#in my creative universe theres several different worlds i write stories in | Explore Tumblr posts and blogs

swordbreakerz · 5 years ago

Note

✨ for all of them, 🎥 for treasure planet and guardians of gahoole, 🍀 for 9-1-1 and penumbra, 📃 for unicorn chronicles, 🏳️‍🌈 for howls, treasure planet and legend of zelda, and 💎 for any ones you have facts for lol

you spoil me uwu

🎥 - ok for treasure planet, gotta be the 12 years later scene in the beginning and the zoom in to the spaceport, the way it transitions from jim reading under the blankets to him flying on his solar surfer is so chefs kiss, and just like. everything about to the spaceport lmao, fr guardians definitely the scene where soren flies through the fire and then blows up the pulley system to get rid of the flecks energy, bro when hes flying above it all holding the lantern before he dives down to save them? chills

🍀 - you know im on that projection shit w/ juno steel, ive truly never like connected with a character like that before and he’s really really helped me thru my recovery and transition lol, fr 911 uhhh ig buck or eddie? i havent Thought About It or like consumed it enough times yet to rly settle on someone but fr now,,, they

🏳️‍🌈 - ok for howls, Everyone Is Bi/Pan, howl is trans and autistic and i will die on that hill, fr treasure planet jim and cpt amelia are both trans and both of them + doppler are autistic, fr loz link is trans, autistic and semi nonverbal and communicates primarily with asl, post twilight princess zelda says fuck it and finds a way back into the twilight realm and she midna and link hang out, most of these boil down to everyone i love is trans gay and autistic because i say so lmaooo

📃 - OK SO. without like, spoiling too many plot points, our main character is cara and she lives with her grandmother. her mom is dead and dad is out of the picture. one day theyre getting chased by these people that her grandma knows and cara gets thrown into an alternate realm full of fantasy creatures using her grandmothers amulet. she meets a unicorn named lightfoot and a bunch of other rad people and basically, starts a journey to save that world from the Hunters. the Hunters are an organisation who specifically hate unicorns and want them all dead, led by Beloved, and cara and her friends have to try and stop them from entering the world and wiping them out. its sooo so so good and i highly recommend it cause i have no one to talk to about it please god

✨ - oh boy uh, well. im just gonna like list them out lmao

unicorn chronicles: i loved unicorns as a kid and read it when i was in elementary school, and over the years its remained just as compelling and well written as i remember and like. god the whole concept is so godamn cool and all the subplots that get introduced are fuckign fantastic and like all the different creatures are amazing i literally cant sing its praises enough

howls moving castle: must i have a logical reason? is it not to vicariously live my fantasy of running away to the countryside with a wizard boyfriend, his demon and his apprentice?? for real though, its such a fantastic story with beautiful visuals in the movie and wonderfully compelling prose in the book, and esp in the movie the whole time travel subplot with sophie seeing howl and calcifer in the past and then howl finding her in the future makes me go feral

penumbra: gays in space. need i say more? im a huge slut for gay found family and especially in futuristic space, and im a huge big fan of the lgbt utopia its created. like yeah capitalism sucks but at least im not gonne get misgendered in space starbucks, u kno? all the writing and dialogue is so incredible and the SOUND DESIGN GOD, alex i know u specifically can relate when i say i would kill a man for sophie and her incredible sound design skills, like dude the dance scene in man in glass p2 you can hear every single individual step they take and every swish of junos dress and i jusT !!!!!!!!!!!!!!! god its so good, plus the whole the characters help me work through my trauma and repressed anger haha

911: this one is entirely your fault. so obligatory horny on main everyone on that show is so hot i want oliver stark to cradle me gently in his beefy arms oh my god. other than Men, the way it drives home the whole ‘you can’t save everyone, and it will kill you to try, so just focus on what you can do and keep living’ makes me so emo. the way it tackles big bureaucratic issues as well as closer to home interpersonal ones is amazing and i love how it shows people going through and dealing realistically with trauma.

treasure planet: again, who doesnt want to live in Cool Steampunk Space Travel Future? i really really love jims story and his arc, the way he deals with his trauma is uhh very familiar lol and his relationship with silver is like the ideal. the story is just the coolest concept and i love all the wonderful character design and animation, plus the soundtrack SLAPS and everything is beautiful

legend of zelda: ive been associated with this series from a very young age due to my name and as soon as i gave into my fate and looked it up for real i just kinda fell into it lol. i cant really tell you exactly what draws me to it besides ‘wow fun game!’ and ‘god i wish that were me,’ but like the absurd amount of detail thats put into each installment and the creative ways they retell essentially the same/similar story over and over is incredible

guardians of gahoole: so i had the same experience with this and treasure planet which is i remembered ‘oh hey this is a movie that exists and i cant clearly remember watching it, ill look it up :)’ and then it consumed my life for a solid 3 months. firstly this movie is absolutely gorgeous, the animation and framing is fucking stunning and the way they handled owls talking like people as far as the movement of their very inflexible beaks was amazing. it sort of has the same draw for me as warrior cats? secret animal society ft incredibly traumatic experiences and the characters dealing with it. like, the whole concept is just so fuckign wild and it works so well, i rly enjoy this niche genre.

