#im just annoyed at her lol

[caligvlasaqvarivm]

Do you think if the trolls all came back, like everything in the main comic did happen and they were alive again. Do you think Feferi would actually forgive Eridan? Or want to even be his friend after everything? I don't personally like the erisol and fefertasprite interaction…felt rushed…..so I just wanted to know your opinion if things were different! :)

Yeah, I think they would be! Feferi is one of the trolls who takes dying the least badly (relentless optimism) and Eridan does genuinely feel bad, which means a lot when it's Eridan. I think she really is genuine when she says she wants them to be friends and also that she's really not the type of person to hold a grudge, and like... death is SUPER cheap in Homestuck, it's really not the horrific, irredeemable, irreperable damage that it is IRL - and if you're talking about (Feferi) and (Eridan), then they're both dead (and irrelevent) now, so the score is kind of even.

In general, the fandom - I mean, people in general, really - tend to have difficulty divorcing themselves from other people. We tend to assume that the people and characters they like will hold similar opinions to themselves. This is how people who like Karkat and don't like Eridan can mentally gloss over or even block out their clear, close friendship, or how people who dislike Cronus can end up overlooking that Meenah actually takes his opinion seriously and unironically defends his wizard thing. Feferi really isn't mad at Eridan or upset about dying the way we probably would be, because she's friends with the horrorterrors, relentlessly cheerful, comfortable with death in general, and death is also just not really that big of a deal in this setting. "I'm really sorry about that, that was shitty of me" is honestly probably all the apology she needs, especially if they came back to life anyway.

[min-xie]

help i cant stop drawing fem neuvillette

[piko-power]

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."

[starbiology]

i feel bad realizing how much i post Basil and Onion but not Newt, but its only because shes very polite and doesnt interrupt me drawing.

So here is my sweet girl:

[throwawayasoiafaccount]

When I see stuff like this I kinda want to bash my head into a wall:

To start off, I’m not sure whether this person was commenting on book or show Cersei, but honestly, it doesn’t even matter because she’s so much more than the ‘ambitious villain’ or the ‘murderous girlboss’ tropes in both the book and show.

(Of course, I do have my issues with the way Cersei was written in the show like most people but this is simply a rant post so I’m not going to go through the differences of Show vs Book Cersei)

Cersei is a female character who was shaped by her environment, who’s insecurities were created by her environment, and she’s a woman who’s idiotic mistakes can be traced back to how her environment shaped her. She’s much more than a murderous girlboss, she’s both a victim of the system and also a beneficiary of it, while also acting as an agent of it to keep the status quo while also desiring what the system denied her.

Cersei is NUANCED and complicated and even now people hate that about her and want her to have been a purely evil woman handcrafted in a vacuum, ignoring the context of her life because readers would rather not engage with Cersei’s victimhood and nuances because that ruins their idea of: She Was The Problem and Always The Problem. (People would rather say that she deserved her walk of shame instead of interacting meaningfully with the theme of systematic gender-based violence that is so prevalent in Cersei’s story. The exploration of patriarchal violence in Show Alicent’s story is done so horribly in comparison.)

And what really pissed me off about these tags is that this person has clearly decided that they don’t care to interact with the nuance of Cersei and are fine with flattening her, and yet they shit on others for not liking Alicent.

Because of the way Alicent is written in this show, she almost always has a ‘woe is me I can do no wrong’ attitude, which of course drives people away from the character (woe is me I deserve to take a child’s eye 🥺). However, what actually annoys me is how she’s made out to be stupid, foolish, ignorant, and inconsistent due to the horrible writing of this show, all of which are deviations from her book characterization. Also, I despise it when people want me to support writing decisions and changes made in adaptations that are downright misogynistic and are meant to attract the male gaze.

But what pisses many people, including myself, off is how the changes made negatively impacted many other characters. Alicent’s terrible characterization is like a black hole that distorts and warps the whole story! It’s annoying af!

So when people like this say: ‘She’s nuanced and people just can’t handle it 🙄;’ I say: No. She’s horribly written and a different character from the book and people have a right to be critical about these changes that stripped a female character of 1) her agency and 2) her intelligence!

