#in terms of sense. it does not make sense
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Holy (Alexia Putellas x reader)
Summary: You’d do anything for Alexia, that’s why you’re her good girl.
Warnings: 🔞 | praise kink, anal sex, bottom!reader
Word count: 3.3k
“Shh, it’s fine. You’ll take it.” A pause, and then a question. “Isn’t that right?”
Alexia’s voice is soft, the hand that strokes up and down your side even softer, but it doesn’t distract you from the blunt head of the dildo harnessed to her hips that’s currently nudging against your asshole. She doesn’t push in yet, maybe sensing your anxiety, but the silicone pressed against the tight ring of muscle is a gentle reminder of what’s to come.
Realising that Alexia is still waiting for your answer, you gently breathe out and say, “Yes.”
“Yes?” Alexia echoes. “Of course you’ll take it. You’re always such a good girl for me.”
She’s already given you a teaser of what it’s going to feel like, already stretched you open with three of her fingers, but you don’t think anything could have prepared you for the sensation as she starts to push forward with her hips. It’s not so much the feeling itself, but the thought of what she’s doing, the realisation that Alexia is taking your ass. That, and the look of wonder on Alexia’s face as she watches where she ever so slowly enters you.
You’ve never considered yourself to be particularly religious, but the whole experience feels some kind of holy.
“Ale,” you whimper.
She responds by hushing you again, then draws another noise from your throat as she starts rocking her hips slowly back and forth, even with just the head of her cock inside you.
“I’ve got you.” Alexia’s voice is low and calm. “I’m going to make you feel so good.”
With each gentle thrust, she sheathes herself deeper within you. You already feel so much fuller than you did with her fingers, yet it’s somehow still not enough. You want her to fill you, to fuck you, to take your ass in the same way she would normally use your cunt.
“Alexia.” You repeat her name, trying to urge her deeper. “Please.”
Your hand reaches down and grapples at her hip, your fingers eventually wrapping around the hanging end of one of the harness straps, trying to urge her closer.
Her hips stilling, she swats at your hand, a little crease forming between her eyebrows as she shakes her head.
“Enough of that,” she warns you. “I can only make you feel good if you behave.”
You drop your hand obediently, instead trying to use only your eyes to implore Alexia to just move.
“Good girl,” she praises you, causing your pussy to clench around nothing, which only emphasises the stretch of her cock in your ass. “You don’t need to do anything except lie there and look pretty. I’m going to take such good care of you. My perfect little whore.”
The way that Alexia says the word is reverent, like it’s a term of endearment. You’d be willing to do pretty much anything to have her call you a whore again and maybe that’s her entire plan, because she takes the opportunity to slide the rest of the way in until the entire length of her cock is nestled inside you, fuller than you’ve ever felt before.
“How does that feel, cariño? How do I feel inside you?”
“Good.” Your answer is brief, unable to string together much more than single words. “Full. Fuck. Ale, so full.”
She looks down at you with a hint of pride on her face, her hands stroking up and down your thighs where they’re hooked around her waist.
“Good. I’m going to start fucking you now.”
Alexia does this sometimes, she narrates everything that’s happening while she fucks you like she’s a casual spectator, not the one actually doing it all to you. And it drives you wild, hearing her voice so cool and level while you feel like you’re losing your goddamn mind with her buried to the hilt inside you.
She repositions slightly, pulling you right to the edge of the mattress so that she’s standing at the foot of the bed with your legs wrapped around her. You let out a cry as the toy shifts inside you and she soothes you with another hush.
“I’ve got you,” she says, even as she withdraws nearly all the way, before pushing back in almost as slowly.
Being fucked by Alexia is always the best kind of torture. She likes to tease and tonight has been no exception. She ate you out for what felt like an eternity before going anywhere near your asshole, working you up with her tongue on your clit until you were nearly trembling, only pulling away when you were right on the brink of orgasm.
That’s when she turned her attention to your ass. You’ve talked about it for a while but the first touch of her tongue against your rim, the stretch of her lubed-up finger breaching your asshole for the first time, is something that no amount of talking could’ve prepared you for. She worked you open slowly, adding a second finger and then a third only when she was absolutely sure you were ready for it, when you were pretty much begging for her to fill you up.
Even now, with the strap, she doesn’t rush. She’s not hesitant, but it’s slow and measured. She’s in absolute control and you can only lie there and take as much as she’s willing to give you.
“Ale,” you whine.
Without breaking the steady push of her hips, Alexia’s gaze meets yours.
“What? You want more?” She reads your mind but you don’t dare nod in response. “Am I not fucking you well enough?”
She punctuates her words by somehow pushing deeper, but still just as slow. You can feel every inch of silicone stretching you open as she slides in and out.
It’s the same as when she fucks your cunt, the same pleasurable stretch, the same feeling of having Alexia surrounding you and filling you up, yet it’s completely different too. The pleasure is more of an ache, bristling under the surface and only serving to remind you how empty your pussy is, how close you were earlier when Alexia’s mouth was on you. Each thrust into your ass feels like it’s turning you inside out.
You love it and hate it at the same time. Love the way it feels to have Alexia filling your ass. Hate the fact that she’s giving you so much and it’s somehow still not enough.
“Please, Ale. Need to come.”
Alexia’s hips still and she gives you a stern look that almost has you immediately cowering away and apologising for being so needy.
“Patience, cariño. You’ll come when I want you to come.”
You have no control over the whine that escapes from your throat.
“What’s the matter, bebé? You trust me, right?”
You take a couple of deep breaths. Alexia’s large hands are on your thighs, fingers splayed out against the soft skin and tracing tiny paths back and forth that certainly aren’t helping to temper your need for release. But you do trust her. As torturous as each second that she denies you is, if Alexia says that she’ll make you come, then you know it’ll happen.
Patience. It’s never been one of your greatest virtues. Especially not when Alexia is involved. Especially not when you’ve been wanting her to take your ass like this for what feels like forever.
Another deep exhale, then you answer, “Yeah.”
Alexia’s eyes soften, her fingers tighten appreciatively against the thighs that are still wrapped around her hips.
“So you know I’m going to take good care of you, don’t you?”
You nod, unable to tear your eyes away from her face.
“You’ll come for me, I promise. Just let me have my way with you first. Okay?”
Her voice soothes you, the lyrical way that her accent curls around each word. There’s comfort in having her so close and you manage to relax, even with her cock buried to the hilt in your ass.
Alexia must feel it, for she smiles and softly murmurs, “Good girl.”
She starts moving again, with more of a rhythm now. Still so full, still aching for something in your cunt or on your clit, but the feeling Alexia fucking you properly sends more endorphins to your brain with each slap of her hips against your thighs.
When she takes you like this, you’re reminded of everything you love about Alexia. The physical stuff - how strong she is, how powerful, how majestic she looks with lean muscle and sun kissed skin towering over you. But also how well she takes care of you, the reassuring softness of her hands on your thighs and the look of wonder on her face as she watches where her cock splits you open. How she knows your body well enough to give you exactly how much you can take and not a fraction more.
Alexia’s hands slide around your thighs, pushing your legs up away from their resting place around her hips. You reach down to help her, a hand behind the crease of each knee pulling your legs up towards your head, spreading yourself wide enough that she can see everything.
There’s nowhere for you to hide.
“If only you could see what I can see. Your pretty little asshole stretched open for my cock. Taking it so well.”
Her words of praise make you even wetter, if that were somehow possible. Or maybe it’s just the new position, spread out like this, that makes you feel like you’re dripping down to where her cock enters you.
Still fucking into you, Alexia doesn’t even seem to be breaking into a sweat. Like this is all so routine for her.
Like she isn’t taking your ass for the first time.
You’d maybe think she was completely unaffected by it all, if it wasn’t for the look on her face. Transfixed by the sight of you spread open, wet, and taking her so readily, you’ve never seen such hunger in her eyes, like she’s ready to devour you completely.
“You were just made for my cock, weren’t you?” She asks, her voice husky with arousal. “All your holes, just begging for me to fill them.”
One of her hands moves between your legs, brushing across your sensitive clit and collecting your arousal on her fingertips, before dipping lower to tease at your entrance.
Alexia’s voice seems to drop impossibly lower as her gaze flits up to your face and she says, “I bet you want something in here too.”
There’s a hint of a smirk on her pretty lips, coupled with a knowing look in her eyes. You hardly need to beg for her to know the truth.
But you’ll do it anyway.
“Ale,” you gasp, as her fingers toy with you, teasing, probing, but never dipping inside. “Please.”
“Of course you do. Such a perfect slut.”
Her fingers tease you, the same way she toyed with your ass earlier while prepping you for the same cock that she still rhythmically thrusts into you. Giving you just a hint of what you want, but not enough to satisfy you.
“Ale.”
“Go on,” she says, the curl of her lips taunting you. “Tell me what you want.”
Alexia already knows what you want, proving it by pushing two of her fingers into you just as far as the first knuckle, but she withdraws them just as quickly to rub tiny circles around your clit instead.
“Your fingers.”
The fingers in question slide torturously slowly down from your clit, stopping at your entrance just as Alexia asks, “Where?”
She’s such a fucking tease. You’d perhaps call her out on it, if you weren’t helplessly impaled on her cock. If you weren’t reliant on her for the orgasm that your body feels like it’s needed for hours.
So instead you manage to helplessly whine, “My pussy.”
Without breaking the steady rock of her hips, she starts to push her slippery fingers into your cunt. The stretch as she coaxes two of her fingers inside you steals your breath away. You’ve taken them countless times before, but never like this. Never with her cock already filling your ass.
“Ale…”
Her name passes your lips like a warning. A warning against what, you’re not exactly sure. Maybe that you’re never going to be the same after this. Or that she might have to fuck you like this every time for you to be fully satisfied.
Or that you’re going to come really fast now that Alexia is fucking both of your holes.
Each thrust of the strap into your ass is shattering your existence into thousands of tiny pieces, each press of her fingers into your cunt is reassembling those splinters into a different version of yourself.