💎 - alright trivia time, so guardians of gahoole is based on a book series and the movie only covers part of the first arc i think idk, BUT theres another series set in the same universe called wolves of the beyond that i devoured when i was younger! i didnt know they were connected for the longest time and when i found out i was :000, i still rly love wolves of the beyond and wanna reread it, as well as read the actual gahoole books. in the howls books, sophie is a redhead! also, markl is named michael and like a fully functioning young adult who ends up marrying one of sophies sisters. treasure planet is, obviously, based off treasure island but its so much better than the book dont bother reading it lol i tried and it was boring. there was plans for a treasure planet sequel that was fully scripted and cast but it was cancelled cause disney sabotaged treasure planet from the start with the shitty release and advertising and tldr we were ROBBED, also amelias concept was much more octopus like and while that wldve been rad im p glad she was switched to a cat for. several reasons lol. uhh i dont have a lot of Fun Facts abt the unicorn chronicles but for the longest time i thought there were only 3 books and then last year i found the fourth book by chance in a kitsch store and nearly had a breakdown i was so happy, like full on i started shaking and crying cause there was so much joy in my body i cldnt contain it.

thats all i can think of tysm ily, to anyone who read all of this bless u please watch guardians of gahoole and read the unicorn chronicles i will love u forever

#IM LOVE U #friendos #alex #and z answers #astrallouis

2 notes · View notes

salfordiansiren · 5 years ago

Text

Interview Questions for Ren Harvieu, God is in the TV ‘In Conversation with…’article

We do like to ask some ‘off-the-wall’ questions, also some slightly tongue-in-cheek and left-field ones not connected to the music business at all. There are also a few multiple questions and I’ve mixed them up a bit so that the subjects keep changing. Many of them are open-ended, giving you the opportunity to be as verbose as you wish. Please ignore any question you do not wish to answer.

Hi Lauren, my name is David Bentley, I write for a UK-based e-zine God is in the TV (GIITTV).

The objective of this interview, which will be published in GIITTV within a week of receiving your responses, is to introduce you to a new audience in the UK and abroad and to promote your forth on ming album.

The interview will also feature some embedded videos and/or audio unless you ask us not to do that.

There will be an ‘introduction’ to the interview but that will be written after its completion.

Thanks for agreeing to take part.

So, here we go…

Hi Lauren, thanks for joining us today. How are you?

I’m in a great mood today thanks. I had foot surgery last week and so I cant leave the house or really move for 6 weeks but I feel strangely calm about the whole thing, I dont mind bein

For the benefit of readers who may not be familiar with you, how would you describe yourself as an artist, in a paragraph?

You have released two singles, ‘Teenage Mascara’ and just now ‘Yes, Please’ from your second album, ‘Revel in the Drama’ which is scheduled for next April and the first one was well received by broadcasting ‘tastemakers’. How does the album differ from the first one, ‘Through the Night?’

The difference between Revel In The Drama and Through The Night is that this is a much more personal album. I spent the last couple of years honing my songwriting craft and these lyrics have come straight from my gothic salfordian brain. Its darker, more intense, stranger but still has the beauty of Through The Night. I think both albums sit nicely together.

Since 2015 you’ve been co-writing with Romeo Stodart of the Magic Numbers and he appeared on stage with you at your recent concerts. Will that relationship continue? Do you prefer to control the songwriting process yourself, or are you content to work with other music or lyric writer(s) into the future? If the latter, who has the final say?

I’ll keep writing with romeo till I die if he wants to. He’s the best of the best, and he understands me. I never really felt understood as an artist till I met him. I feel so comfortable in his presence that I let it allllll out, not just the versions of me t

You signed with Universal, a huge corporation, as a 17-year old. Is that too young, or are there any benefits in being ‘bloodied’ in the industry at such a tender age?

I think I was too young, although Universal were great that wasn’t the problem. But there was a lot going on behind the scenes that I was dealing with. I wasn’t a show biz kid from a showbiz family and I had real problems that seemed bigger than singing about about being dumped by some boy. I felt too young and overwhelmed but also too streetwise and smart for it all. It was a confusing time.

They say that everything happens for a reason. In 2011 you suffered a life-changing event, just as your debut album was about to be released, and one which set you back several years. Eight years on do you think the dreadful accident in which you broke your back has had any positive repercussions?

I think there had been positive repercussions,I dont think I would have started writing if it wasn’t for the accident. I dont

What attracted you to signing with Bella Union for your new album?

Well

Do you have any role models in the music business? A hero or heroine? Anyone you would enjoy being “mentioned in the same breath” with? (Dusty Springfield comes to mind, also perhaps Shirley Bassey).

I really admire Fiona apple because she does whatever the hell she wants. And her records are stunning, unique and completely un compromising.

You are compared occasionally with Elkie Brooks (I’ve done it myself!), a different kind of singer perhaps but a highly respected one who hails from the same city, and even the same suburb as you. And she’s still performing, in her seventies. Is there anything you feel you can learn from her and, indeed, are you ever in contact with her?

I dont know Elkie personally but I love her shes a legend. Rising Cost Of Love is my jam!

