#in this house we love el hopper

[emblazons]

"I need you to talk to me, okay? When you're ready.""

El Hopper in S02E05 - Dig Dug

[henrysglock]

just a quick PSA

[hereiamforsomereason]

"Wanting Byler to be endgame means you hate El and want her to have her heart broken/have an unhappy ending-" 🔫 yeah, no, let me stop you right there.

El is one of my most loved characters. To me, leaving a relationship she's very clearly unhappy in and giving herself the love and acceptance she thought only a romantic partner could give her is her happy ending.

[mikewheelertm]

el hopper. @imprettybitchin ( cont. )

That wasn't the kind of wake up call that Mike would have expected,  or wanted to,  but then again he doubted that anyone would have been happy to be slapped awake.  ❝ What was that for ? ❞  He grumbled as he pressed his face against the pillow,  fighting the urge to reach for the blankets and pull them over his head.

It took him a couple of moments to actually process what she was saying,  but the moment his still muddled with sleep brain caught up on it,  and there he was,  sitting up far too quickly and almost knocking himself off the bed.  ❝ You know,  saying it like that makes me feel like we are about to pay a visit to an amusement park. . . ❞  A pause,  nose scrunching up.  ❝ Which technically it's almost true. ❞  After all he did feel like a kid going to one of those parks whenever he found a new place to explore that had some potential.

❝ Give me five minutes and I'm ready to go. ❞  Words quick while Mike was rolling off the bed,  gathering clothes along the way to the bathroom.  ❝ Tonight should be fun. ❞  He spoke again,  his voice loud enough to be heard between the rooms.  ❝ From what I heard from some of the others,  the place is really active. ❞  It was only after he was back in the room that a grin was gracing his features,  a familiar gleam behind dark hues as he looked at El.  ❝ Maybe we'll catch something good. ❞  Well,  he couldn't be blamed for being excited,  right ?

[stevieschrodinger]

Part One Eighteen

Eddie looks up, towards the front of the house, “car.”

It’s a good count of five before Steve hears a car pulling up onto the drive, “do you want to get it? Surprise Robin?”

Eddie just shakes his head, suddenly shy. Steve remembers how loudly she had shrieked over the phone, “yeah, that’s fair.”

Steve waits until the bell is rung, and Eddie does come and stand in the hallway, half hidden in the lounge doorway, watching as Steve gets the door. Just as he’s opening it he realizes just how uncharacteristically polite she’s being; normally Robin just barges in.

He gets his answer a second later; it’s not just Robin.

She does cross the threshold first, hugging Steve and then clearly spotting Eddie, Steve grabs her, “do not be loud.”

“Okay, okay,” and she goes in.

Joyce is next, carrying a big pot with a lid, she leans over to kiss Steve’s cheek, Jon and Nancy follow, both equally laden down, Nancy holding what looks like a cobbler in a large dish, with a grocery bag hanging precariously from each wrist, “we didn’t have many left overs, so mom put together a quick dessert, it’s only canned filling, hope that’s okay.”

“That’s...so great of you Nancy, she didn’t need to-”

“Hush, Steve,” and she goes in, Hopper, Will and El bringing up the rear. Everyone has their hands full.

“Okay, lets move along, we need to get all this warmed up,” Joyce says to clear the blockage of Eddie gawkers in the hall. Steve watches as Eddie nods at people, looking on curiously, as they all move past.

“Jon, bring through the kitchen chairs honey!”

Joyce has completely commandeered Steve house, and he’s totally okay with it. Jon and Hopper move the chairs so there’s enough seating around the dining table. They might be elbow to elbow, but Steve wouldn’t really have it any other way.

“We brought what we had honey,” Joyce tells Steve, passing him a bowl with a cucumber, a lettuce and some apples in it, “I didn’t want him to feel left out.”

Steve’s heart melts, “he actually might try a meal.”

Joyce absolutely lights up, and she takes the bowl back, setting it on the kitchen counter, “then lets get him a Christmas dinner. Can you deal with the roast please Hop, I’m bringing the rest out now,” and like a sergeant major directing her troops, Joyce calls on people to fetch and carry as she plates things up, “El honey, take all the cutlery please. Will, jugs of juice, thank you.”

Steve just smiles and watches it happen, “better be a beer in it for me,” Hopper grumbles from behind Steve.

Eddie’s been half watching from doorways, occasionally retreating to the couch and then coming back again, but he seems to be drawn by the smell of all the food. “Come on, come and sit at the table.”

“Table,” Eddie repeats, following as Steve leads him by the hand into the dining room.

Eddie sits, and Steve sits next to him.

“Well, Merry First Ever Christmas,” Joyce says to Eddie, before she’s distracted again, “Will, vegetables please.” Will huffs over his plate of meat and potatoes.

“What do you want baby?” Steve whispers to Eddie while everyone helps themselves.

Eddie shrugs a little helplessly in the face of the spread Joyce has put on. Steve smiles reassuringly, giving his thigh a squeeze before he makes him a plate with a little of everything. While he’s occupied, Steve is vaguely aware of El saying, “I love your hat.”

“Eddidie hat?” Eddie replies, “thank you, El.”

Eddie likes meat. He also still really likes his vegetables; he just likes them hot.

Once everyone’s eating the conversation dies down, Eddie uses a combination of claws and his fork to eat, and Steve doesn’t think he’s doing too badly for his first proper sit down meal, when Joyce asks, “Eddie, do you like the food?”

Eddie nods, “good good. Many good.”

Joyce smiles, “and how are you finding having legs?”

“Good, not different Stee.” Joyce seems to get the drift of what Eddie kind of means. This clearly gives Eddie an idea though, turning to Steve he asks, “Eddidie work? One dollar bill gro-ser-ees.”

“Uhm,” Steve chuckles, “maybe. Need to work on a few things first. Maybe.”

“Eddidie car?” And Eddie mimes turning the steering wheel back and forth.

“Need a license first,” Hopper interjects from the other end of the table.

“License first?”

“A drivers license,” Steve clarifies, or tries too, “so you can drive the car.”

“He’s going to need a birth certificate and all that,” Nancy adds.

Joyce elbows Hopper, “I’m sure Hop could help there.”

“Yeah, like I don’t have enough-” Joyce elbows him again, “yeah, okay. Watch it woman, your elbows are like knives.”

“Eddie,” El starts in, “your birth certificate is important, you can choose where you were born.”

“That’s not actually how it works for the rest of us,” Will whispers to her, smiling.

“I got to choose,” she tells him, “I chose Hawkins.”

“Eddidie born?”

El nods, “where you’re from.”

“The Upside Down,” Eddie announces with some confidence, raising a round of, maybe slightly weirded out, chuckles from around the table.

El shakes her head, “no, where are you from now?”

Eddie nods, grasping that part, “Hawkins Indiana. Pool,” and Eddie points, back through the house at the yard, just to clarify. Steve hides his laughter behind his hand.

“Might want to loose the ‘pool’ part,” Hopper adds, helpfully.

“No no,” Jon suggests, “if you make him like, from another country, it’ll explain the language barrier.”

“That’s not a bad idea,” Joyce muses, “where would you suggest?”

“Well, there’s only one obvious place, right? Fin-land.”

Everyone groans, and John gets balled up napkins thrown at him.

“In all seriousness kid, going to need a full name and date of birth,” Hopper tells them.

“Oh! Christmas Eve! That would be a lovely birthday for Eddie,” Joyce tells him, excited.

Hopper hums, “uh hu, what year? And a surname, write it all down for me kid.”

“Obviously Harrington,” Steve says before he can really think about it.

