#if you take season 8 canon | Explore Tumblr posts and blogs

jolalibrary · 9 months ago

Text

in my room

javier peña x f!reader | masterlist

summary: Because it’s an exchange, a two-way thing. He doesn’t tell you he likes your hair and you don’t tell him you fuck him so you don’t think.

wordcount: 6.2k (im so sorry, this was meant to be short)

warnings: explicit. smut + angst. colleagues who fuck for stress relief. grumpy-ish javi. file room shenanigans. unprotected p in v. oral!f receiving, mention of m!receiving. javi’s hand being a necklace. cum eating (by Javi), mild rough sex? mentions of grief (due to canon-compliant death), season two compliant/spoilers for season two. javi has a filthy mouth. joetics (jo and her poetic nature, credit to @/goodwithcheese for the name), no use of y/n but javi calls you princesa/baby.

an: dedicated to javi-edit-anon, hope you're doing okay.

It begins swarmed in grief.

A chest full of conflicting emotions, fingers itching for another smoke. It is all put into motion by the same person who became the catalyst—the match to the flame, the cause of the inferno.

He doesn’t usually wander around the building. But, today was a lot of firsts. Jaw clenched. Fingers digging into his palm at the memory, the realisation—the fucking play-by-play—of how he’d been played, fucked over, used.

Now, he’s left riddled with the knowledge that he’d lost a friend a few hours ago because of something he did. The understanding of it rusting in his stomach, right next door to the place disgrace is building a home where his gut had been.

He’s not thinking, not seeking—a desperation to run and hide, yet has nowhere to go.

And then he comes across you.

Finds you in the hallway like you were sent to save him. To pull him out of the water, pump the liquid from his lungs and smother the flames from burning his skin.

The two of you having stopped, paused in your travels.

Just two isolated shadows in the middle of the corridor—an invisible line being drawn, a noticeable white mark—backlit by sorrow and emptiness.

You don’t tear your eyes from him. Stubborn, even on your loss. Purposefully, intentionally, holding his gaze across the empty corridor.

Usually, you're so put together he feels contempt at how you seem unfazed at being surrounded by the shit they all have to do daily. But now, you look every bit as undone as him—shirt untucked, sadness stitched into your usually tight, rigid frame.

The only thing similar is the way you look at him, just like you did when the hours ticked on during those late nights you were forced to work together.

Files opened, documents scoured. Two eyes fairing better than one in their search. The toe of your shoe tapping against his desk, your fingers circling the rim of your mug full of coffee (never liquor, only coffee), pen clicking and clicking—

It had been Carrillo who had paired the two of you. Handing him a task, a surname—one Javi hadn’t heard—and the option of an extra pair of hands: you’ll see she’s good, and we don’t want her poached.

Then, he’d laid eyes on you.

You who’d he’d seen around, but never the chance to talk to. Had no reason to. You forever moved in any direction but the one he was heading in whenever he came into sight. That had been well over a month ago, weeks now.

In that time, he learnt your snark, your laugh—the way you take your coffee and your petulance for sugar after 8 pm—all proper in how you handle yourself, like royalty.

It’s then he learned that you hated being called princesa. Lips curling when it dripped from his lips, back straightening—all close to fracturing, snapping. So naturally, he called it you more.

It became—like the rest of it—a habit. He dropped the name as easily as he began pushing some of his shit to the side for you, so you had a space, a small corner of his desk you could commandeer when you joined him.

It didn’t mean anything. A thing be recited, thought to himself as he buried himself inside Gabriela—who looked nothing like you.

Then, a week ago, you were already there before he got back. The soles of his shoes had come to a standstill at the top of the steps, staring at the back of you—taking you in.

There was no need to see your face, Javi knew that you knew he was there. Not saying a thing when he seated himself down, the same way he didn’t with each tap of your shoes’ toe against the metal frame and you bit the end of your pen. He’d decided weeks ago, when you wore a shirt you felt the need to undo two buttons off, that if you weren’t paired with him to torture him, he wasn’t sure what else you were sitting next to him to test him for. But he’d find out, work it out.

Then you cracked it—found it, the anomaly, the name, a connection. A semblance of something in a sea of shit. A straw to grasp, to pull—your lips, likely stained from coffee and ink, twisting into a grin, one he couldn’t help but admire.

“¿Cómo?”

Pulling a face, he had only shrugged, feeling you watch him, answering with a, “You’re good.”

“You just realised? You just notice I got tits, too?”

Leaning back in his chair, he shifts his jaw to the side. Watching you stack papers before holding his stare, letting you see him flick his eyes from yours to your lips. Suddenly all unsure how to even begin telling you that he’d noticed you—had done so since they were all forced into this fucking building.

But you’d caught him, snapped him in plain sight with those beautiful eyes of yours. “Resorting to kissing colleagues now. Fucking whores not doing it for you, Peña?”

He had smirked, wider, but it had been tough. Leaning forward, he traced his bottom lip with his thumb. “You heard about that.”

Nodding, you’d smiled—cockily, full of something other than kindness. “Half the women will be lining up if they think you have free time.”

“But not you?”

Then, you’d stood, head tilted, files in the neatest pile compared to the rest of his desk, as you rolled your lips. “No. Not me. Goodnight, Peña.”

That exchange had been before things had gone to shit.

Before his cock had undone it all, left several people dead and the person who’d paired you together, gone. Taken—leaving a widow and children without a father.

Snorting, he focuses on clearing his throat as he replays it all. How much of a fever dream it all feels, his other hand pinching his thigh as he stares at you studying him, not scurrying off like he half expects.

And the fact you don’t makes his fingers itch at his side.

A part of him, suddenly stronger than all other parts, battles to move closer to you—like he needs to see what your mouth feels like on his. Like he’s been without his fill. It’s why even as much as he wants you to close the gap, he doesn’t move. Wants you to have an out—an escape.

A chance to choose whether you want to wake up with regret. Because even he knows sleeping with him ends in two ways, and shame is usually one of them.

“You should go inside your room.”

But of course you don’t. Instead, it’s the soles of your shoes on the floor that get louder, closer.

“Do you want me to, Peña?”

It’s building, rising. His eyes trailing up and down you, mouth chewing his tongue as he gets another taste of liquor, as he finally lets his gaze land back on yours.

“You want me to walk away from you?”

No. It’s final. Gruff. More spat out than said—laced with failure and remorse—but you hear him. Loud and fucking clear.

So much so, your lips twist up, smirking more devilish than he knows what to do with. “Good.”

It’s quick—you’re quick. Yanking him close as he forces you flush against him. His mouth crashes, steals and takes as his lips sear themselves to yours. And he learns, quickly, you’re not soft, but biting.

You are all jagged sweetness that throws a curve ball in how he knows how to handle this. You. Your lips taste of sadness, tears and liquor, all cheap—so very unlike what he imagines for you—and you make a knot tighten in his core as your palm flattens over his hardening cock in his jeans.

“You tested?” he asks, hand cupping your jaw, tilting your eyes up, pulse racing against his wrist—skin warm, scorching.

“Are you!?” you spit, and he almost snorts until your fingers knot in the base of his hair, pulling, likely hoping it hurts.

And it does.

Makes him groan—but he’s quick to smother it in the back of his throat. Flatten it, hide and conceal. Getting his answer for an exchange of your own.

“We should go inside my room,” you say in response to him, pulling down on him, Javi finding he bends with far too much ease as his ear finds itself close to your lips, “I’m not quiet when I’m enjoying myself.”

Twisting you, he flattens your back to his chest, rough, hearing you breathlessly laugh. “You know what you’re doing, baby, huh?”

And you’re silent, brain whirring as he begins walking you, till your chest is almost against your door.

Open it, he whispers, watching your hand dig for the key, his mouth latching to your neck, swirling a circle on your skin, tasting lingering perfume and sweat as he grips your waist.

“Last chance.”

He hears you laugh, low, buried somewhere in your throat just as the door unlocks, all loud, cutting through the silence other than both of your racing breaths. It’s why, he supposes, his words echo in his stare as you turn your head. Rolling your lips. It's all so reminiscent of the stare you gave him at the foot of his desk—but this time, you collide your mouth with his.

Not leaving—not doing anything except turning in the space between your door and him. Those nails, the ones that tapped now scrape across his hair, burying, carding, as you lightly pull on strands—forcing a groan to bury itself in your throat, find a new home, live there.

It's quick, practically animalistic the way he sheds your layers—baring you, finding (unsurprising) that even in misery you still match. His fingers run over it on your hip, rolling his lips, the tip of his tongue swiping across as he admires, as he steals a second to commit you to his mind.

Because he’s not sure if he’ll ever get to again.

“Last chance,” you echo.

Repeating his words, using them against him. Flicking the fabric against your skin, he snorts and he flips you. Sharply telling you to get on your bed, all-fours—bend over, hermosa.

“This how you pictured it at your desk?”

He barely registers your words until he’s behind you, bare, hand sliding between your thighs as he smirks at the noise you make. How you take him, all the way up to his knuckles—his free hand stroking himself to the in and out his other hand sets, desperation mixing with a need to forget—for a moment peace from thinking, existing, being.