You left Salford and relocated to London a while ago. Do you miss it? How did the move impact on your creativity?

I really miss the north, everything about it but I needed to leave because I was really sad and I knew if i didnt do something soon I was going to slip down the back alleyof my mind and maybe disappear forever. I have memories on every street, bus stops make me emotional. Corner shops where me and my friend would try and get booze in our school, theres just memories everywhere and I needed a clean break. To create some distance so I could write about it

When you’re writing, how do most of your songs start life? A piano part? A chord? A melody? Does inspiration simply come, or do you have to seek it?

I feel inspired everyday by everything. When writing a song I like to visualise it, like a film, frame by frame. Sometimes I move around, dance, put on voices. Romeo will play something off the cuff that’s so beautiful that I’ll just start shouting and laughing and hugging him. Its the closest I get to spirituality. Writing wise, I want the narrative to have as much depth as possible, I want to feel something and I feel it is my duty to give the emotion and the stories the respect they deserve. I take it very seriously.

Do you see yourself as a live artist, or a recording artist, or both?

I see myself as both. I get to appease the introvert in me by being in the studio and attend to the outrovert by playing live.

How would you personally measure ‘success’? By ‘breaking’ America? Or something more modest?

Success to me would mean I get to create and perform music for all time and make a living on it. Success to me would mean that people are touched and moved by my music. I would love to be a voice to someone that can comfort them, just as say Rufus Wainwirght was to me when I was a depressed 14 year old. I’m not doing this just to stroke my own fragile ego, I genuinely want to reach o

When I saw your show at the Deaf Institute in Manchester recently, in one song (I think it was ‘Cruel Disguise’), you reached and sustained a note that convinced me and those in my company that you could probably tackle opera singing. Do you have any ambitions to perform in that or any other genre?

I would love to learn opera. I think

Back in 2012, while you were recovering, you performed several James Bond film theme tunes with the BBC Philharmonic Orchestra, including ‘You only live twice’ and ‘Nobody does it better’, both of which arguably could be applied to you. Do you picture yourself as a ‘Bond girl’ in the sense of recording the theme to a future movie, or do you even have any acting ambitions to actually play such a role? After all, the new album is constructed so that you can “revel in the drama of my life” as you say. (Incidentally, a female friend of mine – also from Salford – commented that you look like a 1950s Hollywood movie star).

Tell your friend I said thanks a lot! I would love to sing a Bond theme, I feel like it could happe

Acting wise I’m open to it, why not?

I saw one of your Christmas Special shows at the Soup Kitchen in Manchester in 2015. During the show you told a story about how a school choirmaster prevented you joining a musical assembly on four occasions for no better reason than that there was something about you that he didn’t like. Your rejoinder to that was “Well, fuck him” and of course you soon went on to release demos on MySpace which were picked up by a local manager and sent on to Amy Winehouse’s producer. The rest is history. A new song, ‘Little Raven’ was written cathartically as one to your younger self when you had no label and didn’t know if it would ever be recorded. What advice would you give to young people who find doors being slammed in their face as that schoolmaster did to you?

If anyone is picking you, school teachers, other kids, parents, anyone i would say to

If schoolmasters are singling you out and picking on you, its probably because your different and they cant stand

What touring plans do you have to support the release of the new album?

We are organising a tour right now around the UK, quite a big one its really exciting. I also cant wait to tour outside of England, I’ve never done that.

If you weren’t a musician what would you be? Do you ever aspire to being ‘something else’ entirely (model, politician, footballer, train driver…?!)

I think I’d try and be a fiction writer. I love books and stories and characters. I heard Donna Tartt say something life ‘as much fun as it is to read a book, writing one is one level deeper’ There’s something about losing myself into another world entirely that really appeals to me.

The environment. Whose viewpoint are you closest to? Donald Trump or Greta Thunberg?

Greta or course.

United or City?

United

Coronation Street or EastEnders?

Corrie

Thanks again and good luck with the album and your future career.

1 note · View note

so-shiny-so-chrome · 6 years ago

Text

Witness: Supergirrl

Creator name (AO3): supergirrl

Creator name (Tumblr): le-temps-viendra36

Link to creator works: https://archiveofourown.org/series/343042

Q: Why the Mad Max Fandom?

A: I’ve never seen the original three movies, so I went into Fury Road having no idea what I was about to watch, and it changed my life. I’d never seen a movie that looked or felt like Fury Road, and it blew my mind. What inspired me to write fanfiction for the movie were the women, especially the sisters. I had never seen survivors of sexual assault/domestic violence portrayed in that way, and it made me want to write about them.

Q: What do you think are some defining aspects of your work? Do you have a style? Recurrent themes?

A: I think the defining aspects and recurrent themes of my work are feminism and magical realism/mythical steampunk, and the intersection of those different ideas. Those ideas are all present in Fury Road, I try to delve into them more and expand them beyond the scope of the film.

Q: Which of your works was the most fun to create? The most difficult? Which is your most popular? Most successful? Your favourite overall?

