#if you'd like for someone else

[ayoungeststark]

If there was one thing Logan simply hated, it was fighting with Morgan. He tried to be a good brother, he loved his little sister more than anything in the world. However, she still pissed him off sometimes, either by doing something that annoyed him when he wasn't in a good mood or something like that. Normal siblings behavior, he knew, but he hated it anyway.

An hour had passed since their most recent fight, and Logan thought it was time to go sort it out. She was too quiet, and he didn't like that. He gently knocked on his sister's bedroom door and waited a few seconds before opening it. “Hey—can I come in ?”

@leschanceux ❤'d for a starter !

[steddieas-shegoes]

Country singer Steve Harrington, who has always leaned more into the pop country side of things (think Wanted by Hunter Hayes), but wants his third album to be more true to old school country roots.

His label agrees but only if he works with Eddie Munson, a rock star who had to leave the spotlight when he got kicked out of his band for, well, rockstar behavior gone too far.

Steve isn't amused, especially because he doesn't care for metal music or rock star shenanigans. He was "raised better" and doesn't think Eddie could sit down and write songs with actual emotion and feeling.

Cue long songwriting sessions where Eddie is trying his hardest to be on his best behavior because he knows this is his last shot at being taken seriously, and Steve being surprised every time Eddie proves that he's talented as a songwriter and musician, well outside the scope of just metal and rock.

They write a song that they're both so proud of, Steve asks if he'll record it with him just for fun. The released version would just be Steve.

Eddie agrees.

It's an incredible duet, something country music has needed forever, but Eddie doesn't want that version out there.

The label genuinely accidentally releases their version instead of the Steve only version. As soon as they realize, they remove it from official places, but it's too late.

Fans have already heard it and have gone crazy over it, begging them to let the radio play this version, begging for this version to be available for streaming. The Steve version is great, but it doesn't have the emotion that's laced in the tone of them singing together.

Eddie finally gives in when he sees how happy Steve is about the reaction to it.

But the label decides they want them to tour together, have Eddie work as his opening act, perform his acoustic songs that haven't been officially released anywhere. Eddie can't do it.

He can't go back into that lifestyle. He couldn't do it to his band, who made him promise that he'd come back to them when he got his shit straight. He can't do it to his fans, who stuck by him through some rough shit, but probably wouldn't support a fucking country music career. He definitely can't do it to Steve, who deserves to have someone with him who can be trusted not to go off the deep end.

So he runs. He hides. His uncle welcomes him home, congratulates him on finally embracing his country roots.

It doesn't take long for Steve to find him.

Because he'd been more honest with Steve than he'd ever been with anyone. He told him about his childhood, his Uncle Wayne, his struggle to make it. He told him about his worse struggle when he did make it, how he got in with the wrong people, the wrong things. Prioritized the lifestyle more than his own life.

Of course Steve knew where he'd run to.

Of course Steve came to remind him what his life could be if he allowed himself to find new priorities.

Steve's lips were pretty persuasive, but not nearly as persuasive as his promises to remind him what he could have if he kept his life his priority.

"But what if I let you down?"

"You won't."

"But-"

"No. You won't. You're gonna do amazing things for yourself. And I'm gonna be there to see it happen. That's all."

And he was.

They co-wrote Steve's entire album while Eddie worked on recording his own original songs. He liked that it was an old school rock and roll feel, some blues, some country, some hints of metal sneaking in on a couple songs.

He called his band to come help him with a song, hesitant to even ask, but they came. Of course they came.

He called his Uncle Wayne to play banjo on a song, worried that he wouldn't like the heavier electric guitar notes over it. Of course he loved being involved.

When their tour started, he let himself actually feel nervous.

But instead of running, he looked at the man who supported him through it, even when his own career was on the line.

Of course Steve was there.

[cubbihue]

Does Mr. Turner like rubbing his “son’s” successful career in Dinkleberg’s face??

He does! He brags about Timmy's success to every person within the neighborhood's vicinity. Mr. Turner loves how successful his son is! It really secures his reputation at the neighborhood HOA meetings they host at their house.

Timmy's worked very hard to gain more successes than failures. The more successful he is, the greater his family's social standing!! And the less he gets to overhear his dad ranting to the neighborhood about his failures.