Hoppers eyebrows are in his hairline, “so...brothers?”

Robin nearly chokes on her drink.

“Okay, time for gifts, and then dessert after,” Joyce says as she shoos everyone into the lounge, “the boys can do the dishes later.”

Jon and Hop share a look, and Steve knows instantly it’s a look they’ve shared quite a few times.

Everyone spreads around in the lounge, El putting on the Christmas tree lights with a little frown of concentration.

“Okay, me first,” Joyce says, getting up, and she gives Steve and Eddie a wrapped gift each.

“Joyce, you don’t have to, I didn’t get chance to-”

“Don’t worry about any of that honey,” she waves him away, sipping her drink, “just open them.”

Eddie looks perplexed by the thing he’s been handed, just turning it over and over in his hands, “here, watch,” Steve says, and carefully tears into the paper on his own gift.

Eddie seems to be delighted by this turn of events, and uses his claws to easily tear into the paper.

Matching knitted material unfurls onto both of their laps, Steve unfolding his to find a red and green knitted sweater; clearly home made by Joyce.

Eddie holds his up, “sweater? Gift?”

“Yeah, look,” Steve holds up his own.

They are a little different; while the sleeves of Eddie’s are the same as Steve’s, the middle is a hell of a lot shorter, and it takes a second for Steve to realize why; it would stop it from dragging on the ground.

“Stee Eddidie not different!” Eddie says, all excited, just as Steve looses his battle and starts to cry.

A little less than twenty four hours ago, the deepest parts of Steve were convinced that Eddie was dead in his pool. Before that, days of...of torture, knowing that Eddie could very well be dying in the black water. The sleepless nights. The slow erosion of Steve’s hope, and the guilt that came with it, all seem to hit Steve all at once.

Eddie could have died, and now they’re here, sitting on the couch together, holding matching Christmas sweaters. They got insanely lucky.

Steve’s tears come harder, and a sob escapes him, “sorry,” he chokes out, excusing himself and heading into the kitchen.

“Stee?” Eddie creeps in quietly after him.

“Hey, I’m okay.”

Eddie frowns, following Steve across to where he’s leaning against the counter, wiping at his eyes with his sleeve, “no.”

It does make Steve laugh a little through his tears, and he lets Eddie carefully wipe his face before he licks the moisture off his fingers, “called?”

“Tears. I’m crying. I got upset.”

“Stee ow? Tell Eddidie.”

Steve swallows thickly, but his tears abate in the face of Eddie’s clear concern, “when you were in the pool...I had to wait. Days. And I was...so frightened. Scared. That you were dead.”

“Eddidie not dead.”

“No,” Steve huffs, “I know that now,” and he wraps his arms more firmly around Eddie’s middle, “I missed you.”

“Called missed?”

“I was sad, Steve ow, Eddie wasn’t here. You were gone. In the pool.”

“Eddidie no missed Steve. Sorry. Eddidie…” he taps the side of his head, the bobble wobbling as he cocks his head in thought, “no TV. TV inied. Together now. Many tomorrow.”

“All tomorrow?” Steve asks hopefully.

Eddie nods, his bobble rocking back and forth furiously.

And then he leans forward the scant inches between them, and kisses Steve. It’s slow, gentle. A soft brush of lips before Eddie shifts on a sigh. The gentlest, barely there sucking of Steve’s bottom lip; the softest of scratching claws against the back of his head, Eddie’s hand sliding into his hair.

“Oh!” Eddie pulls apart, but not away. If anything he instinctively holds Steve tighter, “I’m...I’m sorry,” Nancy says, wide eyed from the doorway, before she backs back into the lounge.

Steve sighs, “cats out of the bag now.”

“Cat? Lion. Tiger? Called bag?”

“I’ll explain that one another time, okay?”

When they sit back down on the couch, Steve has a fuck it moment and holds Eddie’s hand. He has to keep letting go so Eddie can open his gifts, but still. It doesn’t take long for Hopper to notice, and then he says, “oh, Harrington,” in the most unhelpful way ever.

Steve looks down at their linked fingers, and it suddenly occurs to him exactly which finger it is that next to the pinky finger. Oh. Oh, well. Eddie doesn’t understand what it means...and it’s not like Steve isn’t all in anyway at this point. Not that they can even get married but...he looks up, happening to make eye contact with Robin, who has the most ‘what the fuck?’ look on her face Steve’s ever seen.

Steve eyes her back, ‘not now.’

He gets some world class shit eye in return.

All of Steve’s gifts are...standard. Fairly thoughtful, but mostly just...standard. The toiletries he likes. Some cleaning stuff for his car. Another, not home made, new sweater.

Eddie on the other hand, makes absolute bank. Notebooks, coloring books, pencils and pens. A nice case to keep all of his stationary in. A four pack of fancy beer from Hopper of all people. Plus books, granted, they’re all kids books, but they’re perfect. Steve figures Eddie isn’t that far off learning to read, he has been nailing the alphabet for a little while now.

One of Eddie’s gifts from Robin is a calendar; it’s full of pictures of month appropriate trees. Steve sees cherry blossoms and ripe apples and snow covered firs as Eddie flicks through, reading the months out loud. “That’s a whole year,” Steve tells him, once Eddie has haltingly read out, ‘December,’ “we can write important things in there.”

Eddie perks up, “Eddidie Birthday?”

“Yeah, you want Christmas Eve?”

Eddie nods, and once Steve finds the right box on the right page, Eddie uses one of his new pens to, very carefully, write his name in the box. “Birthday?”

“How to spell birthday?”

Eddie nods, “letters.”

Steve tells him, one slow letter at a time, as Eddie writes it out, showing everyone proudly once he’s done.

Eddie insists on inspecting every single gift thoroughly, and saying thank you, before tucking it all around himself on the couch, like a little dragon with his tiny hoard.

Steve sighs when Eddie unwraps a VHS of ‘Splash,’ from Jon. “You’re not as funny as you think you are.”

“I’m hilarious,” Jon replies, deadpan.

Part twenty

[dwobbitfromtheshire]

Steve knows the kids don't mean it when they make him feel stupid. Mostly because they're just as dumb as they are smart. If they were curious enough, they'd stick a fork in an outlet. That's what Steve was for, and he's okay with looking out for them until they realize they can start doing it for themselves. They're learning. . .slowly.

Of course, Eddie doesn't realize this until after Vecna, and he's running around like a chicken with his head cut off and he's trying to stop Max from smothering Mike with a pillow in his sleep. Suddenly, he's a stressed-out dad smoking on the back porch at the homecoming party they've thrown at the Munson's new home. He's watching them run around the backyard, looking tired, and Wayne is laughing at him.

"It's not funny," Eddie muttered. "I love those kids but they're going to make me go gray."

"Or lose your hair," Wayne said in amusement.

"Don't even joke about that," Eddie said.

"Got you something, boy," Wayne said and handed him a small box.

Eddie opened it up to reveal a world's greatest dad mug. He looked up to find Wayne drinking out of a world's greatest grandpa mug.

"Seriously? Did you buy that for yourself?" Eddie asked.

"Yep."

Steve came out on the porch, drinking out of a world's greatest mom mug.

"Not you too," Eddie said.

"I think it's funny," Joyce said from beside Hopper.

"Even if it's about one of your kids?" Eddie asked, and she just grinned.

"You know, I think Will and El are the only ones we don't have to worry about," Steve grinned, sitting next to Eddie. "They're angels."

"That's true. . .wait, what's Max doing to Mike?" Eddie asked.

"Well, it looks like Mike has fallen asleep in the grass, and Max is. . .Max is giving Mike a free haircut," Steve said as he sipped his coffee.