And the thing is, there was little reason for the writers to have made all these changes to Alicent’s characterization! In the book she is an interesting character with clear motives and understandable reactions. She’s cunning and ambitious and acts the way a noble lady who became queen would. And despite her clear ambitions and dislike of Rhaenyra, she still makes a comment wondering about who would protect the Princess from Ser Criston, and yet she then takes Cole into her service after his falling out with Rhaenyra. That’s a perfect example of nuance! Show Alicent could never compare to book Alicent’s clear moral values and consistent disregard of said moral values in pursuit of power.

And because of this, Book Alicent isn’t easy to stomach. It’s hard for most people to come to terms with a character like her and it’s even harder for people to feel sympathetic for her at the end when she went mad with grief.

On the other hand, Show Alicent was designed in a way to garner pity, and when the writers felt like her current arc wouldn’t be enough to garner the specific reaction they wanted they would then throw in a time skip and suddenly she’s completely different and yet still Thee victim. She’s designed to be as sympathetic as fucking possible! The camera angles, the background music, and the lighting is set up in a way to make sure you the viewer feels pity or sympathy for her! Cause that’s her role in this series! She’s thee Ultimate Victim!

But too bad for the writers as many people are fed up with this kind of inconsistent writing. Even when the writers created a whole new challenge for Alicent where she’s shitted on by the green council and forced to face the beast she helped to raise, I and many others could never feel any satisfaction as it was clear that once again Alicent was being made to be Thee Ultimate Victim who was just led astray by the patriarchy and was a victim of it and was only just realizing it so don’t you pity her don’t you feel sad for her and now she’s trying to do the right thing so pls pls pls pity her 🥺~ So it shouldn’t be surprising that many people are annoyed by these eNLiGhtEnEd changes that have led to a complete deviation from the source material.

To summarize: Cersei is an excellent fucking character who’s by no means easy to stomach, and because she’s not easy to stomach she’s often reduced to annoying ass tropes by dumbasses who are reading above their comprehension level. But when you actually try to understand her, you can easily see why she turned out the way she did and you can feel sympathy for her while understanding that she’s both victim and perpetrator! On the other hand, Show Alicent is a mess and HOTD is trying to make her serve a different narrative role than she did in the books so ofc people are going to be unhappy with the changes as book readers are once again faced with the annoying reality that the writers don’t give a fuck about the source material.

[kari-go]

Day 14 of @mlbfemslashfebruary

Free day so I did an idea I had for Alila :)

[wonder-worker]

Here’s the thing I need people to understand:

Even if we believe that the (entirely unproven and far too politically convenient) pre-contract story between Edward IV and Eleanor Talbot was true, it doesn’t actually matter. Even if it was hypothetically true, there was still no reason why Edward V – who was already King at that point and was referred to as such – couldn’t have been able to succeed his father regardless.

David Horspool (Richard's own historian) summarizes it better than I could, so I’m just quoting him here:

"[Richard also made] no allowance for any potential solution to the problem that might have re-legitimized Edward V and his siblings. These included securing a retrospective canonical or papal judgement of the invalidity of the pre-contract; an Act of Parliament legitimizing the children of Edward and Elizabeth Woodville’s marriage, as happened to Henry VIII’s variously tainted offspring; or even ignoring the issue and proceeding to the coronation of Edward V, which would legitimize him by making him the Lord’s anointed, and render allegations of his bastardy as newer versions of the old tittle-tattle about his father."

In short, even if Edward IV truly had a pre-contract with Eleanor Talbot, and even if all of his children with Elizabeth Woodville were supposedly illegitimate, it should by no means prevent Edward V from succeeding his father to the throne. If Richard truly wanted to support his nephew, he had a variety of useful and entirely workeable options to choose from. Instead, he officially declared his nieces and nephews (including a literal 3-year-old) illegitimate, kept Edward V and his even younger brother confined in the Tower of London, and declared himself King.

Why didn't Richard take these actions, all of which he would have been well aware of? As Horspool says simply: "that Richard took none of these courses was because he had no interest in doing so."

