#im getting regular updates on them but it isnt the same

[zooophagous]

I miss my furry idiot children

[scolek]

isnt lemon vtuber canon? i think that was in like waccha reading magic or something. that weird like, table read fairy tale thing? but this is not about canon.

i think lemon vtuber, though. she 'retires' but just keeps streaming but with regular ol facecam, and its like kind of an open secret like iirc?? what happened with kiryu coco??? (though i think that lady got another vtuber avatar at some point) and thats when that happens.

now. i think the fanbases of each channel would have wildly different reactions. i think mirukis fans would be like oh yeah didnt she say her roommate was also some kind of content creator? small world. but lemons fans. theyd have catalogued everything ever spoken about lemons roommate (who wouldve been referred to with some kind of nickname, like if lemon was like, some like, empress and/or shogun the roommate would be called her lady in waiting or retainer or if she was like a sorcerer miruki would be called her familiar) on some kind of wiki and theyve been shipping that for a while, like theres debates about like, lemon and her roommate vs lemon and any given vtuber she collabs with. because the collab stuff. i believe the term is 'business yuri.' but people keep hearing stuff about roommate and how lemon keeps praising her and its like. yo. whats going on here. im sure The One Vine is referenced often.

so then, after vtuber lemon retires and she becomes regular streamer lemon, the connection is made and the strange fervor of the lemon fans comes and makes contact with the miruki fans, and the thing is, the miruki fans are really really really hardcore, even moreso than most of the lemon fans, they just didnt know how big of a deal it was until the kind of disparity in how they talk to each other comes to light. and the miruki fans have like, recreated the layout of her apartment because shes done a house tour and some like cooking videos and get ready with mes and--) and so they have a little blank space for what they thought was the roommates bedroom (she doesnt go in there for the house tour) but lemons new facecam angle shows most of that room and theres no bed in there. they sleep in what the miruki fans though was just mirukis room, in the same bed.

all this slowly comes into focus over like ten days after lemons first on-camera stream. and you know lemons terminally online so shes watching it unfold and keeping miruki updated and mirukis like so?? why do they care.

it may well be time for us to go public. a hard launch, in the vernacular.

public about what?

our relationship.

....

mirukis brain breaks a little. i think she kind of flits between denial and anger. storms out.

3 hours later lemon puts up a video on her channel. not a vod or a clip, just like a video. room tour! in which she reveals that the closet in the corner is actually a murphy bed, she had it when she first moved out into a tiny little apartment and just kept it even though they have plenty of room.

miruki checks twitter. because now she does care. and she always has. everyones disappointed. #murphybed is trending.

i think the next few days are weird. they dont talk to each other very much.

enter. myamu is like. a drama youtuber. she covers it. and miruki fucking hates her so much. and myamu is like, can you believe people thought miruki had a girlfriend? can you believe people thought miruki even had feelings? or a personality? or a brain? (normal myamu would not say this about normal miruki because she knows miruki be schemin' but in this au they dont know each other except by reputation and thats mirukis reputation)

one hour and fifteen minutes after myamu posts her video. one goes up on mirukis channel. all lowercase 'let's talk.' the two of them sitting on stools in the kitchen which is the least colorful part of the house so it looks the most like, basically like an apology video almost?

but its a fakeout. theyre together now. fuck myamu, miruki does have feelings.

[emeraldoo]

HEY! HEY!! LOOK AT ME!!

LE MEH!!!

hi, my name is bastion!! i have lots of other names im ok with tho, like bb, b, 8, shiver, weird, etc! im not ok with the nickname EM or EMERALD!

i am a zombie, autism creature, maned wolf kin and fict kin Shiver from spl3 <3 i am also NOT a minor!!!!!! 19 yrs :•)) im also a rogue of mind!! (homestuck hoe.)

i am a trans male! i use he/xe/it prns! currently questioning my romantic attraction (pretty sure im bi-gay), but i am asexual!

i am the host in the zipties system, a did system!! some of the head mates have their own blogs, which ill tag :•)

i am audhd, gad, ocd, and a general cluster b pd haver!! i also have some delusions from ~an unkown disorder~ so! working thru some stuff still!

MY INTERESTS!!!!!!!

SPLATOON AUGHHHHH most of my blog is splatoon....

super obvious but homestuck :3333333333

i freaking LOVE nnsg :•3333 the anime of ALL TIME!!

SCIENCE!!!!!!! i plan on majoring in microbiology and synthetic biology but i luv ALL science!!

MUSIC/BAND!! i play euphonium and play in marching band and concert ensembles <3

i luvvv itsv and atsv and all of the spiderverse stuf!!!!!! my fave spider in spider man india btw.!

GUILD WARS 2 AIUGHHJJJHHH THE BEST EVER ACTUWLLY. PLAY IT PLAY IT RNNNN

ALTERS!!

not all of our alters choose to make profiles, and we arent going to force them to make them. if you need to know them, just send a DM or ask

* = written by alter

BASTION (☘️): DAS ME BITCH! im the host and core of the system >:•D i am the main guy in this blog soooo ya. (he/xe/it)

JON/@just-dr (🎃): jon!! he is a protector and a fictive of jonathan crane.. he is nice :•)) he doesnt associate much with his source tho so shrugsies (he/they)

CORNELIUS/PICKLES (🩸): (updated 11/22/23) cornelius stirk (batman unburied) and pickle inspector splitroject.. wears the skin of both of them and tends to switch based on mood. but they are the same guy! (they/it/he)

JADE (🌐): cutey patootie wolf thing! fictive of jade from homestuck andddd yeah!! cool (she/they)

KARKAT/@karkat-cornbread (🔥): fictive of karkat homestuck guy. gets very angry very fast. idk role but yeah. the amgry one ig (he/they)

* DAVE/@karkat-cornbread (🕶️): yea. is this bitch predictable or what lmfao (ask prns)

* NICK/@timothy-timeaus (🛑): Beep boop. Coolest splinter of Dirk. I'm also cool with the name Odyssey or 9k. (They/Them)

* EQUIUS/WARRIOR/@runningfromred (🐎): Yes hello I am Equius or Warrior (Wari is also an acceptable nickname) (he/they)

* TIM/@timothy-timaeus (🔗): I'm the main guy of the subsystem of splinters. I'm not cool with being called Dirk or any of that source stuff. Also the co-host. (he/him)

* CALUM/@timothy-timaeus (🧢): bro strider splinter and a real goof. heeheeee (she/her)

* JAKE (🦎): Your caretaker and funny guy! im from meat timeline and have alot of pseudos, sorry if im hesitant to interact with sourcemates :B (he/him)

* SOL (♊): sollux fictive from aphids comic by kabutoden (it/its, 2/2s, two/twos, byte/bytes)

MY TAGGING SYSTEM!! (wip :{)

#emeraldo slay posting: all of my posts! that i leave words on are tagged with :}

#alterposting: an alter made that post! ie anyone that isnt bastion!

#emeraldo asks: shit sent 2 my ask box!

#emeraldo art: my art! can include doodles, rendered shit, text stuff etc :3

#fave: my favorite things! rn im just using it to categorize some stuff, but ill get back to using it regular style soon!

#muuusic: posts with music i find funny or jammy :D

#funniez: the funny shit! memes, fandom specific memes, vids, etc :PP

#protestspot: stuff about protesting/politics/culture and related stuff!

#artresc: artsy fartsy stuff! i have some subcategories too like #poc, #fat, and #disable :}

#writering: stuff for writing! i dont write fanfic, i mostly just rp, but this stuff is still supar applicable !!

#game boy boy: games! both stuff i wanna play/buy and things up and coming!

#freaking art: my fave arts !! either for goofy reasons or love reasons :3

#makes me think: things that make me think... like being thoughtful n shit......

#books a billion: stuff i wanna read! or resources for "getting" books

#yar har fiddle dee dee: ha ha ha. completely normal and legal resources for media.

DNI :•(

its not rlly. much? the only stuff i rlly care abt is jerks.. if ur a jerkkk (terf, racist, zionist, ableist, antikin, sysmed, transmed, antikink, whatever girl u git the gist....)

i don't have especially strong opinions on most discourse... slurcourse, syscourse, flagcourse, shipcourse... its kinda silly.! so um. whatever.

* (Nick writing.) Our take on pro/antiship is "It doesn't fucking matter". We aren't proship, we aren't antiship, we are just kind of shipping whatever the fuck we want. If you think it's problematic, we most likely won't care. Unless there's a genuine reason to be concerned, don't bother.

exclusionists!!!! i don't like you!!!!!!!!!!!! aphones, panphobes, biphobes, mspec gay/lesbian haters, antixenogender, anti neoprns, whatever! i do not like you at all >:•{

hp fans... you know why :•) please find a better media ..

radqueers.. i do not like. and it makes uncomfortable.. especially more extreme labels like transhateful things.. scary in a bad way!

BYE BYE!!

p.s. if your an nsfw blog msg me for sideblog! :}

[regulationlistener]

news years resolution post. resolution seems too firm theyre more pretty loose goals. theyre not all that serious its just my way of reminding myself theres something i want to do. intention is to update every month to keep track of my progress. or lack of it. who knows what will occur.

read 26 books

last year the goal was 52 and for some reason i didnt read anything until december, so im halving it. i did read fifteen books in december so as long as i actually read for at least two months i should finish this up no biggie. 13 of those books were library books and i need to start working on all the books that i own because i dont really have room for all of them and im sure once read i wont keep most of them.

read in public once every two weeks

this has less to do with reading and more to do with trying to get myself to go to parks and such as that, i just feel like reading is an activity to do while there that isnt exercise which i would get self conscious about. every two weeks is really arbitrary, i just need to try to consistently do this. i think existing in public and also being outside is good for pretty self explanatory reasons and i want to try to explore more of my town on foot, which admittedly ive never really done.

watch 104 movies.

last year i watched 121 so this should be relatively easy. its two movies a week which is not an absurd amount by any means. historically speaking i wont do it this way and will instead watch like 30 movies in one month instead but its not necessary.

finish baldurs gate 3/one of the switch pokemon games

i have three pokemon games that ive played like three hours of each and i want to at least make an effort to finish one of them, same with baldurs gate. i dont finish most video games i buy and i dont buy enough of them for it to be a big deal but it does sort of make me feel bad and also i do like playing them, so i really wanna try and finish them.

visit all county historical plaques

this sounds fun and also i think itll be a good way to get myself exploring and paying more attention to the local area. theres only like 45 and most of them are clustered together so i think i could do this relatively easily in a handful of afternoons.

go to a live event once a month

ive been wanting to go to a ball game for more than a year and i just keep never getting around to it, so i really wanna try to get myself to go see shit. im not attached to sports, it could be any live event, but sports does seem the most plentiful and generally speaking i think id need to go out of state to see a comedy or music act that i like unless i deliberately go to one ive never heard of, which im not really keen on, because the thought of being at a comedy show i think isnt funny is a nightmare situation for me, and also ive never been to a live music event so i feel like i should at least be familiar for the first ones i go to.

general life improvement shit

i want to get a job that doesnt make me wanna kill myself. preferably with insurance, because i need new regular glasses and i want to get prescription sunglasses, which ive been wanting for nearly a decade and i just havent gotten yet for some reason, and also depending on how annoying it is it would probably be nice to get on anxiety medication for a bit. or maybe not. taking medication gives me anxiety so it might be a net zero gain. i also want to try to take some online classes at the community college cause ill get financial aid so i might as well slowly work my way to some sort of degree even if i dont really care about it.

new hobbies

i think i should get a record player and try to get into records, which is something ive been thinking about getting around to for like four years. i also really want to try to make a blanket[?], which i assume will be kind of shit ass, but it seems like a very approachable project in terms of someone basically new to fiber arts that will also find some sort of use in my house, its just a really time consuming one. everything else you can make is stuff that i dont want so i wouldnt make or its like clothes and that seems intimidating cause you gotta wear that shit outta the house. i also really want to try my hand at painting, i dont have any thought that ill be good at it but its something ive had in the back of my mind for a while so i want to give it a go at least a few times and see if i enjoy it.

[hexarcana]

**I’ll post more notes and info later but I’ve done some updates (basically just solidifying 10 year old details) for Relativity Falls and Reverse Falls (which is basically getting a total overhaul based on a post I saw which frames the AU in a less uhhh toxic??? Light?? Idk lol but im shifting some things so it’s less abusive-torture heavy.

**in Relativity Olive occupies a role very similar to McGucket’s. I’m mirroring having backstory with the old people of the tale, Olive is an old childhood friend of the twins and she eventually ended up at the same college as Dipper. Eventually, She assisted in building the portal, went kinda insane bc of it, and took to isolating herself in the woods, leaving her child (David) to be raised in the foster system. She had no contact with him until he showed up one day with a four or five year old daughter, LEFT her there, and vanished from their lives. Olive raised Aggie from there, initially keeping a very tight leash on the young witch (something that is well known in the Yearling family by everyone including David) but around the same time as Stanley and Stanford came go stay in GF, Aggie was granted more freedom to explore the woods and even go into town. She’s a much more cheerful child, reflecting more of and Olive-like presence. She loves to good around and be silly but she also doesn’t know how to talk to other kids. Her magic is light hearted but powerful, rather than terrifying and REALLY powerful. Olive is the tragic one now, driven somewhat mad by what she’s been through, and resorting to being an incredibly antisocial conspiracy theorist. She tells people she was abducted by aliens which is how she processed the portal trauma. She doesn’t like to talk about her son EVER.

**Also Bobby still exists as Olives dad. He’s just very old and is blind bc he’s old not bc of magic/curse/genetics. He’s like a crazy grandpa character who’s really fun and Aggie adores her “Pops” very much ❤️ He shows up randomly over the course of the summer.

—

**Reverse Falls I’m still picking apart, but it’s based off of the vibe from this post bc it’s so good!!! but basically instead of a purely evil bitch, Aggie or “Agatha” as she’s called in RevFalls is instead more interested in making more witches (apart from those nasty little twins, she wouldn’t help them unless if that handsome uncle of theirs sweetened the deal) as well as doing all sorts of rituals and curses. So she’s taken in her granddaughter with the full intent to make her a witch, by any means necessary (this is where it gets it’s lost dark, subjecting Olive (Ollie) to the torturous magic learning that regular Aggie endured, but at age 12.

**Agatha’s son (called Rob) is also a magic user (his mom had nothing to do with it he got magic his own secret way), though he’s a pretty negligent father and hateful son, content to leave his skittish and tortured daughter with his morally grey as best, evil at worst mother.

**big diff from the way I used to write Rev is that Agatha doesn’t hate Ollie. She doesn’t LOVE her but the worst things she does to her is subject her to magical training. She’s generally a decent guardian.