"Yeah, I figured that was coming when Mike said skateboarding is stupid," Hopper said.

"You knew Max would cut his hair?" Eddie asked.

"You gave her the scissors, didn't you?" Steve asked.

Hopper stared off in the distance as he sipped his own cup of coffee. Joyce looked at her husband in horror.

"Hop!"

"Should we stop him?" Eddie asked.

"Nah," Steve said.

"What did he say to you?" Eddie asked.

"Well, Dustin joked about us acting like a married couple, and Mike said that I would never marry you in a million years," Steve scoffed and looked at Eddie seriously. "I would marry you in a heartbeat, baby."

Mike yawned and stretched, his brows furrowing.

"Does anyone else feel a breeze?" Mike asked.

"He's looking this way," Eddie said with a grin. "May I kiss you in front of everyone?"

"Absolutely," Steve said with a grin.

Eddie leaned forward and captured Steve’s lips with his.

"Finally," Robin said, coming out of the house.

She was sipping on a mug filled with tea. On the mug, it said: world's worst godmother. Dustin came out a moment later wearing a hat that said: world's loudest child. Eddie glanced at Wayne with an amused look.

"You really went all out, huh?" Eddie asked.

"We had plenty of hush money," Wayne shrugged.

As Max wondered inside, she handed Dustin a pair of scissors.

"What am I supposed to do with these?" He asked.

"Oh my God! My hair!" Mike shrieked. "Henderson! You're dead!"

"It wasn't me, I swear!" Dustin exclaimed and ran off when Mike started chasing him.

"Dustin! You butthead!" Eddie exclaimed. "No running with scissors!"

[imfinereallyy]

“Dad is going to be very angry,” El says with wide eyes taking in the scene before them.

“You think Hop will kill him?” Steve says as he leans against the doorway, eating a Twizzler.

El looks at Steve momentarily, sticking her hand out for some candy. Steve hands her one without hesitation. El rips a piece off before speaking. “Oh yes. He might ask you to help hide the body.”

Steve nods solemnly, “I’ll do what needs to be done. Mikes’s my least favorite child anyway.”

“Hey!” Mike yells, gaining the duo's attention. It brings them back to the scene they walked in on. Mike and Will, with the door closed (no three inches in sight) on top of each other, making out.

Steve doesn't think he’ll ever get that image out of his brain.

“Chill, Wheeler, I'm joking,” Steve says pointedly before turning to El and mouthing no, I'm not.

El giggles, and Steve can't help but feel like he won a prize at the sound.

“I'm sorry, El.” Will blushes with shame, like he is betraying his sister somehow.

El just shrugs, “I do not care. But Dad might. He hates Mike.”

Steve snorts, “That's the understatement of the century. I don't think Hop has ever hated someone’s partner like he has Mike. Honestly, I was surprised he liked Eddie. I mean like is a strong word. But he tolerates him.”

Will pipes up, “I think he does mostly because he knows you'll move out, and he only just got you to agree to stay here.”

Steve shrugs, “I’ll take what I can get. At least he doesn't walk on me having sex.”

“We weren't having sex!” Mike practically screams. Hands up exasperated. “And don't talk about you and Eddie; it's gross.”

Will blushes deeply with head in his hands, “Oh, God.” El pats him on the shoulder in sympathy.

“Also, this wouldn't have happened if you weren't an idiot and just knocked!” Mike stomps. Jesus, this kid is 15 acting 6.

“I was the one who walked in, Mike. I wanted to know if Will wanted to watch a movie.” El says coldly, getting defensive of her brother.

Mike clams up, Steve can't help but feel smug.

“Who’s having sex?!?” A distinct Hopper-like voice echoes through the house.

Will and Mike share a panicked look while Steve and El take more Twizzlers from the bag.

“Oh no. Mike! What are we going to do?”

Mike sputters, “He doesn't have to know it was us! And we weren't having sex!”

Will looks at him like Mike is the biggest moron he's ever met. Steve loves the kid (despite early protest) but has to agree. “Oh gee Mike, I wonder who he will think it was about. Steve? Who is dating a man who isn't here and keep in mind, it's Steve. Who is our brother, and five years older than us? And in a relationship? And let's not forget..is Steve?!”

“This is fair.” Steve agrees. If anyone but Baby Byers had attempted to say that, Steve would have been pissed. But it's Will, so it's coming from a good place.

“Also! Also! The other person here is El! Who is my sister! Not to mention your ex—”

“—well it could have been—”

“Micheal Steven Wheeler, if the next words out of your mouth are it could have been you and El, I will never be kissing you again.” Will uses a deathly tone. Steve isn't convinced he didn't get from El.

“Your middle name is Steven?” Steve fills giddy.

“Shut up Steve!”

Will pinches his brows, “And you idiot, if it were you and El, you would still he toast.”

Steve whistles, “Shit, Will. Next time I need to win an argument against Eddie. I'm coming to you.”

“How long does it take for dad to get upstairs?” El interrupts.

All of them look down the hall. “Huh, maybe we are in the clear,” Mike whispers.

“I said who is having sex?!?” Hopper comes thundering up the stairs.

“I think this is what Max calls a jinx.” El looks at Mike unphased.

Steve can't help but feel a little bad for Will. He looks panicked around the room, probably looking for a hiding place. Steve knows that it isn't that same fear Will once had of Lenny, Hop wouldn't hurt them ever, but he can't help but feel a little protective of him. Steve knows all too well how the fears of biological fathers can sneak up on you, even if you know you're safe. “Don’t worry, Will. I'll make sure Hop takes it easy.”

Will relaxes, “Thanks Steve.”

“What about me?” Mike asks, eyes wide.

El shares a look with Steve. Spending as much time as they have lately has allowed them to talk without speaking most of the time. It freaks everyone but Robin out (she gets it). Seconds go by before they both nod in agreement.

Steve and El both wip their heads towards Mike, and Steve says, “You were grossed out by my relationship and called me stupid. Suffer.”

Mike's outcry is in synch with Hop breaking through screaming, “There better be three inches!”

[kittythelitter]

Thinking about Steve getting disowned by his parents.

And he's talking to Eddie and Eddie calls him "Steve fucking Harrington." And Steve's like. "I'm not a Harrington anymore :( They took everything from me including my name." And he was like. Understandably sad about his name and his identity and the fact that his parents don't love him and all that.

And Eddie. In an attempt to cheer him is all flirty and offers his own name up for Steve to use. Steve sad laughs and says that if Eddie wants to propose he needs to do better than that.

While they're having this conversation Dustin is lurking and hears this and is outraged that Eddie thinks he can just. Give Steve his name without earning it. Steve should be a Henderson. He's basically Dustin's brother already.

Dustin complains about this to Will in front of Joyce and Joyce is like. Not if i can adopt him first.

Will mentions it to Lucas and Erica is like. Bitch he should be honored to be a Sinclair! And she tells her friends about it in front of Robin who's like. Excuse me. We are twins. He needs to be a Buckley.

Meanwhile Lucas mentioned it to Max and she's always down to compete with Dustin and also. Steve is her brother too asshat.

She complains to El about it. Hopper overhears and is like. Steve is disowned? Where's he living? I already adopted one kid in the past few years what's another.

Over the course of the next week everyone has decided that Steve is their family and he should live with them and/or take their last name.

They're all getting together just because they're all a bit codependent and need to get all together every few weeks or else they all start worrying.

Steve and Eddie are running late for whatever reason. (overslept. Steve's trying to do his hair. Steve found Eddie's 5-in-1 doesn't really matter except Steve and Eddie are together and Steve's been staying at Eddie and Wayne's new government issued house.)

