#in the end we must hold them together????!??

[ohnoitstbskyen]

asking sincerely. do you see a romance between jayce and viktor? do you think they ended up being something romantic at the end?

With apologies I am going to only half talk about the thing you are asking me, since I have something else on my mind and you happened to hit the button that makes me vomit it into words.

Coming at this from an aromantic perspective, I obviously don't experience the state of absurd obsessive delusion that you bizarre romantic freaks fetishize so feverishly*, but I am often annoyed by the idea that friendship and romance are either opposites or mutually exclusive. From my perspective, the boundary between the two is at best thin, and more realistically not actually a boundary at all except by cultural construction.

*i am taking an excessively hostile, crass tone for my own amusement i do not mean this seriously please be normal at me, weird allo freaks

I won't get into my full feelings about the end of Arcane, but it seems perfectly plain to me that the script, the imagery and the animation presents Jayce and Viktor as two halves of a whole, not opposing forces but alike to yin and yang: opposites which each contain the other. And at the climax of the show, the greatest peril to life and peace in the narrative is resolved by these two men literally joining their bodies and souls together, and going into eternity holding one another for comfort and strength. They are quite literally soulmates, quite literally the most important people in one another's lives.

I don't think that that kind of intimate emotional connection between men must necessarily be either romantic or sexual - I am aromantic, and plenty of ace people exist, and there is nothing in our natures excluding us from intense connections of love with other people of any gender.

I also think it is willfully ignorant (and genuinely homophobic) to act as though these deep connections are mutually exclusive with sex and romance. As though if Viktor and Jayce fucked nasty and made out sloppy style, suddenly their intimacy is less pure or valid, or tainted somehow.

"If these two men who are emotionally close to one another also fuck or get romantically involved, then friendship is dead, murdered on the floor by a dick-shaped knife; vile sexuality corrupts and debases the true, pure and virtuous love of ✨friendship✨" <- This shit is homophobic at a baseline, queerphobic in general, and frankly as an aromantic man I find it pretty fucking insulting as well.

What, are my friendships with other men just inherently more pure and divine, more meaningful and true than a gay man's can ever be, because I will never suffer the vile temptation of adding romance to my affection? Is that how I should think of myself? And is an aroace man more pure than me still, the only source of TRUE male friendship that a man can ever experience, free from the pustulant corruption of sexuality and romantic desire?

You get this pathetic defensiveness (especially from men, but other genders aren't immune) wherein sex and sexuality and romance between men is perceived as a threat to men's right and ability to experience deep connection to each other. But the emotional castration of men comes not from people imagining sex and romance as a component of our relationships - it comes from people who insist that our emotional lives must be ruled by strict binaries. Sex and romance, OR ELSE friendship. Deep romantic connection OR ELSE deep platonic connection. Pick one and do not dare to imagine both, nor act as though the boundary between them is something that we built by cultural fiat, and which can be dismantled just the same.

And yes, yes, yes, I know there are cultural forces literally illuminati-style conspiring to systemically erase the entire existence of explicitly romantic, sexual male love from media, and I know that homophobic puritanism is on the rise and there are material concerns and a real necessity for explicit representation in fiction, yes I know. Everything is more complicated than a tumblr post can cover, I am not trying to Solve Rainbow Capitalism™ over here, I am trying to express frustration as an aromantic man that this stupid fucking binary keeps getting culturally reinforced by both my enemies and my well-meaning allies, when I think the binary is what's fucking killing us in the first place.

So anyway. My position is that Viktor and Jayce can be entirely aromantic no-homo friends, and they can fuck nasty in the throes of mutual need and obsession, and I refuse to entertain the idea that there is an irresolvable contradiction between those things. Each of those can contain the other, or become the other given time and circumstance.

What the imagery, storytelling and script of Arcane makes clear is that Viktor and Jayce love each other more than life itself. To say that that love must be shoved into the box of either "platonic" or "romantic" is to miss out on almost everything that is beautiful about love. It can be both and neither! It can be a secret third, ninth or fifteenth thing that they haven't invented a tag for on Ao3 yet.

They are giving each other whatever the spiritual mind-ghost equivalent of sloppy backshots are on the ethereal plain forever, they are the most romantic lovers in the cosmos, and they are also the most chaste and platonic life-partner friends you have ever seen, effortlessly intimate and unashamedly tender. They are men who love one another, in every way that love matters.

You can pick whichever interpretation brings you joy, and resonates with what your heart needs, the text of the show is eminently and explicity open to it, and anyone who says otherwise either failed to pay attention, or refused to pay attention on purpose.

[biancadoes1]

FAVE ANON HERE 😏

It’s been a minute since I’ve submitted but after the vitriol I have seen on Twitter this weekend, I felt the need to speak…

First things first, all of us are brought here with one definitive common thread - we are all fans of Bridgerton. If we were not, we would probably not find ourselves in this fandom at all.

With that being said, if you’re on this blog you are probably a fan of both Nicola AND Luke. More than likely, you want them to be together romantically or believe they already are. And if you don’t want any of that, I don’t know why you’re here reading this posts. This is how you become a troll.

You are allowed to be a fan of one and not the other. This is not a dictatorship and no one is holding a gun to your heads. But this is the point where it is VITAL for me to remind you how many times Nic and Luke have a real love for each other and at the core are best friends. WHAT THIS MEANS IS you cannot call yourself a fan of one of them while simultaneously spreading hate and contempt and overall nastiness about the other one all over social media.

Now I have approached the topic of the RUMORED insignificant others. Did you know that there is no general rule of fandom that states if you are a fan of a character performer that you must also become a fan of any performers they may date now or in the future? WHAT THIS MEANS IS THAT no one is required to become Jake’s #1 fan just because the rumor mill wants to say Nic is dating him. Hell no one has to become his #1 fan if Nic herself came out and said she was dating him. Again, there is no need to speak with malice about his looks or his talent all over the internet but you do not have to be a fan. Same goes for the dancer who shall not be named (I know it’s a trigger for many around here). And if they act in deplorable ways - such as the dancer has displayed in the past - you are allowed to speak out on it while using decorum.

This is ultimately bringing me back to why I wrote this today. Tell me why I’m seeing tweets talking about how Jake is a more successful and more talented actor than Luke. Tweets saying Luke can’t act and how amazing Jake is. These tweets are from Bridgerton “fans”. These tweets are from Nicola “fans”. Based on everything I’ve written up until now, the math ain’t mathing on the word “fan”.

I’m not spreading hate to Jake. Fact of the matter, he’s a 24 year old kid almost fresh out of drama school. He has had one season of a failed show on a streaming network riddled with failed shows. He now has a small part in a movie that probably is not even recognized yet out of this fandom and extreme movie fans - if we’re being honest. Luke is 31 and is on his 4th season of one of Netflix’s top shows. He was the male lead last season and the season broke records. He was on a Disney channel show when he was younger. He was on multiple stage shows on the West End. He’s had many other roles in smaller projects and just picked up a lead role in a new film. While it is considered an independent film, it is a LEAD role.

With that evidence laid out, how can anyone actually say with their full chest that Jake is the better and more successful actor? Oh right they can’t. What it comes down to is the fact that the “Jakola shipping” movement is not based on anything more than being an Anti-Luke Newton movement and it is GROSS. No matter what they tell you, there was no “relationship” being universally talked about prior to late summer. On August 25 those festival pictures were released and some very twisted narcissistic people in this fandom took them and ran with them. They created a narrative to help dictate what and who people in this fandom are allowed to discuss online. They’ve bullied creators off of TikTok and Twitter and gaslight the hell out of everyone when called on it. A 24 year old gay man (OMG I SAID IT) is being bullied on the internet and the blame is fully being put on “Lukolas” when the truth is that no one would be paying any attention to him if this narrative wasn’t perpetuated in the first place. (Side note: if you’re sending hate to Jake on behalf of being a Lukola, please stop. Please treat him like you treat every other one of Nic’s male friends. No one should be getting hate.)

The majority of the hate and toxicity in this fandom stems with the Jakolas Jackholes and those who blindly follow and defend a certain creator. I’m not going to say her name because I know how much she gets off on people talking about her (even when it’s bad) AHAH. This is the shit that everyone else is afraid to say out loud but it’s true. And for those of you in that discord reading this to report back, hiiii!

Oh and if anyone has a problem with this and wants to call me out for being on Anon, let me know and I’ll DM you because I’m not afraid. I’m grownup.

Xx

Finally seeing people with common sense!

My fave anon pulls through yet again.

Everyone say thank you fave anon.

[lafaiette]

So, the localization file of Veilguard was found thanks to datamining, and it contains Some Stuff about Solas, Solavellan, and some cut ending stuff.

No idea if these lines were cut because of budget/resource reasons, if they are old scraps left of Joplin or if the writers simply changed their minds. Please keep in mind they are in jumbled order/there are different responses, probably due to different choices and the dialogue wheel.

Under the cut because of spoilers.