**In the post Stan is in league with Bill and Bill is constantly threatening to reveal Stan’s real identity and oh boy what if there was someone else who knows the difference between the two of them but one that ISNT stuck in a contract with him??? Enemies to lovers, fighting to kissing, etc

**basically rev falls is kinda hard bc they’re isn’t a 1:1 character swap to do with the Yearings so they’re just generally a bit nastier. I did what I could lol

[lostacelonnie]

Thank you! I kinda just. Realized i pay for all my own stuff & have for years so whats stopping me y'know. Oh we love to hear about the fall of far right leadership i hope that turns out well & you can get your eventual hrt as well. Oh yeah i never wear swimsuits to the beach typically. Always been with people i dont like or too many strangers for my liking. But i like to find seashells & stuff. Oh? English is such a weird language having a partner to learn from who's fluent is like. Required almost. So im glad you had one. I appreciate when people are chill as long as you try its nice & leaves room for mistakes that'll happen inevitably. Got confused for a moment & the concept of having a birthname you dont have listed in your bio lost me like. What do ya mean you had any different name what. Both mine are easy so i dont have that as a first name problem. Where is tromso? I wish you luck in that fall/winter trips are so nice. I especially love to go camping in them because less people so more space. Oh she just gets all the counters wow. Gonna have to focus on her a bit for sure. I dont know if i have enough for guaranteed kafka but i will probably try. Just to see what happens. If nothing else i hope bronya or welt come home for you. Fontaine is one of the regions im most interested in so ill stick through for it but i might squeeze a break in towards natlan honestly. Chasm was. A pain anyways i do not blame you for skipping it honestly. Thats an average day in warsaw? Wild. Ohhh that sounds like it was a blast please pass belated birthday wishes to avery for me. Hair dye is such a fun thing to do congrats on the red! I wanna dye mine again soon. Eyeliner is a thing i wanna teach myself to do too ive just been. Forgetting a lot

yeah thats very understandable!!! and thank you!! after a long time i finally feel at least a little hopeful ab this countrys future but well see. yeah i have the exact same thing but at the same time drying a lot of clothes is Annoying [esp on camps since thats the main place i actually go into the water on] so i often just put regular clothes over a swimsuit. win-win situation. seashells ARE fun to find but i always forget to bring sth to carry them sjdjflksjf plus its pretty hard to find actually nice ones, over here at least. YEAH god plus the way english is taught in polish schools does NOT help so honestly if i didnt have additional lessons i probably wouldnt have learned anything despite studying for a looooong time. and yeah its that way with almost anything isnt it. AH I DO THAT EXACT THING SO OFTEN i genuinely forget that people Have birthnames. or even names in general i just treat usernames as first names a lot of the time. tromso is the place in norway i was in!! pretty far up north but very charming. thank you!! ahhh i almost never go camping but perhaps One Day..... yeah clara has been my best friend ever since i got her. shes so fun to use. thankies and good luck to both of us!!! already got 106 pulls ready + the 9 more from the login event + 20 days left to grind so while i defo wont get enough for guarantee i think it might be possible for me to get her. honestly the region im most excited for is snezhnaya and thats gonna be the last one released iirc so. still a while until that happens. but at least when/if i come back im gonna have a lot of stuff to check out so thats fun. i unfortunately suffer from having to see everything thats new Immediately so i often speedrun new versions in 3 days and them im like....... What Now........ until the next update and then the cycle repeats. ah i should play more games that arent released this way. but yeah while the chasm was quite pretty imo and the story was. well. it wasnt STUNNING but it was fun. but the exploration aspect SUCKED good lord i hated how i could never quite tell if im in the region displayed on the map or below it. agh. glad thats over. and well yknow how it is with big cities, at least i live in a fairly peaceful part so we dont really have big stuff like that often. i will!! and thanks!! i agree hair dye IS very fun but unfortunately my hair texture makes it really hard for dye to stick so it washes off quickly :'] but alas. and yeah fair jdjfklg i have the same thing PLUS. its annoying i can never get it even

[lemon-pilled]

Similarities between TF2 and Splatoon (2)

by me (a sploon 2 player) and @d-9542 (a tf2 player) (they barely ever post tho and anyways this was my idea lol)

i cant cut posts in half on mobile sorry

TLDR, splatoon and tf2 are very similar in many ways

team vs team (turf wars and regular tf2 battles idk what theyre called)

team vs game (salmon run and MvM)

COSMETICS AND GUNS (self explanatory.)

events (idk if they count as seasonal lol but splatfests and scream fortress)

(i almost spelled fortrass in that last one LMAO oh my god im so sleep deprived)

stupidly elaborate lore (my friend isnt wrong ngl)

something something, precious resource stolen (zapfish and australium)

GMOD + SFM communities (i think splatoon has the biggest sfm community that isnt for a valve thing but dont quote me on this)

competitive scene (lots of games have this but honorable mention or something anyways ranked battles/league battles and competitive mode)

similar game modes (will elaborate later)

color themes woo (red vs blu, the iconic orange vs blue from splatoon 1, green vs pink in splatoon 2 and yellow vs purple in splatoon 3)

family rivalry i guess (like theres the whole mann brothers thing and i guess the sploon 1 final splatfest counts as well as the whole plot of sploon 2 hero mode? idk.)

'voice commands' (tf2 has A LOT. splatoon has like.....4. and they display as text with inkling/octoling noises. but they all have a different versions in different languages i think)

shinies (the australiam weapons and gold frying pan for tf2, and the stupid fucking golden toothpick from the DLC that im never getting because i absolutely cannot figure out how to beat girl power station someone send help)

bombs (literally demoman and the different bomb sub weapons in splatoon 2. i think he would have fun with those, especially fizzy bombs. im getting distracted fuck)

main and sub weapons (technically tf2 has a lot more categories but for the sake of my sanity im seperating them like this. sub weapons in splatoon ARENT limited to bombs only, for those of you who dont play.)

special abilities (while splatoon specials are different for each weapon, the abilities are dependant on the class in tf2. eg, ink armour and ubercharge, both of which makes you temporarily invincible and can affect teammates. but ink armour is the whole team, while uber is like, yourself and one other person. also charge times lmao the bane of my existance. the pain when you really need to use your special but the gauge isnt filled yet :[ )

"Cut off from developer support 😔" (my friends words. also technically not true because tf2 got updates about like last week as of posting, while splatoon is getying a THIRD GAME IN SEPTEMBER LETS FUCKING GO.)

stories! (tf2 has the comics, and splatoon has official short stories on their site.)

similar(?) gamemodes time pog

(a lot of the splatoon gamemodes can be compared to multiple tf2 gamemodes so thsy may show up several times lol)

online gameplay

online gameplay woo basically the same thing? the goals are a bit different cause in splatoon youre trying to get the most turf inked but literally you just shoot at people. pew pew.

salmon run and mann vs machine

this is like literally the same thing. the goals are different but basically a team of players have to fight against several waves of salmonoids/robots. you get stuff by beating the waves (i think?????? i dont play tf2 and my brain is, again, too tired to comprehend what the wiki is trying to say) and stuff and you win ONLY if you get all of them.

control points and tower control/splat zones

i think symmetrical cp is closer to tower control than the other ones. like, all of the splatoon maps are symmetrical so....

anyways

both teams have to take over a certain amount of spots to win. in splatoon 2 this is done by riding the tower (which is more like a payload thing but i think rainmaker is more similar to that than tower control) while in tf2 this is done by standing at the capture point. it takes a while to capture each point for both games, tho in splatoon you dont have to recapture, since it isnt exactly like capture points? thats more of a splat zones thing.

speking of splat zones this one is similar to cp in the fact that you have to literaly capture zones. usually1, but there may be 2. capturning the zones is similar to how its done in tf2, except instead of just standing there you have to cover the area with your teams ink. the counter only goes down if your ink is majority and you have all the zones.

im too tired to do all the big brain thinking to explain this more so MOVING ON

payload and rainmaker (and also the peristalsis stage in octo expansion)

you move a thing to a goal. you win if you get that thing to the goal! thats the very basics but while payload is like a move the cart via a track thing rainmaker is literally just grabbing the rainmaker and getting it to (or as close as possible) to the podium on the opposing teams aide of the map and actually i take back my earlier statment payload is quite similar to tower control.

HOWEVER. in splatoon both teams are fighting to get the rainmaker to their respective podiums. in payload, only one team moves the cart, while the other team tries to stop them.

the peristalsis stage is basically the same thing but with 1 player only cos the octo expansion DLC is a single player campaign. that and you have to shoot at it to get it to move.

king of the hill and splat zones

literally the exact same thing????? like im not even kidding. theres a certain area you have to capture, and once you have that area a timer starts to count down. but if the enemy captures it from you the timer for your team pauses and the enemys counter starts. this is kinda short cause theres not that much for me to point out lol

PASS time and clam blitz

theyre both semi based off of irl sports? except in passtime theres only one ball i think, while in clam blitz you have to collect clams to make a bigger football clam to throw at the enemys basket to break it so you can throw clams into it before it repairs itself

anyways i think this is everything? man idk i did this on a whim cause i was bored.

[lasclhill]

Han juri mugen archive 18

#HAN JURI MUGEN ARCHIVE 18 UPDATE#

#HAN JURI MUGEN ARCHIVE 18 ARCHIVE#

#HAN JURI MUGEN ARCHIVE 18 MODS#

JnXC's Juri dons a red Shadalloo cap and some tattered clothes similar to some looks we've seen on M. Not only did they share some new in-game shots of the costumes (we've previously only seen them in concept art form), they were even kind enough to tack on an alternate color for each of the DLC uniforms. Translated to - Youre gonna be raped next Rohan: Shut Up Ill use my heavens door on you Now GET OUT OF MY SIGHT, before I call the police Reply Join the community to add your comment.Īlready a deviant Log In DeviantArt - Homepage About Contact Core Membership Careers Developers Advertise Terms of Service Etiquette Privacy Policy Copyright Policy Help FAQ DeviantArt Facebook DeviantArt Instagram DeviantArt Twitter 2021 DeviantArt All Rights reserved.Capcom announced today via Twitter that both of these fresh looks will be dropping in just three days on Thursday, March 18. I couldnt care less about anything else Minotaur: Random Moos. Reply 1 like ZoroWarner Edited Rohan: DO YOU THINK THAT I, ROHAN KISHIBE, DRAW MANGA FOR MONEY AND FAME I draw comics because I want to be read Thats the one and only reason. Reply Beast-fight Cool I like when bestial rapists get what they deserve Reply ZoroWarner Agreed Bestiality is the WORST part of hentai MUGEN Reply InitiativeDrive121 Rohan: Take that NOTE: Its me Jansen121, I Had 2 DA Accounts but these ones are really crappy imo. Image details Image size 640x480px 57.75 KB Published: 2019 - 2021 ZoroWarner Comments 6 Join the community to add your comment.

#HAN JURI MUGEN ARCHIVE 18 ARCHIVE#

Why does the Minotaur have to be an 18 character, are those idiots dirty minded or something Heres Rohan Kishibe (Made By Amarimono) from JoJos Bizarre Adventure: Diamond Is Unbreakable (his face isnt shown due to the Minotaur being up close) with his Stand Heavens Door getting revenge on the rapist Minotaur for a good reason - Because I Hate 18 MUGEN Also I might be making a SFW Version of Minotaur in the future with different moves instead.īy the way Two Safe For Work Versions of the Same Minotaur is Available in MUGEN Archive Ill remake this video very soon - On another channel since the other one is gone JJBA Belongs to Hirohiko Araki David Production. You can also see the Minotaurs velocity meter on the right as well. The Minotaur is my favourite mythical monster of all time, but this wannabe bull-headed, Minotaur-like MUGEN character literally sexually rapes victims at any cost instead of fighting, Im not joking.Īlso hes actually a sprite edit of a ne Zangief from Street Fighter (but tanned) with the Oxs head taken from SNKs Karnovs Revenge (a Fighting Game) and uses generic bull sound effects. Rohan Kishibes Payback to MUGENs Minotaur By ZoroWarner Watch 5 Favourites 6 Comments 229 Views NOTE: The Minotaur who chases the Goldilocks girl in the intro or drinks the potion and does something gross (in Dark Palette as shown here) actually rapes victims While his other intros with the walk in intro with the CPS2 Theme or Mooing with the Microphone doesnt rape at all, instead he just fights like a regular fighter. Poll Ask the community Find out what other deviants think - about anything at all.ĭA Muro Paint a picture Experiment with DeviantArts own digital drawing tools.ĭeviation Actions Add to Favourites Comment See More by ZoroWarner You Might Like. Literature Submit your writing Upload stories, poems, character descriptions more.Ĭommission Get paid for your art Sell custom creations to people who love your style. Journal Post a journal Share your thoughts, experiences and the tales behind the art.

#HAN JURI MUGEN ARCHIVE 18 UPDATE#

Status update Post an update Tell the community whats on your mind.

#HAN JURI MUGEN ARCHIVE 18 MODS#

Mugen 18 Mods By Aurora Mugen 18 Update Post An

[cielospeaks]

thoughts on f-h 9/2021 update

the good: sumo rinka and mordecai! oh my gosh words cannot describe how glad i am that theyre the free ones! sumordy is the cutest and most wholesome, the fact his voice lines are that he likes sumo bc its a nonlethal way of fighting are the most wholesome thing ever. best boy. i also love that he seems to do a sumo pose as his untransformed battle pose. best boy. and rinka as the oni chief class(?) is amazing! its cool that they show more flame tribe specific outfits since rinka is the only flame tribe character in 14 (ppl were complaining abt the twins and their dad being the only ice tribe and the others being generic models, but the same is true for rinka? idk. the fans act weird abt the japan inspired classes :/ ) but anyways i love her outfit and design! i love that she has the sumo referee fan thing as her weapon also! and thanks for being 4 star pls come home. also the tana and peo convo was actually really wholesome and as i was hoping, compared both of them having protective older siblings (and again soft confirmed peo and tri are sisters, which im still salty that the book 4 story ditched for the sake of the abusive gaslighting “parents” of the fairies’ story and the stupid askr royals storyline)

the not so good: at worst the storyline of tt is really not appealing to me but its b3 and you knew it was coming, what with the story only having the ubw ripoffs of the main story characters besides eir and hel. its cool that the new character is being brought up to be a competent ruler and i kinda get her beef with eir (but cmon the girl only was ever show not-torture by the people who took her as a war prisoner and manipulated her and now treat her like a pet do you really expect her to do anything else) but i feel like theyll just be killed off/vilified for no reason in order to boost up “askr is so perfect and wonderful and flawless uwu and anyone who opposes them bad”

the as of now??????: puts on conspiracy theory hat. so ok i saw a theory that this lif isnt ubw ripoff bad character but actually the real historical lif. the fact he doesnt sound like a guilt tripping sack of shit in his jp voicelines seems to support that (the eng voice is just regular angry/edgy in both), as well as that askr (the character) mentioned him in the main story recently, and that he doesnt give eir a fucking guilt trip when he meets her in the story. however, a lot of ppl are turned on by bad ubw ripoff character and his ingame code is “lif 2″ so more than likely its the fucking asshole i know and dont like. but hey. wait until his epiteth to judge him. if hes historical lif and hes not a fucking tool i might actually even roll for him in his banner.

what about conspiracy theory and ocs?: so ofc this begs the question: what abt alcinous if the conspiracy theory is true? alcinous, the mysterious man in the “castle beyond memory”, is actually the true founder of askr, High King Lif, but due to being betrayed, usurped, and banished, he goes by his middle name now. well, i actually worked this out when askr started exposition dumping abt historical lif. so Alcinous (who ill call that for easiness’ sake) is betrayed, and a few generations later the “ancient Askr” becomes the Askr of the main series due to the descendant of the usurpers making a contract with the dragon (bull?) and becoming the first king. tbh that makes more sense bc the only relationship i could see alcinous having with askr is him being a total doormat and letting himself be walked on, and having it assumed that theyre best buds (which would parallel ichihara as the summoner, and add to the alcinous + ichihara similarities)

another note abt this is that the fact that these characters get ascendants makes me happy since it means theres a chance tri and plumie can get ascendants in next yrs story. plumie i love and i love the not fully formed idea i have abt plumie betrayal arc (and ursula betrayal/going solo arc that i really hope she gets an ascendant, but thats also partly bc memes), but tri really deserved it as she got super screwed over in literally everything, from being released as a pawn of her abusive manipulative “mother” to being treated like an unstable killer (she killed her and peo’s abusive parents in self defense since they wouldve killed peo if she didnt for fucks sake this is worse than the otr nonsense tbh) and she deserves the good content, even if the game doesnt give it to her. im glad at least tri came home during the leg banner

[windowhateswildworks]

why you should play ajpw

ok so i know a lot of classic players like playing aj classic for nostalgia and because they dont like the artstyle as much of ajpw, and i was one of those for a while. however... this post is to maybe bring to light some stuff that i think makes ajpw fun and worth playing despite some of the minor downgrades from classic.

