#immortal nations are scared of the undead/dead

[if-you-like-pina-colada-s]

I want to write like, a story about the nations getting haunted. I just think it'd be a fun concept. The immortal being haunted by the dead.

Considering we already know a handful of them are scared of ghosts, I think there's something we can milk outta that. I mean, why are they scared of ghosts?? Not like ghosts can kill them. Or can they?? Idk! It's kind of funny to me. Maybe even ironic.

On the other hand, it would also be an interesting way to explore just how similar (or how different) folklore is in different countries. What are the Nations scared of? Why? What common themes appear often in ghost stories across the world?

Part of my reason behind this fic idea is "what themes of fear are similar across different cultures and how does it unite us under a common cause?" And the other part is "hehe I wanna make em scream like little girls >:)"

[mykomivenn]

OC! Mykola Venncre

I'm sorry this is isn't any fandom related but i am giggly and want to share my oc with someone... (Her sketch is like... Down there)

TRIGGER WARNING: mention of necrophilia, death, mention of dead corpses (yeah i mean... Do they mean the same? Wtv)

Mykola Venncre

443 years old (died at 28)

Occupation:

Doctor (former)

Necromancer (former)

Mortician (former)

Embalmer (current)

Race:

Spectralist (current)

Human (former)

Ghost (undecided)

Mykola, as stated in her record book. Died 400+ years ago during the 'great war' between 3 former rival nations, Helvade, Nautique and Nirvana. Angels of Nirvana believed Mykola's death was a sole tragedy and wants to give her another chance in living since she was still considered young when she's apart of the war. Though, the process however was not what the angels expected it to be, thus she ended up becoming what they now call, "Spectralist"

Spectralist is essentially a hybrid between a mortal and the undead. They become immortal (half human half ghost) who's memory will be erased in order to be able to live life to the fullest, quoted by a nirvanian

Though it seems that despite with an eraded memory, what remains is Mykola's fascination with (a more polite term) lifeless corpses

Mykola can phase through walls like a ghost, and can eat and digest properly like a human. Many wanted to do experiment on her but they're too scared to get close to her due to how chronically insane she is (assumed by the nation)

At some point when she's too desperate, Mykola will actually go around murdering men and women (grown ups per say) just to embalm and look after them for her own sick pleasure

Probaby useless fun facts:

Mykola goes by She/They

She currently owns a green cockatoo named "Pandan"

Her favorite food is steamed buns

They can see without the glasses but wears then anyway cause they made her look stylish

Mykola is kind. But not a good person to be around with

Alright, i think that is all! Fyi everything I've written here are my own creations. Lmk if you're interested or have more questions to ask! See you in the next one my sunflowers 🌻

[johannestevans]

The #MonstrousMayChallenge 2021

Love monsters?

The #MonstrousMayChallenge is going to be a series of monster-centric prompts for every day of the month of May!

Draw, write, talk about, analyse, shitpost, critique, rec, discuss, create, consume, and otherwise have fun with each prompt.

Tell your friends, pick and choose the prompts that you like best: make art, make fiction, make rec lists, make jokes, make monsters!

May 1. What is a Monster? May 2. How to Talk to Your Monster May 3. The Vampire May 4. Iconic Settings May 5. Feeding Time May 6. The Lycanthrope May 7. Adverse Weather Conditions May 8. The Monster in Love May 9. The Undead May 10. "... and add a monster." May 11. A Baby Monster May 12. The Alien May 13. The Domesticated Monster May 14. Clothing Your Monster May 15. The Mermaid

May 16. The Gentle Kaiju May 17. Monstrous Transformations May 18. Angels & Demons May 19. Monstrous Flora May 20. The Monster in History May 21. The Hybrid May 22. Kept Captive May 23. The Human is the Monster May 24. The Dragon May 25. The Monster Dies May 26. The Hive-Mind May 27. The Fae May 28. The Monster Extinct May 29. Cultural Differences May 30. The Minotaur May 31. Happily Ever After

The full write-up for the #MonstrousMayChallenge is below the cut — for every day of the month of May 2021, there’ll be a new prompt all to do with creating monsters and monster-centric stories!

You can either go directly off of the prompts themselves, or if you want a little more inspiration, you can come check this post for more in-depth exploration of the idea in question.

For each entry in response to the prompts, regardless of what platform you post to, make sure to tag the #MonstrousMayChallenge! In the meantime, just spread the word and tell your friends to get them ready for May!

Feel free to pick and mix the prompts you like best, to skip any prompts that don’t suit you, or to swap in prompts of your own if you like — every 3rd day is a specific category of “classic” monsters, and they’re not for everybody!

“Monsters are the patron saints of imperfection.” — Guillermo del Toro (x)

The emphasis on all of the prompts below are on monster-centric and monster-POV stories. Monstrous romances and monstrous erotica are both welcome and encouraged, just as much as platonic monstrosity is, and please feel free to join in regardless of your medium, whether you draw, write, animate, or create in another way entirely!

Just a note as to what expect — this challenge is intended for those who love monsters, who identify with monsters, who feel for the monsters, and all the prompts are written with that expectation in mind.

One small note: throughout these prompts there are references to folklore and ideas from different cultures and backgrounds. When exploring ideas from cultures that aren’t your own, remember that not every representation of spirits or monsters can be divorced from its original context, and take care to do your research to ensure you aren’t harming others by furthering harmful stereotypes or appropriating ideas of cultural importance.

We’re all here to have fun, which means that using a love of monsters as a vehicle for racism (whether that’s outright or by upholding colonial and imperial ideas, appropriating from other cultures, or fetishising other races and cultures) is not what we want to see in the course of this challenge, and isn’t welcome here.

Note the above especially in regards to the Alonquian W*nd*go.

Saturday 1st May 2021 — What is a monster?

Here’s a warm-up challenge to start the month off:

For you, what is a monster? What makes a monster monstrous? What delights you, excites you, scares you, horrifies you about a monster? What fills you with affection for monster?

When you first hear the word monster, what springs first to mind?

This is a free space — talk about, write about, draw, animate, sing about, the monster(s) you love best, and why you love them!

Sunday 2nd May 2021 — How To Talk To Your Monster

How does your monster communicate?