Solas and Fen'Harel

"I must hold back the blight! My wolf will distract Elgar'nan while you take the dragon!" "Did I see that right? The Dread Wolf is a separate spirit from Solas?" "Nice. Why does he get to be part wolf?" "Yeah. Seems like Fen'Harel is a merging of the two."

It seems like Solas and his wolf self are two separate spirits - perhaps similar to Falon'Din and Dirthamen, who are confirmed to be the same spirit who split into two different aspects.

Final dialogue with Solas (Solavellan edition)

"The blight is its prison. The world is safe." "Until the Veil collapses, and demons kill thousands of people." "If there were another way…" "There [i]is[/i]. Let the Veil stay in place." "The elven people must be restored. They do not deserve what was done to them." "Neither did the Titans." "Neither did Mythal. Either time." "Those are my mistakes. Only I can correct them." "I'm here to help you." "You think you have to do this alone. But you don't." "Every time, it has come down to my choices." "Are you a god?" "I am the furthest thing from it." "Then stop acting like one. Let someone else help you." "Do the right thing." "You want to be a hero? Then save the world. Right now." "The restoration of the world as it was meant to be…" "That's not saving the world, that's saving your pride." "Is that why you think I am doing this?" "I think you're doing this because you think that you have to. But you don't." "You have to forgive yourself." "You know how I got out of the Prison of Regrets? I let it go." "Varric's death was never truly your fault." "And you didn't cause every problem. You tried to fix them." "And every time I failed." "The world's still here. You got some of it right." "I cannot. To stop now would dishonor those I've wronged to come this far." "Even if those you wronged asked you to stop?" "Vhenan. And… Morrigan?" "One appellation among the many I wear, Dread Wolf." "I have been advisor to Orlais, Witch of the Wilds, daughter of Flemeth… and once, long ago, an old friend." "Mythal…" "You never would have left the Fade and taken on that humble form had I not been the one who first convinced you." "The things that I have done…" "Are not for you alone to bear, my friend. The many wrongs we did, we did together." "It is not too late to stop this. Banal nadas. Ar lath ma, vhenan." "My life force now sustains the Veil. With every breath I take, I will protect the innocent from my past failures. " "The Titans' dreams are mad from their imprisonment. I cannot kill the blight, but I can help to soothe its anger." "What I've done, I will atone for." ""But you do not have to go alone." "Thanks to you, I can see the way."

Rook and Solas' final confrontation if Rook tries to convince him to stop was apparently supposed to be much longer, with Solas mentioning the elven people and the Titans, Varric's death, and Rook acknowledging he always did try to save the world.

It seems there was also one more line Solas would say to Lavellan after her "But you do not have to go alone." -> "Thanks to you, I can see the way."

The Inquisitor's happily ever after

"So you have to stop Solas, but not in a way that prevents him from stopping the blight." "Let Solas put the blight into its nice new prison, then we'll put him in there with it." "So with Solas and the elven gods out of the picture, where does that leave us?" "Nothing. He didn't deserve his little happily ever after." "If there's anyone who can reason with the blight, it's him." "The Inquisitor believed in him. [i]She [/i]deserved her happily ever after, even if that's helping Solas fix his mistakes." "And so the Dread Wolf shall spend eternity in the knowledge that he stood at the precipice of disaster and was saved by a mortal's wisdom." "Then why maneuver matters so as to deliver it to him?" "Elgar'nan and Ghilan'nain were villains trying to conquer and blight the world." "Solas did terrible things, but he was trying to help. I can understand that." "He was wrong, not evil." "She waited many years for him. You are kind indeed to ensure those years were not in vain." "I am surprised less that he would seize upon such a chance for redemption, and more that you would offer it. " "The Inquisitor earned it." "He's working off his debt. After all, I don't think there's anyone else alive with the power and perspective to try to heal the blight." "Few would react with such compassion to the Dread Wolf's trickery. What merits him a fate fairer than Elgar'nan or Ghilan'nain?" "True. Even had I Mythal's full power, she and I often struggled to mend feelings we might have broken." "'Twould not be the first time he accomplished something Mythal herself thought impossible." "And so the Dread Wolf is stopped by, of all things, love." "Surprised?" "He's fixing his mess."

Lines for the different ways Rook can handle Solas' fate. Rook and Morrigan discuss Lavellan and Solas' chance at happiness, with Rook deciding to help them reunite despite Solas' trickery; Rook deciding to lock Solas away with the Blight; probably a line referencing a friend Inquisitor or Rook themselves ("Solas saved by a mortal's wisdom") and one referencing Lavellan ("Solas saved by love").

Epilogue

"It may mean nothing. Or everything. What matters is that the Solas is content, and we need no longer fear him tearing down the Veil." "So, Rook, what's the plan?" "[i](Sighs)[/i] Damn it." "Thank you." "Then it sounds like you have work to do. I'll leave you to it." "Good luck, Rook. Enjoy the adventures to come. " "I'm sorry, vhenan. If there had been another way..." "And now he'll spend who knows how long trying to heal the blight? What does that even mean?" "I can think of few things he'd have hated more." "He made a cage with bars made out of his worst weaknesses. He's not getting out on his own." "And we're certain there's no way for him to escape?" "Trapped forever in a prison with the blight." "Elgar'nan and Ghilan'nain are also both dead. 'Tis no great loss there, the blighted fools." "So, Rook: How does it feel to have saved the world?" "Honestly, I have no idea." "Don't be so shy with your feelings, Morrigan." "We were all young once, were we not? 'Tis from such humble seeds that great things are grown." "Tell that to Mythal." "When the next aspiring deity lays claim to our world, you are the woman who shall remind them that even gods can die." "You are really bad at inspiring speeches." "Despite these rough edges, you forged a team that saved all of Thedas. Precious few can claim that." "I notice you left out one elven god—the only one still here in any capacity." "When the next aspiring deity lays claim to our world, you are the one who shall remind them that even gods can die." "You're leaving me to handle this?" "Were Mythal younger, she might have wished to rule again. Were I younger, I might have agreed with her." "Hey, the world is still here and isn't blighted or covered with demons. I think we did okay." "Says the woman carrying the god who made most of the mess I had to clean up." "And prepare yourself for whatever storm next clouds our skies." "I did save the world." "Who else? Make no mistake, you could do with a finer touch in matters of politics. " "You're not very good at this." "Even with Elgar'nan and Ghilan'nain dead, the Venatori remain a threat, as do the Antaam and darkspawn. "

It seems there was supposed to be an additional scene after the ending, with Rook and Morrigan discussing the future. The dialogue would change depending on Solas' fate/Rook's choice about him.

That "Solas is content, and we need no longer fear him tearing down the Veil." probably refers to the ending with Lavellan, while it's not clear if that "I'm sorry, vhenan. If there had been another way..." is supposed to be there (maybe Solas apologizing again for bringing her to what he believes will be a terrible place?) or if it's referring to another scene.

The lines about him being stuck in a prison made out of his worst weaknesses, being unable to get out on his own, and spending a very long time trying to heal the Blight, something he hates, all sound like lines that would fit his bad endings.

One last mission

"Rook gives the team their seventh pep talk after the Finale." "We're sticking together. The gods might be dead, but there's more to do in this world." "We'll find Harding or Davrin. Somehow." "The eighth pep comes after nearly all content has been completed." "Weird shit is going on. What are the clues we have? The Executor, the Devouring Storm - what does it mean?" "We don't actually know. But it sounds bad. So we need each other more than ever." "On return to Rivain Island, defeat the Executor and collect the Memento for Davrin/Harding"

There is a cut scene + mission with Rook talking to their team after the ending and going to Rivain for one last mission. It's pretty much confirmed the cutscene was supposed to take place in the Lighthouse, there are old files and flags for it. If you pay attention after the ending sequence, you will see your Rook appear in the Lighthouse for a millisecond, the only trace left of that scene.