By the time they arrive everyone is bickering, varying from Hopper quietly saying that Joyce already has two kids wouldn't it be better for Steve to have a parent who can give him more attention, to Max and Robin having a silent standoff to Erica and Dustin fully wrestling on the ground biting and scratching.

And Steve's like. "HEY! What the fuck is going on?"

And no one wants to admit how wild they've all gone in fighting to adopt Steve. So there's this awkward beat of silence before Dustin and Robin both break down and yell at Steve that he's their family and he should take their respective last name.

Steve is so overwhelmed he starts crying. And almost none of them have seen him cry. Like. Nancy and Robin. Maybe. And only when he's been pushed to his limit.

So everyone's like. Did we break him? Did we offend him? Did we accidentally remind him of his pain?

And he's just. Never felt this loved before.

Maybe he chooses one. Maybe he chooses all of them into a really long string of names. Maybe they develop some kind of elaborate competition to decide who earns Steve as family. Maybe there's some kind of rotation in place. Tbh I'd love to hear other people's ideas.

But I do know that the day it becomes legal, Steve's last name and Eddie's last name become the same. Maybe it's a hyphen. Maybe Eddie charges his name to Buckley-Byers-Henderson-Hopper-Mayfield-Sinclair-Wheeler (alphabetical was decided to be the most fair).

And no matter what Steve is so so loved and everyone makes sure he knows it.

[luveline]

need need NEED more hop x reader w el they are the CUTEST

“So she’s coming?” El asks. 

Hopper pushes a glass of orange juice in her direction. “Mm-hm.” 

“And she wants to see me.” 

“Yeah, kid, she wants to see you.” 

Eleven’s hair curls just under her ears. Hopper hadn’t suspected her hair would be curly once it began to grow, but it waves gently, and tighter the longer it becomes. He doesn’t know how to take care of it. He only just taught her how to use shampoo and conditioner without leaving all the suds in. 

She scratches it. “What are you looking at?” 

“Nothing.” He ruffles her hair. “Eat your breakfast. You can get changed when you’re done. You need me to help you find something?” 

“No. I like choosing.” 

Hopper knows. She isn’t good at matching yet, but she’ll get there. 

She eats her breakfast too quickly, doesn’t drink her juice, and doesn’t put her plate in the sink before she goes, but Hopper doesn’t bother getting mad. He’s trying to be less moody. He’s also trying to be understanding; she’s learning to be a normal kid. Most normal kids are slobs. 

“Can we have dessert?” El shouts from her room. 

“You can have a snack later.” 

“Please?” 

“You can have some chips once you get dressed. Are you still hungry, or–?” 

“Snacks,” she says, turning on her radio. 

Hopper nods, laughing to himself when there’s a knock at the door. He’s been waiting to see you all weekend, and he walks to the door with a terrible smugness about him to let you in. 

“Hello,” he says, wedging the creaky frame open with his shoe. 

“Hi, handsome.” You look up into his eyes, fresh-faced like you’ve had a good scrub and dressed for a day in the house in cuffless sweatpants and a hoodie he thinks might be his. “Wow, nice shirt, hotshot. What is that? The Hawkins Police Department fun run of eighty two? That’s vintage.” 

He leans down to kiss you hello. 

“Oh, hi,” you flirt. 

You’re confident when you know you’re loved, he’s found. Still the homespun woman he knew you to be, but affectionate once you’re comfortable. He smiles into your mouth and pulls you tight to his chest, lifting you off of your feet for a millisecond before placing you back down. 

“Where’s my girl?” 

“I don’t know what you’re talking about,” he says. 

“El?” you call. You slide around him to find her but turn back, “Did you ask her about the hugging?” 

“She says it’s fine.” 

“Like, she wants to?” 

It had been a strange conversation. Hopper is used to telling El things, or being told things by her. He didn’t ask her what she likes for breakfast, he just kept guessing until he found the right stuff. She never asked him if she could sit in his side during movies, she just inched closer until he put his arm around her. 

“She wants to,” Hopper says. She’d seemed perturbed by the question, sure, but it ended with her happy little smile through a handful of popcorn. 

“El?” you call again. 

“Kid! Your best friend is here!” Hopper shouts. 

Thunder from her bedroom, a door swung open and slapping the wall. “Y/N?” she asks, the skirt of her dress swinging as she pauses in the doorway. 

You smile and step forward. You’re tentative but excited all the same, laughing as you wrap your arms around her shoulders, and pat her back. “Hi, beautiful.” 

“Where have you been? It’s two weeks.” 

“Yeah? I didn’t mean to not see you for so long, I’m sorry.” 

“Hop says you have lots to do.” 

“There’s a leak in my bathroom,” you take her by the shoulders. “Aw, this is nice. When’d you get this? It’s light and summery.” 

“Hop… from a catalogue.” 

You raise your brows at him, grinning. “That’s nice. How many did you get?” 

“We got five.” 

“Five! From the catalogue!” You hold her hand. “Hop must really like you, huh? Who can blame him?” 

El looks down at your joined hands. Hopper feels his skeptic heart softening. “He likes you, too.” 

“But do we like him?” you joke, letting go of her hand to put your arm behind her back instead. You give Hopper a look. 

“What?” he asks. 

“I was thinking we’d go out for milkshakes?” 

Hopper bites his tongue. El has a birth certificate now, she’s his daughter, she can’t be taken, but going out with her into the world draws stares and derision alike. People can tell she’s abnormal, and he can’t stand that. She doesn’t deserve to be gawked at for talking a little slowly, or messing with stuff she doesn’t understand. 

But he doesn’t want her feeling punished for those things either. 

“Get your jacket, El.” She beams, rushing for her room. “She’s gonna love the jukebox,” Hopper says. 

You meander back into his arms, kissing his stubbly cheek. He pretends to nudge you away.

[pinkerthings]

the significance of mileven simply not understanding each other (pt 1):

(others have brought this up before but I think it’s a bit overlooked imo)

There are numerous times throughout Stranger Things where Mileven is shown to not be on the same wavelength, and the Duffers like to make it quite apparent to the general audience.

Starting with the obvious scenes:

“BLANK makes you crazy”

El is literally staring at Mike like she has NO idea what he’s trying to say.

Shes STILL confused even after he tells her it’s something old people tell each other:

Like girl…. i KNOW you were watching them soap operas and old timey romances during that year in Hopper’s cabin. You really expect us to believe you have no clue what he’s trying to say?

This scene was written like this on purpose for two reasons: comedic effect and diving deeper into mileven.

Back to not ever being on the same wavelength:

I talked in this post here about Mike being okay with El standing up to bullies in the past when it came to Mike or Will, but Mike suddenly not understanding when it comes down to El defending herself against Angela, showcasing the idea that they are definitely not in agreeance over what happened at Rink-O-Mania.

The Duffers like to purposefully write Mileven out of step with one another.

It seems as though every season has something negative in store for the couple, and not in a fun, slow-burn agonizing romance type of way, but in the frustrating “why can’t they just work it out” kind of way.

Season 1 obviously has El “dying” and leaving Mike for a year, but on a smaller note also has Mike trying to explain to her that if she moved into his house, Nancy would be like her sister, but he would not be like her brother. She does not understand this, and has her classic confused face on.

Season 2 has her being gone and coming back to see Mike with Max, and even though nothing happened between the two of them, El was still cold to Max when they first met, showing even if El is incapable of knowing what the word “love” is, she still somehow knows what jealousy is.

