#im sorry i cant talk

[mohntilyet]

i promise i am not veering into caterina apologism i think lucanis and illario fans should unionise to kill her. but it is sooooo fun to me to think of how all her children and almost all her grandchildren are dead and all the terrible, abusive lessons she taught (presumably that she herself was taught by her own parents) were for nothing. it didn’t make them strong enough to survive in the crows. and then she becomes guardians to lucanis and illario and she carries the guilt and the cycle continues. the lessons just have to be even harder this time, and then it will stick. what it creates instead is a man who doesn’t want anyone to suffer as he did, and the spare who is convinced what happened to his family was inevitable. house dellamorte is so cooked

[head---ache]

Hi quick message for any minors that see this. As an adult in fandom spaces I get a lot of minors (i dont know if theyre kids or teenagers and frankly its none of my business) wanting to befriend me fairly often. I can tell you I don't intend on harming you at all, but the thing is, you dont know that for sure, in fact, you cant be sure about the intentions of anyone on the internet, so please, for your own safety, be careful when approaching adults in fandom spaces. I'm not saying you can't interact with us, in my case you're actually welcome to interact freely with my posts! But be mindful that there's people who could harm you, and these people will take advantage of the fact that you want to approach them. So please, take care of yourself, and always keep in mind that this person you're interacting with, if they're an adult, they naturally hold a position above you, that's just how things are, you are a child, they're an adult, so don't give them the chance to take advantage of that position.

[biblically-accurate-dca]

painting test with a limited color palette

here's the moon equivalent!

[deeply-unserious-fellow]

No okay because what REALLY GETS ME about Adam and Lute's final interaction is that THIS FACE

Seems deeply out of character for Adam. Like, especially considering how he was having the classic Third Act Breakdown right before this? This cocky motherfucker got stabbed by fucking NIFFTY after getting his ass beat by LUCIFER HIMSELF, and yet this is the look on his face as he bleeds out. You'd think he'd be more upset, but he just seems. Accepting. Ready for this fate. Which is COMPLETELY UNLIKE ADAM!!!!!!! The only in-character reason this would be the final look on his face would be that he's putting on a brave face for Lute. Lute who came running over to him as soon as she saw him fall, yelling for him, crying. Adam, the pettiest, bitchiest asshole in the entire goddamn show is putting on a brave face for her. Or he's just like. Happy to see her in his final moments. Which either way they cARE ABOUT EACHOTHER SO MUCH I CAAAAAAAAAN'T-

[fairycosmos]

they should make a workplace that is bearable for neurodivergent people

[strwbrryfire]

BURN CRASH ROMANCE !

need y'all to know that eat them alive is my current roman empire and i will be drawing so much redbull oscar

go read eat them alive by @drivestraight ♥️

[hinamie]

binding vow

[teh-inggris]

aw seriously

[afterthelambs]

⚠️Spoilers for Look Back but I was initially confused about what Fujino and Kyomoto's relationship had to do with pursuing a career as a mangaka. After thinking about it, I interpret it as a narrative device to represent what will come when choosing to pursue art (of any form, whether it's comics, painting, animation, music, etc.).

Think about it, what's Kyomoto's role in the story? She is what got Fujino to take art seriously in middle school, and what motivated her to continue after she initially gave up. However, she's also the only thing in the story that makes Fujino wish she quit art. First, halfway through 6th grade and then later after her death. She serves as Fujino's motivator and de-motivator.

I think the scene of Fujino wishing that she never told Kyomoto to come out (that pursuing art only led to suffering) represents artists' regrets. We literally look back and see an alternate universe where Fujino never pursued art and it has a happier ending. Anyone that pursues artistic dreams will end up regretting it at some point. It's not easy, any artist will tell you that. The story is saying yes, you probably will end up healthier and more stable by giving up your dreams. Because art is suffering.

But then Fujino enters Kyomoto's room after reading the comic from the alternate reality and all of a sudden we get a montage of the happy memories and accomplishments they had pursuing their dreams together. And we realize that, everything we saw of them in the alternate 'happier' reality pales in comparison to this:

The happiest both of them look in that alternate world is when they finally meet and promise to work together someday. They loved art. They loved each other. Giving up on your dreams means missing out on all of that, and nothing in the world can replace it. Because yes art is suffering, but art is also joy and love.

And so the end of the story where Fujino goes back to work isn't her moving on. She tapes the comic strip in front of her to remind her of Kyomoto, to remind her of why she got into comics in the first place. Basically, Kyomoto IS art to Fujino. A life with her means experiencing both suffering and joy, while the life without her means having none of that.

I might be wrong about this, like maybe Fujimoto just wanted to tell a mangaka story with doomed yuri (valid) HOWEVER i like my interpretation so im sticking with it.

[skunkes]

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[ragingbullmode]

im seeing very little coverage (at least on here) about how moo dengs popularity on the internet is leading to her being harassed at the zoo as well as how the khao kheow open zoo has a history of multiple cases of animal abuse for sake of entertainment (tw for the last link specifically- its a video that begins with a few seconds of moo dengs image but shows a baby elephant being stabbed & swat with a stick by a keeper for ‘discipline’).

while im glad that moo deng IS bringing awareness & a new love for pigmy hippos (which have a dwindling suggested 2000-3000 number population in the wild), i think we should also take into account that not all zoos/animal sanctuaries take the best interests of the animals they are supposed to care for to heart- especially ones that put more of a focus on entertaining tourists than caring for their animals.

[arataka-reigen]

The main reason for the decline of shoujo anime for me really is that girls/women will still consume shounen while boys/men will not consume shoujo as much, so for producers if you have to choose between a shoujo or a shounen you will go for the shounen because you know you will be able to get both audiences while with shoujo the audience will really be majorly female and you will be losing money from half your audience. And that is also why shounen these days incorporate a lot of shoujo tropes into their stories (ikemen, romcoms, etc.) but still do it in a way that is mostly targeted for boys (male protag, big boobs and heavy sexualization of female characters that is not as present in actual shoujo stories), they do it to make sure they will grab both audiences. That is not to say that seinen and shounen can't do great animes like these (just look at horimiya and skip to loafer), but it also means we get a lot of anime that is trying to do the same but in a very harmful and sexist way (just look at shows like rent-a-girlfriend and the millions of bad isekai that come out every season). So, shounen is stealing shoujo tropes and making them worse (most of the time), and we're eating that shit up simply because there is no actual shoujo coming out as often as it did before.

[g0recvttrr]

i wanna fucking bash my head against a wall until the entire room is coated in red.

[suntails]

do you deserve to be loved?

[slavhew]

And I just have to tell you that I

Love you so much these days,