#in canon that's what his mentor was like and he's giving a valid effort at trying to avoid becoming like him

[canisalbus]

Have you ever watched the devil wears Prada? There's something about machete that really reminds me of Miranda, and it really does make me think that a top position at a magazine or museum, or even as an academic would make a lot of sense in the modern!au. (Would be funny if he was an early modernist cultural/art historian or specialising in religious iconography from the canon period?)

Machete has been compared to Miranda a handful of times over the years, but I had never seen the movie until a couple of months ago. And now I kind of get what they might've meant by that.

[irenespring]

House MD Characters and Their Mentors

Oh look it's more of this very niche character analysis. This time I'm looking at which of @lorata's District Two Victors would be good mentors for House characters. House fans reading this: you would really like Lorata's writing. Only limited Hunger Games knowledge required (basically you need to know the premise); lots of messed up people making the best of things, found family shenanigans, emotional angst, and queerness.

Anyway, time for mentors!

James Wilson: Devon. The essence of a Devon tribute. Really wants to make the world better. Fairly messed up and depressed, but does genuinely care about the district, and even the kid he volunteers for. The one bit of really key information we are provided about Devon's tributes is that Devon's dreamers burn bright, but flame out as the reality of the Games shatters their world view. This reminds me a lot of how House says that "Wilson thinks that if he cares enough he'll never have to die" contrasted with Wilson's feelings of betrayal and devastation that he, a oncologist who gave his life to treating cancer, is dying of cancer. He served the Capitol, believed everything the Center told him, and the truth of the Games ---the pain and the guilt and the injustice of it all--- is a sudden betrayal that completely unbalances him. The only way he wins is through temporary Arena madness, the kind of desperation that caused him to double his dose of chemo in a last ditch effort to survive and make the world make sense again during canon. Devon's main challenge post-Arena is helping him rebuild his shattered sense of self: Wilson thought he was a good person, but you can only win the Hunger Games by being vicious. Devon, as someone who had a similar break, is the best choice to help him form a cohesive identity. Devon can see him for who he actually is, all of it, and still say he cares. Devon can cite his own struggles with accepting care without "enough work" in return to get Victor!Wilson to step back from compulsively ignoring his needs to "earn" affection. Devon can pull him out of spirals about how his mental state is worse than his brother's now and show him how there is a way forward. The Victory Tour almost kills him, all those people hate him even though he only ever did what was asked of him and what he thought was right. Along with Devon, there is probably only one other person who could help him embrace that he does not need to be perfect or liked by everyone, which brings us to...

Gregory House: Adessa. I went through multiple avenues with this one. First I thought Callista, because viciousness and unapologetic attitude. Then I thought Lyme, because abusive childhood, resentment of the rules, and attachment issues. So we had option A and option B...and we somehow landed around option L. I dismissed Callista because of the reasons I thought Lyme. I moved away from Lyme because she works best with tributes who want to open up but can't until after they win. Claudius wants a family, Misha wants affection, etc. House wouldn't want to open up--- he would want respect, validation, and someone to make everything make sense. The reasons Adessa wasn't a good fit for Nero would make her a great fit for Victor!House. Nero wanted to be told Adessa loves him, but House wouldn't trust any obvious display of affection---instead perceiving his mentor's care for him through nonverbal actions she takes: exactly what Adessa expected to be true of Nero. Adessa can make recovery and all the chaotic, swirling feelings fit within a reasonable framework. She can answer his questions and treat him like someone with a rational mind. She knows that if he opens up, he probably doesn't want to be touched. She understands why he doesn't want the cuddly relationship that Victor!Wilson would have with Devon. She wouldn't pressure him to talk about feelings before he was ready and would give him space when he was ready. She understands his intellectual curiosity. She's probably the only one who could get him to invest in therapy. He wouldn't go based on "I've been there" talks or "I care about you" talks, he would go because "after a significant trauma the logical course of action is to seek medical care, so that one can be assigned medications to regulate neurotransmitters, and to remove unwanted chaos so one can better focus on more important matters." Oh, and also if John House every showed up to take credit for shaping his son into a Victor, Adessa has a briefcase full of knives and decades of fantasizing about taking revenge on behalf of her Victors. They would find his body in pieces...probably. If Adessa was feeling nice and wanted Blythe to have closure.

Devon is terrified when Adessa requests a meeting with him. Misha asks him what he did like fifty times and he doesn't know. He almost calls his mentor, but doesn't because he's a mentor too now, dammit and Adessa totally shouldn't scare him anymore. When he shows up she opens with: "Our Victors appear to have significant romantic attraction to each other. Shall we hasten their union via jointly planned manipulation, culminating in an arranged one-on-one meal over candlelight, perhaps involving the exchange of flowers?"

Lisa Cuddy: Nero. This one is hard. Cuddy is a lot more difficult to analyze than House and Wilson even though I actually prefer her over House (Wilson is my favorite, he just has so many problems, weird habits, and hidden depression). She has a lot of contradictions. She's manipulative, but empathetic. She genuinely advocates for the rules, but allows for crazy ass things to take place. She seems to argue for the rules because she has to, but is inherently drawn to the more chaotic, vigilante tendencies of House. She puts on a show of obeying regulations set by those above her, but seeks power so that she can facilitate what she thinks is right (she repeatedly says she's the only one who would employ House). This is reflective of a Nero tribute. She doesn't know why she is drawn to violence and competition of the Centre, but she is. She completes her kill tests with the highest scores in her year, but she mainly only feels guilty for not feeling guilty. She doesn't have a rationalization for why she is like this the way someone with House's history has. She should want to join the Peacekeepers or be a medic. But the more time passes in the Centre, the more she wants to win the Hunger Games. She goes into the Games a year early, the youngest District Two volunteer in history, and even though she knows the killing is wrong she still wants to win because why shouldn't it be her? She's better at this than the others. However, the inner conflict causes problems post-Games, as the criticisms from other districts actually hurt her, because she agrees. She knows there's something wrong, she fears she might secretly be evil. Nero, with a lifetime of dealing with conflicted, crazy tributes, knows how to reassure her that even if that something is actually wrong, she still has people who love her.

Bonus! Ducklings:

Foreman: Brutus. He's just here to do his job. He knows he's better than his Centre rivals, so his job is the Games. Trying to make it right or wrong will only drive you crazy.

Chase: Lyme. Daddy issues, alcoholism in the family history, wants the authority to like him. Lots of weird hidden triggers.

Cameron: Emory. Wants to be a decent person, just kept going in the Centre because she figured no one would pick her and she owed it to her district to keep trying. She had a baby Victor crush on House and Adessa had to take Emory aside and be like "the baby is making my Victor uncomfortable, tell her to calm down."

Thirteen: Misha. Rules are for suckers, enjoy your life while you have it, desperately try to find meaning in the world while pretending you don't give a shit.

Kutner: Lyme. Wants to find a place to belong, shoves his emotional issues down because he thinks nobody cares. Thinks outside the box, but still responds well around authority he respects.

Taub: I have no fucking idea. Seriously, the more I try to think about this the more I have no thoughts, head empty. Maybe Odin? Odin has a "do what you're supposed to do no matter what, no matter the cost" ideology that would cause a mentor mismatch like Adessa and Nero but at least that mismatch is something.

Anyway if one (1) person requests a Victors!House/Wilson I will write scenes so you have been warned.

[imthepunchlord]

Do you have any thoughts on how the guardian role is handled lore wise? Would you change much about being the guardian?

Oh yes I do and there's so much that I would change up.

The more we see of the Guardians, the dumber they are and the more pointless they are. To a point it's a wonder if they were worth the inclusion as they don't amount to much and are just useless. I'm putting this undercut as I just go off.

- Lore wise, they set it up that adults are naturally more powerful, so why did Fu pick two kids to fight his battles for him? Why not adults? Why did he leave them on their own instead of offering them some means to have an edge over HM?

- Of the Ladybug and Cat, we have yet to see anything unique that the Cat brings to these fights that the other 15 miraculi that Fu has with him couldn't do. You need a distraction that's going to mess up the akuma? Monkey and Fox. You need a protector/aggressor? Bee, Turtle, or Dragon. Ladybug is a must as its the only cleanser so far and has ML to boot, but Cat doesn't need to be out there, and as soon as HM had quite publicly stated that he wants LB and Cat, Fu should've reclaimed the Cat immediately to secure its safety and that HM won't get both. Another or two could go out to replace it.

- Why was picking Adrien a good idea? If Fu had just arrived in Paris, ok, but Backwarder reveals he's been living in Paris for a while. And with that, he's seen Adrien's face everywhere.s Adrien is potentially the most well known kid in Pari. Technically, for Fu's want of secrecy, why pick the most iconic face in Paris to get a miraculous? That sets up one of your heroes to always have attention on him. Fu picking Adrien doesn't make any logical sense.

- Why is Fu ok with endangering one kid but not the other? Why does Marinette get a test set up that risks her life and Fu's if it hadn't gone well and Adrien just helps an old man up, a common decency that most would do. It's like two extreme differences that don't work well in comparison as Marinette gets the risky test and Adrien it looks like he got his miraculous on a silver platter as he got the far easier one that takes the least effort to be a decent human being.

- Fu being a terrible mentor and hero picker in general and the whole shebang with Syren. If Adrien is not meeting his standards or if he doesn't trust Adrien at all, why is Adrien being allowed to continue as a hero? Or if he really wants Adrien to stay, why isn't he doing anything about Adrien? Why isn't he telling Plagg to encourage Adrien to step up and get serious? If he can take on the role of being Adrien's Chinese teacher, why not do that to try and guide Adrien to improvement so he can also be trusted with Guardian secrets too and truly help Marinette out. He's got two options when he doesn't trust Adrien or finds that he's meeting his standards: he takes the miraculous back or he addresses this issue himself.

- I also call big BS about him not doing anything at all when he comes upon Adrien detransformed on the roof with Plagg. Cause he's risking himself going out to find Chat Noir only to find him detransformed. That realistically should raise some brows and concern him. Adrien at least should've gotten a lecture or warning.

- Also the reveal that kwamis aren't allowed to know about their own power. that to me is off putting. It really stresses that kwamis are beneath them, these very ancient and powerful beings that have probably seen a lot. And canon validates it by making them children (which to me is the writers being lazy so they don't have to do complex characters).

- The whole thing with Fu's backstory. Dumbest backstory I've ever heard and it just paints Guardians in a really bad light, and by extension, real life monks. Monks didn't go to people's homes to take children. If they did take kids with them, those kids had nowhere else to go and offered them a place to stay until old enough to be on their own. And that test, omg, wtf. Ok, I can get the idea of a test of temptation, but there are other ways to perform it without starving a kid. Especially leaving said kid alone unsupervised with 19 powerful miraculi two of which have wish granting abilities. How would the Guardians even know if Fu used a miraculous as they left him alone with mriaculi. If Fu wanted to, he could've made a wish to never be picked.

- Fu didn't even do shit when he finally had a chance to face off against HM. He just sat in his damb ball and allowed himself to get knocked around. At least try and roll over him! Be a ping-pong ball! DO SOMETHING. Like, why did you even pick Turtle??? Turtle wasn't able to do anything against Butterfly! I thought it could as Fu had been ready to go in Origins, plus the 5 are based off Wu Xing, by set up, Fox and Turtle should have some sort of an edge over the Butterfly. But I guess that means there could be other options aside form LB and we can't have that, Marinette's miraculous needs to be the only thing to take on the Butterfly to really stress on the fact that it comes down to only her.

- The memory wipe thing that's an apparently must when you retire from being the Guardian. Honestly I think that should've been saved as a last resort if you're ever captured and could be forced to leak info, not when you retire. Doing so removes a valid source of advisement that a new Guardian can rely on. History is there to learn from it and this tradition removes a source of history to learn from, either from having guidance or seeing what the old did and how you want to change things. This also makes me concerned as I see Adrien taking advantage of an amnesiac Marinette.

- I went off about the NY Special revealing there's more Orders here.

- And lastly, Su-Han, the other Guardian to see aside from Fu. And with him, it solidifies how stupid they all are. When the Butterfly is being misused in Paris, why is someone aggressive and judgmental coming to Paris? Why is this guy even working with kids when he doesn't like kids? And the reveal that Guardians don't use miraculi at all. That just makes that test all the dumber with testers being unsupervised. And for Guardians not meant to use miraculi, how come Marinette gets a nice perk as LB that she can pull a miraculous out of her yo-yo? They're probably playing that she's "the first" to do so but realistically, I'm pressing x to doubt. In the long history of miraculi and when Guardians were around, you expect me to believe that Guardians never used miraculi themselves? What if there was no one to turn to, do they just the disaster happen? ...Well, based on how terrible canon is setting them up, I wouldn't be surprised.

SO.

There is a lot I would change up about the Guardians and for this, I'll adjust canon.

- Adrien gets the ring another way, maybe a gift from his mom or aunt or grandparents. Realistically, there's no logical reason for Fu to pick Adrien. He just has too much attention on him and Chat being an unexpected miraculous user can make him wary, adding to him only trusting Marinette.

- I'd have Fu be more present in Marinette's life, a customer who comes in a lot. This way he can offer advise when needed but not take away from Tikki. And this has him more closely keeping an eye on things.

- I'd change up Fu's backstory. He got separated from his family in a flood, the previous Turtle saved him, tried to help him find his family and with no luck, took him to the Temple, but only the section where other orphans are where they work to help take care of it, oblivious to the miraculous near them. After a year, Fu is one of the few selected to be entrusted with miraculous knowledge. He's surprised but not all that for it as he'd rather go find his family still. Idk how Temple falls but its not that. That was just dumb and avoidable.

- I wouldn't have Adrien meet Fu at all. In truth, it actually could've been cut out entirely as Adrien meeting Fu didn't amount to anything. He doesn't help with Guardian duties, doesn't help pick heroes, hasn't stepped up at all in his role as a partner. And he's not as torn up about Fu's loss as Marinette is. Adrien meeting Fu was pointless in the grand scheme of things. Nothing was progressed or changed from Adrien meeting Fu.