A: I don’t know if I can pick a favorite work or one that was most fun, because they’ve all been really rewarding in different ways, but the most difficult one was definitely the Furiosa chapter of Our Words. It took almost two years to write because I really struggled with getting inside Furiosa’s head. Even though I enjoy her a lot as a character, I don’t relate to her the way I do to the sisters. Although they’re all victims of Joe, they occupy very different roles in his regime, with Furiosa occupying a more conventionally ‘masculine’ role as an imperator and the sisters occupying the ‘feminine’ role of breeders/wives, thought they ultimately use their different positions within Joe’s patriarchal hierarchy to overthrow and kill him. As a more conventionally ‘feminine’ person, I relate to them more strongly than I do to Furiosa.

Q: How do you like your wasteland? Gritty? Hopeful? Campy? Soft? Why?How do you like your wasteland? Gritty? Hopeful? Campy? Soft? Why?

A: I think my wasteland is a blend of gritty, soft, and hopeful, but I focus on the hopefulness the most. For me, the wasteland represents our current world and my own mental health/life, and I have to believe that we can make things better (as they ultimately do in the movie).

Q: Walk us through your creative process from idea to finished product. What's your prefered environment for creating? How do you get through rough patches?

A: I either write things in one intense late night writing fest, or in bits and pieces over time. I only write when I’m alone, and I like to either have instrumental music playing or silence.

Q: What (if any) music do you listen to for help getting those creative juices flowing?

A: I have a huuuuge long playlist of music that goes with/inspired each part of Words, composed mainly of film and TV scores, that I listen to whenever I write.

Q: What is your biggest challenge as a creator?

A: Finding the time/energy to actually write my fics down. I think about them all the time throughout the day, I am just really bad at actually physically typing them.

Q: How have you grown as a creator through your participation in the Mad Max Fandom? How has your work changed? Have you learned anything about yourself?

A: I think my work has gotten weirder and more magical/mythical, because I’ve been inspired by the inherently weird, quasi-magical world of Fury Road, and writing Fury Road fic has helped me work through my own experiences as an SA survivor.

Q: Which character do you relate to the most, and how does that affect your approach to that character? Is someone else your favourite to portray? How has your understanding of these characters grown through portraying them?

A: I relate to all five of the sisters in different ways, but especially to Toast. Overall it makes writing her (and Angharad and Cheedo, who I also relate to very strongly) easy and fun. I think I’ve come to see that their different archetypes aren’t mutually exclusive-in their own ways, they’re all knowing and fragile and capable, and so on.

Q: Do you ever self-insert, even accidentally?

A: Yes, I definitely project some of my own thoughts and experiences onto the Sisters, especially with regards to their being survivors of sexual assault. But I think that it’s impossible to completely remove yourself from your writing/characters.

Q: Do you have any favourite relationships to portray? What interests you about them?

A: So many! I really love the relationships of the five sisters, with each other in particular but also other characters, like Furiosa, Max, and Nux. I think their unique personalities, their strong bonds with each other, and their dynamic is endlessly fascinating.

Q: How does your work for the fandom change how you look at the source material?

A: I definitely pay closer attention to minor details, like how the characters’ clothing changes throughout the movie, and what characters are doing in the background, because it’s such a detailed world and there’s a lot you can pick up on in those little things.

Q: Do you prefer to create in one defined chronology or do your works stand alone? Why or why not?

A: My series Words consists of several multi-chapter fics and oneshots that all exist in the same chronology, but I also have some oneshots that stand alone. Overall I prefer to write in the Words universe because it feels more real and detailed to me.

Q: To break or not to break canon? Why?

A: I break canon all the time and I think it’s generally a good thing. For me, I’m usually doing it because I want to tell a story that fits into the broader themes of Fury Road without necessarily aligning with all the specific facts of the film.

Q: Share some headcanons.

A: I have so many! Most are in my fics, but one that I’ve never had the chance to incorporate into my writing is that Miss Giddy used stolen War Boy paint to write the words left in the Vault for Joe to find.

Q: What are some works by other creators inside and outside of the fandom that have influenced your work?

A: Within the fandom, @jaesauce’s modern AUs have definitely influenced how I write Toast and Capable, both as individuals and in the context of their relationship with each other and with Slit and Nux respectively. Outside the fandom, I’ve been really strongly influenced by Jo Graham’s Numinous World series, with its themes of magic, the divine, and social justice.

Q: What advice can you give someone who is struggling to make their own works more interesting, compelling, cohesive, etc.?

A: It sounds a little trite, but in my mind, ultimately fanfiction is for yourself. If other people like it, then great, but that isn’t my purpose in writing it. So I write what I find interesting and compelling, and sometimes other people are interested and sometimes they aren’t, but it’s okay either way. As for maintaining internal cohesion, I find it helpful to re-read what I’ve previously written to make sure I haven’t forgotten anything.

Q: Have you visited or do you plan to visit Australia, Wasteland Weekend, or other Mad Max place?

A: I have not yet, I would like to visit Australia someday, and I think the Wasteland Weekend would be really fun to attend one year.

Q: Tell us about a current WIP or planned project.

A: Right now I’m just working on Knowing, the last fic planned in the Words universe, set from Toast’s POV. I’ve got it all worked out in my head, I just need to get it on the page!