And you’re drenched. Practically desperate. Hips moving with his movements and strokes, the air tinged with the littlest whimpers before replacing his fingers with the head of his cock, dragging it, skating it spitefully over your slick folds.

That’s when it meets his ears, those distinct words—ones he doesn’t know will haunt him just yet—I want to feel you inside me, Peña.

It unlocks something—floods him. Taking in a breath before he glides in, burying himself in you, right to the hilt, going deep.

He revels in your tightness. The way you gasp at the feel of him—fingers digging, scrunching them into your sheets, before he wrenches you up off your hands, needing your back flush with his—a move he realises, painstakingly, he’s done before.

Softening his palm anchored on your hip, lips pressing to your jaw—the other hand busy feeling, enjoying, basking in how you swallow against his palm on your neck.

“You like that, princesa?”

You moan as his hips snap, taking him so well, so perfectly—a thing he tells you, a rush of good girl, good princesa taking me like this. And he expects a bite, a flurry of insults—an exchange that would mean this would shift from stress relief to hate fucking.

But it never arrives. Instead, it’s a barrage of chants, all yes, please, yes, painting the shitty room—giving the crumbling paint something to be disgusted at, other than its own despair. The metal legs of the bed squeal against the floor, the headboard hammering, and cluttering, leaving a mess of years of repainting along the cheap flooring.

“Take me so well. Y’know that?”

Fingers just above your collarbone, pressing, feeling your head resting on his shoulder, eyes seeking his, determined to locate them and take something from him for it. He lets you. Briefly, just enough.

“Harder, Peña,” you hiss, shoving it out through clenched teeth, blinking, breaking the eye line.

“Javi,” he hisses deep into your ear, hand sliding down between your thighs—above where the two of you are joined.

Thumb expertly swirling, tracing the letters of his name against your throbbing clit—the sound of his cock fucking into you growing louder, sloppier. Arm thrown around your waist, feeling the way your skin is sheened in sweat, practically a mess from head to fucking toe, all because of him. Crown slid, shattered in a thousand parts across the floor, because of him.

A realisation that almost nears him to the edge, to bursting, to emptying inside your perfect fucking pussy and stuffing you full of him.

Teeth gritted together, jaw tight as he peers at the place your bodies join—watching, in admiration, as you take him, suck him in, barely let him able to leave your tight pussy as your heart hammers against his forearm.

“When I’m doing this to you,” he grunts, teeth pinching at your ear, your hand gripping his wrist—thumb still swirling, the A and V being a favourite from the way you clench around him tighter, and tighter, “You call me Javi.”

It undoes you. It ripples and then bursts through you—clenching all around him, tightening, squeezing him until his vision blurs and your name curls somewhere on his tongue, all set to be spat, spoken, even fucking whispered. Somehow able to swallow it when it unfurls through him, when it shoots up his spine and surges through every nerve and muscle.

The two of you collapsing against the shitty mattress, the squealing bed, as you turn in his grasp—lips finding his, burying words against him, only soft murmurs finding his ears.

He’s hard to avoid.

More so, when a part of you wishes to be a puzzle—a thing he cannot crack. Something that would take time to understand and figure out. Because then you’d be interesting, layered, something that could matter.

All of which, you suspect he knows when he kisses you after having his face buried before your thighs, tongue saturated in you, now licking into your mouth.

There’s something truthful in it, in the way his palm cups your entire jaw and chin, holding you, keeping you rooted for a few moments before you taste yourself on his tongue and can take note of what he’s done to you. For you.

Except, you don’t meet his eyes. Somehow fearful the space between your thighs has spilled all your secrets to him. Because he’s a connoisseur, likely gifted in being able to decipher the text on your inner walls. Hooked nose dragging along your slick core before coming up for air and seeing how ordinary you were, how boring, how average. He’s likely traced the pads of his fingers over the etchings of all the things that haunt your mind, the things that thrum and go bump in the fucking night.

But he comes back. Again, and again.

And you can't understand why.

You don’t ask either. Instead, you bury any of that against his tongue, and when it’s desperate to come out, a wish to ask him, you instead choose with fluttering lashes and parted lips if you can suck his cock. If he can fuck your throat, if he can stuff you full in one end before the other—

Words can’t escape if your tongue is occupied.

A thing harder to do in the day-to-day. As things around the place return to normal—other priorities sweep over and make people forget their sadness.

It’s why you’re not avoiding him, but you haven’t sought him out.

Too afraid of what you’ll confess when you’re not on your knees. A simple softening of his brown eyes almost forces words to rip up your throat and colour the air.

It won’t do any good. No words will. Not after waking again entangled in an empty sheet. All evidence of his presence gone except the littering of bruises on your hips and thighs and the mess between your legs.

It’s easier, less complicated to keep it like this—a thing you tell yourself as you brush your teeth and wash the leftover tang of him from your mouth.

Stress release, an undoing, an antidote to sadness and a bandage that allows you a moment to heal. You don’t judge him, because he doesn’t judge you either—not the first time, the second or the tenth. Because like recognises like—eyes deciphering how you’re not that different from him.

On the surface, you may pretend to be. Layer secrets and annoyances on top of the other, until it slips into something perfect—a mask, one that any of them can’t peer through and see that you see them all. Because working here is more than hard, it’s more than difficult and often rough.

It’s mornings with your forehead resting on your door wondering if you have it in you and moments alone in dark corners silently wiping away tears.

Most people don’t see your brain, your skills all too quickly forgotten, discarded on the same bit of paper the rest of your history lived when you approached for the role.

You reckon he sees you.

Not because you hoped for it—or because of some teenage fantasy. But, because of the way he looked that night at his desk. Not surprised, but confused as to why you were mainly pushing paper, why you weren’t based where he was, doing what he does. All questions you’ve asked yourself late at night, when your mind doesn’t stop ticking, stop whirring.

You suspect he ticks too. Another thing in common.

While he may have begun his dalliances to gain words, secrets, and stories, you have come to recognise it’s more than that. You know he knows all the names of them—likely lingers in their room. Offering them more than a good time and some money, but something he seeks from them too—companionship, a moment where he’s not DEA and rather something akin to a lover.

From the way he holds himself, Javi doesn’t think he shares that information. But it rolls from him in constant waves when he lights another smoke and drowns his throat in whatever is in his mug. He likes to think he’s effortless and austere, all too weighed down, while being complex, brilliant and wonderful.

It’s why you had wanted to fuck him. Why you had fucked him.

Because, objectively, he is beautiful. All soft in places and firm in others; he has scorching eyes and can offer searing touches. But, under all of that is what made heat blossom up your spine and commanded your thighs to press together for relief.

The way he thinks. The way he shifts his jaw from side to side and traces his finger down the length of his nose. It’s the way he holds himself when he doesn’t have to hold himself at all that makes you want him.

As it makes you feel less alone.

Less like an oddity in how you need to carve your nails into something. Your palm, other people’s flesh; wood, your sheets. All of it just so you become grounded, so there was pain, so there were feelings, so you didn’t float off or drown in a sea of mistakes, regrets and guilt.

It was a combination of both that floating and drowning as to why it happened that first time.

It had been a simultaneous tangling of limbs, a battle, a war both of you attempted to claim—a fight with your mouths, thighs, hands, tongues and bodies. Only stopped when you were both slick with sweat, the tops of your thighs coated with him and your breaths laboured. Your ear to his chest, hearing it—the way he beats, the way he lives. How blood rushes through him, all alive, real, not a fabrication.

Now, though, it’s different.

The grief is lessoned, yet you still find yourself pretending it's as rife as that first night.

A compromise, an opportunity to pretend that’s the reason the two of you do this. When in truth, the reason you don’t judge him, is because you too use sex to feel something. Needed it to claim something, prove something to yourself—that you’re desirable, attractive and fucking wanted. That you’re more than a sharp tongue and a brilliant mind, more than compliments through your way that never land—

That you’re worthy of being fucked to the point you cannot walk straight.

And, he does that so well, twists you, bends you—makes your ears ring with how attractive you are, how good you are, how perfect. A sin that rages a storm in his dreams and a thought he can’t silence.

So you avoid him. Fearful that you no longer wish to feel worthy of being fucked, but be worthy of being fucked by him.

And then he finds you instead.

Palm shoving open the file room door, all loud, like an announcement, before he lets it click into place. Allowing the air to tighten, to squeeze—all so thickening—before he’s charging, so much so the breath is knocked from your lungs with far too much ease when he flattens your back to the wall. The dust blowing from the shelves next to you from the sudden movement, the room quaking, shaking and fucking trembling as his brown eyes flick from one eye to the next.

As though he’s seeking something out.

Some truth, perhaps? A reason, a rhyme.

He splays his fingers across your hip, a hiss trying to escape from your pursed lips as your body threatens to betray you—wishing to curl into him, feel him flush, all warm and easy to escape to. Then, the other finds a home on the wall beside your head, no place to move to, to go—not that you fucking want to.

“I don’t fuck in file rooms, Peña.”

He doesn’t miss a beat. All well-versed, practically a library of quick retorts. “Where do you fuck then? Just your room?”