REGULAR UPDATES!!! this is probably the biggest reason aj classic players get bored of it and it was how i was as well. aj classic doesnt often get updates with new features and such, but ajpw gets frequent updates with new animals, new features like nightcycles and weather patterns, and items as well.

the vast majority of features and items are nonmember. it always stressed me out when my membership was ending on classic, since without membership you lose access to a lot of the game, but with ajpw most features are nonmember. you dont lose access to your dens or animals or pets when you lose membership status, and its more like a "pay once if you want this particular den/animal/pet" kind of thing.

pack runs. every month there is a different themed pack run, where you basically have to join other players and collectively search for little items or animals, like fireflies. when you collect enough, you get rewarded with armor sets as prizes. they are very fun and i like to zone out while playing a few every day. and no you dont need friends to do this, you can do it alone, or theres always random people waiting around looking for players to help them out in a run.

pets. this one is a general category because theres so much interesting stuff to do with pets in ajpw. first of all, i love how the pets run behind you instead of following exactly along like theyre part of your character model in aj classic. they kind of hop behind you and do their own pathfinding which is adorable. also, you can play with them and level them up, and put them in your den to have them walk around in a small area around where you placed them. they also can interact with objects in your den if you get their special toys, which every pet has 3 of. its super cute honestly and rn there are pet bees available which cost gems and not sapphires so def get them while theyre here.

surprisingly nice items and character models. they have snakes and shit and armor somehow still looks alright on them. idk how they did it. but anyway yeah the character models are really cute and have satisfying walk cycles that are fun to watch and use. and they have a bunch of armor sets that are honestly really good looking such as the dna armor set and the shadow armor set. armor sets also give you unique particle effects when you wear the whole set at once

a desktop app, and way less hacking. i know many people are put off by the fact that ajpw is mainly a mobile game, but it does have a desktop version that runs just fine with almost no lag and less problems with hacking than classic. seems like every week classic has a new issue with hackers, but mobile has been pretty stable which is nice.

and LAST BUT NOT LEAST..... if you join with an old aj account that hasnt used ajpw before, you get 500 free sapphires (a fucking LOT), a couple of free animals, and a free den that im pretty sure isnt in stores. honestly a sweet deal imo so if you have an old account it might be worth just checking out.

so check it out :) it sort of gives me the same nostalgia feel as being a kid and logging in on thursday to see what the new update would be, without the depressing atmosphere of a childhood playplace that is falling into disrepair. also i want friends to play it with so pls im so desperate

[mollydollyjournals]

Its Thursday 1st July and I hit post limit so all I can do is update this post

I just want to drink til i pass out

9:46pm - oh when did i post this? Doesnt matter i guess. It really annoys me that the daily post limit applies to all blogs you have. I have 2 and i follow a lot of NSF- stuff so i have so much in my queue for my other blog, and i tend to post more immediately for that so i dont end up with a massive backlog, but thaats when i hit the limit. Whatever it is. I basically just wish i could set the queue to post more often when i have more there. Just post every 15mins or whatever and it'd go through quicker without me having to do it myself

Idk it doesnt matter i guess. Im still just venting all my bullshit here that i cant put anywhere else. But now is when i need it. I want interaction and company but i dont want to bother anyone and I dont know what to do with it. I dont have it in me to try to be a person right now. Tumblr is for messy. At least thats how i do.

But once you hit post limit it apparently doesnt even let you delete stuff to post anything else. I havent been here in years really so i totally forgot. Plus it could have been different anyway. Idk. Guess i will just drink until i disintegrate or something

10:20pm - it just makes me feel worse. I know theres a reason for post limit and its not the end of the world. Just it doesnt reset til 5am and I'll be asleep by then which means for the rest of today i cant actually say anything, and that kinda fucks with my derealisation/depersonalisation/whatever it is. I need acknowledgement to feel real. I need people to remind me that i exist. Even just a little. Its stupid and insecure but i do. Everything is worse since covid and being stuck in a house with someone who barely acknowledges my existence. I feel like a ghost. I feel netter at least a little temporarily if someone just sees and acknowledges me. And currently i can't do anything about that. Nobody is going to go to my page(s) and see whats up, its not that kind of thing. Even if it was they still wouldnt. I put on my other social media fucking ages ago that i was really struggling, then i disappeared, and it took days for it to get noticed at all. Then only 3 people acknowledged it. People have their own lives and there are algorithms etc so i cant be angry at them, but the end result is i still feel really alone.

I often feel like i want to just talk to people. Only a select few. Its not that i necessarily need to talk about "deep" stuff, but i need to know that i could if i needed to. Or if we just both happened to be in that mood at the same time. Like how i dont wanna talk about something totally innocent and generic with someone who turns out to be racist or whatever.

I dont know. Maybe i do need to talk some shit through right now. Doesnt matter either way. Ill most likely just be back to this post later to say more about how i dont really feel like being alive.

10:39pm - I hate that im like this. I dont know if its reasonable or not. I used to be someone who wantes so much space. I still dont feel like i want to always be around people. I must have some individuality somewhere. But i cant find it. Since the pandemic hit especially, it just highlighted everything ive been missing and trying to supplement. I need things to change. But i dont have a hope of doing so while i feel like this. Im so lost. Ive spent my life trying to be confident in myself and ive run my reserves dry. I so rarely get any help topping up. I fucking hate the whole Strong Black Woman trope. Im tired. Ive carried my family since I was 13 and romantic partners have expected me to carry them too. I need to be held and comforted. I need support. If nothing else i need to just be acknowledged. I dont feel like a person. Im invisible and inaudible so much of the time and apparently that only changes when someone wants to see or hear me. When do i get to be a person in my own right? When does someone actually see or hear me for who i am and care about my existence regardless of what it does for them

10:54pm - its the worst of my mental health, tbh, that i dont feel like its worth trying anything if its not going to be acknowledged and welcomed by anyone else. Existing included. I feel my worst and most suicidal when i cant have anyone remember that i exist. Because maybe i dont. Maybe people dont miss me or think of me unless theyre reminded for some specific reason. And i say these things because i want to be proved wrong but why would anyone.

I want to cut. I hate this stupid post limit. I could have at least distracted myself by reblogging stuff for a bit. Im still spiralling. I need a distraction and there isnt one and there wont be one and if i even get through tonight itll just be another reminder that in the end im alone

11:24pm - something feels particularly cruel about not being able to post here, even if i delete stuff. Its just an app sure but its the closest thing i have to therapy. I came back here specifically because i was struggling posting on my regular social media and having people not pay any attention. I thought id make a fresh anonymous account where i could vent and my shitty brain couldnt take it personally if nobody acknowledged it. Now i just have all that shit going round my head and nowhere to put it. Im right back where i started. Nobody will read this. If they do they wont care. If by some chance they did they'll be put off by me being so negative.

"One day someone will hug you so tight all tour broken pieces will fit back together" yeah sure. Whatever.

[the-necessary-unnecessary]

hi its the uswnt-nwsl anon here! its going to be a long ride so buckle up, gays! at the end of 2012, the USWNT's CBA (collective bargaining agreement) expired and around the same time, Gulati (then USSF president) had come to the team to discuss the inception of the NWSL. Gulati was the one who came with the new model of the league; USSF pays club salaries of the USWNT players. this was done to ease the burden on clubs, reduce folding and ensure that the players got decent club compensation. (1)

the players were excited but cautious, given the fact the WPS folded just a year earlier. during this process, the USWNT got Gulati to push and search for proper owners who could answer their concerns; aka how timbers came into the mix. while negotiating their CBA, the team also wanted to make sure the NWSL would work. initially, Gulati said that it wasnt a requirement to play in the NWSL, but the players sought to ensure the sustainability of the league. hence, they agreed to allocation; aka USSF would pay their club salaries if they played in the NWSL. thus, the NWSL became a part of their CBA - the players wanted the league to succeed and USSF needed players to commit to the league. i'll spare the numbers but it came down to either the players get more money/tier or they play in the league and get extra NWSL salary. in the end, it became a contractual obligation that the players had to play in the NWSL (at least 2 of 4 years of their contract). 

fast forward to 2017, while negotiating for the next CBA (after the 2013 one expired), the players were concerned about how their negotiations could affect the NWSL. being USSF-backed, if things went awry, the league could fold and put alot of non-USWNT players out of their jobs. furthermore, the players (in a power move tbh) decided to take back their licensing rights. this stunned the USSF and so in part, the USSF decided to agree to higher wages but drop the number of the core players for the USWNT from 24 to 20, and by 2021, to 16 (players who made the roster would still benefit from the significantly higher bonuses, they just wont have the same guarantee that the core does). 

when the CBA was agreed upon, the USWNT had gotten the USSF to improve conditions/policies of the clubs and facilities in the NWSL and kept their allocation clause in tact. thus, USWNT players are contractually obligated to play in the NWSL. they did it to birth the NWSL and make sure it's not left for dead. Vlatko may have rescinded Ellis' "NWSL player policy" (it's been speculated but never really confirmed if Ellis really didnt bother to look outside of the US) but it remains to be seen if a non-NWSL player can be a regular player in the USWNT since their current CBA mandates that they need to be allocated in the NWSL. 

i think it should be made clear that it isnt a MUST to play in the NWSL, (the allocation mainly refers to the rights and salaries, hence why Press could leave for Sweden when she refused to go to the Dash), but it does put their USWNT contract at risk. with the lawsuit going on and their CBA is expiring soon (i think end 2020 or 2021), this could be changed but i guess time will tell. this is just the tip of the iceberg though, it's way more complicated. in context of the current discussion, going to europe to play for tokyo is entirely possible and honestly smarter imo. but whether USSF will force the core squad to do a camp instead, oh well, we'll see. 

all of this comes from the USWNT book by Caitlin Murray! it's a great read and i highly recommend it for woso fans. i did, however, buy it before she updated it after the 2019 WWC, so i missed out on the new cover and new information. (im intending to get the updated version soon though). you'll really get to understand the journey of the USWNT and the whole book is just full of power moves by the team (the pioneer generation threatened to walk out of a competition, i was laughing on the train when i read that). (8)

hope this helps with the conversation! sorry it's so long though, i tried cutting out as much as possible. also if your anons would like to know which players had big dick energy in all of this, lmk! i'll happily list the committee names and what they did. (9)

well firstly thank you so much for taking the time to put this all together, it’s really appreciated since it’s a pretty complicated topic and you’ve managed to summarise it very well! It seems like Caitlin Murray’s The National Team book is some reading that I should definitely get down to as this all sounds fascinating to explore in even more depth. What I’ll say for now though is that it’s clearly a very complicated situation. Measures were never put in place without there being clear reasoning behind them, and especially at the beginning they were there to keep the nwsl from suffering the same fate previous the leagues had faced. 

However, years on I’m not as certain that they are as necessary to remain. You know those scaffolding poles that are put in place to keep the building stable and secure whilst it’s being properly built? Well this is what I consider some of these measures to be, initially necessary ones that now may do more harm than good. 

One of these measures being the uswnt players not going abroad, and especially what you said about it affecting their negotiations around equal pay. It’s an important distinction to be made between being bound to being allocated to a nwsl club and actually playing for them. So obviously there is this known loophole which has already been used by players such as Press. Vlatko has now said that he will probably be extending his scouting to beyond the nwsl but that doesn’t mean they’re not bound to ussf’s demands with putting their lawsuit at risk and/or being asked to go to a camp instead. 

All in all, something I’m still working at getting my head around but this made things so much clearer so thank you, definitely recommended reading for anyone who wants to know more about this whole situation!

[astronomarten]

Toontown headcanons and lore

i havent made a new Toontown blog yet but i still wanna post this bc Im Love Toontown. this is a post of headcanons and lore i have for my Toontown universe!

ok to rb!

(warning for mentions of violence, injury and death, shouldnt be too bad but jic)

my Toontown story is a bit more on the mature side, more mature than the game actually is (think pg-13). kinda inspired by how some others have a slightly more mature approach to their Toontown lore/story as well, which i think is really neat!

the lore for my Toontown universe isnt the exact same as the lore for any Toontown private server, it mostly branches off of Toontown Online while borrowing some elements from Toontown Rewritten's lore and Who Framed Roger Rabbit

1. what are toons made out of?

the way i see it, id say toons are both organic and made out of ink and paint, like 50% organic and 50% ink and paint. most of that ink is in their blood and inner parts/organs, though it can also be found in other parts of their body along with paint. toons can be partially made out of different types of ink and sometimes other art stuff as well, and that could an equivalent to different blood types

2. can toons be hurt by gags?

oh yes absolutely! obviously if the intent is malicious, a toon can be hurt by gags and if the damage is severe enough, possibly even die from it. though thats not the only factor, it also depends on how that toon is already feeling. if a toon hates gags/is in general just not feeling it, they can also be hurt or killed by gags whether or not the intent is malicious

so basically, if the intent is malicious, gags can hurt toons. if the toon hates gags or is just not in the mood for jokes and shenanigans, gags will hurt them too, even if the intent was good/neutral

toons can also die in some ways regular people can die (though humans dont exist in Toontown), although theyre generally much more resistant to any cause of death that isnt based in toon physics. Dip will 99% of the time kill a toon, and even if they survive theyd require intensive care, because even if a toon isnt killed on contact from Dip, it can still make them sick later on and kill them that way

3. where does Toontown take place/where is Toontown located?

i headcanon that Toontown is located near Los Angeles and is next to Hollywood. theres also surrounding cartoon cities/towns/etc next to Toontown as well, although none are quite as big or populated. Toontown is basically the main hub, and the only one of these places cogs have been invading as the others have stayed under the radar, though that doesnt mean those are all in entirely good shape either. theres probably some ghost town near Toontown that was abandoned before the cogs started invading

the in-game districts are also actual smaller locations surrounding Toontown as well, mainly Toontown Rewritten's districts before its 2.0 update. for example, Fortissimo Forest is an actual forest, Avant Garden is an actual garden area (probably next to Daisy Gardens), Renaissance River is an actual river, Graphite Gulch is an actual gulch, so on and so forth. they also all resemble the art/music era or term they were named after, so theyre all completely different. theres also different neighborhoods in Toontown beyond the in-game ones too

4. are toons inherently good/are cogs inherently evil?

no to both. most toons are good bc thats the environment they grew up in. most cogs are evil bc they were programmed that way during manufacture, though a lot of cogs are also just made to do menial work. any toon can become evil (some are evil almost from the start) and any cog can be reprogrammed to be good, or even become good on their own

some toons and cogs are neutral or morally grey, and arent really aligned one way or another. some toons work for cogs, and some cogs befriend toons. some toons are pretty violent and will go out of their way to hurt or even kill/murder other toons, or get into other untoony mishaps as a whole

while Toontown is still mostly wacky and happy-go-lucky, its also become somewhat dysfunctional because of the toon-cog battle having gone on for a while

5. what kind of technology exists in Toontown?

radio and television exist in Toontown, and those are the toons' primary sources of entertainment. television channels in this universe are the equivalent of american television channels in the 20th century, except ofc more toonified. computers also exist but theyre like those big bulky desktop computers, and mainly just used by toons or cogs for research. social media doesnt exist in this universe, and the internet doesnt either besides a few different sites

[cleaduvalls]

i watched all 20 episodes of spy kids: mission critical in about a week and here are my thoughts (3/5)

1.9

i havent watched this in like 2 days i dont even remember what happened last time

why is everything in the desert the desert sucks

alsjhiajgdf i love tom kenny

listen i know hes like a superandroid or whatever but i really hope he and therese fall in love

wait hold up. i thought they already had midterms???? like the did that before scorpion went to her fashion shoot. AND they were kupkakkes midterms. whats up with this school

no drinking in class???? rude. let them hydrate

that seems imbalanced

aHh

thats only like 10

also that book is dummy thicc

its ok ace my nose whistles too

shut up carmen youre just jealous because shes pretty

there are no seasons its a desert

ok dude stop breathing so hard

he JUST said that

anywhere between an hour and umm... 11 months

you put it on one page why are all the pages back

me but with physics

thats literally the best line in the whole series

juni how do you not know that you were at a safe H O U S E

theyve been gone for like 2 hours are they not allowed to study?????

what even is AWOL???

absent without leave. neat

talon gives off some big draco energy

tick tock???? how dare you

slkdhfa she called sir awesome honey shes such a mom

dont make it obvious

oh look they made it obvious

roll credits

i was in cleveland when i watched this episode - well actually i left that day - and i was s h o o k e t h

also hes right. no spy would be in cleveland. theres 3 buildings

oh me too

right bc shes the only “I.A.”

ew

eW

this isnt HARRY POTTER. or maybe it is. talon is a hardcore draco

oh right bc swearing is for Men™

update tumblr decided to break AGAIN (im boutta cry btw) so we lost about 5 minutes from the end of 1.9 and 7 from the beginning of 1.10

1.10

its a DOORBELL do they not have those in the outback steakhouse

lots of people. doofenshmirtz, other people who i cant think of right now, etc

???? no it wont????

did your troop leader not give you The Talk??? you NEVER go in the customers house

ace no. youre allowed to not buy treats

theres a triforce on her vest, too

shes just gonna go to another house yall. shell be f i n e

oh my God shes holding hands with mauly im gonna c r y

yeah its called saliva

nope only scorpion lives in a castle

stop bringing up spy sense and tell him you saw her glare at you

HES ALLOWED TO LIKE FOOD

how do you know that he doesnt have his phone if YOU dont know where it is and HE cant tell you

i love how she says "floor. ceiling. more thumb"

haha i found the birth of venus

oh and the creation of adam

hes like squidward, which would make sense bc goldies voiced by tom kenny who voices spongebob