“Ale.”
She ignores you, though you could swear that the snap of her hips against your ass speeds up just a fraction after you breathe her name like a prayer.
When she presses her thumb against your clit each time she curls her fingers inside you, you know that you’re a goner.
“Alexia, I’m going to come.”
“No,” comes Alexia’s immediate reply. “You’re going to wait.”
“I can’t.”
Her free hand comes up to your jaw, with her thumb on one side and her fingers splayed across the opposite cheek. Her grip is gentle, yet firm enough to lift your chin up, forcing your gaze to meet hers.
“You can.” Alexia tells you, before she throws it back to you with a question. “Can’t you?”
Maybe you’re drunk on the pleasure of her stretching you open in two places, maybe it’s just the intensity of her eye contact that is compelling you to agree with her. But Alexia has given you absolutely no reason to not trust her tonight.
As much as you can with her fingers gripping your jaw, you nod.
“Good girl.”
Until now, Alexia has been so careful with you. Despite the supposed vulgarity of where she’s fucking you, it’s never been about taking something from you, instead what she can give you.
Only now does she start to be a little more selfish.
She leans over you, one hand still wrapped loosely around your throat like a necklace and the other curling two fingers into your cunt. Her hips pick up the pace, finally taking her own pleasure.
Alexia fucks you hard, hips snapping against your ass, but you can take it. You want it, you want her, and there’s just a split second where you appreciate how skilfully she’s primed you to be able to take her like this, before it overwhelms you.
Alexia is everywhere all at once. The pleasure almost smothers you, or maybe it is Alexia’s hand around your throat cutting off your air supply. All you know is that suddenly you’re holding your breath as you try not to come before she allows it. Every muscle in your body is tightly coiled, ready to snap at any moment. Your thighs shake from the exertion of holding it all back.
“Alexia.” You manage to choke out her name in another warning.
“Yes,” Alexia hisses, even as she continues to fuck you. “Dios mio, you’re so good for me. Giving me all your precious holes to fuck. Letting me own you.”
“Ale … can’t …”
“My perfect girl.”
Her thumb on your clit already had you teetering on the precipice. But it’s her praise that pushes you headfirst into your orgasm.
The pleasure of it wrecks you. You’re spinning through space and time, no idea which way is up and which is down. As your back arches and your body shakes, all you’re really aware of is Alexia, her hands on your neck and inside you cunt, her cock still filling your ass. And she’s the only thing that matters, that and the way she makes you feel.
As the pleasure bleeds away into pure affection, you realise that Alexia is still rutting into you. You feel the stretch more than ever, especially as the aftershocks have you still clenching around the toy, and you open your mouth to ask her to slow down, when you realise that she’s close too.
The signs are unmissable. The little crease between her eyebrows, the glaze in her eyes, the tiny grunts she lets out with each thrust.
“Yes, baby,” you encourage her. Her fingers slip out of your cunt and she leans further over you, single-minded as she fucks you with one goal in mind. “Come for me. Come in my ass.”
As well as she knows your body, you know hers too, and you know exactly what to say to tip her over the edge into her orgasm. Sure enough, just a couple of thrusts later, her hips are stuttering inside you as the climax hits her.
You wrap yourself around Alexia, hands flat against the back of her shoulders and legs hooked around the small of her back, holding her as close as possible while she shudders through her orgasm. Alexia responds by pressing herself into you, swathes of hot skin against yours and her face nuzzling into your neck as the last few aftershocks tremble until she falls still in your arms.
For long moments, the only movement is the steady rise and fall as you both catch your breath. Your breathing syncs up with Alexia’s, until you’re both relaxed and heavy-limbed.
“Wow,” Alexia exhales, when she finally pushes herself up onto one arm so that she can look down at you with a warm smile, her eyes glowing with affection. Her free hand sweeps away some of the hair that is plastered to the sheen of sweat on your forehead. “You are just incredible.”
You feel your cheeks heat up, because in the wake of your orgasm, being praised by her is somehow more reason to feel shy than the fact she’s just taken your ass.
The thought makes you clench around the toy that’s still inside you, except that the sensation is much less comfortable than it was when you were brimming with pleasure and desperate to get off.
Alexia must see the wince that you try to conceal, because she presses her lips against yours, then murmurs, “I need to pull out. I’ll be gentle.”
She eases the toy out slowly, perhaps with even more care than she took to fill you. Part of you wishes that she’d pull out in one swift movement, like ripping off a band-aid, but soon you feel the toy slip free and finally, finally you can relax.
Alexia makes quick work of the harness, expertly unstrapping herself and tossing the toy to the floor beside the bed with a thud, before she settles on her back and pulls you into her side, her strong arms wrapping you in their cocooning warmth.
You settle against her, your head resting on her shoulder and your leg hooked across her hips, wondering when you became so lucky to get to call yourself hers.
Alexia, clearly, has other thoughts on her mind.
Her lips press against your temple, then she murmurs amusedly against your skin, “We’ll try a bigger one next time, no?”
You’re perfectly content like this, perfectly in love with this incredible woman, and you’d probably let her take you in any which way she wants to.
Right now, however, you’re too sated and exhausted to think of anything except sleep.
“Don’t get ahead of yourself, Ale,” you mumble sleepily into her shoulder.
You feel her lips curl up in a smile where they’re pressed against your forehead as her arms squeeze you closer.
“Amor, that’s not a no…”
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rafe is such an old man .. in terms of pop culture he has no idea what’s going on. he has a phone for business and that’s it 😭 so when you start throwing around phrases like “skibidi rizz” and “that’s so sigma,” just for funsies, he’s beyond confused, staring at you like you’ve grown a third head and are speaking a dead language.
whenever you see something below your standards you casually drawl out “ermmm it’s giving pogue,” and rafe has to remind himself to breath. his response is almost always the same; a deep sigh, eyes narrowed and nose scrunched, as if he’s trying to figure out the code to the queen’s safe. “what the fuck are you even sayin’ right now??” he’s genuinely frustrated, going as far as mumbling about “this generation” and “kids these days.” (this works especially well if we’re talking older!rafe)
some prime examples:
“period”: when he says something that you agree with; “period… what? finish your sentence, what’s the rest of it??”
“touch grass”: when he’s bitching about pogues ruining his plans; “the fuck does that even fucking mean.”
when you keep going he has to physically hold himself back, rubbing his temples as if that’ll help him make sense of it. he’s soooo irritated that you don’t explain what you mean, making him snap on more than one occasion, “the fucks wrong with you. seriously, can you like — speak like a normal person for once.” he hasn’t caught onto the fact that the more he reacts the more you play into it, pushing his buttons and wearing on his patience like it’s the best part of your day.
#very much self projecting right now#those first two phrases have no right being in my vocabulary but it is what it is#rafe cameron#rafe#rafe cameron fluff#rafe cameron blurb#rafe cameron imagine#rafe cameron prompt#rafe cameron x you#rafe fluff#rafe x reader#rafe imagine#rafe blurb#rafe prompt#outerbanks#outer banks#obx#outer banks blurb#obx blurb
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If you stop thinking about what's in someone's pants, you'll probably find a *lot* of similarities in the people that make your heart do the ol' hubbadahubbada.
Think *seriously* about the folks where you've almost (or have) walked into a stop sign because you couldn't stop looking at them
I *adore* a solid laugh from someone, the kind where they lose all self-consciousness and laugh from the belly. Or if they can keep up with me in freeform nonsense, adding on to it so we play off each other and our conversation leaves any semblence of sense in the dust. Physicality, *especially* if you treat me like an equal and don't pull your contact/impact.
On more physical terms, a *very* particular part of the jaw being square also does it for me. Or a muscular calf. Or basic hair care. I don't mean, like, "at least do a little", I mean "there's also a point where too *much* hair care no longer makes me attracted".
You know what? Anyone can have those. And even when I'm not attracted to the person as a whole, I can still say things like "Dude has fucking awesome calves, plus an amazing laugh. Damn shame he's an asshole."
i think most people accept the idea of "you don't control who you're attracted to" in terms of being gay but imo it can go further. like if you're not attracted to men, but you happen to find a transmasc person attractive, i dont think thats inherently transphobic if you acknoweldge that your attraction is incongruent with their identity. you dont need to run yourself in circles creating qualifiers for your sexuality when we live in a world of infinite gender identites. it's not like you have an inbuilt radar that tells you whether that hot stranger at the bar is a woman or not. man who kissed a twink that turned out to be a butch lesbian that thought he was a butch lesbian. etc.
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Notes after watching the full Behind the Scenes of Agatha All Along posted on Nov 13th 2024:
There was no way they could have written an ending for Agatha that did not involve death.
I have been saying this to all the naysayers from the get-go, to all the people making posts about being done or fed up or angry about the ending, or how it makes no sense, or how they should have could have done something different and been fine story wise. The behind the scenes confirmed my point.
The main through line for the entire show was the theme of Death; of Agatha never being able to escape it. Where she both loves and hates death and Death, the concept and the woman. Where she's been running from Death for centuries, but Death came for her son and was always coming for her the second she slowed down.
Every completed trial meant someone would die. Billy created the road based off the rumors and witch lore. And the only rumors out in the witch world were that someone knew someone else's aunt/relative/friend who had undertaken the road and never returned. In reality, that was Agatha's doing. But to Billy, it meant that somehow, the Road took its toll on them. And when the coven traveled it, the Road exacted the same price that Billy expected it to. Death or near death at every trial.
The first trial killed Sharon. The second gave Alice her power back and then Billy almost died (and probably would have if Agatha hadn't pleaded with Rio on his behalf, if the coven hadn't worked together, and if Billy hadn't made the Road with his own powers. Some interesting combo of the all the above). The third trial killed Alice who was trying to save Agatha. And the fourth trial killed Lilia and the Salem Seven.
Jac said she intentionally wrote it where Death was a very real thing that everyone in the show had to come to terms with.