Thank you @le-temps-viendra36

#Mad Max Fandom Spotlight #Mad Max Fandom Creator Spotlight #mad max fanfic #mad max fandom #fury road fandom #fury road fanfic #mad max fanfic author spotlight

14 notes · View notes

nicogayngelo · 6 years ago

Note

📚 🎬👀

📚: top five books and why?

oof. this is gonna be rough. its gonna be a lot of ya bc i havent gotten back into recreational reading since i graduated university.

1. hp series. i have to start with this because it honestly made me the reader i am (or at least used to be) and really influenced the way i not only viewed the world but the values i hold, if that makes sense

2. the book thief. not only is the story and plot so beautiful and unique (i’m sorry death being the narrator is such a genius fucking move) but the prose? thats the kind of prose that just speaks to my soul and is the kind of writing i dream about.

3. scorpio races. along with the book thief, the prose in this novel is just...so gorgeous? theres just something that really speaks to me in this book and in its magical realism? maggie stiefvater actually signed my book and added a lil doodle and i promptly went into my car and bawled. i love this book.

4. gone girl. god what a book?? i dont usually read thrillers but this book is so brilliant and smart and d a r k? its everything i didnt realize i would love and really opened me up to a new genre that i would have never read or gotten into.

5. oh im gonna put the archived as my last. i thought this was such a creative and wonderful lil series. victoria schawb is a fantastic writer and there is such a unique and special world she created in those books and i need to reread it tbh.

🎬: top five movies and why?

lol this is gonna be hard bc i just...dont watch movies?

1. dumplin. so this is up there because i just watched it and i bawled at several parts. it was such a sweet film, it was beautiful from start to finish and it just made me feel so soft and loved.

2. monsters inc/lilo & stitch. im putting both these up because theyre both my favorite feel good movies. i love them each for different reasons but both make me cry and i have them almost memorized ??

3. 13 going on 30. i am not sure why but this is the movie in my house. my mom loves it, my siblings all love it, and i love it. it makes me cry, it makes me laugh. i love a good rom com with a kick ass soundtrack that i did not appreciate as much as i should have. i think of the line “it’s not like i need a play by play” at least three times a week.

4. a cinderella story. this movie is literally iconic and one of my childhood favorites. its sweet, its sappy, its smart, its quotable. i cry at the same parts every single time and again, its one i have memorized. what can i say, im a creature of habit.

5. titanic. a classic but man do i love this film so much. i watched it in like 4th grade (lol) and its just stuck with me all these years. i dont watch it nearly enough but when i do...im a wreck.

👀: whats something youre really looking forward to?

my birthday in 11 days!!!!

send me an emoji?

#omg this took way longer than i meant it to #ghostsagainststardust #answered

3 notes · View notes

g33khq · 7 years ago

Text

New Post has been published on G33k-HQ

New Post has been published on http://www.g33k-hq.com/culture/artist-spotlight-sara-woolley/

Artist Spotlight: Sara Woolley

BODYMOD: Are you woman enough to survive Bitch Planet?

Imagine a world where women are subject to punishment for being “non-compliant” and sent away to prison, literally on another planet! That is the premise of the smash hit Sci-fi series “Bitch Planet.” In this dystopian universe, when women are seen as being defiant and resistant they are sent to The Auxiliary Compliance Outpost, aka “Bitch Planet.”

Bitch Planet

I recently started reading the Image Comics series (Bitch Planet by Kelly Sue DeConnick & Valentine De Landro) after first being introduced to Triple Feature issue #4 (contains 3 short stories in one book!) The short stories coexist in the Bitch Planet universe and you can read them without reading the bitch planet series and vice versa. However, it captivated my attention so I am now reading the initial BP series! Check them out Here:

I’m going to focus on one of the mini stories from Triple Feature Issue #4: Body Mod written and illustrated by the super talented Sarah Woolley.

This original story is a perfect demonstration of an extreme sci-fi extension of today’s society.

Body Mod: Written and illustrated by: Sara Woolley

Triple Feature #4

Bitch Planet Triple Feature #4

RATED M

BodyMod is a sci-fi world where plastic surgery is a norm and done to the max. So extreme that there is literally a Build a Babe! Can you imagine, modifying bodies as a part of everyday life.

This mini story presents some touchy subject matter, heavy themes and can relate to society today, which is pretty disturbing. I think it’s alarming thinking of this world as a reality and potentially something that could be likely in the future when our youth is so heavily influenced by what’s trending in pop culture, social media, and “enhanced beauty”. Today’s beauty standards are already disturbing, and Body Mod demonstrates a perfect exaggeration of today’s society with a sci.-fi twist.

Here Sara takes us into the deranged world of BODY MOD.

1. How did you first get involved with the Bitch Planet series?

I met Kelly Sue DeConnick at Heroescon in Charlotte NC, 2 years ago. She not only took the time to check out my work, but wrote to me after the fact to let me know she liked it so much she had passed Los Pirineos all around the Milkfed Criminals office. I love work so needless to say I was totally floored. It was really very cool of her. I sent her the 9th of april when it came out the next year and maybe a few months later we saw each other at ECCC in Seattle. She was looking for contributors for the anthology, and asked if I would be interested. HELL YES!