[beforetimes]

my headcanon about the alternate timeline we see in s2ep7 is that instead of ekko and powder being close friends throughout their childhoods who became lovers with no friction, it actually took a while for them to bridge the gap that vi's death caused.

when we see ekko and powder go to vi's memorial for the first time and ekko asks if she was the one who caused their death, powder very quickly retorts that it was ekko's tip that ended up sending them on the job that killed her. i think that this is important not just because the writers wanted to explicitly say that the chain of events that led to the original timeline hinged on ekko's tip but also because in how quickly she said it, we can assume that this is something that's come up between them before.

ekko already is seen as a character who carries a lot of responsibilities on his shoulders, mostly self-ascribed, which i tend to characterize as being born partially of guilt. i think guilt is a large part of his character and it would be somewhat irresponsible to shrug that off when speaking about his character in the alternate timeline that the original ekko drops in on.

powder is characterized as brighter and happier than jinx when she grows up in this universe with a support system, obviously, but she still has a tendency to anger. this is shown through how she tells ekko to get out before she does something she'll regret rather than rolling over in the face of his interrogation and insensitive statements. she also holds a grudge, as we see it takes ekko physically taking her to see vi's painted memorial in the firelight lair before she stops scowling at him in the bar and warms up to him again.

looking at all of these things, i think it's a fair assumption to make that following vi's death, there was a period of time where powder directly blamed ekko for what happened, and that ekko blamed himself as well. this, in my opinion, doesn't cheapen their relationship when they grow up into the people we see in s2ep7, but deepens it.

i think the act of forgiving is something that takes a long time, whether you're forgiving yourself or someone else, and ekko and powder's relationship being as comfortable and easy as it is in s2ep7 speaks to the fact that they had a long stretch of time to get to that space where they could move past the circumstances that led to vi's death. at least, they both do until original timeline ekko drops in and reopens that wound, which in turn leads powder to throw blame back in his face, similarly to how i assume she must have done directly following vi's passing.

the idea that powder and ekko in this alternate timeline had to move past anger, grief, guilt, and blame makes their relationship feel more heartfelt than if they were locked in since day one and there was no more work to be done. love as something that has to be earned and worked for even in a world where things seem mostly ideal shows that it wasn't just a fluke that they got together but a deliberate continuous choice to work through trauma to allow themselves to be together.

it also legitimizes the idea that original timeline ekko and jinx could hypothetically be together as well. not just because we see "oh, one version of powder and ekko can get together so this one can, too" but because both versions have baggage to work past before getting together, but the universe we see displays how this pair managed that with the luxury of a support system and a kinder environment that original timeline ekko and jinx unfortunately weren't afforded.

i think this also makes their team-up in s2ep9 more heartfelt because we can see ekko move past blame when he comes back for jinx to help in the fight, similarly to how i assume ekko in the alternate timeline had to work through his own to eventually get together with powder. both relationships hinge on the fact that they have to put effort in to get comfortable with each other following the consequences of the job that ekko sent them on rather than letting the alternate universe relationship ultimately act as a fluke that can't be replicated because of how drastically different that world is.

[nthspecialll]

Mary-Beth and Tilly holding contact even so many years after the break is special to me.

The two of them went through hell with one another, they saw their family get torn apart by itself, some shot, some betrayed and some left behind in a hopeless situation. Mary-Beth realised and left, Tilly stayed because she still believed in the man she had come to see as a father, every time I think about them I think about how it must have been when Mary-Beth left, when they thought "this is it, this is the end, we woke up next to one another this morning like we have the many years prior, but tomorrow we won't just like the many years ahead." It must have been terrifying, and then the relief when they met again.

Tilly was in a town she didn't know, probably on her own trying to find a job, make a living, stay alive after seeing all of that, when she runs into Mary-Beth, the sister she thought she had lost. Now she was no longer on her own, but with someone whom she knew, someone who knew what she had gone through, who understood her and who was also a living proof that not everyone who went into that gang came out dead.

The gang might have brought them together, but their love for one another kept them together.

[green28go]

Butterflies.

What an unpleasant day, Magnus thought as he sat in his apothecary and stared at vast nothingness despite having demonology books on the study table. Alexander was not back yet. No, the whole truth is that Alexander, who was angry with him, had left in the morning at nine past and was still not back. It’s 4 pm now, and since his boyfriend left their home, his mind constantly circled back to the fight they had in the morning. It was awful and really loud—the argument. It had been about the immortality issue once again and this was their first big argument after they got back together since the Camille debacle. This time he had really pushed Alec’s buttons which he’d never willingly do. And Alec, by the look on his face, could understand that his boyfriend’s resolve broke and was seconds away from slamming the door, right on his face. From then, up until now, he sat worrying about him. He’d wanted to do nothing more than to look into the bright blue eyes and tell how sorry he was and that he did not mean a single syllable that he had uttered at that moment, he knew that Alec required space and he respected that, but now, his mind starts to worry and he glances at his phone if he’d received any text from Alec but feels dejected as there is no sign of what he is looking for.

He gets an idea that he deems fitting as an apology to the Archer for the way things ended between them in the morning. So, he summons a small stack of Clairefontaine Triomphe writing papers and, writes a short and sweet letter for Alec.

Dear Alexander,

                            I apologize for my suboptimal behavior earlier this day and would want nothing more than to tell you by holding your hand that I did not mean an ounce of what I said in the moment of heat. Believe me, love, when I say that you are indeed the best thing that happened to me in decades. Now, if you will come home, to me, I would gladly curl up with you on the couch and kiss you till the daybreak.

Love, Magnus.

He perfumed the letter with sandalwood, of course, what else would he use, and performed his little trick that sent the letter, converted into a fire message, flying out of the room to his Alec, in the form of a butterfly. He watched as it left the room swiftly and started waiting patiently for Alec to reply.

He waited and waited. Ten minutes turned into thirty and that turned into an hour and a half.

No reply, not a single word through any means from Alec. He was not on a mission or on patrol as Alec would always ensure he informed him beforehand. So, he must either be in the Institute or with the Alliance. Magnus has a half mind to track him but he resorts to calling Isabelle instead.

“Hello, my favorite compatriot from Brooklyn!”  

“You don’t really know many people in Brooklyn,” he replied.

“Of course, I do, like your boyfriend who lives with you,” he is amused at Isabelle’s reply.

“And pray tell, why is your brother not your favorite?” he asked.

“Because he is in a grumpy mode and had already snapped at me once and twice at Jace,” she answered.

He is indisputably aware of the grumpiness in his boyfriend and it is his job to make it go away. Just when he was about to inquire about what Alec was doing, Isabelle pondered a question towards him.

“Magnus, does it have to be something to do with you?” she asked.

His reply was easy. Silence.

“By the angel, should’ve already known it was you, I thought it had something to do with mindless Shadowhunters who are refusing to cooperate with the Alliance,” she said again, more like realized.

“Is he in your line of sight, dear Isabelle?” he asked her.

“Yes, we are in the training room and he is staring at a piece of paper with his signature “I’m unimpressed,” look,” she said.

What Isabelle said only meant one thing. Alec is nonchalant about his apology, not impressive enough, so he’ll just strengthen his strategy to woo Alec through his cher-courrier.

“Thank you, Isabelle, now I have to make it up to your brother,” he said with determination.

“I know you will, Magnus,” she said leaving the call.

Now, he took the writing paper and started expressing his love for Alec, molded into an apology in the form of words.

Dear Alexander,

                         I once again stand here to tell you how sorry I am for what happened in the morning. Darling, you are exqui………………….

He filled the entire letter with his adoration for his loving Shadowhunter and, transformed it into a butterfly, scented it, and sent it flying towards the Institute.

He waited for forty-five minutes and when nothing came his way from his beloved, he took the feather into his hand and started writing again. Maybe the letter was quite a bit. So, he tried again.

My Dearest Alec…………….

No answer. He tried again.

I truly am remorseful……….

Nothing from his boyfriend. He wrote afresh with a different ink.

I want to hold you……………

None. No reply. He was reluctant to give up. He sprinkled glitter in the letter and sent it Alec’s way.

Sweetheart, I love you………

Nope, not a singular word from Alec. So, he dipped the feather in the black ink and started.

Alexander, talk to me……....

He was exhausted, not because of expressing his affection and fondness for Alec but because of having his beloved not give an expression for what he was saying. The silence was absolute torture and now it turned into anger.

Come on, this is not fair………

He wrote, and waited. The answer became obvious when he held the feather again.

He was feeling what was a huge amount of sadness, hurt, and a bit of anger and decided that this was his last letter and he was going to the Institute, once the reply from Alec resembled his previous replies.

Come home, Alexander, I’m sorry………

He sent it and waited. It was almost 10 ‘o'clock and he seriously questioned his boyfriend’s stubbornness in not wanting to speak with him and ghosting him. Was this how Alec felt during the time of their break up? He remembered how sorry Alec was and how frustrated he got in a certain voicemail. He had listened to all of them, a part of him at that time hoped that he’d preserve those voicemails if Alec never wanted to get back together with him. But that was an obstacle that they had overcome, together.

He didn’t make an effort to dress himself ever-so-enticingly as far as his fashion sense goes. He was worn out and missed having Alec by his side. The only energy he has is required to open up a portal directly to the Institute and he did that.

He was at the back of the Institute and walked, without a single thought on his mind, into the place, as he no longer required anybody to escort him. He found Jace in the corridors and Jace, who must’ve either sensed it or found it from Isabelle, had simply mouthed at him that said training room.

He strode towards the place with quietude, careful not to show his wretched worry.

There was his Alexander, his back facing him and his position upright. He was holding the bow and arrow, aiming towards the target with the proficiency that can only be achieved by vigorous training. He cleared his throat to draw the attention of his boyfriend.

Alec didn’t turn toward him and just spoke in a tone that indicated detachment and coldness. If he was surprised by his presence, he did very well not showing it.

“What do you want?”

Oh no. That angered him. After all those apologies and letters and his obvious efforts, Alec just did not do that.

“What do I want? What exactly do you want Alec?” He said with a clear indication of how furious he was.

“Nothing,” Alec stated, not moving an inch.

“Why are you being so uncompromising?” He said, his voice weary.