And for Jen Kale, her gift was already dead, and she was supposed to resurrect it and take her own power back. She escaped because after Agatha's trial, the fifth one, someone DID die.
And this time it was Agatha.
Agatha had avoided it every other time by either being saved, or having the rest of the coven as fodder for death.
But in the end, when she could have left once again, she must decide who has to pay the final price for her invention of the Road. The Road that she has used to kill and lure countless witches to their doom over the past few centuries.
She can save the boy she has come to love and mentor after the loss of her son. Or, she can leave once again. And so she makes the final moment of self sacrifice, and chooses the final victim of the Road: Herself
She has been running from Death for centuries.
For Agatha's story to have a thematic ending that wasn't cheap or manufactured, she had to stay true to that through-line. That's how writing works. You find your themes. You write about and explore them. And you have a final consequence that determines if it's a positive arc or a negative arc for your main character.
They chose for Agatha to have a positive arc. A moment of final growth. To end the show on her finally making the right decision, even at the cost of the life she's sustained through countless centuries and via countless deaths.
There was no way the show could have ended any other way.
PS: There is no excuse to hate on it. At all.
It doesn't meet any of the criteria for the 'Bury your gays' trope. It doesn't even end Agatha’s story. But it does provide expertly written, well thought out, thematically poignant endings for all the characters in a way that satisfies their personal journey—throughout the show and the centuries.
And I am so glad they made it, and that it ended how it did. I wouldn’t want it any other way. As a writer. As an editor. As a viewer. And as a lesbian.
Agatha All Along is a masterpiece in TV writing. And I can’t wait for more.
PSS: Watch the Behind the Scenes on youtube that Marvel just posted. It’s super good and includes all sorts of info to help with fic writing and just general understanding of the writing and show creation. Also lots of Kathryn Hahn and Aubrey Plaza in interviews!
TLDR: Quit complaining and griping about the ending. It was written beautifully. The reason you got so invested is because of all the heavy death elements throughout that made things mean something. Embrace it. Or find media where you were the target audience. Cause if you couldn’t handle something well written that ends like this, you weren’t the target audience. And that’s okay. But move on before you keep griping and causing issues with the community and the cast.
#agatha all along#agatha harkness#agathario#rio vidal#jen kale#alice wu gulliver#alice wu#lilia calderu#mrs. hart#sharon davis#patti lupone#bury your gays#mcu#lady death#writing#this topic gets me so heated in the community. So badly#vidarkness#agatha x rio#agatha all along bts#behind the scenes#kathryn hahn#aubrey plaza#my post
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less doesn’t always mean lukewarm.
☆ sae x reader ^^ (gender not mentioned)
★ fluff or smth, no bllk au
☆ reader is described to have a lot of distraction problems, quick thoughts and random prompts stacked in their head, idk how to explain it i just had this feeling today so i wrote this with emotions tethered to it
notes: based off an experience i had today, except i was spiraling alone + the ending derailed and became SHIT tbh😕
tapping your pen against the pages of your barely touched notebook, you blink as your mind wandered to random places.
what time is it? did you ever submit that report? what does TGIF mean? is modern art actually ugly? did you ever clean out your locker? does it actually make sense to have the metric system? is moving to north pole for the penguins THAT bad of a life plan?
your train of thought was on a roll to say the least, stopping at short term stations, new random and shortsighted ideas and "plans" for side quests pinging in your head.
the notion was quick and swift in your head, twitching your facial muscles ever so slightly as you hopped on one cloud to the next. it was all quite minimally amusing to you, but it certainly wasn't for your study partner.
"stop that."
click!
"stop what?"
you straightened your posture, stopping your pen fidgeting, rolling your eyes to the face in front of you.
"making dumb faces, you haven't even written anything down." sae sighs slightly, you keenly notice the little wrinkle that imprinted itself onto his brow.
then your attention pays itself to the words he just said, you look down at your paper and sure enough, the only markings on your page were little dots that were the outcome of your no-thought-shuffle of your fingers.
you couldn't help but frown a bit, pursing your lips in slight disappointment at the lack of writing done.
at your silence, you could just feel the damn sigh that was stolen from sae's figure, that only dampened your mood a bit, tilting your head lower.
you repositioned the pen in your hand, now in the position of writing, your eyes dragged themself against the table, clawing and resisting as your vision was overwhelmed with words and symbols.
the textbook's big paragraphs made you think and process, like a loading screen over your head, engulfing yourself in mumbo-jumbo, losing yourself in the walls of text.
maybe after rereading the same sentence for the nth time and writing down a singular “the” you already feel drained.
noticing your overwhelmingly heightened distress, sae calmly closes his book and shuts off his laptop silently.
you see his neutral look on his face as he’s gathering his things, you can feel your stomach drop, was he already that annoyed?
you bit the inside of your cheek.
you couldn’t blame him.
so you keep your head and your field of view low as the events played out before you. they come and go, your study partners, your peers.
you gripped your pen a tiny bit harder at the thoughts, now bubbling up from the dark crevices of your heart. doubt and shame inking your insides as it immobilizes your lungs, you could feel your heart-
“what are you doing? come on”
? you look up at him.
“come on stupid, we’re going on a break, we can’t get shit done if you’re like this.”
his words are blunt, but they don’t hurt you, they’re just pointing out the obvious.
he’s being stupid about being nice.
but you don’t hesitate to pack your things too, although you feel his eyes on you as you do so, you don’t feel the weight of pressure.
the weight of needing to check yourself, how you’re perceived, how you’re supposed to be acting. he’s just, observing you.
and so you pack up and follow him out, he takes you to an area that’s slightly more populated, no longer in the library, you’re in the courtyard. he gets you a snack from the vending machine, and opens a bag as you open your mouth.
letting the long stream of thoughts out, sae answer minimally, it was all you really needed, some simple answers for some simple questions.
“what time is it?”
“1:45pm.”
“did I ever submit that report? ”
“you can check now.”
“what does TGIF mean? ”
“thank god it’s friday”
“is modern art actually ugly? ”
“up to you, artists won’t care”
“did I ever clean out my locker? ”
“we don’t use them anymore.”
“does it actually make sense to have the metric system? ”
“americans are stupid.”
“is moving to north pole for the penguins THAT bad of a life plan?”
”yes.”
neither of you really kept track of time, not that either of you bothered to. sae only looked at you with that blank face of his, and your mouth kept moving.
sae knew that this was taking more time than if he had just stayed at the library with you.
but he knew better.
he knew that bitching to you to fix your attitude can’t help with the situation, so why worsen it.
he rather see you being comfortable and “wasting time” rather than being shackled to a task when you’re obviously not mentally into it.
long story short: if it means you’ll be less lukewarm, he’ll take it.
★ 終わり☆
holy shit why was that ending so bad 😢
tags: @tofumiarchives @rinitoshiplzdateme @fishii28
@shrii-kk
@reapkusho @ac3ss @tired-xyra-urstruly
renaissance is such a pretty word btw
#★ writing#sae itoshi x reader#★ sae#drabble#bllk x reader#bllk imagines#blue lock#sae itoshi#itoshi sae
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For fun how about rating Wukong ship from lmk and give your opinion why?
SWK Ship Ratings
(Scores rank from -10 at the lowest, and 10 at the highest)
Shadowpeach
Name Rating: 5/10. Basic, but rolls off the tongue. Started the trend of Sun Wukong having extremely basic ship names- more on that below.
Canon Rating: 0/10. Whatever they had in the past, Macaque simply treats Wukong far too awfully to really justify the two of them ever getting together. Even the attempts at reconciliation feel more like extremely forced ship baiting, given how it goes from one of the two being marginally kinder to the other than usual, then immediately dropping it for more sniping. (Past!Shadowpeach receives 5/10.)
Fanon Rating: -10/10. I’ve spoken at length about this, but fans love to distort Wukong into a drooling abuser so stupid he can’t breath through his nose, usually while turning Macaque into a Possession Sue who only serves to be the author’s simpering self-insert who is the most perfect little baby of all time who has never ever done anything wrong at all even once. If there is an attempt to be “nuanced” or “unbiased” it manifest as “Sun Wukong “killed” (re: defended himself against) Macaque so he’s worse.” It’s an awful, extremely pervasive dynamic that rots any fandom enjoyment I could have had for this couple.
Personal Enjoyment: 6/10. Getting to write Macaque as the legitimately awful person that he is takes off the edge of seeing constant “uwu sadboi” Macaque content. Still, I rarely touch anyone else’s Shadowpeach content because of this.
Peachlotus
Name Rating: 2/10. As you’ll see, most ship names involving Sun Wukong are, uh… extremely lazy. Just one of the other character’s traits with “peach” slapped before/after it. Fandom really dropped the ball with most of these. This one is especially clunky, at least on my tongue.
(See, Macaque gets stuff like Lunartides, Inkypages, Shadowpeach, etc- all very cool.. We need to diversify the nouns is what I’m saying. Coulda been something like “GingerRoot” cause orange fur + plant boy. “FlowerBuds” for the platonic name for peaches + lotuses. Do you guys see what I’m saying. It can’t just be raw peaches all the way down.)
Canon Rating: 2/10. Ne Zha also doesn’t treat Wukong too kindly, interacting with him mostly through insults and physical attacks. He does seem to have some understanding of the king, though, which gives him a slight boost over Macaque.
Fanon Rating: 1/10. It barely exists, and what little does exist is essentially just “Ne Zha is mad at Wukong over what the fuck ever, so they’re fighting” and little more. There’s a lot of potential for bonding over immortality and awful pasts or being commandeered by domineering authority figures, which I wish was used more often.
Personal Enjoyment: 2/10. I don’t see the dynamic, personally. Again, Ne Zha’s only interactions with him are only ever vitriolic or exasperated in nature, which doesn’t leave stable footing for a relationship to stand. Maybe I’ll make a chatbot for them one day and see if I come around to it.