"sebastian oliver" "shadow operative" S.O. nice

why do you have a trailblazers badge. youre 4. i didnt get one til i was a cadette

also sebastian???? isnt that the toymakers first name????? you cant have 2 sebastians

also why do you have braces. youre still 4

"SIR MEANIE FACE" IF SOMEONE SAID THAT TO ME ID BE D E V A S T A T E D

SCORPION LET HER CRY SHES F O U R

so really, spy sense DID help

oooooh, sentry duty, thats gotta hurt

WHAT THE H E C K YOURE F O U R

she looks like frickin plushtrap

aCE NO YOURW GONNA D I E

oh trust me they hurt me more than you know

dude theyre so thin youre f i n e

eh, still worked

clicking her teeth together so hard must H U R T

i think she can get out of there. also shes concussed now

why was that so quiet. why did it get louder

thats not a y shape

no, they spy kids

oh shiitake mushrooms thats what THEY said

whenever they say pinnoquinoxx i always think of pinnochio

ahdhhsjak i miss pizza parties 😔

well now we ALL expect it

also, no one????? pick a cooler code name. your regular name was cool and now youve ruined it

2.1

oh theres finally a skip intro option. im not taking it

stop saying that its weird

EWWWWWW CRUSTY THATS SO G R O S S

haha shes shopping w the goon. love that

oh yeah i didnt get to tell yall yet but i absolutely h a t e gablet

a lot of people, juni

listen i know a jt (but he doesnt go by jt) and uhhhhhhh were not gonna go there

why are you happy. what about second semester makes you so happy

boi thats a tardis

the design on his hoverboard looks like the aperture science logo

i paused to read the Floops label and it says "fried corn and sugar loop shaped breakfast substitute, net wt. 13 oz" ITS NOT EVEN A CEREAL ITS A BREAKFAST SUBSTITUTE IM C R Y I N G

listen i know hes technically scorpions dad but i dont think he can legally be in the dorm rooms

aww, thats sweet

i dont think gablet has an attached printer

gablet always sounds like shes mocking people

oh dear God its dolores umbridge

haha nerd

awesome no im gonna die

whenever carmen yells she sounds like link

ok so i didnt find a reason why she sounds like link but i DID find that theyre making a wherea waldo tv series so uhhhh thats fun

why does the cat have a bandaid

GABLET S T O P

OH!!!!!! ON THE WALL!!!!!!! ITS THE TUMBLR POST WITH THE FORK AND KNIFE ETIQUETTE PICTURE!!!!! YOU KNOW THE ONE!!!!!

oh no fart jokes

its even the basic fart sound effect

BAHAHAH MY PHONE VIBRATED AT THE SAME TIME HE FARTED THAT WAS WEIRD

oh no i hate him

stop SLURPING

uh yeah???? you heard them yelling about it

how??? does that work??? you cant just like catch electricity in a cup.... can you???? i havent studied it since 4th grade

oh worm??

goldies such a boomer

worm??

psi shouldnt be at the drawing board right now. he also shouldnt be confused

what happened to the lasers

wait nvm we havent gotten to that episode yet

ace is valid, dark is Scary

im gonna punch gablet in the face

that doesnt sound realistic

do you not have stairs??????

dont you mean inside AND out??

that flashlight did NOTHING

how did it die so fast?????

who else would you be talking to??

isnt that bowser from the mario movie we dont speak of??

i havent gotten a chance to tell yall but i absolutely love clemp. hes such a mood

hes the greatest spy

does it use a mini transmooker???? ig it doesnt bc gablet works but thatd be lit

SEE SHES IMMORTAL

me when i see something interesting

ME WHEN IM NOT ON MY PHONE

i dont think you can legally say that

you killed her

me

wow nice promo

also just???? bring a charger????? like youre the tech girl why do you not have one at all times

how?????? did you go so fast

machete electric bubbles??? nice

just task manager him

mother of all boards sounds like it could be a cuss...mother of all fuckers

also throwback to 1.7 when she says "his ai firewalled his motherboard" i keep expecting her to say "his ai firewalled this motherfucker"

yes i said keep ive watched that episode too many times to count

worm??

why did you giggle and make a flirty pose. are yall supposed to get together???

did you????? kill him????????? holy shit

2.2

thats what my dad does. he loves hospital corners

idc what it is you have a bazooka

ok if it was a spider id get it, australia has some deadly ones, but does it have deadly ants too???? like is that a Thing????

also ants in your room are gross

was that just a cameo??? i dont remember what happens in this one

haha because he said grapevines and wine has dregs and wine is made of grapes

for the boys??? thats so cute

listen idc how evil you are EVERYONE should cry over otters

so one of the parents has a sister or sister in law named roxanna..... hmmm.......

if you dont use your turn signal h*ck u

hes gonna D I E

i just looked at my shoe and i think theres blood on it???? what the h*ck

suspicious??? about.... what???? having fears???? not being perfect?????

juni that was awful wording

JUNI WHAT DID YOU D O TO HIM

like i know what he DID but the way it plays out makes it seem like something significant

i thought his name was heavy meddle not.... deth metal???? thats how the subtitles spell it

hahah me

he sounds like bling bling boy

yeah ik im a fool thanks for reminding me

what are you gonna do??? kill juni????

POOR WORD CHOICE JUNI

oh he gives exactly 0 h*cks

a shoe doesnt make that sound

crack bugs?????

see thats why you dont mess with things

im a god among boys??????? what????

did you... kill them????????????

thats any australian person

theyre so stupid i love them

good i hate her

i thought the gunk just like... disappeared from the guitar but actually it shot off

he died... 😔

uhh.... yeah????? was it not obvious?????

me when i have 5 dollars

[comicteaparty]

March 7th-March 13th, 2020 Creator Babble Archive

The archive for the Creator Babble chat that occurred from March 7th, 2020 to March 13th, 2020.  The chat focused on the following question:

What is your overall marketing/promotion strategy for your webcomic?

Cronaj (Whispers of the Past)

I don't know if this counts as a strategy, but these are some of the things I do to promote my comic or my work in general. 1. Most important from what I've noticed (which I have been failing at due to stress and self-doubt lately) is to post updates to your comic frequently and consistently. It seems somewhat silly that simply putting your work out there is the best way to grow an audience, but it really is. Newly posted chapters frequently get shown on more pages and thus detected by the algorithms and potential readers. It also helps to establish trust with current and returning readers. 2. Participating in art/comic events, forums, and other comicking communities (such as this one). In a way, this isn't really marketing directly, but it is good to build connections with other creators! 3. Conventions! I actually have gotten a several new readers/followers from attending cons. It's also nice just to talk to people, get your name out there locally, and to make a little bit of money while at it. 4. Social media promotion. Tbh, this hasn't been super helpful to me, but more eyes is always a win in my book. I try to post almost every day, even if it isn't art or comic related. Having some kind of social media presence at all, even if it's small, shows people that you are working hard to connect to others. Also finding the right hashtags definitely helps with visibility.

kayotics

Overall, my strategy for marketing is to be authentic and just keep plugging my stuff. People will come if they like it. I work as a marketer for my day job, so I know what I COULD do, but I really don’t do that much since a whole marketing plan would take a lot more time than I have available to me. Some of the stuff I do otherwise: - regular updates. This ones pretty important for retaining viewers I already have. Any good marketing strategy is thinking about retaining people, not just getting new ones - self promo: this usually is on top webcomics or on social media. I get a LOT of traffic from top webcomics, and I get a good handful of people from social media. - conventions, like mentioned before, can be a great way to get people’s eyes on your stuff. I have a postcard that I hand out to people if they come by or they purchase something. - the thing I don’t do enough is post more art outside of the comic, or even just little previews. If I were dedicated to marketing, I’d be sharing sketches or illustrations on social media to grow my audience.

DanitheCarutor

Ah you know, I don't really have much of a strategy. At some point I promoted as much as I could on Twitter, adding my comic to those share/promo thread, getting in on relevant hashtag events, participating on WebComic Chat (whenever I remembered to). I've done a little promotion on forums, but there is really only so much you can do since only so many people hang out there and if your work is super niche like mine, they will pretty much avoid your promos at all cost. Lmao Other than those I don't really do much, at some point I attempted to use Instagram but the site/app is very stingy about offsite links. I also started a Facebook page, although if you don't have the money to boost your promos and don't usually have a lot going on with your comic outside of weekly updates, it won't get a whole lot of attention. I've also tried to be more active, but I'm not a good conversationalist, and I tend to be kind of a thread/conversation/mood killer so I try to avoid talking outside of Q&A prompts like this.

eli [a winged tale]

Same Dani, I used Instagram for a while too and I just don’t think the platform is a good fit for my vertical scroll comic (see exhibit 1) Twitter is a mixed bag as well and I think unless you have a solid following already, it’s hard to gain traction. What really helped was being on Webtoon’s staff pick for a couple days. I’m not sure how Tapas picked up but it’s reassuring that there’s a couple of followers gained every week when I posted regularly. So it really does sound like the first step is to have a steady update schedule (working on the buffer! Got a month’s work down today). It’s just challenging because while I could upload one page a week but on the vertical scroll sites it seems like a longer episode (6-7 pages) is valued more as a solid update. Love hearing everyone’s thoughts and hope to learn from y’all! (edited)

LadyLazuli (Phantomarine)

Consistency and con attendance were big ones for me, but something I learned worked well (and was really fun to do) was creating really fun, really dumb, non-canon bits of art every now and then. Following meme prompts or funny ideas from other people. If your comic can afford some humor being thrown its way, making people laugh is a great way to get some attention. No one needs to know the details of your story - they just need to relate to the characters/humor somehow. I had more than one person come across my dumb, meme-y ancillary art and go “Welp, I want to read your comic now.”

eli [a winged tale]

Memes to the rescue! What has been your favourite to do? And which one has surprised you in its relatability/popularity?

LadyLazuli (Phantomarine)

Two shots of vodka.

Also that terrible sweater meme. Everyone is required to do the terrible sweater meme. People eat it up.

eli [a winged tale]

Too good

Ahh I can’t wait till I can actually write silly adult characters

keii’ii (Heart of Keol)

Now that you mention it, the nice thing about the terrible sweater meme is it works with a WIDE variety of comics.

eli [a winged tale]

I would love to do a meme with y’all

Tuyetnhi (Only In Your Dreams!)

"Came for the story, staying for the sick memes"

Spring-heeled Jack

I try to post updates every friday when my new pages go up on Patreon. And then I make my big post when my tapas and website update at the end of the month. Between all that, I have little flyers that I carry with me and if I'm ever in a shop that has a little self promotion section, I plan on tacking up a flyer. I do conventions, and this will be my first convention season while actively making a comic, so flyers will be handed out then as well.

keii’ii (Heart of Keol)

My comic isnt very comedy-heavy, and even for the funny scenes, my sense of humor isn't compatible with most people's. So a lot of the memes out there just don't work. But terrible sweater meme doesn't have to be hilarious. It can be just cute, or even weird.

Tuyetnhi (Only In Your Dreams!)

For me, uh lmao. I sometimes make some funny strip panels and it was received well even though it's not polished for my liking lmao

Spring-heeled Jack

Keii, I feel you. I'm not good with comedy and my comic isn't meant to be funny, either, so I don't know how well a comedy meme will help me.

Tuyetnhi (Only In Your Dreams!)

overall, I try to be honest with just self promo and asking when I have a chance "Hey pls check out my comic lol"

eli [a winged tale]

Or maybe just something relatable? Seen a couple caption this on tumblr

keii’ii (Heart of Keol)

I think instead of memes, what I'm gonna do is my characters cosplaying more well known characters from works that have some tonal similarities with my own. This isn't just for advertising purposes; it's something I've been wanting to do for a long time for myself. But I'm realizing it can serve some of the same purposes that memes do.

Spring-heeled Jack

That's extremely cute!

keii’ii (Heart of Keol)

Keyword being "SOME" Tonal similarities... Some of them aren't very similar but have a couple of parallels, etc.

Spring-heeled Jack

Oh for sure. Even if you could find that 'perfect match', it might not be a great cosplay for them, and give too much away

Are "draw the squad" prompts still a thing? I love those

keii’ii (Heart of Keol)

The One White Dude and the Tiger Dude in my comic will definitely cosplay Calvin and Hobbes at some point.

Spring-heeled Jack

LOL

omg please, Keii

eli [a winged tale]

YES

LadyLazuli (Phantomarine)

Yeah, not every comic will have super memeable humor - but whatever you can do to break down that wall between you and a potential reader and go “Hey! Look at this. Is this relatable? Do you get the reference? Etc” Is a very good bet

Also yes squad memes are PERFECT

You can boil down your comic’s relationships so simply.

Spring-heeled Jack

I have four couples in my comic so those "ship dynamic" posts might be fun

keii’ii (Heart of Keol)

What are squad memes?

eli [a winged tale]

I also need to be educated about squad I mean all the memes

Spring-heeled Jack

OH MAN!! They are fun as heck. You can find templates and it's a very simple character design in the template, but the poses are super silly. And then you just draw your characters in place of those simple figures(edited)

If you google "Draw the squad" you will find a bunch

renieplayerone

Oh! Ill have to try that! These squad bases look fun!

LadyLazuli (Phantomarine)

I still have one of those I need to finish Back when I first started sharing my work, I was surprised and delighted at how quickly people shoved it through a meme filter.

Maybe that’s another thing! If marketing opportunities present themselves as a surprise, try running with them and see where they take you Within reason, of course. Never feel forced to follow anything that people respond to in a particular way. Just take it into account and see how you feel about it.

renieplayerone

(Im here to lurk on this week's question, i have no strategy and need ideas haha)

eli [a winged tale]

Omg draw the squad looks

too many to choose

mariah (rainy day dreams)

I love draw the squad poses so much TuT I wish I had more time to draw within more of them. I think I always get a little dishearten about making memes because I feel like I need to make my jokes full illustrations but I never have time for much extra content beyond ballpoint pen sketches :T

Mei

Honestly I don't have a marketing or promotion strategy for my webcomic. I make updates every week, and I post it on my twitter and kinda plug it there. I'm actually god awful at trying to make people read my comic because I'm a little bit nervous about it, to be honest. So I just sort of leave it there and see if people find it, half the time. That being said, I tried to promote it pretty hard at conventions last year. But that didn't go as well as I'd hoped. I'm hoping to make flyers with QR codes so that people can scan it, and it'll take them to the landing page/tapas for the comic. That might be a bit easier than getting them to just search the title, plus having a flyer is a nice bit of promotion if I get the opportunity?! Making memes and drawing characters in different clothes or in squad things sounds like super fun tho and I might look into that in the future

keii’ii (Heart of Keol)

It's nice to hear everyone talk about this topic. TBH I had completely stopped promoting my comic because I got too scared of backlash, being a disappointment, etc. (Initially I'd attracted a number of people who weren't actually my target audience, and that led to some less than ideal results.) But some time last year, it occurred to me that 1) I'm making this comic for my reader self (or my "hypothetical taste twin" as I like to call it)... which means 2) I only have to appeal to people like me. So I started asking myself, "What would I have to say/do to get me to read this comic?" and that made it significantly less intimidating. I haven't actually started doing self promo (though I did start plugging my updates on Twitter at least). But most future self promo I do will be based on that ^ question.

keii’ii (Heart of Keol)

(oh god, I was just checking out the latest update for one of the Korean webcomics I read, and the new episode is about a hikikomori... who says "I want to change, but I can't step outside because... maybe there isn't a single person out there who will understand me." THAT WAS ME but with comic promo. Well, I'm getting better and I also hope this character will, too, though knowing this comic his chances aren't so great lol...)

keii’ii (Heart of Keol)

I hope that wasn't too awkward to share! Tl;dr I really think the "what would I have to say/do to get ME to check out my comic" is a good approach for anyone else feeling intimidated about doing self promos.

In the same vein, but on the opposite side of the coin: I'm curious to know, what were some things that got YOU to read someone else's comic?

Some of my own answers to that aren't very relevant to what we can do for our own comics: e.g. I'm Korean and when Naver has a new comic in their pro comic lineup, I may check it out. I'm also a member of SpiderForest and I check out the applicants' comics during the app season. Stuff like that aren't really good promo options that we can take. But things that may be relevant: - 'Evocative scenery shot that doesn't show the face/ doesn't focus on the face.' MY WEAKNESS. That kinda pictures feel subtle and kind of lonely to me, even if it's a group shot. And I like stories with those vibes. -Promo includes an evocative quote. Could be from the comic itself, or from something else like a classical literature or whatever. The creator of Ark (https://www.arkcomic.com/) does this sometimes and even though I'm already following Ark, those promos get my attention.

eli [a winged tale]

Definitely the art promo now that I think of it! Merch, posters, banners etc. If the art intrigues me, I definitely take a look at the site/blurb/first chapter

keii’ii (Heart of Keol)

I wonder if we can semi-workshop promo art at some point? Not really intensive like "change xyz" because that's not always feasible with art, but just impression feedback like, "this pictures gives me these vibes, and makes me expect this kinda story"

I would be curious to see everyone's even if we don't workshop

eli [a winged tale]

YES

Tuyetnhi (Only In Your Dreams!)