Season 2 also brings us an interesting scene with Erica and Lucas, where the dialogue just seems….really off and random.

Lucas catches Erica playing with his He-Man action figure and gets mad, taking it from her. To which she says, “Hey! They’re in love!”

Lucas responds with:

The scene is extremely random and the dialogue is just weird to me, the only explanation it being a metaphor for something in the show, and the only viable explanation is Mileven.

Season 3 has the entire “boyfriends lie” side plot, resulting in El dumping Mike for lying to him about his grandmother after Hopper’s talk with him. Their relationship the entirety of season 3 is the epitome of immature pettiness caused by jealous and hormonal teenagers who don’t understand what being in a real relationship entails--

We get El and Max spying on the boys:

Eleven is a mystery to Mike, he pretty much says it himself.

Their whole relationship is based on immaturity, and the audience knows that. The audience can see that the two of are clearly immature and don’t have what it takes to be in a real, committed relationship. That’s the point. Their relationship in season three is almost entirely to move the plot around in whatever way the Duffer’s want, and to showcase the idea that their relationship in screen is nearly always shown in either a comedic, pre-teen immature light, or a jealous, misunderstood, and petty light. There is almost no stable relationship between the two of them in season 3. It’s either too clingy or too toxic or full of lies or immature, blah blah blah. The only scenes of them either not making out or fighting is the last scene of them together right before the Byers move, and that’s a whole scene in itself to unpack!

Season 4 is where things get a little chaotic, as if things weren’t chaotic enough.

There are so many miscommunications and misunderstandings with Mileven this season, but the big ones include:

El feeling like Mike thinks of her as a monster-

and Mike looking at her like she just spoke badly about his favorite Star Wars movie-

Directly after that we have Mike saying El is being "ridiculous" because she's upset that he won't tell her he loves her, and him calling her a superhero, the complete opposite of what she wants to hear in that moment, but Mike doesn't understand that, because who wouldn't want to be called a superhero? (his way of thinking)

Later on we get Mike recounting this to Will, saying, "and if I would have said that thing..." etc.

Mike can't even say that he loves El to other people, and we're expected to believe it's still true?

We also get this:

another misunderstanding on Mileven's part. El thinks Mike doesn't love her (at this point, does he?) so she finishes her letter the same way he has: From, El.

Next we have Will and Mike's conversation on top of the car:

"I think it's just scary to open up like that, to say how you really feel, especially to people you care about the most, because...what if they don't like the truth?"

I've said it before and I'll say it again,

why would El NOT like the truth if the truth is that Mike loves her?

Mike nods at Will's words and looks away, seemingly lost in thought. Why would he agree with Will---that it's hard for him to open up to El because she might not like the truth---if the truth is exactly what she wants to hear?

It literally makes no sense.

We also get the Byler van scene, where Mike compares her to a superhero yet again, something she clearly does not like (I don't have a vid but here's the official script, where he says the same thing):

Also El being Superman and him being Lois Lane in the analogy....okay.

Next we have him calling her a superhero YET AGAIN ! during his monologue:

Like girl if I was El I would just give up at this point. This is the last thing she wants to hear. She doesn't want to be a superhero all the time, she just wants to be a person ! a girlfriend ! a friend ! a daughter ! yet Mike is making it seem like the main reason he loves her is because she's a superhero, which she hates.

And lastly we have:

"Did she...talk to you at all?"

"Not much, I mean...a little bit."

Let me get this straight......you finally confess your love to your longtime girlfriend in the midst of her fighting a literal monster & monster from her past while she is being strangled and held captive all while she's also trying to save her friend from death, and she doesn't say anything to you for TWO days after?

Ladies...the Mileven break up is writing itself, really.

And that is a thread on how the Duffers intentionally write Mileven to be on different wavelengths with each other every single season without fail to showcase how incompatible they really are.

They are setting this relationship up to where you want more for both parties; El deserves to be loved the way she wants to be loved, and Mike deserves to be loved the way he needs to be loved (if u know what i mean)

In part 2 I will discuss the importance of byler understanding each other, juxtaposed to mileven hehe bye !

part 2 analyzing Mike & Will here !

[emblazons]

"You Just Try Things On Until You Find Something That Feels Like You."

@stladies Appreciation Week (belated) Day FIVE: Favorite Outfits

[will80sbyers]

I think the thing people forget is that Mike and El didn't know each other for long before they got their little crush for each other

they met, got a crush because the other one was a good person to be around and they were curious about each other and kissed and all in one week

then El has to stay away for one year and can only spy on him for that time so she gets to see him and his thoughts a lot and get to know him better and her crush grows to obsession

but listening to someone like they're on a podcast is not the same thing as interaction with them face to face, they don't really know each other by the end of season 2

and especially Mike doesn't know El, he just idealized her

also El herself hadn't even had time to know herself well during s1 because of how she grew up, she didn't know what she liked/disliked, what friends were, what some type of food was...

she was already a good, kind and brave kid but she had to "form" her character traits in a more personal way

when they get back together at the end of season 2 they like each other like you can like someone that you find pretty and also that you think are a cool person because they've been good to you / helped you

then in season 3 they start actually dating and we find out the majority of the time they just love to make out with each other so much to the point that Hopper gets upset about it because he sees that that's not looking like a healthy relationship for their age, kids in actual working long lasting relationships would be more outside having fun than closed in the house kissing, only the ones that have more physical chemistry than anything else want to only do that the majority of the time

then the writers also showed us little moments where we can see that:

They don't like the same songs, don't have explicit common interests except wanting to kiss and... Make fun of Hopper? 😂

Mike doesn't feel safe telling her about Hopper/still feels awkward with her about his own feelings

El was relying on Mike so much that she didn't even took the chance to really be friends with the only other girl in the group until he flaked on her

El and Max had much more fun than Mike and El and also the writers focused on making it clear that El needed to detach from Mike's influence and Hopper's too and get her own ideas about stuff and all and El's character started to shine more

Then season 3 ends with her regressing because she loses Hopper, she needed to be around someone "familiar" after that and getting back with Mike was what provided that for her

Then she starts being part of the Byers family so she got more support around her but she's also being bullied and I suspect she knows Mike idealized her so she started to feel too insecure about herself to actually open up to Mike about it and risk that him seeing her be weak is what made him not love her

In her mind Mike's presence in her life as a boyfriend but even as just a friend (which is what she really wants imo) becomes conditional to him thinking she's cool and not a monster and she starts lying

Meanwhile Mike is going more or less through the same thing because he thinks he's a freak nerd and a nobody compared to El and she will dump him soon so he starts closing off (he never really opened up to her because of his insecurities and also because they are not truly in love)

Then Lenora happens and all of this comes to the surface... In Lenora the writers do the same thing they started to do in season 3 showing us that:

El and Mike don't like the same food (milkshake, pineapple on pizza, burrito for breakfast)

El and Mike dress up to look cooler than they are and present a facade to the other instead of trusting that they will be accepted as they are

El doesn't seek comfort in Mike often, Mike is not good in providing comfort

Mike doesn't inherently feel the need to reassure her about his feelings for her because his fear/insecurity is stronger than his love for her

El and Mike are okay with lying to each other as long as this helps them keep the other in their lives or makes the other think they are cooler than they are

El is okay with leaving Mike behind and not involving him as her partner

Like it's pretty clear this relationship is not gonna last... I think they do love each other SO SO SO MUCH but not in a way that you can call "true love" in the romantic sense

They want the other in their lives forever and I'm sure of that, they do have love for the other, they think the other is a great person with a good heart and they did have a crush/like each other physically in my opinion (and that's why they stayed together this long) but they just are not in love, the writers have not showed me they are in love they have just made the characters say it (I think they do even think they're saying the truth when they aren't) without backing it up by the narrative they presented around them

[queen-of-hawkins-why-ler]

I just finished my s3 rewatch yesterday and I need to talk about how heartbreaking Mike's sequence is in the final scenes. You can literally see his reaction to figuring out that he's gay evolve from initial confusion, to shock, to devastation and distress as well as immense fear about what comes next.