“You mean difficult,” Alec answered, finally turning towards him.

“No, I didn’t say that,” He immediately responded. Alec looked like someone who hadn’t been sleeping for two days and he could notice the bruises on the archer’s hands.

“But you meant it,” Alec quietly voiced his opinion.

“You’re never difficult to be with, Alexander,” He uttered in a soft voice.

Alec didn’t respond to that, he was just standing there, with his eyes looking anywhere except at the person in front of him.

“I’ve apologized so many times, Alec, and I-” he started but was cut short.

“Wait, when did you apologize?” Alec asked him, clearly confused.

“Seriously Alexander,” He said, looking every bit unimpressed.

“Magnus, You didn’t apologize at all, today,” Alec finished.

“I did,”

“In your dreams, I suppose,” Alec muttered.

“Alexander,” he retorted.

“I seriously have no idea what you’re talking about,”

“What did you even read in those letters, Alec?”

“What letters?”

“The letters that I sent you,” he exclaimed.

“I did not receive a single letter from anybody today, the Institute mailbox is empty,” Alec declined.

“Are you sure?”

“Oh, now you don’t think I am telling the truth, fantastic, what else is new?” The bitterness in his voice was evidently clear.

“Alec, will you just stop, I am trying to make things right between us,”

“So, you think I am not?”

“For Lilith’s sake, I don’t see you doing that,” He said, frustrated.

“Magnus, if you are really here to pick fights with me I-”

“My purpose of being here is not that, but I highly suppose you are the one who is trying to do it,”

Just when Alec was about to remark, they were interrupted by footsteps making their way toward the Institute. So, they naturally fell quiet. It was Clary, and she was carrying a strange cage in her hand.

“Hey, are you guys okay?” she inquired.

They nodded.

“Magnus, I’m here to ask if these belong to you,” she pointed to the box she was holding. Now, it became distinct to him what was in it—his letters—all of them. Their wings were fluttering, and those butterfly-shaped letters were trying to get out of the cage.

“They’re sparkling and have a natural glimmer of your magic, so I brought them to you,” she said, holding them out.

“Yes, they belong to me, and how did you get them? " He said, taking the cage into his hands.

“Oh, the new group of Shadowhunters from Geneva caught them, they are still waiting for more in the entrance,” she answered.

He’d take care of them tomorrow but for now, his priority is Alec and giving him these letters.

 “Thank you, biscuit. You truly helped me a lot today,” he said with a breath of relief and gratitude toward the redhead.

“You’re welcome and good night, the both of you,” she left with a smile on her face.

He looked at Alec, who was looking at the cage in his hand. There was no anger, only mild irritation mostly masked by curiosity.

“All right, brace yourself, Alexander,” he said, hoping Alec would like what he had done.

He opened the cage and the letters went flying toward Alec, landing on Alec, forming a half-silhouette of the Shadowhunter.

“Magnus, what are these?” Alec asked not moving an inch and holding still so as not to disturb those little inanimate letters.

“Pick one and read,” he instructed his boyfriend gently.

Alec did as he was told. He watched as his eyes skimmed over the letter swiftly, the expression on his face changing, his gaze softening and a small smile forming on his angelic face.

Alec looked at him and asked.

“Are all these letters, apologies?”

“Yes, they are,”

“Why so many?”

“You were not responding so I-”

“I forgive you,” Alec didn’t blurt it out but had said it calmly.

“You didn’t read all of them,” he said.

“I will but to forgive you, you are enough,”

Alec uttered those words with such sincerity that it made him want to reach out to the Archer and wrap him in the warmest hug. But he didn’t.

“I do not mean anything I’ve said this morning, I’m sorry-” he started instead.

“Magnus, I know,” Alec told him gently.

“So, you already forgave me?”

“Of course, I did,”

“But, you didn’t say so,” he said in a quiet tone.

“Because I wanted to know,” Alec hesitated. “I wanted to know if you’d reach out to me before I’d do it,” Alec whispered.

He moved towards Alec.

“Oh, Alexander,” He cupped Alec’s face in his hands and gently tugged at his face so that the Shadowhunter would look at him. The butterflies on Alec's body stayed where they were, only fluttering a little.

“Of course, I would reach out to you,”

“I know, it’s a stupid doubt to have-” Alec mumbled but he cut him off in the middle.

“Of course it’s not sweetheart, I’m sorry that I gave you the implication that I’d never come to you first and that you had to doubt me about it,” he softly said those words, meaning every monosyllable.

Alec looked at him with adoration and in a heartbeat, kissed him. The butterflies came to life when their lips touched and then again settled on Alec.

The kiss was soft, nothing passionate but rather it was a slow one, one that is full of love and familiarity. Their hands wrapped themselves around each other.

When they finally broke the kiss but, didn’t break away from the embrace, Magnus bent his head forward and a bit downward, his forehead touched Alec’s.

“I’ll try to do better,” he said gently. A soft smile spread across Alec’s face.

“So will I,” Alec uttered with reverence.

It was a promise from both of them. They smiled into their kiss once again.

[onmyo-jin]

24: ...in danger :3

With ZYC + ZYZ

Much danger, very risk~ Thank you for the prompt! If you've sent me a prompt as well: no worries, I haven't forgotten^^ I've been busy with an exchange fic, which has since been posted, so now I can get back to my favourite demon idiots 😁

It's funny, seeing all these places in Tiandu that he used to know long ago– or it would have been if there wasn't an angry mob hounding Zhou Yichen through Tiandu. It really is quite freeing to not be the one who is hunted for once, Zhao Yuanzhou reflects.

Pulling Zhou Yichen into an alley away from where they were heading, he protests: "We cannot hide at the Bureau, you know that's the first place they'll look for you. Besides, if we can just lose this bunch we can make our way through the old town and back along the wharf and we'll be at my place in no time- ah." Zhou Yichen runs into his back at the abrupt halt Zhao Yuanzhou was forced to make, and catches himself from tripping by grabbing hold of the great demon's shoulder.

Ahead of them the alley comes to a dead end, and judging by the age of the buildings (old, in need of a new coat of paint and more than a few extra roof tiles), it has been several decades at the very least since the route Zhao Yuanzhou planned to take was even an option.

"Why did you bring us here, you great stupid ape, there's nowhere to go now–mph," Zhao Yuanzhou slaps a hand over Zhou Yichen's mouth and turns back to listen to the approaching posse. They have dwindled from a full crowd to only a large group simply by virtue of the alleyways they have traversed, so really Zhao Yuanzhou would call his plan a success. 

Yichen drags his hand off his mouth to bare his teeth at Zhao Yuanzhou. They are sharper than usual, and his newly acquired demon marks shimmer faintly even in the daylight. "I hope you have a great idea up your sleeves, Da Yao, because if they see me they won't let either of us off the hook easily."

His teeth are definitely sharper, Zhao Yuanzhou decides. Combined with the anger sparking in his eyes they make his Xiao Zhuo-daren look deliciously dangerous. And he is right: if the crowd sees this they'll hurt him for sure. So, it is for the best that they do not see it.

He crashes their lips together just as the first people of their somewhat diminished mob come running around the corner behind them. Yichen makes a choked sound, and Zhao Yuanzhou uses his surprise to push him against the wall. Licking into his mouth, tasting the edges of those teeth (definitely sharper), Zhao Yuanzhou can't not notice the way Yichen lets him in, lets him do this. He rumbles a laugh that barely sees air between their lips before it is swallowed eagerly, easily, by Xiao Zhuo.

For good measure he wraps a hand around Xiao Zhuo's throat– to hide the demon marks that now paint his skin with proof of his powers. Yichen gasps at the contact, and bites at Yuanzou's bottom lip in response. He tastes blood, and Xiao Zhuo-daren must do too because he leans back– or tries to, but Zhao Yuanzhou does not let him. Using the hold on his neck to keep him close Zhao Yuanzhou hides his features from the crowd, shielding him behind his lips and his touch. The sharp little wounds on his lip he heals without a thought, and hears Zhou Yichen gasp in response. Yichen licks at those spots, tasting the energy, chasing the flavour of it until Zhao Yuanzhou can taste the smokey flavour of his own powers on Zhou Yichen's tongue. It is a heady flavour, pure power and electric energy, and it makes Yichen clutch at his robes, pulling him closer until the demon is leaning his weight fully against Zhou Yichen, allowing himself to be devoured.

By the time they separate the mob is long gone.

[sassmill]

Sometimes I think about Indigo Girls lyrics and have to just weep for a minute

[kitcatia]

Imagine if Emma was conceived or even born while ciphertology was in its height (this would paint some... interesting implications about her parentage.) I like Hana Hyperfixates' time-line and if we just sale for the sake of making math easier that Emma, fidds and the twins are all the same age, she'd be born in 1951 and be 1 year old when the cult started. The could very plausibly be a little bit younger or older than That though

Or if she was very a young girl while her parents and relatives joined, and she'd have extremely vague memories about it all. Maybe they'd never talk about it after the cult is disbanded, and she just thinks it was a reoccurring childhood nightmare until she finds out about Bill post-weirdmageddon.