“Freepeaches”
Name Rating: -5/10. This shit is exactly what I’m talking about with the lazily slapping “peach” onto whatever and going on. “Free” has no meaning between Wukong and Tang- it’s just a holdover from a more popular ship. Tang only mooches food from Pigsy. That’s one of the biggest elements of their dynamic. Sure, Tang likes free stuff (food, rides, physical labor), but when does he ever get that from Wukong? It just makes no sense.
AND IF IT HAD TO HAVE THE FRUIT, TANGYPEACHES WAS RIGHT THERE
Canon Rating: 6/10. Tang literally drew himself and the Monkey King together inside a heart. He adores Wukong, thought maybe not for who he truly is- and the two don’t any interaction in terms of Tang realizing his autistic parasocial special interest idol is a lonely old sage who misses his friends, which cripples what was a pretty cute dynamic. I think Tang coming down from his hero worship and being just a genuine friend to SWK would be cute, definitely.
Fanon Rating: 9/10. Pretty enjoyable! Freepeaches is one of the few dynamics where Sun Wukong isn’t constantly turned into a punching bag/villain to be beaten around for the amusement of the audience, and the two are often portrayed as legitimately healthy together- I especially enjoy how Tang is portrayed as needing to move past his hero worship for the two to have a healthy relationship. It’s cute.
Personal Enjoyment: 6/10. Never addressing the resemblance to Sanzang or having them interact in regards to this while the circlet is back on Wukong’s head feels like a massively missed opportunity, honestly. I think Sun Wukong’s personal feelings have been left to the wayside for far too long in canon, and getting to a point where almost every fucking character represses their feelings is lazy and boring.
Peachbuns
Name Rating: 4/10. Again. Just “peach” slapped onto an adjective or noun. It’s frustratingly boring. This one sounds delicious and both components are related to food at least, which fits Pigsy’s background… but it also sounds like something a horny dude would ask for pics of in your DMs.
Canon Rating: 1/10. Pigsy isn’t willing to take any of Wukong’s shit, so he serves as a pretty great “bullshit barrier” that provides a legitimately strict opposing force to Wukong, but there’s little else to even their relationship out. He’s never kind or supportive or worried- if the two interact, it’s always through the lens of “Pigsy is mad/suspicious”. There’s never any real bonding or growth between them at all.
Fanon Rating: 4/10. This ship barely exists, and when it does it’s Sun Wukong being lectured through life by a big strong man- not a dynamic I’m a fan of. However, it is surprisingly kind to Wukong in terms of empathizing with his struggles. Again, I wish there was less of “Pigsy teaches Wukong basic life skills” because it falls right back into the revolting fanon that is “SWK is a big dumb fuck who can’t read or cook or take care of himself without a husband to wipe his ass.”
Personal Enjoyment: 2/10. I just don’t click with it. Pigsy doesn’t like Wukong, doesn’t trust him, and doesn’t interact with him outside of that.
Moonstone
Name Rating: 10/10. This is what I like! Moonstone is not only a very real (and very beautiful) mineral, but it ties to both of them equally! You don’t see Wukong’s status as a stone-born demon be referenced often, so this is a refreshing change of pace from the constant “peach” names.
Canon Rating: 7/10. Chang’e is a lovely woman who is simultaneously not be willing put up with Sun Wukong’s bullshit while still legitimately respecting and admiring him. It makes for a nice duality in their relationship that most of his dynamics don’t provide.
Fanon Rating: 10/10. The working dynamic is so fucking good to start with that I’ve never once seen fanon drop the ball. Never. This ship is always so fucking sweet and honest with Chang’e calling out Wukong for his bullshit while never pushing it to the “Shit on Sun Wukong Show” levels that the fandom loves so much- she takes no shit, but does no harm. She’s supportive and acknowledges his traumas and fears. Wukong does his best for her. Moonstone shippers get an A+ and extra recess time.
Personal Enjoyment: 7/10. I just… I really like this one, dammit. There’s not a lot to go off of, but seeing fanworks that do not primarily treat SWK like living trash/baby the hell out of him is nice.
Lionpeach
Name Rating: 3/10. Again. Very boring and generic. I’ve seen Fuzzypeach which is a little cuter, at least. Still, it’s all the same “peach”+noun format.
Canon Rating: 3/10. The devotion Azure bears to Sun Wukong seems like it would bear a higher marking, but it’s shallow and flimsy. Azure never understood Wukong, never wanted what was best for him, never cared about his safety or happiness. Azure projects his beliefs and wants onto the people around him, blinding the big fella to shortcomings on their parts, and is delusional enough to never look inwards. Still, I can legitimately see
Fanon Rating: 0/10. It’s just smut. That’s it. When it isn’t it’s just “Ooooh! Azure is jealous of Macaque! Tee-hee, sorry Azure!” and that’s it. I’ve never actually seen any non-sexual, Azure-focused Lionpeach.
Personal Enjoyment: 5/10. It’s a fun enough dynamic to explore, especially with how unhealthy it is. I’ll probably make a bot of this too one day. Maybe a “yandere dads” type. Or a mutual Primal Moon bot.
Celestialchaos
Name Rating: 10/10. Another not peach-based name is a win in my book!
Canon Rating: 6/10. Xiangliu is civil enough to Wukong (about as much as everyone else), but the mention of them having once been friends is what got my attention. Shrouded past + + potential reincarnation shenanigans + decently civil behavior = a very happy writer. It’s so little but it makes my brain itch.
Fanon Rating: 0/10. It doesn’t even exist babes ;( I’m scrounging for water in the lonely plains of a desert y’all. I’m a lonely little cactus and Celestialchaos is my annual three-inch rain.
Personal Enjoyment: 10/10. C’mon now. You all were expecting this. I love this ship. I’ve already made four chatbots. I love Xiangliu as a wild little freak who desperately tries to push Wukong away from other people and sad lonely Wukong finding refuge in a freaky toxic snake. Especially I like the idea of Xiangliu pitting himself against Macaque and going after Sun Wukong just to cause a little trouble, only to actually catch feelings and start pursuing him in earnest. I like “I want you at your worst so I can prove that I still love you even then” Xiangliu and “You love me at all?” Wukong.
I really like this ship.
End Result
(Scores ranging from -40 to +40)
Shadowpeach= 1/40
(Past!Shadowpeach would around 20)
Lotuspeach= 7/40
Freepeaches= 16/40
Peachbuns= 11/40
Moonstone= 34/40
Lionpeach= 11/40
Celestialchaos= 26/40
#Time Talks#Lego Monkie Kid#LMK#Sun Wukong#Macaque#Ne Zha#Nezha#Ship Rating#Shadowpeach#Peachlotus#Freepeaches#Tangypeaches#Peachbuns#Moonstone#Lionpeach#Celestialchaos#If I left something out I either didn’t wanna write about it or there wasn’t enough content
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"See you dont understand law."
Lmao. I literally went to law school. I'm a certified paralegal (that is a person who does the majority of the actual legal work that lawyers are credited for) and I've worked in law. I have a pretty well documented history of understanding law so if there is one of us here who doesn't "understand law" it's certainly not me.
"If it was as cut and dry as you were making it, there would be zero malpractice lawsuits."
That's not just a statement that shows you have no understanding of how law works it shows that you just lack common sense. Sorry but "If it were cut and dry there wouldn't be any lawsuits" is an objectively stupid statement.
"A medical expert would testify and say "I agree with what the doctor did" or they would say "No I would have to say the decisions they took were unreasonable for X Y and Z reasons". And yet these court cases arnt cut and dry."
I would encourage to research something called "the judicial system" and learn how court cases work. It sounds like you get all your information from TV shows. You thinking all a lawsuit takes is the testimony of an expert witness illustrates that this subject matter is way too advanced for your current intellectual abilities.
"Sec. 170A.004. CRIMINAL OFFENSE.
There I found the hidden oppression! Im sorry you dont understand how things work, but that is okay! I pointed it out for you!
See if it is a first degree criminal offense.... uhhh here it is!
12.32. FIRST DEGREE FELONY PUNISHMENT. (a) An individual adjudged guilty of a felony of the first degree shall be punished by imprisonment in the Texas Department of Criminal Justice for life or for any term of not more than 99 years or less than 5 years.
No less than 5 years!
That is why not because doctors are doing political stunts with women's bodies but the state of Texas is."
I don't know what you think you just proved but I'm sitting here laughing that you think this debunked anything I said. Yes, abortion is prohibited in Texas and is a criminal offense if performed in a situation that was not considered a medical emergency.
You responded to nothing I said. You showing the part of the abortion law that says abortion is a criminal offense if it's not considered a medical emergency is information we were both already aware of and were discussing. In the case being discussed in the article abortion would not have been considered a criminal offense because it falls under the exceptions.
And I notice you couldn't even respond to anything I said and just ignored the fact that the woman was treated, the baby was removed and she still died of sepsis and had she had an abortion it likely would have ended the same way.
So again, you are a failure in explaining in any way shape or form why abortion was needed here and how abortion laws had anything to do with this case when that wasn't even the treatment the doctors were seeking and how the abortion laws prevented her from being treated when she actually was treated and why you think having an abortion would have prevented her from getting sepsis.
All you're doing here is proving that people are only pro-abortion because they are embarrassingly uneducated and lack even basic thinking skills.
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And this here is today’s attempts at drawing Transformers, specifically TF One
I had this idea when I started today, since I knew the faces and noses were giving me trouble yesterday, to try this paintbrush style. The logic in my brain was that the movie was made in 3D, so logistically a more lineless style should work better, right?