Surrounded by him, in all the ways that could torture. Nose smothered in the scent that is unabashedly him; eyes unable to look anywhere but him. Slowly, bothersomely, he begins to easily unpick the carefully placed resolve, practically cracking through like it was made of paper and not woven each night as you attempt to stop thinking about him.

Sometimes, it’s easier to think about him.

To snake your hand inside your underwear and ride your fingers with how much you loathe how good he feels. His name is both a curse and a fucking blessing on the tip of your tongue when you come—heat licking up your spine, washing you in something you suspect should be a shame.

But it never is.

Because it’s an exchange, a two-way thing. He doesn’t tell you he likes your hair and you don’t tell him you fuck him so you don’t think.

Instead, you leave that, fold it up, and make it as small as it can be, before you undress for him. Then you fixate on his eyes, on the darkness, the way his pupils swallow the colour you know all the flecks off. You stare, because you hope to see yourself in them—an outline, a shadow, evidence of living, remaining, not chipped away until you’re just stiff work attire and coffee. Something, anything—

Especially when you’re bare. When he stares at you like you’ve been carved for him, by him. When he makes you feel weightless and also like you are never allowed to be anywhere but right here.

It’s an illusion though. A trick of your mind—a delusion where want, need and hope all blend into a concoction that is sold in pink bottles and smells like fruit.

Lifting your chin, you want to chill your eyes and harden your expression. Neither happens.

You’re thrown from your axis, deep brown managing to shroud you, make your mind empty, clear.

“We don’t have to fuck,” he continues, letting it slide from his tongue—slither out, practically hissing. “There’s plenty of ways I can make you moan.”

“I’m sure there is. You’ve paid for the practice, after all.”

His chuckle does nothing to stem the fire—the one out of control somewhere in the pit of your stomach. Clothes suddenly uncomfortable on your skin, your earlier standpoint waning, thinning to the point of transparency.

“Yeah, but I bet you’ve been getting off to thoughts of me—us. How fucking good we are,” he retorts.

Your face blanks, and you hope it’s unreadable.

Because you already have witnessed how skilful he is. Had the unfortunate pleasure of seeing him hold his desk phone since, how he grips his gun, marvelling at the memory of how his fingers feel inside of you, both long and thick. How they engulf yours, practically able to grasp both your wrists in his one hand if he wishes.

But, from the glint in his eye, he’s seen you. Already solved you—cracked you.

“You only had to ask, princesa. Would never leave you wanting.”

You snarl. And it’s that which forces your lips to crash against his, steal more lines from his tongue and tease his mind. Ridding him for once, shaking him empty as your hands clutch the sides of his cheeks. Thankful, more than you care to fucking admit, that his tongue slides past your lips, moves past the back of your teeth—accompanied, and wrapped with it, a groan that vibrates down to your oesophagus.

Bodies pressed together, his mouth slanting over yours as though he’s been wishing to do this for as long as you have. Dizzying, heart-stopping—that’s what kissing him feels like. That’s what indulging feels like.

“I don’t like you.”

Smirking, he runs it over your swollen lips, traces his confidence over your mouth. “Your pussy does though.”

His hand moves, snakes between the two of you—fingers proficient, unwavering from their mission—undoing your trousers, zip sliding down, cutting between the silence as your mouths part, lips ghosting, breaths twisting together in the small gap.

The space is filled with a moan when his hand slides inside your underwear, fingers brushing the delicate nerves that make his name illuminate in your head like it’s been spelt out in light—in candles.

“See? Soaked. Drenched, aren’t you, princesa?”

Your head spins, legs weaken. Body betraying you as it rocks against his movements, curling, craving—desperate and hungry. Because you knew it would be good, that he’d be good. There’s no smoke without fire, and there’d be no discussion over shitty baked cake and decent coffee about his skills if he weren’t best-in-class.

“So fuckin’ needy for me, aren’t you?”

It’s there, ebbing on your tongue, yes, yes yes.

And fuck, you didn’t have him down to be like this. To have you at his mercy, practically dumbfounded, his name and a yes the only things you know, think or say. It falls, rolling from your tongue before his lips busy yours. Kissing you as if he’s starved, as if he wishes to coat his tongue in the way you moan against him—his hand getting slicker, coated in your faux hatred and practised indifference that holds no weight now.

Because you want him. Would gladly let him spin you around and, press your face against a case file box and kick your legs apart. You’d beg for it, want him to hold your hands behind your back as he spears his cock in and out of you, not giving a single fuck that someone could come in—

“Stop thinkin’ about what I could do to you, and more what I am doing to you.”

His eyes on you, blown, full of lust and shimmering with a desire that embeds into your skin until it reaches a whole new temperature. Your tongue is heavy and thick, as your throat struggles to swallow.

If anything, it proves he can listen—just to what he wants. And apparently, that is you. Making it flicker, it suddenly impending, slamming itself onto the track with a focus on its station.

“Think y'like being naughty and letting me do this here.”

Your nerves ablaze, legs quaking as your trousers slide a little further past your knee, pooling at your ankles—his breath dancing across your neck and little hairs.

In vengeance, you nip at his lips, charming kisses that leave him chasing—breaths tangling, teeth biting your bottom lip as you tilt your head. But, he’s resilient, unwavering, hand all but burning inside your underwear, fingers rough, middle and trigger finger calloused and pressed against your swollen nerves as you dig your toes into your shoes so you don’t unravel.

So he doesn’t get to have this so easily.

He knows.

You know he does. Likely knows your brain is firing, tension building, muscles all but quaking in faux-determination. Just barely present to hear what he whispers, but you know it pushes you over.

Gently guides you over the edge as your hips still, throat hoarse as it whispers moans, falling, descending from you as you quickly lose control. He makes you feel alive, full of electricity—blood pumping in your ears as he tastes the way you moan his name. Waves hammering against you, suddenly needing to crash, and they do, they do—

“Fuck, I love making you come.”

His chest rising and falling, pebbled sweat on his brow as he retracts his hand, offers a finger to you—finding you wrap your mouth around it, basking in how he says you’re his good girl.

You suppose that’s why he ends up at your base door past midnight—a silent exchange, a non-verbal promise.

Him and you. You and him.

A brown bag in hand; corruption and a need to not sleep present in his eyes. Drinking you in, lingering his eyes up and down your frame—a sheet clutched against your chest.

You suspect he knows that under this thin fabric, its lace, all ready to be snapped, thrown into some corner, the places they sat covering replaced by the wet expanse of his mouth.

It’s why you let him in, mouth conjoining to his, hearing the door slam behind him as you ruck the leather from his shoulders, down his arms, floor.

“He estado pensando en ti toda la noche.”

A part of you knew he’d come—sensing it. Dressing for the occasion, sliding the lace into place.

Because you know him as much as he understands you.

It’s why you smile, if only to yourself, when he spreads your thighs, coats his cock in your want, and sinks deep into you, rectifying all that is wrong, groaning into your neck as you feel thankful for being full again.

He shouldn’t think you’re a vision, but he does.

Javi learned it quickly, but ignored it at a speed faster than that. Not wanting to be in awe, not wanting to allow himself the chance to think of himself worthy of it.

Except, he’s forever salivating for more of you—desperate for another chance to taste, to hear how your whimpers sound, feel the way your fingers card through his hair, gripping, twisting, pulling.

If someone asked him, he’d confess it on his knees that it’s all he’s thought about. The way your nails feel, how your skin feels. The noises—fuck, the noises you make—and the way your eyes glisten, shimmer, bloom and explode with fucking desire.

“Javier…”

I know, he soothes. The sheet ripped from between the of you, discarded, removed from play as your fingers work his buttons open—more and more skin appearing until he can feel the warmth of your body, your tits against him, nipples peaked as the back of your legs meets the bed.

He’s surprised at the ease you fold for him. Dragging him down, and then you’re under him. Obedient, waiting, needy. He knows it. You know it.

Just like it’s probably obvious that you make him want. That he’s ticking, watching you, unable to tear his eyes away, more so since the other night. Your face close, eyes on the file, cogs turning, brain firing on all cylinders—and when you’d slid your eyes over, he hadn’t been able to not drop his sight to your lips.

The same way he suspects you hadn’t been able to fight doing the same yourself.

It’s why he fucks you with an increased pace, skin slapping, moans more deranged than usual. The drenched fabric between your legs pushed to the side as he drags moan from your lips, wringing them out, stuffing them into some cabinet in his mind that he only opens when he can’t have this, you, writhing, squirming as he fills you to the brim, stuffs you.

“Gotta taste you.” His tongue slides a line down your breastbone, eyes on you, fixated, waiting. “Can I?”

He’s fucking grateful that you nod. Moving, sinking to his knees on the hard floor of your base room—cock hard, dripping, all but throbbing and practically fucking angry. Fingers teasing the fabric, his mouth latching, lace and the taste of him and your desire singeing on his tongue.

And you’re heavenly—a rolling thought which appears as he licks, hearing you react, capturing it all, pocketing it.

Waiting, and waiting, until he feels it—you carding your nails through his hair, tracing lines you likely already suspect others have walked themselves. He wonders if you’re thinking it must be nothing new, nothing out of the ordinary for him, except it was, is.