Do they have a mouth, lips, a tongue, like humans do? Do they communicate verbally at all? Do they communicate via telepathy, via their tentacles, or their limbs? Do they speak, but at a pitch or volume or speed inaudible or incomprehensible to human ears? How is this gap bridged?

Does your monster understand humans but struggle to make itself understood? Does your monster want to be understood?

Alternate: How does your monster communicate with other, different monsters?

Monday 3rd May 2021 — The Vampire

The vampire is a walking corpse that sustains itself by feeding off the the blood of the living.

There are a thousand variations on the myth — a corpse that rises from its grave at night only to mindlessly glut itself on the prey it can find becomes a reclusive gentleman who lives in isolation in a brooding, gothic castle overlooking a Transylvanian woodland (Dracula); a sparkly immortal Mormon who likes to climb into young women’s windows to watch them while they sleep (Twilight); a rich aristocrat so intent on preserving his properties and his privilege that he clings onto immortality at all costs (Interview with the Vampire); an extremely sexy vampire in sunglasses who’s devoted to killing other vampires (Blade), and so on and so forth.

Explore your own take on the vampire:

Is your vampire actually dead? Do they just appear dead, or sleep in coffins?

What makes a vampire? A curse? A ritual? Transmission of vampiric disease — via the exchange of blood or via sex? Are they born that way? Do dhampirs (half-vampires) exist? Do vampires become vampires by choice? Is there a contract or an agreement?

Does your vampire drink blood? Cerebral fluid? Consume human flesh? Do they sap energy from others in non-literal ways — for example, do they feed off of emotions or energy, or seek to devour a soul?

If they survive off of the above, do they also eat or drink other things? Are they capable of doing so without becoming ill?

Is your vampire sensitive to sunlight? Bright light in general? Do they physically react to it? Do they burn, or crumble to dust? How do they cope with this — do they only come out at night, do they wear leathers and carry a parasol, do they use a medicated suncream?

Can vampires become ill? Sick? What weakens a vampire? What kills them?

Does your vampire have any other powers? Can they fly, hypnotise people, transform into gas or another animal?

What happens if a non-human becomes a vampire?

Alternate: A non-vampire monster becomes absolutely obsessed with vampires. They love them to pieces! Why? How do they get their vampire fix?

Some inspiration, if you want it:

Article: An 18th-century guide to hunting vampires from National Geographic

Article: The Great New England Vampire Panic from the Smithsonian Magazine

Video Essay: The Sexy Vampire Trope, Explained, from The Take

Tuesday 4th May 2021 — Iconic Settings

Imagine an iconic setting within the horror genre or without — your Transylvanian castles, your unending deserts of shifting sands, your haunted houses and their infinitely winding corridors, your unholy spires atop distant peaks, your deep and dismal caves, your roiling seas…

What monsters lurk within these settings? How do they feel about their environs? What happens if you transplant a monster from one such setting into its opposite, or combine a few of them together?

What happens if these settings are invaded, lost, destroyed, expanded, changed?

Alternate: Imagine any iconic setting you like, but instead of the monster lurking within, the setting is the monster.

The seas themselves are sentient; the caves are toothy maws of impossible beasts; the mountains themselves have eyes; the castles and houses and ancient tombs and temples are, themselves, imbued with a spirit… Is it hungry? Angry? Lonely?

Wednesday 5th May 2021 — Feeding Time

What does your monster eat?

Is it predator or prey? To a human understanding, does it look like what it is? If it eats meat, does it prefer to eat it dead or alive? If it’s not from this planet or dimension, does it struggle to find new things to eat? What does it look like when your monster eats? Is it private about eating? Does it look scary when it feeds?

Does it eat at all? Does your monster get its energy from the sun, from electricity, from magic, from something else entirely?

Alternate: From a monstrous POV, a human’s dietary habits seem monstrous and strange. Why?

Thursday 6th May 2021 — The Lycanthrope

The werewolf is a person who turns into a wolf, typically at the time of the full moon. Lycanthropy is the name of the condition of being a werewolf, or someone who turns into some other animal.

The variations on the werewolf are infinite — the core is often people bitten by strange beasts and left forever cursed with their regular transformation (for example, in The Wolf Man); but a curse is also possible, such as when kings are turned into wolves as punishment for their hubris (as with King Lycaon in Metamorphoses); or of course, a curse inherited, such as when young men who come into their inherited lycanthropy and suddenly have a whole host of new puberty concerns (Teen Wolf).

And it needn’t be a wolf at all — there are all manner of shapeshifters between one myth and the next, and as much as there are werewolves there might be werelions, werebears, werebats, et cetera, et cetera.

For your lycanthrope, why not explore:

What animal or creature does your lycanthrope turn into? A wolf, a bear, a lion, a snake, a bird? Something magical — a phoenix, a unicorn, a griffin, a dragon?

Once transformed, can your lycanthrope be distinguished from the normal edition of the beast? What are the differences, for example, between a werewolf and a wolf?

Can your lycanthrope transform at will? Is it influenced by their emotion? Is it kept to a regular schedule? Can that schedule be interrupted? For example, if it’s a monthly cycle like someone’s menstruation, can they go for periods without transforming or with “spotty” transformations? If it’s with the phases of the moon, does hiding from the moon help? What happens if you send them to another planet?

Is the transformation painful? Physically or mentally taxing?Are there any health problems associated with lycanthropy?

When transformed, how conscious and aware of themselves is you lycanthrope? Do they know they’re transformed? Do they remember what they were?

Alternate: Sometimes, another monster turns into a human.

Friday 7th May 2021 — Adverse Weather Conditions

What weather is your monster happiest in? What weather is your monster least happy in?

Is your monster native to an area that’s extremely hot and humid? Very cold and dry? Is your monster used to heavy rains, droughts and little water, sandstorms, electrical storms, blizzards? If your monster lives in space or underwater, how are they affected by solar flares or tropical storms, shifts in tides and gravitational flows?

How has your monster evolved or developed to handle these weather conditions — or, is there anything your monster hasn’t evolved for, and struggles with?

Alternate: Your monster is a house-monster, and will not be going outside. They would like a blanket and a cup of hot cocoa and a nice comfortable bed, please and thank you.