2. Congrats, as this is your first independent comic that you have both written and illustrated! How did you go about the process of accomplishing this?

When Kelly Sue asked if I wanted to be in the anthology she said “You do it all, right? Write and Draw?” I said yes… and then panicked a little inside. This story is my first professionally published solo work. Up to this point I have always written with collaborators, for example the Los Pirineos Books which I coauthor with my mother.

3. Any issues, you faced or did you have the creative freedom to do you what you wanted with the story?

I definitely had a lot of freedom on Bodymod. Kelly Sue and the managing editor at Milkfed Criminals whom I worked with primarily, Lauren Sankovitch guided me through the pitching and writing process, but they gave me the space and encouragement to come up with and to pursue my own vision. They had me come up with several different story ideas that would make sense in the context of the Bitch Planet Universe – but made me limit myself to very rough, brief ideas. So I was able to really be broad about the story generation process without investing too much time into it. My biggest issue was figuring out how to tell the story I wanted to in 8 pages. I still feel like there was a 24 pages comic in there somewhere… but I tend to be long winded. I learned a ton from Lauren and Kelly Sue working on this project.

4. You typically write children’s books, did you find it difficult working on this storyline, and how did it feel crossing over to more mature themes?

I felt absolutely fine with it. I’m not a child, and I the work I generally read is not aimed at children. To be honest, it actually felt very freeing. However, the different content definitely confuses some people. I’ve had fans of my previous books get a bit freaked out when they find out this is also my work. I’ve been told that it doesn’t look like my work and seems like another artist did it. I definitely don’t agree with that, but I can see where they are coming from. I hate the idea of having to be pigeonholed into one genre of stories and one way of making art. So… I’m just not allowing that to happen.

5. How did you come up with the premise for Bodymod?

The premise behind all the stories I came up with for the anthology came from the experiences of just being a woman navigating daily life. The premise behind Bodymod in particular comes from my feelings around the social pressures that are omnipresent in our lives every day asking that we conform to an idealized and unrealistic concept of feminine beauty. Growing up I had my own struggles with body image. I’m 5’10 and just under 200 lbs, and I’ve been this size since High School. Lets just say the 90’s were not kind to thick girls, and being strong was not thought of as sexy. The anger and sarcasm present in the story is the current me, who feels great about who I am and what I look like, telling the world world just how little a fuck I give about fitting into a role and size I was never going to be anyway. (steps off soapbox.)

6. Although its sci fi, this subject matter touches some heavy themes pertaining to real life. How do some of the themes in the comic tie into issues our society faces today?

The whole premise of Bodymod comes from the idea of redesigning your body to be beautiful to the point of discomfort, in the story its taken to an extreme because the Bitch Planet, sci fi world allowed me to really push it. However its important to understand that the cultural norms that Julie and Monica are assimilating to are not Sci Fi. Whats the difference between lotus feet, stilettos that can only be worn in bed, or feet surgically altered to become mermaid fins? Yes in my story the women essentially turn themselves into helpless pets, but all of them sexualize fettered women.

There’s a spread on pages 2-3 where Julie is on a bus and you see background advertisements behind her. I had intended to make up some really jarringly misogynistic ones… until I looked them up. There is NOTHING I could come up with that was worse than reality. ALL the ads on the page, including the magazine cover, are real. I never stop hating this one ever time I see it:

7. Who has had the biggest influence on you in or outside of the comics industry, and how did they affect your life?

Ok now THATS hard. I would say my mom has probably had the biggest influence on me, but I’m not sure if that is really what you meant. She’s a feminist and raised me to be one too. I wore overalls and did science experiments and was encouraged to be messy and do whatever I wanted to do better than the boys. I am really very lucky. She is a role model for me, but she’s also my inspiration, my writing partner and my biggest fan�� which since we work on her memoir together maybe that also makes her, her own biggest fan? hmmm…

8. What’s the most important “big idea” that you’ve learned in life – in or out of comics – and why is it important?

I’ve learned by watching the amazing comics pros that I am proud to call my friends that you must work hard, and I mean REALLY hard, to make comics. That sounds obvious but its not. There are a lot good creators out there who make very little work and just peter out. But the truly brilliant ones work incessantly and when asked how they do it, discipline and tenacity is usually the common denominator. I know an artist who told me he videos his comics commissions so he can see later where he is loosing time on them by “just fucking around”. I know another who every time she is asked for advice says “Draw whether you are sick or well. Draw whether to feel like it or not.” Now, I’m not saying I’m like that, but I aspire to be.

Also what else can we look forward to from you in the near future?

I’m currently working on the next Los Pirineos book to follow up last year’s release of The 9th of April.

So hopefully by next year’s MOCCA I’ll have that one in hand. FINGERS CROSSED. I also have a book of watercolor sketch painting I did while traveling in Thailand for a month this winter. I’m still trying to figure out the format of it. Its a mixture of painting people and places on location… and all my meals! I’m obsessed with food and theres no explaining just how good the food in Thailand is, so I painted it all to help mark it in my memory forever. I might try including photos and recipes too… not sure yet.