The ONLY conclusion we can come to based on Richard's actions is summarized most succinctly by A.J Pollard:

"The truth of the matter is that Richard III did not want Edward V to be legitimate because he did not want him to be king."

[corpsoir]

okay here's my main group of ocs stands :]

voulez-vous and förutan vind got some small design updates :) they look much better now i think ^_^ and yes calamari's stand has two acts because i thought it would be fun

[skunkes]

it obviously has existed before then but new readers/watchers of dungeon meshi have had interactions that have solidified my hatred of a certain phenomenon, which is when somebody has a question or just observation about a piece of media, which is answered later in the piece of media, and is therefore currently a spoiler to them

and you get swathes of people being like "lol do they know" "nobody tell them xD" "do they know?" "oh sweet summer child 😅" "ermmmmm no spoilers but *heavily vaguely implied spoiler*" "do they know?" "Who's gonna tell them"

[lonely-night]

Janeway/Seven in 6.08 “One Small Step”

[samarecharm]

Ryuji is so anxious in the beginning of the game :( hes so caught up in his head during the kamoshida arc; makes me think hes been like that for awhile, at least until u get a bit further in the game. The rumors, the self loathing, the whole stint w kamoshida; hes got too much on his brain and its kinda nice (and a little sad) that he starts sharing those anxieties and doubts the second hes in a safe space to do so.

[floralovebot]

MADE EDITS i couldn't stop thinking about their outfits and like,, the aspects i liked and thought felt very winx and in line with the individual characters and the aspects i Hated and thought sucked dookie SO i made some edits :)

biggest changes are to musa, aisha, and stella! actually changed the clothes there. flora and tecna i just adjusted the colors (in flora's case to further unwhitewash her and saturate her clothing more and in tecna's case to bring back her pink hair and green and cyan).

explanations on changes below!

I'll start with the simpler edits!

For Tecna, I just wanted to play around with her og colors lol I actually LOVE her new look and I would love to see this be the final design!! It's SO tecna and fits in with the rest of the winx i love it soo much :') I do think they should bring back her pinker hair though! And again, would love to see the green and cyan make an appearance. I feel like neon green is just very classy techy character. And while it is cliche, I do love it akjgd plus I think it looks good on her and makes the other colors stand out more imo! (but maybe this new, pinker look will make people like her more idk :') justice for tecna my beloved :'))

For Flora, I darkened her skin more for obvious reasons. And then I added more saturation to the colors and added back the warmer tones they took out. Imo, the darker, desaturated, and cooler toned look for Flora only works in very specific circumstances. Color theory rainbow!! Bring back the brightness! The color!! The warmth!!

Which brings me to Stella ohmygod,,, please,,,, please stop desaturating her she looks so pale and sick and lifeless STOP please :') Anyway lol, obviously brought back the brighter orange! I also took away the random sleeve. It's cute but it just didn't feel very Stella at the time? The tube top look is Very Classic Stella (very much giving s3 casual but in orange). Tbh, I don't love the dress itself, but I do think it looks better once you add more of Stella's colors. I also tanned her skin more and made her hair more yellow + brighter! Just like with Flora, color theory is important for media!! This Stella design just does Not give sunny, optimistic character. It's giving the gap (aka BORING aljdhg)

Aisha's design stumped me for a bit, I won't lie. I couldn't figure out exactly what I didn't like. But I got it!! One, way too symmetrical imo. Yes, Aisha does have some very symmetrical looks, but like 80% of her looks are very asymmetrical. I also didn't love that it didn't incorporate more of Aisha's powers. It really just went for *vaguely sporty* and didn't try to bring anything else to the table. And some people might say that Aisha's og looks were like that too, but I disagree! They told a story! She's a brave adventurer, a dancer, a princess, etcetc!! This tells me "oh yeah this girl might like to do yoga. cool."

Anyway! So I made Aisha's pants baggier because let's be fucking real for a sec. Changed the design on the pants slightly to make it asymmetrical and incorporated a wave design. Took away that bottom shiny fabric of her shirt. I tried to keep it but it just wasn't looking great with the pants changes tbh. Added small waves to the bottom and made it one shoulder! Also added her classic little circle wave design 1. because it's cute and 2. so Musa wouldn't feel so out of place with a design. Tbh, I still don't love the pants... I think maybe that hem could be higher?