Saturday 8th May 2021 — The Monster In Love

Your monster’s in love — what do they do about it?

Does your monster have any particular mating rituals or ways in which they show their affection? Does your monster mate for life, does your monster date, does your monster romance singular or multiple partners? Does your monster yearn, do they pine? Do they bring gifts, do they do special dances, do say particular words or have mating calls?

Is their love reciprocated — is it even understood?

When one monster loves another monster, what does it look like? What does it look like when a monster is in love with a human? When a human falls in love with a monster?

Alternate: Your monster has never been in love, and is baffled — perhaps even disgusted — by the prospect. Do they do research? Demand an explanation?

Sunday 9th May 2021 — The Undead

The undead covers a lot of things under a similar umbrella, and it’s up to you whether they count as monsters or not — ghosts, ghouls, poltergeists, spirits, revenants, draugr, reanimated corpses like zombies, arguably vampires… To infinity, and beyond.

We can be talking spirits without bodies or with new bodies, corpses with new spirits in them, corpses controlled by necromancers or the like, and so on.

So, for this prompt:

For your undead monster, are they conscious, sentient? Do they control their own body? Do they remember when they were alive, if they were dead and then reanimated?

If they have a physical form, can someone tell they’re undead? Are they rotting, corpse-like, desiccated, all bones, all flesh, all muscle? Are they missing parts? Do they have any extra ones? Do they look the same way they used to? If they don’t have a physical form, can you see them at all? Can you see them only sometimes?

What sustains this undead monster? Do they feed off of anything, or are they just sustained by the air itself, by magic, by some sort of magical object or curse?

Was your undead monster once a human? Once a werewolf? Once a faerie, once a dragon, once some other creature entirely?

Alternate: Your monster is a necromancer, and they are not undead, but control and raise, in some way or another, the undead.

Monday 10th May 2021 — “… and add a monster.”

Take absolutely any iconic work you like, whether it’s a classic piece of literature, a poem, a piece of mythology or folklore, a fairy tale, a fable, a shanty or a campfire song — anything that’s in the public domain and might be well-recognised — and add a monster.

Have Sherlock Holmes meeting a vampire, reimagine Jean Valjean as a minotaur, give Mr Darcy a deep and affectionate longing for his local werewolf.

You don’t have to keep to the same characters or plots — rewrite an existing plot with monsters (Rapunzel or Cinderella, for example), have two plots crossover (what happens when the monsters in two myths team up to defeat the hero out to kill them?), add monsters or change the monsters in the narrative, or if it already has a monster, add another.

Alternate: Take a public domain domain monster and give them a break. Send Dracula on holiday, give the poor result of Frankenstein’s experiments a spa day, etc.

Tuesday 11th May 2021 — A Baby Monster

How do the monsters breed?

Do they lay eggs? Give birth to live young? Do something else entirely? Are monsters active parents? What happens when monsters interbreed, or breed with humans?

Is the breeding… fun? 😉

I know not everyone likes writing babies or kids, and equally that some people have come into this challenge specifically for the monsterfucking, so there’ll be two streams of main prompts — one focusing on the breeding for you child-free monsterfuckers, and another focusing more on monstrous baby development once an egg is laid or a baby is born, etc.

Feel free to do both if you want to do both, as one does lead into the other!

Questions about breeding and monstrous pregnancy:

Does your monster fertilise eggs for the purposes of a live pregnancy, do they lay eggs, do they clone themselves, do they breed in some other way?

If your monster has genitalia, what do they look like? Are they analogous to human genitalia? Are they particularly big or particularly small compared to the analogous human parts, if so? How compatible is your monster’s genitalia with a human’s genitalia — or another monster’s?

If there is a size difference between monster and partner, what comes of this? Are there any chemical differences between monster and partner — for example, does the monster’s touch impart a high or some kind of contact aphrodisiac?

Are any attempts at breeding viable? If the monster’s partner is filled with eggs, what happens the longer they carry them? If the partner does carry the eggs or the babies to the point of birth and laying, what happens? Is it a painful process? Will they survive it? Does the partner know they’re pregnant at all?

And the pregnancy/egg-carrying questions: how does the partner’s biology change to accommodate the pregnancy? Do they have any strange or unexpected cravings? Does their biology change in any unexpected questions?

Questions about monstrous child development:

How is the monstrous baby first conceived? Is it an egg laid, is it an egg fertilised, an egg fertilised and then carried, as the result of a live pregnancy, something else entirely? If they’re laid eggs, do they go through a larval stage or other similar development?

Are monstrous babies born alone, or in groups? Do they have a high viability rate? Do the monstrous babies eat one another? Do they eat their egg casing or their placenta, if applicable? If not, what do they eat — do they drink milk or blood, do they need their food pre-chewed by their parents, can they look for food themselves?

Are monstrous parents very active in caring for their offspring? Are monstrous babies born able to take care of themselves, able to have a sort of independence, or do they need to be cared for for a period first?

How fast or slow is a monster’s development? How long does it take for them to become fully grown? How much do they grow, and how does their body develop and change as they run through their lifecycle? Do they shed their skin or any body parts, do they change a lot materially?

Alternate: What does monstrous contraception look like? Do they have a concept of it? If they don’t, how do they feel about it being explained to them?

Wednesday 12th May 2021 — The Alien

What makes an alien?

Are they from another planet, another dimension? How similar are they to anything found on Earth? How did they get here?

Are they intelligent, sentient? Do they know they’re on a foreign planet or in a foreign dimension? How fit are they to survive on Earth? How do they respond to the animals, the new sounds, the new world, around them? What technology do they have? Do they appear to be aliens as people imagine them? Do they pilot aircraft as people think they do?

Alternate: A human (or another species from Earth) is the alien on another planet or another dimension populated with “monsters”.

Thursday 13th May 2021 — The Domesticated Monster

Let’s look at the monster domesticated.

The likes of Pokémon, fantastical creatures as beasts of burden or as steeds — unicorns and pegasi and giant spiders and dragons, for example — or other tamed monsters that have learned to live with humans, and live side-by-side with them.

Are monsters actively bred for a result, or do they domesticate themselves as cats and dogs did? Do they perform tasks or assist humans? Do they give milk or eggs or honey or silk or meat? At what point in their domestication are they? Are they happy? Are they well-treated?

