#in a group setting
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ghosts-of-love · 2 years ago
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scuse the long post but there was a post going round a while ago about how the Captain probably wouldn't say he's gay in the show bc that's not what it means in his vocab and i definitely agree with that BUT i can see it happening if his saying "gay" is meant to represent his welcoming the "fascinating modern age" that he now sort of inhabits, and show his progression from the era he has been tied to for so long.
it's also got me thinking about the reactions of the other ghosts because i think that whatever way he says it, everyone's different vocab is going to make it difficult for him especially in a Group Setting!
starting simple, "I'm a homosexual", miscommunication from the get-go when Julian pretends he doesn't know what it means just to stir shit up. robin desperately needs to know who the Captain is having sex with and why he has never been approached. Cap gets flustered and scarpers.
can imagine him being like,, "I am, as the youth say, gay" (trying to be hip and use slang because he's terribly modern now). half of them are like, yeah i'm happy too, what of it? but then Kitty absolutely jumps on that like, I'M a youth, I should be gay too!! starts going round telling everyone she's gay, you know?
Or, he does the whole "I prefer the company of men" thing which i LOVE (definitely read some excellent fic with this specific wording and it's just *chefs kiss*) but in a group setting?? it definitely leads to all the others being like,, umm misogynist much?? you hate women?? Kitty starts crying thinking that Cap would prefer to hang out with Julian over her. Mary headbutts him again, absolute carnage.
every single one of these potential coming-outs ends with Thomas thinking that the Captain is in love with him and he's very flattered but he's so in love with Alison...
the funny thing is that individually i think they'd all be fine to come out to (some better than others, some wouldn't be my first choice but overall, depending on what you're looking for in a reaction, they'd be great) but in a GROUP setting, it has the potential to be a real shit show and i love that.
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chloesimaginationthings · 3 months ago
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What if Mike and Jeremiah are the guards in FNAF 2..
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why aren't there more mysteries that take place in nursing homes & retirement communities. i want to watch a group of deranged retirees-cum-amateur-detectives combine their powers of:
decades of life experience
boredom-fueled busybody shamelessness
access to the most gossipy next-door-neighbors in existence
"I am too old to be arrested and/or give a shit" attitude
and solve crimes. this should be an enormous subgenre.
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dailypokemoncrochet · 4 months ago
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💾 Porygon 💿 Porygon2 💻 Porygon-Z 🖥
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tenojan-in-tevinter · 10 months ago
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Honestly there's no one I'd rather be on a forced saving-the-world road trip with than the origins gang. Sorry kotor companions sorry bg3 companions but no one does it like the origins gang. They are a family they are insane they are not to be fucked with they never would have been friends if they were given a choice in the matter. The perfect road trip squad.
They consist of the best dog in thedas, the worlds most royal himbo, a demi-god shapeshifting witch, a bisexual assassin nun, a bisexual assassin orphan, a powerful spell-slinging grandma living on borrowed time (who is bffs with a spirit), a giant spy man who doesn't know how to function by himself, the worlds grossest dwarf, and a giant statue that has a life goal to kill all birds.
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psychotrenny · 2 months ago
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Liberals of all sorts will confidently talk about what "indigenous peoples"* want in a way that makes it clear they've never studied a single anti-colonial movement in their lives. Like they can't conceptualise that the societies deemed "indigenous" are (by necessity of still existing) every bit as alive and part of the 21st century as any other people, instead preferring to think of them as nothing more than static museum exhibitions with any deviation from this being a lack of "authenticity". Nor do they imagine that resistance to colonising powers stems from the vicious destruction and exploitation these societies are invariably subjected to (by necessity of being classified as "indigenous"); rather they see it as a matter of idealistic preference for a "natural" and "primitive" life that leads them to resist the inevitable "march of civilisation" for its own sake
These sorts of foolish ideas are widespread, but groups will express them in more explicit terms than usual. Like Anti-Civs are really nothing more than the typical Liberal idea of the "Noble Savage" taken to a logical conclusion; if such people are so Noble then maybe we should aspire to Savagery. It's ultimately incredibly reactionary, whatever its adherents claim; a true progressive would reject the chauvinistic framing of "Civilisation vs Savagery" altogether
*nearly always as some sort of homogenous group, lacking meaningful variation both between societies and within them
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otaku553 · 10 months ago
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I’ve been trying to read the ace novel to practice reading Japanese and I find it really funny how deuce describes ace like he’s the heartthrob surfer dude male lead in some 2010s Disney film
Anyways here’s an ace since I was thinking about him
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payasita · 1 month ago
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oh please don't go! i'll eat you up, i love you so! 🎶
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jam fresh out the blender
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marypsue · 2 months ago
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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linipik · 1 year ago
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6000+ years, together
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marisatomay · 3 months ago
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The Interview with the Vampire movie had its 30th anniversary this week so here is the portion of Tom Cruise’s 1994 Interview Magazine interview in character as Lestat
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kerosene-in-a-blender · 5 days ago
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The wildest thing to me about Ashton's Deus Essek Machina resurrection is that Matt didn't even call a resurrection skill challenge for it, it was late and I may have missed it, but I don't think he even rolled as Essek to see if his contribution of raw dunamis would be enough. Essek intervened and Ashton simply... was revived, at the cost of Essek revealing himself to the Dynasty which had zero emotional impact on the Hells.