Yesssss

chalcara [Nyx+Nyssa]

Yes please. I don‘t promo besides update notices simply because I have no clue to start.

Mei

Sometimes I get really attracted by the style of the story? I immediately started reading Wolfsbane because the art was cool and different from a lot of whta I'd seen on Webtoon up until that point. And then the story was perfect for me. What keii said about writing for yourself is right. Patrick Ness once said you should write the stories your younger self would have loved to pick up on a shelf

and I think that's a pretty evocative thing. At the end of the day, you should be enjoying what you're writing (hopefully). And if you enjoy it and you're having fun making it, that can rub off on the people reading it, or you find the people who like that similar vein of story?

keii’ii (Heart of Keol)

(It's also 100% legit to write stories for your current self )

Mei

(oh yes 100% that's what i'm doing HEHE)

Tolkein wrote LOTR because he was like

in love with worldbuilding

was there a market for such a strange type of novel at the time? No. Definitely not. Did he write it anyway? YEAH HE DID

Deo101 [Millennium]

I really wanna do an art workshop yes.

keii’ii (Heart of Keol)

Aight, anyone who wants an impression feedback from me, post your promo art in #art_help

Warning, my impressions may be totally off lol

Deo101 [Millennium]

Also I don't do much marketing. Mostly I try to get in with communities and learn about making comics, I just want to improve my craft. All I really do is make my updated every week, and share whatever art Ive made on my Twitter or whatever

Okay! I think I only have my cover on my phone, but on my computer I also have my banners and icon. So I'll share all those in a bit when I'm at my computer

keii’ii (Heart of Keol)

(off topic but I'm sick, and when I'm sick or very tired I constantly misread words. I read "my banners" as "my bananas" and I was very confused for a couple seconds.)

Deo101 [Millennium]

My bananers

Feather J. Fern

I am terrible at marketing my own work, but I am very good at marketing other people's work. I use the "you would like it for this reason" to grab people. Unfortunately I can't do it for my comic because I am bad at seeing the good in my own work oof. I am getting better at it though.

keii’ii (Heart of Keol)

That's a really good way to do it!

And I can relate. My own hangup is a little different, but it can be extremely difficult to be brave for sure, whether in front of other people, or just in front of your own brain that constantly judges you.

Feather J. Fern

Yeah I was talking about a friend's comic and then the person I was talking to was like "Don't you write comics" and I was like "ahfoofjw yeah but don't look at them"

keii’ii (Heart of Keol)

I was thinking a lot about the whole "it's like [well known work] meets [another well known work]" approach that was discussed earlier. And I think that could be relevant here. Like, think of something that has either influenced your comic significantly, or just happens to have some core similarities. How would you market that thing? Could you market your own thing using a similar approach -- since there are similarities?

I'd thought of a really good example to compare HoK to. Then I got sad because the said example is extremely obscure outside of Korea. But now I'm like, hey, people don't have to KNOW that work. I can do this differently. I can talk about HoK the way I could talk about it.

('it' as in the other work that's obscure outside of Korea)

Feather J. Fern

I do think that's a good fast shortcut but I don't like using it becuase the shortcut sometimes makes people angry when they don't get what they like out of those two things

keii’ii (Heart of Keol)

That's why I said to NOT actually bring up the comparison work

Don't name it

Just list the traits that are shared in common

Feather J. Fern

Oh sorry

I miss read

(And my name changed colours all the sudden?)

keii’ii (Heart of Keol)

It's a confusing topic, so no worries

It means you leveled up

Feather J. Fern

OWO!

keii’ii (Heart of Keol)

Say you want to compare your work to... I dunno, DBZ, because it's got super strong aliens duking it out barehanded, blasting ki-like energy attacks, etc. Don't name DBZ. Talk about your work the way you'd talk about your favorite aspects of DBZ. "My comic has super strong aliens duking it out hand-to-hand! YEEEAH!"

OH MY GOD I NEED TO DO THIS NOW.

Feather J. Fern

Yeah! That's what I would do. (But it also helps for me that my comic has no hard reference points) but for my new comic, people are gonna compare it to Zach Bell, and Angelic Layer i think

keii’ii (Heart of Keol)

I'm gonna write up some drafts that I will revise and tweet at a later time

Feather J. Fern

So I jsut got to you know, not promo it as such XD

Cronaj (Whispers of the Past)

I want to do this too for a quick pitch

keii’ii (Heart of Keol)

Do it (shop talk or story help maybe?)

I'm writing a vomit draft for mine

Cronaj (Whispers of the Past)

Yee

Feather J. Fern

I think I will do it for Story help

(Also so I can help flesh out my new project lol lol)

eli [a winged tale]

Kei I might be suuuuper off since I read only the beginning but I sort of thought inuyasha but Korea and handsome boys

LadyLazuli (Phantomarine)

Sometimes you don't even realize your story can be marketed as "blah meets blah" until much later down the line - I've only started realizing the number of existing properties I've absorbed unintentionally into my comic. It's not how I'd market it on a serious front, but to a friend for story help, heck yes.

But a lot of people on Twitter seem to do that strategy for PitMAD and it works great for them, so... shrug

I guess it still belongs in a "pitch arsenal," as it were

keii’ii (Heart of Keol)

Yeah, the one "blah" I just thought of is something I hadn't realized for all these years. But it makes so much sense now that I look at it.

eli [a winged tale]

See that’s where I got confused but I think this is what I’m gonna aim to do: - pitch to readers: inspiration but this awesome unique thing in the comic - pitch to other comic makers: the Logline - pitch to agents: comparison works if requested and longer pitch depending on their format - pitch to family: just read it plzthanksbye

renieplayerone

or alternative pitch to family: Please dear god never read this

keii’ii (Heart of Keol)

That's me

Oof... Writing the 'promote your comic by talking about the traits it shares with Another Person's Work,' I made myself cry, and that is definitely a sign I'm on the right track.

eli [a winged tale]

Right track is good!

Cap’n Lee (Flowerlark Studios)

It took me years to even think of an 'other more popular work' comparison for Children of Shadow. XD But at the same time, it's really different from the works I compare it to, so it's hard to say 'Read this if you like X or X because it has a few similarities in theme and tone, but is still very much its own thing'.

keii’ii (Heart of Keol)

Yeah which is why I'm not even gonna namedrop my X.

I'm just straight up gonna talk about 'My comic has [this trait]' (and X shares that trait, but no one needs to know for the purpose of that pitch)

Cap’n Lee (Flowerlark Studios)

To answer the weekly question... I really don't have a marketing strategy. Marketing is my achilles heel, so I generally just throw pages up and hope someone sees them. I don't really understand social media nor do I have the energy to sink tonnes of time into it, which seems to be one of the biggest requirements for being picked up by algorithms. So my marketing strategy is just.., keep making comics and talking to other creators and hope for the best

eli [a winged tale]

I think that’s still solid Capn

Ultimately you need a product to promote

keii’ii (Heart of Keol)

It's something that helps me, because while I can talk about my favorite works done by others, I feel stuck when trying to do the same with my own. So it's basically telling my brain, 'hey, you already know how to do it with other stories. Do the same thing with your own.'

eli [a winged tale]

So true Kei

renieplayerone

thats my strategy too. best case you market it great, worst case you've made a new friend so win win :3

Cap’n Lee (Flowerlark Studios)

My incredibly low numbers after 14 years of making webcomics beg to differ but... maybe someday I can hire someone to help me market.

eli [a winged tale]

I’m using the comic platforms rather than my own site so... sort of relying on their algorithms. I imagine it can be harder if you just post on your own website?

keii’ii (Heart of Keol)

Sometimes the platforms don't help much if their audience isn't into the type of comics you make

Cap’n Lee (Flowerlark Studios)

I post on both my own website and on platforms, but the algorithms for WT and Tapas don’t seem to like me, haha.(edited)

renieplayerone

yeah same

keii’ii (Heart of Keol)

One of my top favorite webcomics got a front page feature on Tapas once, but it wasn't the kind of a story that gets a lot of traction there, so it still didn't get very popular. And that was in no way a measure of its quality. It is an excellent comic, just not a good fit for that particular place.

renieplayerone

I get far more views on my site, but I get way more engagement on Tapas and WT

I actually treat those two mirrors AS marketing for the main site(edited)

eli [a winged tale]

Exactly renie! Good perspective!

I never know what different platforms tailor to...

Cap’n Lee (Flowerlark Studios)

Yeah, what Keiiii said. I make dark fantasy comics and both WT and Tapas favour romance, especially comics geared towards a female audience and drawn anime style. My comics aren’t particularly feminine and romance isn’t much of a focus, so they’re just not what that demographic is into.

eli [a winged tale]

I’ve been trying to remember how I came across my favourite comics and usually it’s through the art (interesting characters, unique dynamic style that I enjoy) and the first chapter holding promise (able to see what the character wants/will have to change into)

Romance has always been the best seller in the story world I think

Oh and most recently hiveworks and other web publishers have great recommendations too per genre

And comic conventions are always fun to meet creators. Sometimes If I feel I jive with someone I’m an instant fan

renieplayerone

I absolutely need to get better at having confidence enough to make friends at conventions x_x

Cap’n Lee (Flowerlark Studios)

I have noticed my audience grow a bit since joining Spiderforest. They’ve helped me get a bit better at promotion, though marketing just isn’t my talent, lol.

renieplayerone

im always terrified haha

eli [a winged tale]

It’s a big step for sure renie! It took me like... three years going to VanCAF as an attendee before actually exhibiting and making friends(edited)

Mei

I know i'm late but i personally detest the 'this book is X meets Y!!', even though I get why people do it. I just wish they'd describe it to me like what if I'd never read either of those books......

Cap’n Lee (Flowerlark Studios)

I would really love to get out to cons, they sound like a great opportunity for connecting with other creators. One of these years I’ll be able to get to one!(edited)

Deo101 [Millennium]

yeah im usually kinda like "okay, well are you doing anything new or are you just doing those things :/"

renieplayerone

I exhibit with the Boston Comics Roundtable and I still havent gotten the courage XD

Mei

yeah, cons are really fun even to attend or to make friends! I find it really tough though, I'm so intimidated;;

yeah Deo... same... it's like

sure, I could pitch a story as two things. Like I don't know "The Walking Dead meets Shaun of the Dead" which is semi redundant anyway

Cap’n Lee (Flowerlark Studios)

I only use it to give people a framework for the kinds of tones and themes they can expect from my work when I have to keep my explanation short and sweet.

renieplayerone

they should have badges that say "Hi i want to make friends but you are all so awesome its intimidating be kind"

Mei

or you know... use those words to just describe the story? It may be a personal preference, some agents LOVE comparisons

Yes renie, yes!

i'd love a badge like that like

pls talk to me i'm scare

Cap’n Lee (Flowerlark Studios)

Sometimes a few words can’t fully describe a story as well as saying: ‘It’s a little bit like X meets X but if you add [insert unique thing your story does]’

Mei

I personally find that it depends a bit too much on people having read those books or stories before. BUT if you're pitching to an agent, they've usually read those books

so then they get a sense or vibe of like, what the genre is

Cap’n Lee (Flowerlark Studios)

It’s all down to preference, really. Your own and the person you’re pitching to. If you don’t want to use comparisons to describe your own work, that’s valid, but try not to dismiss people who do.

Mei

so I get it, I just don't like it personally xD I think a lot of the times it takes away from your own voice and story

keii’ii (Heart of Keol)

That too is part of the reason why I'm not namedropping the works

Just having my self-promo self learn from my 'promo other people's stuff' self

Mei

yeah for sure, it adds that level of excitement to your own work that you'd give to others?

eli [a winged tale]

I think a cool exercise might be to check out someone’s work here and see how you would promote it

It’s always good to see from someone else’s perspective

LadyLazuli (Phantomarine)

yessssss, all of my friends have been much better at promoting than I am

mostly because they have no shame regarding it but they also just... know what sounds cool

Mei

Oh i'm very good at promoting my friends' work

I sold his DnD book to a kpop stan who doesn't like DnD and doesn't play, and it was a crowning achievement

eli [a winged tale]

Like for yours I’d probably say... Manta Ray princess finds herself very much dead but is given a second chance to revive her friends and save her kingdom... just need to find someone very much living and very much not afraid of the seaghosts they have become

LadyLazuli (Phantomarine)

SOLID

though now I imagine Phaedra as a Manta Ray in a dress which is... not entirely untrue

eli [a winged tale]

LOL omg I haven’t even thought of that! Just thought manta Princess is a hook

Mei

Me, pointing at Cheth "I mean look at him, LOOK AT HIM and tell me you don't want to read this"

LadyLazuli (Phantomarine)

I guess for my work I market it from four potential angles: 1) The princess is cool and has a sword, 2) The villain is the best character, 3) The environments ain't bad, and 4) THERE'S A DOG

again, you gotta know who you're talking to and what they already like

eli [a winged tale]

In a world where a fallen god became trapped in the sea, a dead princess is given a second chance to fight for her life with a mysterious sea-bitten boy and undo the sea ghost curse that plagues the world.

Dammit I repeated world

Mei

hey... the environments are GREAT

eli [a winged tale]

Yeah Lady your environment shots are

LadyLazuli (Phantomarine)

ok I do try BUT BACK TO MARKETING

The number of times I see someone marketing their comic with very epic-sounding descriptors or broad generalizations... then that one day where they're finally like "oh, I have a character who turns into a hamster at nighttime" and people are like 'I'M SOLD'

And then they go ".... THAT'S WHAT YOU ALL WANTED???"

often it's those little weird details that get people interested

Deo101 [Millennium]

I wanna read about the were hamster please

Mei

sometimes I think the simplest and maybe slightly silly lines are what grabs people?

when things sound TOO epic i feel a bit intimidated

eli [a winged tale]

takes notes

Mei

but if someone were to sell me a big adventure epic as "it's hamsters and they fight the forces of evil" i'd read it

LadyLazuli (Phantomarine)

god yes

"Four small creatures band together to defeat a great darkness overwhelming their homeland."

No.

"Hamsters fight evil."

YES

Cap’n Lee (Flowerlark Studios)

I.... I have no idea how to snappily describe my comics. XD

eli [a winged tale]

Same... I got to kids with wings for hair then my brain short circuits

Mei

i'd say it's the way you'd tell the story to a close friend

Cap’n Lee (Flowerlark Studios)

The best I came up with was 'Teenagers with supernatural powers team up with woodland critters to defeat monsters' but it sounds more adventure-y and doesn't really get at the fact that it's a dark story with horror elements and everyone's mentally ill.

Mei

like they come up to you and go "what's your comic about" "oh you know, my stupid comic's about mutant hamsters that take over the world" or something

(don't call your comics stupid none of your comics are stupid they are great)

Deo101 [Millennium]

"plant man and his goth boyfriend babysitting a ton of bozos" would probably be mine then

Mei

BEAUTIFUL

i'm sold

Deo101 [Millennium]

ghsakgjhgkhkgahgk my target audience...

Mei

i do think tho like this form of comedic one-lining may not work for something dark?

Unless you go "Spooky horror about cats that become humans at night!"

would need experimentation

eli [a winged tale]

It’s a balance I think.

Kids stranded on an island with weapons explore the darkness in human nature - Lord of the Flies

Mei

ooh yeah that's a good one!

LadyLazuli (Phantomarine)

A space explorer stranded on a foreign planet must join forces with the indigenous population and save his ship before his life support runs out.

Alternately

Small man goes to war with small carrot people

Pikmin

keii’ii (Heart of Keol)

@Cap’n Lee (Flowerlark Studios) I wonder if one could describe CoS the way how people might describe Evangelion, but with magical powers instead of mechs.

Teens, monsters, mental illnesses

Cap’n Lee (Flowerlark Studios)

Probably. Though I've never seen Evangelion, but those three words work very well.

keii’ii (Heart of Keol)

The relationship dynamics are way different, but yeah, those three things...

Cap’n Lee (Flowerlark Studios)

Also add trauma and cute lil animals and you have Children of Shadow. XD

keii’ii (Heart of Keol)

Evangelion also has trauma (though I don't know if you'd like it; this isn't a rec, just a promo discussion!) and it was refreshing to see at the time

A teen trying to fight huge monsters, even if he was doing it inside an equally huge mech, could lead to traumatizing experiences, and it was the first time I saw that seriously explored

Hmm, so I guess "teens, talking animals, monsters, mental illnesses feat. trauma" ?