Alternate: A monster gets a pet of their own — is it a fantastical species, or is it a dog, cat, bird, etc? Is it even a human?

Friday 14th May 2021 — Clothing Your Monster

Does your monster wear clothes or armour?

What sort of clothes or armour do they wear? Is it grown, made, bought, traded for? Do they wear any other kind of jewelry or decoration? Do they always wear it, or only for some occasion? What do they think of human clothes? Do they want to try wearing any themselves, or taking human fabrics for monstrous clothes?

Alternate: If your monster does not wear clothes, what do they think of human clothes? How do they feel about the fact that humans wear them? Do they have a full understanding of the separation between clothes and flesh?

Saturday 15th May 2021 — The Mermaid

A mermaid is a half-human, half-fish.

You can take this very literally, as in The Little Mermaid, with someone who has a human upper half and fishy bottom half (or the other way around…😏), you can think more along the lines of the fish-person we see in Abe Sapien from Hellboy or (also) in Guillermo Del Toro’s The Shape of Water, or you can look at different variations on mermaids — the seal-like selkie who can remove their pelt to walk on land; the siren that calls to sailors so they dash themselves upon the rocks; naiads and other spirits of the water; the rusalke of the water, and so on.

Questions for your merfolk:

Do they belong in freshwater, saltwater, brackish water? Do they stay in the seas, in deep lakes, in ponds?

Do they regularly come to the surface, or do they live very deep below? What sort of temperatures are they used to, and how much sunlight? If they live in cold water or deep below the surface, are they very large and blubbery to ensure they can cope with the pressure and the cold?

Are your merfolk bioluminscent? Fish-like, cetacean-like, cephalapod-esque? If they do look similar to humans, with a human face or human body parts, do they look or feel like human flesh underneath the skin, or is it just for appearance?

What and how do your merfolk eat? Do they eat fish, meat, seaweed, plankton?

How do your merfolk feel about humans? About fish and other marine life? About animals on land? Other monsters?

Can your merfolk step onto land? Do they want to? Are they curious about what they find there? Do the humans nearby know about them, care about them?

Do merfolk live alone, in groups or as families? Are they migratory? How far do they travel, and for what reasons? Do they build towns and cities? How do they feel humans compare to them?

Alternate: A completely different non-merfolk-esque monster lives at the very bottom of the sea. What is it? How do humans come upon it? How big is it?

Sunday 16th May 2021 — The Gentle Kaiju

Kaiju is a Japanese genre of films— your Godzilla, your Mothra, your Rodan, all of these are kaiju: strange, gigantic beasts.

This prompt is centred around any monsters of superlative size that are trying their absolute best not to harm any of the little people scurrying them about them.

You can take this literally — think kaiju tip-toeing their ways through great cities and trying not to step on anything important, huge space beasts careful not to disturb planetary orbits in case they hurt anyone, or even the likes of the human trying not to step on any ants — or you can think of other monsters trying not to harm others despite some aspect of their biology making it difficult for them — Lovecraftian beasts doing their best not to do anyone any psionic damage, for example, or Medusa-like beings desperate to avoid people’s gazes in case they do any harm.

Alternate: An extremely tiny monster or another monster very easily harmed by human activities needs to kept safe.

Monday 17th May 2021 — Monstrous Transformations

How does a monster transform?

Does in transition between one form or another, like a werewolf, or between forms for land versus water? Does it regularly transform or transition through different physical presentations? Does it shed its skin, leave its old body behind? Does it grow new teeth or claws or body parts? Does it transform in response to disease or ailment?

Does a human transform slowly into a monster? Does a monster transform into another? Is this transformation willing, conscious — is it against all desperate attempts to prevent it? Is it painful? Is it agony?

Alternate: A monster expresses deep curiosity about human transformations — perhaps the differences between a child and an adult and their scale of growth, perhaps the apparent transformation when a human changes clothes, or puts on a mask, or even make-up.

Tuesday 18th May 2021 — Angels & Demons

A demon is typically an evil spirit or devil, and are sometimes thought to be fallen angels; angels are typically benevolent spirits, often thought of as celestial messengers.

Being as they’re often thought to be celestial or infernal, do you think of them as being from another dimension? How well do they mesh with Earth, from their own perspectives and human ones? How do they look or appear? Do they have to present themselves in a strange or unusual form? How do they communicate with humans — and why? Are they evil, benevolent, or simply neutral?

Are angels and demons separate things? How many kinds of angels and demons are there respectively? If they’re separate, do they communicate with one another, balance with one another?

Alternate: A monster that is not a demon or angel decides to present itself as one or the other. What is it? Why does it present itself this way?

Wednesday 19th May 2021 — Monstrous Flora

Your monster is plant- or mushroom-based!

(Or lichen-based, or algae-based, or moss-based, or coral-based, or…)

What does it look like? What makes it different from a mammalian or scaly monster? Where does it come from? How does it move, how does it breathe, how does it eat? Does it sleep? Does it 😏… you know? Is it good at it?

Alternate: Your monster lives codependently with, or lives inside, some sort of plant. What does that co-evolved relationship look like? How big is the plant? What does it look like?

Thursday 20th May 2021 — The Monster in History

Throughout history, the perception of your monster has changed over time.

Is your monster immortal? Over the progression of recorded history, has it been this same monster recorded in one sighting after another, in art or in story? Or, is your monster the latest generation of a species or line of inheritance that has gone on for a long while?

How much has your monster’s culture changed and developed in that time — has it changed in reaction to or alongside human cultures? How accurate has human perception of your monster been as the centuries have rolled by? How has art or stories about your monster changed in their telling?

How has the monster reacted to changes in human history, or different events as they have happened?

Does your monster even notice the passage of time? Are they in some way insensible to it, or do they experience it in a way humans don’t?

Alternate: The monster is a time-traveler! How do they do this? Why?

Friday 21st May 2021 — The Hybrid

A few things are bred together to create a monster, whether that monster be sublime or an abomination before the universe!

Think about griffins, pegasi, basilisks, cockatrices, and of course the manticore — any sort of beast made by combining one creature with another.