When El kisses him, he realizes right off the bat that something about the kiss is "off," though not necessarily bad. He's kind of left wondering, "Huh? What the hell was that about?" asking himself why the kiss didn't mean more to him and why he couldn't bring more passion to the kiss, especially in light of the fact that he's not going to see El for a very long time. It's not the reaction of someone who just realized something about themselves, but the reaction of someone who realizes that something is just not quite right. Mike does not immediately realize he's gay, he's just like, "I wonder why I feel this way."

It's not until the kids are outside watching the Byers family leave that Mike is starting to put the pieces together. He's just had his final interaction with both Will and El for the time being. He's just said his goodbyes, and as he's watching the moving van drive away, he's realizing that his feelings about Will and El leaving are not what he expected them to be. "Will can come, too," is what he told El when El was talking about coming to visit over the holidays, but he's realizing that he didn't just invite Will to tag along as a third wheel to what would essentially be a romantic reunion between El and himself. He's realizing that Will is not secondary to his relationship with El and never has been. Will is the one he finds himself thinking about and pining for as he watches Will and El slip out of his life. Mike is the last party member to leave the Byers' residence, and we see him glancing back at the house, the place where he's shared so many memories with Will, and as he starts biking back to his own house, he realizes that he has a lot to contemplate and come to terms with on his ride there.

I believe he has the ACTUAL realization that he's gay on his bike ride home, once everything starts falling into place for him: El kissed him and he felt nothing. Will was the one he was thinking about as he watched the Byers family leave Hawkins; not El. He took one last good look at Will's house and realized that the most important and tender connection he has in his life is the relationship he has with Will: not the one he has with El.

And then, by the time he gets home, he's successfully figured out what it all means and he's in shock. Not only is he in shock, but he feels trapped now. Horrified of the implications of what this means for him, what it means for his relationship what his family, and what it means for his relationships with both Will and El, neither of which he will very easily be able to nurture or work on now that Will and El will be across the country from him. He's just discovered the most shocking, life-changing fact about himself--something that will change the trajectory of his life and will be a great source of suffering and oppression for him--and he's going to have to navigate it and figure it out all by himself, without any help, understanding, love or support from his own family, the Byers family, or his friends.

He hugs his mom and feels the weight of it all hitting him at once. He's thinking about how his mom may love him and want to be there for him now, in this moment, but there may come a time when she will no longer be there for him. He's realizing what this means for his relationships with El and Will. No doubt he feels a huge amount of responsibility to love and be there for El. El loves him and depends on him, and the fact that he's been there for her this entire time, he's already set the precedent for El herself, Hopper, and his own friends that he's going to be that for her: someone who loves and defends her. He feels the crushing guilt of knowing that he's going to let every single one of those people down by being gay. Of knowing that El loves and depends on him and that he can't love her back.

And then there's his relationship with Will, which he no doubt believes will be negatively affected by these newfound feelings. In his mind, Will is his best friend but also someone who is "normal" like the rest of the boys. Will may be a bit of a late bloomer, but he's going to grow up, start talking to girls, and have a girlfriend of his own soon enough. And Mike probably believes that from this point onward, his relationship with Will is going to be awkward, distant, and emotionally stunted by the fact that he's secretly in love with Will.

My poor BABY. I just can't even imagine the weight he must have felt once he realized he was gay and all of these crashing, painful realizations just slammed him all at once. In a matter of minutes, he realized he was going to be ostracized, alone, and a huge letdown to everyone in his life and that he'd have to face this all by himself.

[stevieschrodinger]

Part One Eleven

Steve watches as Eddie positions himself at the breakfast bar. He easily swings up the end of his tail, the final couple of feet laid out on the chopping board.

He slices a thick piece, turning it and cutting it into neat chunks. It looks like raw steak inside. He cuts a thicker slice, making more chunks, then he does it again.

Next to him, Robin picks up the chunks and slides them onto metal skewers, “thanks Eddie, these will go great on the grill.”

“Yeah, well, we need to get rid of it at some point, might as well use it up now-”

Steve wakes up choking. He doesn’t make a noise, or at least, he doesn’t think he has. He just lies there, heart beating frantically, eyes wet, telling himself again and again, just a dream, just a dream, just a dream.

Steve lies there, waiting for his heart to calm and his breathing to even out, the sweaty flush on his skin slowly cools. He really needs to go back to sleep, but he knows already that he probably won’t be able to settle.

He wants to talk to Eddie. Wants to see him. Doesn’t think he’ll be able to go back to sleep without reassuring himself that Eddie actually is okay which – okay, that’s a bit ridiculous, but he just...needs to. For his own sanity.

Steve blinks gritty eyes at the clock, nearly half three in the morning. His parents are down the hall in their room, and Eddie is at Hopper’s cabin, hopefully asleep on the couch, and there’s not much Steve can do about that.

He lies there, staring at the ceiling in the dark, willing himself to relax. The more he tries, the less likely it becomes, until it hits him; the walkie.

He rolls out of bed, and feeling a little bad for waking Eddie up, makes sure it’s on their channel and the volume is down low before holding down the trigger to speak, “Eddie?”

Nothing. Silence. God Steve is an absolute shit for doing this, and he hopes it’s not so loud that he wakes Hopper or El. He resolves to try one more, if this doesn’t work he will just have to make himself leave it alone and go back to bed, “Eddie?”

There’s a few seconds of silence this time, before a quiet crackle of static, “Stee?”

“Sorry to wake you up buddy, are you okay?”

“Eddidie fine. Pear and grape for din-ner. El Eddidie dance. Mus-ic. Movie on TV. Clean teeth. Couch sleep. Blanket. Stee good?”

“That’s...really good Buddy. Yeah, I’m fine, just had a bad dream,” Steve wants to ask about the dancing and the music and what the movie was and everything else Eddie has been up to today, but it’s the middle of the night, and it would be selfish to keep Eddie talking, “you should sleep.”

“Stee bad dream tell Eddidie? Dark TV tell?”

Steve thinks for a second, “I dreamed you got hurt. Eddie ow. Many ow, really bad. I was...scared.”

There’s a few seconds silence before Eddie replies, “Eddidie no ow.”

“No, I know buddy, but thank you for telling me, we should get some sleep. Night.”

“Stee perfect.”

“Yeah, love you too.”

Steve’s been lying in bed for a full minute before he realizes what he’s just said. It doesn’t really matter; Eddie doesn’t know what it means.

Stupid brunch. Stupid brunch that stopped Steve visiting Eddie before work. Stupid parents. Stupid Keith and his stupid duty rosta so stupid Robin is at stupid work and she couldn’t come to stupid brunch. His parents are so much nicer when she’s there; something to do with keeping up appearances in front of strangers or whatever, Steve knows why they do it. It’s not because they actually like Robin or anything. Steve's pretty sure his parents don;t actually like anyone, not even each other.

Steve sits in his car and sighs. Watches as the door cracks open and the light spills out. Eddie sitting there in his blue sweater. As Steve watches, he lifts his hand and gives a little wave. Steve shouldn’t be visiting this late really, but he couldn’t miss a day. It’s not fair on Eddie, for one thing, being left here like this, when he doesn’t really understand why.

