#in-home elevator

[xbabyjah]

Kitchen - Transitional Kitchen Example of a large transitional l-shaped medium tone wood floor and brown floor eat-in kitchen design with a farmhouse sink, raised-panel cabinets, beige cabinets, white backsplash, subway tile backsplash, stainless steel appliances, an island and white countertops

[iinryer]

i keep thinking about chris’s “i tried complaining once, it didn’t work” line and also how he’s super witty and funny and perceptive and also A Teenager and how that all would influence the way he navigates a world that isn’t always accessible to him…

just imagining post-ladder-truck-crush-injury buck and chris both using crutches while buck is still getting used to things suddenly being inaccessible to him and getting like, little zingers of insights and life lessons from his best friend’s kid while out and about. chris showing him how he gets up and down the tall curbs when a sidewalk is blocked off unexpectedly, and very loudly and often proclaiming his distain for the “fuck-you” steps (the 1-2 tiny steps at the front doors of houses and buildings that immediately make that entrance no longer accessible)

like buck researches a couple of easy activities for them to try while he’s is still healing and tired and is looking into the establishment’s accessibility accommodations, and hey! the place says on the website that they’re wheelchair friendly! that usually covers his and chris’s bases, so they should be good to go. but when they get there it turns out that, while there IS an accessible entrance with a “ramp”, it’s actually the cargo loading zone that’s literally on the other side of the building which would require them to walk a couple of extra blocks up and back down the street on the other side. obviously they can still get in, but buck feels awful because that’s not what he wanted out of his preparedness. chris just tells him “it’s okay, it happens a lot actually”, and buck is even MORE sad about it, but chris just conspiratorially adds “this is my favorite kind” and starts making his way towards the set of like, idk eight stairs at the front of this building. buck is obviously confused and looks at eddie who just shakes his head fondly, sighs and says “yeah, he does this sometimes” before encouraging buck to follow. when buck finally reaches chris, he’s balancing his crutches on the first stair and turns to buck to whisper “now we get to make them feel bad about it” and proceeds to very feebly, very slowly—and buck has seen chris rough and tumble and rocket his way through things that could (and do) trip him up, this is the most dramatic act of put-upon helplessness buck has EVER seen from this kid—make his way up the stairs. he even sticks his bottom lip out into a little pout for good measure. one of the staff sees them through the glass doors and comes out to tell them about the “ramp” in the back of the building, and before buck can even think of what to say in response, chris is just telling them, very sadly, that he “wouldn’t be able to walk that far without getting too tired 😔😔😔” and continues his hammed-up, sad, slow trek up the stairs while a very harried staff member kind of hovers, not knowing what to do.

buck has to bite his cheek to keep himself from laughing at chris’ act, and then again at the face the staff member makes when they catch sight of buck too, as he begins very dutifully following chris’s lead, eddie in their wake.

[zegalba]

Final Home for i-D Magazine (1999)

[lobotomyservices]

WHAT A NORMAL GUY!

[spacedlexi]

maybe if i just put these screenshots together youll understand why i think their relationship just Works so well as it pertains to the characters and themes of S4 in general

neither of them know what theyre doing, but theyre figuring it out Together. the old ways are dead. and together theyll build a new future thats worth fighting for

[lenle-g]

unhinged observation - we all know their colours don't match the traditional ones, but I've never noticed before that on the portraits they put Jeff in red and Virgil in green, but then they swap them over when we actually see them. In fact, //pause while Len goes to look// when they're in TB3, they're all wearing red - like all the space-rated suits, specifically are red. //Goes to check again// and Gordon and Virg are in green with TB2 in the opening rescue to match Jeff as well.

Does that mean, in 2004 verse, they wear whichever colour matches the 'bird they're currently flying because other than them needing 5 suits each... that's pretty cool can't lie good for them

ignoring the fact they look the same, I can be like ??? well yellow must be wetsuits, red is space rated?? Green is ?? tougher maybe, blue is for however many G's TB1 hits a body with when they're going crazy speeds, orange is a spacesuit for living in space etc etc

[offbrand-mango]

ok listen, i dislike Folly to a substantial degree,,,,, but i must admit drawing her is fun as hell

[neunhofferart]

I was just rewatching camp cretaceous and thinking about the writing and storyboarding process for a show that does silent/physical comedy so well and then I discovered your tumblr! amazing work!

Aw thank you so much!! We were a script driven show so some of it was thanks to our writers coming up with funny material to work with, and then a lot of the physical/visual comedy in Camp Cretaceous and Chaos Theory was thanks to the direction of one of our showrunners, Aaron Hammersley-- he comes from a storyboarding and directing background himself, and he often did passes on the animatics to punch up the acting and comedy even more. I got to work directly with him when I started out as a revisionist on Camp Cretaceous, and I tried to learn from and emulate his comedic sensibilities (in addition to learning from and emulating all my other incredibly talented coworkers haha).

You can particularly tell whenever Aaron touched a scene though-- like, you can almost see his drawings and recognize his timing even when it's translated to 3D. The shot of Ben falling over and screaming for sliiightly too long from the clip that was released today is one of his revisions that wasn't originally scripted, for example. I think probably the BEST example of his is the scene from Camp Cretaceous when Ben is staring at Bumpy and slowly shaking his head with those haunted eyes as she plops down in his sleeping spot-- that was pretty much exactly how Aaron drew it and timed it haha.

A lot of it comes down to thinking about the character's personality and what they'd do, picking strong expressions, limiting the movement of everything around that expression, and being allowed to let the timing breathe. It's really interesting-- a scene from a script can be made into something completely different depending on who's boarding it/who's directing it/how the interpretation of the script is approached.

Even though we were on script driven shows, part of the process of being a storyboard artist was working with our episodic directors to translate the script visually before it was animated, and troubleshooting any problems that arose while visually translating it. If we were able to pitch ideas that supported what was written in the script but took things further/we came up with good solutions to problems that also elevated the storytelling, we were given a lot of support from leadership in return-- particularly on Chaos Theory!

[corrodedcoughin]

Steddie definitely have elevator races and elevator vs stairs races. As well as ‘who can go down more stairs in one step’ competitions. So far it’s a tie on both accounts but there’s been multiple injuries along the way

[regret-evatorful]

funny

[starlet-sky]

[keikoayano]

Thinking about how all the remaining men are suffering. Thinking about how Eurylochus trying to elevate just a bit of that suffering (hunger) is the final nail in the coffin of their journey. Thinking about Penelope’s voice singing “Let me take the suffering from…” and her voice doesn’t finish, but then Odysseus is pointing towards his crew. A tragic, heartwrenching decision that in some ways could be seen as him “taking” their suffering by choosing to end their lives

[galactic-aesir]

I feel like we dont talk enough about the fact that (if you follow popular fanon), Miles Edgeworth went from living 11 years in Germany (earthquake every couple decades) to fucking Japanifornia (bajillion earthquakes a year). Bratworth’s first year back must’ve sucked.

[mintygreencake]

Just imagine if they like one door down from each other, like if I was Faust I'd be mad as fuck- 😭 you telling me that I'm in the same building as my fuck ah older step brother? And not only that I'm only one door down? NAHHH-

Don't worry Faust I'll save you bbg- 😙 slide in my crib I'll treat you to a night of pulling for characters on gacha games 🗣️

[likeprongstostars]

ppl who have never lived in a coastal city... how do you do this all your life

[acebytaemin]

🍀☀️🌿🦋🌳✨🍃