What creatures have been combined to create this monster? Has a human been one of them? How has this combination been achieved — via actual interbreeding, magically assisted or otherwise, via alchemy, a curse, or some other magical process? Has this creature literally been stitched together and then reanimated? How have the different creatures contributing to the creature changed its behaviour or its abilities?

Alternate: An attempt is made to create a hybrid… and unfortunately this is not the result. What is?

Saturday 22nd May 2021 — Kept Captive

The monster is captured.

How big or small is your monster? How was it captured — was bait used to draw it in, such as a food stuff, a copied call? Was it herded into an ambush? Was it trapped under a cage, in drop trap, in a magic trap? How easy was it to capture — did it take a long time, were several attempts made? For what reason was the monster captured?

Now kept captive, how big is your monster’s enclosure? Is it a cage, a glass box, physical chains or bondage, something else entirely? How long has it been there? Is it alone — would it rather be alone than the alternative? Is it struggling with its captivity? Is it marking out the amount of time it has been kept trapped, screaming at its captors, harming itself in its desperation for escape?

Is it likely ever to be freed?

Alternative: A human is kept captive by a monster.

Sunday 23rd May 2021 — The Human Is The Monster

From the perspective of the narrator, the human is the monster.

Who or what is made to fear them? What makes the human so monstrous in their eyes? Is it to do with the human’s size, their appearance, their behaviour, the nature of humans as a collective?

Alternative: The human thinks they’re thought of as the monster — the real monster is behind them (figuratively or literally).

Monday 24th May 2021 — The Dragon

A dragon is a mythical creature, often large and scaly, with variations found the world over.

Is your dragon extremely big, or very small? Is it indeed scaly, or does it appear so? Is it some form of sea serpent, or does it fly? Does it have wings, fins, a tail, teeth? Does it have very powerful senses, or different ones entirely to what one might expect? Does it have a mouth, eyes, a tongue, ears? Does it breathe fire or ice, have gills? Does it have some other supernatural power — telepathy, telekinesis, affect the weather or the tide?

What does your dragon eat? Does it eat meat, vegetables? Does it feed off of magic?

Does your dragon hoard anything — gold, jewels, young people out for a wander? Livestock? Something else entirely?

Alternate: An ancient dungeon, temple, or some other monument, is marked by a huge statue of a dragon. Something else inhabits it.

Tuesday 25th May 2021 — The Monster Dies

It’s the end of the story — or perhaps the beginning.

The monster dies.

Alternate: The monster dies… but only for a while.

Wednesday 26th May 2021 — The Hive-Mind

The monsters in this one are multiple.

They share a hive-mind, whether that hive-mind is created by pheromones, by fungus or infection or disease, by magic, by telepathy, by technology, or something else entirely. How many beings are part of this collective? Do they exist in conjunction with one another, and move as a swarm or a hive? Do they synchronise their movements, and work together toward a common goal? Can they work independently, or only as a group?

Can others be inducted into this hive-mind, willingly or otherwise? Is this painful or uncomfortable? Does it wipe away what experiences came before?

If a member of the hive-mind travels far away, do they remain connected to the whole? How is this hive-mind used, when beings work independently? Can it be sensed or its effects be noticed by outsiders? What is its everyday function?

Alternative: A being once a member of a hive-mind or a collective is severed from it, and now alone. Are they grieving? Do they feel free? Are tasks suddenly more difficult or easy for them? How do they feel?

Thursday 27th May 2021 — The Fae

The fae are supernatural beings or spirits found in a variety of folklore.

The fae are often associated with woodland, bodies of water, bogland, or other particular areas, but there are variations on variations of different fae legend: elves, brownies, merfolk, y tylwyth teg, the bean sidhe, selkies, gnomes, kobolds, leprechauns, nymphs, pixies…

In a lot of modern fantasy, the fae are associated with rigidity around law and rules, certain contracts, and many superstitions are associated with fae or fae-like beings, where one offends them at one’s peril.

What makes the fae monstrous? What makes them frightening and an object of horror for others? What rules do they follow and expect others to follow? What superstitions are associated with them?

Alternate: The fae are introduced to pop culture depictions of fairies. What is their response?

Friday 28th May 2021 — The Monster Extinct

The monster has been extinct for thousands of years, if not hundreds of thousands, and based off of the evidence of them — stories, fossils, remains, old art, people are trying to back-engineer what they were like, what they looked like, how they communicated.

How accurate are they? How off?

Alternate: The monster doesn’t exist yet, or is a long way off, but has been told about in prophecy, or glimpsed in visions of the future. Are these glimpses accurate to the truth? Do they tell the whole story?

Saturday 29th May 2021 — Cultural Differences

What does cultural exchange look like between monster and human, or between two monstrous cultures?

How do these distinct cultures affect one another or interact? Are there large cultural differences between the monstrous cultures and the human ones? Are there any moral, ethical, aesthetic, economic, political, legal, or other cultural aspects that are very much at odds between some cultures and the others?

For example, do the human and monstrous cultures both have money? Do they treat money as of the same importance? Do they rank things in the same orders of importance? Do they have similar customs around politeness, greeting, language? Does each culture respect the others, or do they consider themselves superior or inferior?

Alternate: A human has never had much experience of the culture they were born of — they only know the monstrous culture they were raised by and into. What does that look like?

Sunday 30th 2021 — The Minotaur

It’s my birthday and the minotaur is my absolute favourite, so! Minotaurs!

The classical minotaur was the son of Pasiphaë and the unwilling stepson of King Minos of Knossos: born with the body of a man and the head and tail of a bull, he was declared monstrous and trapped within the labyrinthine maze beneath the great palaces of Knossos, until the hero Theseus came to slay him dead.

Today, the minotaur is the name for any half-bull half-human delight, tragic or otherwise.

Alternate: You needn’t limit yourself to a half-bull half-human if you feel the need to abandon literal perfection — go for the drider, perhaps, a half-human half-spider, return to the merfolk of several prompts above, and go half-human, half-fish, the satyr, half-goat half-human.

Whatever it is, make it half-human, half-something else, and then decide:

Is your monster cursed? Were they made this way, were they born this way? Are they happy? Are they the same as their family members, or are they different? If they are the latter, are they loved and accepted, or made an exile?

What are the benefits and negatives to their physical appearance and to their biology? Are there any aspects that might be unexpected?