Because it’s you, they were your fingers—your nails. The ones that type up his reports these days because he can’t type for shit, now typing a story into his scalp, leaving a tale for him to decipher when he tried to sleep later.

He doesn’t look up, too fearful of the sight that he’ll find and never be able to rid of. He keeps his head buried between your thighs, focused, panties still hooked on one thigh, hanging there, pointless and occasionally catching on his palm as he grasps and squeezes your leg. All focused, moving his tongue, working it on you, in you, as though attempting to sort out a kink in the chain—attempting to unravel you in the same way he has done others.

Except, Javi learns, you’re not like them. You’re not something linear, you’re not easy to understand, and there’s no transaction at the end. You’re more than a concept, more than a thing he can undo and figure out just with his tongue, but fuck, he’s sure you would let him try—or at least, he hoped you would.

Right now, he’s enamoured with a task that he finds more rewarding than asking: making you come.

Tongue sinking in, tasting you, coating all of his mouth that he can with you as your hips buck into his face. Nails all perfectly manicured and in a lighter shade than when it was wrapped around his cock last week, drag through his hair. The air punctured with his name—all Javi and Javier’s, not Peña’s and Putas.

He wonders as he spells it on your bundle of nerves, whether you feel it too. This thing—this pulsating, breathing, existing thing that is there all on its own.

A click of his jaw when you laugh at someone else; a flex of his fingers when he finds you in the heart of danger.

Javi reflects—thinks.

But then it goes, fades from mind like dust when you tug on him to move closer, so close your thighs are trembling—likely dangling on the edge of release.

“Need your cock, Javi.”

He doesn’t think about feelings, emotions or the flame he carries for you again—not until you’ve left, leaving him alone, sated, the memory and scent of you being all he has.

The base of his palm presses against his forehead, kneading, cigarette billowing in his other hand because it’s all a fucking mess. From the fact that the fantasy has turned into a reality; the dream has coloured itself until it has become true.

He knew this was real, not concocted by some blackened part of his imagination looking for an escape because you say his name more sweetly than you do in his reverie.

It’s a secret—not known, a thing kept unseen. His walls and sheets know, but not a living soul. And he suddenly wants to change that. Says so much as he moans that you’re mine.

Eyes widening as they stare down at him, hands poised on his chest, hips steadying as you remain seated—filled with him, tits slowly not bouncing.

So he repeats it, “You’re mine.”

No question, no ask.

Watching you swallow, painted in yellow-light which makes the sweat shimmer like glitter.

Rolling your hips, you hold his gaze, consider it, likely question your own goddamn sanity. But then you say it:

“Yours, Peña. I’m yours.”

And he knows he liked it. More than he’ll ever admit. Coming so hard and so quick inside of you once your mouth has twisted into an O and your nails have branded lines into his chest. Hearing it, over and over as he spills into you, relishes in it.

It’s only after, when Javi runs his knuckles along the underside of his jaw, thoughts populating, appearing and popping like balloons, he realises he doesn’t just like it.

It’s more than that.

And that’s why, more than he likely should, he wished he’d asked you to stay. To remain beside him. Let him hold you and make your morning a little better.

Javi could ask. Could half-dress and hammer his fist on your door.

But he doesn’t.

There’s always next time, though.

an: grins wickedly, thought i'd try something new.

#javier peña x reader #javier pena x reader #javi peña x reader #javier peña x reader smut #javi peña x you #javier peña x you #narcos x reader #javier pena x you #javier peña smut #javi pena x reader #narcos javier x reader #narcos javier #pedro pascal x reader #narcos fanfiction #pedrostories #javier peña fanfiction #pedro pascal characters fanfiction #pedro pascal characters #pedro pascal fanfic

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wlwcatalogue · 10 months ago

Text

Some WLW (?) Jdrama & Kdrama recommendations!

Jdramas and Kdramas have a (not-entirely-unearned) reputation for being very straight, but here are a few which are either canonically F/F or which prominently feature a female-female pair-- please enjoy! For those who enjoy following series in real time, Chaser Game W and She Loves to Cook, and She Loves to Eat S2 are both airing this January 2024 :)

As with my post on anime with yuri subtext, since subtext is so subjective, this list only includes series which I’ve actually watched, and so is by no means intended to be comprehensive. Also, it doesn't include any webseries, since those probably deserve a post of their own.

At-a-glance list:

Miss Sherlock (8 episodes, 2018) (subtext)

Night Light (20 episodes, 2016) (subtext)

Tokusatsu Gagaga (7 episodes, 2019) (subtext)

Painter of the Wind (20 episodes, 2008) (canon?)

She Loves to Cook, and She Loves to Eat (10 15-minute episodes and counting, 2022~) (canon)

Sono Toki, Heart wa Nusumareta (5 episodes, 1992) (canon)

Chaser Game W (10? 30-minute episodes, 2024) (canon)

Doctor X (7 seasons and counting, 2012~) (subtext)

Bonus: SKY Castle (20 episodes, 2018) (subtext)

Summaries under the cut!

1. Miss Sherlock / ミス・シャーロック (8 episodes, 2018) (subtext) – MyDramaList | AsianWiki

The elevator pitch for this show is simple: it’s Sherlock Holmes, but where Holmes and Watson – here named “Sherlock” and Tachibana Wato, and played by Takeuchi Yuko and Kanjiya Shihori, respectively – are both female, and the cases are all set in modern Tokyo. As with other adaptations, mystery-solving and the budding relationship between the two leads takes centre stage, but Miss Sherlock manages to carve out an identity all its own.

There’s a calm beauty to its visuals, which favour sunlight and urban greenery, and the show’s focus on former doctor Wato as she tries out new jobs and goes to therapy means that there’s a surprisingly high number of slice-of-life scenes. It’s also subtly more female-focused than the source material; Sherlock’s gossipy but good-natured landlady Ms. Hatano (Ito Ran) is as much a member of the household as Sherlock and Wato, and the cases often revolve around female characters. But more than anything, it’s just really fun to watch Sherlock and Wato’s relationship bloom as they snip and snipe and are utterly unable to stay out of each other’s space (literally – the body language and blocking is *chef’s kiss*). Their relationship is the heart of the show – watch this one until the end, you won’t regret it!

(CW: psychological abuse, manipulation, and genre-typical murder, violence, and gore)

2. Night Light / 불야성 (20 episodes, 2016) (subtext) - MyDramaList | AsianWiki

(Note: spoilers for the mid-season twist, but it’s impossible to allude to a good portion of the F/F subtext without doing so, and I think knowing the twist ahead of time doesn’t make it any less enjoyable.)

Night Light is a rather odd show. It’s simple enough on the face of it, a story about successful but ruthless CEO Seo Yi-kyung (an icy Lee Yo-won) who tries to mold the younger Lee Se-jin (a puppy-eyed Uee) in her own ambitious image, only for her protege to develop the conscience she never had and move to stop her dastardly plans… but upon watching it’s a totally different creature, thanks to the alchemic reactions of some delightfully contradictory acting choices (Uee’s performance convinces viewers less of Se-jin’s supposed latent desire for power and money, and more of a deep love and devotion for the CEO) and the unintentionally (?) inneundo-laden script (“If I like something once, I never forget it– whether it’s a dress… or a person,” declares the CEO less than ten minutes into the first episode while gazing intently at Se-jin).

Honestly, it’s a wonder this series ever got made, but you certainly won’t see me complaining! The first part is full of boss/subordinate goodness; Se-jin is unable to resist the CEO’s magnetic pull despite her hot-and-cold behaviour, while the CEO cannot bring herself to push Se-jin away completely. And then, when Se-jin makes her mind up to stop the CEO, it morphs into a corporate take on a (subtextual) lovers-on-opposite-sides situation, where it is precisely Se-jin’s feelings for the CEO that motivate her to stop her. In short, it’s a workplace GL fan’s dream.

Note: If you do watch it, skip the corporate politicking cutscenes with the old men, you’ll thank me later. Also, there’s a prominent male character who is the CEO’s ex and who works closely with Se-jin in the second half, but don’t worry, all the M/F romance is in the past (and doesn’t get much screentime)– he and Se-jin aren’t interested in each other at all.

3. Tokusatsu Gagaga / トクサツガガガ (7 episodes, 2019) (subtext) - MyDramaList | AsianWiki

Nakamura Kano (Koshiba Fuka) lives and breathes tokusatsu shows (think Power Rangers, if you’re not familiar), but keeps it a secret from her work colleagues to avoid being shunned or laughed at. And yet she yearns for connection, so when she sees a woman on the subway bearing a keychain from her favourite show (Yoshida Hisami, played by Kurashina Kana), she is determined to find her again.