Cap’n Lee (Flowerlark Studios)

I don't know if it's similar at all, but that description reminds me strongly of Eureka 7. Wow, was that series intense,

🌈ERROR404 🌈

I really liked how the end happened - it was a nice solution to the lack of budget issue and told the story of his psyche reall well

Cap’n Lee (Flowerlark Studios)

Though Eureka 7 was intense in a good way. I found the ending kind of unsatisfying, but admittedly I find the endings of 90% of animes unsatisfying (probably a cultural clash). But I enjoy them for the journey more than the ending.

keii’ii (Heart of Keol)

I haven't watched Eureka 7, but the storyboard artist (one of the storyboard artists maybe?) for that anime is one of my favorite artists.

DanitheCarutor

Ah, a little late, but regarding the snappy promos I'm in the same boat as Cap'n with not knowing how to make one. At least one that would be ridiculous and totally not fitting the darker themes. I agree with all the people who have a generally hard time coming up with a pitch for their work, while having an easier time promoting other people's comics. Honestly my comic can be super boring to people who don't like pretentious, non-fantastical, angsty, character study types of stories. So it's really hard to think of a way to make it sound interesting without spoiling anything. Man! That thing when people come up to you, asking what your comic is about! Me: "Oh! Ah, it's uh, kinda sad and it has uh mental illness" -trails off with uncomfortable laughter- Them: Oh cool. -has a look of complete disinterest- Someone was actually extremely enthusiastic about the vague description of my comic, which somehow made me a mix of uncomfortable and excited.

Eightfish (Puppeteer)

I saw the conversation about blurbs and I just thought of one for a comic I'm working on! "An ecologist and a bird have a conversation about ethics"

I haven't started the comic yet so please send your critiques(edited)

and first impressions

(of the blurb)

keii’ii (Heart of Keol)

"Angsty character study with a heavy dose of mental illness" <--- Could this descriptor work? @DanitheCarutor

Eightfish (Puppeteer)

kei said exactly what I was just typing

keii’ii (Heart of Keol)

Great minds

Eightfish (Puppeteer)

oh, i just realized i've read dani's comic

I think your description is fine?

The artsy, angsty comics I follow all have kind of short, tongue in cheek descriptions

it's hard to capture the tone of an emotional comic in one sentence so they either joke about it or make it intentionally misleading

for example Drop Out's description is something like "two friends go on a road trip" and Fritz Fargo's description is "a human dumpster fire in the 90s"

keii’ii (Heart of Keol)

The dumpster fire one is insta-effective

Eightfish (Puppeteer)

Dani, maybe make your description shorter if anything?

Something like, "An emotionally stunted alcoholic attempts to make amends"

and then follow it up with kei's line about it being an angsty character study

RebelVampire

Im not gonna stop the convo cause it is on topic. However, i do want to remind ppl these #creator_babble chats are permanently archived. So thats something to keep in mind if youre gonna workshop.

Eightfish (Puppeteer)

I asked before in this discord about making my own blurb better. The main critique I got was that I included too many things that I thought were interesting and unique that a new reader probably wouldn't care about. Like how the mc's powers work. But though it's unique and important to the story, it's not going to be a main reason someone reads the comic. I revised the blurb to remove extraneous info and make the tone of the comic more apparent, and I think now I didn't lose anything and made it more concise.

I think maybe agtahr could also be summarized a bit more succinctly

DanitheCarutor

Yup, you did once upon a time but said you stopped reading it a while ago. (which is totally fine, the reason is understandable.) The mix of yours and Keii's descriptions do sound a lot better than mine. Lol Thank you Fish and @keii’ii (Heart of Keol)! I've noticed people really like the word 'angst' when you describe heavy stuff. At least when I was a teenager everyone found it appealing. I'll tinker with it a bit and use Drop_Out and Fritz Fargo as a reference. Anyways, I'm going to stop talking now, don't want to bog down the main topic.

keii’ii (Heart of Keol)

That's a good point; 'the best things about this story' and 'things that should go in its blurb' have an overlap, but they aren't always the same.

Eightfish (Puppeteer)

Yeah, I did but I'll probably pick it up again eventually. I remember enjoying it. If you do want to keep talking, we can move to shop talk?

mirandalorian

babbling I have the first three episodes of my webtoon ready to post tomorrow and I’m really excited and feel kinda proud that I made it this far...even though it’s not very far. It’s far for me without posting immediately end babbling

Feather J. Fern

I forgot to ask, but if people are tabling at cons, do you guys have promo stuff at your con tables for your comics?

Cronaj (Whispers of the Past)

Mostly a business card, but yes

carcarchu

i never did but my table partner one year had free postcards she gave out with purchase / to passerbys with her comic info and an illustration on it

kayotics

I always keep free postcards to advertise my comic on the table right next to my business cards.

LadyLazuli (Phantomarine)

Yep, the free postcards did wonders for me last year. They disappeared quickly!

Tuyetnhi (Only In Your Dreams!)

Buisness cards and postcards~

Feather J. Fern

Seems like Business and Postcards are the way to go.

Mei

business cards!!

i might be making flyers/postcards for my comic next time though! :D

sagaholmgaard

I haven't done much to promote my comic but I've gotten some good ideas reading through this, thanks! I currently plug my updates in twitter and instagram with a cool/fun panel from the new page. I do also share WIPS and try to engage through my instagram stories (Asking things like, 'what type of benders would the Reclaim squad be in an avatar au' and making doodles for the answers), but that only reaches those who follow my IG. its good fun tho. I've done memes with the characters a few times but I didn't get much attention, LOL. But it's fun so maybe worth trying again

Spring-heeled Jack

Today I went into a locally owned comic shop and went to the guy that owns it and said "I'm a local artist and I'm writing a comic. Could I give you some small flyers to let people take?" And he said yes, and then asked if I have any physical copies. I don't yet but told him I'll bring some by when I have them. He then let me know he carries other local artists! Something cool to think about if you have a local comic shop.

Tuyetnhi (Only In Your Dreams!)

ooo that's good to know

I droped off my zines at my local comic shop but maybe I'll drop flyers of my webcomic too lmaooo

Spring-heeled Jack

I also just ordered a business card carrier so I can tote some around with ease. I carry my flyers in my sketchbook. You should totally ask, it never hurts! Carry a few extra just in case you find yourself in a new area and find another cafe or comic shop.

I ran mine off on my at home printer on some nice quality but regular weight paper. I might need to get some more professionally done.

Erin Ptah (BICP | Leif & Thorn)

I keep a handful of business cards in my wallet -- that way, any time someone says "hey, that looks cool, what are you drawing?" they get a card with the title and URL. Slowly but steadily burns through the supply.

DanitheCarutor

Seeing if my local book shops will carry copies of my comic when I print them eventually is something I'm kind of excited about! My town is hardcore into supporting local artists and writers, so that'll be something neat to try out. Although I'm a little nervous that the rating might be a little too mature for what the vendors want on their shelves.

I know of using postcards to advertise, but never heard of fliers. Maybe I'll give that a try.(edited)

Cronaj (Whispers of the Past)

I use double sided business cards, so on one side, it showcases some of my art, and the other side has contact info, a link to my comic website, and a QR code. It's been pretty helpful so far at conventions.

Nutty (Court of Roses)

You guys have all these sophisticated answers to this and my answer is just "scream on every social media platform I can reach and every person I meet about my comic."

Though I may not scream at people irl,,,

snuffysam (Super Galaxy Knights)

Let's see... I have a twitter where I repost my comic pages, and a couple mirrors that help reach different audiences. I've also carried around business cards that have my comic's URL on it. One fun strategy I've used is doing review-exchange things, in an I-critique-your-comic-if-you-critique-mine way (with the assumption that most people who read all the way through Super Galaxy Knights end up liking it). Though, that isn't really viable anymore now that the comic is 600+ pages, cuz nobody would ever agree to that trade lol. And... that's pretty much it? Though, I should note that my goal with Super Galaxy Knights isn't to make the most popular comic I can so that I can make a living off ads or patreon or print sales or whatever. If I ever do manage to make money off the comic, it'll be in "spinoff tech" (basically, video games or other media based off it). (it's the reason why a bunch of early Starstuff Stories fleshed out the abilities of the characters they focused on) I would like people to read the story because I think people would like the story, but it's not like my future depends on its popularity.

Holmeaa - working on WAYFINDERS

We (me and Q) are gonna (hopefully) tabeling at cons this year! I thought about doing free non permenant tattoos with our comic things. Also we have beautiful zines of the first chapter to sell. but a free postcard is also good

Desnik

promotional strategies...ah...the biggest thing I did for my first webcomic, RAWR! Dinosaur Friends, was simply update on a general platform (tumblr), using a consistent schedule and the same tags every time. That allowed some of the bigger biology/humor/critter blogs on tumblr to find me and I got a lot of people reading from their generous reblogs. I found some more niche crossover from sci-comm blog comments and dinosaur toy collector forums, because sometimes I'd have a comic that would coincide with paleontology news. It was mainly about finding my niche and bringing my stuff to that niche. To those struggling with finding readers, I would recommend distilling the contents of your comic and then reaching out to people who buy/read things like your comic. I've definitely made friends from general 'webcomic' forums and discords, but in terms of building a readership it's all about finding the niche and catering to it in a human way

In general I highly recommend shopping around for stuff like hobby blogs/forums/groups/discords that have some relation to the content of your webcomic. Those people DO want new content related to their hobby, but they don't really deal well with salesy pitches. Just be human and also a nerd for that hobby, too (nerdy enough to make webcomics about it)

keii’ii (Heart of Keol)

Yeah, it's like fan comic for an existing IP with an existing fandom, except it's a fan comic of a 'thing' rather than an IP (e.g. you make a pirate comic? Great! Nobody owns pirates, but there are lots of pirate fans out there!).

LadyLazuli (Phantomarine)

The very first customer I had at the first con I tabled at, came over and said "I like ghosts! I like the ocean! I'll take it!" And wrote me later saying it was exactly what they were looking for.

And honestly it's all because I make sure every cover has something spooky and something watery, and the genres are in the title I make it very easy for people to understand what it might be like.

Eightfish (Puppeteer)

omg the genres are in the title

that's genius

LadyLazuli (Phantomarine)

Definitely not planned But it helps so much!

I think if authors have a rule on certain symbols/motifs they MUST make sure come across on covers/posters/etc, that can be a good marketing strategy. With some wiggle room, of course.

Cap’n Lee (Flowerlark Studios)

I... I feel like I can barely even describe what my comic is, which makes it so hard to market. 'Do you like comics with cute animals and eldritch horrors and angsty teens that have superpowers and hidden religious symbolism everywhere?!? Then my comic is for you!' What even is that demographic, because I sure don't know.(edited)

keii’ii (Heart of Keol)

@Cap’n Lee (Flowerlark Studios) If you take away the cute animals part, that actually sounds like stuff a lot of teens are into/ a lot of people were into when they were teens. And most people love cute animals, so adding that to the mix, in theory, shouldn't reduce the accessibility too much. Buuuuut CoS has its unique flavor that's decidedly different from all the "angsty teens, eldritch horrors, religious symbolism" stuff I consumed when I was younger. I don't know how to describe that flavor, nor how to utilize it for marketing. But yeah, maybe some food for thought?

Eightfish (Puppeteer)

I've used short phrases that are sort of representative to describe my comic. Examples include "consensual mind control" "a guy whose ideal life is not being entirely alive" "friendship" and "anticlimactic conversations"

I have no idea how effective any of those are

someone tell me pls

LadyLazuli (Phantomarine)

As someone who just started reading your comic last night I think consensual mind control is a really cool descriptor. I haven't heard that too much before.

Eightfish (Puppeteer)

!

that makes me happy

Cap’n Lee (Flowerlark Studios)

@keii’ii (Heart of Keol) Heh, I'm not sure what that unique flavour is, either, but it might have something to do with me avoiding the typical 'chosen one' structure that most teen fantasy literature has. The characters are all (except Fawna) a part of the hidden world already rather than discovering it, and everyone's pretty much running around like chickens with their heads cut off rather than having any power over their situation (which is kind of a huge part of the theme of the comic). It's definitely different than the typical urban fantasy, so it's been really hard to find which audience that appeals to. From what I've gathered based on the people who comment on my website, it's mostly academics in college or beyond, for whatever reason. XD

Eightfish (Puppeteer)

Honestly I think for almost all comics their first pages were what convinced me to keep reading. Even with Phantomarine I was ambivalent about the description but then I saw the first page, and though, yeah, I'm into this.

Maybe my own comic can be the same way

LadyLazuli (Phantomarine)

Exactly the same with me and your comic - I was also all about that first page It's a powerful thing! I think for anyone about to delve into a comic - which is, by nature, a very visual thing - it's going to be that visual that ultimately pushes them over the edge.

Eightfish (Puppeteer)

maybe my description should just be ascii art of my main character O-O | -(edited)

keii’ii (Heart of Keol)

^ It's why I tinkered with the first page of HoK soooo many times even after it went live. But it wasn't enough; it still gave off the wrong impression as to what kind of a story one should expect. Finally, more than a year after I started posting it, I redid like 1/4 to 1/3 of chapter one from scratch. Even though it will never be perfect, I can live with it now. chapter 2 on the other hand... It's an imperfect intro to the right story, rather than an intro (good or not) to the wrong story.

Cap’n Lee (Flowerlark Studios)

To be honest, my intro probably doesn't hit the right notes to explain what my comic is about, which may be part of my problem. It starts out seeming more like an anthropomorphic fantasy than a dark urban fantasy / horror story. That's just something I think I'm going to have to live with, because I'm tired of reworking old pages (I already do it far too much). I think my best solution is drawing a new cover that showcases the tone and subject matter better than the one I'm using now.

Eightfish (Puppeteer)

oh god, you reminded me of the 3 cover pages I spent hours on only to later scrap. Then my current cover page I did in one hour after it came to me at 4am(edited)

and it was perfect

keii’ii (Heart of Keol)

XD

and my page redoings were after the reboot.

Eightfish (Puppeteer)

Cap, I don't know how representative it is of the story but I looked up the Ashes cover page and it's very impressive

Cap’n Lee (Flowerlark Studios)

Yeah, I already redrew my intro once.... and this is the third iteration of this comic. And I'm currently redrawing the first two chapters of my other comic. I'm so sick to death of starting over. -_-

@Eightfish (Puppeteer) Oh, thank you!! I like to go all-out on covers, heh.

Kabocha

Promotion... ... is that a thing you can eat? ... A few things I've tried is business cards -- tweeting about it -- posting about it on dA... I try to stay away from services like Tapas and Webtoon because I'm not formatted for those sorts of things, and I fear I'll probably just frustrate myself. It's a delicate balance right now between remaining happy with my work and getting it seen, but overall, I guess I'm not too stressed about it since it's not a source of income for me... I just... like making comics. I've also done conventions -- Conventions are fun, don't get me wrong, but nowadays they're a really low return on interest for many shows for original stuff (except slice of life and "oh no I did a bad" types of zines -- people seem to really enjoy things like that since it's often pretty easy to relate to). They feel like they used to be easier for selling original work, but the market's gotten rougher because there's so much competition and only so many dollars. if I ever print, I'm probably going to have to lean on some marketing-savvy friends for help... Hopefully things haven't changed too much by then. I think the tool that's worked best for me in the past few years has been doing guest comics here and there, as well as using topwebcomics, oddly enough. TWC was pretty good for referrals when I started doing comics way back in 2006~2007...

sagaholmgaard

Since the topic is about promotion... Do yall know if there are any twitter hashtag events for webcomic creators? My friends in the indie game industry have certain hashtags that people can post in during specific times every week - do we have anything similar?

Kabocha

#Webcomicchat!

https://webcomicchat.com/for-creators You may also find this page helpful

keii’ii (Heart of Keol)

#webcomicchat is great because you get to talk shop while talking about your own work! It's not just "look at my comic"

sagaholmgaard

Ahh!! Thank you!

LadyLazuli (Phantomarine)

I know some people do #WebcomicWednesday - not sure how official it is, but it gets some attention!

sagaholmgaard

I'll check that one out as well!

Tuyetnhi (Only In Your Dreams!)

