#if your a follower thank you

[jakeperalta]

letting celebrities think they can and should "use their platform" to speak on all current events and political issues regardless of how educated they are on them was a grave mistake

[heynhay]

stuck with you

[batfamhastwitter]

Part 43! This was the first time I learned that Mr. Darcy's first name is Fitzwilliam, and I have to agree with Steph about that being a deal breaker

Prev ~ Beginning ~ Next

[theotherbuckley]

incorrect tweets pt 17/?

[lucabyte]

Yeah, that about sums it up.

[fishing-lesbian-catgirl]

When someone really cool that I’ve followed for a while follows me back I feel like I have to be more normal with my posting habits for a bit because I don’t want to scare them away, as if they were a nervous horse who might run away if I move too suddenly. But eventually I realize that it’s impossible for me to be normal forever so I just go back to being weird regular annoying me and cross my fingers that they stay

[sabbathbloodysabbeth]

Currently thinking about Alpha Eddie having a sweet smell instead of a typical musky “Alpha” spell. Like that boy smells like a bowl of stale m&m’s and Steve is obsessed. Steve is constantly buried in his neck, scenting him every chance he gets. He’s constantly behind Eddie, arms wrapped around his middle and just sniffing. It gets to the point where Steve gets migraines if he goes too long without scenting Eddie. He’s a pathetic little omega, but not as pathetic as his Alpha who purposely wears his sweaters because he knows that if he wears them long enough his scent will be there for a long time. So not only can Steve where his sweaters, the only ones that feel right against his skin, but he can also go around smelling his alpha constantly. (Then when they have their own pups, their pups smell just as sweet and it’s very common to see Steve smelling their newborn babies head)

[luckyartdrawer]

100 FOLLOWERS MILESTONE!!! MER AU!!!

Y'all chose the MER AU to celebrate, and so say hello to some fishy boys! They are all quite happy to see you, though some seem to show it more than others!

Cookie cutter shark Sun can't wait to take a bite- I mean- erm- rather a hug out of you! Either way he's quite excited!

Threadfin Eclipse would rather all eyes be on him, but he would settle for just yours! His colors shifts in every way, he's hoping your eyes won't stray!

Jellyfish Moon doesn't mean to be so imposing -- towards you anyways. He just wants to see you and everyone happens to be in the way!

This is technically a PT 1 to the celebration, as we have a Royal AU to roll out the red carpet for as well due to a tie in the poll!

PT 2 is made!

vvv Sketch/line art and yapping below!!! vvv

Sketch/Line art

Hehehe I just had to share. I am so proud of how the lines came out. Sketch cleaned up as lineart method my beloved.

Uagh I keep looking back and seeing so many things I could do. I might update the images secretly one day, but for now I think I need to let it be free in the world before I just never finish lol

Welcome to my yap sesh! Thank you all for being here, I hope the wait was worth it! <3 I am very proud of this and spent soooo so long rendering it. (What was i thinking doing 3 characters end my suffering /J)

Here's some random factoids about these sillies!

Sun: Born in the depths. He is a dime of dozen of cookie cutter sharks, all of them insistent of taking chunks out of anything and anyone they can find. Sun at least has some restraint when it comes to mers he likes, but he always wants just one nibble! Sun tends to warm up fast to mers that give him a speck of attention and care. Cookie cutter shark mers are known to link up with mates as soon as possible, but Sun insists that he hasn't found the perfect fit yet. No one is tasty enough for it! Everyone needs to compliment the other! Sun is the fastest of the 3, relying solely on his speed and jumping out of hiding spots to catch prey. His sharp claws pierces easily and the long webbing between his fingers makes it really easy to ensnare prey in his grasp!

