#imogen poots edits

[tuppencetrinkets]

~#75,000 icons of Imogen Poots, 200x100, slightly sharpened from: 28 Weeks Later, A Late Quartet, Black Christmas, Castle in the Ground, Centurion, Chatroom, Christopher and His Kind, Comes a Bright Day, Cracks, Filth, Frank and Lola, French Exit, Fright Night, Green Room, Greetings from Tim Buckley, I Know This Much is True, Jane Eyre, Jimi All is by my Side, Knight of Cups, Me and Orson Welles, Miss Austen Regrets, Need for Speed, Outer Range, Popstar Never Stop Never Stopping, Roadies, Rule Number Three, Solitary Man, Sweet Virginia, That Awkward Moment, The Art of Self Defense, The Father, The Look of Love, V for Vendetta, Vivarium, Waking Madison and Wish.

This content is free for anyone to use or edit however you like; if you care to throw a dollar or two my way for time, effort, storage fees etc you are more than welcome to do so via my PAYPAL.  Please like or reblog this post if you have found it useful or are downloading the content within.  If you have any questions or you have any problems with the links or find any inconsistencies in the content, etc. please feel free to drop me a politely worded message via my ASKBOX (second icon from the top on my theme!)

[jacklesraised]

Imogen Poots, Need for Speed (2014)

[tpotr]

PRINCESS AEREA TARGARYEN fanfic edit | f!aegon ii targaryen

The first daughter of King Viserys I and Queen Alicent Hightower. A willful girl since birth, Aerea was known to have a silvertongue with taste for gold. With a penchant for scandal and sullen rebeliousness as a weapon, she was a menace and a force within the Red Keep and the streets of King's Landing; hated and loved at the same time.

[schrutexbucks]

Werm found out that she was leaving… but she didn't say that it was with you. "Meat Grinder" that song was their cue.

Green Room Directed by Jeremy Saulnier (2015)

@finalgirlsource final girl appreciation week: day 3 (oct 9) : underappreciated final girl

[etetcetera]

In [ this pack ] you’ll find #444 gifs of Imogen Poots in Outer Range (Season 2), all made from scratch by me.

Feel free to: use them for roleplay reactions/sidebars/etc, edit them for personal use.  Please do not: claim as your own, edit for redistribution (ie gif icon packs), include in gif hunts (you can link directly to this post).

[nemesisgifs]

✦ public pack (commission work) ⸻ [ #60 gifs ] imogen poots, filth [ 2013 ] / click on the source link below to be redirected to the gif page. all of the gifs were made by me, so do not claim them as your own or edit in any way without my permission. please like and reblog if you’ll be using them!

content warnings: n/a.

commission info: click here.

[weclassybouquetfun]

AFC Richmond check-in.

-A few birthdays - Jeremy,Hannah, Juno and Stephen.

-Some work: Jeremy Swift can be seen in the Disney Channel movie DESCENDANTS: THE RISE OF RED as Principal Merlin

Brett Goldstein will have a film playing the Toronto Film Festival. Directed by Goldstein's SOULMATES co-creator William Bridges and written by Goldstein and Bridges, ALL OF YOU borrows from their SOULMATES concept and stars Imogen Poots, Steven Cree and Zawe Ashton.

Have to get used to a clean-shaven Brett.

Hush your butts - more AFC Richmond blatherings under the cut.

Kola Bokinni will be on the celebrity edition of RACE ACROSS THE WORLD.

Moe Hashim was at San Diego's Comic Con in support of the Peacock/Amazon Prime Videos series THOSE ABOUT TO DIE (which I love. Blew past the entire series nearly in one go.)

Kwame the Lionkiller.

A nice respite from his basketball feud with Toheeb Jimoh. I wonder how well the both of them would fare against Jason on the court.

Toheeb, who has been off doing a play reunited with Hannah and Koala at F1

Saran Niles will actually be in a F1 film with Brad Pitt.

Nick Mohammed was recently seen in the Steven Moffatt dramedy (entertaining, but a tad ham-fisted) DOUGLAS IS CANCELLED.

Phil Dunster was on Chris Evans' show promoting his upcoming performance in OKLAHOMA.

Little Gus Turner won an award for his role on TED LASSO.

Hannah and Juno both celebrated their Emmy nods. Hannah for her voiceover work on KRAPOPOLIS (her Christmas special was also nominated) and Juno for her role in FARGO.

Maximilian Osinski got some love from Screenrant.

Billy Harris and Charlie Hiscock memories from their July IG dump.

David Elsendoorn just because.

James Lance looking cool and living life at the Newport Folk Festival.