I do admit, I think that the lineless style works far better in terms of the eyes and noses being the right shape, but I also admit my lines are probably a bit too soft and I may need to darken them. As well as get something good for the actual thin lines, since the paint brush on its own feels too thick, even at the lowest size
And you know what, since we’re here, does anyone have any Procreate brushes they can suggest for this sort of style? Right now I’m just using Flat Brush, but I wonder if I should use something else
Anyways, so this canvas was supposed to be more D-16, but partway through I figured I should try someone else to draw as well, so I decided Orion, so we could have the yaoi
Honestly my big problem with Pax here is that I don’t have a good comprehensive reference for him, while I can get by just fine with D-16. These were about the best I could get, and that last one I only got because these other two weren’t cutting it
I need high quality references of these characters, or at least specifically their faces. And I’m gonna need even more if I plan to draw Megatron and Optimus as well
But yeah, Orion’s here, and I was also having trouble getting the correct colors for him, because I’m stupid and used to flat colors. D was pretty easy considering he’s just greys, and a yellow tinted grey works just fine there as a grey (though I do admit I’m struggling with his eye color), but I feel like blue tinted Orion looks too blue by comparison. But I don’t know how to give him his proper face coloring without it being the same shade as D-16
I feel like my words aren’t making sense. But just get that Orion colors are a struggle. And still are, because I still don’t think that other grey is the right color
Also Orion has a significantly more complicated helmet than D, so that’s fun
I really wasn’t planning on Orion taking up so much of the space, but I needed to actually practice how he looked so that I could draw him easier. I had numerous attempts at D-16 prior, I could sort of understand his look, but I was flailing in the dark on Orion and needed the practice
I think another problem is that I don’t make him wide enough. But sue me, my character designs usually don’t have their bodies that wide/their heads that small. I’m working on it
I capped off this canvas by just deciding to make a small doodle of Orion kissing D, since why not and also I was too lazy to think of anything else to add
Where do we go from here? I have no clue, but hopefully it’ll go good
#for some reason I have a soft spot for the top left D-16#I think it’s because it reminds me of a game sprite icon#you know the square you’d see when a character’s speaking#I don’t need to explain talk sprites here why am I doing that#anyways yeah#progress but it’s still not quite there yet#transformers#transformers one#my art#d 16#orion pax#megop#I mean technically#art practice
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Polygon: 'How Dragon Age: The Veilguard’s writers decided each companion’s romance arc'
Rest of post under a cut due to spoilers.
“There’s so many different flavors of romances with the characters that even if one doesn’t work for you, one of them I think is likely to,” creative director John Epler told Polygon. “But they’re so tied to the character arcs that they become part of that character development as opposed to ‘and also you can romance them on the side.’” For instance, Epler said, Bellara’s romance is purposefully awkward and stilted. (“As Bellara’s writer, I’m very familiar with it,” he added.) “It’s clearly somebody who doesn’t see themselves as someone people are going to want to romance,” he said. “And so one of my favorite things is paying Bellara a compliment, and she takes it in the most awkward [way]. Because she herself as a character, and something you see through her arc, has these issues with how she sees herself, especially after what happened in her past. And so that romance kind of plays off of that as somebody who does have, I wouldn’t say necessarily low self-esteem, but has issues with self-regard. This is how that romance goes, especially if they are themselves a very awkward character.” Meanwhile, Lucanis — who joins the party after you rescue him from an underwater prison where he was tortured for a year after someone in his inner circle betrayed him — has a long road ahead of him in terms of opening up and letting others in. (That also means the results of one big early game choice might cut him off entirely.) “[He] has an arc that’s very much about family and letting people get close and seeing what happens,” said Epler. “And so with his romance, you get more of a slow burn where it doesn’t feel like you’re ever getting quite as close to him as maybe you want until the very end.” In addition to the player-chosen romance arcs, some companions you haven’t chosen to romance might enter romantic relationships with one another (or in the case of one character, with an NPC that isn’t in your party). This isn’t the first time non-romanced party members get together: A fan favorite, for example, is Qunari mercenary Iron Bull and Tevinter mage Dorian Pavus in Dragon Age: Inquisition. But Veilguard has more opportunity than ever before for these side romances to blossom. It all came down, once again, to what made sense for these characters’ own arcs. Bellara doesn’t romance anyone outside of Rook because, as Epler said, she is a “very focused person with a very specific obsession.” Romance isn’t exactly on the top of her mind. For Taash and Harding, however, a romance made perfect sense — both characters navigate accepting who they are and how that fits in with what they thought they knew about the communities and cultures they hail from."
“I think one of my favorite parts of that arc is how much compatibility comes through as you go through their arcs and you realize these are two people […] broken in ways that are so complementary to allow them to heal each other,” said Epler. “They end up developing this very lovely relationship, lovely romance that makes sense for the both of them.” Players might understandably want to go into the game without any spoilers about what characters might get together. But if you’re heading into your second playthrough and you already know more about what the characters’ relationships with one another look like, making decisions might take on a whole new level of significance. That was definitely the case for game director Corinne Busche. “What I love about those developments is that it really gives us some interesting and compelling decision-making about the choices and the consequences within the game,” she told us. “[The relationships] have an extra level, I think, for the decision making. I don’t want to get into spoilers, but there was a moment where I set the controller down and had to go, Oh my God, how can I possibly make this decision knowing what I know of these two characters and how they feel about each other? Oh, it just really makes it hit.” There’s a lot of emphasis on the inter-character relationships in Veilguard. Not only is there the usual party banter while out and about in the world, but you can also stumble upon conversations between characters back at your home base, mitigate disagreements between them, and read codex entries about their book club meetings, cooking rotation, and other things. It makes sense that writing interactions between these companions might spark some ideas for the writers. “It really does come down to who makes the most sense for these characters and who as the writers we are excited about pairing up,” said Epler. “Because I think something people forget is […] well, it’s not technically fanfiction. It’s the same impetus that drives fanfiction where you’re like, Who are the characters we love the most and who do we want to see together? Who do we think makes the most sense as a couple? And then playing with that and seeing if it actually does make sense.”
[source]
#dragon age: the veilguard#dragon age the veilguard spoilers#dragon age: dreadwolf#dragon age 4#the dread wolf rises#da4#dragon age#bioware#video games#long post#longpost
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Ok, now that I’ve mentioned how I think both Vil and Riddle’s overblots could’ve been prevented, I also think Jamil’s could’ve as well.
If someone realized a little earlier in the chapter that Jamil had a problem with Kalim and he was up to something, then there was a real chance to prevent this situation from getting so out of hand.
If you told him, “hey, you know Kalim is dumb. If you don’t tell him you have a problem with him, he’s not gonna know. You got all the brain power out of the two of you. That being said, Kalim is a very empathetic and generous person. He cares about you. He think you’re his best friend. If you just told him how you feel and how you have a problem with some of his behaviors, then he would do everything to make your relationship work. He knows that he’s not the best dorm leader, but you’ve never told him that you felt that it was taken away from you. It might seem really obvious to you, but clearly nobody else has noticed, so there’s a problem. If you just told him, he would give you the seat. It’s not even like a possibility situation, he straight up would. He doesn’t care much about it, so if you do, he would give it to you in a heartbeat. He values your relationship above all else. It’s not that hard. I don’t know why you’re trying to do this in such convoluted way. It’s not efficient and really risky.”
I can’t imagine he wouldn’t take this advice. He’s not my favorite character, so I’m not sure, but he seems to value efficiency. It would make sense cause he’s always babysitting Kalim and having to run around.
He would bring up the whole family expectation problem, but there’s a counter to that too. “While it’s true that nobody in our vicinity knows the answer, somebody does. Kalim has the resources to get you that help and is more than willing. Get a professional. Go to a therapist. They’ll tell you how to navigate this situation. Why aren’t you taking advantage of Kalim’s resources? If you feel that you’re taking an unfair advantage of him, then make your relationship work with him. That’s something that’s going to be a challenge for you, but that’s what he wants. He has all the physical needs he could ever wish for, but the most important thing to him is his relationship with you.”
You would also have to bring up how to solve his feelings and problems with Kalim, because that was what has really been getting in the way and fostering his feelings of condescension. “You need to put boundaries on your relationship. He wouldn’t be offended and would understand. If you don’t want to be stuck in a servant role, you’re gonna have to set boundaries. Kalim is under the impression that you would tell him if something’s wrong even if that’s not how you feel. He doesn’t mind changing if it will help you. That’s enough of a motivation for him to push through hard times and overcome some of his weaknesses. Besides, the reason why he doesn’t know anything is cause you do everything for him. You’re enabling him. If you want to get out of this role, you’ll have to tell him some of the things you’re really worried about if you leave him. He would listen to you. He would do what you ask even if he doesn’t understand everything. That’s how much he trusts you. So, you might have teach him things you would have to watch out for like poisoning and assassination attempts, but he can learn. It would be a good idea to find someone who meets your standards in terms of a replacement to your job. Kalim isn’t that self sufficient, but you’ll be able to find somebody and would’ve already created a fail safe so that if something happens Kalim knows what to do.”
You would also have to address Jamil’s fear that if he becomes his own persona and drifts away from Kalim that he wouldn’t help and support him. Just tell him “Kalim thinks of you as family. You’re gonna always be important to him no matter how close or far apart you are. Kalim cares about you and loves you unconditionally. If you need his help, you’re gonna be his first priority. That’s never going to change. He’ll give you anything you ask for.”
I’ve stated my case and I’m sticking to it. Tell me what you think
#twisted wonderland#twst#twst x reader#twisted wonderland jamil#jamil viper#twst jamil#jamil x reader#jamil viper x reader#twst kalim#kalim al asim#twisted wonderland kalim#scarbia#twst chapter 4#overblot
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Salem: (About to attack)
Jaune: (Thinking Quickly) Hey are you ok?
Salem: What? Why ask me that?
Jaune: You look like you gained weight.
Salem: No I haven't! .............. Do I muttering to self looking mirror.
Salem: You're a fool! Choosing to face me alone when you as a group FAILED to best me the last time we met!
Jaune: Someone needs to keep you busy, and I volunteered.
Salem: (Laughing) You think you can delay me enough that your little friends can affect and escape?
Jaune: Well, guess you know the plan so what'll you do now?
Salem: I'll eliminate you, and then crush your pathetic friends.
Jaune: You can try...
Salem: (Evil Green energy collecting in the palms of her hands) I don't try... I do...
Jaune: So how do you do it?
Salem: (Confused) Do what?
Jaune: (Makes a general motion indicating all of Salem) That.