Moon: Born in the depths. Jellyfish mers are rather uncommon, being known as a mostly solitary species. Unlike their animal counterparts, Jellyfish mer go alone after maturing, not even inclined to search for a mate, though they can if they so desire. They live the longest of any mer species. Their transparent bodies keep their form hidden from prey as their bioluminescence lures them in. Moon is the slowest of the 3, but it does not matter to him. To hunt, he floats in a comfortable spot, amping up his bioluminescence and fanning out his ribbons to attract prey. If a victim gets within his vicinity, his ribbons will quickly wrap and tangle around them, sending painful stings and intense damage to the prey. While effective, there are times the mer will sit in one spot for days having not attracted any food. He can hunt directly like other mers, but he'd have to rely on his transparency over speed in order to get close enough to catch them, his melded fingers make it even harder to grasp prey directly.

Eclipse: Isn't actually born a deep sea mer but spent most of his life in the depths after finding out how delicious specific creatures are and how much attention his looks get him. His skin and scales are iridescent and he loves to flaunt them when he can. Eclipse tends to be very carefree, though also the most gentle when interacting with other mers. He is inclined to view anyone as a potential friend or more due to being omnivorous, though no many has caught his full, dedicated attention. He's not territorial, not competitive, and doesn't care where he goes as he can eat just about anything. Hunting wise he is the most tactical, using his colors and thick ribbons to lure and confuse prey. He isn't the fastest nor the slowest, but his long hands increase his likelihood of catching prey he otherwise would have been a little too slow to grasp.

Yeah i.... I ended up having a lot of fun coming up with these guys

Especially moon, those of you who know KNOW, but man... my moon bias is so strong.

I even have this cute expression idea where he can control how his cap looks and uses it for his own protection. When sometimes when sleeping or defensive, he will tuck in his tail, arms, and sometimes his ribbons within the cap and then, like a string bag, it closes off his entire body from the world. He's in his own cap bubble!!! When embarrassed or trying to physically interact with someone without fear of hurting them, he'll tuck in his ribbons and scrunch his cap around his head. He'll look a bit silly, and you can't touch his face, but you can hug him safely and play with the soft round cap that now encases his head. (His tail/neck ribbons have no stinging abilities, they're just glowy for lure purposes!) his coloration is mostly inspired by the Man-O-War but his species is more fantasy then based off only that like the other two are with their respective fish, so that's why I just call him simply a Jellyfish for now :3

Sorry about that... I still love all 3 of these goobas and have ideas for them though! Maybe one day I'll get a fic going for them, not saying anytime soon because I have TOO MANY to work on rn, but just know they are swimming in my head.

So many ideas, so little time......

Once again THANK YOU ALL!!! It is so lovely to see y'all here despite my whacky upload schedules. I always tell myself I should make more simple things sometimes just so I can get the ideas out faster, but then my hands always do something else smh. Hope you all find this art and my future works quite delectable! <333

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[pngblog]

I'm at media post limit for tonight but thank you guys SO MUCH FOR **11 T H O U S A N D** FOLLOWERS. I honestly can't even imagine that.. I haven't run this blog for even a whole year yet and I've got 11,000 people lifting me up! (Or in Tumblr terms like 20 people and some bots lol).

But seriously you don't know how much it means to me that you guys really like the blog. It's a passion project for sure but it's so worth it.

[heyhollow]

Michael, you can't be scaring old men like that.

Whipped this up as fast as I could cause of @pixlokita tags

Continuation of This Post

(I've never drawn Henry, forgive me if he looks a tad odd)

[nouveaumoon]

💧✨based off of this illustration by @passionpeachy!✨💧

video compression muted the colors, so here are a few stills under the cut

tiny bonus: happy pride!

[daily-odile]

1,,,, 100 days,,,,,,,,, and 800 followers,,,,,,,,,,,,,

From the bottom of my heart, thank you everyone.........!!!!!!!!!!!!!!!!!!

[yo-yo-yoshiko]

Sento and Banjo would also be fun to see.

He's trying to explain the plot of Kamen Rider Build to Banjou there...

[httyd-art-requests]

Happy 100th dragon post! 🎉

(I talk in tags!)

Requests are currently closed!

[columboscreens]