If she was born right after if was all over, I could imagine her name (emma-may) being an homage to Emmaline Butternubbins, and that would paint her family as happy that all that madness is over

Maybe it's just the southernness. But I love how Madeline, emmaline and emma-may all sound so much like each other,

I love all the moving parts this information offers us. How would the dixons cope with the disbanding of the cult? Maybe just Madeline (I'm imagining her as either an older sister or an aunt on the younger side) joined while Emma's parents watched in terror.

Or maybe they all joined and still believe in Bill and worship him even after the cult disbanded, and Emma was raised "ciphertologist". Given Emma seems to be a very reasonable and no-nonsense girl, I can totally imagine her growing to dislike it as she got older. As a fiddauthor shipper I think fiddleford has a type for smart people, so Emma is probably inquisitive and rational and wouldn't want to live her whole life like that. Maybe marrying fiddleford and moving to Palo alto was a desperate gamble on her end to get away from her family as quickly as possible, hold onto some semblance of normality and leave that life of cults and secrets. This would really shed a new light in their divorce, because a marriage like this really would have started on a shaky base (bonus points if you're working with the Fidds is Gay school of thought as well.)

Maybe the dixons were like the weirdos around town, the family that came to Tennessee from kansas under mysterious circumstances. The family rumored to secretly worship the devil in this mostly Christian community (fidds seems to be Christian to some degree after all). Maybe fiddleford was like the only kid that wasn't afraid of befriending Emma, given he's probably an outcast too for his love of science and all that. Maybe through fiddleford's kindness and friendship, Emma decided that science and logic and all these things her family belittled, they can't be all bad if fiddleford loves them so much. And emma would scare fidds' bullies by threatening to do weird devil magic shit to them. Maybe they made plans as little kids to run away together, to a place where he could build robots and computers without being bullied and she wouldn't have anyone lying or keeping secrets from her.

If Emma stayed in Tennessee while fidds went to BMU, it must have been a pretty scary phase of her life. Without her best only friend slash maybe boyfriend she'd probably feel very alone. And her family could be starting to get an inkling of the idea that she plans on marrying fidds and bailing as soon as he graduated. Maybe those never even planned on getting married but had to so Emma's next of kin would be fiddleford and not her parents.

But if emma actually pursued any form of specialization, i have this silly headcanon that, given Bill dismantled all forms of Healthcare in billvile, I love the notion of Emma becoming a nurse or even a doctor.

👁‍🗨Ciphertology & The Dixons👁‍🗨

Sooooo…Emma May’s family was involved in a cult, right? Let me elaborate. As a fellow creative I have been known on many occasions to forget details big and small about my own world, but names? No, names are never something I tend to duplicate unless for a very specific thematic or world building reason. So color me stoked when I was curiously learning about Bill’s cult arc in the 1950’s and found one of his first followers was a young girl with the surname, you guessed it, Dixon!!

Considering Alex Hirsch is very purposeful with things and little hints, while also leaving the audience to figure things out for themselves while he sits back and laughs, I can’t help but feel the surname Dixon is a bit TOO coincidental in this instance. From what we see, Ciphertology and the followers were a mash of a bunch of real life cult references while doing the usual Hirsch thing of filtering Bill into a concept perfectly well.

All in all it’s a very interesting thing, but what I found more interesting were the people involved. Sure you have the puppet leader, Silas Birchtree and a bunch of other out there names, but amongst sits a simple ‘Madeline Dixon’….. Alex Hirsch I’m going to screAM :D

From what we learn, after the cult is forcibly disbanded by the US government and every trace of the town is wiped off of maps and history books, the people are spread throughout the country and given opportunities to start life over again. Not everyone followed that however and some continued to follow the Bill Cipher cult. And honestly I can’t help finding myself bouncing back to the very concept that is-

What if Emma May Dixon grew up in a recovering cult family? What if her family still believed in the cults teachings like some and practiced it in secret at home? And if that is true how am I meant to feel towards the idea that her future husband, Fiddleford McGucket, would become a cult leader himself all because of the very thing that was the foundation of her own cultish upbringing?

Honestly if that’s what Alex was shooting for, I’m calling him a genius cause that’s such a fascinating idea to work with. The concept that Bill has personally affected and rooted himself so deeply into the show and it’s characters that even those we don’t get to see still have dealt with him to some degree.

It just all feels too perfect too. The surname Dixon implies enough, thanks to Alex’s upfront and to the point naming, that Emma May too is a southerner like her husband. Or at the very least she’s in that farmy side of the country. And where did Ciphertology come from? Orchard Lake, Kansas. Madeline Dixon very well could be Emma May’s aunt or older sister considering the cult began in 1952. And assuming Em’s the same age as Fiddleford and the Stan twins then we can assume vaaaaageuly that she’d be born in 1955. Meaning she’d be either growing up in that recovering environment or indoctrinated into it.

We can assume well enough then that she didn’t follow the cults teachings considering she seems well adjusted with her family, living in Palo Alto, but it also kinda reaffirms why she’d be so quick to throw divorce on the table once she sees Fiddleford’s memory wiped condition. That on top of we can only assume his behavior was alarming and erratic and a far cry from the personality of her husband that she was used to (especially when you consider bRO made a homicidal pterodactyl robot because he was so distraught and upset towards the idea of being divorced..like yeah man..that might solidify her decision my guy..)

But if she ever saw the symbol of Bill’s eye or anything in relation to him anywhere in Gravity Falls?? Especially the Society of the Blind eye symbol spray painted all over? After either learning to fear Bill or worship him in her upbringing depending on what their family did after the cult was disbanded? I wouldn’t blame her for high tailing it out of there and worrying for her and her sons life- (Fiddleford..Emma May..I am your biggest fans, but y’all have me bonkers sometimes) But also consider how most ex cult members naturally want to give the very opposite traumatic life that they lived to their child? If Emma May were to see semblances of what she relates to Ciphertology in Gravity Falls, I don’t have a hard time believing she was getting tF out of there for the sake of Tate’s well being & future

In short- hi, I now believe Emma May’s family was in a cult and the very idea of that will ruminate with me for awhile :D But also double hi?? Madeline DIxon looks vaguely similar to how I envisioned and draw my Emma May design? Coincidence, I think nOT :P

[sunmoontruth-stiles]

I need a completely rewritten teen wolf series with Derek Hale as the main character. I think it would heal me.

[vaguely-concerned]

I was just ambushed within the turbulent halls of my own mind by some headcanons about rye ingellvar's childhood that did 15000000 points of psychic damage to me and my heart personally and also made me almost sure of how I want to play it all at the end (very very differently from how I imagined going in!). some 'oh holy fuck this changes everything' rocking my own world bullshit going on in my neurons right now I'm reeling

[lostfracturess]

seven minutes of misunderstanding — satoru gojo

of all the ridiculous situations you've found yourself in, being trapped in a closet with satoru gojo has to top the list. especially when you're convinced he's dating his best friend.

Of all the places you expected to end up tonight, being crammed in a tiny closet with Satoru Gojo wasn't one of them.

A stupid campus party game had somehow led to this moment—you, him, and about fifteen winter coats in a space barely big enough for one person, let alone two.

You're painfully aware of every point where your bodies touch — your back against his chest as you try to avoid the hanging coats, his breath tickling your neck, his hand awkwardly hovering somewhere near your waist like he's not sure where to put it.

The closet is so small that when you attempt to turn around to face him (because somehow facing him seems less intimate than having his breath on your neck), your chest brushes against his.

You hear his sharp intake of breath, feel the way his body tenses against yours. You're so close to him in a way it makes your skin tingle, and you're grateful for the darkness hiding your blush.

"So..." Satoru drawls. "Come here often?"

"Did you seriously just—" You try to gesture incredulously and end up elbowing him in the ribs with enough force to make him grunt. "Shit, sorry!"

You try to put some distance between you but that only results in you stepping on his foot. "Oh god, I'm so sorry! Again!"

"Just—don't move," he says, his hands finally finding your shoulders to hold you still. You feel the warmth of his palms through your shirt as he clears his throat. "We could just... not do anything. Nothing has to happen if you don't want it to. We can just wait it out."

The consideration in his voice surprises you. You try to see his face in the darkness and end up with a mouthful of fuzzy coat. After spitting out what you hope isn't synthetic fur, you say, "That's really sweet of you. And like, I get it. This must be super awkward for you too."

"Awkward?" He sounds puzzled.

"Yeah, I mean... being stuck in here with a girl when you're..."

"When I'm what?"

"You know..." You wave your hand vaguely in the narrow space. "I just meant, like, with you and Geto..."

There's a moment of complete silence, and then Satoru starts laughing so hard you can feel him shaking against you. "You think— me and Suguru? Oh my god, is that why you turned me down for lunch last month?"

"Wait, what? I thought you were just being nice! You're always hanging all over Geto—"

"Because he's my best friend."

"And that time I saw you feeding him—"

"He had a broken arm!"