Salem: I... what? DO what?
Jaune: Seriously, do you have no idea what I'm talking about?
Salem: If I DID I wouldn't be asking you what you mean!
Jaune: How do you do you?
Salem: Do me? That makes no sense!
Jaune: Well obviously since we last met you might have put on some extra weight...
Salem: WHAT? No... no I haven't!
Jaune: Well, I was trapped in the EverAfter for like a century so I could be remembering things wrong... but you do look a little rounder than I remember...
Salem: ROUNDER?!? (Snaps her fingers and summons a seer and starts twisting and posing to look at herself in the mirror like surface of it's head) No... no I don't think... did I?
Jaune: Like I said I could be miss remembering.
Salem: (Rushes over and grabs Jaune by the shoulders) AM I FAT???
Jaune: Now, now. No one said anything about you being fat!
Salem: (Sniffling) But you said I was looking rounder!
Jaune: Yes, but in a... how do I say it?
Salem: Just say it! I'm fat!
Jaune: NO! You are not FAT! You're full figured! You're curvy! You in no way look unhealthy or fat!
Salem: (Sniffling) Really?
Jaune: Yes, really. You're... pardon the expression... the ultimate MILF.
Salem: MILF? I'm not familiar with that term. What does it mean?
Jaune: Well... heh... um... it means Mother I'd Like to...
Salem: Okay that's the M, I and L, what does the F stand for?
Jaune: I don't think I should say. It's a rather rude term, for use in polite company.
Salem: What. Does. The. F. Stand. For?
Jaune: F means Fuck.
Salem: Mother I'd Like to Fuck???? OH!!! OHHHHHHH....
Jaune: Um... why are you looking at me like that?
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I don't think being against tme/tma language is inherently transmisogynistic but I do think the way people talk about being anti tme/tma is often transmisogynist. Like the worst of the worst is obvi velvet and her ilk who portray it as a tool to separate young trans kids for grooming purposes (literally "trans women are groomers") but the smaller ways you see it is "tma language always skeeved me out" oh? Why? Why that specific word? The word skeev has a pretty specific implication, why that word? Or "it's bioessentialist" "it's a new binary" which are always touted by people who use agab language, terminology that specifically uses male and female, aiming to try to compare trans women with terfs, literally a group of people whose targets are trans women. Or "it doesn't include intersex people" this by definition just doesn't make sense. If an intersex person experiences transmisogyny they're tma, if not they're tme. What about that doesn't include intersex people? They go on and on about why specific intersex are affected by transmisogyny but. It's like this doesn't matter all you're doing is explaining why someone could be tma. That works. That's fine. It doesn't do anything to disprove the terms. "Transmisogyny affects everyone" so does misogyny but misogyny is still recognized as the oppression of women.
There's a difference between not liking something and misrepresenting something. Every argument against tme/tma is always a misrepresentation, or at worst outright terf rhetoric. I have seen someone say "I'm not sure how I feel about it yet" and I thought that was totally fair. But frankly, I'm tired of getting called a male, and unsurprising the people who hate tme/tma love to call me a male.
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⚠️Something's Wrong Spoilers⚠️
"They don't need to accept you-" YAH, I DON'T THINK THEY AGREE, JAMIE! Asset baby you deserve so much better than what the world keeps throwing at you.
Anyways, some take aways!
"The worst of us" is an accurate way to describe Marcus, thank you James
We don't really know what the Asset's sense of self was like before Marcus' code overtook them, but god do they sound like they have very little of it now. A "mockery of personhood" - it sounds like the've just become overwhelmed with self doubt and possibly self hatred (I'm assuming those were their words because it doesn't feel in character of James to essentially put those words in their mouth)
IF THAT'S FUCKING YOU MARCUS I SWEAR TO GOD-
Also what's with that weird music/sounds in the background during the call? Have we heard this before and I'm just not picking up on it?
Wow James is on edge - why does he sound so accusatory towards them? The frustration is palpable. He also sounds weirdly arrogant at times? This feels different than how he normally speaks to them.
The Meridian does NOT like the Asset - really just called them a fake and dropped them like a bag of rocks. Also, this could just be that Erik couldn't get the other VAs in time, but this doesn't sound like Min'Ara or E’Laetum. It's also only one voice and the transcript specifically lists the character talking as "Meridian". So who exactly is this? Does the Meridian have a consciousness outside of the two sovereigns that make it up? Because it also kind of sounds a bit like the Drove (is that the term? for all the other sovereigns trapped in death?)
Odd how James specifically says to have all the Deltas (demons) put back in containment when he said earlier only some of them were there via compulsion. Has some kind of fucked up implications on how the department treats even the demons that work for them of their own volition.
And lastly, as a phone was for some reason heard ringing again, I distinctly heard a whispered voice say "wake up" once again. No theories here on why that keeps getting repeated - the only idea I have is that this one of those classic "but it was all a dream" twists but that's stupid and I refuse to believe that's the explanation for all this.
#redacted audio#redacted asmr#redactedverse#redacted spoilers#redacted james#redacted asset#poly.damn.ory
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I mean, nothing I said was suggesting that nothing can or should be done. I have a couple things I can think of but people are already rightly pointing out that my experience, like all experiences, isnt universal. Calling out a shallow take isn't something I'm doing because I'm so so wise and I know how to fix everything.
I have heard the take that part of the fix for this will probably be a lot more white men with podcasts, and that is almost definitely *part* of the fix. It is legitimately difficult for young men to find content about random ass basic hobbies that isn't being served to them by low-key fascists. That needs to change. When talking with other progressive men, something that came up a lot was after school programs, especially ones that bring boys in more contact with their communities and expose them to different kinds of people in positive ways. Hate breeds in ignorance and isolation.
You already seem very anti-terf, which is great. That is also part of it. I don't honestly think that women are the cause of this problem but like, in terms of fixing this and convincing men that feminists are on their side, yeah, some small part of it is probably looking at the state of feminism currently and recognizing that it has devolved in many very public online spaces into reactionary gender essentialism and that radical feminism takes up a lot more air than anyone would like to pretend it does. "Sure I wholeheartedly reblogged something that claimed that any man who seems decent is just trying to let women's guards down to make it easier to assault them, something all men are trying to do to women at all times, but that's just venting. Ignore that broadside that me and my friends just unloaded on you and everyone who looks anything like you, if you think that your hurt feelings about that matter, that's on you for not recognizing that our pain justifies saying literally whatever we want" (to call up a random example) is certainly a standard that it is possible to enforce in some more isolated corners of the internet, but there has been a serious breakdown between the personal and the public, which is hell for messaging as a movement. This is no longer drinks with friends, this stuff gets broadcast worldwide to men who are trying to get a sense of what feminism is about. At some level, what is cathartic to say will have to give way to what is tactically wise to announce. The only men who will willingly share space with that sentiment if it is core to this movement are either convinced that they are personally exempt from examining their own privilege, which is its own problem, or men who agree wholeheartedly that all men are evil, them included, and are trying to atone. I've interacted plenty with both in male feminist spaces. It's not a winning team. I am aware how hard that will be. 4B type political lesbianism/lesbian separatism seems to be having a moment (at least as a meme) right now as people process their grief in this moment. That's understandable. But it's not wise.
Considering this is happening in the wake of the US election, and I'm saying this as a Canadian, it's also worth gently and precisely noting that even if the harm is the same, someone who voted for trump didn't necessarily do it because they despise women. If we're just looking at the raw numbers and saying "we're doomed", that's probably not helpful or, luckily, accurate. The project of changing the cultural narrative is huge and depressingly long. The rise of reactionary right wing populism when a society starts failing its young people economically isn't. That is a different, and much easier project. If you don't want people to vote for right wing populism, you need to give them left wing populism, and infiltrating the democratic party and pulling all the same tricks the right did but towards economic policy that will provide the next generation of men with the opportunity to own homes and pull their weight supporting families will do a hell of a lot more in a much shorter time than systematically changing each and every man's heart, especially considering a lot of the people who voted for trump weren't men. This project will outlast us, but MAGA doesn't have to.
If your vision for the deradicalization of right-wing men begins and ends with "other men telling them that that's gross and to stop it" then I'm sorry, you do not understand how masculinity works.
"Men who hold patriarchal status" and "men who are feminists" are two groups who overlap less than you want them to. I'm sorry. That's not solely because men are so happy with patriarchal status that they don't want to risk it by policing misogyny/queerphobia/racism, It's because being misogynistic, queerphobic, and racist, end expressing other forms of toxic masculinity(and often abusively so) are part of how people establish and maintain patriarchal status. The men who have the ability to stop this via nothing but peer pressure are the very people who are doing it. That's by design. And engaging in feminist intervention is, in and of itself, usually the abrupt end of that status and its associated power to persuade misogynistic men.
Like, I have worked in blue collar jobs as a notably queer person. It was pretty much a constant deluge of verbal abuse. In my experience, most blue collar work environments are exploitative, abusive, and bigoted, and very gleefully so. On the occasions I have spoken up about someone saying something that was super fucking out of line (asking me which of the girls walking by was hottest. We were installing a portable classroom at a middle school), believe it or not, they completely failed to be shamed! Because nobody else on the crew gave a fuck. *I* was the weird one. They ghosted me. A full blown company ghosted me. I suddenly didn't have a job anymore because they just straightforwardly stopped telling me where the next job site was.
Like, this doesn't mean that it's your job to do it, but this vision you have of these big groups of men where everyone is on the fence and there is precisely one shit stirrer who can be shut down by a brave feminist man who can single handedly set the example for all these other guys...you are high. You are describing an "everybody clapped" level absurd scenario. Most of these truly virulent misogynistic guys either have zero friends, because, you know, our society is atomized to fuck, or they are in a group where the feminist guy is actually the weirdo who can be shut down and ostracized much, much easier than the misogynists, because there is no such thing as a man misogynists respect who stands up for women.
You might be saying "well, we're talking about longstanding personal relationships, actually. Like, they need to have to want to spend time with you and then, as a side effect, you can mind control them out of being a threat to us."