- I'd have HM ONLY getting an edge on Fu because Mayura was there to help him, catching Fu off guard. I want to see the Turtle truly in action, to see what else it can do cause sitting there to be smacked around was just unimpressive. And if Asstruck even did as much research as he could, he'd know that in Chinese mythology, the Turtle is a boss. It's the keeper of history and symbol of immortality, and it's up there with Tiger as an animal that can go toe to toe with the Dragon. And of the Four Symbols (associated with 4 seasons), the Black Turtle is also known as the Black Warrior. There should've been a lot more to Turtle than just sitting in your shell and allowing yourself to be knocked around.

- Su-Han I'd drastically change up. I'd keep in him being critical and stern, but he approaches things smartly and patiently. Before he dives into aggression and accusations, he wants to know what's going on. Why does this 14 yo have the Miracle Box? How was the Butterfly obtained and misused? And what the hell is going on??? How are these people so small and how did they get into this thin glass box?? Computer? What's a computer??? Essentially, have fun with the fact that Su-Han is essentially a time traveler and one great bonding experience to have with Marinette while also offering some good comedy is him learning about the modern time and her acting as his guide. Su-Han can give her guidance that Fu hadn't been able to give, and Marinette can offer her own in a way that Su-Han will need. Which by extension could remove Marinette having a near mental breaking point and revealing herself to Alya, and could avoid some of that drama of what's coming.

- Speaking of which, Adrien. I'd use Su-Han to finally address the issues with Adrien as a hero and partner. Su-Han prioritized Marinette as she has the Miracle Box, but Adrien is someone he'd take the miraculous away from. Adrien would get a very clear warning and call out for his actions and role.

[chouetteffraie]

The Inherent Romanticism of Headpats - Why Ship Dazatsu

I was scrolling through the dark corners of bsd tumblr and came across a few “Why I Ship (blank)” posts and thought I’d like to try and articulate my unending love for dazatsu in a similar fashion! Please note that I am in no way trying to steal the spotlight from other ships or trying to claim that dazatsu is “better” - it’s just my favorite and I wanna talk about them! Also, I physically cannot talk about them without a shipper’s bias - I’ve had them in my heart since like late 2016. This is ingrained into my spirit.

So, without further ado, let’s talk about why I ship dazatsu (and why you should too). yes i’m kidding about that last part.

warning for manga spoilers and headers that would make amazing fic titles. tag me if you use one. manga pictures taken from dazaiscans and easygoingscans.

1. The Promise to be Good

hehehe let’s start with maybe the most obvious one that is, arguably, the most canon fact about these two. Just because I choose to view it as romantic doesn’t mean it IS - but it is certainly a beautiful aspect of their relationship and yes it makes me soft every time I think about it.

We all know Dazai’s past and what inspired him to make the switch from the Port Mafia to the side that saves people - Odasaku. No matter what you say, it’s obvious that Oda and Dazai have a very close, meaningful relationship - and arguably, Odasaku had the biggest impact (and the most importance?) in Dazai’s life. When Oda told Dazai to leave the Port Mafia, to go make something beautiful with his life - he did. And it’s those words alone that keep him motivated to stay in his job and help protect the city - because he loves it, maybe, but because someone he loves urged him to.

Dazai, despite what his strange poetry may make you believe, is only human. As much as those words mean to him, he gets discouraged.

Along comes Atsushi, the starving tiger boy by the river. Atsushi is an orphan parallels to oda saving the orphans already, and he was in dire need of someone to save him. So, Dazai did. Whether it was because of the tiger or Odasaku’s last words, Dazai saved Atsushi and gave him life. He provided food, shelter, a means to provide for himself - even companionship. Everything Atsushi has, it started with Dazai picking him up off the riverbed and lugging him along. What’s more, Dazai didn’t just turn him over to somebody else - he presented a case to Fukuzawa to keep him and serves as his mentor. Further along in the canon story, he provides Atsushi with the emotional guidance that he needs (Portrait of a Father, anyone? Let’s cry over that for a second.) He doesn’t just give Atsushi a moment’s care - he helps him build himself up, he supports him, and together, they protect the people of Yokohama.

Atsushi is living, breathing proof that Dazai is living up to his promise to be a good man. Even better, he seems to be perfectly happy with confirming that yes, Dazai is good, whenever Dazai needs it.

In this way, they complete each other. They provide a source of comfort that nobody else has been able to. Atsushi is Dazai’s proof that he is doing the one thing he wants to do, more than anything - be what Odasaku wanted.

2. You Saved Me, We Save Each Other

Keeping that in mind, Atsushi is sort of Dazai’s reward for being good. Now, I’m not implying Dazai is owed Atsushi at all - to an extent, you could argue Atsushi is maybe even too good for Dazai. But Dazai is trying to be a good man, and Atsushi is the one who tells him and reaffirms his efforts and gives him that praise, that recognition, that reward for being good. Dazai’s main inspiration to stay on the light(er) side is Odasaku - but that doesn’t mean that Atsushi can’t become another huge driving force that makes Dazai want to stay on that path. Oda motivates him, gives him the reason to start. Atsushi can be the prize that makes trying worth it when he tends to forget. 

Atsushi saves Dazai. He saves him from his self-doubt, and from the world that gives him every reason to believe he has failed in his promise. If anything, that promise might be Dazai’s strongest lifeline. By reinforcing the line, Atsushi is saving Dazai.

And of course, Dazai saves Atsushi. He did literally save him by the river, and he helps teach Atsushi how to Not Die by virtue of being his mentor, but it’s more than that. Dazai has been the one to save Atsushi from his own mind time and time again. He provides a reason for Atsushi to believe he has (or is) earned/earning the right to live. Atsushi isn’t entirely over his desire to prove himself worthy - but Dazai is always the one to tell him that he has succeeded in his goal. Dazai is the one to say “You’ve proven yourself. You deserve the life you’re living.”

3. You Learn Something New Every Day

As Atsushi’s mentor, Dazai naturally teaches Atsushi things. But beyond the simple strategic battlefield lessons, Dazai has been there for Atsushi multiple times to help him address and begin to overcome his trauma. Sure, some efforts are worse than the others (dazatsu stans just wipe our memories of the train station scene and that’s valid and sexy of us i think.) But in times when Atsushi is clearly distressed, Dazai has been there to help him through it. He’s helped Atsushi sort through his grief, and he’s helped Atsushi start to see that his feelings are valid and that he’s allowed to live a fulfilling life.

Atsushi isn’t the only one learning, though! That’s one of the best parts of the ship - Atsushi teaches Dazai, too. Dazai has spent a long time feeling as though nobody will understand him intimately, or as deeply as Odasaku did. But Atsushi is getting there. He’s one of the closest to it, I think. From saying things like Dazai is a good man, to picking up on Dazai’s feelings at Oda’s grave in Dead Apple, and even the end scene when Dazai asked Atsushi directly if he thought he was a good person and Atsushi said without hesitation “Sure, why?” Atsushi teaches Dazai that he is human. He teaches Dazai that he is capable of feeling and forming close, intimate connections. They help the other learn about the areas they need to, and in both cases, they’re becoming patient teachers and prized pupils.

4. I’ll Listen When Nobody Else Will

Everybody knows how Dazai is often brushed off when talking about dying. People have brought up that the agency just has faith in his resilience, but that doesn’t meant that they aren’t acting without care towards Dazai. Atsushi does this too - in the very first episode, Dazai’s attempt at suicide is just taken with him being exasperated at his antics before pushing him down. But here’s the thing - it’s generally agreed upon that Atsushi is the one who is sent out to find Dazai. Atsushi is the one who knows where to find him. Arguably, Atsushi is the one that will listen to Dazai. He’s becoming the one who can not only pick apart Dazai’s mannerisms and slightest tells - he isn’t proficient, but he’s working on it - but he’s the one that treats them with care.

I’ve spent a lot of time noting similarities between the understanding Atsushi has of Dazai to the understanding Dazai’s truest friend had to him. Here’s one thing that separates Oda from Atsushi, and for me, it’s one of the major reasons why I personally ship one more than the other: Odasaku didn’t push Dazai the way Atsushi does. Both Oda and Atsushi have a way of laying out a field for Dazai to talk and bounce his thoughts off of, no matter how cryptically they come out. But Atsushi asks questions, he prods at the darkest corners of Dazai and he allows Dazai to question himself so he can continue to grow. Where Oda gave Dazai a place to feel comfortable in where he was, Atsushi gives Dazai a space to feel comfortable as he grows, which is what he needs in order to continue being a good man.

And please note, this isn’t me saying dazatsu or Atsushi is better than odazai or Odasaku. What I mean to say is this is where the difference lies, and Atsushi gives Dazai what he needs now - something he might not have needed without Odasaku’s urging to leave.

5. Guiding Light

When two characters are each other’s north star, where is there not romance? Dazai is very much Atsushi’s main source of guidance, a side effect of being his mentor for sure - but it’s more than just asking questions. Their relationship runs deep into Atsushi’s train of thought, to the point where Atsushi hallucinates Dazai’s presence when he feels uncertain. Any time Atsushi needs guidance or reassurance, he looks to Dazai. 

This is more shipper goggle-y, but I like to believe Atsushi does the same for Dazai. I’ve said over and over again that above all else, Atsushi is Dazai’s proof that he is being good. I also like to think that Atsushi, in a way, is a ray of light for Dazai to follow. He’s selfless (although for some reasons that deserve to be readjusted), he’s kind, and he loves life - all life. He’s a sunbeam in action that provides a perfect example for what Dazai could be and is trying to be - and if this light is happy with keeping Dazai close, maybe there’s hope for him after all.

6. What Makes Life Worth Living

Atsushi and Dazai are opposites in once major aspect: Atsushi has a sort of reverence for life, whereas Dazai craves to escape it. These are two major points of their characters - but here’s the kicker. Dazai wants to get close to human emotion. He wants to understand what makes life worth living. Atsushi is quite possibly the strongest candidate to show him what he can do and how loving life can help. I’m not saying that Atsushi is Dazais’ fix-it-all elixir, but he has a good chance to gently prod at Dazai and get him thinking.

Atsushi can show Dazai what makes life worth living. And that’s something that I think would do Dazai a world of good.

7. Can I Change for the Better?

ATSUSHI! INSISTS! DAZAI! IS! GOOD! I will not ever diminish this point because it is so important! Dazai seems to have it in his head that his blood is mafia black, that he can play the charade of a good man but will never be more than an actor playing a part. Atsushi, though - Atsushi is constantly telling him that he is good. Atsushi, who probably couldn’t keep up a lie for that long because the poor boy has zero tact. Dazai even asks Atsushi frequently if he’s a good person, and Atsushi always says yes. Atsushi gives Dazai what he needs to hear.

Atsushi, however, has his own issues. He has his own trauma to tackle, and his own bad habits to reform to become a better person. Atsushi isn't’ a bad person, but he also isn’t the best version of himself. Dazai can help him become that. Dazai can give him the guidance he needs, as he did with sorting through his grief surrounding the headmaster. Dazai can help Atsushi start the battle against his past, and he has been there with him every step of the way, whether in body or spirit. They help each other be better.

8. I Trust You With What I Love Most

I’ve said this before and I’ll say it again - the toast they added to the end of season 3 is one of the most tender moments Dazai has ever had with anybody. One thing Dazai never does is let people in on his past - not past the necessary details, anyway, and especially not the intimate moments he holds in his heart. But sharing that toast with Atsushi - inviting him in to the toast he shared with Oda and Ango, “To the stray dogs,” - it’s one of his most vulnerable times on screen. I don’t care what you say. Dazai deliberately letting Atsushi in, giving him this tiny piece of his past he’s had tucked away in a safe place - that was him offering up a piece of his heart. I’m soft just thinking about it again.

Other than that, Dazai has an enormous faith in Atsushi. He’s built entire plans trusting that Atsushi will do his job perfectly the way it needs to be done. Hell, towards the end of the Guild arc, it was his faith in Atsushi to bring the doll down to him that convinced Twain they were beat. Not to mention, Dazai has trusted Atsushi enough to form a new partnership without him in order to protect the city - and if that’s not one of the most blatant displays of trust and faith you’ve seen, I don’t know what is.

9. There’s a Softness Within Me I Didn’t Know I Had

Another thing that’s good for Dazai - Atsushi is comfortable. Dazai can let his guard down, just a tiny bit, around Atsushi, There was the graveyard scene in Dead Apple, or the toast scene at the end of season 3 - those are moments where Atsushi has given himself a moment to relax and show Atsushi how proud he is. This kind of emotion, this vulnerability that says ‘I’ve been hoping you’d pull through and look at how amazing you’ve become’ - there’s a softness that holds that Dazai doesn’t hold for anybody else. It’s a gentleness or pride, of trust, of somebody becoming more than you could ever imagine and coming back to you, even thanking you - it’s a sensation nobody else has given Dazai, because nobody else has been a protege as trustworthy and gentle as Atsushi.

(and, believe me, there’s a hundred other examples of the softness in the anime, manga, official art, and so much more. here’s a thread that you can still add to if you want)

Atsushi is also soft with Dazai. He wants to make him proud, sure, but there isn’t any fear once their job is done. Atsushi doesn’t have to fear horrible repercussions if he makes one misstep - Dazai allows him to learn, to grow, and to feel however he seems fit (or, it’s a skill he’s improving at as the series goes on.)

They give each other a safety to feel vulnerable. They are comfortable to each other. And, of course, they have a special softness for the other that they do not hold for anybody else.