"The couples' costume at Halloween—"

"We were Mario and Luigi! They are brothers."

Every explanation makes you want to dissolve into the floor more. "Oh my god," you say. "You know everyone on campus thinks you're gay—not that there's anything wrong with that! I totally support you two, you're so cute together and—"

"Can you please stop," he interrupts, pressing a finger to your lips to silence you. "I am very, very interested in women."

Your heart skips. "Oh, really?"

"Yes." His voice drops lower as he removes his finger from your lips. "One woman in particular, actually." You can feel him lean closer. "And she's currently pressed up against me in a very small closet."

"Oh," is all you can manage, your brain short-circuiting as you process his words. You try to lean back slightly, but there's nowhere to go, and suddenly his face is very close to yours.

Then he asks a question you never thought Satoru Gojo would ever ask you. "Can I kiss you?"

The question is soft, almost vulnerable—so unlike the usual Satoru you know. When you don't immediately respond, too shocked to form words, his hand comes up to gently cup your chin, tilting your face up to meet his gaze in the darkness. "Can I kiss you?" he asks again, his thumb brushing across your lower lip.

A breathless "yes" escapes your lips before you can overthink it.

The first brush of his lips against yours is gentle, questioning, like he's afraid you might change your mind.

Then you grab his shirt and pull him closer, and gentle goes right out the window. He kisses like he's trying to prove a point, like he's been thinking about this for ages, and oh — maybe he has been.

His hands slide from your face to your waist, pulling you flush against him as he deepens the kiss. You gasp against his mouth, and he takes the opportunity to sweep his tongue against yours, drawing a small sound from your throat that makes him grip you tighter.

"Still think I'm gay?" he says against your jaw, trailing kisses down your neck that make your knees weak.

"Not sure," you tease him, even as your head tilts back to give him better access. "Might need more convincing."

You feel him smile against your neck. "More convincing, huh?"

In one fluid motion, he presses you more firmly against the wall, his body completely flush against yours. One of his hands slides into your hair while the other grips your hip, thumb stroking the strip of skin where your shirt has ridden up.

"Let me be very clear then." He punctuates each word with a kiss. "I am very—" kiss "—very—" kiss "—interested—" kiss "—in you."

His hand tightens in your hair as his tongue sweeps against yours, drawing a small whimper from your throat that makes him groan in response.

"God," he breathes against your lips, pulling back just enough to speak. "Do you have any idea how long I've wanted to do this?"

You can't form a coherent response because he's already kissing you again, harder this time, more desperate. Something falls off a nearby shelf as you shift against him, but neither of you care.

You're so lost in each other that you don't hear the warning knock. The door flies open, flooding the space with light and the sounds of party chaos.

"God, finally!" Geto's voice breaks through the stunned silence. "Do you know how long I've had to watch him pine over you?"

"Suguru, I will literally murder you," Satoru growls, but he doesn't let go of you. Instead, he leans down, his lips brushing against your ear. "Wanna leave this party?"

And oh, you do.

© lostfracturess. do not repost, translate, or modify my work.

tags. @fayuki @starmapz @saurondriell @starlightanyaaa @sxnkuna

@cocomanga @nanamis-baker @rosso-seta @shervinss @chiyokoemilia

@janbannan

[dadrielle]

I am going to treat this as being in good faith even though I know you have copy pasted this same response on multiple posts.

It's fair enough to see this post and roll your eyes about it. I am being a sarcastic lil bitch about implications that really aren't meant to be there! Liam absolutely didn't mean to do this as an "Orym doesn't trust them" or "Orym doesn't respect their boundaries" thing, and I know that. And I know no one in game is gonna read it that way, either. I didn't tag this Orym specifically because I was picking at a small thing irritably and I fully acknowledge that.

But! There are 3 things I want to say to this on a more serious note.

First, I think we must acknowledge that the implications of listening in on one's friends over listening in on one's enemies are quite different. People have different reactions to different applications of Observant because the social stakes and boundaries are situational. It means something much different to punch an enemy combatant in the face than it does to do the same to your best friend, you know? And Orym is not omnipotent; he does not just automatically know everything that happens, despite how we all joke that he can see god with his high perception. When he chooses to listen in should matter, as should the implications. That's actually my main issue with this whole thing, but I'll get to that in a moment.

Second, I would just like to say while I'm sure you believe it's true I and others critical of Orym don't talk about any of Orym's actual flaws, the fact of the matter is there are many fans who do most of our character discussion privately with our friends instead of tumblr or god, even worse, twitter. And my Orym feelings aren't identical to every other person who is critical of him. As I said in the initial tags for this, I don't think this was the worst thing in the world, it just bugged me! That was just an emotional response, and those often pass. There are lots of moments in stories where my initial reaction is a strong negative emotion, because I am feeling the feelings of the moment, but then I love the full picture it creates. Imogen and Laudna's "did we break up" phase is a great example of that, especially Laudna's ongoing insistence that she was a dead end. It hurt to watch! It made me sad! But it really enriched the narrative! My actual, continuing issues with this Orym moment have nothing to do with Imodna, or the meanings of this moment in particular. It's just another expression of something I've been grousing about among friends for ages. I actually WISH it was Orym being fucked up, that it was something that would come up again later, something he might get push back on. I wish the implication that he feels the need to monitor Imogen and Laudna, that he isn't thinking about how they might feel about it, was a flaw that would be explored with the other characters. Instead it was just kinda there and I imagine no one else will ever have a reaction to it one way or another.

And that leads to the final thing: my biggest issue with Orym listening in is that it DOESN'T matter. It feels like at some point, Liam stopped having Orym engage with other characters and the narrative as actively. It's started to feel very repetitive, and I am deeply frustrated with it. I know he is a reserved, PTSD-laden soldier who uses his hard line morality and sense of duty to hold himself together, who refuses to tell his friends how he feels because he doesn't want to be a burden. I know this! And I think it makes for an interesting character and I want to love Orym as much as I used to. But this is an interactive game, an ongoing narrative, and after a certain point, choosing to have your scenes be solo and keeping your character from changing any of their stances starts to feel like refusing to give other people room to react and challenge your character, and refusing to engage with how others' narratives have changed. What Imogen expressed about not running in this episode isn't a revelation. She has, at this point, been saying some variation of it for about half the campaign. And he has told her he is proud, before. It was nice, then! But listening in to their conversation here and feeling proud in isolation didn't add anything new to the narrative. It could have, if it was a conversation, if he had talked to Imogen directly. But instead it feels so empty to me. Disconnected. It even sort of re-framed the moment as if it was about Imogen Finally Choosing To Not Run, instead of being about Laudna trying to reaffirm a future that keeps slipping from their grasp, one she only just started to believe in again on the precipice of Imogen possibly sacrificing herself for the world. It makes it seem like Orym has barely moved on from the solstice, like he hasn't registered how Imogen's narrative has developed since then.

There are so many things I would love to see from Orym that require acknowledging that things have changed. I wanted him to talk to Dorian instead of chasing after Dorian's dad to say he should be proud of Dorian, especially since Dorian had already had his big cathartic conversation. I wanted him to ask why Dorian has come to hate the gods so much, to ask him why it wasn't just the Spider Queen he was mad at. I wanted him to talk to Fearne about the fact that people outside the party have treated her with the same anti-Ruidusborn suspicion as Imogen, particularly in light of their conversation about taking Imogen out pre-solstice. I wanted him to actually internalize that he was wrong about there being nothing beautiful in Exandria before the gods, and to talk to Ashton about it in a way that starts with him actively listening to Ashton instead of just repeating the same arguments, even if he came out the other side still disagreeing. I wanted him to realize that there hasn't been any danger of Imogen running and that the core of her struggle now is with the fact that she's being asked to sacrifice herself. I wanted him to talk to someone about his guilt over killing Zathuda. I wanted him to acknowledge the hardness he put on when he tossed the locket on Bor'dor's corpse and declared this was war and what that hardness did to him. I wanted him to work on his flaws and talk to people! But instead, he listened and reacted in isolation. The fact that his reaction to Fearne asking him if he was ok as late as episode 95 was just "then why ask? You know the answer" instead of opening up is narratively a problem for me. The few times he has opened up a little have been wonderful but he's still holding most of it to the chest. So many emotional Orym scenes are people talking to him about his emotions and him not responding. We're in too deep, man! "If not now, when?" doesn't just apply to kissing Dorian, you know? He is running out of time to open up.

So. Do I still think listening in on that moment was sucky of him, even beyond the hyperbole? Sure. I think generally purposefully eavesdropping on something like that is sucky. It's a small kind of sucky, though. A blip. Because this is a story, the big sucky thing is that it didn't mean anything for any other character and felt just narratively disconnected. And I find that so frustrating because there are so many potentially meaty, interesting things possible in Orym's story, and I desperately want that richer narrative for him and for Dorian and for all of them.