To see more of Sara’s work visit: http://www.sarawoolley.com/ @saritajeanine

MOCCA ARTS FESTIVAL

Also catch Sara at Mocca Fest this Saturday & Sunday table A106

Society Of Illustrators

https://www.societyillustrators.org

http://www.sarawoolley.com/

https://imagecomics.com/comics/series/bitch-planet

#artist #bitch planet #body mod #comics #dystopia #Image Comics #indie comics #Kelly Sue DeConnick #mocca arts festival #mocca fest #sara woolley #sci-fi #society of illustrators #triple feature #valentine de landro

0 notes

trendingnewsb · 7 years ago

Text

Issa Rae: ‘So much of the media presents blackness as fierce and flawless. Im not’

The creator of Insecure talks the dating totem pole, films obsession with slavery and the gender-race pay gap as season two begins

I dont want the stench of the current administration on this show, says Issa Rae. I dont want people to look back and be like: Oh, this was a Trump show. I want them to look back and say Insecure was an Obama show. Because it is: Obama enabled this show. The sharp, pithy, Los Angeles-set comedy, dubbed by US fashion and beauty site the Cut as the black, millennial Sex and The City, which Rae co-created, writes and stars in, first aired on HBO last autumn, exactly a month before the US election. Culturally, Obama made blackness so present, and so appreciated; people felt seen and heard; it influenced the arts, and it absolutely influenced how I see blackness, how I appreciate it, says the 32-year-old Rae. When a black president is a norm, it enables us to be, too.

Being a norm is a matter of some import to the actor and writer, who in spite of her personal allegiances had no desire to make an overtly political show. She never wanted Insecure to be, as she says with a generous eye-roll, a story about the struggle or the dramatic burdens of being black. At the heart of the series is the relationship between her on-screen iteration also named Issa, who works for an educational nonprofit called We Got Yall and raps soliloquies to herself in the mirror and her best friend Molly (Yvonne Orji), a high-flying corporate lawyer. Together, they navigate the professional and personal challenges of late-20s urban life.

I just wanted to see my friends and I reflected on television, in the same way that white people are allowed, and which nobody questions, continues Rae. Nobody watches Divorce [a HBO stablemate, starring Sarah Jessica Parker] and asks: What is the political element, what is the racial element driving this?

youtube

Watch the trailer for season two of Insecure.

But so rare is it to see what its creator describes as a show about regular black people being basic in contemporary entertainment Insecure has nonetheless been hailed as revolutionary. It wasnt always so. Growing up, Rae was an avid fan of the predominantly black US sitcoms Moesha, Girlfriends and A Different World. Then they disappeared, she says of the film and television landscape. Somewhere along the way, being white became seen as relatable, and you started to see people of colour only reflected as stereotypes or specific archetypes. So much of the media now presents blackness as being cool, or able to dance, or fierce and flawless, or just out of control; Im not any of those things.

It is a hot and swampy summer afternoon in Manhattan, and Rae is in town doing the requisite rounds of late-night talkshow appearances ahead of Insecures season two premiere. On arrival, she seems a little lethargic entirely understandable, given her promotional schedule. But once seated in a buzzy restaurant, specifically chosen because its the sort of spot that the on-screen Issa and her girlfriends would patronise, Rae immediately perks up, emanating charismatic good humour.

Born in an affluent suburb of Los Angeles, Rae real name Jo-Issa Rae Diop is the third of five children, her father a Senegalese doctor, her mother a teacher from Louisiana. The rapid rise in gang violence in the city prompted Raes parents to move the family to Senegals capital, Dakar, when Rae was five years old. Her father tried to open a hospital there but things didnt work out and, three years later, they came back to the US, but to Potomac, Maryland, on the east coast, where Rae attended a predominantly white private school. When the family moved once again, this time back to LA, Rae entered a largely black and Latino school. Everybody thought I was lame and hated me, she says, matter-of-factly. It was a huge culture shock.

Part of the on-screen Issas insecurity of feeling not black enough for black people and not white enough for white people is, Rae says, something that I have been called out for by kids in my life. Ive experienced a real sense of feeling out of place. But with admirable chutzpah, she found a creative solution: I wrote a play and cast all of my bullies, and they loved it. They thought I was cool after that. She pauses, and gives a wry smile. Well, cool is a strong word. But I wasnt on their shit-list any more.

Big society … Raes character with co-worker Frieda (Lisa Joyce). Photograph: Justina Mintz/HBO

While studying at Stanford University, Rae began to notice that many of the television shows she loved, including Curb Your Enthusiasm and Seinfeld, were all-white comedies. Of course, sense of humour is relative, is subjective, but there is an assumption that black people wont find certain things about white comedies funny, she says. I got really frustrated and just wanted to start making my own stories. She conceived and directed Dorm Diaries, a mock reality show with an all-black cast, in the style of MTVs The Real World. When she posted it to Facebook, it quickly circulated, and Rae realised that she had a talent for portraying everyday black life; she has called it my epiphany moment. A few years later, she created what would be her breakthrough web series and the forerunner to Insecure, The Misadventures of Awkward Black Girl.

A web show is one thing, of course, a mainstream television show on a high-profile cable network quite another. I ask her about the sociologist and civil rights activist WEB Duboiss concept of double consciousness, which she has referenced in the past, defined as the psychological challenge of always looking at ones self through the eyes of a white society. Does she feel that even more sharply now than before?