Problem with that being:
1: Many feminist men also have no friends, see the atomized society above.
2: Feminist men already stopped hanging out with men who make rape jokes because why the fuck would we want to spend time with them.
3: That isn't just because we respect women so hard. We are in many cases talking about men who are also deeply queerphobic, heirarchical, violent and abusive to other men. What initially drew me to feminism and women was a lack of heirarchical squabbling and constant bullying, and the ability to be openly queer. A lot of men who came to feminism did so because they knew that the patriarchy was not a place they would find success or acceptance. These are not the men who are gonna be able to change right wing minds.
4. Men do not view themselves as a monolith. There is no universal brotherhood of men. The actual meaning of the term "Fragile masculinity" is that men are constantly expected to prove that they are deserving of the status of being a member of their own gender. There are large swathes of men--including most of the men who you'd look to as examples of good, feminist men who you want to undertake this project--who are considered failed men, sissies, f****ts, soyboys, ect. They are. Not. Going. To. Convince. These. Men. Of. Jack. Shit. Much less successfully *shame* them. Jesus.
I know all of this sucks. I know it would be cool to be able to just point at a group and have them be responsible for the work. But nah. It's gonna have to be a societal project, one that will probably outlast all of us. Sorry. The thing you want these men to do is, absolutely, the morally correct thing to do. But presuming that it would be effective is, and once again I am so sorry about this, just ignorance of how these social groups function.
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Also it’s really fascinating because in a certain way Austen finds the trope of redemption through romance/good girl fixes bad boy dead but in an even realer way Henry is just the wrong candidate for it. Or, to be even more accurate, the setup of Henry and Fanny is the wrong match for it and that’s what makes it funny. The truth is that Henry objectifies her, NOT physically. His appreciation of her beauty is hands down the most romantic thing he feels for her but he objectifies her morals and her goodness, in essence: her character. He, and in a different but equally real way Mary treat Fanny like a doll and every time she does something of quality they react with surprise and delight as if a doll had done it. The fact that the surprise and delight are genuine makes it worse because it’s even more objectifying. They’re like “look at the doll speak! The doll said something incisive and profound! The doll doesn’t even know of what quality she is made because she’s so simple! Noble simplicity!” And it is objectively condescending and—not to beat a dead horse here!!!— truly objectifying. They both see and sense her superiority to the rest of Mansfield but that doesn’t mean that they treat her like a person. Henry makes much of her, refuses to listen to what she actually wants, enlists Sir Thomas against her, feels no scruple whatsoever about putting pressure on her, and doesn’t know her well enough to know that she does “know her own mind” despite not knowing her own manner. He’s also the wrong candidate for this trope because he’s too knowing and observant. He KNOWS he’s in the trope. He’s kind of like “hmmm Fanny redeeming me, Fanny changing me, wow, love to consider it from a moral aesthetic point of view, what a flower in her cap that would be and how it would stick it to the rest of the Mansfield crew” and so he’s not set up to be surprised or charmed into compassion and real love 1) because he’s self-aware of the good it would do him and 2) because he gets ahead of the good by manipulating it for his own schemes. Alleviating boredom/sticking it to Mansfield and co. being the two main ones for as far as I can tell. He even knows that if he just waits, if he just holds out that “absence, time, and distance,” as he says, will speak for him. Will clear his way. Will work on Fanny’s heart. Because it IS a powerful trope for a reason! And especially if Edmund was out of the picture re: Mary what else would there be for her to do? But that’s the thing. He SEES the truth of it and sees the inevitability of it but only because he’s thinking of this in terms of winning—winning her, but also just winning at the scheme, pulling the con. True love doesn’t do that. The absence, time, and distance of which he’s speaking would be enacted by someone with a loving heart in such a different way because it would just be the simple act of compassion and not wanting to trouble the beloved that would be the motivator. It would be Darcy going back to his normal life after the Hunsford proposal with no intention of winning Lizzy back or determination to pursue her or need to clarify anything past the letter but still with love in his heart for her. Henry doesn’t have that love and never did and so cannot be changed by it. He plays the stakes of it all like a game and because Fanny isn’t playing it at all he loses, in every possible way.
#and Edmund treats her like a person always#he is a FOOL especially re: Mary and he is blind but he stood up for her. wants her happiness. protects her from Aunt Norris.#thinks about what she wants and treats her neither as an invisible purpose or a person on a pedestal#and he just loves her. took him some time to realize it was romantic but he DOES love her. always has!#mansfield park
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Heavenbound AU Masterpost
Alastor Redesign
I've spent an absurd amount of time researching deer, microphones, and 1920s-30s fashion for this. I'm by no means an expert of any of it, but I'm decently confident enough for some fictional depictions.
I'll include some notes under the cut, which does get a little long. I doubt other characters will get this detailed, but Alastor has a lot of design themes and motifs that were a bit too ingrained to remove. Everyone else is either simple in comparison, or much easier to simplify.
Alastor also just catches my interest in ways the others don't.
Design notes (I'll add edits notes as they come, should it be necessary)
My goal was to design him in a way that still felt like the same character, just altering the aspects I thought could be better. So a radical change wasn't what I was going for. That said, I had a logical reason for most of the changes I made.
--Deer-- Quickly, there's some regional terminology to clear up. In Europe, elk often refers to what North Americans call moose. And the NA Elk is sometimes called by an alternate name, "wapiti". I had never heard the term wapiti before researching this. And since I live where NA Elk are native (Rocky Mountain region), I think my terminology takes priority. Alastor would call them elk too. Before anyone says Elk aren't deer; yes they are. The word 'elk' basically means "big deer." They look similar to the Red Deer (Similar looking antlers, but elk are bigger, second only to moose, which are also a species of deer). It used to be believed that elk was a subspecies of Red Deer, but that's apparently been proven false. In NA, there are five main species in the deer/cervid family(listed from smallest to largest): Whitetail, mule deer, caribou/reindeer, elk, and moose.
Deer Sounds If you haven't heard deer sounds, I promise they aren't what you'd expect. Fanfics authors like to describe him making deer noises, but I'm not sure they realize what the sounds are actually like. I'll describe some noises, but search for them on Youtube, for both males and females separately. Using these terms will help you find specific examples. I listened to so many just trying to figure out how to describe them. Snort-They make a huffy blowing sound when alerted or alarmed. Often sounds like a bark. It's basically sounding the alarm. Does often make it when they're being harassed by bucks. Grunts- sounds like a croaky or clicky groan. Sorta like a frog or a pig. Sometimes sounds like cattle's moo. There are casual grunts, curious grunts, frustrated grunts, submissive grunts, low-drawn-out dominance grunts. Bleat- sounds more whiny, sheep-like, and higher pitched than a grunt. But it doesn't sound like a goat or sheep. It's used more by does and fawns. The younger it is, the higher the pitch. Really young fawns will sound like a little meep or maa. Snort Wheeze- sounds like a sniffy huff, followed by extended "F" sound. "sniff sniff Fffffff" There's a lot of air to it. It's basically an insult or challenge. Elk Bugle- much higher pitched than you'd expect from such a large animal. More so than a deer. It's an eerie, high pitched screech. They're basically broadcasting their location, looking for cows. Bulls will bugle back and forth, competing for attention. Elk chuckles and grunts- shorter versions of the bugle. Sounds kinda like monkey hoots. Elk Bark- alarmed or irritated. Sounds like a small dog's bark. Elk Chirps and mews- It reminds me of the curious sounds the dilophosaurus from Jurassic Park made. Or seagulls. They're just chatting.
What deer is he? Based on what I've observed, I don't think he was designed with any specific species in mind. I've seen others say his antler growth is most like elk, but I've found it inconsistent at best. Elk noises are used in the show, but that's because they make a distinct and eerie sound. More impressive than a deer's grunt or snort and wheeze. Personally, I think whitetail makes the most sense for him, since that's the species that would be most prevalent in Louisiana. While I'm basing him primarily off whitetail deer, he is a fictional deer-looking demon man, and doesn't have to perfectly resemble any single species of deer. His bright red color is clearly not realistic, for example. So I will incorporate some aspects of whitetail, mule deer, and elk, since those are the prevalent species in North America. I've given him a whitetail deer tail, but with the white swapped to black. That doesn't make him a blacktail deer, because that is supposedly a subspecies of Mule deer, and the tail does not look like what I am going for. Mule deer have proportionately large ears, and so does Alastor. Fans like to think they're soft and fluffy, but they aren't. I have felt deer hide, and it is NOT soft. I doubt it would be significantly different on live deer. Especially if it's anything like goats or cows(not even sheep are as soft as you'd expect). Deer ears are not positioned as low on the head as domestic livestock, but they aren't directly on top either. I wanted to maintain the upright position, because he didn't quite look right otherwise. I think I managed to get a decent balance. When he's particularly relaxed, his ears aren't as upright, but he rarely lets himself put his guard down like that. So it's basically just when he sleeps that they relax. His antler growth will vary based on a few different factors. When he is feeling confident and composed, the growth will be more typical to either of the three species. Whitetail or mule deer antlers will be more elegant, while elk antlers will be more intimidating due to the sheer size. But the more emotionally/mentally unhinged he gets(anger, fear, desperation, etc), the more nontypical his antlers will become. Which means there will be extra points in abnormal patterns. It's basically an indicator that he's not quite in control. He hates how it basically announces that, but very few people know that detail.