Steve gets out of the car and jogs over to the house, Eddie letting him in. El’s not there, Steve figures she’s already in bed. Hopper’s putting dishes in the kitchen when Steve comes in, “sorry I’m so late Hop.”

Hopper shrugs, “doesn’t matter. I’m going to bed anyway, Eddie, get the lights and lock up before sleep, okay?”

Eddie nods, “make dark. Key lock make safe.”

“You got it. Night kids.”

“Night Hop.”

“Night Hopper.”

Steve throws himself down on the couch; today has just sucked all the way through, Eddie climbs up next to Steve, muttering, “Eddidie not kid,” under his breath.

Steve snorts a laugh, Eddie clearly does not want to be lumped into the same category as the, ‘mongrels,’ “if you’re not a kid, what are you?”

Eddie thinks for a second, the points past Steve, “book please,” Steve hands it over, leaning close to watch Eddie as he thumbs his way with fair accuracy to the page he wants; Steve really should get him some more books. He’s also got to thank El for working on Eddie’s manners.

It’s the frog page again.

Eddie points to the ‘froglet’, “Eddidie.”

“So...like a teenager?” Steve hazards vaguely. Steve figured Eddie is the same age as him, more or less, just because the human parts look the same and are roughly the same size; it’s not really anything to go on though. Steve points, “when do you grow into a frog?”

“Later.”

“What?”

Eddie nods, “later.”

“Eddie...are you going to get legs?” Steve has to be sure. Has to understand what Eddie is saying.

“Legs?”

Steve lifts his feet off the floor, waving his legs up and down a little, trying not to get too excited before he's sure, pointing, “legs.”

“Yes. Eddidie legs later.”

All of the worry Steve's been harboring about what to do with Eddie just...lifts. He knows Eddie couldn't live with him, hidden away, forever...but the thought of releasing Eddie somewhere. Leaving him alone, worrying about what would happen if people found him. Never seeing him again, all of it was tearing at Steve inside, a burden he didn't know how to answer, “Eddie! Why didn’t you tell me! This is awesome-”

“Legs bad.”

“What…why?”

Eddie closes the book, looking sad again, he takes Steve’s hand, “called?”

“That’s my hand buddy...and those parts are fingers,” Steve lets Eddie link their fingers together, the webbing preventing them locking together fully, “Eddie, why are legs bad?”

Eddie shuffles closer, turning his body into Steve’s, “called?” Eddie uses his free hand to point to Steve’s eyes.

“Eyes, buddy,” Eddie’s finger makes contact as he shifts in the seat to lean ever closer, tail pressed tight to Steve’s thigh, he traces Steve’s brow, “eye brows.” Eddie’s finger, his black, rounded claw traces along Steve’s nose, “nose.” Steve can’t move, doesn’t feel like he can breathe really as he waits for what comes next. Eddie’s fingertip traces Steve’s bottom lip, ever so gently he touches, leaving a tingling on Steve's skin, “lips. Lips and...mouth.”

Eddie nods, satisfied, taking his hand away, and Steve can finally take another breath, even with the distraction of Eddie's touch, he can’t avoid the sense of mounting horror, “Eddie, why are legs bad?”

Eddie has to drop Steve’s hand to bring both up to his face, he gets as far as pressing his palms to his cheeks before Steve grabs his wrists, dragging his hands away from his face, “no,” Steve says, horrified, “no, that’s not what happens. You’re wrong, that can’t be what happens.”

Eddie nods, sad but sure.

“No. Eddie no, that’s not- I won’t let you,” and Steve knows as he says it he has no fucking control over this whatsoever.

Eddie takes Steve hand again, pushes it against the back of his head. Steve’s fingers worm their way in, feeling that familiar starburst of ridges. They’re familiar as the rest of Eddie now, Steve’s been washing Eddie’s hair pretty much every other day for weeks and weeks now. Steve fingers find the place where they meet in the middle, right at the back of Eddie’s head, “mouth.”

Steve fights the instinct to pull his hand away in horror. He forces himself to keep it there; it won’t hurt him, Steve can feel the ridges of Eddie’s fucking skull, hard and unforgiving under his skin and hair. That can’t be right, it just doesn’t make any sense but...Steve can imagine it, the petals of a Demogorgon’s mouth unfolding.

“Stee?”

Steve’s voice breaks when he speaks, and he can feel the first tear break free, rolling down his cheek, “yeah buddy?”

“El tell Eddidie...Stee tell Eddidie I love you. El tell Eddidie love...Eddidie love Stee too. Stee perfect.”

“Oh buddy," Steve's voice cracks, "...yeah. Yeah, I love you too,” Eddie wipes away Steve’s tears with his knuckle, licking the water off his finger. Eddie half climbs and Steve half pulls Eddie into his lap. They hold each other tight, Eddie gently nuzzling his face back and forth against Steve's cheek, against his neck, breathing in Steve's hair and skin.

Steve does the same to Eddie, hands tight on Eddie's tail, on his back, in his hair, wherever he can reach to touch, committing Eddie to memory.

Steve doesn’t go home, he can’t. He just sleeps, fully clothed, on the couch, pulling Eddie down on top of him, and holding him close.

Steve and El sit on the stoop, all bundled up. Steve’s got a coffee and El’s got a hot chocolate. They watch as Eddie moves along the tree line; he’s collecting pine cones and burying them. Planting seeds. He uses his hard, blunt claws to dig; the earth is maybe a little harder because of the cold, but it doesn’t seem to bother or hinder Eddie at all.

It feels precious now, watching Eddie. It feels like the time he has with him is suddenly short; that he needs to make the most of every single second. Steve tries to absorb all of it, the way Eddie moves. The look on his face as he examines his finds, his fingers, the dark nails. The way the light is absorbed by the dark matte black of his tail. The way his hair gets blown around in the fresh breeze, shining a little in the light, thanks to Steve’s hair care regimen.

How he smiles at Steve when he catches him watching.

Steve tries not to think about last night; it’s too much to absorb. Too strange; surely Eddie cannot be right. But then Steve reminds himself of where Eddie came from, and the fact that the girl he’s sitting next too can move shit with her mind, and figures he has to adjust his expectations around what could be normal.

“He does this a lot,” El says.

“Huh, maybe he does this back home too; always wondered what he gets up to when I’m not there.”

“He does,” El says with certainty.

“Oh have you...have you looked. Inside his head?”

“Only a little. Just to check if he’s alright and...when he’s struggling to find the words.”

“Oh. Yeah. Is it...is it very different?”

“Yes.” El seems to think for a moment, “he thinks in...pictures. People think in words a lot. And he pretty much only thinks about now. People think about a lot of things at once, the past, the future. Eddie doesn’t do that, there’s mostly only now.”

“Huh...I guess that...makes sense.”

Eddie comes back to the foot of the steps, brushing loose things from the woods off the sweater of the day, “Hopper now,” he informs them.

“Oh yeah Buddy? Can you hear his car?” Steve touches his ear.

“Hopper car yes, Eddidie hear. Hopper inied work.”

Steve can’t help but smile, even though it feels like he wants so cry at the same time, “what is Hopper’s job, do you know?”

Eddie nods, “Hopper Hawkins Indiana safe.”

“Yeah buddy, that’s exactly right.”

