#im so obsessed like ignore me

[taintedcigs]

margot robbie’s outfits for the barbie press tour is truly unmatched

[hanbarz]

IM OBSESSED

INJECT I CAN SEE YOU INTO MY VEINS

i can see you is literally just

[spidehpig]

the sharp inhale raphael does when you tell him to paint you a picture cracks me up so bad. bro couldn’t wait to give his little theatrical number.

[heartorbit]

🩷💛💚💜

[spookythesillyfella]

remember when i had that dream where you [Y/N] have a sleepover with tumblr sexyman tony and sketchbook where you guys just end up in a polyamorous relationship ??? well . i tried to find a fanfic that would even slightly line up with the description. even if it was only vaguely

but uhhh ....

there were none . so i had to do it myself

[baselicoc]

i know that atsv and spiderverse in general is probably not including Gabe for various reasons and therefore when Mig took his alt selfs place he wasnt actually leaving anyone behind. he said something along the lines of “i found a universe where i was happy” which kinda screams that something was fucked up with his home one, i’d like to think more than usual because the other explanation is that he just left like all his family behind. Which is extremely messed up but also on the other hand a little funny

like imagine being gabe here. Imagine your older brother fucks off to another universe because of his depression and comes back with even worse depression ranting some shit about canon events. You have to be told where he went by his AI because god knows your brother has all the communication skills of a rusty spoon. Have to be told he fucking left with no intention of coming back

[treasureplcnet]

also quite obsessed with karl being as detached from the story as he is. there's nothing that makes him have to be the detective that has to be involved, but he unknowingly dooms himself by agreeing to work with the KYAL cult. every other detective basically deals with elias head on except weissman, who only meets him right before he kills him. like he's right when he says "by my choices" because everything that leads him to being mixed up with the mannix cult is himself. it's the gambling debts and the choice to do the dirty work for an organisation he knows nothing about. he's the only one that doesn't encounter that body doing police work and it's specifically because he's told to cover it up. he gets himself into the mess and eventually fixes it but the fact that esther always dies in the doomed timelines and he's always too late even if he starts wanting to change things ("till this child. esther.") it just makes me very ill

[idolomantises]

ngl, the more I think about it, the more I feel conflicted over how people sexualize my characters.

On the one hand, it would be silly to deny that I don't go out of my way to create aesthetically pleasing/attractive characters because I love to draw what I enjoy, and I love it when people simp for them.

But on the other hand, sometimes it does bother me that people are so fixated on sex and their own arousal that they miss important lore/plot information that I get a bit frustrated

[plulp]

hey guys. remy design

[suffarustuffaru]

hello everyone i made a quick summary of main route ottosuba. hope this helps.

[quietwingsinthesky]

the last unicorn post from earlier has me thinking about the master. that yana is still in there, you know? is still someone he was, if even for a brief flash across the life of a time lord. there’s no way to unlive that life. there are ways to twist it later, sure, to make utopia into hell on earth. but the life was lived. in much the same way that the doctor can remember, can feel, the love he held onto as john smith even as that life is ripped out of his hands. the doctor choose denial and then grief and then to shutter it all away. and so john smith died, and so professor yana died, and the doctor and the master live on. the doctor has done this before, and he lives in orbit around humanity, trying to keep the best parts of them and hold them deep enough to take root (which he can pretend he gets to choose, as a time lord. as a human, it all floods in and can’t be dug back out.) but what about the master, right?

to borrow a turn of phrase: i think there are two time lords left in the universe, and they both learned how to regret.

[maesaeart]

I've been blessed with Nun Nagito headcannons from soft and something possessed me to make these than to work on my Kinktober prompts (；☉_☉)

[caruliaa]

just bc im a lesbian doesnt mean tht i wont at times become deeply entranced with the beauty of male actor or character. it just means i wld rather be locked in a room with a man with a knife than do anything romantic or sexual with one

[possamble]

realizing im kind of a weirdo about laios and marcille

[renegadesfic]

i said this on my main blog but i have Opinions on sonetto's character growth already thru just the first 4 chapters so here are some of my thoughts.

first of all, despite everything we learn about her and vertin's history in chapter 3, sonetto treats her at the start of canon not even as an equal but as someone to be revered. this makes sense because vertin is the timekeeper, which is a highly respected position, but i think it goes beyond that. it seems like sonetto has barely interacted with vertin since what happened at the end of the flashbacks in chapter 3 - she acts like she barely knows her. to me that makes it feel like she hasn't been closely interacting with her in a while, probably since she became the timekeeper, which means that there's a chance this is one of their first times working together. at this point sonetto is still very focused on the official tasks at hand, trying to deal with the whole regulus thing, focusing on Doing Her Job. this is pre-her being appointed as vertin's assistant so it makes sense that they're working in conjunction with each other instead of sonetto helping her in such a close way.