Although ostensibly about being a tokusatsu fan as an adult, this show is rife with queer subtext, and not in the usual way. It deals with the difficulties of staying in the closet (regarding being an adult tokusatsu fan), the desire to connect with other queer people adult tokusatsu fans and how one might do so through hints and signals, parental disapproval arising from gendered and social expectations (that tokusatsu shows are for boys, and magical girl shows for girls), intersectionality and finding comradeship with other minorities people who are excluded due to their interests, and even generational gaps wherein younger queers fans may underestimate the obstacles that still exist. Although all that might sound a bit stressful, it isn’t actually! Difficult incidents are handled with sympathy and a dash of wry humour, and the show never loses sight of the fact that it – above all else – is a story about finding queer community in the face of a heteronormative hostile world, told with warmth and the nuance of lived experience.

4. Painter of the Wind / 바람의 화원 (20 episodes, 2008) (canon?) - MyDramaList | AsianWiki

Adapting the novel of the same name by Lee Jung-myung, Painter of the Wind takes as its protagonist a gender-bent version of real-life Joseon-era painter Shin Yun-bok (Moon Geun-young), whose paintings are used to weave a tale of artistry, political intrigue, and romance, and more than anything else to offer modern-day viewers a glimpse of everyday life in 18th-century Korea.

While it may sound like Dickinson’s boring cousin, apart from having a common preoccupation with reframing historical works, another similarity the two shows share is that Painter of the Wind is also very gay. Starting from the first episode, Yun-bok meets and becomes fascinated by the courtesan Jung-hyang (Moon Chae-won), who despite her initial aloofness is drawn to Yun-bok’s intellect and sensitive demeanour. It’s a real meeting of the minds, their witty repartee in early episodes reminiscent of Twelfth Night’s Viola and Olivia, and their relationship isn’t siloed off from the main plot either: Yun-bok’s infatuation quickly starts causing issues with her academic career, and the two eventually have to contend with Jung-hyang’s precarious position as a courtesan as well.

Unfortunately, all this is undermined in the back half of the show, which tries to gaslight viewers into thinking that Yun-bok’s feelings for Jung-hyang were purely platonic all along and that she totally has romantic feelings for her much older male mentor— but hey, at least it’s an open ending. Despite everything, though, I can’t think of another serious historical TV show which features such a prominent F/F narrative for its main character, even nearly two decades later. (Let me know if you have any others! And no, Gentleman Jack doesn’t count, it’s not exactly traditional in style!)

(CW: period-typical sexism)

5. She Loves to Cook, and She Loves to Eat / 作りたい女と食べたい女 (10 15-minute episodes and counting, 2022~) (canon) - MyDramaList

Based on Yuzaki Sakaomi’s manga of the same name, this simple but sweet show follows home-cooking extraordinaire Nomoto Yuki (Higa Manami), who yearns to cook large-scale dishes but doesn’t eat enough to justify making them. Luckily for her, her neighbour Kasuga Totoko (Nishino Emi) has a massive appetite!

It’s always lovely to see more grounded stories about working women, especially when they’re as cute as this one. Though it touches upon some slightly more serious issues, such as with regard to gendered expectations surrounding food and cooking, it’s primarily a feel-good slice-of-life show about two women getting to know each other by cooking and eating delicious food together.

Side note: if you’ve started it and think the show doesn’t look cosy enough, stick it out for a few more episodes, the production values improve after the first part! Also, the series was renewed for a second season with double the episode count (for a total of 20 episodes) which will start airing on January 29th this year, so this is the perfect time to jump in!

6. Sono Toki, Heart wa Nusumareta / その時、ハートは盗まれた (5 episodes, 1992) (canon) - MyDramaList

Sono Heart, as it’s nicknamed, starts off as a typical heteronormative high school romance: bumbling protagonist Shiina Hiroko (Isshiki Sae) is desperate to get closer to her crush Katase Masato (Kimura Takuya), star of the school basketball team and all-round nice dude. However, a spanner in the works comes slouching along in the form of female classmate Aso Saki (Uchida Yuki, in her debut role), a mischievous, short-haired personification of trouble who Katase turns out to have feelings for. One day, Hiroko gets into a fight with Saki, and they end up having to stay together after school as punishment. But that afternoon gives them the opportunity to bond over a heart-to-heart conversation, and things seem to improve… until, just before leaving, Saki kisses Hiroko. And then everything changes.

Or rather, everything changes eventually. What’s great about this show is that it doesn’t take shortcuts: Hiroko doesn’t instantly fall in love with Saki. Instead, what you get is a surprisingly layered portrait of a high school girl whose coming to terms with queerness is merely a natural extension of reckoning with her burgeoning sexuality. And, because Saki is self-destructive in her depression and makes a game of belittling, worrying, and infuriating anyone who cares about her, it’s really a story about what it means to love another person rather than a romantic ideal. A word of warning, though: Katase is actually quite a large character, as he and Hiroko end up becoming friends. Also, the ending is very abrupt and inconclusive, though rest assured that it doesn’t try to roll back Hiroko’s feelings, or pair either girl off with a guy.

(CW: self-harm, attempted suicide, bullying, homophobia, underage drinking)

7. Chaser Game W: Power Harassment Boss Is My Ex-Girlfriend / チェイサーゲームW: パワハラ上司は私の元カノ (10? 30-minute episodes, 2024) (canon) - MyDramaList | AsianWiki

Probably jumping the gun here as only two episodes have aired as of writing, but I feel honour-bound to recommend this as it’d probably appeal to a lot of people, if only they knew about it! Chaser Game W is a standalone spin-off of Chaser Game, itself an adaptation of a manga of the same name by Matsuyama Hiroshi and Matsushima Yukitarou, but you don’t need to know anything going in.

Protagonist Harumoto Itsuki (former Keyakizaka46 captain Sugai Yuuka) has been assigned a new job: her company has been asked by a Chinese conglomerate to develop a game adaptation of a GL manhua, and she’s been tapped as the project leader. However, what appears to be an exciting prospect soon becomes a terrifying one, as the person sent by the client to supervise turns out to be her ex-girlfriend from university (Lin Dongyu, played by Japanese actress Nakamura Yurika), who is now married to a Chinese man (played by a Japanese actor) and has a child, but remains hell-bent on exacting revenge on Itsuki for their bad breakup. This is a romantic (melo)drama rather than a psychological thriller, though, so you won’t be watching Itsuki getting terrorised the entire time. While she is understandably upset by her ex’s current behaviour, Itsuki can’t forget about their happy days together, and Dongyu herself veers between being a sneering bully and craving Itsuki’s affection.

Do note that the show isn’t without its flaws: it’s very Japanese about the Chinese thing, which is to say it’s filled with comments which range from somewhat offensive to borderline racist, and the script will probably give you a headache if you know even the slightest thing about game development. Your mileage might vary on the ex too, as she can be really quite nasty to Itsuki and her teammates. But if you can overlook those issues, this is a rare prize indeed: a TV drama focusing on a canonical F/F pair, who are specifically exes, and in a workplace setting.

(CW: bullying)

8. Doctor X / ドクターX (7 seasons and counting, 2012~) (subtext) - MyDramaList | AsianWiki

To be very honest, I was in two minds about including Doctor X on this list. It is, with a few notable exceptions, misogynistic and reductive in its depictions of women (especially in the first two seasons), gives too much screentime to objectively awful and subjectively annoying men, doesn’t respect the work done by medical personnel apart from surgeons, and on the technical front is formulaic, repetitive, and often lazy in its writing and presentation. Unfortunately, the dynamic between the genius surgeon protagonist Daimon Michiko (Yonekura Ryoko) and her anaesthesiologist wife partner friend Jounouchi Hiromi (Uchida Yuki) is almost unparalleled in its excellence.

The premise of the series is basic indeed: Daimon Michiko is a freelance surgeon with a healthy disrespect of rules and authority and, unluckily for her detractors, a cast-iron guarantee that she will succeed in any surgery, no matter how difficult. She’s initially portrayed as a lone wolf who’s dismissive of the entire hospital system and anyone who’s part of it— but her interest is piqued by the anaesthesiologist Jounouchi, who is skilled beyond her peers and chafes against the idiocy of her colleagues. For all its flaws, the first season – which is more serious and edgy in tone compared to the others, and isn’t an ensemble cast like the post-S3 seasons – is a fantastic depiction of two people being perfectly matched in skill, intellect, and outlook, and how they come together despite one being standoffish (Jounouchi) and the other not being used to reaching out to or even respecting other people (Daimon).

The seasons after that sadly ditch the emphasis on Jounouchi being Daimon’s professional equal, but in exchange offer up another rare and unexpected gift: two women in their late thirties / early forties who are partners both at work and in private. Jounouchi is Daimon’s designated anaesthesiologist, assisting with nearly every surgery, and she spends so much time at Daimon’s agency-office-slash-house you’d think she’d moved in. Also, after a point they just start being wonderfully dorky and comfortable with each other, while still being consummate professionals in the operating theatre. Although the show is very much focused on Daimon Michiko as its sole protagonist, Jounouchi is undoubtedly the character most significant to her – even more than Daimon’s father figure, the head of the freelance agency – and this is highlighted in the story from time to time. They are very, very good. I just wish the series was better.

Note: If you’re curious, I would recommend watching the very first episode in full– by the end you should know if you’re invested enough to continue, otherwise drop it and live in the happy knowledge that you dodged a bullet. If you aren’t so lucky, I’d advise skipping the surgery segments when they start to bore, and in general to skip liberally. Also, season 4 is not worth watching as a whole, except for the last two episodes, which absolutely should not be missed. Sigh. I can’t speak to seasons 6 and 7, due to having paused mid-S6.