10. My Mistakes are the Cracks You Have a Knack for Fixing

Again, Atsushi is always there to reassure Dazai that he can be a good man. One part of this is that he insist that Dazai’s past doesn’t have to affect his future. He’s one of the only people who tells Dazai that he doesn’t hold him accountable for what he’s done before - he’s Dazai-san now, and that’s what matters to Atsushi. Atsushi gives Dazai the most space to fix these mistakes, to move past them, and to learn from them, not holding them against him at all.

In the same way Atsushi is Dazai’s proof that he’s being a good man, he is also Dazai’s proof that he can fix the mistakes he made. (Of course, I’m not excusing the way he strings anybody along - but the first step to fixing a mistake is admitting you have made one and working on yourself, and that’s what Atsushi allows him to do.)

In conclusion, I think Dazatsu is so soft and amazing because it’s about the healing and acceptance. BSD is all about gray morality, and dazatsu is a soft ship that can take each other’s bad and accept them. It’s not only about seeing the darkest side of somebody - it’s about accepting those flaws but also giving them space to grow. They grow and they learn and they heal together. They ensure that the other never has to go through a drastic change alone. In a way, they can be home for the other, a refuge from the shitty cards life has dealt them and a steady lifeline to reach for a better tomorrow. That’s why I love dazatsu - because I can’t see another situation with nearly as much love and trust as they have. They are tender, they can be vulnerable, and they can heal. 

Like the beautiful sunset hours the met in, they celebrated in, they console each other in, they allow the other to turn the page on their past and start anew, with a clean canvas for a dazzling display that they can make together.

[viridiave]

NARUMITSU <ATTEMPTING TO READ THE SUBTEXT PLATONICALLY>

*Wrote all this some time last month so I might be off- really really off- also full disclosure I too am a Narumitsu shipper- this is just me giving myself a bad time doing the impossible and having fun XD

-I am going to fail sooner or later. Looking at you, Bridge to the Turnabout.

FIRST GAME >Turnabout Samurai -Yep. We're jumping right in with 'unnecessary feelings'. I'm going to be put on a stake for this. -This is going to become the main argument with any and all homoerotic subtext present in the first game- that it was unintentional. They didn't actively start making it gay until the second game, and even before then the producer for the games had to warn the development team not to try and insert these themes for fear of getting it wrong and lose the fanbase they'd accidentally caught the eye of. I can still create arguments for why this specific, hilariously meme-able line could be read romantically of course- but as far as the game development team at the time was concerned this interaction was never meant to be read as romantic. -Unease and uncertainty are... very valid feelings for Edgeworth to feel at this very moment and as much as I'd like to joke that he was feeling uncertain about his sexuality after seeing his childhood friend as an adult, this line was really just likely meant to lead up to the conclusion of Turnabout Goodbyes and Edgeworth's character arc for this game. His perfect win streak had just been shattered in a case prior. In this case, he was meant to persecute the lead actor of his favorite show- and in some ways his helping the defense can be taken as his biases getting the better of him. His sense of justice and his entire worldview is about to be overhauled, and I can see how he would regard this budding doubt in himself as an unnecessary (heh) distraction from what he believes is his true purpose in life.

>Turnabout Goodbyes -Edgeworth wanting to keep him away from DL-6 has its own section mostly because of how stubborn he becomes when it comes to Phoenix's insistence in particular. It's clear that this stubbornness is a front, I will concede with that- but there are merits to his initial reluctance in accepting Phoenix's defense. It's evident that Phoenix himself has grown over the course of the game so far, but in both of the times that he faced off against Edgeworth in court, his victories were... a tad bit contrived. For instance in Turnabout Sisters, Phoenix really only wins because Mia was being channeled and blackmailed White as he was about to leave the stand. Turnabout Samurai is a little better- but had him rely on quite a lot of coincidences (proven later to be substantiated) that surfaced during the trial. This is nothing to say of the deeper reason Edgeworth has over dissuading Phoenix from taking his case ("You in particular I cannot ask to do this.")- where I can make an argument for his pride and/or concern over Phoenix's career as an attorney. The stakes are relatively high here as well- if Phoenix fails, Edgeworth is incarcerated, Manfred von Karma goes free, DL-6 goes cold once again with no hope of getting re-opened, and everything that Phoenix has been working towards as an attorney would have been in vain. DL-6 is a case that has ruined many lives- it'd make sense if Edgeworth himself felt as though it would be a waste of time and effort to take this case because of how convinced he was of murdering his own father prior to Gourd Lake. He'd grown up for the past 15 years with a nightmare and a death sentence over his head- I wouldn't be surprised if he simply gave up and accepted that he was going to die at the hands of his prosecuting mentor. Even if he were acquitted for the murder of Robert Hammond, his perceived involvement in DL-6 would have thrown a wrench in his freedom- any lesser attorney would have given up on that. And this is unloaded BEFORE Phoenix tells him about the true reason as to why he became an attorney. -Phoenix's insistence to defend Edgeworth in this case can easily just be read as platonic- his complete, unfettered faith in Edgeworth's innocence is heavily influenced by that class trial, for better or for worse. While I'm perfectly happy to imagine that Phoenix's attachment to his idealized version of Edgeworth grew into something deeper sometime in the fifteen years that he hasn't seen him, I do believe that Phoenix in particular really is just that much of a sentimental person. This is to say nothing of his nature as a defense attorney- and what little time he's managed to spend with Mia has taught him that unbridled trust in his client is what gets him through the day, and he's putting it to practice here. Edgeworth was what he has been working towards the moment he decided he would practice law- as Phoenix at this point in time still believes that he could do no wrong despite seeing what Edgeworth is truly like in court. -Cutting into the meat of Phoenix and Edgeworth's shared past, I made a point earlier to say that Phoenix's perception of Edgeworth as a person is idealized. Every memory that Phoenix has had of Edgeworth prior to the events of the first game were from their childhood- and they had 4-8 months (plus one year if we're generous with the retconning some of the official art gave us) MAX to develop a friendship so strong that Phoenix makes major life decisions just to meet with this man. The fact that this time spent together was ENOUGH for Phoenix in the first place is... really hard to skirt around. To quote Dan from GameGrumps "this is something that you would only do for someone you're trying to marry" and if one of them was a woman I guarantee this ship would be canon already. But then again- since this is Phoenix Wright in particular somehow I can believe that he really is just that sentimental- and that isn't always a bad thing. He'd managed to save Edgeworth twice with this conviction after all. When Phoenix sees Edgeworth, he doesn't see a demon prosecutor, he sees his childhood friend who aimed to become a shining example of justice following in his father's footsteps. They address how shaky his foundations for becoming an attorney were in the Phoenix Wright Files once actually- going through a mini-existential crisis because he'd become an attorney with the main goal of saving Edgeworth from what he'd become, and now that he's accomplished that he's just kind of... lost. Edgeworth himself manages to pull him out of this, though. -man that hurts my case a lot actually but to be fair I was banking on failing -I just didn't expect it to happen so early even with the first game -in fact ESPECIALLY with the first game -though I cannot for the life of me wonder how I can come up with a heterosexual explanation for why the buildup towards Edgeworth telling Phoenix and Maya about his nightmares reads so much like a stunted love confession. I'm serious- just read any high school shojo manga ever. You'll find that it hits a lot of the same beats.

>Rise From The Ashes -It's in this case that we observe some of the consequences that the intial upheaval of Edgeworth's worldview in Turnabout Goodbyes causes him; distrust in the enforcement of the law. Not exactly the time for him to be dabbling in another, meme-able brand of unnecessary feelings. Several things like the Prosecutor's Office's relationship with the Police Department starts to waver with the murder of Bruce Goodman, and this becomes the final nail in the coffin for Edgeworth's worldviews and values as a prosecutor. His and Phoenix's teamwork in this trial becomes prevalent- the story behind the King of Prosecutors award represents this best despite it's currently incomplete state. The backstory behind this award paints an ideal of justice in the courtroom wherein the truth comes out as a result of the efforts of contradictory forces. A broken halberd that can cut through any shield (the prosecution) and a broken, unbreakable shield (the defense). Read as representation the text becomes something of a metaphor for the ideal justice that manifests itself in the best parts of Edgeworth and Phoenix respectively- the duality of their opposing professions rather than something that is limited to their relationship. -The same argument that I've used for Phoenix's unwavering belief in Edgeworth's innocence in Turnabout Goodbyes can be used for this case as well. -Though Edgeworth still goes M.I.A for a year after this case, it does grant his disappearance a bit more context as to why exactly it is that he left- and I'll be taking a tiny liberty with this and apply the interpretation that the Miles Edgeworth Files grants us, and that he left in order to better himself and grow as a person, a prosecutor, and as a friend to Phoenix Wright. It's... difficult for me to want to read this as anything but romantically-charged because the narrative beats are NOT lost on me (the dialogue makes this especially hard. send help.)- there's a possibility that Edgeworth at this point in time realizes the value in having a better, more functional dynamic with the one defense attorney who he considers a true equal in court. This dynamic will allow for less chances to encounter missteps and errors in any verdicts handed down in court, and if Edgeworth is to pursue his ideal of justice- Phoenix Wright is undoubtedly essential to this endeavor. The aftermath of Rise From The Ashes is indicative of this newfound goal of his- the symbolism behind the old King of Prosecutors award and the two halves of the evidence list certainly helps this case. -<"It seems all you do is worry about me." -Miles Edgeworth, Rise From The Ashes> For good fucking reason Edgeworth. You were accused of murder and have implicated yourself on the stand for DL-6 just a few months ago- and if the Investigations games are anything to go by, you're more of a danger magnet than PHOENIX is. I had to say it. The first Investigations game takes place over the course of 2-3 days and the sheer amount of shit that Edgeworth had to deal with in between that interval truly makes me wonder how Phoenix Wright ended up with the title of danger magnet. And THIS time- Edgeworth's car becomes a crime scene because his corrupt superiors needed a convenient way of transporting a corpse. There's VERY good reasons to worry about the livelihood of Miles Edgeworth. -Okay I... can't believe I forgot about the chessboard. Here's the kicker- the one we see from his office isn't even the only one he owns. I... legitimately cannot give you ANY purely heterosexual, platonic explanation for why Miles Edgeworth has THREE (THREE. I CANNOT OVERSTATE THIS. HE HAS T H R E E OF THESE FUCKING THINGS. GOOD GOD. HE CAN'T BE ANY MORE EXTRA.)(there exists a similar, portable set in the Investigations games- and he has a new set by the time of Dual Destinies) sets of custom-made chessboards with personalized, highly-specific red and blue designs made purely to depict his rivalry with Phoenix Wright. I fold. I give up. I forgot about the chessboards I wAS NOT EXPECTING TO FAIL THIS E A R LY- -You know what the real kicker is with Rise From the Ashes? The main argument that I have introduced back in Turnabout Samurai does not apply here. Rise From the Ashes was made as a DS-exclusive case and did not exist in the original GameBoy version of the Trilogy. Which means if there is homoerotic tension written in for this case (and there happens to be a lot. the chessboard is proof enough.), then we can safely assume that the writers at this point were well-aware. So yeah- maybe don't feel TOO bad about the unnecessary feelings line- because ever since then the writers have been playing off of that and it SHOWS. -Is there really a point to this I'm just- everything is stacked against me tryna interpret this platonically -Like I know I make a point to say that a romantic relationship isn't the end-all of all relationships because this franchise LOVES pushing the Found Family dynamic and I'm an absolute sucker for that -good god by the time Dual Destinies rolls around I'll probably just give up and happily say they're happily married -that's literally what they act like don't even pretend

[aeondeug]

BLEACH for the ask meme!

Apologies for getting to this so late! Just kind of got hit by life. Anyway...

My favorite parent-child relationship - Ichigo and Isshin. This is like. It’s one of my favorite parent-child relationships in fiction in general? Because like. It’s a sincerely good one. Like Isshin is just Actually A Good Dad. He and Ichigo clash at times, but like the relationship isn’t like toxic or anything. Isshin’s just actually a good dad and I don’t hate him. 10/10, Kurosaki Isshin is the only valid dad.

My favorite sibling relationship - Yoruichi and Yushiro. We don’t get to see very much of this one sadly but what we do get to see of it is very sweet. He’s just so fond and admiring of her and is so hype to try out new things. ...but he is bad at sarcasm. ...and also he flies off the handle and worries her. But at the same time it’s like...He’s your little brother, Yoruichi. What the hell did you think he was going to do? Really. You can tell they’re related.

My favorite family relationship (other) - Chad and his abuelo. We don’t get very much of this relationship. It’s basically just a few things mentioned by Chad at times. But you can feel the love and respect Chad has for him. And even if we never meet the man himself, we can get a sense of what kind of man his abuelo was through the kind of man Chad is. Also like. As someone who lives in America and is Mexican...I am used to like Mexican men being presented as nothing but like these overly violent and abusive machismo obsessed monsters. So seeing a gentle, loving Mexican man teach his grandson be gentle and loving but still able to defend those in need...That means a lot to me.

My favorite friendship between two people - Urahara and Yoruichi. Though I suppose they also could be like A Ship but like. They’re good friends. And while I have fucking THOUGHTS on how Yoruichi’s arc concludes. I do like like the kind of friendship they’ve got going. He doesn’t treat her like some sort of immortal god emperor. She’s just Yoruichi-san. He is kind of a bastard and teases her even! But he doesn’t hold her down in one spot and he treats her like a person. Which, given the kind of life Yoruichi was born into, is what she needs. That, I think, is a big part of why I am so pissed at how her arc concludes. As it feels like a violation of what makes their friendship meaningful.

My favorite friendship between a group - The Mean Girls Squad. I was not expecting to like Bambi and co as much as I did but like. They’re just a fun bunch? They have a very nice dynamic. Each of them is distinct enough and they have a very distinct sort of dynamic with one another. Also it feels fittingly like a group of girls who are friends, honestly. With things like calling one another stupid bitches and sluts.