[arkhan-rpg]

— IMOGEN POOTS GIF PACK.

click [ HERE ] or in the source link for #43 gifs [700x700] of IMOGEN POOTS as Arianne in Centurion. all the gifs have been created from scratch by me so don't repost in other hunts or claim as your own. if you want to edit, don't forget my credit [arkhan]. like or reblog would be greatly appreciated if you found this useful. ♡

[acourtofquestions]

What are your fav, crack, or random fancasts?

• Maasverse edition •

These are totally unresearched, off the cuff, not based on acting abilities (reality) or even chemistry (ages together) etc. ... honestly half are probably from a glance at Pinterest & other accounts, or shower-thought-style-randomness of crack-fan-theories at 2am (lol) but with that said here's some fancasts I currently love... and I'd love to hear yours too!

ACOTAR

Rhysand — Jan Ravnik

Feyre Archeron — Danielle Rose Russell

Nesta Archeron — Imogen Poots

Elain Archeron — Lily James, Elle Fanning

Lucien Vanserra — Tom Busson

Mor — Claire Holt

Gwyn — Abigail Cowen

Amarantha — Sophie Turner

lanthe — Dove Cameron, Sabrina Carpenter, Cara Delevigne, Dakota Fanning (Jane Twilight reference)

Cassian — Jason Momoa (lol I can’t help it😂 ever since I saw this crack fan cast I can’t un-think it & now for some reason I find it hilarious/weird/perfect)

🖤Additional Nonsense Bonus: Ben Barnes as Rhys🤦‍♀️(I’ll always love Darkles😂)

TOG

(Still reading so there’s a little more guesswork right now)

Celaena Sardothien — Ellie Bamber (especially for Aelin… Abigail Cowen would also do that side well), Ashley Benson (especially during Assassins Blade), Dove Cameron (especially for the Lillian Gordana facet)

Chaol Westfall — Max Irons, Jenson Ackles

Dorian Havilliard — Darren Criss (can’t get this one out of my head), Evan Nikopolous (thanks to Pinterest), Ian Somerhalder

💖Bonus for any of the Holland’s (Tom or his brothers — though they’re really life gems, Hollis sounds so close to Holland it’s all I can think of😂🤦‍♀️)

[insanityclause]

The ask you got from alexa-santi-author about Goldstein's Instagram post saying Zawe is second from romantic lead. The IMDb page for the film has Imogen Poots as Laura as the romantic lead role who is in the film still with Brett as the two friends posted on the TIFF tweet. I don't know what to interpret from this why Zawe is second from romantic lead.

Jenna Coleman is also tagged mentioned in Goldstein's Instagram post yet neither Jenna nor Zawe are on the IMDb cast for All Of You

Zawe is listed on IMDb. We don’t know what role she has.

As for Jenna, generally IMDb updates are based on published info like the TIFF announcement, which was picked up by the trades. Zawe was mentioned in that, but Jenna wasn’t. They usually don’t update based on an IG post, but you’re welcome to edit the page. They may remove it until it’s confirmed by a different source, though.

[tuppencetrinkets]

Sorted caps, season 1. Outer Range.

Deirdre O’Connell - Patricia Tillerson ~2,000

Imogen Poots - Autumn ~9,000

Isabel Arraiza - Maria Olivares ~2,000

Josh Brolin - Royal Abbott ~7,000

Lewis Pullman - Rhett Abbott  ~2,000

Lili Taylor - Cecilia Abbott ~5,000

Matt Lauria - Trevor Tillerson ~600

Morningstar Angeline - Martha Hawk  ~700

Noah Reid - Billy Tillerson ~4,000

Olive Abercrombie - Amy Abbott ~3,000

Shaun Sipos - Luke Tillerson ~2,000

Tamara Podemski - Sheriff Joy ~8,000

Tom Pelphrey - Perry Abbott ~6,600

Will Patton - Wayne Tillerson ~2,500

This content is free for anyone to use or edit however you like; if you care to throw a dollar or two my way for time, effort, storage fees etc you are more than welcome to do so via my PAYPAL.  Please like or reblog this post if you have found it useful or are downloading the content within.  If you have any questions or you have any problems with the links or find any inconsistencies in the content, etc. please feel free to drop me a politely worded message via my ASKBOX (second icon from the top on my theme!)  

[byneddiedingo]

Knight of Cups (Terrence Malick, 2015)

Cast: Christian Bale, Cate Blanchett, Natalie Portman, Brian Dennehy, Antonio Banderas, Frieda Pinto, Wes Bentley, Isabel Lucas, Teresa Palmer, Imogen Poots, Ben Kingsley (voice). Screenplay: Terrence Malick. Cinematography: Emmanuel Lubezki. Production design: Jack Fisk. Film editing: A.J. Edwards, Keith Fraase, Geoffrey Richman, Mark Yoshikawa. Music: Hanan Townshend.