For Musa! I've spoken about this before but I do not like the bodysuit. I liked the concept and the vibe it brings, but it looks So uncomfortable and s1 Musa was alllll about being comfortable. It's why so many people think she hates wearing dresses (even though she doesn't). So I kept the vibe, but changed it to the same mesh that's on her right arm! Which like!! I didn't even see that until I started the edit!! It's so,,, unnoticeable which like,, isn't a bad thing? But also? I think the mesh being on her stomach too makes the design as a whole a little more balanced (and it's a nice callback to her og magic winx!). As for the color changes, really just wanted to go back to her reds and dark blues. I don't Hate the color scheme, but I also don't love it. And I think this feels a lot more like Musa yknow? Also darkened her hair cause fuck that dude

Anyway lol it's not the best edit so don't look too hard :') I just wanted to explore what I liked about the designs and what I didn't. We did get to see a little bit of Bloom's casual, but I want to wait until we get a closer look to speak on it/make edits. Also tbh, I don't really love Flora's outfit but I didn't want to completely redesign her and I concede that this is something she would wear (although it feels more like s4 cowgirl time/s5 casual and not s1 new student time but Fine). For now, I'm gonna pretend the trailer showed us my edit of Stella and not what it really showed. I can't get pale pinterest stella out of my head,,, aggghhhh

[woodsborostabathon]

have been fighting for my life trying to find this one richie/ethan x reader fic (it was like. an ethan fic but there was a pretty significant sort of kind of fake dating richie subplot) on here that i rbed onto a sideblog on my old acc and saved NOWHERE ELSE apparently bc it was so good but im getting NOTHING 😭

[idolbound]

At a base level, Meredith holds a general dislike towards men, with few exceptions. These reasons are primarily related to sexuality, and her exceptions are given through familial relationships. While this dislike is not necessarily overt (as interacting with men is very much a part of her life), the way she engages with men socially vastly differs compared to women. The reasons below are derived from both canonical events and personal headcanons.

Familial & Interpersonal Relations

As a little girl, Meredith adored her dad. While her older sister Amelia was closest with their mother, Meredith was very attached to their father, spending almost as much time with him as she did with Amelia. While Meredith was very young (around 5 years old) when her beloved mage sister became victim to demon possession and killed their parents and neighbours, she was saved by Knight-Captain Wentworth Kell. In that moment, Meredith saw him as her hero and savior, and it instilled the faith and belief in herself that she too, would become a templar from that fateful day forward. As such, Meredith became an initiate in her early teens, serving as Ser Wentworth's page for a few years. In that time, she learned directly from him, but she also saw him akin to an adoptive father. Over the years, Ser Wentworth began experiencing early symptoms of lyrium-related dementia; prior to his retirement to the Chantry to live out the rest of his remaining days, he named Meredith as his successor to fill the position of Knight-Captain, and in his speech, he called her the "daughter he never deserved." This relationship was pivotal for young Meredith, and in some ways, more painful than losing her own family; she would visit him, watching him and his memories slowly fade away over a two-year period. By the end, he did not remember who she was, and the grief of losing another father is something she has carried with her ever since. In this sense, Meredith's father and adoptive father respected and loved her deeply, teaching her all they knew. She held both of them in high esteem, both as a child and teenager/very young adult. These familial relationships are very important to Meredith, and they are one of the only ways that she finds herself in close companionship to men whatsoever. In a way, she extends this type of relationship later on in her life to Cullen. Taking the older mentor role, Meredith had chosen Cullen to be her Knight-Captain because she felt a sort of kinship with him; like her, Cullen was quite young and deeply traumatized from a mage-related incident. She took advantage of this shared experience to shape and influence his ideology about mages and how to control them in the Circle using strict routines and regulations. In this way, she sought to mould him into her future successor, trusting that he would continue to lead Kirkwall's Templar Order in her footsteps, long after she is gone. In this sense, she has a somewhat maternal relationship with Cullen, seeing him as a pseudo-son; while she would never go quite as far as saying he is the child she "never deserved", she certainly places far more trust in Cullen than anyone else serving under her, and holds a certain fondness towards him.