My favorite mentorship - Yoruichi and Soifon. Which is not surprising. In the slightest. It’s like your classic S story but it’s murder ninjas. One of them is a cranky bee themed horror, the other is a princess that turns into a cat... But like I’ve talked about that a lot so we’ll give a runner up in Urahara and Ichigo. This one I like in part because of how different it is a mentor-student relationship. Enough so that I didn’t entirely ping onto it being the case for a bit because I’m kind of dumb that way. But like...It is one. It’s just an odd one. One that’s not based around specific formalities. It’s one based around breaking rules. Finding ways to break those rules. Existing outside but understanding the inside. Urahara is like...A Zen master. His teaching style is odd. It stands against the norm and some may even say it is in contempt of said norm! But that is part of why Ichigo is able to reach the heights he is. It’s part of why he is able to understand the core of what being a Soul Reaper is. Because Urahara created weird ass unorthodox teaching methods that pointed directly at the problem.

My favorite rivalry - Ichigo and Grimmjow. This I think is like...the first I’ve ever talked about Grimmjow, really? He is not like my favorite, favorite but like. I do like the sort of just raw, brutal “I want to beat you into the fucking ground and kill you” thing going on between him and Ichigo. It’s not sophisticated. It’s not complicated. It’s just two buff sword boys being like “Oh I wanna kick your ass. You’re strong.” And there’s just something appealing about that purity.

My favorite hatred/antipathy - Soifon’s 100 hate boner for Yoruichi. Because it’s just...Part of what is great about it is that it is a hatred born out of love. She never really stopped loving and adoring Yoruichi. But she’s hurt and she didn’t have a chance to get over that so she’s just resentful for years. Resentful enough that she does put a sincere effort into killing Yoruichi. Had she not tried to pull out shunko and then get dunked on she may well have done it. And that probably would have broken her. At the least she could not survive the narrative having succeeded in her vengeance. She’d end up like Komamura or Gin. In the dirt. Gin’s hatred for Aizen is a very close runner up though because like... Gin was playing the long game there and he kept up the act super well. And part of what I love about said long game is like what role this played narratively for the readers. Gin is so obviously sketchy that you are drawn to him immediately. It distracts you from Aizen and then his obviously sketchiness distracts you from the fact that he is not actually fond of Aizen. It distracts you from the fact that he means to kill this bitch and has meant to for ages. He is such a clever sneak. Such a spiteful one. In a better world Gin would live.

My favorite potential relationship between characters who never talk in canon - I have constructed an entire goofy ass dynamic between Orihime and Soifon as friends. Which initially started as like a knowing that I needed Soifon to get friends SOMEWHERE and also needing to have like someone who could help her with her weird Yoruichi issues. And the question was. Who. Who out of the cast could possibly provide Soifon with advice. Who on earth could handle a pissed off and depressed Soifon? There is only one option and it is the woman who is so very much sunshine incarnate that the personification of nihilism couldn’t stand against her. Soifon can be bitchy all she wants but she cannot beat Orihime. She will fall to her as all do. And because Soifon respects strength, she will respect Orihime for that. Also I just like imagining Ichigo only learning about this when Soifon stops by their home one day unannounced and he just opens the door to a very angry wasp woman.

[nanayoungishere]

History Repeats In Mysterious Ways AU

The most self indulgent AU I can think of. 

Basically it’s a universe where Izuku has a twin (who eventually becomes evil but more on that later) who ends up getting One For All. Izuku, meanwhile, accidentally stumbles upon a half-dead All For One in some filthy alleyway and ends up getting All For One’s Quirk foisted upon him before the evil bastard dies. 

You see in this AU, the final battle between All Might and All For One happens super early. As in, several months before the series originally starts. And since it happens so early, All Might still has his quirk and was able to fare much better in the final battle. 

Moreover without the added stress of trying to rescue a kidnapping victim, the rest of the heroes were able to take care of All For One’s forces much better than they did in canon. All For One’s organization gets dismantled, the Nomus are gotten rid of, the Doctor is arrested and his research is destroyed in the struggle, Kurogiri disappears to parts unknown, and Tomura dies in the crossfire. 

Basically All For One is not having a good time in this AU. Everything he worked for, all the preparations he made, were basically made pointless. He has no legacy, no successor, nothing left. And while he was able to drag himself away before getting brutally killed by All Might, he knew he didn’t have much time left. He was fucked and he knew it. 

He only had one thing left in him: the ability to pass his quirk on to someone else. It was something he and the Doctor had been working on for some time now, a way for Tomura to finally succeed him as the Symbol of Fear. Because of All Might’s constant and unrelenting pressure on him, All For One hadn’t gotten around to switching his quirk out for a copy. He made enough adjustments so that he could switch it out, but didn’t get the chance to before All Might busted in and started kicking his ass. 

So when Izuku happens to stumble upon him while he’s bleeding out in an alleyway, he takes the chance to foist his quirk on him as a last ditch effort to keep his legacy alive. After all, all quirks have an imprint of the user hidden within, and All For One’s imprint on his quirk is basically a second him. He figures that, given enough time, his imprint will be able to take over Izuku’s body, giving him a second chance at life and revenge. 

So that’s how Izuku ends up with an absurd quirk, along with an evil voice in his head that tries to take over his body/tempt him into villainy. He also has to deal with all the other voices of the many, many quirks All For One stole over the years, as well as all their conflicting memories and feelings. 

A huge portion of the story is just Izuku struggling to stay sane and in control even as All For One tries to mindfuck him into surrendering his body or becoming evil. There’s also the fact that a lot of All For One’s quirks are too much for his teenage body to handle, so he ends up having to keep himself from ripping his body apart like in canon. There’s also all the suspicion from everyone else, All For One’s old minions showing up and pledging their allegiance to Izuku, villainous rivals challenging Izuku for territory, and much, much more. 

Basically, things aren’t going well for Izuku in this AU. And that’s not even going into his (future evil) twin. 

Izuku’s twin (whom I will be calling Zukin for now) is considered to be much better than Izuku in the eyes of others. He has a telekinetic quirk that allows him to control, manipulate, and enhance fire/heat so long as he has a prior heat/fire source. He’s very outgoing and overtly friendly to others. He’s selfless and makes a point to reiterate his love for heroes and how he wants to be one. He constantly looks out for his quirkless brother, protecting him against bullies and thugs. He’s considered by many to be Bakugou’s rival of sorts, even by the kid himself. He’s athletic, strong, skilled -- pretty much perfect in the eyes of others.

He does, however, have one main flaw: his need for external validation. 

See, a large part of the reason why Zukin wants to be a hero is because he wants to be validated by others. It’s something he’s always felt, ever since he was young: a need for positive attention. He wants it all, all the praise and respect and love from the people around him. It’s not enough that a few people like him; he wants everyone to like him. He has a need for it, a craving that won’t go away. And since everyone treats heroes like living gods/celebrities, he quickly decided that he needed to be one too. 

Which in of itself isn’t too bad. Craving attention from others is something everyone feels, and wanting to go into heroism for your own personal goals isn’t necessarily a bad thing. If anything, it’s normal. 

But Zukin often allows his need for validation to get in the way of doing what’s right. Which is how he managed to get One For All. 

In canon, Izuku managed to get One For All by risking his life to save Bakugou from the Sludge Villain even after All Might himself told him he couldn’t be a hero. In this AU the exact same thing happens -- only Izuku gets mistaken for his brother and Zukin is the one who gets attacked. 

Basically, when Izuku latches onto All Might and asks if someone quirkless can be a hero, he uses very vague terminology and wording that implies that he’s talking about someone else. Part of the reason why is nervousness -- he’s talking to his idol after all and the stress of almost dying ends up making his kinda delirious. 

So All Might gives him the no and Izuku walks off. The Sludge Villain gets away and ends up attacking Zukin while he’s walking home with a friend of his. Zukin, shocked by the sudden arrival of a villain, panics and ends up pushing said friend into the Sludge Villain’s clutches and makes a break for it. The villain snatches him anyway and in his blind panic, he uses his quirk to no avail. It just makes everything worse, just like it did with Bakugou in canon. 

Izuku arrives just as the Sludge Villain is about to suffocate Zukin and his friend. He jumps in, tells his brother to snap out of it, and manages to free the friend just as a crowd and the heroes arrive. 

So the thing about Izuku and Zukin is that they look exactly alike, down to the freckles. Sure Zukin is a bit more buff than Izuku, but you wouldn’t be able to tell at first glance, especially in their school uniforms. So when the heroes arrive and they see one bother bravely saving the other and their friend -- and when they later find out that one of the brothers is quirkless -- they immediately believe that the one with the heroic/powerful quirk was the one who saved the day. 

And Zukin goes along with it. Partly because of the whole external validation things, but mostly because of shame. Shame that he panicked, shame that he pushed a friend towards a villain to escape, shame for his own cowardice. He knows he didn’t act like a hero in that moment, that he acted like a selfish coward and he hates himself for it. And the thought of other people hating him too -- the thought of everyone whispering about how much of a coward he is -- makes him panic. So he takes the credit for the save before he can really think about it. 

And because both Izuku and Zukin’s friend sustained a good amount of brain damage during the struggle, they can’t exactly remember what happened during the fight or even what happened that day. So when Zukin says he saved them, they believe him. 

So everyone heads off to the hospital and that’s when All Might meets up with Zukin. The kid’s awestruck but more than a little confused when All Might makes a casual mention to his and Izuku’s conversation. He quickly realizes that Izuku and All Might must have met before though and -- not wanted to out himself as a coward in front of his idol -- acts as though he was the one he talked to. He talks about his brother, how he’s quirkless, and and says that he just wanted to see if it was possible for him. 

All Might smiles, makes a big speech about how he’ll make a good hero one day before offering to train him. And Zukin, struck by hero worship and a rising sense of glee, immediately agrees. 

He feels bad about it later, when he tells Izuku and realizes that he essentially stole All Might’s training from him. He justifies it by saying that it’s for the best; Izuku is quirkless after all and that sorta training would be wasted on him. Zukin is the one with the best chance of going to US and being a hero. Izuku just needs to face facts: quirkless people can’t be heroes. The sooner he realizes this, the better. 

So Zukin trains with All Might and, eventually, gets offered One For All. Zukin immediately thinks of Izuku and how by taking credit for his actions, he essentially stole a quirk from his own brother. Izuku’s one chance of getting a quirk and Zukin stole it. 

It makes him feel so, so guilty. But not guilty enough to turn down All Might’s offer and admit the truth. Because the thought of his idol realizing how he lied to him -- the looks he’ll probably give him -- makes him swallow back his words. 

He takes One For All and vows to make it up to his brother later, ignoring all the guilt and the voice in the back of his head that calls him a liar. 

So a huge part of Zukin’s story is his decent into selfishness and cowardice, how the residue guilt and paranoia ends up turning him into a monster. Because taking Izuku’s spot as the rightful user of One For All isn’t the only shitty thing he does. Over and over again he does shitty things in order to maintain his image as the perfect hero, to live up to the legacy All Might has given him. Zukin acts like he can handle the pressure, the responsibility, but it becomes increasingly clear that he can’t. And eventually, it turns him into a villain. 

So that’s the main idea of this AU:

One brother given one of the most heroic quirks in existence, surrounded on all sides by heroes and heroic personalities, mentored by one of the greatest heroes in history, and who still ends up becoming a villain due to their own choices. 

Anther brother, spat on by society and the world at large, forced to use a villainous quirk that he never wanted, with an ancient villain whispering within his mind, surrounded by all sides by villains and villainy, and who ends up becoming a great hero despite it all. 

A heroic All For One vs a villainous One For All. The irony of it is delicious. 

[moonyinchaos]

no problem and i would really love to see what you wrote about snape so if its not a problem share

Alright, I’ll put the Keep reading thingy, because I think this will be a long one. If you’re not interested in my opinion on Snape, please, keep scrolling. We can have a constructive argument about Snape as a character, but I won’t ever tolerate character bashing (with the exception of Dolores Umbridge, Peter Pettigrew and Fenrir Greyback). If anyone disagrees with me, I respect that, and I would really like to know why :) 

It’s so funny to write my opinion when someone actually asks for it! So here it is my opinion on Severus Snape... 

I think that Severus Snape is one of the strongest characters; both mentally and magically. Possibly even the strongest one right next to Harry. He is really determined, devoted, self-controlled, but most importantly he is emotional. Of course, he doesn’t show it, but he is really driven by his emotions. The main thing which made him change was his love for Lily. Love is the purest emotion, and I don’t think it was an obsession. His patronus was the same as her, she was something what made him happy, something that protected him. It was just unrequited love, and that happens in real life. But you can’t just push an off button, and stop feeling something for someone. We can see him showing exactly how he feels in some occasions. For instance, when he was mad that Sirius got away at the end of the PoA. Or when he refused to teach Harry occlumency after Harry saw his worst memory. But let’s go back in time for a bit... 