Part Thirteen

[stevie-petey]

we don't talk about it (we don't have the time)

﹂ season one of “come home”

being dustin henderson's older sister and jonathan byers' best friend is usually an uneventful affair, but when will byers goes missing and a girl with a shaved head claims she has super powers, your duties as a sister and a best friend become a lot more complicated. (it also makes your feelings suddenly complicated, which you're choosing to ignore). (and steve harrington definitely isn't helping). (as usual).

episode one: the vanishing of will byers - jonathan smuggles you free food in exchange for friendship, will goes missing the one time you listen to jonathan, hopper doesn't really like you, and steve harrington almost hits you with his car as you're sobbing like a damn baby (in a cool way).

episode two: the weirdo on maple street - you use your limited psych knowledge to help a bald girl, you force jonathan to accept $20 and he's later an ass to you, steve doesn't know what a "missing" poster looks like, and it's really hard being a single mother to now four kids.

episode three: holly, jolly - you and jonathan talk it out and things are better (spoiler alert: they aren't), you somehow end up agreeing with steve harrington ?? then you have a minor breakdown in front of the kids and once again fail to prevent them from experiencing more trauma.

episode four: the body - you basically have a "no babe don't cry over ur dead brother ur so sexy" moment with jonathan, hopper plays mr love doctor (cute date idea: coffin shopping), and somehow nancy wheeler makes you realize that you're a horrible babysitter and an even bigger idiot. meanwhile: steve harrington is frustratingly charming.

episode five: the flea and the acrobat - you and dustin have a long overdue Sibling Moment, at will's funeral you and jonathan exchange information and surprise ! it's all horrible news ! nancy has awful timing and when you leave her alone with jonathan one damn time you and steve end up trauma bonded on her front porch #bffs.

episode six: the monster - so nancy and jonathan are a Thing now and you really just need a good nap, the three of you go shopping for monster hunting supplies (which honestly isn't the weirdest thing you've done this week), an old man sells you a sentimental knife, and steve kind of accidentally kidnaps you with a sexy black eye.

episode seven: the bathtub - your brother basically places himself on the fbi's most wanted list and el flips a van with her mind, now you have to create a giant salt tub because of course you do, nancy tries Talking About It but hasn't she read the title ? you don't have the time. sidenote: you've somehow become a steve defender during these trying times. typical. meanwhile: steve's inner thoughts are pathetic.

episode eight: the upside down - drinking game time ! take a shot every time jonathan tries ditching you or every time you almost die at the byers house, you find out that steve really is an athlete and tbh it's hot, but you know what's even hotter ? saving hawkins and reaching a tentative compromise with steve after he loans you $5 for snacks. after, jonathan makes a promise you really hope he can keep.

⌑ set between seasons 1 and 2

﹂ episode nine: the beginning - BONUS EPISODE TIME ! steve becomes bookstrorindary's favorite loyal costumer, jonathan buys you a bug for christmas, you freak out your poor coworker alex, and suddenly steve is really hot and you're feeling so many feelings (bad ! it's all bad !).

⌑ status: FINISHED

⌑ season one title based on this song x

⌑ blurbs set within "come home" can be found here x

⌑ “come home” season masterlist

*note: this is a part of my stranger things rewrite, “come home”, and other seasons can be found linked above :)

[bylrlve]

Warning! Spoilers for Stranger Things 5 mentioned,

Rewatching episode 2, and I’m genuinely staggered by how many times Mike peeks at Will. It’s very clear his mind is on Will, in fact. I am also staggered by just how many small byler details are in here.

His whole face drops after no. 4 too, as @starbylers observed here.

I also want to include these @chirpsythismorning gifs from the roller rink scene, as they’re brilliant:

Mike watching Will get out of the van, and seemingly offering a hand to him.

Mike openly watching Will as they take their skates.

(X) (X)

These are very deliberate acting choices from Finn Wolfhard, and he was certainly doing it on instruction.

Some other notes on 402:

The transition from Mike and El being fake -> Murray looking up looking like he’s experiencing his Seeing Clearly -> Robin talking about Vickie laughing ‘and not like a cheap, fake laugh, but a real, genuine laugh’, right after we saw Mike hiding his genuine disgust at burritos for breakfast behind a tone of fake laughter.

Mike’s whole face just drops into an unhappy, spaced-out espression when it zooms in on El - this is after Will ignored his sock joke (video here by @buckybxarnes)

As many have observed, Mike and El look genuinely miserable when viewed from Angela’s perspective, as opposed to the shot of them skating with Will miserable behind them

It’s occurred to me that in s2, 3, and 4, the byler plot really takes off in episode 2. I’m wondering if that’s also the case with s5 - I’ve reconsidered my theory that the Mike + El rooftop scene takes place after the hospital plot in ep 2, as I’ve heard that the paparazzi at the filming site were told it was in episode 1.

The door slam/open transition between Joyce going to the bank to get the 40k random for Hopper, utterly singleminded, and Mike barging into the womens’ bathroom, being kicked out, and subsequently starting an argy-bargy with Will as opposed to continuing to prioritise El… well!

The disparity in time is so interesting. El counts off 185 days since she last saw Mike - which is roughly six months, as is canon within the show (Sept-Oct 1985-March 1986). And here Mike is, saying ‘you knew she was having trouble for, like, a year’ and Will saying ‘it’s been a year, Mike’ and, in 404, Mike saying ‘the last year has been weird.’ It’s pretty obvious the last one is Mike referring to their fight nine months earlier, plus the time prior that Mike had spent pulling away from the rest of the Party to focus on El. The second one is Will potentially referencing the time that elapsed since their fight - even if it’s moreso subtext from the writers. What, then, to make of Mike saying Will knew El was having trouble for, like, a year? What subtext could be meant by this? I’d love to hear your guys’ thoughts because u can’t quite deduce this.

Mike listing off everything Will did is so hilarious given the surveillance he carried out all day on the boy, and given the fact that poor El being humiliated publicly and assaulted with liquid before she skated off bawling did not, apparently, ruin the day. On second thoughts, I understand what Will meant… she’s in trouble having Mike’s gay ass for a boyfriend.

What’s striking me now is that this fight + El’s iconic roller skate moment, are the real emotional climaxes of this episode’s M/E/W plot. It could have been Mike finding El and comforting her before she lashed out at Angela. It could have been him talking to her afterwards. It could have been at the house - him following her up to her room and silently comforting her until she fell asleep. No, no. Mike and Will airing out their grievances (and Mike betraying which of the two truly emotionally affects him more) + El handling her own shit, while Mike thoroughly disapproves.

The way that Will just wants to be Mike’s friend, but it’s Mike making it so deeply weird.

The way, also, that they stick together at the rink even after the fight, and Mike openly is more preoccupied by Will in the van. I’ve seen it observed before: the parallel between El and Will staring out the same window in the van crying: Mike looks at Will in the shot. He does not look at El in the shot.

I think it’s hilarious that Mike ends the fight by feigning concern for El - he offered her no comfort whatsoever, actively stood away from her when she was waiting for Jonathan and Argyle to arrive, ignored her crying in the van, and of course:

She didn’t look fine.

Mike and Will are blocked together, not Mike and El

The sincerity of Mike’s concern over El juxtaposed with the rank falseness of ‘no, that’s…that’s not true, maybe I was a little upset in the moment’ etc really sticks out - the defensiveness is reminiscent of the tone he took with Will during the fight, but even then he was more sincere-sounding because he was more emotionally affected.

Bylers don’t talk enough about the insanity of ‘who… who said that I didn’t?’ In context, thinking logically, Mike is very likely referring to Will here (the bullies were shouting at her, he could hear what they were saying)- and why would his mind immediately go to ‘Will thinks I don’t love El, and has told her his suspicions?’ Why would he take a defensive tone?

Seriously, 402-403 M/W/E may well be the plot that (potentially) spells out byler endgame the most.