Side note: If you’ve watched Doctor X already and liked it (or at least like Daimon and Jounouchi), but haven’t tried Miss Sherlock yet, definitely give that a go because there seems to be a big overlap in the fandoms. Maybe it’s because they both feature a genius protagonist, have the two largest female characters being work partners, and domestic vibes…?

(CW: sexism, genre-typical gore)

Bonus: SKY Castle / SKY 캐슬 (20 episodes, 2018) (subtext) - MyDramaList | AsianWiki

(Note: slight spoilers for the early episodes, but it’s necessary in order to give a more accurate recommendation regarding the F/F subtext, especially as the show is not primarily focused on any one relationship.)

This one’s a bonus because unlike the others on this list, there’s no close relationship between two female characters which could be interpreted in a romantic light. That’s not too surprising as the show is all about the women of a several super-wealthy families trying to get their children into the top Korean universities (equivalent to the Ivy League) whilst supporting their husbands in the rat race: a decidedly heteronormative premise, albeit one that’s executed in an award-winning manner.

So why am I listing it? Well, it’s because somehow, in this series about heteronormative and highly gendered nuclear families, it features possibly the most erotically-charged dynamic I have seen, even taking season 1 of Killing Eve into account. (Though it takes some time to get there, so if you try it out, please watch at least the first four episodes before making a decision!)

That honour goes to the problematic gem that is the relationship between the main character Han Seo-jin (Yum Jung-ah), who is willing to do whatever it takes to get her daughter into Seoul’s top medical school, and star tutor Kim Joo-young (Kim Seo-hyung), who is known for her 100% success rate. It starts off with a mild push-and-pull, when Han Seo-jin wants Coach Kim to take on her daughter, but is wary of the shady rumours surrounding her; the tutor stands firm, and Han eventually has to swallow her pride and accept the risks. Where it really comes into its own, though, is when Coach Kim starts to pose a legitimate threat to everything Han cares for: her daughter, her marriage (or rather, what her husband can give her), her position in the world. It becomes increasingly clear that Han should just walk away, and indeed she tries to do so many a time, only to bend in the end because the coach is key to fulfilling her dearest wish– and so to Han, for all she rages and resents and fears, Coach Kim is nothing less than temptation itself. This is the beating core of the show, and even as the plotting disintegrates and falls into melodrama in the second half, their scenes together still crackle with delicious tension every time. Watch it.

(CW: suicide, psychological abuse, child abuse, bullying, murder)

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zepskies · 9 months ago

Text

Series Masterlist - Take Me Home

Pairing: Beau Arlen x F. Reader

Summary: You are another lost soul at Sunny Day Excursions. You’re aiming to settle in Helena, Montana, where Beau Arlen is the new sheriff in town. But you both have a past you’re running from.

AN: Welcome to my first ever Big Sky series! This is set towards the beginning of season 3.

Series Tags/Warnings: (**18+ only!) Angst and grief/trauma, PTSD, canon murder mystery, eventual smut.

🎵 Listen While You Read: The TMH Music Playlist (YouTube)

Chapters:

Part 1: All of Her Days

Part 2: It's Not Right, But It's Okay

Part 3: Welcome Home

Part 4: A Past & Future Thing

Part 5: Not That Simple

Part 6: A Man or a Coward

Part 7: On the Edge of a Knife

Part 8: Take Me Home

Part 9: A Choice to Make

Series complete!

Bonus One-Shots:

A Good Man Is Hard to Find** When Beau starts pulling away from you and Emily during a very difficult case, will the pressure make or break your relationship?

A Crime of Passion** When Beau Arlen decides to “make it up to you,” he’s damn thorough.

S.I.N.G.** Beau wishes you’d take this self-defense lesson a little more seriously.

Echoes Beau has another rough night, but you help him face a harder truth.

Ko-Fi Me ☕

Join My Patreon 🌟

Big Sky Masterlist

Main Masterlist

Series Tag List:

Comment below if you’d like to be tagged in this series!

@kazsrm67 @letheatheodore @agothwithheavysetmakeup @jacklesbrainworms @foxyjwls007 @wincastifer @iamsapphine @simpforbuckyb @roseblue373 @brianochka @branj19 @globetrotter28 @hazel-eye-coffee-shop-girl-blog @ades106

@charmed-asylum @waywardxwords @deanwinchestersgirl87 @this-is-me19 @rachiem4-blog @sweettimelady @leigh70 @clinicallydepresso @emily-winchester @xiphoidbones @skoveu @nyotamalfoy @kmc1989 @deans-baby-momma @tabsluvsu @samanddeaninatrenchcoat @deanwanddamons

@antisocialcorrupt @lacilou @deans-daydream @deans-spinster-witch @agalliasi @venicesem @chriszgirl92 @lyarr24 @iprobablyshipit91 @ladysparkles78 @solariklees @lostin-jensenseyes @deansbbyx @candy-coated-misery0731 @curlycarley @sarahgracej @bagpussjocken @deanfreakingwinchester @chernayawidow

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circeyoru · 9 months ago

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Agajajkalobesbsj love the 2 part for unwanted soul but will we have part 3 for it ? Like meeting the other guys and them reactions when they found the reader is Alastor soul owner ?

Haha. Good question. There could be a part 3 about meeting the others. But I doubt they'll be learning that Reader has Alastor's soul. Despite everything, the canon stuff did all happen, namely Alastor threatening Husk when he said Alastor was also on a leash.

Here's the kicker. Alastor saw the word 'leash' as an insult to his love and devotion for Reader, hence why he's mad and snapped at Husk. What 'you don't know/understand anything about me' type of play here.

Another point is Alastor might see the fact as his soul not being his to own as a weakness to you, like he's not strong enough when we all know he is. It's others' reaction that he doesn't like. An example is someone reacting negatively to Alastor's soul not being his or like how Husk phases it as 'leash' just doesn't have a nice ring to it.

So that's why Alastor wouldn't let others know. Plus it's a secret only for the two of you, yeah?

Now for Reader. Reader definitely wouldn't announce to people that they have an Overlord's soul to push around, especially when that Overlord is Alastor. Even more so when Alastor is that possessive and obsessive toward Reader. Red flags as far as the eye can see. This Reader, Page Demon, loves simplistic and telling people about owning Alastor's soul is just an invitation to trouble from all directions. Reader here collects knowledge and information, so Reader is also well aware of what this information can bring.

Briefly, here's your scenes in the pilot and Season 1:

Pilot: You watched the advertisement of Charlie's hotel and send Alastor over to the hotel. (behind the scenes: Alastor settled in and contacted you via the radio and you two chatted for a while) Episode 1: (near the end) You saw the news that the exterminations are happening again in 6 months and questioned Alastor what happened, to which he told you it happened after Charlie went to the meeting in place of Lucifer Episode 2: You contacted Lucifer and asked if he knew about the exterminations, he had no idea. When you returned home, the radio and TV was playing Alastor and Vox's little spat. Afterwards, Alastor contacted you to brag and you listened while reading Episode 3: Alastor told you Carmilla's secret that she killed an angel. You allowed Alastor to see you this one time as a form of 'reward' Episode 4: Alastor comes over and you two enjoy your time together. While you also try to figure out how angels can be killed Episode 5: Lucifer comes over to complain to you about Alastor and Charlie's over-reliance on Alastor, but he leaves just as Alastor starts to contact you through the radio. Alastor gets pissy about Husk using the word 'leash' to describe his relationship with you while you said there's nothing going on. Alastor whines even more that you can't watch your newest show Episode 6: Alastor tells you the extermination will target the hotel first and asks what you want to do. Your order's the same: keep the hotel up and running, aid in the princess' wishes Episode 7: Rosie nearly reveals you to Charlie but shut up about it when Alastor shook his head before Charlie can see. (behind the scenes: Rosie asks about you and Alastor happily says that he's working on the romantic relationship, Rosie gives more advice) Episode 8: You basically showed up to show the battle take place, but ended up joinning. Read part 2

Note: I think that's all. Any questions?

{Unwanted Soul} = Requested

[Yandere!Alastor x Owner of his Soul!Reader] Part 1 — Poll — Part 2

Masterlist

#Circe's Nighty Writings #Circe's requested writings #alastor imagine #alastor x reader #alastor x y/n #alastor x you #hazbin hotel #hazbin hotel alastor #alastor headcanons #hazbin hotel fanfiction #alastor #hazbin hotel oneshots #yandere alastor #yandere alastor x reader #yandere hazbin hotel #alastor fanfiction #hazbin hotel imagines #Unwanted Soul

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epicbuddieficrecs · 2 months ago

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Weekly Recap | September 9th-15th 2024

10 days until season 8!!! 👀

I'm gonna try and put together a rec of my favourite post-S6 and 7 fics before S8 starts!

If you know anyone who isn't tagged, please let me know and/or tag them in the comments!