Are they viewed by people in general as frightening, intimidating, unusual, strange, incredibly sexy? Are they treated as a monster?

Monday 31st May 2021 — Happily Ever After

The monster lives happily ever after…

What does that look like?

Alternate: Or, your monster has a tragic ending — because you’re the monster, apparently! 😒😭

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Thanks so much for considering taking part in the #MonstrousMayChallenge!

If you want to do any of the above prompts, or if you want to do them all, but you’re not a writer or an artist, or you are but you’re not always in the mood for art, here’s a list of alternate activities you can do to tick off the prompts!

Do some worldbuilding, analysis, meta, or discussion of common tropes within or related to the prompt

Shitpost or make jokes or memes about or related to the prompt

Do some aesthetic or graphic posts

Watch movies or TV episodes, read comics, or consume other media, related to the prompts

Make rec lists for other people of movies or TV episodes or books (or other media!) related to the prompts

Comment on and show some love for other prompt fills in the #MonsterMayChallenge tag! Share your favourite work and support fellow creators!

I’m on Twitter, and will be posting about the challenge throughout, but I also write other short stories and books!

Check out my Patreon, my stories on Medium, my books for sale, and my WorldAnvil — and if you would like to, feel free to leave a tip!

[proudfreakmetarusonikku]

primeboys angst hc….?

You mean, apart from the exile ones I already did? Sure. It’s more fucked up than angsty but it is both.

Tommy was pretty much doomed the second he joined the server, but to be more specific Dream's obsession with Tommy started just before the disc wars, during the conflict between Ponk and Sapnap.

The entire disc war was an excuse for Dream to “play” with Tommy, but to Tommy it was when he learnt he couldn’t trust anyone and anything. Throughout his desperate attempts to hide his discs, Dream would do some convoluted scheme to steal them, it literally taking many deaths and a hard thought enderchest to secure his discs (and he knew even then it wouldn’t end there).

Around this time, Dream made one of his hidden bases full of supplies, but instead of supplies it was slowly but surely filled completely with things related to Tommy. It started off as a few pictures, writings of plans to restart the war, and slowly grew over the years- the bloodstained coat from his death in the L'Manburg war, some of the identical hoodies he kept in bulk, pictures dating back to before Tommy even joined the SMP. It was last added to just before Dreams arrest.

Much like the disc war, to Dream the L'Manburg independence war was an excuse to “play” with Tommy, though he let his friends believe it was out of fear of the new nation. Killing Tommy twice is something Dream would consider some of his happiest memories.

After L'Manburg gained freedom, Dream continued to egg on Tommy about the discs now that he had, making absolutely sure there was no way Tommy would ever forget. After all, be it negative or positive, he wanted to make sure he was always in Tommy's mind.

After Dream learnt Tommy was a devout follower of Church Prime, he immediately not only got the idea of building a church in the server for Tommy, but masquerading himself as his brother DreamXD, the god of the religion of Church Prime. After all, would Tommy disobey his own god?

Apparently the answer was yes. It was entertaining enough, though, so Dream didn’t really care.

After Tommy and Wilbur were exiled, it was only natural that Dream would help his favourite little mortal. After all, Schlatt was boring and a useless pawn. Even Wilbur was far more entertaining, but of course he was in it for Tommy, handing him all the supplies he thought he’d need and a letter he’d let himself be somewhat truthful in just for him.

It was this time where the seeds of Tommy's third exile were planted in Dream's head. Tommy's look of fear, the anger and betrayal and loneliness he had when he was first exiled and even when he was in Pogtopia were priceless. If he could just engineer a situation where it was just Tommy, and Dream could watch and play all he wanted, well that would be perfection.

Unfortunately, of course, Schlatt had the better deal- a book that allowed DreamXD to use some of his limited power in the mortal realm.

The first thing Dream wished for was Tommy himself. This bound his and Tommy's fates together for eternity (and possibly even past that). No matter how far one of them ran, the other would always be able to find them, even in death.

The first thing Dream got to work on after the Pogtopia war was working on getting his exile plan through, griefing buildings and framing Tommy for it. He’d intended to be more subtle, have someone on the cabinet discover Tommy’s “crimes,” push for exile inside the board rooms no one else would hear, and when Tommy found himself all alone be his “saviour.”, but he didn’t mind the direct route.

Again, I’ve already done exile headcanons, they’re linked above!

Once Dream found the tower in the ruins of Logstedshire, he honestly panicked. The idea of a world without Tommy would be unpalatable, a world without any sort of fun. He tried to revive Tommy immediately but that didn’t work because obviously Tommy wasn’t dead.

Dream didn’t know Logstedshire was close to Techno's home when he built it, but he supposes it must be part of the guarantee he and Tommy were bound together now.

After leaving Dream, Tommy still carried many of the traits he'd learnt to avoid pain in exile on, no one but him and Dream knowing of the origins. I mentioned how he seeks affection by shoving his head into people’s hands so they’ll ruffle his hair in the exile post, but it’s not just that. It’s how he always plans an apology at every situation, it’s how quickly he'll deny ever feeling like he wants to hurt himself, it’s how he’ll go along with almost anything as long as it would only hurt himself.

Doomsday to Dream was a form of punishment for Tommy daring trying to leave him. He didn’t give a fuck about who lived or died, he didn’t even care about removing a political rival. He just wanted to make sure Tommy knew how badly he’d fucked up, and that there would be nowhere for him to run.

Tommy knew he wasn’t going to die at the disc finale. He’d hoped it, because he knew what awaited him if he lost was worse than Death.

Still, sometimes he has dreams where it’s just him and Dream alone and Dream ruffles his hair and everything’s alright and so much simpler and for a second he regrets not listening, just for a second.

Tommy's lockdown in Pandora's Vault was volatile. Sometimes it almost was like exile, Tommy scared and subservient, other times he tried his best to fuck with Dream. Dream alternated between barely provoked fits of violence or desperate unrestrained affection.

Dream didn’t plan to kill Tommy, he was just so, so, frustrated, and he didn’t think ahead. After he realised what he’d done, he spent the next few days alternating between manic laughter and crying, refusing to let go of the body and speaking to it as if he were alive.