Bitties Series: [Start] > [Previous] > [Next]

[rottengurlz]

try to be gentle when you are ripping me apart 🔪

w/ @kashisun

[happyk44]

percy needs to be haunted by bianca's ghost more

[padmesbox]

Hangman Page birthday week → Day seven:

Happy birthday to my favorite wrestler teacher 🎉

Not taking bullshit boomer, condescending advice from nobody but giving evergreen advice that can only come from a millennial [former] teacher:

"Have a plan B [...] I think a lot of people would say like, if you have a plan B, you know, 'you can't give all to plan A, so you're gonna fail at plan A, anyway'. That's not true, I was a high school teacher and I did this, and I'm the effin' World Champion, and at one time I was a high school teacher to make it through this, I had a plan B and I don't need it anymore... have a plan B, life is much more important than, you know, what career you want to follow or what, you know, oh you want people to say about your accomplishments [...] life is much more important than that and you will need to make money to survive, so always have a plan B. That's like, what I feel, people don't press that upon people enough in telling you to chase your dreams —you absolutely, absolutely should— but to also know like you have to reckon with the fact that you probably, statistically will not make much money at this, if any. You have to know that, and you have to be okay with that [...] if you don't reckon with that like, reality, you're setting yourself up for heartbreak one way or the other"

[ma-vhenan-is-sky-blue-siha]

SPOILERS FOR DAV, ONLY READ IF FINISHED THE GAME

Read at your own risk!!! Ever since finishing the game, I've started replaying the game. And I've been noticing some details. Some very specific details...

Is Varric actually fully Solas? All throughout the Lighthouse? I know that Solas made Rook see Varric, but I was under the assumption that it was kinda like Rooks mind filling in the blanks, or something along those lines.

But there's a scene I caught, at the very beginning. Where when Rook is looking away and whichever companion enters the healing room and talks to them. The camera keeps cutting back to his expression. And I feel like the expressions on his face doesnt fit Varric.

The gif is a bit grainy so I'll add a clearer screenshot to show his expression.

The little micro shift in his expression. It feels like aggression. Could this really be just Solas imitating his friend, and actually getting more involved to shape Rook into what he needs? It would put so much more weight into his words. "I molded you into someone the prison would accept in my place." "I taught you well."

Yall please tell me I'm not crazy and you're seeing this too. I'm so sick rn about all of this.

[moongothic]

You know when I originally suggested that maybe Dragon is the one who gave Crocodile his scar and/or took his left hand --if only because [Dragon not recognizing the big scary man with a baby when he was supposed to go see his wife, assuming the worst and acting accordingly] would make for an A-Class tragedy and great fucking drama (something which I would expect to see in One Piece)-- I wasn't fully convinced with the idea, I just considdered it just another option on What Could Have Happened between those two to get us where we are ...But the more I think about it, the more I've started to kind of believe it. And for two key reasons, first being kind of everything we know about Whitebeard, and the second being the basic logistics around the suggested scenario to begin with

By which I mean; if Dragon had indeed gone to see his wife so he could deliver their newborn baby to Garp, but instead came face-to-face with a man he had never seen before but who just happened to have the exact same and very specific facial scar as his wife and/or the same god damn hook... Like I can't say he SHOULD be able to recognize Crocodile instantly, but also, surely either of those features would make him stop for a moment think and/or talk before he'd jump into action, let alone if the man had both the scar and the hook. Of course, there is an argument to be made that maybe Crocodile had a smaller hook originally that no longer fit on his wrist after getting jacked so maybe Crocodile just wasn't wearing any hook at all, and a missing limb isn't an unusual disability on its own, at least not enough to faze Dragon. And who knows, maybe the two were supposed to meet on a dark and stormy night, in which case between the low light and the rain it could've been hard for Dragon to see any scars on Crocodile's face from a distance. These are both reasonable arguments, absolutely. But, as I have mentioned a few times before, sometimes the path of least resistance might be the most likely option as far as story speculation goes. If Crocodile had both his hands and no scar on his face, then Dragon wouldn't have had any way to immidiately and instantly recognize Croc (aside from his fashion sense) as he would've been missing (what we would now considder) his most distinquishing features. Which would it much easier for Dragon to jump into action and attack the strange man without a second thought.