Complete

everything comes out teenage by Wildehack (tyleet)/ @wildehacked (First Date | 1K | Mature): “Hey,” Buck says carefully, remembering how he felt when it was his turn on Eddie’s side of the table. “You doing okay over there?”

Loving You is Easy by actualalligator/ @actualalligator (Post-S7 Spec, Getting Together | 1K | General): Nothing good happens after 9:30, Abuela always said. Sometimes good things do happen after 9:30. Sometimes they're important too.

how to slay a dragon by 42hrb/ @exhuastedpigeon (Post-S7 Spec, Getting Together | 2K | General): Buck didn't know what to expect when he walked into the Han house. He definitely hadn’t expected to see Eddie sitting on the floor with Jee in front of him carefully french braiding her hair. He also hadn’t expected Eddie to be wearing a pink sparkly tiara. He definitely hadn’t expected Eddie to smile up at Buck when he saw him with soft eyes, eyes that didn’t feel like looking into an ocean of sadness, and carefully tie the end of one of the braids he was working on with a little bow. If Buck had ovaries he was pretty sure they would be exploding.

Here's the Punchline... by misterbabygirl (Getting Together, Post-S4 | 2K | Teen): OR: The 118 find out about the will and start a running joke about Eddie being careful otherwise Buck would end up as a single parent. Eddie tries to make the same joke.

be someone by bucksclipboard/ @excuseme-greentea (Post-S7, Pre-Buddie | 2K | Teen): A call leaves Buck wondering if he’ll ever be a parent. Not just a donor, a dad. A great dad. Chimney tries to convince him of his qualities – and Eddie has a hard time staying quiet. or: eddie thinks buck already is someone to chris

encounters closer and closer by lecornergirl/ @clusterbuck (Outsider POV, Media Fic | 2,5K | Teen): OR: a group of friends asks the question what's the deal with buckley and diaz?

the clarification of equilibrium by Maira/ @carrierofthepaperclips (Post-S7 Spec, Jealous Eddie, Getting Together | 3K | Teen): “He leaned?” “Exactly. You know,” Eddie waves a hand. “Leaning.” Buck blinks. He knows he isn’t that drunk, but it honestly feels like he is. “You keep saying that word. I don’t think it means what-” “Leaning, Buck!” Eddie is clearly frustrated that Buck isn’t getting what he’s trying to say, but for two people who are usually on the same wavelength, who are often (lovingly) mocked for their ability to communicate without saying a word, Buck is hopelessly lost as far as this conversation goes. * ... or, the one where Eddie gets jealous about a conversation, and attempts to explain how body positioning works.

every dead-end street led you straight to me by ameliahart (Post-S7 Spec | 5K | Teen): Or, five times one of their exes mistakenly assumed Eddie was Buck's new boyfriend, and one time the ex was right.

i don't believe in god, but i believe that you're my savior by justhockey (Post-S7 Spec, Eddie Sexuality Crisis | 6K | Teen): The first thing that happens is a Catholic church in the too-hot Texan heat; Eddie’s hands are damp with sweat and he wipes his palms across his best trousers. His Abuelo smacks the back of his hand to get him to stop and Eddie balls them into tiny fists, slips them beneath his thighs so he isn’t tempted to fidget. So he listens. Listens to the priest, and his droning, and his fire and brimstone, burning-in-hell, shameshameshame talk. The first thing that happens is Eddie is born. Born wrong, born twisted, born sinning. He spends the rest of his life trying to make up for it.

I'll Be Your Safe Haven by eightpackdiaz (Safe Haven Baby Box, Alternate Canon | 6K | Teen): A Safe Haven Baby Box is installed at the Station 118 firehouse. Buck's really good with the surrendered babies.

doesn't take a scientist to understand what's going on by Chash / @ponyregrets (Post-S7 Spec, Getting Together | 8K | Teen): Eddie is already struggling with having realized he has a thing for Buck and trying to figure out what to do about said thing when Buck finds out he needs glasses. Which means that Eddie also finds out he's really into Buck in glasses. He would prefer to not know this.

🔥 One Hundred Miles an Hour In My Head by Chash/ @ponyregrets (Post-S7 Spec, Jealous Buck | 8K | Teen): Buck sort of assumed that, at some point, he'd evolve out of being needy and insecure. And, to be fair, in some ways, he probably has. He feels a lot more confident existing in the world than he did when he was a kid. He's sure he has the right job, and he mostly thinks that if he got hurt badly enough that he couldn't be a firefighter anymore, he'd figure out another thing to do and another way to help people instead of spiraling like he did after his leg got crushed. He knows who he is, and he knows that he's valued for it. Sometimes, he even thinks stuff might someday be good with his parents. And then there's Eddie.

karma is a cat (purring in my lap) by cuddlyobrien (Post-S7 Spec, Eddie Sexuality Crisis | 8K | Teen): Eddie finds a kitten, realizes he’s gay, falls in love with Buck and apologizes to Chris. Not in that order but kind of?

all of the girls you loved before by Wildehack (tyleet)/ @wildehacked (Post-S7, Getting Together | 9K | Explicit): Buck finishes the math on his fingers, and holds up one spread-wide hand. “Uh,” he says. “I mean, I’ve got a top five?” Everyone groans. - Buck's top five sexual experiences, plus one mediocre handjob.

Please (I've Been On My Knees) by Bookworm0303/ @insertlovelyperson (Canon, S2-S7, Post S7 Spec | 10K | Teen): The five times Buck and Eddie confide in one another about their failed relationships, and the one time they don’t have to.

Clammed Up by Daisies_and_Briars/ @cal-daisies-and-briars (Murder/Mystery | 11K | Teen): Captain Gerrard dies suspiciously at a murder mystery party held at Tommy Kinard's condo, with most of the 118 present. As the case unfolds, Athena finds she no longer knows who among her friends she can trust.

🔥 Next Best by Nejinee/ @nejineeee (A/B/O AU | 20K | Explicit): Eddie had been very clear that they needed to keep their relationship stuff off the job. That meant no make-outs, no groping of asses, and no sexy stuff. Buck was fine with that. (Part 2 of Second Best Series)

🔥 fuck it if i can't have us (series) by Wildehack (tyleet)/ @wildehacked (Post-S7 Spec | 2/? | 35K | Explicit)

i love you but i need another year (Post-S7, Eddie Sexuality Crisis | 14K | Explicit): If Eddie were still a practicing Catholic, this is the kind of shit he’d go to confession about. — Eddie watches porn, experiences revelation, replies to a lot of text messages. down bad, crying at the gym (Post S7, BuckTommy Break-Up | 21K | Explicit): On Tuesday Buck tells Tommy he loves him. On Thursday he’s giving his best friend a ride to the airport, and they’re pulling up to LAX, and Eddie says “I love you.” — Buck cooks a lot of food, thinks about love, takes pictures of local wildlife.

WIP

how come everybody's dancing but you? by showedupatyourparty (Post-S7 Spec, Eddie Sexuality Crisis | 1/4 | 7K | Mature): Buck feels guilty. Everyone he loves is going through something painful, difficult, or unexpected right now. And Buck is just…bisexual. It’s great that he’s figured it out, and it’s great that everyone has been so supportive, and Tommy is—Tommy is fine. The sex is good, at least. Consistent. When Buck gets a call from Eddie’s phone late on a Tuesday night in June, it’s cause for concern. * Buck unpacks his own feelings about his recently-discovered bisexuality. Eddie gets adopted by drag queens. They're both just trying their best to be happy.

Innocence died screaming, honey, ask me I should know by JJK/ @trenchcoatsandtimetravel (Demon Buck, Canon Divergent | 10/? | 18K | Teen): Buck is a demon with the power to help with pregnancy, childbirth, and infant health. When the Buckleys make a deal asking for someone to help 'save their baby', Buck leaps at the chance as it will give him what he's always wanted: a life on earth. But demon deals are tricky and neither of them gets quite what they're after. This is Buck's journey as he navigates growing up on earth and remembering how to help those in need.

#epic buddie fic rec #buddie #buddie fanfiction #buddie fic rec #buddie fanfic #buddie fic

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dancingtotuyo · 1 year ago

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Woman | Joel Miller x Reader

Complete, Rating: Mature/Explicit

Watch her take me by surprise

When she lets me call her mine

Do you ever really know?

Can you ever really know?

Summary: Joel Miller returns to Jackson bringing back memories and feelings from 20 years ago, but you refuse fall into the universe’s trap again. Your table is at capacity. Adding another chair will only kill you when they get taken away.

Tags: Joel Miller X Reader. Age Gap. smut. hurt/comfort. Life in Jackson. single parent. post season/part I. Mostly TV show canon compliant. TV show versions of characters. playing with the timeline. Tommy’s been in Jackson for a lot longer.

Warnings: descriptions of blood, gore, trauma. Grief & loss. Loss of a spouse. Violence. Smut/Explicit content. Panic attacks, depression, anxiety. MISC canon topics. Chapter specific warnings before each chapter.