Meanwhile, in the afterlife, Tommy basically spent the whole first month/day in absolute shock. Oh, he knew Dream was a bastard. He fucking hated him. But still, the idea of Dream killing him seemed like a sick joke. That was the one thing he trusted Dream would never do, the one piece of trust left in him.

Dream's excited demeanour after Tommy was revived wasn’t at all an act. He was overjoyed that he wouldn’t be without Tommy any longer.

Dream's offer of immortality is honestly less an offer and more a threat. Dream doesn’t age, so that gives him plenty of time to find a way to cure the issue of canon dying, and whether Tommy ages weird due to being a test subject and undead or not, there’s definitely ways of prolonging a lifespan. When he finds a way to give himself infinite canon lives, he'll do it to Tommy too. And then the fun can really begin.

[konohagakureship]

Deidara and Sasori d&d au!  Two more members of the Akatsuki Fellowship!! They are travelling around Khorvaire, in the world of Eberron!

au! Akatsuki D&D

Headcanons:

All the info related to places and clans is from the canonic lore of Eberron, or from interpretations that i’ve found here and there, and also a bit of my own homebrew lore. I’m gathering all the info and sources in my WorldAnvil page so you can check it out if you want :)

And this is the map with notes so you can pin all the locations.

This time I chose to put only the info relevant to the characters to make the post shorter. But still, this will be a LONG post so be prepared xD

Founding of the Akatsuki Fellowship

All the members of the party met in Sharn, the biggest city of the continent of Khorvaire. They were there for different reasons but ended up travelling together across the world.

Sasori the poison master

Sasori’s mother was a Talenta halfling. She and her family travelled to Gatherhold often to commerce with other tribes and foreigners.

There she met Sasori’s father, a medic from House Jorasco who was serving in a hospital in Gatherhold. They got married and months after Sasori was born.

Gatherhold is the biggest city in the Talenta Plains and the main enclave of the nomadic Talenta tribes, but halflings from all Khorvaire gather and make business there.

Sasori was born into the Jorasco House but was raised by his maternal family in Gatherhold. He learned the ways of the Talenta halflings and was given a  Swindlespitter in his rite of passage, who he named Hiruko.

Swindlespitters are small sized dinosaurs with poisonous spit, that steal and eat other dinosaurs’ eggs. Talenta halflings craft masks to represent their bond with their mount, and they believe their spirits unite when they wear them. Sasori carved his mask in wood as it was typical from his tribe.

Short after bonding with Hiruko, his Mark of Healing appeared and Sasori was sent to Vedykar (Karrnath), the main enclave of House Jorasco, to learn medicine and alchemy. There he was tutored by his paternal grandmother Chiyo.

Sasori had a strong connection with his Mark of Healing, which made him a quick learner and proficient student in various medical fields. Even though he was doing great academically, Sasori was lonely and missed his parents, so Chiyo taught him the art of poison-making in an attempt to bond with her grandkid.

But Sasori’s loneliness took a toll on him and soon his feelings for House Jorasco and its medical monopoly began to sour. This made him start looking for new approaches to medicine.

Karrnath employs undead soldiers controlled by the Blood of Vol necromancers. And even though now this religion is looked down upon the Five Nations, Karrnath remains the stronghold of their faith and practitioners of its dark magic are seen in the streets of Vedykar.

Sasori encountered some Blood of Vol Seekers and quickly took interest in necromancy, their dark arts and the promise of immortality.

With this new reprehensible interest mixed up with his animosity towards House Jorasco, Sasori was distrusted amongst his peers and he ultimately left Vedykar.

Atur is a city of culture and arts, and has the largest worship site of the Blood of Vol in Khorvaire. In this city, the living and dead coexist in a daily basis.

Sasori settled in Atur for a while. There he studied the secrets of necromancy, even though he never showed interest in the Blood of Vol faith, and developed his medical skills to the point of becoming a master in poisons and drugs.

During one of his experiments he lost his right leg, and travelled to Korth to obtain a mystical engineered prosthesis from House Cannith. There he met the Warforged and got interested in their technology.

In the Last War, House Cannith produced the Warforged, mindless automatons made of wood and steel, but the use of magic turned them into fully sentient soldiers that can feel pain and emotion. Now they are considered people and have free will.

Back in Atur, he began to research about the Warforged to see if he could implement a similar technology to the dead and the living to make them more efficient. This lead him to apply to The True Shapers to study the art of woodcraft and forging.

The True Shapers is House Thuranni academy of crafts. This school rivals with House Phiarlan’s The Shapers, but The True Shapers is considered the best of its kind. (See Itachi and Kisame’s post for more info about the elven houses rivalry)

Sasori studied in The True Shapers for some time. But using necromancy and dark magic for crafting theater props was not of the like of his instructors, so he was invited to leave the academy and search a place where he could make a better use of his artistic skills.

He then travelled to Sharn, where he worked briefly for House Jorasco in the upper city hospital facilities before starting his own business.

He opened an atelier named The Puppeteer, in the Callestan district. He worked closely with the halfling Boromar clan, crafting poisons and artifacts for the cartel on demand, but he was also open to any other independent customers and criminal organizations.

Sasori became a great asset for all those who wanted to make deals with the Boromar or the Jorasco but were on their black list, like the smugglers and bounty hunters of House Tarkanan, or for those who just wanted to acquire a flask of dreamlily (drug).

With his many connections to important organisations, Sasori had eyes and ears in every House of Sharn yet he often visited The Shadowkeeper (who he well knew was a safe house for Thuranni spies and assassins) to catch up with what was going on outside of the city, and particularly in Atur.

Deidara the firecracker

Deidara's parents lived in a small village of Thrane. His birth was influenced by infernal powers and so he was born a Fernia planetouched tiefling.

Fernian tieflings’ abilities are tied to fire, their skin is fiery red or orange and warm to the touch, and when they grow angry the ambient temperature rises. Fernian tieflings are fiery and passionate, with an innate love for seeing things destroyed by flame.

His poor human parents, scared of their newborn child turned to The Church to seek help. The Church of the Silver Flame is the most extended religious community in Khorvaire and has its capital in Flamekeep (Thrane). 

Though they believe in compassion and charity, the goal of the Church is to destroy all evil in the world and for that they employ any means they deem necessary, such as extermination. 