Judging someone according to something they did while they were teenagers, or really young adults is not really fair. But let’s start from his hostility towards the Marauders. It’s completely understandable since they were mocking him all the time, and without any real, valid reason. Even if they did have a reason, bullying is never justified. What James did to Snape in his worst memory is something that can make a serious trauma on a person. He, again, acted on emotions. He was humiliated, frustrated, angry, and he let it out by calling Lily a Mudblood. Was that right? Of course not. Did he regret? I think he did, until the day he died. But, teenagers say a lot of dumb stuff, and should never be judged by that. I would most gladly slap 16 years old self because of some things I said when angry and emotional. And with what he said, he lost the most important person he had in his life. I think that was the worst punishment ever for saying one dumb word. People often mention his invention of Sectumsempra. He invented the powerful spell to keep himself safe. Is it brutal? Yes. Could he kill someone with it? Yes. Did he ever? No by what we find out from the canon. Sirius, who is one of the most loved characters, endangered Snape’ life because of his teenage rashness, and lack of sense for consequences. The fact he literally sent Snape to transformed Remus was more dangerous than any spell Severus invented. Why? Because transformed Remus can’t be controlled, and what he can do cannot be undone. As we saw clearly, Sectumsempra has a counter curse, since Malfoy survived Harry’s experiment. If you’re judging Snape for inventing Sectumsempra, and using it against the Death Eaters to save Remus and George, then Harry is way worse than Snape because Harry used the spell purposely to hurt Malfoy. He could easily kill Malfoy, and then what? All the characters in the whole HP universe did at least one stupid thing, and we can’t judge them just because of that. Because if we do, write out Remus, Sirius, James, Harry, Ron, Hermione, Dumbledore, and many, many others as good characters :)

As we all know, Snape joined the Death Eaters. Kind of expected because, let’s be serious, most of the then Slytherin house did. Peer pressure is a nasty thing + Snape wanted control/power. He was naive to think he’ll get it from Voldemort, but look at all the people that followed Voldemort. Snape was among the smartest there, if not even the smartest one. Was that a mistake? Yes. And again, he did it when he was what 18? As I said before, people do stupid shit when young, and that’s a fact. Alright, he did really, really stupid shit, but it was a moment of naivety. If someone is judging him plainly on that, remember what Sirius said about the world, people and the Death Eaters :) From the moment he realised what he did when he told Voldemort about the prophecy, Snape did everything in his power to make up for that. He risked his life in various occasions, he lied to one of the most powerful wizards ever, who can read minds, torture, and kill people just for fun. But he did that for years. Snape always did exactly what Dumbledore told him to do, and even killed him, knowing that the deed will make him an enemy number one in the eyes of the Order. But he did that with a higher purpose, and on Dumbledore’s order. If Order wasn’t so judgy towards Snape, maybe they would know about this plan, and they would handle it better. Snape was a Death Eater for what, a couple of years, but he spent seventeen years trying to redeem himself for what he’s done. You can at least respect that. As my best Skyrim friend Paarthurnax wisely said “What is better? To be born good, or to overcome your evil nature through great effort?” :)

The only thing I can’t justify is his teaching methods towards a particular group of students. We never see Snape teaching a bunch of Hufflepuffs or Ravenclaws, so we don’t really know what was he like in those classes. He is a mastermind with potions, and has a potential to be a great teacher. I don’t justify his behaviour towards Harry & co., and never will. His teaching methods were questionable at best, but lets take a look on who he “bullied” as a teacher. 

Harry - son of a man who bullied him, and a woman he loved. The Chosen One. The Boy Who Lived. It occurred to me that maybe Snape didn’t want Harry to forget what was important in life, and since Snape grew stronger from being treated poorly, maybe he wanted to do the same effect with Harry. I think he didn’t like Harry in particular, but I don’t see him as having bad intentions in long term. Nothing comes served in life, and I guess that was Snape’s point. Teen James was pretty spoiled, and vain, so maybe Snape didn’t want Harry to turn into teen James. 

Ron - Ron was to Harry what Sirius was to James. In Snape’s eyes, the same thing, and he deserves to be treated the same. Still, can’t be justified. 

Hermione - I guess she really did remind him of Lily. The fact that Snape didn’t want to hear anyone call Hermione a Mudblood tells us all. Emotions got the best out of Snape in this one, since he obviously couldn’t really control them. 

Neville - a soft kid who needed some strengthening for real. Well, not really in that way. Snape’s treatment was just too much. Was the fact that Neville was terrified of him good? No. But Neville got stronger, and learned to stand up for himself. And don’t forget, the prophecy could easily be about Neville, and if it was, then Lily wouldn’t be dead. 

As I said before, I don’t support his teaching methods, and can’t justify them because it was his choice to act like that, when he could easily be someone better than that. And that is the only thing I don’t understand about him. Maybe Dumbledore told him to be nasty :’D And of course he was biased to Slytherin. I think that doesn’t need any arguments. I would love to see what Snape was like when teaching young Ravenclaws or Hufflepuffs because I’m sure he wasn’t that bad. Strict? Sure. Snarky? Always. But I highly doubt he treated Cedric, or Padma Patil, like he treated the students I mentioned. 

To conclude this, I think the anti-Snape fandom need to at least respect what he did because the man did some great things, and he was one of the main links in a chain that led to Voldemort’s downfall. Voldemort who was deceived by Snape. And as far as we know, Severus Snape is the only person in this world who did that long term (kudos to Narcissa Malfoy for lying to Voldemort’s face)! You don’t have to love, or like him, but he doesn’t deserve the bashing he gets. He deserves respect. I made him close to Gwen, my OC, to show the softer side of Snape. The emotions he hides, and how he is surely capable of them. I made him mentoring Gwen to show how he has a potential to be a great teacher. And I have a great plans for Snape in my fic because he, as a character, really gives an opportunity to make an interesting story :) 

[goblinconceivable]

Still puffs of wind

Part 2 of me looking at Hooked Queen in season 7.  Relatively happy with where I got so far, so a little course correct, mopping up and going a bit fanon/shippy eyes.  Also I made a huge error, I admit my embarrassment to the world and it makes me less embarrassed.

Still referring to Wish!Hook as Rogers.

I screwed up badly by being careless and imposing my own reading, and I hate when I do that.  In the family-reunites scene after Gothel is defeated, Alice is staring at Rogers, and he’s looking at her.  She CAN��T run and hug him, end the enforced distance contrasts with all the inter-hugging that happens through the rest of the scene.  More importantly for my purposes, Robin is looking at him too, for the entirety of that shot.  She turns and comforts Alice in the next, but we’re still looking at a tentative continuation of a family unit comprised of Alice/Robin/Rogers we started when Robin asked for his blessing and happy hugging immediately commenced, and just formalized when the three joined hands.

More damaging to my case is that Tiana totally went to speak to Rogers, and I believe was holding his hand for a moment.  It’s very background, which is why I missed it the first (um, few) times until I looked for it.  It’s validation that the extended family unit in the Enchanted Forest was a real thing, and that means: inclusionary.  It’s a payoff for the few Rogers/Tiana moments we got under the curse, because curse-relationships are weirdly close to the uncursed-relationships, so we can assume they really are friends.  It also supports an unrequited crush interpretation*, because Rogers approaches Tiana, which isn’t so much his MO.  See later point.

Net result: in this scene his inclusion outweighs exclusion. 

I do still think it’s notable that Henry and Regina and Ella and Lucy end up ignoring him.  Scene-wise, it makes sense.  It’s a blocking disaster to have anyone running over there, and core nuclear family runs to each other first.  Yes they could have had Rogers still standing, but I think it WAS a stronger choice to have him physically removed, to remind us that he’s not alright, and that his curse isn’t just separating him from his daughter but from everyone.  

Hyper-focused on finding his daughter, he is barely capable of forming relationships with anyone else.  And we get to see this emotional distancing manifested!  On a gurney, he literally cannot approach anyone, he observes from afar.  

This contrasts heavily with Regina, who’d the most huggy of all.  She’s with Henry, she greets Robin, and then the scene finishes with Regina/Lucy.  We’re left with three couples in relationships, plus Regina/Lucy.  Rogers and Rumple remain odd ducks, only Rumple’s on a quest and has left.  So they’ve tidily avoided setting Regina and Rogers together.  Which... was a major theme.  Keeping them apart.  Was it a creator’s choice in order to avoid shipping?  Did they not think they could write them in scenes and maintain a platonic friendship?  Did they just not think it was important to show?  

In a show about family, and a Regina who’s heart is open wide enough to mentor a random girl she meets (Drizella), why avoid giving her an interesting relationship with the reboot of a character that a) can play against the relationship she had with the original, b) who has a history with her That We’ve Seen and c) she’s known for 10 years and has massive screen time and development so it’s not like “Tiana’s a secondary character we can limit her interactions because of that.”

It’s that enforced disinterest that provides the negative space for speculation and fanon.  But it’s frustrating.  I don’t know what to do with it.  I’m left wondering if a huge sense of the Rogers!exclusion isn’t just down to Regina.  Who plot-wise was scattered but was the heart of the season.  What would be different if she’d checked in on him, how he was getting on with Tilly?  If he’d continued meeting Henry in the bar and she had to balance playing along with them while running a bigger picture?

(I sort of forgot about Lucy.  Does she even HAVE a scene with Rogers?  Lucy is, like Henry in the first 6 seasons, the glue of the family.   She is open love.  She and Tiana are tight in cursed-world.  But Rogers is practically an uncle, he’s known her since she was born.  And nada.)

Which feeds in to a/the reading that his failure to join the table with Charming et al is his own sense of exclusion rather than anything else.  Charming extending his hand isn’t an outreach on behalf of the family, it’s standard fare for the family, and Rogers hasn’t considered it an option.  Having been rebuffed by Regina and Henry probably didn’t help though.  But looking at that again narratively: it wasn’t personal on Henry’s part, in fact he knows Rogers well enough to know he needs to defy him, and respects him enough to believe that he COULD have stopped him.

And now, our technically non-canon scene hinting at the crown.  Which is inclusionary, which means progress.  The open hand remains open on the part of the family, and Rogers has accepted.  Our Alice/Robin/Rogers unit is tight, and his friendship with Henry remains quite strong.  I mean, Henry literally stops his mad rush to confirm with Rogers that he got the thing.  It’s important that Rogers knows, just so that he knows.  Satisfying his investment in the process, and cementing him as one of the ones who are not just aware of the event, but are at the heart of creating this moment -for Regina-.

Which, to sidetrack, is both beautiful and weird.  It was an election, did Regina even know she was running?  All indication was that everything happened behind the scenes and all the Realms just sort of quietly agreed they wanted her and then, SURPRISE!  What would have happened if she didn’t want the gig?  Being part of a council is quite different than “Hi you get to run it all now.”  I mean, she dropped being mayor to live in a forest 

I guess the only thing left is to finally land squarely on Rogers/Regina.  Which...  still doesn’t fall out of canon for me, even including the crown moment.  It does add flavouring for Rogers to be invested not just in the event everyone is pulling together for, but for Regina personally.  Ie, there’s something special about that crown, some special connection to Regina?  Which she doesn’t mention and isn’t mentioned, so it’s very obscure for the uber!fan or the whole quest for it makes no sense and that’s why the scene was cut?

But his interest in Regina for her sake is new.  Generally we saw her reaching out to him - when he was watching Henry/Ella/Baby!Lucy, when he was attacked by his heart when seeing Alice for the first time, when she told him to reach out to Tilly.  With his curse broken, now he can accept and give love more generally, so at the very least we get an extension and deeping of whatever baseline we ascribe to their previous reationship.

And while I’m all about plationic male/female relationships, the best way for the writers to do that is to have GIVEN them a platonic relationship.  In the relative void we have open-ended potential, where happily neither has been pining for the other, because that’s just sad.  But where Regina’s efforts and support can be reciprocated and love birthed from that.  Which is where I’m at, and probably where I end, for meta, the rest is fanfiction ~!

*The possible/probable crush Rogers had on Tiana doesn’t bother me because it counts as a safe space.  She was firmly placed with someone else in canon, and it’s natural to gravitate to someone gentle and friendly, especially when you’re socially inept.  So really what it says about him is he does want to reach out and part of him does want a more intimate relationship, but he wouldn’t with Regina because she’s intimidating.  Complete matriarch.  You can’t crush on her, you lowkey love her and don’t notice until it could be a thing.

[mariaarnt]

Attack of the Clones Canon Divergence Poly OT3 Plot Bunny

So I dreamed the ENTIRETY of this last night, and I absolutely love it. However, since I literally need to crank out an entire YA novel by November (in addition to editing and publishing the first two in the series), I do not have the time it deserves to write it. Come December, I’ll have the new sequel to inspire me, and will likely write about that instead of more prequel stuff nobody cares about.

But, since my muse DEMANDS validation, I must share the idea with you. Because the summary I cranked out in a couple hours is very long and I respect your time and dash space, I’ll put it under a cut.

Super short version: because things went differently in AoC, Padme, Anakin, & Obi-wan end up in a Poly relationship, fight Palpatine and win, and Padme becomes Supreme Chancellor. I promise it makes sense but you gotta read the long version for that.

Follows the plot of AoC until

Padme insists on going with Anakin when he goes to find his mother. She’s able to comfort him & keep him calm. He can’t slaughter the Tusken village & protect her at the same time, so they simply leave undetected with Shmi’s body.

They arrive back in time to receive Obi-wan’s message live. The conversation is very short as Padme convinces him they should rendezvous nearby & he can use her ship’s more powerful communications array to contact the Jedi council. He quickly agrees & is able to leave Geonosis before the droids find him.

After they rendezvous, Obi-wan contacts the Jedi council & tells them about the Clone Army. When they suggest that they should use it to invade Geonosis, Padme butts in and warns the council that this would start a war they’re not prepared to fight. The clones were commissioned for the Republic, so the Senate should decide what to do with them. They reluctantly agree.

With no imminent emergency, Palpatine is not granted special powers. The Senate bickers about what to do with the army. A growing faction, including Padme, Bail Organa, & Mon Mothma, believe they should allow the Separatists to secede & have their own government in order to prevent a cataclysmic war. Palpatine is not happy with this, and his warmongering efforts cause him to begin to lose control of the Senate.

Padme continues to work with Obi-wan & Anakin to mediate issues concerning the Clone Army. Since they were commissioned by a Jedi (allegedly) but for the Republic, there’s still some question as to jurisdiction. The Jedi complain that there are too few of them to keep the peace in such volatile times, and if they were allowed to lead the army as generals they could do better. The Senate’s compromise is to deploy the Clone Army as a peacekeeping force in place of the Jedi, answering to the local government authorities. They are particularly used in areas that are being harassed by the Separatists who have expressed no desire to join them. The Separatists likewise deploy their droid armies to areas they are having difficulty holding on to. All action takes place terrestrially, and besides a few skirmishes with locals, there is no active fighting between the two forces, although there are several very tense standoffs. The end result is a cold war, with stockpiling continuing until they are close to reaching assured mutual destruction.