Two films kept coming to mind as I watched Terrence Malick's Knight of Cups: Federico Fellini's La Dolce Vita (1960) and Andrei Tarkovsky's Mirror (1975). Fellini's film because the journey of Malick's protagonist, Rick (Christian Bale), through the decadence of Hollywood and Las Vegas echoes that of Marcello's (Marcello Mastroianni) explorations of Rome. Tarkovsky's because Malick's exploration of Rick's life exhibits a similar steadfast refusal to adhere to a strict linear narrative. Most of us go to movies to have stories told to us. Our lives are a web of stories, told to us by history and religion and science and society, and most explicitly by art. We tend to prefer the old linear progression of storytelling: beginning, middle, end, or the familiar five-act structure of situation, complication, crisis, struggle, and resolution. But artists tend to get weary of the straightforward approach; they like to mix things up, to find new ways of storytelling. The modernist novelists like Joyce and Woolf and Faulkner eschewed linearity, and filmmakers have tried to take a similar course. They have the advantage of working with images as well as words. So Malick, like Tarkovsky and Fellini and others, experiments with editing and montage to meld images with language and gesture to probe the psychological depths of human character and experience. The problem with experimentation is that experiments fail more often than they succeed. Some think that Knight of Cups is a successful experiment, but most critics and much of the film's audience seem to disagree, to judge from, for example, a 5.6 rating on IMDb. Knight of Cups spent two years in post-production and there are four credited film editors, which suggests that Malick over-reached himself. For me, what was lost in the process of making the film was a clarity of vision. Granted, the lives of human beings are messy, loose-ended things, but what do we depend on artists to do but try to make sense of them. I think Malick lost sight of his protagonist, Rick, in trying to interpret his life and loves through the film's odd amalgamation of John Bunyan's Pilgrim's Progress and the Major Arcana of the tarot pack and then overlaying it with a collage of images provided by Emmanuel Lubezki's camera. We glimpse Rick through filters, grasping for moments that will resolve into something substantial about him, his problems with his family and with women. And for all the casting of fine actors like Bale and Cate Blanchett and Natalie Portman, the production negates their attempts to create characters. In fact, their starriness works against them: Instead of being drawn into the character of Rick or Nancy or Elizabeth, we're removed from them by the familiarity of the actor playing them. I understand what admirers of the film like Matt Zoller Seitz are saying when they proclaim, "The sheer freedom of it is intoxicating if you meet the film on its own level, and accept that it's unfinished, open-ended, by design, because it's at least partly concerned with the impossibility of imposing meaningful order on experience, whether through religion, occult symbolism, mass-produced images and stories, or family lore." But I wonder if that's enough to make an experiment successful. I came away from Knight of Cups knowing nothing more about its characters than I did before I met them.

[knowyourbmovieactors]

OCTOBER HORROR MOVIES 2024 (DVD EDITION) #20 28 WEEKS LATER

The original 28 Days Later was one of those shocks that no one saw coming. Directed by Danny Boyle (known at the time mostly for pitch black comedies like Trainspotting) on a tiny budget and starring a bunch of nobodies like Naomie Harris, Christopher Eccleston and Cillian Murphy, it was a huge surprise hit in 2002 that almost singlehandedly revived the the cinematic zombie genre. For a good decade and a half previous to this, the horror film industry had been all in on vampires. Zombies were old, stale and slow; but Boyle gave the world something it hadn't seen before: fast-moving, screaming, virus-created zombies. OK, sure, George Romero himself already did that back in the '70s with The Crazies, but hardly anyone remembers that movie, and Danny Boyle is a really great director who brought a ton of seriousness, style, and substance to the story and put zombie horror back on everyone's minds.

And that's why the 2004 remake of Dawn of the Dead happened (complete with fast-moving, screaming zombies), which launched the movie career of Zack Snyder, which culminated in a series of dreary DC universe movies that the most obnoxious bros on the internet screamed about until the production company caved and actually gave them the mythical "Snyder Cut" of a dumb, bad, and bloated movie, that only made it more dumb, bad and bloated, but also signaled to all the toxic fanboys in the world that you can actually bully a multi-billion dollar film company into doing anything you want as long as you pour enough righteous anger into the internet, which is why almost every piece of legacy media is now covered in a goopy dribble of fan service that continues to drown out any actual merit or originality that might be left in it. Yes, that's all ultimately Danny Boyle's fault.

But, hey, at least 28 Days Later was really good. So, here's the obligatory sequel to the surprise hit, not even directed by Danny Boyle, and it's probably a mess, right?

