decor to fashionable accessories, each piece tells a story of tradition, craftsmanship, and timeless beauty. With just a click, you can adorn your life with the charm and elegance of Indian handicrafts, celebrating artistry and creativity.