Throughout this time Padme, Anakin, & Obi-wan all become extremely close with each other. The unresolved sexual tension between Padme & Anakin is nearly unbearable, but Anakin does his best to respect her wishes (it’s very Victorian lol, lots of situations where they end up in close physical contact, or try to comfort each other without giving in, etc). Padme & Obi-wan find each other incredibly intellectually stimulating, often engaging in “wit-sparring” when one of them plays the devil’s advocate, until Anakin about wants to throttle them both. And as Anakin matures into adulthood, Obi-wan finds that their brotherly bond is deepening into something the Jedi would likely disapprove of. (But he made a promise to Master Qui Gon and he is determined to see it through).

Finally, one day Padme decides to take action (as usual). She sits them both down in private. First, she tells Anakin that she’s reconsidered their conversation at Varykino, and she has come to agree with him. She’s tired of pretending that there is nothing between them. When Obi-wan uncomfortably objects that maybe he shouldn’t be present for this conversation, Padme turns to him & explains that she has fallen in love with him too, she just thought it was best to tell Anakin first so he didn’t go on a jealous rampage. (They all agree she’s probably right, even Anakin). Then she notes that she may not be a Jedi, but even she can tell there’s something between the two of them, too. Obi-wan turns bright red & objects that this would be completely inappropriate to a Master-padawan relationship, while a surprised Anakin says he thought it was actually part of that relationship, and to be expected. Besides, he should have been allowed to do his trials by now anyway (he salty) so it shouldn’t matter.

Padme asks, and stresses that she’s asking, not requesting or demanding, if they would be willing to leave the Jedi order & get married. 3-person marriages are not unheard of on Naboo, and before Kings & Queens were elected, they often had multiple spouses (as many as 5) as the emotional care & support of a regent was often too much work for one person. Anakin immediately agrees without hesitation. He’s had it up to here with the Jedi order, and he would do anything for her. Obi-wan is a little more reticent. He had considered leaving once Anakin passed his trials, as his duty to his own Master would have been fulfilled. But he feels the need to disclose his previous & ongoing love for Satine Kyrze. Padme says she can certainly understand if he would rather go to her, although it pains her to say so. Obi-wan simply smiles sadly and says “she never asked me to leave, though.” He just wants them to know the relationship exists. He doesn’t want to go into this with secrets.

That decided, Padme reveals that the reason she is asking now is that Bail & Mon Mothma (among others) have been encouraging her to make a bid for the position of Supreme Chancellor. Palpatine’s insanity is starting to show, and while it’s uncommon for subsequent Chancellors to come from the same planet, her calm & reasoned handling of the Two Armies Incident has garnered her a lot of support. It’s becoming clear that a war would last decades, if not centuries, and would probably only end in the entire dissolution of civilization as they know it. But she doesn’t think she has the strength to do it without them, and if they remained with the Jedi there would always be rumors that she was being used as a puppet. The Jedi are still largely out of favor as they seem resentful for being removed from their role as peacekeepers in the galaxy and relegated to spiritual leaders only, despite it being more consistent with their philosophy. Freed from their responsibility to the Jedi, Obi-wan could act as an impartial advisor to those things concerning the Jedi. Anakin says he’s not sure how he could help beyond emotional support, he’s terrible at politics, and they both kind of stare at him for a moment. “Anakin, you can be very intimidating sometimes,” Padme tells him. “Uh, thanks?” he says sarcastically. Obi-wan catches on easily. “Sometimes, it’s easier to get things done quickly if there’s a little intimidation behind the request,” he explains. “Oh, so I’m going to be the enforcer?” he asks, a little offended. Then he sits there and thinks about it a minute. “Yeah, I could do that. I’d probably be good at it,” he grins. “Do I get a title? A lot easier to be intimidating when people have to call you “lord” so-and-so.”

This leads to a not-unrelated conversation where Anakin admits that Palpatine has said some very concerning things to him & he is beginning to suspect he may have dabbled in the dark side of the Force (he’s also not sure how he feels about that). Padme agrees and admits that one of the reasons she’s been so resistant to a relationship with Anakin for so long was partly because her old mentor seemed so bent on pressuring her into it. It seemed wrong, especially when Anakin was so young and she thought it would essentially ruin his future. Obi-wan also agrees that it often seemed that Palpatine seemed to be trying to supplant his place as Anakin’s Master, but as he often found himself at a loss for how to guide him, he couldn’t gainsay the additional advice.

Padme & Obi-wan begin to discuss the logistics of them leaving the order (this will be his 4th time so he’s old hat at it) and getting married so as to minimize the political scandal. Anakin seems to be having trouble paying attention & keeps staring at the door. Padme makes a joke about him being impatient as she is to get it over with, but he says “Something’s wrong. Something’s… coming.” Just then the chime for her front door sounds. They sit in silence for a moment, and Obi-wan says the classic “I have a bad feeling about this,” line. Padme decides to answer via an interior room’s communication panel, rather than at the door. Anakin & Obi-wan take places to ready for an attack. At the door is a young woman, one of Palpatine’s aides. No one else is visible on the security camera, but Anakin says he can sense at least 5 more people, and Obi-wan agrees. Padme turns on the audio and says she’s in a private meeting and asks what it is the aide needs. She’s informed that Palpatine has sent to make sure that Padme is alright, as there is breaking news of Jedi attacking Clone Army units & local government throughout the galaxy, and he understood she was likely to be in the company of two Jedi. (In truth, he’s executed order 66 and spun it as incited by the Jedi). Padme responds that no, she’s just fine, and thank you for your concern.

Apparently, this is the wrong answer. The door bursts open, and a unit of clone troopers storms in. These are men that Anakin & Obi-Wan know personally, have worked with, and it’s extremely unsettling to be fighting them. In the process, Anakin’s arm is cut off when he hesitates. (Is he distracted by Padme or Obi-wan getting hurt? Does he freeze when thinks he must kill Commander Cody, a friend? Haven’t decided). But the three of them manage to prevail until they have one injured Clone Trooper left - Commander Cody. Despite his injuries, Anakin uses his pain to gain the power to pull the necessary information from his mind (think Kylo Ren, definitely dark side stuff). He learns the truth about Order 66, and breaks the chip. They rush Anakin and Cody to a medcenter, where Padme turns on the holonet and they see the violence unfolding all over the galaxy. Because the Jedi were not actively working with the clone troopers, it has not been as quick or as successful. The Jedi temple is under siege. Anakin expresses concern for the fate of the younglings within and argues that they should go fight to liberate the temple, despite the fact that he is actively being fitted for a prosthetic arm. When Obi-wan protests, Anakin argues that he can just use the pain to his advantage. Obi-wan chastises him for giving in to the dark side, but Anakin just yells “does it matter which side I use if I’m saving lives? If I’m protecting people???” Without a good argument to the contrary, Obi-wan shuts up.

Padme, however, does have a good argument. Vigilante action is likely to just get them killed along with all the other Jedi. She’s just received word that an emergency session of the Senate is being called. If they can bring Commander Cody’s confession as evidence, it’s more than enough to get Palpatine impeached for abuse of power. They rush to the Senate building, and Bail has already started proceedings for a vote of no confidence. When they present the evidence, Palpatine loses his shit and pulls his “I AM the Senate!” nonsense. Think Yoda-vs-Palpatine in the 3rd movie, but the whole Senate is there and it’s Palpatine vs. Obi-wan & Anakin together. But by now, they’ve learned how to be an effective team, and Anakin has the element of surprise as he absorbs Palpatine’s lightning and throws it right back in his face. (There’s some comment along the lines of “bitch, please, you’re the one who told me how to do this shit).

At the end of the fight, they have Palpatine pinned but they won’t hold him for long. Obi-wan is arguing that they should try to find a way, that he must stand trial, but Anakin is arguing he’s too powerful. They both look to Padme. She knows that this will probably destroy her shot at the Chancellery, but it’s the right thing to do. She tells Anakin to do what he thinks is right. He kills Palpatine. They retrieve Commander Cody, and he helps them figure out how to rescind Order 66. A lot of damage has been done, but the Temple held fast and the losses, while significant, are not even half of the Jedi order as a whole.

In the aftermath, the Jedi Council rules that while killing Palpatine was likely the right course of action, Anakin’s use of the Dark Side makes him ineligible to become a Jedi Knight and he must leave the order. He has the distinct pleasure of telling them the equivalent of, “you can’t fire me, I quit.” A beaming Obi-wan declares that he’s out, too. Bail Organa has been given interim control of the Senate, but he makes it clear that it’s only until things calm down. Padme, Anakin, and Obi-wan are married in a quiet but public ceremony. Shortly after, the Senate reconvenes and surprisingly elects Padme anyway. Apparently, her decision to support Anakin’s argument was actually widely accepted (it’s pretty clear the trial would have ended in the same way anyway). She almost immediately becomes pregnant (dammit Anakin and his super-special chosen-one Force-sperm lol) but she’s confident navigating that at the process of reforming the Republic into a Federation. The galaxy has grown too big to be ruled directly. It will be split into individual factions who agree to a loose constitution of basic rights and laws, but the particulars are left to the rule of the region. The Separatists are offered a seat at the Federation table, and surprisingly, they take it (without Palpatine pushing his buttons, Dooku makes a remarkably capable leader). Peace reigns in the Galaxy, Padme retires the role of Chancellor and they go to live on the estate that Obi-wan apparently now inherits (along with lots of money) and all raise a very happy and well-adjusted Luke & Leia.

Anakin still kind of wants to strangle Padme & Obi-wan when they argue though.

[laughingpinecone]

Press Start letter

I am laughingpineapple on AO3

It’s a whole lot of character combos so the specific requests aren’t overly detailed, please draw at will from my general likes in addition or as an alternative to those!

For any of these, I’d be thrilled to get any small situation or event that highlights the dynamic you see between these characters - show me what ties them together, what could make them drop their barriers with the other person. Or a big situation! I like plotty fic too! But especially if we matched on some bizarre “&” combo that never even interacted in canon, I’d love to simply see what a scene between them could be like.

All requests are art or fic - for art, the stuff I like is the kind that depicts the characters doing something. I’ll aways be happier with a very simple drawing of two characters walking together or sharing a cup of coffee than with an ambitious composition that looks like an Avengers poster.

Likes: worldbuilding, slice of life (doubly so if the event the fic focuses on is made up but canon-specific), missing moments, 5+1 and similar formats, bonding and emotional support/intimacy, physical intimacy, lingering touches, loyalty, casefic, surrealism, magical realism, established relationships, future fic, hurt/comfort or just comfort from the ample canon hurt, throwing characters into non-canon environments, banter, functional relationships between dysfunctional individuals, unexplained mysteries, bittersweet moods, journal/epistolary fic, dreams and memories and identities, canon-adjacent tropey plots, outsider POV, UST, exploration of secondary bits of canon, leaning on the uniqueness of the canon setting/mood, found families, characters reuniting after a long and/or harrowing time, friends-to-lovers, road trips, mutual pining, cuddling, wintry moods, the feeling of flannel and other fabrics, ridiculous concepts played straight, sensory details, sickfic, places being haunted, people being haunted, the mystery of the woods, small hopes in bleak worlds, electricity, places that don’t quite add up, mismatched memories, caves and deep places, distant city lights at night

Cool with: any tense, any pov, any rating, plotty, not plotty, IF, nerdy canon references, unrequested characters popping up

DNW: non-canonical rape, non-canonical children, unrequested ships, canon retellings, consent issues

Ghost Trick

For applicable characters, I am very interested in them finding about the erased timeline, but not getting their memories back, and having to live with being told about what they did but never remembering it. All what-ifs welcome (what if they managed an acceptable happy ending but didn’t reset the timeline, what if a different party went back to the past and kept their memories, what if Alma’s ghost stuck around...) Also open to AUs here, especially for generic fantasy or sci-fi settings or the Final Fantasy ones I prompted for Yuletide

Alma & Emma: an unlikely friendship, and/or something about a book that was clearly inspired by the best detective(s) working for Emma’s husband?

Alma & Sissel: domestic ghost tricks and an increasingly suspicious Alma - or a great team after she finds out what the cat can do!

Cabanela & Jowd: the loyalty... the determination... but how does Jowd express his side of their bond? What’s a Cabanela-being-Cabanela or Jowd-being-Jowd situation that’d be insufferable for anyone else, but which doesn’t bother the other one, who finds it kind of endearing?

Cabanela & Kamila: best uncle and that’s that on that. Does he teach her magic tricks? Is he not great with kids but makes an effort? What does she build that just blows his mind?

Cabanela & Missile: guard dogs bark bark. They obviously adore each other, what else can Cabanela teach Missile - and what can Missile teach Cabanela? What could they disagree about?

Cabanela & Pigeon Man: how do they meet in the new timeline, what makes their odd friendship stick this time? I love how they play off each other, with Pigeon Man’s snark bouncing off Cabs' very secure ego... does Pigeon Man end up feeling fatherly about him, in some way?

Cabanela/Jowd: please no infidelity, I only like the ship without Alma during the canon times when Alma is dead or at most a what-if where she’s not around. Did Cabanela lower his mask for a hot minute during their walk to the minister’s office, did those ~immeasurably deep~ feelings ever find an outlet? What if he’d stayed dead and tagged along with Jowd and Lynne after 15? What if no-reset scenarios? Or office shenanigans where Alma is backgrounded by virtue of not working there but she’s okay with what’s going on.

Cabanela/Jowd/Alma: what’s a hobby one of them has that the other two are dragged into? How about a day at the beach? Or in a cabin? I’ll take hot springs or basically any standard anime filler plot too. Unless you want to write about their get-together, which will never get old for me - Cabs’ stoic pining and Jowd and Alma realizing they want him and telling him is my catnip

Jowd & Lynne & Memry: please show me the Worst Mentor doing his Worst Mentoring? How is chicken involved? Do the two young detectives give him some hope for the future? What’s Memry angling for, actually?