You might not agree and that's fine. To paraphrase Orym's own words, every one of us forms our own interpretations with the lenses or prisms we see life through. Of course I'm gonna get more het up when this ongoing, general Orym frustration touches on something Imogen or Laudna related - they're my favorites! Of course that influences how I see things. I know they aren't everyone's favorites, so something like this moment won't be a domino-kick on tangentially related, piling frustrations for everyone. But it is for me. I'm not really trying to convince anyone I'm right, here, just to explain why I feel this way about it.

Sure would be fucked up if Imogen and Laudna, until only recently, had every single one of their private moments observed against their will, and then their friend decided to observe possibly their last private moment against their will, huh? :)

[luveline]

Jade can I please get a chatty af yapper sunshine girlfriend with Sirius?? Like May be someone tells her she talks a lot so she's super quiet around him cuz she's worried he'll get annoyed and break up with her but poor Sirius he misses his chatty girl and just angst with fluff

thank you for requesting! fem, 1.4k

James Potter means well. Honestly, you don’t think he has a mean bone in his body, so you try not to take it to heart. 

Unfortunately, your attempts to do so don’t work. They really, unquestionably don’t. By the time you’re outside of Sirius’ flat that afternoon, James’ small comment is all you can think of. 

“You’re so chatty I’m surprised you don’t run out of breath,” he’d said. Not without love. You’d bumped into him in Sainsbury’s and ended up talking for ages about one thing or another, you know him well, you’d even say you were friends, though he’s of course Sirius’ friend rather than your own. “But I’m the same. God, Sirius used to hate how much I talked, he’d be sick of me. I think I numbed him to it over the years.” 

You can’t imagine it. Sirius and James are best friends. With Remus, they’re the most in love threesome of friends you’ve ever met, and it’s nice; it makes you very proud to have a boyfriend who cares for others as deeply as Sirius cares for them. It’s like a constant demonstration of how he’s a good man. 

But you’d never stopped to consider that they weren’t always so seamless, and you’ve regrettably never considered that your constant talking is something that could put him off. 

You talk to Sirius about everything. There isn’t a word to describe the excitement of having someone waiting to listen to you every single night. You could tell him every detail of a day down to what colour socks you wore and you know he’ll sit there listening with his hand on the small of your back, or his fingers twined between yours. You’ve never felt so loved as to be able to just talk about everything and have him talk back. 

But… what if, this whole time, he’s been wishing for a little bit of quiet? 

What if eventually, the talking becomes too much? 

He must be with you for a reason. You aren’t holding the poor guy hostage, he acts like he’s mad for you ninety percent of the time (while the other ten percent is spent sleeping on your shoulder). 

Like now —you knock his door and you can hear him scrambling up from the sofa, the sound of a book dislodged or a remote hitting the rug, you’re not sure. The door yanks open and Sirius smiles at you, pulling you in through the gap with a familiar hand on your hip. 

“Hey,” Sirius says, tucking you against his side, “hey, did you get lovelier over the weekend?” He shoves the door closed and gives you a hug with one arm, pausing in the hall. “Sorry I couldn’t see you. I don’t think we should miss another weekend.” 

You have a lot to tell him. It’s been ages since you spent nearly three days apart, but James’ conversation stays at the front of your mind. 

You decide to be less overwhelming, but not less loving, curling your arm behind his head to pull his cheek down for a kiss. “I don’t think so, either.” 

Sirius tilts his head away from you in an invitation for more kissing. 

You’re at home in his flat. You take off your shoes and hang up your jacket. You change into a pair of jogging bottoms with loose legs and let him hoist you onto his bed for a few stolen kisses, though he isn’t propositioning you, and you end up laying across his bedspread with one of your legs in his lap as he tells you about his days without you, his thumb sliding with pressure down your calf. 

“Mostly I wished I’d asked you to come over anyways, even if it was just to sleep together at the end of the day. Maybe next time we can do that?” he asks. 

“Of course we can.” You smile at him indulgently. “I’d come over for twenty minutes if it was all I could get.” 

“Or I can come to you,” he says, “even if it’s just twenty minutes.” 

He smiles, a beaming thing, and leans down slowly for a soft kiss. 

“So,” he asks, his breath on your lips, “how was your weekend? Lonely?” 

“So lonely,” you tease lightly, eyes fluttering closed as he continues his massaging of your leg. “But it was okay. I missed you, really, and didn’t do much else.”

“No?” he asks. 

Your voice takes on a shine as he squeezes your knee, “Missed your hands.”  

“I missed your everything.” He grabs for your forearms and pulls you into a sitting position. “But everything was okay?” he asks more seriously. 

“Everything was fine.” 

He raises his eyebrows, but eventually lets them relax. “Well, okay. Good, sweetheart, I’m glad it was okay.” 

He persuades you into the kitchen to sit with him as he makes dinner, refusing to let you help, and yet insisting you be there in the same room, as though you’d like to be anywhere else. Sirius makes your favourite of his usual rotation, offering you spoonfuls for tasting, gaps of silence stretching as he struggles to find new conversation. You start answering his questions but remember time and time again that Sirius could become totally sick of you. He might already be. 

Sirius puts the food on a low heat and washes his hands. He wipes them dry, but when he takes your face, dampness lines the inside of his fingers. 

“I’d like for you to tell me what’s wrong,” he says gently, stroking at the line of your startled frown, “before it gets worse. Do you want to talk about it?” 

“Nothing’s wrong.” 

“Please don’t, lovely. If I’ve done something wrong, please tell me. I want us to last forever, and we can’t do that if you won’t tell me when I upset you.” 

“It wasn’t you,” you say instinctively, then regret it. 

“So someone has?” he asks, still so gentle as his hands coast down your neck like he’s sculpting you, coming to rest on the slopes leading to your shoulders. “You can tell me anything. You don’t have to keep it to yourself… please.” 

“Are you sure?” 

“Sweetheart.” He frowns deeply. Couldn’t look more upset. “Of course I’m sure. Why wouldn’t I be?” 

You chew it over, not wanting or willing to cause ructions between Sirius and his oldest friend. “Well, I saw James today at the shop, and… we were talking about you…” 

He waits. “And?” 

“And he told me you– you don’t like talking. That you didn’t like talking, that James used to make you sick of it. So I know I talk too much and you’ve never made me feel like I shouldn’t, but I guess I got into my head thinking you’d get sick of me, too.” 

“When we were younger I didn’t like much of anything.” He curls an arm behind your neck to hold you in place, but it’s not a dominant sort of movement, only protective as your noses inch together. “Did you ever read that poem by Bukwoski? Let It Enfold You?” 

“What?” 

“I’m not very good at explaining myself. I thought if you knew the poem, you’d–” He laughs near your cheek. “I hated everything. It wasn’t James’ fault. He did make me sick of it sometimes, but I just wanted to hide from everything.” He breathes out slowly. “I’ve never wanted to hide from you. I can’t get sick of you. Do you get that? I can’t get sick of you. Listening to you is the best part of my day, you’re my personal chatterbox.” 

“Chatterbox,” you repeat teasingly. 

“You could talk for Wales,” he says. “And I love it, I don’t want you to stop, because I’ll never be sick of it.”

“I don’t want it to be some secret resentment.”

“I don’t resent you for anything. I knew exactly who you were when we met and I love it.” He takes your face again. “I love it,” he repeats. 

You steal a little kiss against the corner of his lips. “What was the poem?” you ask. 

“I’ll find my book, and you can read it to me. What do you think?” He takes a slow kiss as you had in the same place, words like honey. “I miss your voice.” 

He’s basically pleading. It’s not like Sirius to plead, but you pull it out of him. 

“Can I have my dinner first?” 

“The one I made while you deprived me?” he asks. “Yes, if you must.” 

He takes another kiss, but you’re happy to give it. 

[vampire-matcha]

Thinking about getting picked up by Gaz and Soap at a bar for a threesome. You think theyre just two (insanely hot) bisexual boyfriends who wanted to pick up some pussy for a one night stand, but when they invite you to stay the night after the best sex of your life (because let's be honest, you couldn't have walked home if you tried,) you find yourself sandwiched between them for cuddles. Ok, sure. Its normal to cuddle after a hookup. But come morning, they both linger in bed with you, trapping you between them as the paw at your soft body.

They insist you stay for breakfast-or, well, lunch actually, because its afternoon by the time they let you escape their hold. Gaz insists that you shower in their bathroom while they cook in the kitchen, and Soap even gives you a new unused toothbrush, and sets out some sweatpants and a tshirt for you to wear. When you emerge all clean and fresh and dressed in their clothes ("oh you don't want to wear that tight sweaty dress from last night. These will be much more comfortable."), the three of you eat together. Just as you're about to thank them again and head out, they pull you to the couch and nearly beg you to stay and watch a movie with them.

Before you know it, you've found yourself in their bed again and spending the night. They keep finding more excuses for you to stay until it's sunday night and you really should be going because you have to work in the morning. Reluctantly, (and after just one more round with each of them) the take you back home.

That must be the end of it, right? Wrong. They text you asking what you're doing after work. They know this really cool speakeasy spot across town they just know you'll love. They can even pick you up from work! Oh please, lovie, they know it's only monday but won't you come out with them? No? Okay, okay, maybe tomorrow?