Absolutely. I didnt create this show for white people, I didnt create it for men; I created it, really, for my friends and family, and for their specific sense of humour, she nods. But now that we know we have an audience including HBO executives the double consciousness comes into play, because youre always wondering: How do they see what I am writing? Are they laughing at this specific joke for this particular reason? When season one aired, I had Asian women coming up to me on the street, saying: Oh my gosh, this reminds me of me and my best friend, she recalls. And thats wonderful thats what you want for a show but you are always wondering: What elements do they relate to the most?

I suggest that in future she stops fans and asks for further, more detailed feedback. She throws her head back and laughs. Yes. Excuse me, but why do you like the show? Tell me right now, please.

Boyfriend material … Jay Ellis as Lawrence in Insecure. Photograph: Justina Mintz/HBO

While Insecure may be only inadvertently political, this second season is noticeably more charged with social commentary, and examples of everyday discrimination. Through Molly, the show explores the gender pay gap, with an added issue to unpick: is she being paid less because of her gender, or her ethnicity, or both? These are questions that we constantly have to ask ourselves, as minorities, or double minorities, or triple minorities, nods Rae. In terms of the intersectionality of it all, you are constantly asking yourself: Which part of me is being discriminated against? Which part of me is being targeted? If not all parts of me.

The often-dispiriting experience of modern dating features prominently, too. At the start of this series, Issa has recently broken up from her long-term boyfriend, Lawrence (Jay Ellis), and thrown herself into the choppy waters of Tinder, Bumble and Hinge. Dating in todays digitally enabled world is rough enough but there is, Rae believes, an added dimension for her characters. Black women are at the bottom of the desire chain, of the dating totem pole; were not the trophies, she says.

In rap culture, especially, theres always an idea that once you achieve an amount of success, your trophy is the white girl on your arm. However, she asserts, thats not limited to hip-hop. Its not scientifically proven, but theres evidence, in dating apps for example, that were the last to be chosen, the least desirable. The theory is also explored in Aziz Ansaris Netflix show Master of None, which includes a scene in which one of his dates, a black woman, tells him: Compared to my white friends, I get way less activity [on app dating sites]. I also find that I rarely match with guys outside of my race.

Lawrence, meanwhile, is also experiencing discrimination, albeit in a different form. In one scene spoiler alert! he is picked up by two non-black girls at a grocery store, who lure him to their apartment, where they proceed to seduce him. Their fetishisation of his blackness has echoes of Get Out, Jordan Peeles racism-thriller which triumphed at the box office earlier this year.

That was based on a real-life situation that one of our writers shared, says Rae of the uncomfortable tryst. It didnt end well, which had nothing to do with his blackness, but we thought: How can we make this story apply to fit our show? Every show can have a threesome story gone awry, but how can we make it unique for Insecure?

Off the clock … Rae in New York last month. Photograph: Amy Sussman/Invision/AP

There is a show-within-the-show too, an antebellum-era television drama that several of Insecures characters are glued to. Last year, our show-within-a-show was Conjugal Visits, which was a comment on the trash TV that consumes us all. Setting it in a prison a system which, in this country, incarcerates mainly black and Latino people and making that entertainment, was definitely meta-commentary, nods Rae.

This seasons skewering of popular culture is no less pointed. Theres [been] such an obsession with depicting slavery that the last few years, I have been kind of slaved-out, she sighs. So we thought it would be funny to have the characters obsessed with this new slave interracial drama. A guest-starring role for Sterling K Brown, who won an Emmy for his portrayal of prosecutor Christopher Darden in The People Vs OJ Simpson, ups that meta ante even further, but Rae is quick to assure me that this wasnt a casting that she chased down. No! We actually have an anti-celebrity policy on the show, she insists. We were doing something together for the Independent Spirit awards, and he was, like: I love your show, if you ever want to cast me The musician Syd, another self-proclaimed fan of the show, also makes a brief cameo.

Although Rae resists comparisons between Insecure and Girls and of herself to its creator Lena Dunham: I get the inclination to compare us because were both young women, but the stories were telling couldnt be more different, she says the two share a deliciously frank depiction of female sexuality. Broken Pussy, one of Issas raps, became something of a refrain in season one, after she speculates that Mollys run of bad luck with men might be the result of a defective filtering system.

My friend and I have a thing where we talk in, um, pussy sounds, Rae laughs. I think that most women know whether they want to sleep with a guy or not within the first five minutes of meeting him, and so we speak in Marge Simpson voices about whether or not a guy could get it. She demonstrates. If its a yes, well say: My pussy was like: [Perky, eager voice] Mm-hm, girl. Or, My pussy was like, [Low, negative tones]: Mm-mm. So, the conversation about Molly feeling like she wasnt attracting the right type of guys was me suggesting her pussy might actually be broken.

What did her mother make of this particular piece of dialogue? She only saw it at the screening! Rae laughs. She pulled me aside afterwards and was, like: That mouth, were going to wash it out but, good job.

Insecure continues on Thursday 10 August, 10.35pm, Sky Atlantic