Jowd & Pigeon Man: anything about their friendships from back in the day when Pigeon Man was still Jowd’s coroner to a new timeline where PM is still fascinated by meteors/astronomy/alien conspiracies and Jowd humors him…

Jowd & Sissel: oh the shenanigans. Some clever communication between them, on a case or otherwise? Sissel doing cat things? Gossiping through the ghost world?

Kamila & Amelie: what are they like a few years down the line, how has their friendship evolved? Throw all your aged-up headcanons at me!

Lynne & Memry: next generation detectives! Action! Ridiculous murders! Secret ghost cats! A little bit in the future maybe? Odd girl & odder girl teaming up and leaning into each other’s quirks… maybe undercover?

Lynne/Memry: same as above but they kiss - and Memry trying to get through Lynne’s obliviousness sounds like my kind of fun.

Pigeon Man & Blue Doctor: for how long has the blue doctor been a secret agent stationed in this country, has Pigeon Man crossed his path before?

Rindge & Lynne & Memry: Rindge’s burden is to be the normal one in a cast of unabashed weirdos. Memry won’t let him live it down. Lynne is faintly amused, and wishes the three of them could get a big case to show off their amazing skills...

Sissel & Missile & Lovey-Dove: pets doing pet things! What’s Lovey’s secret, how is she so blue and so strong? Sissel and Missile are on the case!

Cabanela: blind me with sparkles. I love Cabanela being fierce and dazzling bright and determined and loyal to the very end, dancing to his own rhythm, so sure of himself and of his ideas that he doesn’t even need to prove to anyone that he’s right. Too sure of the wrong idea, once, and everything crashed and burned. Casefic with ghosts? External pov about how various characters in the Special Investigation Unit see their boss?

Dark Souls

I’m only familiar with the first game! It’s probably relevant to mention that I think that linking the fire is kind of a dumbass move. There’s no winning move in this world, or at least no obvious one. It follows that I see Solaire as kind of a dumbass, tragically, inescapably drawn to a false flame even in his better ending, a paladin in a world of uncaring gods - if the topic comes up, I’d just prefer if the narrative didn’t validate his choice. Feel free to deviate from anyone's canon endings, to make things happen that'll stave off their hollowing.

Solaire & Siegmeyer: they’re both questing all across Lordran, any chance of a meeting? Could two good-natured people feel less hollow for a while in each other’s company?

Solaire & Laurentius: sun VS pyromancy go! Do their philosophies clash or can they find common ground?

Solaire & Logan: what’s Logan’s tolerance for sparkly sun boy? And what about THEIR philosophies?

Unlimited:SaGa

I’ve been in love with this game since it came out and the Scarlet Grace announcement got me all fannish again! Feel free to expand upon any of the game’s settings, they’re so charming and all so vague!

Iskandar & Leith Torles: well I spent the whole game waiting for some exposition about these two and what little there is... is in the artbook, according to the wiki? Could you expand upon that or make up something else?

Pharr & Grace: friends! And adventuring! Telling friend about adventuring? Leading friend to adventuring and discovering she’s quite apt herself?

Laura: some down time with anyone in her scenario? Or Mythe’s scenario fwiw. Who does she bond with aside from Henry?

Platyphyllum: what’s it like for a plant to travel with animals for a while? Feel free to have them bounce off anyone in either of their routes, or anyone in the cast really.

The Last Remnant

David/Rush is a welcome exception to my “no unrequested ships” DNW. I’m very interested in post-game exploration, and getting a clearer feeling of any of the cities and assorted places.

David Nassau & Torgal & Allan: like a platonic V, I’m intrigued by Torgal’s chillness toward David and by his conflictual relationship with Allan. Put all three of them in the same room and...? Skilled diplomat vs catty cat and poor Torgal in the middle?

Emmy & Glenys & Sheryl & Kate: I don’t have a specific plot hook here, I just love them all, they’re very different people and I’d like to see how they fared traveling together - or reuniting after the end of their travels! Or four unconnected vignettes, one each.

Pagus & Maddox & Sibal & Zolean: this is a ‘please adopt Zolean, he’s sad’ plea. He lost an old friend and the other three can sympathize with that, I think, and drag him into their renewed friendship and bond over being old soldiers. And three Qsiti and a Yama are fun to picture...

Pagus/Maddox/Sibal: old men being together like they couldn’t be in their youth when life got in the way, please? Get-together (who makes a move…?) or established Qsiti triad would all be amazing…

Pyre

Any cutesy activity lifted from the game would be great, like X doing laundry with Y. Any postcanon very welcome with any combination of endings as long as the revolution was peaceful. I love everyone so much. Good with background ships I requested (eg Vofred/Tariq or Bertie/Pamitha mentioned in a Volfred&Sandra fill for whatever reason), Hedwyn/Fikani, Reader/Sandra and Volfred/Oralech if applicable.

Big Bertrude & Volfred Sandalwood: something nice Volfred does for Bertrude? Some mild adventure as he brought her to the Nightwings? A bizarre request for her shop? That dialogue about their relationship slew me dead - friendship through unrequited love is one of my rare tropes, so I’d like to see any aspect of their bond. Or epistolary with an ending that splits them, either way?

Big Bertrude & Sir Gilman: consider: sneks. Tiny snake looking up to grumpy bundle of snakes in a trenchcoat. Doing snake things. SNAKES. Her convo about ascended Gilman is adorable and I wish we could see that begrudging affection in some actual interaction...

Big Bertrude/Pamitha Theyn: they just get each other and it slays me. A friendship and then more for them alone, away from the rabble of the Blackwagon... Bertrude patching up her wing best as she can... joining Pam on her travels (and complaining the entire time)...

Jodariel/Celeste: if the Heralds make it to the Union to get a shot at living a life of their own, and Tariq already has his friends and his interests in the material world, what’s left for Celeste? Maybe she could find herself unexpectedly close to Jodi, who’s good with distance and silence and also feels like the world doesn’t need her anymore...

Jodariel & Sir Gilman: On war, honor, the Bloodborder… Sir Gilman is in awe of her, obviously, but is she in a state of mind where she can be boosted by his unrelenting energy?

Tariq & Big Bertrude: he knows how to treat a lady!!! And her usual tricks just bounce off his back like water off a very polite duck. In short, they’re the perfect comedy duo, or they could be brought together by a serious cause like a Volfred in distress?

Tariq & Sir Gilman: it is a known fact that the chivalric code includes the protection of the weak and defenceless and the respect of the honour of... the moon?

Volfred Sandalwood & Sandra: banter banter banter Scribes. He usually banks on his age, but he’s a baby compared to her, and their views are distant but both reasonable... did they ever have a chat when he was the Reader of the Nightwings, or does the Reader bring her along for a visit postcanon?

Volfred Sandalwood/Tariq: All I know is Tariq of all people fell and fell hard - he makes it sound like Volfred is the biggest deal ever and he’s some servant… but he’s the herald and Volfred is actually some dude who got kicked Downside (albeit a particularly charismatic and idealistic dude). And I like this double imbalance very much. What happened in the woods during Volfred’s self-imposed exile? Or do they find each other again after the ending, in the Union? If you want to lean on how alien Tariq is and/or how tree Volfred is, please do!

[siryouarebeingmocked]

The New ThunderCats, and What People Get Wrong About ‘Kids’ vs. ‘Adult’ Entertainment - By Film Crit Hulk for observer

Since it’s by Film Crit Hulk, this oped is precisely as cancerous and navel-gazing as you'd expect, down to the racebaiting;

In retrospect, one of the most genuinely interesting things about the show was Lion-O’s treatment of Panthro, who was popularly regarded as “the black ThunderCat,” not just because he was voiced by the great character actor Earle Hyman, but because his treatment was full of other cultural signifiers better discussed here. The thing I always want people to notice is the insane amount of times in the show that Lion-O takes credit for Panthro’s ideas and work. But, of course, I understand this point is perhaps giving the show a lot of meta-credit.

And genderbaiting;

For instance, I’m reminded of the late ’80s/’90s dark comic boom where all heroes got Frank Miller-ized. All of comic-dom became dark, gritty, murdery and full of obligatory sex. To be fair, at its best there was some thoughtful provocation in this era, but most of the time it just reeked of the kind of masculine “adult” fare that’s just one part teenage empowerment fantasy and one part freshman year philosophy class. Besides, the entire goal of this stuff is that you’re not actually making it “more mature” on any level. You’re just removing all the kid-like texture so that you can overtly indulge in Hard-R adult fare with the same lack of conscience. So, what’s supposed to count for mature is actually the very definition of juvenile.

You see this dynamic pop-up in a lot of male-skewing fandoms. I find it particularly prevalent in public discussions of Batman, A.K.A. the most dark and brooding hero we have in pop culture.

Riiight. That’s why Batman: The Brave and the Bold was so well-received, and the Adam West era is highly popular.

Like most people, I loved Batman as a kid. And I’ll be the first to trumpet the merits of the brilliant thematic explorations within The Dark Knight. But that doesn’t stop me from observing the fact that there are a lot of people love Nolan’s Batman trilogy simply because it validated their adult love of Batman. Who—I have to remind you—beneath all the lip-service of heroism, is still a power fantasy of a super-rich, lady-getting anti-hero, to whom laws do not apply, and who goes around at night beating up the poor and mentally ill.

What an original take on Batman, and not at all incorrect and selective!

Who are nonetheless violent criminals threatening other people. Joker alone has an estimated kill count in the hundreds or thousands. 

Batman also devotes a great deal of money and effort to charity and helping people in most canons. Also, this article uses a picture of the DCEU Batman, who some people have criticized as too dark and brooding. For the past few decades, Batman comics and media have asked, repeatedly, whether he’s entirely healthy.

Not to mention how most of the woman Bruce ends up with are only for appearances, and his longest-term “relationships” are either with a criminal, or a woman who raped him and used his genetic material to impregnate herself. 

Oh, right, you forgot the part where Batman has adopted or mentored over a half-dozen kids of various ages, races, and genders. Being a good dad is such a power fantasy.

I’m being half glib here, but there’s something to this notion of what this strikes deep into the most ugly and vocal members of Batman’s fan base. And it gets worse, because a lot of The Dark Knight’s biggest fans opted not for the power fantasy of the ever-dutiful Batman, but the one man who scared the bejeezus out of him: The Joker. He’s actually the ultimate power fantasy of a person who wants total control: the man who worships pure chaos, nihilistic glee, and uses up-is-down logic to inspire terror in every other human being he faces. Which means it’s no accident he was the first mascot of “anti-SJW” mobs that started to spring up.

This is before they all transitioned and started using Bane’s “the fire rises!” as the anthem for #GamerGate and harassing women…this all really happened, by the way.

No it didn’t.

For one thing, GG wasn’t about harassing women. For another, I don’t remember much Joker quoting. For a third, Baneposting started on 4chan, and like GG used it in a decidedly ironic fashion. For a fourth, how can you imply the exact same sort of people want to emulate a fascist authoritarian, a hyper-anarchist nihilist, and a guy deliberately evoking revolutionary imagery in an insincere fashion?

And, of course, he says absolutely nothing at all about the 2011 Thundercats reboot. Some intern inserts an image, but Hulk doesn’t say word one.

All the fans who complain about this are just childish, he implies. It’s not like people had much the same complaints about Teen Titans Go, right? It’s not like there are popular series (including reboots) that appeal to kids and adults, like Ducktales or ATLA or Gravity Falls or even My Little Pony, right?

It’s not like there was another beloved “grown up” reboot of a classic 80s kids cartoon which added depth and nuance that was well received without being merchandise-driven bandwagon-hopping, right?

[thejakeformerlyknownasprince]

"That was why he never visited us, never left his private little cabin or played ball when we went there. Why he would trail off in the middle of a conversation and half the time end up snapping at anyone who interrupted the thoughts that made his eyes go distant like that. I'd always thought it kind of weird that he'd gotten along so well with Jake, even back when Jake had been a hyperactive kid, because they seemed to have nothing in common. And now..."

DVD commentary: Okay, first and foremost, I feel obligated to mention: as far as we know from canon, Grandpa G did in fact die of a random heart attack.  We don’t know for sure, but there’s no evidence for his having taken his own life outside of what I made up for THX 1138.  I wanted to explore the possibility that Jean didn’t give Jake the full story in #31 because there’s this very deliberate parallel throughout that book of Grandpa G as a likely future self for Jake, and I couldn’t help adding an extra layer of anxiety to that parallel.  (And yeah, I made the “war chest” Jake mentions getting at the end of #31 into a shoebox half-full of old GameBoy cartridges.  Because all Jake mentions is the intention to keep his medals but keep them out of sight, and this is a kid who—according to Marco—hasn’t cleaned his room since the fourth grade.) 

I also find the intergenerational stigma around mental illness to be really interesting and disturbing; I was 24 before I found out that my one great-grandmother was a gambling addict (and even then the conversation only hinted at that reality), while a friend of mine found out in her 30s about her grandfather’s suicide and my one mentor published an entire book about her family’s refusal to discuss her great-uncle’s death from a possibly-deliberate overdose.  If you find people willing to talk about it, it seems like every family has the same story: you can only go back two or three generations at most before encountering the ancestor or great-aunt who was classified in their own time as “odd” or “unwell,” or who passed away from “unnatural causes.”  Because, depending on how you measure it, we’re talking about TWENTY-FIVE TO FIFTY PERCENT OF THE HUMAN POPULATION, and this stuff ain’t new.

The other reason I wanted to bring in Grandpa G specifically is that [clears throat] [checks megaphone batteries] [steps up on soapbox] I sometimes feel stories in general and fan fiction in particular loses sight of the actually-really-important distinction between post-traumatic stress and Post-Traumatic Stress Disorder.  Paraphrasing Mark Twain, the difference between post-traumatic stress and Post-Traumatic Stress Disorder is the difference between the lightning bug and the lightning.  To use the technical terminology: post-traumatic stress is the natural learning process that the mind goes through after unexpected and/or unpleasant events in an effort to make sure they don’t happen again.  PTSD is what happens when either the initial event or the subsequent learning process is severe enough that the individual is unable to resume normal functioning. 

