#in any arrangement

[deathberi]

*ੈ✩⋆˙༄˖°..ೃ࿔*:･-ˋˏ┈˚⟡˖⋆౨ৎ ⋆｡

[stars-obsession-pit]

Sorry I’m magically married to your brother

Jason gets ritually “sacrificed” by a cult to the Ghost King, which it turns out ends up forcibly marrying him to Danny.

So now Danny is forced to interact with him and the rest of Gotham’s vigilantes while they work to break that.

During that process, Danny starts to fall for… Tim.

(or could be any of them really, just specifically not the one he’s bound to)

Which means Danny now has two goals: get a divorce from his magically-assigned spouse, and seduce that spouse’s sibling.

…he’s never gonna live this down.

[shycorvid]

A demon twins idea where they think they're brothers, but due to some mishaps half of Danny's DNA belongs to Dick while Damian got Bruce's. They only find this out because Danny got real mad at his Grandfather and bit him hard enough to draw blood that one time so Ra's checked to see if he got rabies from his idiot grandchild and something in those tests didn't look right. He got his doctors to investigate further and oh no that child is Grayson's, they have to get rid of him fast.

Because Bruce might get a little mad at Talia for hiding his son from him if he ever finds out, but Richard Grayson? Richard Grayson would rain hell upon them.

[utaicon]

I want to allow requests for 3dmv gifsets but idk how to without making it super convoluted...

[canisalbus]

May I offer a little drawing of your dogs?

.

[mohntilyet]

veilguard spoilers regarding a josie romance. but can we talk about the letter josie sends to a romanced inquisitor because. i’m sorry. fucking losing my mind at the fact that the inquisitor and josephine are close enough friends with the guy the inquisitor duels in her romance to be invited to meet his third child. implying they’ve been invited to the other two. at a baby shower and getting introduced as the one who dueled the baby’s father because he was trying to steal your girl. antivan romances insane.

NO LITERALLLYYYYY. AND HE’S AN IN LAW. ITS TOO FUNNY. i cannot imagine how they met and how yvette probably was like “teehee…. the man that my sister spurned…. has fallen in love with ME!” and the best/worst part is that ortranto really has. i like to think of them running around with each other and secretly meeting as though their families actually hate each other (they really don’t lol) . the ortrantos would probably be delighted to have their son actually marry a montilyet like they wanted, even better that they’re actually in love and it’s not arranged!

i have this image of josie going like “you can’t marry him. is this a joke, because it’s not funny. i almost embarrassed him! the only reason the ortrantos do not hate us is because he is a very kind man who saw that i was in love with the inquisitor! ….yes i suppose a very kind man like that could love you…….. yes of course i want you to be happy…… yvette gabrielle montilyet, i fear you are not hearing what i’m saying— DON’T SAY YOU ARE ALREADY AN ORTRANTO. DID YOU ELOPE? ah okay. don’t do that. i said don’t do that. yvette come back and listen to me” etc etc

of course i must believe that there was a big scene caused (once again) by a montilyet and ortranto that ends with lord ortranto making a speech where the publicly declares his love for yvette in front of all of antiva city to see and hear. so there’s no backing out from this one. in my mind there’s a rehash of the big “BECAUSE I LOVE HER!” (ortranto, desperate but genuine), “you do?” (completely aghast josie who has somehow missed the fact her sister has been giggling even more than usual), plus an “OF COURSE HE DOES!” (a thrilled yvette) that reminds josie so fondly of her own love story that she's immediately relaxed (and suddenly accepting) about this whole thing <3

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[abusivelittlebunny]

Doomed Princess of Monaco

[visenyaism]

really what the wizard of oz is about is a plucky young sjw new deal democrat and her pet dog (useless VP nominee) getting even the brainless (reactionary southerners) heartless (yankee political machinists) and cowardly (white collar liberal bourgeois) (new deal coalition) to work together to defeat wizard jennings bryan who is trying to crucify oz on a cross of gold (yellow brick) who commands them to defeat the wicked witch of the west (industrialist union-busters) and her flying monkeys (thats evolution.) Before it is of course ultimately revealed that the Glinda the good witch (wilsonian liberalism) and wizard jennings bryan are of course charlatans with no electoral power beyond populist rhetoric. And what does Dorothy do? Click her ruby (red for the blood of the working man) heels together three times and realize that the power (expansion of executive authority) was in her purview (supply-side economics) all along. and then of course she gets home and reports her father to the proper authorities for planting an extra acre of wheat.