General Relations

In terms of men more broadly and in a general sense, Meredith has never felt a desire to befriend nor deeply engage with them, mainly for two reasons - both of which are related to sexuality: namely, Meredith's own sexuality as a lesbian, as well as Meredith being seen as someone conventionally attractive to heterosexual men. Combined, these interrelated factors have led to Meredith's general aversion and dislike of most men; she would prefer to have nothing to do with men at a personal level, but works in a male-dominated environment and lives in a heteronormative society, which makes avoiding men in that capacity difficult. In the very least, Meredith finds some salvation in practicing and following a religion that is matriarchal in its hierarchy, even if the rest of society isn't.

Meredith's Lesbianism & Being Conventionally Attractive

Meredith has always been considered a very conventionally attractive person. Even from a young age, she has always been good looking, tall, and strong. Growing up in the Templar Order, she had to live alongside her mostly male Templar brethren in the barracks, and as a result, many of them have tried to flirt with her or even go so far as to pursue a relationship with her over the years. As a young teenager around age 14 to 15, Meredith's interests were strictly on her training and her devotion to the Chantry, seeing herself as nothing but a pure, pious Andrastian, who would likely be upholding a vow of chastity (even if the practice was not mandatory for Templars), or in the very least, choosing to remain chaste until marriage, if there was ever an opportunity to do so. However, as noted in the canon, marriage for Templars requires special permission from Chantry leaders and requires that the non-templar partner must be able to financially support themselves in case the templar is relocated to another Circle.

As such, Meredith often cited her devotion to the Chantry and its doctrine as the main reason for rejecting these boys, but as she grew a little older, around age 16, she started to discover her preference towards the fairer sex. While there had been some... inclinations early on (by way of homoerotic friendships with other girls living under the care of the Chantry), it wasn't until she realized that her lack of sexual interest in boys was not because of her devotion to religious doctrine, but instead, was because of her genuine sexual attraction to other girls. It took time for her to realize that there was nothing about boys that attracted her to them; she lived amongst them, saw them in more personal ways than most other girls her age, and still wanted nothing to do with them at an intimate level. They were her templar brothers, nothing more (despite their efforts to be more than that). This early 'conflict' shaped her ideas about how boys treated her, but felt that she could not express her attraction or pursue relationships with girls without repercussions, and so, for the first few years of being a Knight-Templar, she kept things to herself and still used her devotion to the Order and the Chantry as a reason to reject suitors. As Meredith came to terms with her attraction to the same-sex in her late teens, she soon became quite confident in herself upon entering adulthood. As she inherited the position of Knight-Captain after Ser Wentworth's unfortunate passing in her very early 20s, she was described as having a steeled resolve and being far more charismatic than that of the old and greying Knight-Commander Guylian. This enabled her to bring about changes to the management of the Circle, implementing strict routines and harsh punishments for the mages, without question or doubt from her peers. Even years later, after the incident that led Viscount Perrin to send mercenaries to kill the Knight-Commander, Meredith rallied the templars into a retaliatory charge to the Viscount's Keep in order to arrest him for his crimes; in a similar fashion, not a single templar balked or questioned her orders, and this led her to being named Knight-Commander at the young age of 29. Those who work with Meredith see her as a powerful figure in leadership; between her physical looks and dominant personality, Meredith has established herself as both a competent leader in the Templar Order and an attractive one at that.

Even early on in her career, it was clear to most people that Meredith's devotion to the Order and the Chantry was her utmost priority, but unlike her younger self, she attained more freedom through earning a higher rank, and so, as Knight-Captain at age 24, she began to explore her sexuality and pursue same-sex relations with other women. Mainly, she sought casual relationships with those she knew were like her within the walls of the Chantry itself (again, serving as the only place she can really go to freely outside of the Order). This allowed Meredith to fully find her confidence in tandem with her ascension in the Order, feeling far more comfortable with herself, even if that part of her had to remain hidden from the public, because of her duties as well as the potential for social stigma that could affect her career. Over time, in some ways, Meredith's lesbianism is a little more obvious to those who pay attention. In particular, the templars who have known her and served alongside her for all of their lives have noted her blatant disinterest in, and rejection of, men, and sometimes, likely, the way that she has disappeared after evening prayer and not returned across the harbour until later than most (though for years, when her brethren were still not afraid to ask, she always cited it as 'administrative business', and left it at that). In this time, her love for, and attraction to, women was cultivated, and it played a part in her confidence - which in turn, has played a part in how people perceive her, still, as a very attractive woman.