They wear you down and you dont know why you let them. Probably because you've never slept with anyone so gorgeous, let alone TWO of them. You agree to meet on Wednesday- and just one drink! You swear! But your resolve melts like butter in the sun and you fall back into their bed once again. And again and again, until you finally have to ask what their deal is.

"Oh, darling, didn't we say we were looking for a third?"

[motorsportbarbie13]

Get Unready With Me - Drunk Edition

In which Lando takes care of you after a night out.

Pairing: Lando Norris x FeminineGirlfriend!Reader Warnings: Drunk reader. Tooth achingly sweet fluff tho. Word Count: 1.8k words

Master List

“Lando! I’ve lost my keys!” You cry, opening the flap on your vintage Chanel bag in an attempt to dump the contents out on the floor of your flat’s empty hallway. 

“No you haven’t, you muppet.” He scolds, tugging the purse out of your hands before anything beyond your Charlotte Tilbury lipstick can clatter to the floor. “You gave me your keys after your fifth vodka cran. ‘Lan baby, be my hero and hold my keys so I don’t lose them!’” He mocks, pulling out your keyring from his pocket. 

Your eyes light up, a drunken giggle slipping off your lips as you lean your whole weight onto your boyfriend as he attempts to open the apartment door for you. “My hero!” 

“Besides,” He tuts, slipping the key into the keyhole. “We live together, my keys are your keys.” 

Lando swings the door open, ushering you inside before closing the door behind him with a soft snick of the lock. You look back at him, a bit more unsteady on your feet than you’d like. The pair of you are just getting back from dinner and dancing with a few of the other drivers and their significant others to celebrate the end of the season and you may have gone a bit overboard with the drinks portion of the night.

Flinging your stilettos off your feet, you groan at the relief of feeling the cool tile on your toes, only stumbling a bit when you try to stand up straight. It’s quite the miracle you made it up from the garage to your tenth floor apartment in those heels under your own power really. “I think my feet might just fall off.” 

Lando follows behind you as you stumble towards the couch. “Baby, shouldn’t we just go to bed? It’s late.” 

“My feet don’t work anymore. Carry me?” You pout, reaching for him with grabby hands. You are quite needy when you get this drunk but honestly, Lando doesn’t mind one bit. You’re quite independent, refusing to allow him to pay for much despite his multi-million dollar contract and endorsement deals. In fact, for the first year of your relationship you had refused to move in with him because there had been no way you could afford to split the rent in his posh apartment in Monaco. So when you get needy like this, which isn’t as often as he’d like, Lando likes to take full advantage of it. He likes to feel needed, especially by the woman he is absolutely smitten with. 

“I think your feet work just fine, but I will carry you to bed anyway, pretty girl.” He coos, scooping you up in his arms. 

You wiggle a little against him, nestling your head in the crook of his neck before breathing in his scent deeply. “You smell so good.” 

“I smell like sweat.” He laughs, walking down the hall towards your shared bedroom. 

“It must be the pheromones then. You’re so sexy when you’re sweaty.” You giggle. 

Lando chuckles, knocking the light switch with his elbow as he enters your room. The yellow glow from the lights overhead illuminate your face as you look up at him. In the alcohol induced haze, the thought of how lucky you are to have him flickers through your mind. You two had met a few years ago when you had been attended the British Grand Prix with your uncle Jenson Button. He had literally swept you off your feet when Fernando Alonso had nearly taken you out in the paddock with his scooter. You liked to joke that Lando had literally been your knight in shining armor that day, so of course you fell for him quick and hard. 

“Here you go, love.” Lando gently sets you down on the bed, your eyes already droopy with exhaustion from the day. “Lets get you out of that dress and into something comfy.” 

“Are you trying to seduce me, Lando Norris?” You slur. 

“No, I’m trying to get you into bed because you’re about five seconds away from falling asleep and I don’t want to cuddle you all night with that scratchy dress on.” Lando rolls his eyes but can’t help the grin that spreads across his face. He helps you shimmy out of the tight dress, pulling it over your head so you were left in only the skimpy McLaren papaya colored lingerie set. 

“This is new.” He says, slipping a finger under the strap of the lacy bralette that has him biting his bottom lip. You looked so cute sitting there on the bed, dressed only in his team colors. 

“I wore it to surprise you but now I’m too drunk to fuck you.” 

Lando can’t help the laugh that tumbles out of him. Despite you being 3 sheets to the wind, you know his rules: No sex while one of you is drunk and the other is sober.  And Lando is very sober right now, wanting to maintain some control over you as you tend to get a little wild and adventurous (read: you like to wander off) when you’re partying. “We can have a rot in bed day tomorrow and you can wear it then, okay love?” 

Your bottom lip sticks out in a pout, “Fine.” 

“Now, lay down. I’ll go get you a t-shirt and we can go to sleep.” 

You follow his instructions and watch as Lando bustles around the room, first getting changed himself and then pulling a t-shirt out of his closet for you. 

A few moments later, Lando pulls his t-shirt onto your body and tucks you back into bed before going to get some aspirin and a glass of water for you, knowing you’re going to have a wicked hangover tomorrow. He hates to see you in pain, but a part of him is pleased that you’ll be unable to do much tomorrow so he’ll be able to wait on you hand and foot. Being needed is absolutely one of Lando’s love languages. 

As he goes to switch off the lights, finally ready to get into bed beside you, suddenly you sit up. “Lando!” You gasp, smacking him on the shoulder as he sits down on his side of the bed. 

“What is it, pretty girl?” 

“My makeup! If I don’t take it off and wash my face, I’m going to break out and I will not be your pretty girl anymore.” 

Lando rolls his eyes, “Seriously? Can’t you just skip it this one time? You will always be my pretty girl, breakout or not.” 

In addition to being extra needy when you’re drunk, you are also extra stubborn. “I need to do my skincare, Lando.” You whine. 

“Fine.” Lando is quite certain there is no way you’d be able to do it by yourself, judging by the state you’re in though. “Let’s go, I’ll help you.” 

You blink up at him as he rounds the bed to stand before you, offering you his hand. “Really?” 

He looks down at those big eyes and pouty lips of yours and really wants to break the whole ’no sex while only one of us is drunk’ rule. “Yes, really you muppet. Come on.” 

Despite the fact that just a few minutes before you had been insisting your feet were about to fall off, you suddenly find the ability to walk and pad behind him into the large en suite bathroom. It’s a luxurious place, with a large jetted tub and huge shower with two shower heads. You find yourself sharing a shower with Lando more often than not. On the other side of the white and black tiled bathroom are his and hers sinks, yours more cluttered than his with various skin and hair products. You may be independent when it comes to asking for help, but you are certainly not low maintenance when it comes to your hair or skin.  

Lando stands in front of your sink, eyeing the various jars and tubes with a bit of skepticism. “I hope you’re sober enough to tell me what goes first because there is no way I can do this on my own.” He mumbles.

“You watch me do this all the time, baby.” 

“Doesn’t mean I know what any of this is. Now, hop up on the counter and let me take care of you.” He says, kissing the tip of your nose. 

A fire burns in your belly at his order. Secretly, you do love when he takes care of you like this. You just hate to admit it. Being raised by a single mom who was never the biggest fan of the male species, you had always been wary of asking for help but being with Lando had healed some of that trauma and mistrust in you and the longer you were with him, the easier you found depending on him. 

“What’s first?” 

“The micellar water.” 

Panic flashes across Lando’s face. “The what?” 

Giggling, you kick your feet like a toddler and point to the large bottle with clear liquid in it. “That. Put some on a cotton ball and…” 

“Wipe off your makeup. I know, I’ve seen you do it, I just don’t know what goes when.”

Lando squirts some out on a cotton ball like he’s seen you do a thousand times and begins to wipe off the makeup in long, slow strokes. The alcohol makes your brain fuzzy but the way his face is so focused on his task, brows knit together in concentration, has you squeezing your legs together. He can’t quite believe how many cotton balls it takes to get everything off, but eventually most of your makeup is gone. 

“Now is when you use the soap, right?” 

He looks so eager to be right your heart squeezes a bit. “Yes, that bottle right there.” 

Lando continues on with your skincare routine, listening to your every step and following it exactly as described. It takes a little longer than usual, but neither of you mind. The way he so gently rinses the soap off your face and then applies your moisturizer is strangely one of the most romantic things you’ve ever done together. 

Finally, everything is done and you’re bare faced and freshly moisturized. Lando hands you your toothbrush, already prepped with your toothpaste, and the pair of you brush your teeth together. He gently helps you down off the counter and you follow him back into the bedroom, hand in hand. 

“Thank you, baby.” You coo as you slip under the covers, watching as Lando switches off the bedroom lights, plunging the bedroom into darkness. 

“I love taking care of you.” He murmurs when he joins you under the heavy duvet, your warmth radiating towards him in waves. 

“I love you, Lando Norris.” 

“I love you too, pretty girl.” 

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