however. in later chapter 1 and chapter 2, where we really start to see the proper story pick up, sonetto is becoming increasingly connected to the outside world. she befriends sotheby, the first person she's really connected with outside the foundation. the foundation has been her whole life for as long as she can remember, but now she's meeting Real People and making Real Friends. this, naturally, is a Big Deal - this is what starts to turn the gears in her brain that we see finish turning in ch3/ch4, where she goes to bat for vertin directly, going as far as to raise her voice on vertin's behalf. at this point in the story she's finally seeing what vertin wants Everyone to see - that there is so much more to life than serving the foundation.

and then!! sonetto, always following rules, always obeying instructions, is put in a position where the timekeeper Isn't There. she's gone, she's with the manus, and sonetto has to step up as the interim leader of the mission, since she is now the timekeeper's assistant. and she DOES!!! supported by her New Friends!!!! i personally think it would've been extremely difficult for her to make these decisions if she hadn't already been separated from vertin and met sotheby in the forest. already, her personal growth is being spurred on by being outside the foundation in a much freer context.

so not only does sonetto step up, but she makes several crucial decisions, including saving marian. this is a thing i think some people would brush off as just a "protect the peace of mankind" thing but it's more than that to me. right now sonetto is desperately trying to fix the Timekeeper Being Gone situation and she explicitly chooses to find marian, who she knew was being kept somewhere due to the traces of potion, even though there are objectively Bigger Problems. imo this isn't just her following the mantra the foundation promotes, it is also showing that she has already started to Really care about people outside of the main mission and goal at hand. she doesn't need to do that, she could just help the timekeeper get out, but she feels an obligation to not just the foundation's stated ideal of helping the people but to her own developing moral compass, her desire to protect people vertin considers important. that is crucial because we establish very early that vertin considers Everyone important, hence the photo wall and all the memorial stuff she shows regulus. so sonetto saves marian, jeopardizes her own safety, to follow her idea of what the foundation's motto should mean, instead of acting as if the mission is the only thing that matters. she's developing her own view of what protecting the peace means.

and then the end of chapter 2. sotheby, sonetto's first real friend outside the foundation walls, loses her caretaker, the person who was tasked with her safety. she is so far in over her head and instead of sticking with vertin, keeping her head down until the storm is done, and holding herself in place, she goes to comfort her. not for the first time, she leaves vertin's side - in this case the seat next to her at the table - and goes to the other side of the table to sit with sotheby and comfort her. this is representative of more than just her desire to comfort her friends - her leaving vertin's side at the table is a metaphor for her slowly peeling herself away from the rigid conformity the foundation has forced on everyone in it, choosing to stand on her own with the friends she has made in the Real World.

and then, of course, sonetto goes back to the foundation, realizes people are fucking with vertin, and gets Mad. sonetto is notable for being extremely passive unless she's protecting the timekeeper, but this goes well beyond that. in this case she is not standing up for vertin against critters or the manus - she's standing up for her against the people she's listened to without exception for her entire life so far. and she's doing it for vertin, because vertin is not just her boss, she's her Friend, and sonetto Takes Care Of Her Friends. so for probably one of the first times in her entire life sonetto raises her voice at someone in charge of her. she shows resistance against the people who she thinks are hurting vertin, and who she thinks are hurting the rest of the friends she's made.

at the very end of chapter 4, sonetto seems like she wants to say something about everything that's happened, but chooses not to. i have a feeling that she's not making that choice because she doesn't value her contribution. i think she's making that choice because whatever she was going to say was something she thought constantine wouldn't like. and she's starting to understand the concept of going behind someone's back to do things that are really important.

[kuruk]

halo does not like being snarled at even just a little lip curl she started barking but with her shrill throwing a fit upset bark not her aggressive scared one. jm more worried about her starting a fight than the shelter dog who's been pretty gentle and not concerned with babou and only warns halo if she gets too close suddenly and then immediately is happy again and not too focused on her. halo is just poorly behaved and is jumpy and easily annoys other dogs by how she runs around in circles whining and she paws at faces when she's playing or anxious -_- which she hasn't done to dogs outside her family but still her personality makes me so scared help I take her out on a leash only which is easy because she already is used to staying in my room on days my mom's boyfriend is home because she hates him to death