And then there's Whitebeard. Whitebeard, who was kind of famous for stomping rookie pirates only to invite them to join his crew as his "sons", but who also had a weird thing about not having women in his crew (his nurses aside), because he believed "women do not belong on a battlefield". For one, that actually kind of supports the "Crocodile is openly trans" theory because, again, how the fuck would Croc have been pre-t AND stealth as a Wardlord getting his shit kicked in by Whitebeard? Like it's not impossible, as we have discussed many times before (and that is not the point of this post!!), but once again it would be easier to just assume Crocodile was still living as a woman at this point in time. And indeed, that could answer the question of "why would Whitebeard not invite Crocodile into his crew to be one of his children like Ace and everyone else?". If Croc was still living and presenting as a woman at this point, Whitebeard would not have even wanted him in his crew. (Sidenote but since Whitebeard seemed to have no issues with Jinbei hanging around the Moby Dick despite being a Warlord I don't think Crocodile's Shichibukai status should've had any impact on WB's ability to invite him to his crew. To be fair though, Jinbei did join the Shichibukai much later so it is possible WB could've just changed his position on the subject over the years) And that leads to this question; if Whitebeard has that kind of views on women, then would he ever go as far as to severely injure and scar (someone he viewed as) a woman right on their face? With an attack that could have very easily chopped Crocodile's entire head in half like a god damn burger bun if he weren't careful? Do you think Whitebeard would have chopped Crocodile's left hand off and left him permanently disabled if he viewed him as a woman who shouldn't be a fighter to begin with? Yes, to be fair, we do not know the circumstances under which Crocodile challenged Whitebeard into a fight and what kind of a pirate Crocodile had been up until that point, what his reputation had been and if he had done anything in particular to invite Whitebeard's wrath (much like Kid and Barto with Shanks). Like for all we know he could've done something truly heinous and fucked up enough that Whitebeard thought teaching him a lesson was justified.

Just, looking at all of these notes together, I can't help but to feel that it's actually very plausible Dragon could be the one responsible for one of Crocodile's injuries if not both (if Crocodad Real).

[novelconcepts]

Watching my mom evolve over the years has been such a fun experience. For context, she's got nine kids (at least five of whom have turned out to be queer; at least four of those have turned out to be non-binary), and for most of my life, she was just your average Gen-X Irish-Italian Catholic mom. She didn't really do vocal homophobia or whatever, but she also clearly didn't know how to handle it when her firstborn interrupted a Red Wings game to announce, "I think I'm gay." (Spoiler alert: that was me at fifteen or sixteen. In retrospect, of course the Tomboy For Life who had never been remotely interested in boys but was ALWAYS talking about actresses/female friends at school a bit too much wound up being gay. And announcing it. During a hockey game. Of course.)

She also didn't really know how to handle that same kid starting to date in college, bringing a girl home, and so on. She did a bit better when the next kid came out as a lesbian, but when that kid came out as non-binary (shout-out to that sib for doing some of the heavy lifting first), it was a whole new deal. It clearly had never crossed her mind before, that this might come up. Gay? She was figuring out gay. Gender stuff? Whew. A shiny new Pokemon of a situation.

The changed pronouns have been a bit difficult for my mom. The new names still get jumbled. (In fairness, the old names got jumbled, too--it was always a laundry list of names before she got to yours, no matter what you went by, because there were just so goddamned MANY of us.) It gets harder when she's stressed, and sometimes she just seems not to be getting it. I know it frustrates my siblings deeply. It can grate on me, too. You just want people to understand out the gate, to take you at your word, to shift gears without a slip-up. You don't want the awkward conversations, the painful skips, the rough patches. It's tempting to just give up on people if they don't stick the landing immediately.

But if you look a bit deeper, there's such a soft mama bear energy to my mom. Such a stubborn determination to get it right where it really counts. My mother, who never once skipped Sunday mass as I was growing up, has left the church completely because "they don't treat my family well." My mother, who once told me not to bring a girl home because it might confuse the youngest children, bought Converse sneakers expressly for my wedding to a woman. And my mother, who had never known the word non-binary, who didn't seem aware of the trans umbrella at all before her kids started huddling beneath it, keeps leaping to tell me all about the shows she's watching lately. The ones where "there's a non-binary character, and it's so cool that people can see that now!" The ones where "and this one is non-binary, and they're so great, and maybe it'll teach the shitty politicians of the world that they're just people, you know?"

Sometimes you just have to give people a little space. Let them stumble occasionally. They're going to. They're going to trip up. My mom hurt my feelings so many times when I was young, said so many of the wrong things right on the heels of the right ones, confused and upset me because I couldn't understand why she just didn't get it. But here she is, almost sixty years old, and so gleeful to tell me about the power of queer representation on TV. She doesn't always get it right, but goddamn, does she love her kids, and goddamn, does she want the world to love people like her kids, too.