The Church sees tieflings as potential threats if their power is not properly tamed, and so they established the tiefling community of Rellekor. Rellekor is a haven for planetouched tieflings where they are raised and taught to control their magic, but also a place to keep them away from the regular population.

When human families give birth to a tiefling, they will usually deliver them to The Church, who in turn will send them to Rellekor. That’s what happened to Deidara.

Deidara never met his parents, haven been raised and trained in Rellekor since he can remember, and was too boisterous for anyone to want to take him under their wing. So he never had anyone to look up to.

As a Fernian tiefling it was really hard for him to follow the path of light of the Silver Flame, and so he was constantly being grounded and chased around by the Templars for making things combust. 

He was a mischievous kid with too much passion for fire and explosions, and so they named him "Firecracker Deidara".

But growing up, he took a liking for crafts and so he started studying pottery. His tutors were relieved to see that he had found a hobby that wasn't potentially destructive... until Deidara found a way to mix his sculptures with his fiery magic and called it art.

Thanks to his new explosive art, Deidara’s tutors reprimended him even more often, and this, far from making him embrace the path of light, made him see Rellekor's authorities with disdain and his behavior worsened.

Feeling trapped in the tiefling city, he decided to travel to Thaliost where he enrolled in The Shapers, House Phiarlan’s academy of crafts. He saw The Shapers as a way to escape from his life in Rellekor and maybe purchase the artistic career he dreamed of.

Deidara avidly studied the art of pottery in The Shapers, and even though he was a great potter, his artistic approach was too revolutionary for the academy and he was given the option to leave his explosions or leave The Shapers. 

He then travelled to Atur in an attempt to enroll in The True Shapers, but received the same recommendation from his previous academy and thus his application was denied when he refused to abandon his fiery art.

Forever mad at the Thuranni for refusing him without giving his art an opportunity, Deidara left Atur in a hurry after burning down the reception hall of The True Shapers. 

Being rejected from the best craftmanship academies and not wanting to return to Rellekor’s suffocating system, he wandered through many cities and villages of Khorvaire until he arrived in Sharn.

In Sharn he tried to make art for a living but few people were interested in his unstable creations. This, and his multiple altercations with the law and the cartels, pushed him to the lower levels of the city and ended up in the lawless Callestan district.

There he rented the tiny garret of The Shadowkeeper and made it his home and workshop... without knowing that the tavern was run by Thuranni elves.

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We have the first four members of the party!! Now i need the other four to show up too ;)

[dailycharacteroption]

Class Feature Friday: Pride Emotional Foci (Spiritualist Phantom Emotional Foci)

 Another sin-themed phantom with a connection to the Thassilonian Empire, the vast majority of pride phantoms were indeed citizens and servants of the Runelord of Pride, Xanderghul, and his nation of Cyrusian.

Such mages, like most of the Thassilonian phantoms, saw the doom coming to Golarion and sought to escape it by becoming bodiless spirits, trading their power as mages for a form of immortality. As you might imagine, this was likely a difficult choice for many of the pride mages, who might have seen it as a downgrade. Those that did go through with it likely focused on believing they were “too great to die”.

Of course, not all pride phantoms arise this way. Many more come about from ordinary egotistic sorts, people whose overinflated sense of worth and entitlement prevented them from moving on, but merely arising as a phantom rather than undead.

These phantoms view themselves as the master in the relationship, and likely have to be manipulated by displays of awe and adoration to get them to do anything they don’t already want to do. That being said, beneath their posturing is the realization that their spiritualist is their tether to this world, and must be protected.

The ectoplasm of a pride phantoms is commonly a vibrant, roiling green color, and their appearances are commonly of idealized versions of the person in life, though I imagine that when angry or their ego is wounded, there are slip-ups, betraying their true ghostly nature.

 The advantage of being full of yourself, I suppose, is not ever considering that other things are dangerous enough to be afraid of, and so these phantoms are normally immune to fear. However, this is a fragile and fleeting a thing, for when their ego is bruised, these phantoms lose that immunity for a while before they regain their composure.

That same brashness also leads to them occasionally attacking in bold ways that leave themselves vulnerable, but increasing their success.

They also tend to boldly proclaim their superiority, exaggerating and outright lying about how great they are and how superior they are to their foes. By doing so, they can alarm (or at least, drive to distraction) their foes.

Confidence is the very source of their might, a fact made obvious by their extreme positive reaction to any blessing that effects morale, doubling its effectiveness. However, this power is tied to their composure, and whenever it is damaged by their own failures, suddenly they fall hard, their blessings suddenly weighing them down.

The most powerful of these phantoms can surround themselves in illusions that paint them as even more overwhelmingly perfect than normal, causing them to strike even more viciously in their superiority, but like all illusions, it can be disbelieved, and therefore blunted.

This foci is all about having tons of buffs that let them hammer foes, but constantly being at risk of becoming relatively ineffectual upon the first failure. Naturally, you’ll want to pack and get morale bonuses from allies whenever possible to make them super powerful, but prepare to go defensive if a bad roll comes up.

 While some phantoms suffer from degredation of identity on account of being dead, I imagine this is less of a problem for pride phantoms, who value their identity so strongly. Then again, perhaps they also suffer from this, which frustrates or even scares them like nothing else can.

  Normally changes in orc leadership are messy, but everything quickly returns to normal afterwards. However, Chieftain Kakkgurz has not gone quietly, even in death, and now one of the youths of the tribe harbors a dark secret, the phantom of the former chief has latched onto his soul, and is in utter denial about the idea that he could have lost, pushing the child constantly to challenge and oust his usurper.

 The symbol of the shark once adorned the coat of arms of house Weliksal. However, that noble house was wiped out years ago in a political coup. There were no survivors and their servants were imprisoned or hung. However, now the symbol of the shark is being passed around again and discovered here and there in hidden places. Even in death, the pride of the Weliksals is not so easily extinguished.

 They say that the opera diva Berthanee was the most beautiful woman in the nation, that is, until she was discarded when age matured her beauty. She fell from the balcony one night while on an alchohol-fueled bender, and they say that she can still be heard there, singing the songs that charmed her audiences. Some claim to have even spoken to her, hearing her voice her disdain for modern opera stars.