Surprise! It's also good! Director Juan Carlos Fresnadillo, in his first English language film, so faithfully recreates the look and feel of the original film (from the washed out color grading, to the handheld camera work, to the frenetic editing, to all of the quiet, tense moments that actually make the big action sequences feel overwhelming) that it's hard to believe that this isn't a bunch of footage that was shot at the same time as the original. However, it's not fan service. There's not a single character from the first movie here. We're just dropping back into the same world we previously saw and telling a new story in it. Now we've flashed forward in the Rage virus pandemic, when all of the original infected have died from starvation and exposure. People are beginning to trickle back into the devastated London, including a family whose mother supposedly died in the outbreak and whose father is desperately trying to forget how he ran away at the moment his wife needed him most.

Just as in original movie, the director deliberately tried to cast actors who were not already household names. Of course, today you know names like Idris Elba and Jeremy Renner and maybe even Imogen Poots, but in 2007 Elba was just moving on from a decade of doing forgettable one-offs on TV shows, Renner had yet to have his breakout role in The Hurt Locker and Poots was an 18-year-old who had only been in one movie before. The biggest star at the time was probably Robert Carlyle, who had been in both The Full Monty and Trainspotting (and who, by the way, turned down the part in 28 Days Later that went to Christopher Eccleston).

Carlyle is great, both as the shame-filled father trying to put a life back together for his kids, and (once he is infected) as the raging murder monster stalking them in the streets. There's something very particular in the way he plays being one of the infected, as if he still has some flicker of recognition of his family, even if he can't control what he's doing. Imogen Poots is fine, being still basically a child actor. Idris Elba is in a totally forgettable role, cast mainly because he looks good in a military uniform and can speak with a decent American accent. And Jeremy Renner is, as always, a Jeremy Renner type. His role in this movie--a disillusioned US sniper who refuses to shoot uninfected civilians and goes AWOL to protect them--basically serves as his audition for The Hurt Locker.

Like 28 Days, 28 Weeks is working on a couple different levels. On a broad level, of course, it's a study in how humanity reacts to overwhelming tragedy; but on the individual level, it's about some survivors of the tragedy having to come to terms with the fact that they did not rise heroically to the challenge that it brought. Also, if you were a functional, cognizant adult in the 2000s, it's not hard to see the intense critique of the US military operations in Iraq and Afghanistan. In the film, a UN coalition force (which mainly seems to be made up of US troops) is occupying the now destroyed Britain and taking a stab at nation building in an overly-confident, almost arrogant way; and when things go wrong, they just start dropping bombs. Does any of that sound familiar? It's hard to watch as the military brass in the film panics and orders their soldiers to just start firing at everyone, infected and non-infected alike, and not think about how badly America bungled its two most recent wars in real life.

The only mark against 28 Weeks Later is that it couldn't just come out of nowhere with a surprise punch like 28 Days Later did. It had expectations, and even though it met those expectations, it's hard to top a true classic. So, stay tuned for when 28 Years Later comes out next year! May it once again meet expectations.

THINGS I LEARNED FROM THE DVD EXTRAS

-It's actually a little bit untrue to say that Danny Boyle didn't direct. While he did decline the director's chair here because of his previous commitment to direct Sunshine, he was on set A LOT to advise Fresnadillo. So much so that he ended up taking over the 2nd unit and directing it until he got so into his work that he seriously injured his shoulder. From what I saw in the special features, this wasn't some ego-driven thing on the part of Boyle. The guy just really fucking loves his job.

-Rather than casting regular extras, the production hired a small army of trained dancers, acrobats, and mimes to play the infected and treated scenes with them more like choreography than mere blocking. They are WAY into it. Some members of the regular cast talk about how genuinely terrifying they were on set.

-In his interviews, Jeremy Renner acts like an adorably enthusiastic dope who is absolutely blown away by everything about making a film. While watching him talk, I actually thought, "Aw, how cute, this 22-year-old kid just got to do his first big movie!" But then I looked up his bio, and, nope, Renner was 36 when this was made and had been acting in movies since 1995. Maybe Jeremy Renner just IS an adorably enthusiastic dope.

[elyyxium]

hi! sorry to bother, i just saw you had a gif pack of colin farrell from fright night and wasn't sure if you had giffed imogen poots in that film as well? i could have sworn there used to be one of her from the film in the tags but can't seem to find it. thanks!

Hi babes! Never a bother at all.

I have not actually. But I know there is at least one pack floating around there.

You know what I do when I'm looking for a specific project? I google it like Actor Name + Gif Pack + Movie Name and honestly nine times out of ten, it's one of the first results. I find it easier than searching on tumblr sometimes.

I hope this helps!

[etetcetera]

In [ this pack ] you’ll find #186 gifs of Imogen Poots in Comes a Bright Day (2012), all made from scratch by me.

Feel free to: use them for roleplay reactions/sidebars/etc, edit them for personal use.  Please do not: claim as your own, edit for redistribution (ie gif icon packs), include in gif hunts (you can link directly to this post).

[rogerdeakinsdp]

Imogen Poots by Damian Foxe for Amazing Magazine, Summer 2022