[rin-hanarin]

He's got that irresistible Mysterious Italian Attachment Style(c) with social awkwardness sprinkled on top.

[1doesnotsimplyhavejust1fandam]

This has most definitely been said before, but we were robbed of the core four quarantining on-screen together at Buck’s place. ROBBED I say

[comicaurora]

as a rule I don't do character song playlists but in retrospect damn this is a kendal number huh

[fexalted]

good omens + text posts (part 9)

an assortment i made last year with some season 2 mixed in for variety :3c

[sergle]

color accuracy is lost bc of lighting but this was the start of the granny blanket project, I gotta take another progress picture when I knock out a significant amount

[karleksmumskladdkaka]

Diabolik Lovers More Character Song SKiT Dolce Character Message Cards

EDIT: The cards have all been translated by the wonderful @otomehonyaku ♡〜٩( ˃▿˂ )۶〜♡. You can find the translations for the M bros here, and the S bros here!

Do NOT repost the scans anywhere!

[distant--shadow]

When Imogen wakes it is with an ache in her neck

a drop into reality unusually cushioned

a hand combing through her hair

and she can’t help the smile that breaks when she meets Laudna’s watchful eyes peering down at her, flushes shortly after.

“Sorry, did I fall asleep?”

Laudna smiles back at her, halts the hand playing with her hair.

“You did.”

An unspoken mutual agreement allows the moment to stretch in silence –

that or time is still fucky from Imogen only just waking up. It gives her enough of it to contemplate.

The sun must be high, the atmosphere muggy and the fauna all bustling as if it were a market day and the critters had stalls to set up and produce to bring home for their litters in the burrows. She feels the layer of sweat on her skin wherever the sun directly touches it, smells in waves where it heats the floor and diffuses the groundcover as if it were potpourri-

Above her, backlit - Laudna’s wearing a halo. The giant leaves of the giant trees are so high above them that the scale almost looks normal, the light breaking between the canopy in beams, sparkling in places where it catches insect wings and pollen, silhouetting edges of wiry strands of hair that act as though curtains on a canopy bed, all giving cover from the storm (should it come). It all feels so hazy, could be the vision starting to turn to grains of sand in her eyes like before a migraine but it’s also unusually clear, her head weightless despite the aching neck – funny what a handful of hours of good sleep can do.

The unspoken mutual agreement is ended.

“Did you rest well?” what did you dream about?

“I did, yeah...”

Unintentional, excusable really - waking with her defences down.

Wouldn’t be outta the ordinary to share.

“…dreamt we were back at Oddrún’s, was nice-” she withholds the details, just to save a little face. Exposes it anyhow, when she finds herself inadvertently taking the hand that had stilled in her hair, holding her palm up above her head with Laudna's lying flat on top of it “-then the roof caved in again and the place got swarmed with birds.”

“Birds?”

Imogen's thumb traces the knife-edge of the long nail on Laudna’s.

“Birds.” Imogen confirms, distracted, half-awake, giddy. The word already sounds funny; thrown back and forth between them. She chuckles at how her lips form around the repetition of it, says it again in Marquesian to see if it feels as abstract- that causes Laudna to quirk her brow from behind the fan of their fingers. “All different kinds, real cute and stuff, mostly. Place got furnished in feathers, was pretty chaotic - parakeets nestin’ in the cups and saucers and kingfishers in the rafters…” Laudna exhales a single syllable of a choral chuckle and Imogen has never felt so relaxed. “There was a kinda shady lookin’ big one standin’ on one leg in the corner by the hearth though, kept squawkin’.”

“Oh?”

“Yeah, think it was a shoebill. You ever seen one of those?”

“You know, I’m not sure. I wonder if there was any significance…”

Their fingers interlace, under Laudna's initiative. Imogen stares at the long nails now reaching to her wrist like plates of fine ebony gauntlets.

“I could try draw it for y’all, but I don’t think it’d help…” comes out audibly distracted, the points of Laudna's talons gently making contact with Imogen's scarred skin-

“Allow me to get my notebook~” Laudna enthusiastically sings – nearly cutting Imogen, their hands separating - and Imogen is left staring at the empty space that was occupied by the shape that the two of them made, wonders if there is a word for that, like ‘bird’ - each hand a wing of some amalgamation, dream chimera, released between palms.

Probably a word she doesn’t have the language for.

(passage and illustration from @picturesofthegoneworlds ' intertwined)