To use a few examples: 

I broke my arm on a towel bar (don’t ask) when I was 11 years old.  To this day, I get a slight feeling of nausea and anxiety every single friggin time I hang a towel on a towel rack.  This is not PTSD.

My grandmother was involved in a serious car accident, and she had nightmares for almost two weeks afterward where she relived the accident; they faded out of existence within a month.  This is not PTSD.

A friend of mine fell into a swimming pool as a child and nearly drowned.  She can swim, and came wading with us at the local dam, but was not comfortable going anywhere that her feet couldn’t touch the ground.  This is not PTSD.

If it takes a month or two for your body and mind to recalibrate themselves after an injury, this not PTSD.  If you feel mild or moderate anxiety in situations which closely parallel those of the bad event but can still function or ignore them, this is not PTSD.  If years after an event occurs you suddenly think of it again (after not having done so for weeks) and feel afraid again for a few minutes, this is not PTSD. 

Don’t get me wrong; all of the above are unpleasant as hell.  All of the above are perfectly valid reasons to ask a therapist for help, either in the form of talk or drugs.  They are also not valid reasons to describe yourself as having PTSD.  If it’s not severe enough to interrupt normal functioning for several weeks, and it’s not severe enough to last more than six months, it’s not PTSD. And yeah, I’ve met people who respond to finding out a friend has depression with “I get sad too,” just like I’ve met those who respond to PTSD by saying “oh yeah, this one time I fell down a flight of stairs and now I get nervous while walking down stairs.”  In THX 1138 in particular, Tom is working through post-traumatic stress.  He knows he doesn’t have PTSD (using Grandpa G as a measuring stick) even if he doesn’t really understand that distinction because it felt unrealistic to me to have a 19-year-old with a tenth-grade education understand that distinction.  [steps down off soapbox] [carefully turns megaphone off to save battery power for future rants]

I also wanted to draw attention to the fact that Tom maybe, just maybe, gets Grandpa G now in a way he didn’t when he was 15.  And he gets why Jake always got Grandpa G.  Extrapolating from #31, it seems logical that Tom never really had much patience for their great-grandfather (Jake strongly implies that he was the favorite of the youngest generation, and no one seems to think it that odd that the yeerk is openly dissing the guy at his funeral).  I wanted to explore the idea that Tom probably still thinks that moving into a cabin in the woods and avoiding all human contact himself is a stupid and pointless idea, but that he could see why Jake might want to move into a cabin in the woods and avoid all of humanity for the rest of his life.

Obviously I wasn’t going to have Tom say “yes, father, I am currently experiencing moderate to severe forms of post-traumatic stress, but I anticipate a return to a different form of normalcy through the positive benefits of talk therapy and mutual countertransference with a focus on cognitive reframing to result in a return to baseline levels of adaptation within one year of the present time, in line with Miller and Baldwin’s (1987) theory on the implications of the wounded healer.”  Even though that’s kind of what I wanted to convey with this fic.  Tom’s not okay at the time when this conversation takes place, but he also understands enough—about himself, about what’s happening with Jake, about what happened with Grandpa G—to be pretty sure that he’s going to be.

[roominthecastle]

Hi! Could you help me to understand the whole GoT petyr/sansa situation? Because after reading Aidan's new interview I feel I should give up. It says: As for Petyr's affection for Sansa Stark, Gillen cleared the air."I’m not really playing a romantic interest there. I know that’s how it appears, but it’s something slightly different," Being romantic with Sansa in unintentional. I'm a huge fan of Jane Austin books and so on, therefore I was sure he feels for her. But aidan keeps denying it. Thx

I think dude’s getting tired of trying to explain the twisted little intricacies of this extreme mess of a relationship, anon. And it’s not like the show itself cares anymore, so why should he do the heavy lifting off-screen? Now he’s sticking to “mentoring” - it’s easy, digestible, simple, safe. If you look at older interviews, he goes into more detail, talks about genuine feelings and shades of twisted romance, survival, and past traumas influencing this current dynamic. I, for one, have 0 issue w/ him resisting any clearcut romance label. It would be v irresponsible and misguided to reduce PXS to that. It’s a tale but of the cautionary and not of the fairy variety.

I’m also a firm believer in the other thing he keeps repeating:

“There’s a certain lack of clarity in what he’s after, and I think that’s the way it should be. I don’t think I should have to say anything about it.”

Amen. (btw GRRM takes a similar stance about his writing in general - the cracks among canon facts are yours to interpret)

That “lack of clarity” is where the highest fun-potential tends to reside, anon, and we are encouraged to make what we want of it. I do not believe you should give anything up just because it is not pure, 100% vetted & verified canon. I know this is the big trend these days - obsessively seeking off-screen/off-page validation/confirmation before we give ourselves (and worse, others) permission to enjoy sth - but it’s also the biggest collective fandom bullshit ever produced.

PXS lends itself to several possible interpretations, all of which you’re allowed to toy with, and there’s room in it for dark romance, the idea of which you are allowed to enjoy whether its seeds bloom into canon or not. At the end of the day stuff in the show or the books is not any more real.

I believe fans should be interpreters of fiction, not slaves of it, so bottom line here is: you can keep enjoying it bc despite the worst reductive efforts of the show, there is plenty to enjoy and explore. imo, ofc

[tashkandi]

Catholic Marriage FAQs

Why does the church teach that marriage is a sacrament?

The sacraments make Christ present in our midst. Like the other sacraments, marriage is not just for the good of individuals, or the couple, but for the community as a whole. The Catholic Church teaches that marriage between two baptized persons is a sacrament. The Old Testament prophets saw the marriage of a man and woman as a symbol of the covenant relationship between God and his people. The permanent and exclusive union between husband and wife mirrors the mutual commitment between God and his people. The Letter to the Ephesians says that this union is a symbol of the relationship between Christ and the Church.

Do Catholics ever validly enter into non-sacramental marriages?

Yes. Marriages between Catholics and non-Christians, while they may still be valid in the eyes of the Church, are non-sacramental. With permission, a priest or deacon may witness such marriages.

What is the difference between a valid and an invalid Catholic marriage?

Just as individual states have certain requirements for civil marriage (e.g., a marriage license, blood tests), the Catholic Church also has requirements before Catholics can be considered validly married in the eyes of the Church. A valid Catholic marriage results from four elements: (1) the spouses are free to marry; (2) they freely exchange their consent; (3) in consenting to marry, they have the intention to marry for life, to be faithful to one another and be open to children; and (4) their consent is given in the presence of two witnesses and before a properly authorized Church minister. Exceptions to the last requirement must be approved by church authority.

If a Catholic wants to marry a non-Catholic, how can they assure that the marriage is recognized by the Church?

In addition to meeting the criteria for a valid Catholic marriage (see question #3), the Catholic must seek permission from the local bishop to marry a non-Catholic. If the person is a non-Catholic Christian, this permission is called a “permission to enter into a mixed marriage.” If the person is a non-Christian, the permission is called a “dispensation from disparity of cult.” Those helping to prepare the couple for marriage can assist with the permission process.

Why does a Catholic wedding have to take place in a church?

For Catholics, marriage is not just a social or family event, but a church event. For this reason, the Church prefers that marriages between Catholics, or between Catholics and other Christians, be celebrated in the parish church of one of the spouses. Only the local bishop can permit a marriage to be celebrated in another suitable place.

If a Catholic wishes to marry in a place outside the Catholic church, how can he or she be sure that the marriage is recognized by the Catholic Church as valid?

The local bishop can permit a wedding in another church, or in another suitable place, for a sufficient reason. For example, a Catholic seeks to marry a Baptist whose father is the pastor of the local Baptist church. The father wants to officiate at the wedding. In these circumstances, the bishop could permit the couple to marry in the Baptist church. The permission in these instances is called a “dispensation from canonical form.”

If two Catholics or a Catholic and non-Catholic are married invalidly in the eyes of the church, what should they do about it?

They should approach their pastor to try to resolve the situation.

When a Catholic marries a non-Catholic, must the non-Catholic promise to raise the children in the Catholic faith?

The non-Catholic spouse does not have to promise to have the children raised Catholic. The Catholic spouse must promise to do all that he or she can to have the children baptized and raised in the Catholic faith.

Is it required that a wedding celebration have expensive flowers, clothes and other accompaniments?

The Rite of Marriage makes no reference to any of these cultural elements. The focus of the couple should be on the celebration of the sacrament. Pastors repeatedly point out that a couple do not have to postpone the celebration of the Sacrament of Marriage because they cannot afford such things. See Budgeting for Your Wedding.

How much does it cost to get married in the Catholic Church?

Dioceses often regulate the stipend, or offering to the church, that is customary on the occasion of a wedding. Depending on different areas, this might also include the fee for the organist and vocalist. In a situation of true financial difficulty, couples can come to an agreement with their pastors so that true financial hardship will never prevent a Catholic marriage from taking place. For more information, see How Much Does it Cost to Marry in the Catholic Church?

What is a Nuptial Mass and when can a couple have one?

A Nuptial Mass is a Mass which includes the celebration of the sacrament of marriage. It has special readings and prayers suitable to the Sacrament of Marriage. The Sacrament of Marriage between two baptized Catholics should normally be celebrated within Mass.

If the situation warrants it and the local bishop gives permission, a Nuptial Mass may be celebrated for a marriage between a Catholic and a baptized person who is not a Catholic, except that Communion is not given to the non-Catholic since the general law of the church does not allow it. In such instances, it is better to use the appropriate ritual for marriage outside Mass. This is always the case in a marriage between a baptized Catholic and a non-baptized person.

Are weddings permitted on Sundays or during Lent?

Church law allows weddings to be held during most days of the year, except the Triduum. However, many parishes do not schedule weddings on Sundays because of the conflict with regularly scheduled Masses and other parish activities. In addition, some dioceses and parishes do not allow weddings during Lent, a season of penance.

What should a couple do when they decide that they want to marry in the Catholic Church?

They should contact their parish as soon as possible and make an appointment to talk with the priest, deacon or staff person who is responsible for preparing couples for marriage. This person will explain the process of marriage preparation and the various programs that are offered.

Why does the church require engaged couples to participate in a marriage preparation program?

Marriage preparation offers couples the opportunity to develop a better understanding of Christian marriage; to evaluate and deepen their readiness to live married life; and to gain insights into themselves as individuals and as a couple. It is especially effective in helping couples to deal with the challenges of the early years of marriage.

What kinds of marriage preparation programs does the church offer?

Depending on the diocese and the parish, several may be available. Programs include a weekend program with other couples, such as Catholic Engaged Encounter, a series of sessions in large or small groups or meetings with an experienced married couple. Some programs may be offered in Spanish and other languages. Specific programs address particular circumstances, such as remarriage, children brought into the marriage and marriage to a non-Catholic. As part of their preparation, many couples complete a premarital inventory, such as FOCCUS, to identify issues for further discussion.

What key issues are covered in marriage preparation?

Marriage preparation programs help couples to understand the Christian and the human aspects of marriage. Typical topics include: the meaning of marriage as a sacrament; faith, prayer and the church; roles in marriage; communication and conflict resolution; children, parenthood and Natural Family Planning; finances; and family of origin.

Is there a cost for marriage preparation programs?

Most programs charge a modest fee to cover the cost of materials. Programs that require an overnight stay will include an additional cost for rooms and meals. Assistance is frequently available for couples who would otherwise be unable to participate.

Does the church offer any programs to help couples to improve their marriage?

Yes. Peer ministry for married couples is widespread. Many couples meet in parish-based small groups; ministries such as Teams of Our Lady, Couples for Christ, and Christian Family Movement also use the small group approach. The Marriage Enrichment Weekend Program is offered in several states. Some parishes sponsor a retreat day or evening of reflection for married couples. Others offer a mentoring system that matches older couples with younger ones. Throughout the country, many couples participate in Marriage Encounter, which offers a weekend experience and ongoing community support.

What can a couple do if their marriage is in trouble?

Parish priests, deacons and other pastoral ministers are available to talk to couples and to refer them to counselors and programs that can assist them. Retrouvaille (Ree-tru-VEYE) is an effective program that helps to heal and renew marriages in serious trouble. The Third Option is another program that is available in some parts of the country.

What is an annulment?

An annulment is a declaration by a tribunal (Catholic church court) that a marriage thought to be valid according to Church law actually fell short of at least one of the essential elements required for a binding union (see question #3). Unlike civil divorce, an annulment does not erase something that was already there, but rather it is a declaration that a valid marriage was never actually brought about on the wedding day. A declaration of nullity does not deny that a relationship ever existed between the couple, or that the spouses truly loved one another.

How can a couple married 20 years get an annulment?

The annulment process examines the events leading up to, and at the time of, the wedding ceremony, in an effort to determine whether what was required for a valid marriage was ever brought about. While a marriage of 20 years provides evidence that a couple had some capacity for a life-long commitment, the duration of their relationship in itself does not prove or negate the existence of the marriage bond.

If a marriage is annulled are the children from it considered illegitimate?

No. A declaration of nullity has no effect on the legitimacy of children, since the child’s mother and father were presumed to be married at the time that the child was born.

Are annulments expensive?

Fees associated with the annulment process vary within the U.S. Most tribunals charge between $200 and $1,000 for a standard nullity case. Fees are typically payable over time, and may be reduced or even eliminated in cases of financial difficulty. Other expenses may be incurred when consultation with medical, psychological, or other experts is needed.

How long does it take to get an annulment?

It usually takes 12 to 18 months to complete the entire process.

The post Catholic Marriage FAQs appeared first on For Your Marriage.

from For Your Marriage http://ift.tt/2GX4Qcf http://ift.tt/1NctfYb