Which is nuts when considering that after she was resurrected Ashton asked Laudna: "What was it like to wake up and everyone was still there?" As after they fell out the window of Jiana Hexum's mansion when that burglary went bad the Nobodies bailed on them, and it was only Milo's intervention and impulsive use of a Potion of Possibility that saved him. How emotionally resonate would it have been for Ashton to fall again, and hear the voices of his friends calling him back to life, because they are STILL THERE and refuse to give up on them.
I'm not against having to have dunamacy involved in bringing Ashton back, delivered via Essek or otherwise, given the nature of how Milo saved him in the first place, but I think the stronger choice was to have that be what allowed the resurrection to proceed as normal, in much the same way freeing his soul from Orthax allowed the normal progression of Percy's first resurrection. Rather than what we got which was that Essek poured dunamacy into Ashton and they were immediately fine. There was the opportunity to sit in the moment of Ashton's friends not abandoning them this time and him getting to wake up to everyone still there, and it's bizarre that in a finale that ended up nearly 9 hours long, that we effectively fast forwarded through it.
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milkcos · 10 months ago
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lemonade mouth/band au! more notes under the cut
lemonade as in like the disney movie! so there are a couple like clear comparisons but mostly it's the bad kids get stuck in detention together except they form a band instead of an adventuring party
fabian > no equivalent (olivia vibes)
the most popular kid at school who is both in dance and on the football team. somehow gets decent grades as well. no close friends, but a lot of people who know him and want to get on his good side. kind of depressed, and his dad's currently in prison. he started playing the guitar as a way to show off and then genuinely started enjoying it
adaine > mo
she's a concert violist (playing the viola) always an accompaniment for her sister and is striking it out on her own for the first time. her family is very upset about this, and consistently puts her down so she'll go along with they want her to do. also she recently transitioned to going to public school for the first time, making her the new girl.
kristen > no equivalent
she's recently ex mormon, got out of her parents house (currently living in her car) and without all of her former friends stuck in a student president position that she got when she was still with the religion. questioning her sexuality after one too many encounters with the soccer team captain, tracker. used to be on the church choir, was a bit too enthusiastic about it.
gorgug > no equivalent (charlie vibes)
he's got like one or two kinda friends (mainly fig). extremely busy with his classes and with marching band and self isolating as a result. he's stressed out about living up to his parent's name (they run a very successful electric engineering company). signed up to work as a sound tech for the theatre department bc one of the female stage managers is very cute (zelda) and then discovered that he rlly like it.
riz > no equivalent
no friends! (other than maybe the AV club + penny) too used to burying himself in work at both his part time gig and with his insane amount of extracurriculars. started playing the piano bc he heard it helps with memory retention and overall cognitive ability.
fig > stella/wen
she's the cool loner skater kid who is the floater friend mostly? she's got a maybe relationship with ayda, who she loves to annoy at the school library. very interested in making her own music not very interested in school. freaking out over her parents getting remarried. her mom enrolled her in music lessons when she was younger, and it's one of the only things she can talk about with her mom these days.
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dailypokemoncrochet · 2 months ago
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Daily Pokemon Crochet 2024
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There's 80 Pokemon in here! Can you name them all?
Additional closer up pictures, loosely in the order shown in the large picture:
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kestrel-of-herran · 2 months ago
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i know you wanna come a little closer
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