However, despite all of her hard work and ascension through the ranks of the Templar Order and some of the rumours about her sexuality, some men still believe they might have a chance in pursuing her. This has certainly lessened over the years to an extent as she has gained power and influence as Knight-Commander, and in some ways, because of aging (though that said, many see her as still rather attractive - for example, Jethann of the Blooming Rose referred to her as a "tall, handsome woman" in recent years), but after having to deal with men finding her extremely attractive for all of her life, despite her very obvious disinterest in the opposite sex, Meredith has grown to have a general dislike for most men.  While she generally trusts that the men who serve under her do so at a professional level, she cares little for their personal lives or interests, and only interacts as necessary. Overall, she has very few 'friends', given her position and devotion to the Order, but she holds even less desire to be friends with men. She has no reason to engage with men beyond a professional capacity. That said, though, she does seem to care a lot for Thrask, and is quite upset when she finds out he betrays her, so I like to believe that they were in the same cohort in their youth, training and serving the Order together for many years; in this way, that particular relationship almost embodies a familial relationship, and is most certainly an exception to the rule.

Conclusion

Overall, the social context of Thedas, and Kirkwall in particular, has shaped how Meredith has developed as a person and how her sexuality exists within the constraints of the society she lives in. While Meredith accepts close familial relationships that are based in mentorship, respect, and to some degree, love, she typically rejects general relationships with men outside of that context; as a lesbian woman, she has no romantic or sexual interests in men, but as someone who is considered conventionally attractive by society and ergo, heterosexual men, she has had the unfortunate experience of being romantically and sexually pursued by them. And, because it is not the norm in society, Meredith cannot be open with her lesbian sexuality (again, for fear of social stigma affecting her career), and therefore, cannot establish rejection on the basis of a lack of attraction, but rather, instead, must reject men on the basis of her devotion to her faith. This has led to Meredith's general dislike for men, and preference to avoid interaction if at all possible. Outside of this fictional context and going into real life, a lot of lesbians - myself included - find it more comfortable to decenter men in our lives. This is a process that helps women break free from a compulsory heterosexual society (from Adrienne Rich's (1980) theory that heterosexuality is innately assumed and enforced by a patriarchal and heteronormative society, particularly for women), by way of unlearning and subverting patriarchal norms, and changing gender relations, so that women's worth is not tied to the interests of, nor the relationships to men. Obviously, this process is arguably easier for lesbian women who already lack the romantic/sexual attraction to men and who love and support women. Obviously, for Meredith, this is not as easily attainable in the context of Kirkwall and wider society in Thedas. She spends almost all of her time surrounded by men in the Gallows who serve under her as Knight-Commander, though for the most part, they respect her as their leader. While she cannot necessarily decenter men in the same way as someone like me in a modern world, she finds her reprieve where she can by going to the Chantry for her daily evening prayer where she is surrounded by other women. This is why, if she has the opportunity to meet, work with, or even engage in potential relationships with, more women outside of the Order - as nobles or even otherwise - she will take it.

[froschli96]

you know, i always find it really funny when dudebros complain about syndicate and odyssey being too "jokey" or not "taking its characters seriously" or whatever…

like, did y'all collectively sleep through "it's-a me, mario!", "i meant besides vaginas", ezio inventing the latte, bartolomeo's... just... *gestures vaguely* entire character, etc?

like, it's fine to have preferences of course, i myself prefer a more serious and grounded tone, but these are usually the same people who tout the ezio trilogy as "peak assassin's creed", call ac1 a glorified tech demo and hate on connor for being "too serious and boring", like? make it make sense!

[pickled-flowers]

Also just because you get annoyed by something someone is doing doesn't mean they are evil you can leave us alone