[laesas]

I don't know how much more explicit the message of "THIS IS GROOMING" could have been without Be On Cloud superimposing it in all-caps text over every one of Non and his teacher's scenes. People interpreting that as "cheating" are cracked in the fucking head.

[cryptocism]

I love the comic book writing sensibility that Frequency has, like how Three and Five's ending is great for the story being told but if it were a published comic it would still leave them on the table for if a future writer wanted to use them.

whats funny is that despite doing my best to keep in line with dc comics/comic writing sensibilities throughout the fic (staying as comics-accurate as possible in terms of continuity/tone/characterization/story elements etc) that particular comic writing reality was one that was like. kind of a genuine anxiety that i didn't know i had until i started writing this thing.

ive said before that in the original concept for Frequency all of the clones (besides Thad) were going to end up dead. whether it was via killing each other or unintentionally being the instrument of their own demise (disney villain style). obviously it changed because creating an entire narrative about this one character's redemption arc and then not allowing any of the other villains to have a shot at redemption felt hypocritical and like. mean. not to mention antithetical to the whole ethos of the story.

but the reason why killing off all the other clones was my first instinct is partially because i had this kinda subconscious recoil to the idea that any of them would actually continue on after the story was over.

like, because i was trying to stick to canon so much, while figuring out the story a thought came up a couple times that basically went like, "okay, well, if this was a real comic, then...". and inevitably i had a realization that if this WAS a real comic, my original clone characters would be canonized, and therefore available to any future writer who wanted to yank them out of their respective endgames and inject them into other stories. which i Did Not Like the Idea Of.

classic "making up a guy to get mad at" except it was more "making up a reality to get anxious about". because obviously no matter how much it sticks to canon, Frequency still exists in a fan-created space.

but! i'd never made up original characters to put in my own fanmade stuff before and was definitely feeling protective. because all those original clones i made had yknow: a story purpose and narrative function to facilitate the actual key characters, Thad and Bart. the idea of them being removed from that context in any capacity, even if it was in the hands of a good writer, made me have this gut "no STOP you're ruining it!!!!" reaction.

they were all made for Frequency, and to foil Thad as a character, i didnt like the idea of Three being brought back as a one-note villain or Jude and Nathaniel getting folded into the wider Flash cast of allies. and none of them were made to be main character material. plus the character roster at DC is already uhh Extremely Stacked i genuinely did not want the takeaway to be "and here's the nEW ADDITIONS TO THE FLASH FAMILY!" because that wasnt the intention

anyway i got over it lol. i still did my best not to leave any loose ends, and have each ending be wholly satisfying on its own, and ideally the oc clones basically continue on offscreen while the true adventures are based around Thad and Bart. but yeah it felt right to leave off on that note (and served the story much better than killing everybody off)

[tinkrbell]

"i'm only going to say this once: you're a fucking idiot." carter was at his limit with the niceties. he wasn't a very nice person to begin with, but when it came to them, he typically had all the patience in the world. / @fcxglove

[dieselocelot]

I'M HERE AGAIN HELLOO HIIIIII :D

question about vandermorgan cuz I'm curious....

do you have any headcanons and how do you see their relationship?

They say a picture is worth a thousand words

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[hidefdoritos]

tonight at work someone didn't push a pallet into a trailer bc he was waiting for me to come out of it first. and he explained this to the cute manager by saying "I'm waiting for CJ to come out." so I was already chortling to myself, and the cute manager was giggling too. so of course I spread my arms theatrically and told him, "Ta-da! I'm bisexual."

[waitineedaname]

reading the novel, i love how blatantly indulgent of the juniors lan wangji is. when he was their age, he was duelling wei wuxian over broken rules and lived his life by behaving as precisely as what was expected of him, and now as an adult, he's basically letting the juniors do whatever they want as long as it isn't unsafe and generally letting the kids act like kids

which leaves wei wuxian to have to be the one playing bad cop. wei "has never followed anyone else's rules in his life" "bane of lan qiren's existence" "public enemy number one" wuxian has to be the one being like "oh my god don't burn money on someone else's doorstep, don't you know that's rude. you kids need to focus on your studies more, why isn't anyone teaching you anything useful, do i have to do everything myself around here"