There's also #comicartistsunite too

chalcara [Nyx+Nyssa]

webcomicchat always looked like fun, but I definitively am on the wrong side of the globe for the times it's going on

mirandalorian

Promotion is difficult. I always feel like I'm being too pushy, even for something that's free. I also feel like I built up a following that had nothing to do with comics or art and so when I switched directions to head that way, i don't get the response I would like. Reading all the thoughts here has been really helpful tho. Just got to put them into practice

Feather J. Fern

I think my current attempt for promotion is at least being more willing to promote. I have to force my fear of "I shouldn't tell people because it's not as good as (blank)" and just shove my comic into a spotlight

LadyLazuli (Phantomarine)

If anyone is worried about bothering people, putting variety into your promotions will make things more palatable for people for sure. I have one person on my timeline spamming the same exact post over and over again, almost daily, and it doesn't seem to be doing them any favors There's no need for a promotion every day. The people I see that do a more-obvious promotion tweet, like, weekly, or every two weeks, seem to get good results from that Sometimes less is more

mirandalorian

I need to get to that point Feathery. And ya, daily is a bit extreme imo. But I have to figure out the good balance

Feather J. Fern

Even weekly I don't do it because I feel like I am spamming and I feel awkward

Oh! Speaking of promotions, one way I found I got my comic promoted was by doing guest comics for other people! I got lots of viewers after each guest comic I did

keii’ii (Heart of Keol)

Yeah, for social media promo, e.g. on Twitter, you want to make your actual tweets have value -- not just things being linked off the tweets. (This is where gag-a-day kinda comics have an advantage, because each strip has entertainment value and you can just post the whole strip in a tweet.) Obviously this doesn't apply to every promo tweet; so like, weekly promo tweet that's solely about the links, as mentioned by others, is fine. But yeah, aside from those, you wanna make your promo tweets fun to read.

Feather J. Fern

Also cameos! Cameos are a great promo

keii’ii (Heart of Keol)

Not gonna lie, I am lowkey paranoid about doing cameos. Someone I know had to remove their cameo of someone else's character, because that other person objected to their character being in the print version of the comic.

chalcara [Nyx+Nyssa]

Uff

Tuyetnhi (Only In Your Dreams!)

oh rip

Feather J. Fern

Oh man, that's rough.

keii’ii (Heart of Keol)

I'll never even print HoK but I can still imagine someone being all "NOPE, I CHANGED MY MIND" at a later time

Feather J. Fern

I am planning to do some cameos for other people, not that Go Figure will ever be in print but I can see that problem. I think what I would say is that if you want a cameo you have to be 100% certain

keii’ii (Heart of Keol)

Might be a good idea to have a very simple agreement thing you can have them sign

Feather J. Fern

Yeah I was going to have a written consent form

keii’ii (Heart of Keol)

"I agree to let you do a cameo of my character, and to not be a jerk about it at a later time. Signed"

Feather J. Fern

Signed and dated by both parties XD

Tantz Aerine (Without Moonlight)

There's also the broad hashtags like #webcomics and even things more geared to genres like #drama and #fantasy and so on. Doing art memes helps sometimes, too.

mirandalorian

What do you think the best hashtags to use are? Is webcomics too saturdated?

keii’ii (Heart of Keol)

I'm not sure about the best hashtags, but my biggest thing about hashtags on Twitter : don't use a bunch of hashtags in a single tweet!

For broad hashtags like #webcomics or #fantasy, I gotta wonder if anyone's actually checking those out...

mariah (rainy day dreams)

Yeah, I usually tag my update posts with #webcomic and my comic's name, but honestly I have no idea if #webcomic has ever helped out my post ¯\_(ツ)_/¯

mirandalorian

Ya, I typically keep it to two or less, but i always wonder if webcomic is actually useful lol

Cap’n Lee (Flowerlark Studios)

takes note to use something more specific than #webcomic in my next update tweet

keii’ii (Heart of Keol)

I think it may potentially be useful as a label for someone who's just found you on that platform, and is not sure what you're promoting. But beyond that...

Tantz Aerine (Without Moonlight)

I usually use #historicalfiction and #webcomic. Not sure which one helps more, but well, there it is.

mirandalorian

Ya, I should use the genre tag too.

keii’ii (Heart of Keol)

Do people even search genre tags for that matter lol (a bit pessimistic, but still a genuine question)

like, I'll be the first to admit, I don't hashtag search to look for new comics to read. I don't think I ever hashtag search ANYTHING, unless it's like..... a very active trend that I am interested in (e.g. an upcoming video game that I'm looking forward to)

Tantz Aerine (Without Moonlight)

Well, the tags are popular enough to be suggested by twitter so I'd think some use them, probably likeminded folk.

mariah (rainy day dreams)

Same keii. I mostly use hashtags to look for fan art, exclusively on Instagram.

Tantz Aerine (Without Moonlight)

There's also a trend of "art sharing" tweets. I have found a couple of artists and webcomics through that kind of event, but again, the turnover isn't anything to write home about.

Cap’n Lee (Flowerlark Studios)

I wonder if readers make use of the search more than us creators do?

keii’ii (Heart of Keol)

I doubt it, Lee

Cap’n Lee (Flowerlark Studios)

:/

keii’ii (Heart of Keol)

I never use it as a reader, at any rate, though I don't know if others are like that.

mariah (rainy day dreams)

Though, actually that's not true, I have used hashtags to look at more things being posted within art events. So inktober, mermay, hourly comic day, etc.

keii’ii (Heart of Keol)

But art event hashtags are useful, because -- like I mentioned before -- those tweets provide entertainment value without anyone having to click on offsite links. e.g. the #StartToFinish tag that's hot right now.

mariah (rainy day dreams)

I have followed new artists from those tags though and then checked out their off-site stuff. It's definitely a more round about way than someone specifically looking for comics to read via hashtag

keii’ii (Heart of Keol)

From my limited observation, when people are looking for comics to read, they tend to ask for recs rather than do hashtag search?

"Anyone know of some good magical girl webcomics?" etc

which is a bit of a bummer for us creators, because that is completely outside of our control. Nothing we can do about it.

Tantz Aerine (Without Moonlight)

here's the popularity for the #webcomics tag

So SOME people use it.

keii’ii (Heart of Keol)

@Tantz Aerine (Without Moonlight) I'm gonna guess it's mostly creators using them to promote, rather than readers using them to search.

Tantz Aerine (Without Moonlight)

Also it seems to be peak in popularity in the USA

@keii’ii (Heart of Keol) the graph implies interaction, really.

keii’ii (Heart of Keol)

What counts as interaction?

Tantz Aerine (Without Moonlight)

tweeting it and searching it

what I'm saying is we can't know.

Cap’n Lee (Flowerlark Studios)

I don’t so much in Twitter, but I personally DO search hashtags on Insta to find new art.

keii’ii (Heart of Keol)

It's true, we can't know. I just personally can't imagine anyone searching for #webcomics to find stuff to read

mariah (rainy day dreams)

Insta is definitely hashtag game city.

keii’ii (Heart of Keol)

Yeah, IG is a different beast

Cap’n Lee (Flowerlark Studios)

Comics don’t generally gel so well with Insta’s format, though, so I’m usually seeking art and not comics.

Tantz Aerine (Without Moonlight)

just to be safe, occasionally use it

To be honest, I'm probably more likely to find and become a fan of webcomics here on this server than any social media

keii’ii (Heart of Keol)

Yeah, I wouldn't say "don't use #webcomics" -- use it if you have no other, more specific tags to put. But on Twitter, you don't want too many hashtags, so if you got more specific ones... use those instead!

Tantz Aerine (Without Moonlight)

I feel somewhat self conscious in getting an instagram. But I'll get one most likely.

Cap’n Lee (Flowerlark Studios)

It might be a good idea to switch up your tags regularly? Choose two or three from a relevant list each update and see if any of those tweets get a noticeable boost in engagement.

Tantz Aerine (Without Moonlight)

Yeah that sounds a good strategy

speaking of, any other creators into historical webcomics?

keii’ii (Heart of Keol)

I don't seek them out, but there's some that I read.

Tantz Aerine (Without Moonlight)

yours is touching upon the historical keii with the joseon-style elements.

keii’ii (Heart of Keol)

It's definitely not historical but yeah, got the aesthetics going for it!

Tantz Aerine (Without Moonlight)

Yeah!

I must admit, I'm a bit starved for like-minded creators. I mean people that create historical webcomics. I know and follow a few but that's not nearly enough.

(if I'm babbling too much for creator babble please tell me!)

keii’ii (Heart of Keol)

Babbling is fine! But this might be better for #general or possibly shop talk as it's not related to this week's topic?

Tantz Aerine (Without Moonlight)

oh sorry, there's a specific topic here too?

keii’ii (Heart of Keol)

Yeah, all the channels under CTP Activities have a... topic thingie that changes weekly

Tantz Aerine (Without Moonlight)

okay got it. I'll take it there. Sorry :/

keii’ii (Heart of Keol)

Don't be sorry, be glad to chat about this stuff in another channel

chalcara [Nyx+Nyssa]

With insta please be mindful that if you‘ll always post with the same hashtags, their algorythmn likely will assume you‘re a bot.

mirandalorian

Oh really?

I definitely did not know that.

chalcara [Nyx+Nyssa]

Yup, it‘s a big annoyance. At least it was that way half a year ago, how is the algorythm now? Nobody knows.

I kinda hate insta, but it‘s the platform with the most interactions for me, although I don‘t know if it goes beyound liking my panel cutout.

chalcara [Nyx+Nyssa]

Instagram does it‘s darnest to lock the user into theor own ecosystem.

mariah (rainy day dreams)

Yeah, hard same. I definitely get the most likes there, but I get very few referrals from insta.

chalcara [Nyx+Nyssa]

Funnily, the only social media where I KNOW I got at least one reader from is pillowfort and their teeny-tiny webcomic comunity!

mariah (rainy day dreams)

I keep wanting to hop over there, but also starting a new social media sounds exhausting TuT one day.

keii’ii (Heart of Keol)

I need to start using PF

chalcara [Nyx+Nyssa]

It‘s pretty chill, reminds me of the hey-day of livejournal, with great filtering - more intended to create many small communities than one giant pot like twitter.

Cap’n Lee (Flowerlark Studios)

I don’t think any platform’s algorithms like me. I get very low engagement no matter where I post. I’m just not good at figuring out what these platforms pick up.(edited)

chalcara [Nyx+Nyssa]

I still have three invites left for this week.

Tantz Aerine (Without Moonlight)

Does cross promotion work for you guys at all?

Cap’n Lee (Flowerlark Studios)

A little bit? But I think my comics are a hard sell, so I generally don’t get a lot of referrals when I cross-promote with other creators.

chalcara [Nyx+Nyssa]

It‘s how I found this community; but otherwise, nope.

Tantz Aerine (Without Moonlight)

Now I need to check out your comics Lee. I'm intrigued!

Cap’n Lee (Flowerlark Studios)

Haha, if you want to! If they’re not your cup of tea that’s a-okay.

mariah (rainy day dreams)

I still have three invites left for this week.

@chalcara [Nyx+Nyssa] if you don't have plans for those invites, I would definitely take one and follow you first

Cronaj (Whispers of the Past)

About the hashtag thing on Twitter..... I have found the hashtags #webtoon #webtooncanvas and #celebrateCANVASday to be particularly useful for those of us publishing on Webtoon Canvas. I have gained a few new readers from this, and the official Webtoon Canvas page often retweets when these hashtags are used.

mariah (rainy day dreams)

That's good to know. I'm planning to start mirroring on Webtoon so I'll have to be sure to remember to use those tags.

keii’ii (Heart of Keol)

I need to fix my series on WT first. But I'll give those hashtags a try once that's been done

Cap’n Lee (Flowerlark Studios)

I tried using webtoon hashtags a few times, but their page never retweeted me. It seems either random, or there’s some hidden requirement for getting a rt.

Tuyetnhi (Only In Your Dreams!)

i use the tag sometimes but I found it more responsive if you have a vertical scrolling format comic

then they're more likely to respond to you

Cap’n Lee (Flowerlark Studios)

Oh, yeah.... I use a traditional page format.

Tuyetnhi (Only In Your Dreams!)

same rip

Cap’n Lee (Flowerlark Studios)

I do combine all my pages into long episodes at the ends of chapters, so it’s kinda scrolling, but they’re just traditional pages stacked on top of each other, lol. WT definitely doesn’t like that, but I don’t have the time to reformat hundreds of pages.

Feather J. Fern

Also promo thought, I randomly joined people's streams before and then got hooked on their comics after seeing them draw on twitch or something like that

Pistashi

I struggle a bit with promo stuff, because I get too self-conscious about self-promoting and I'm the type of person that ends up doing too much of it or none of it

at the moment I'm working on making a press kit and sharing it with some blogs and networks about comics

but still, what I usually do is join groups and try to talk with people that works with art and comics

this is kind of more inclined to networking and meeting new people to talk about what we like than promoting my work to potential readers

nothing wrong with that, but looking with a more critical eye I still have a lot to learn about building an audience and reaching people who could become future readers

chalcara [Nyx+Nyssa]

I wonder HOW much a large social media following is worth. Insta‘s shown me that it isn‘t necessarily translating into readers.

carcarchu

in my experience followings on different platforms are non-transferable. same goes with having a large following on your comic itself, doesn't necessarily mean having a lot of followers on your art accounts. that's why they say "don't build your sandcastle in someone else's sandbox"

Pistashi

that makes a lot of sense

kayotics

If you’re building your following around your own content (original art, comic updates, etc) then the likelihood that the following is transferable is higher, but it’s still not 100%. You’re competing with everything else on their timeline too.

RebelVampire

i think a thing to consider with webcomics especially when it comes to social media is that a good portion of people who follow comic creators on social media are other comic creators, not people who are just readers. and the good majority of comic creators do not have a lot of time to read other webcomics. While there are certainly exceptions, I see those very few and far in between. So the conversion rates for social media right now are super low until the dynamic of the communities on the platforms changes.

kayotics

I’d agree with that, but also having a social media presence has definitely opened up some doors to being seen by other creators, many of whom are professionals. It’s good for networking, might not be the best for gaining and retaining readers.

RebelVampire

Oh yeah for sure. My point was about conversion factor

its factor in networking is a whole other matter entirely

and is indespensible

kayotics

One thing that I didn’t mention for myself is that networking has helped a LOT with getting new readers. Word of mouth, is always the best way to advertise, and other webcomic people giving you a plug can see some really strong results

[toby-stephens]

MAY 2018 : TOBY NEWS

‘LOST IN SPACE’:

By May 16th, it was pretty much confirmed there would be a Season 2 of ‘Lost in Space’, confirmed on 20th by Netflix twitter.

‘SUMMER OF ROCKETS’:

Also confirmed was a new BBC 2 cold war drama, ‘Summer of Rockets’ to star Toby alongside Keeley Hawes, Linus Roache & Timothy Spall.

This six-part series is set in the UK during the Cold War period of the late 1950s, a time when the UK, like much of the world, was dealing with the threat of international espionage and nuclear armageddon.

Filming has begun in and around London and Oxford, and it will be screened sometime in 2019.

The story will be Poliakoffs personal insight into this period and is set against the backdrop of Britain testing its first hydrogen bomb.

Executive Producer Helen Flint, a long-time collaborator with Poliakoff on productions such as Close To The Enemy, Shooting The Past and Perfect Strangers, said:

This piece set in 1958, is hinged at the pivotal point of world history where the past and future are pulling in equal strength and human beings, young and old have little control over the eventual outcome.

IN TOBY’S OWN WORDS:

On “Lost in Space”:

“I think they have been very respectful to the original series, but they smashed it out in their own way.  The thing is, one cant’ be overly reverential to these things because otherwise, you’re just remaking exactly what was already made very well.”

“I think John’s just trying to find his place within this family now. The idea is that he was confronted with the situation of his family going away and him never seeing them again unless he went along. Now that he’s come along for this ride, he’s trying to find his way back into the family, how to relate to his family, how to relate to Maureen, and how to work things out.”

“In my case, why I think it is fun and why I think it works is there’s something timeless about the original idea. The Swiss Family Robinson, obviously, is the original idea of a family in jeopardy. It follows the trials of that family, but also the emotional trials of how they overcome their problems and their weaknesses, because they have to confront them and overcome them.”

“That was then taken into ‘Lost in Space’. In the first iteration of that what worked is that you’re looking at a regular family and their problems, but in this extraordinary situation. It’s hundreds of light years away from earth in a space ship and on a planet, but they’re having the same regular, everyday problems of any other family. The irony of that is that dynamic is really fun. What we’ve done is we’ve updated it, so rather than it being this pristine, apple pie, American family, its a modern family with all of its dysfunctions.”