Anyway, here are a few references
--Life and Death-- For simplicity and easy math, I'm putting his birthday around 1900, give or take a year. He died 1933, which means he was around 32-34. Not very old, but not super young either. Lots of fans headcanon that he's biracial. Usually with a black Creole mom and white dad. His dad is often portrayed as abusive. Alastor is often thought to be fluent in French(Creole French). I want to propose an alternative. His mom is half-black half-white, his dad is white, and Alastor is consequently a quarter black. He is distinctly white-passing. He knows some Creole French, but is not fluent. I just think this could make for some interesting dynamics. Just to shake things up, his parents cared about each other and his dad wasn't abusive. But his father died in WW1, when Alastor was a teen. Instead, his uncle(father's brother) was racist and abusive towards them. Without his dad around to fend off the abuse, Alastor ended up killing his uncle in self defense and dumped the body in the woods/swamp/bayou. He had no remorse, and was rather enamored by the experience. Alastor always struggled with empathy. He was the type of kid to kill animals out of curiosity, and was fascinated by it. He felt more alive when watching the life fade from their eyes. His dad taught him to hunt, and he enjoyed the thrill of catching prey. A big part of hunting is understanding the prey's behavior and manipulating them. His parents taught him not to hurt other people, but after killing his uncle that went out the window. He justified it by "hunting" people he decided deserved it, in some twisted sense of vigilante justice. Really, he was just looking for an excuse. He primarily used guns(rifles for a clean kill, shotgun for efficiency, pistols "just in case" an unexpected opportunity presents itself) and knives for a real hands on experience. But in the end, if it got the job done, it could be used. He dabbled in magic and demonic deals while he was alive. He has a pop-culture-voodoo aesthetic, such as dolls that are connected to people and such. But I won't refer to it as voodoo, because I don't want to misrepresent actual voodoo. I will just call it shadow magic and be making up my own rules. More on it later. Radio was a comparatively mundane part of his life. It was his more relaxing pastime. He'd broadcast anything he liked. News, gossip, music, jokes, whatever. He could talk for hours, and his charisma was captivating to listeners. He did live shows too. An open mic was free game. While not aiming to be a musician, he was a decent pianist. He liked saxophone too. He preferred to dance though, and not many could keep up with him, even after some whiskey or rye. He died after being attacked by a rabid dog. He survived the attack, but contracted rabies, which there is no cure for. It attacks the central nervous system and fries the brain. Once symptoms appear, it's a death sentence. He went mad, and a fellow hunter put him out of his misery by shooting him in the head. He thinks it's an embarrassing way to die, so he's told a few alternate stories, sometimes with a grain of truth. He's amused by the gossip and speculation. Nobody knows the true story. These stories include the usual headcanons floating around. Let me explain why I don't like the usual death headcanons Mauled by hunting dogs- Hunting dogs are not supposed to kill the prey, just help the hunter find and catch them. A hunting dog that bites the prey might spoil the meat. To have a whole pack do that means those are horribly trained dogs. I don't buy it. Mistaken for a deer and shot by a hunter- Hunters should not shoot anything if they aren't certain of what it is. Otherwise they risk shooting something they don't have a permit for. At minimum, they should be checking to be sure they are aiming at a buck or a doe. To mistakenly kill a person is absurd. Also, to hit perfectly in the center of the forehead?? That had to have been intentional.
He started killing overlords partly because he could, and partly because they meet his criteria for "deserving it". He remained anonymous about it at first for a few reasons: 1. it was how he worked as a serial killer in life. 2. He enjoyed the thrill of the hunt and getting away without getting caught. 3. Watching everyone panic about the mysterious overlord killer while totally unaware it was him(seemingly unassuming) was amusing. Eventually, the novelty of anonymity wore off(partly because there weren't many consequences to getting caught like there would be in life) and he revealed himself as the mystery killer. Then he enjoyed the reputation and Overlord status. Eventually, being feared bored him too. So now he has to find some new games to play, which is where the Hazbin Hotel comes in.
--Fashion:1920s-30s-- Clothes: Men's outfits typically consisted of a shirt, waistcoat/vest, jacket, trousers with belt or suspenders, and potentially an overcoat if weather permits. If it was cold, I think he'd wear a black overcoat, to reference his earlier designs. I had to shorten the jacket a smidge, because they usually wouldn't be as long as in canon. Unless that's supposed to be his overcoat(in which case it shouldn't be so form fitting) The jacket lapels would generally be pretty wide. The pant legs would also be wide. Some of the pant styles could get rather absurd by todays standards. The basic idea was loose and boxy. The jacket, vest, and pants would be the same color if it could be afforded. But for the sake of visual interest, I've decided to ignore that. Neckties were more common than bowties. But that's more just an excuse for me to reduce the ridiculous number of bowties the show has. Belts were starting to become prevalent, especially in America. Since my research indicated that hunting clothes would use belts, never suspenders, I figured Alastor would favor belts. While hunting, he'd were a buffalo plaid shirt, a hunting cap, and some silly looking pants that were wide at the thighs, reinforcement around the seat and knees, and tight from the knee down, with either boots, gaiters(a shoe/calf cover to help keep clothes clean, similar to spats), or puttees(leg wraps that do the same thing, as well as provide support).
Monocles were used as a portable option for reading glasses, and not worn constantly. They were used to correct farsightedness, not nearsightedness. But they were fading in popularity, in part due to the association with prominent German leaders during WW1. Basically, I don't think the monocle suited Alastor.
Hair: I headcanon that his hair is actually fur. And as I said earlier, deer fur is not soft. It's pretty coarse and wiry. He probably sheds a lot too. His canon haircut is atrocious, so I had to fix it. The look of the time was short sides, long top, and slicked with styling wax. I've styled his hair in what I think would be the closest approximation to 1920s-30s fashion he could manage. Since it's fur, I don't think the wax would do a whole lot for him. He makes do with an approximation of a tousle top, which is basically minimal wax and slightly disheveled. Facial hair was not really in style in the 20s, due to the availability of razors. Cleanshaven was the ideal, especially in America. If a man did sport a mustache, it would be something neatly trimmed, like a pencil mustache. (I'm not totally sold on how I've done his hair in the below image. I may add some wave to it later. Also, don't mind his gun, I just didn't feel like drawing it properly.)
--Microphones-- I think Alastor would actually stay pretty up to date with a lot of things. But most people don't really realize it because he commits to his aesthetic. In regards to technology, if it has improved functionality, and fits his vintage style, he'll go for it. For microphones, he can summon whatever kind he wants. There are a variety of styles and types to choose from. I don't have any practical experience, but I did try to figure it out to a degree. There are three basic types he'd use, and they can look vintage just fine. Dynamic/moving coil: these are durable and less sensitive to background noise. It's the only one you can trust to survive a mic drop. Good for stage. Probably what he'd take out and about, because of the durability. Condenser: sensitive to sounds and capturing detail. Good for recording. Requires some extra equipment to prevent self-noise. Ribbon: Produces natural, smooth, warm sounds. Common in vintage mics. Probably Alastor's favorite, but they're fragile. Pop filters and wind guards help protect it from pressure changes.
--Color-- I tweaked the colors so he wasn't so overwhelmingly bright red. Overall just darkened his palette. His hair is a warmer shade of red than his suit. I also didn't think the green magic suited him. So his magic is more in the red to yellow range, because it matches his eyes and teeth(which glow, btw). Green will be an indication of either something poisoning his magic, or it's a borrowed power. I haven't fully committed to just one, and it might depend on what direction canon takes with his soul owner.
--Magic-- His stitching is an indicator that he's not really as composed as he seems. He's always a few threads away from tearing apart, but when he does he can always pull himself together again. He's in constant pain, but has also become so accustomed to it that he hardly notices anymore. I think he stitched his smile on himself. He wants to be smiling, and sewing it in place is how he can assure it never slips. It's part of his pseudo-voodoo aesthetic. Alastor was known to make overlords disappear, which shouldn't be possible without angelic weapons. But few people knew about angelic weapons before the show(himself included, I'm pretty sure). So I was left to ponder what he could have done to make victims disappear. I'm thinking the little shadow puppet gremlin creatures are the tattered remains of souls he's torn apart. I don't want to refer to them as voodoo dolls, so they will either be called variations of shadow puppets or gremlins. He usually offers fair deals, with or without a soul contract. Souls he owns--like Husk and Niffty--are added to his collection of minions, each minion has a gremlin that represents their contracts with him. But there are some that Alastor feels don't deserve fair treatment, so he tears those souls apart to broadcast their screams of eternal torment, then claims the remains of the tattered souls(whether he had a contract with them or not) and stitches them up into the shadow puppets. That way, they don't regenerate. Husk was lucky Alastor liked him, and offered a deal instead of just tearing him apart. Again, I don't want to misrepresent actual voodoo. So at most, it would be a corrupt version mixed with various pagan witchcrafts. It will just be referred to as either generic magic or shadow magic. If I need spooky symbols, I'll just make up my own. It will probably involve X shapes, to match his death mark. He became a powerful demon so quickly because he's clever, ruthless, and dabbled in magic in life, and was making demonic deals in life. Already having deals and practicing shadow magic gave him a significant boost once he died.
Some examples of his shadow puppet gremlins, plus his personal shadow buddy, which may or may not be the gremlin that represents himself:
--Wendigo-- No, I don't think he'd a wendigo. I personally don't think he was a cannibal while he was alive. He was a hunter who enjoyed the thrill of the hunt and liked venison(deer meat). The people he killed would be those he found disgusting, so I doubt he would have wanted to eat them even if he was so inclined. After death, he became venison himself, which can be perceived as cannibalism, I guess. He was cursed with insatiable hunger, which prompted him to branch out to more cannibalism from desperation. He still favors venison, which gets the closest to satisfying his hunger. Being dead has made him less concerned about cleanliness and hygiene, except when it affects the image he wants to portray. Then he became acquainted with Rosie, who was a cannibal in life. None of this makes him a wendigo. The concept of a man-eating monster or cannibalism isn't exactly unique, and I don't see a reason to apply that specific term to him. The original mythology of the wendigo does not include an antlered creature. I'm pretty sure that was more of a pop-culture addition during the 1900s. They're also more common further north where there are colder winters. Most descriptions say they are essentially ashen-skinned, emaciated-looking people(look at the game Until Dawn for a good example of that). Coincidentally more similar to the people of Cannibal Town. I doubt that was intentional, but the resemblance is still there. If any character was a wendigo, it would be Rosie. But I don't intend to explicitly make her one either.
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