“We know every family has dysfunctions. There is no ideal, pristine family, and the Robinsons are one of those families. Just a normal family that everybody can relate to, but it’s in this extreme situation and you still get the ironies of watching a family deal with each other and their own problems in the way every family does that you can relate to, but in this extraordinary back drop of being on a planet thousands of light years away. I think that that trend still works and its fun.”

“The only reason to do something again is if you feel that you can say something to a new generation of people and you can do it in a totally individual way. You’re just taking the kernel of the original idea and re-doing it, but for now.”

“We can’t replicate what was done in the original show. It just wouldn’t work now. The tone of it is very different although it still retains some of the fun aspects of it, the comic stuff that goes on there, the light touch. I don’t think we could repeat what that show became.”

“I think the original pilot episode is much more akin to what we’re doing. As the series went on, it became if you’ll forgive this phrase campier and campier. It was almost like a sitcom, but in space. I just don’t think that that would work now. So, we’ve made it into something that is lots more for todays generation.”

“I think it’s really great that they did a gender swap. It’s actually a genius stroke because you cannot replicate what was done with that character in the original series. But Parker Posey is such an individual performer. She brings to it her own sense of wackiness and fun.”

"That is a reflection of what the original character was, but it’s very much its own thing, and I think that’s absolutely right. If you cast a man in that part, they would feel this pressure to replicate what was done in the original series, a moustache-twirling villainous kind of thing. I think it just wouldn't hold water now and it would just seem sort of arch.”

“In other words, I think what Parker Posey does is so much her own thing, and as it goes on, you realise that it’s a much more nuanced character in that there are reasons for her being the way she is. I like that you can get the fact that she is horrible and does terrible things, but at the same time, she’s a real and complex character.”

“I don’t have any interest in doing that at all. I love earth. It’s a beautiful planet, and I think, going to Mars, although it looks amazing from aerial photographs taken from orbiting satellites and things like that, and I’ve seen documentaries about it, but I think it’s a desolate, dangerous place, filled with radiation. It would be too dangerous going there, and so arduous.”

“I think that is one of the things that we show. There is a warning to this. The idea that we can trash this planet and then move on to another planet somewhere else, that there’ll be some other Goldilocks planet that we can go to, have it and trash that one, and then just keep on moving on, its crazy. We have to look after the planet were on. I’m all for space exploration, but I wouldn’t want to do it myself because I’ve got kids and a family and the idea would be terrifying to me.”

“The planet is presented to an audience initially as, ‘Oh, it’s so great. It’s got oxygen, so they can breathe. It’s similar to the Earth.’ But then as you get further and further into the drama, you realise there are more and more hostile things about this planet that are dangerous and there are reasons that there are storms with diamonds and deserts. There are astronomic reasons why this planet is like that, which then become apparent. Then they realise that they have to get off it. This isn’t somewhere where they can just set up their colony.”

“It is aspirational to me in that it’s about people trying to be better, in the best way that American shows and films sometimes do. When it doesn’t work, its because its super sentimental and glib.”

“This is about people who find themselves in jeopardy, but also they’re in jeopardy in their personal relationships, in the way that they relate to each other, and it shows how they overcome their own problems and weaknesses. They all do that in a very real way, so I think that’s aspirational.”

“Also, one of the things in watching this, the kids are so bright and so capable, especially the girls. One of the things I would like my daughter to get from this is how strong and capable the girls are, and how intelligent they are. They’ve worked really hard to be that way.”

“It would inspire me, if I was a child, to want to work hard and to want to be like that. Look, I’m not saying that TV should be life changing. It’s entertainment, but if it, along the way, inspires kids, or reflects good qualities, aspirational qualities, without lecturing people or being sentimental, I think that’s good. I think ‘Lost in Space’ does that to a certain extent, in a way that family shows should do, in a gentle kind of encouraging nurturing way, rather than patronising.”

Source: parade.com

“When I discussed it with Zack Estrin he was like, look, this is not an apple pie family. This is a family that is full of great people, but they’re damaged here. The relationship between the mother and father is dysfunctional. They’ve padded it, and it’s in disrepair and that’s part of the drama. Are they gonna be able to figure things out? How do they relate to one another? It’s an estranged father, who’s been away fighting wars and stuff like that, and he has become disconnected from his kids.”

“It’s just not very dramatically interesting to have a family thats always kind of fine. I mean, it’s dramatic enough that they’re in this life-threatening situation, but you add to the drama by saying they don't really know how to relate to one another and there’s this whole family dysfunction that they have to work out as well. And are they gonna work that out?”

“There’s something disingenuous about them being a family that’s perfect. Not only would it be dramatically boring, but it’s also just not true. We know anybody who has a family knows that it’s not perfect and that people make mistakes. But the thing is that these people, like everyone, are just trying to do better. And I think that that is something everyone can relate to, whether you’re a kid or you’re an adult.”

“One of the things that I really love about the show is that it’s aspirational. This family, they are, they’re people who are trying to be better and do good and to survive. And so it’s very, in many ways I think its a very cognitive show. And all these relationships in the end, while they’re complicated they are part of this. And we need that kind of, I think we need the kind of show like that because theres a lot of really depressing shows out there, which are fantastic and amazing, but they’re really depressing. And this is one has a really positive message and a kind of affirming message.”

“To be able to do what they wanted to do with this show, to kind of make it as magical to kids now as it was when it originally came out in 1965  it takes an organisation like Netflix that can throw enough money at it to achieve that. The kind of wonder and the kind of adventure. The scale of the adventure that they’re going for.”

“I think what I really loved about it was the kids are really intelligent. If I was a kid watching this I would go, I want to be as intelligent and as capable as that child. Im gonna work harder in school. Im gonna really try and work hard at math. That’s great as well. So I like that, the fact that the kids, to some extent, end up helping out the adults. Its a nice dynamic.”

“The kids need that adventure and the fun. But then the grown-ups who are watching the show need to care about these people as well and enjoy the show on a different level. So we were kind of like, that part of the show is for the grown-ups. For them to relate to these people and to identify with them. To go, I know what thats like. I know how difficult that can be sometimes."

“I really love working with Molly. We actually had a lot of dialogue early on, both together and with Zack Estrin, about just figuring out exactly what their relationship was. Because when we were talking, we were both like, This marriage has to seem real to people; otherwise people just aren’t gonna care.”

Source: indiewire.com

“One of the relationships I though was really quite clever is not between Will and the robot, but between John and the robot. The fact is the son chooses the company and protection of the robot above his own father.”

Source: thetimes.co.uk

“If it’s going to be a family show, then the families have to recognise themselves through the screen. We had to present normal families, and modern families are all complicated.”

Source:  dailynewsegypt.com

“There's this sort of thing of, ‘Oh, why are they together on this thing if they’re separated?’ It’s like, If you don’t take me with you, I’ll never see my family again. So theres that reason for him being there”

Source: io9.gizmodo.com

“They sent me the script and I was dubious, at first. I said, ‘Lost in Space’? They’re reviving that?! They tried to do that with the film, and it didn’t work. And then, I read the script and I actually liked it. The thing I liked most was that they were pitching it at such a great level. It was sophisticated enough for adults to watch and really get something out of it, and yet it had this fantastic adventure quality. What I really liked about it is that the kids are intelligent and its aspirational. If I were a kid watching this, I’d be like, I want to be that bright and that capable. And it doesn’t get ridiculous. They pitched it at the right level. And I felt that Maureen and John were real people. I like the way that they were written and I liked the fact that it was a relationship in trouble. They’re trying to figure out how to get along and how to deal with not only this extreme situation that they’re in, with extreme jeopardy and the terror of that, but also figuring out how to work things out between themselves. Thats what sold me on it. They seemed to be a family that people can relate to because its not some apple pie family that just doesn’t exist. They’re fallible human beings, who are trying to be better.”

“Like most kids, they’re all completely different from one another, and they have different strengths and weakness, just like normal kids in a family. It’s about how you cope with that. All of those different dynamics that happen seemed real to me, they're just in these extraordinary circumstances.”

“It’s brilliant! It’s one of the reasons that I love doing what I do. You can do something so entirely different, not only in its context, but also in its whole feel. I had done ‘Black Sails' for four years and it was a really tough journey for me. I know it sounds slightly pretentious, but I really was wrung out, by the end, by the whole experience. It was an amazing experience, but Ive never worked that hard, in my life. There were long days with extreme conditions, filming in South Africa, and you had to go from massive physical set pieces to doing intense dialogue scenes. You’d go from one extreme, of being beaten up physically, to another extreme, of being beaten up mentally. So, when this came along and I started doing it, it was a relief to me. With ‘Black Sails’, Flints journey and options were narrowing down and it was inevitable, what was going to happen to him. With ‘Lost in Space’, it seems to be opening out. Its about people trying to survive and trying to be better people and fighting to be alive. Flint had a death wish. After four years, that was really dark. It’s just a really nice juxtaposition to ‘Black Sails’, which I miss, enormously, but it felt like I was on holiday with ‘Lost in Space’. Although, like any job, ‘Lost in Space’ had its own pressures, but they weren't the same pressures that I experienced on ‘Black Sails’.

“His relationship with the kids,  that was a wonderful journey for me, as an actor. I really enjoyed playing that. As the season progresses, the robot becomes this surrogate father and protector for Will, who’s physically frightened. The irony is that Will has this father who is very brave, and who’s gone off on done all of this fighting in war, and he’s very capable, himself, but he’s nervous and frightened. So, the robot becomes very protective of him, but at the same time, threatens John. His son has to go to a robot to get what he should be giving him, and thats painful for him. The realisation that he's missed out on an enormous amount of his kids childhood and not being there for them, and trying to make up for that and connect with them again, is a very moving thing to play.”

“Initially, John is very distrustful of the robot. It’s a real problem because you need the robot in this extreme situation, since he seems to be able to help you, but at the same time, what is this thing goes berserk? You just don’t know what he's going to do. And as the show goes on, you realise that there are more reasons for him to distrust this thing. The whole thing is a great journey. All of that is really fun to play.”

“The biggest learn for me, that I’ve never had to do before, was doing all of that spaceship acting, sitting in the pilots chair and knowing what all the buttons do. That was such fun. While you’re doing it, you’re going, What am I doing?!, and then you have to remember what you used the buttons for, the next time. Being on a spaceship, throwing yourself around, I had a blast. You have to pinch yourself, once in awhile, and go, What am I doing?!”

“Yeah, the spacesuit was pretty uncomfortable, I have to say. One of the things I most enjoyed about the shoot, because it was so refreshing to me, was working with the kids. One becomes a bit jaded. Its easy to fall into saying, Oh, this spacesuit is so uncomfortable! But when Max Jenkins is jumping around going, This spacesuit is so cool!, it’s so refreshing. It’s so refreshing to be around that enthusiasm. It’s infectious. It was so great having the kids around because it just made you realise how lucky we were to be doing what we were doing.”

“We had a little bit of rehearsal time, but it was just a little bit. Max is such an easy kid to get to know. He’s just so open, and his parents are adorable. We couldn’t have lucked out more with the children that we got because they’re really great kids. They’re really open, really friendly, really open to having a great time, and up for learning. That just makes things so much easier. Im assuming that things can go very differently. We were incredibly lucky. All of us just really got on well and working with them seemed very natural. There didn’t seem to be any process that we had to go through. It just happened very quickly.”

“Molly and I spent a lot of time with Zack Estrin, talking about their relationship. If this isn’t a real relationship and a real family than nobody is going to care. The relationship has to be real without being depressing or sentimental. It has to be something that people can relate to. Especially because this is a family show, grown ups have to watch this, so it has to be sophisticated, as well as incredibly fun for the kids. We need grown ups and parents to be able to relate to Maureen and John and their problems and aspirations. What made it really great fun for me was working with Molly because she’s such a great actress, and we have that back and forth, both on screen and off. Their relationship feels like these are real people. Whats kind of funny is that the romance of the whole thing is really them. They’re the romantic couple. You want them to figure it out because they’re good people. If we’re lucky enough to go again, it will be interesting to see where they take John in Season 2. The other thing that I really enjoyed was working with Max and exploring that relationship, which to me is very real. I spent a lot of time away from my family, filming in South Africa, so I knew what it was like, being away from your family for a long time and feeling slightly out of place when you come back into it and trying to figure things out. I could really relate to that relationship, between John and Will. My son is about the same age as Max, but maybe a bit younger.”

“Interestingly, I would say that he creates the strongest bond with his son. He works out a lot of stuff with Maureen, but the greatest distance he covers is with Will. The last four episodes are really lovely, for me. John is also a slow burn. You don’t really get to know him that well, for awhile. It takes awhile to figure out his agenda, and whats going on between him and Maureen. It takes a long time to figure him out, but once you see what he’s trying to do, the last four or five episodes are really nice. It really is a journey for him. He does things wrong, but it’s because he’s clumsy. He doesn’t quite get it right and he misjudges things a bit. He’s too tough because he’s used to giving orders to people. Hes an army guy, so it’s all about training and execution for him. He has to relearn what empathy is, and how to deal with these kids without being this grumpy soldier.”

“Yeah, my kids did come, a couple of times, and they got on really well with Max, Mina and Taylor. And Mollys son came to set. It was really nice. It felt like a very family-oriented show, and they all hung out together. It was a really nice feeling and very relaxed.”

“Molly and I were quite adamant that the stakes had to be real and the threats had to be real. As an actor, the only thing you have is your instinct and your imagination. Those are the two main tools that you use. I didn’t really enjoy putting myself in that situation, where you are the person and your kids are under threat, but you had to give it that intensity. Of course, if it was real, I probably would have died. I would have had a nervous breakdown within an hour, but these characters can manage it. Obviously, one has to imagine what that would be like.”

Source: collider.com

“I was seven years old when ‘Star Wars’ came out. That just kind of blew my head off. ‘2001’, ‘Blade Runner’. All of these, all of the stuff like that. This is the one genre I completely expected to be in.”

“The character of Captain Flint, who I was playing, was a very nihilistic character that was on this kind of tragic course toward death. So to get something so polar opposite was really fun. It just sort of ended up being the perfect antidote to having done something like ‘Black Sails’.”

Source:  indiewire.com

"The thing I admire in John is that he is somebody who knows that he has got it wrong, and he's trying to put it right. Not only for his relationship with his wife, but individually, his relationships with his children. He's trying to not only save their lives, but he's also trying to do the right thing. And I think that's what I really like about this series, is that it's something that is aspirational without being sentimental. It's about people trying to be better people and trying to do the right thing."

"I think that that's something we kind of need right now, because the world is really depressing at the moment, and things are really frightening. You watch TV and a lot of it is really depressing--and brilliant--but pretty much depressing. And I think what's nice is you can get lost in the adventure of this, but also these are people who are trying to be better. And I think there's something uplifting about watching that."

Source: gamespot.com

"Will is quite insecure, his confidence is not great”

Source:  digital spy.com

On inequality in Hollywood:

"I think the movements are great. I am a parent of two girls and I have a wife who is very passionate, and I want a change for them, my wife and for all our friends”.

"I can only sympathise with and support the movement. Change needs to happen and it is mad that it has taken so long”

"It is a correction. It is really needed at the moment. Being a parent of two young girls, I am really excited about a show that has two young girls who are represented as incredibly capable, strong, smart, and sassy.”

"It is really great that there is a show which is showing that. I am excited for my kids to watch that and excited for the whole generation of kids to watch those characters and aspire to be like that.”

"There are moments which are light. Also, what is fun is that it is taking the domestic situation essentially and putting it in space.  So, there are these situations that occur and every parent or child will recognise... They have either been through that or seen them. But it is this extraordinary situation where they are million of years away from Earth which makes it different.”

Source: business-standard.com

On ‘Summer of Rockets’:

“It’s great to be working with Stephen Poliakoff again after such a long time. I loved working with him on ‘Perfect Strangers’; he’s such a unique and original voice in British television. It’s also good to be filming something back home in the UK for the BBC. It’s been a while.”

Source: deadline.com

OTHERS ON TOBY:

Maxwell: “I’ll never forget going up on top of the glacier. My scenes with Toby where we were walking in the snow, weren’t green-screen we were on a real glacier! We had to take a one-hour and 45-minute ride on a snowmobile to get there.”

“It was cold but sunny, and Toby didn’t think of getting sun protection. The following day, he had sunburn above his eyes and under his nose, and the glass of the space suit charred half his face.”

Source: entertainment.inquirer.net