Playlist - Updated with each chapter release

Part I

1. tame the ghosts in my head 2. a clouded mind and a heavy heart 3. pick up your clothes and curl your toes 4. walk with me, i think we’ll find a way 5. sleep the hours that i can't weep 6. play my bloody part 7. when she lets me call her mine

Before - A Woman Story

Five peeks into your life before Joel Miller reentered it, recommended to read in between Part I & II of Woman

Part II

8. a cry of my heart to see 9. the fear of what’s to come 10. hold you from the world and its curse drabble. what's that i see? 11. up from the dust, inconceivable love 12. love with urgency but not with haste

drabble. love will not break your heart but dismiss your fears

Part III

13.with grace in your heart and flowers in your hair 14.in the cold light i live to love and adore you 15.holding my breath for you epilogue. the ghosts that we knew

More Reading:

lover of the light Willa's third birthday

Summer of '03 The bridge: A scene that happen in every universe and also the point of divergence.

Landslide A no outbreak AU: Can you and Joel find each other when society stands tall, dictating what is and is not acceptable? Or will it keep you from one another?

Bonus Content:

Art commission based on chapter 12

#joel miller #the last of us #tlou #joel miller x reader #joel miller x you #joel miller fanfiction #pedro pascal #woman (Joel Miller)

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not-wholly-unheroic · 2 years ago

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50 Random Character Asks:

1. Canon I outright reject

2. A canon or headcanon hill I will die on

3. Obscure headcanon

4. Favorite line

5. Best personality trait

6. Worst personality trait

7. Age/height/weight headcanon

8. Unpopular opinion about them

9. Scene that first made me love (or hate) the character

10. Best moment on screen (or in the book)

11. Faceclaim for the role

12. Crack headcanon

13. Dumbest thing they’ve ever done

14. Most heroic moment

15. Worst thing they’ve ever done

16. Deepest darkest secret they won’t even admit to themselves

17. Quotes, songs, poems, etc. that I associate with them

18. What they’d go to see a therapist about

19. Vices/bad habits

20. Scars

21. Drink of choice (not just alcoholic)

22. Best physical feature

23. If they were a scented candle, what would they smell like?

24. Most annoying habit

25. 3 things they’d want to take with them if they were dropped off in the middle of nowhere

26. What they would do if stuck in an elevator with [insert character of your choice from the same fandom]

27. Their guilty pleasure

28. How they feel about [insert character of your choice from the same fandom]

29. Eating habits

30. Sleeping habits

31. If the had a tumblr what would it look like?

32. Something guaranteed to make them smile/laugh

33. Something guaranteed to make them cry

34. How they react when they are feeling X emotion (sad, angry, excited, scared, etc.—can specify as many as you like)

35. Their idea of a perfect day

36. Their favorite season

37. What they really think about themselves

38. Favorite holiday

39. Favorite game

40. Favorite book

41. If they could have lunch with anyone in the world (living or dead, from any fictional universe or the real world), who would it be?

42. 3 comfort items

43. 3 favorite foods and 3 they despise

44. Their happiest memory

45. Their favorite celebrity

46. The person they most admire

47. Their dream job

48. Scariest moment of their life

49. Favorite toy as a child

50. A memory they’ve blocked out

#ask me about the boy!!!#but also you can ask about anyone from the fandom #ask meme #character asks #character ask meme #asks #fandom asks #fandom ask meme #get to know the muse #muse asks #muse memes

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coveholdenmyluv · 3 months ago

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New Beginnings - I. Midoriya

SYNOPSIS. Stained and calloused, the commission has nurtured your palms into silent artillery and trained you to fight the wolves they throw you in with. Not at all accounting for the possibility that you too might learn to bite the hand that feeds you.

- or alternatively, in which the Hero Commission recruits YOU to go undercover as a student at UA to keep a certain class, who already seems to be a magnet for trouble, in check...

It's safe to say you get a little more than what your briefing covered...

A story of the finding of self love, a family, and a new beginning.

WARNINGS. Foul language, action, eventual manga spoilers, lore, gore, angst, heavy emotional manipulation, PTSD, Dissociative Amnesia, FLUFF FLUFF GUYS I SWEAR ITS FLUFFY TOO, reader has green eyes for the first half of the story (temporary, dw your beautiful eyes will play a major role), hair length is heavily mentioned and fluctuates, romance will be present but not the main focus, follows canon. Prologue takes place in the events of the sports festival, the rest begins around the end of season 2 of the anime.

STATUS. Ongoing.

wattpad

SERIES MASTERLIST

Prologue: Beginning of the End

1| Only in Our Dreams

2| The Color of Vitality

3| Training Camp: Start

4| Training Camp: Friendship really is magic

5| Training Camp: Attack

6| Rescue

7| Kitty

8| Warning

9| Licensed… Again?!

10| They Aren’t All That

11| Palliate

12| Solace

13| Eri

14| Excitment

15| Government Dog

16| Vitality - Daffodil

17| …

Playlist.

Beta reader: @tenkobun / @sunaraii 💗

This story, like some of my others, is being cross-posted on wattpad as well! Choose which format you prefer and enjoy!

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kyoteugly · 13 days ago

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Disclaimer: This may be a bit chaotic (also sorry for my English), I never done this type of post before and I assume you know the show so I don’t go into details of every event - you saw them, you know what they’re about. And it all comes down to Buddie going canon. Here we go, enjoy! (warning 3,6k words)

If we take a look at 911 from a distance some things fall in an interesting pattern. I believe at least part of it is intentional. And if this theory is correct - standing ovations for the creators are in order, because they kept the continuity of the previous seasons while simultaneously re-launching the series. We have introductions of the main characters, we revisit big moments from their lives (sometimes in a more flashy way, sometimes more subtle), and we get a new perspective from them (those big moments) to show the character’s growth.

Ok, what’s the theory?

You should watch seasons 7 and 8 as seasons 1 and 2 on abc.

But Tim isn’t simply retelling the story. He takes the core emotion from a big event and puts it into new scenery with inclusion of how the character had changed over the seasons 1-6.

Before I jump into Buck and Eddie, let's look at a few examples.

ATHENA:

Introduction of Athena in season 1 goes with her marriage problems. The same in season 7 (it’s one-sided, because it’s her story, not Bobby’s).

May suicide attempt -> in season 7 there is this unnerving vibe around Bobby’s retiring actions, especially when Athena is talking with him (at least I felt this suicidal vibe and we all thought for a moment Bobby is responsible for their house burning down).

The reason why Athena became a cop, the tragic story of her fiance -> bringing back Jenkins in season 8. This plot could work without him, there could be just some no-name prisoner and Athena could simply get the order to escort him without any deep explanation - but the main core of this plot was to revisit Athena’s past.

She was attacked/in mortal danger on the job -> the whole plane disaster in season 8 (and I’ll get back to that because this is the key moment in Bathena story, this is their core).

BOBBY:

His alcoholism is haunting him and it leads to his house burning down while he’s trying to save his wife (and all of this is the result of his actions). His arc in season 7 covers his past.

And also his relationship with the 118 get’s the familiar spotlight - him being a father figure for the team. Everyone comes to him for advice while he’s forced to be away from his firehouse - and during those conversations he’s in the middle of planning his future with Athena (previously their wedding, now it’s about their new home).

As for them as a couple it’s the plot lines of Athena being attacked and her landing the plane. She is in danger, doing her job, he is the one watching/listening. But while in the past he was powerless, merely an audience to her fight, now he is her partner, he’s in danger with her and it’s his choice (with the cruise ship they both were thrown into the danger, this wasn’t the parallel to the past). And yes, this is their characteristic, but when you’re new to the show, you started watching it with season 7, you may not know this about them… so here, Tim is showing you what Bathena is about, ride or die partners with unwavering faith in each other.

Again, the core element of the big moment and the emotional growth/journey of the characters (introduction while keeping the continuity - revisiting the events, not retelling them).

HEN:

She has a very big plot line that includes a few big events from her life.

The plot with Ortiz’s son reminds me of the girl Hen hit with an ambulance. Back then Hen was a mess, doubtful about herself, and people around her reminded her that she did everything right. Now she doesn’t doubt, she’s sure, even when there is not enough conviction from her team.

Following this plot we have the whole thing with Ortiz and Mara - which basically is covering the same core aspect we saw with Eva and Denny.

For Hen, family is the most important, actually for her and Karen - and this part also shows their journey as the power couple - because now they’re fighting together for their child (against Ortiz) and not with each other (like it was when Eva was threatening their family). They’re much stronger now, after all those years, family love guiding them through life.

CHIM & MADDIE:

They both have their respective episodes in season 7.

Chimney: Why put Doug there? Why Kevin and karaoke bar (the backstory of how Chim became a firefighter) if not for the introduction of the character, for revisiting his big moments…?

Maddie and the call with the abducted woman -> we learn later it was her stalker not her husband, but Maddie assumes it’s the husband because of her own trauma. And in the same episode her postpartum depression is also addressed -> the abducted woman is separated from her baby - it’s symbolic but it’s there (like I said, not everything is flashy).

As for Madney - it’s all in the way they’re looking for each other when their mental state is in question (past - Maddie in Boston, present - Chim being sick). Their emotional journey lies in the way of how sure of their love they are. Again, in the past they were taking things slow, finding each other but giving each other space and time, careful “i love you” etc - Now they speed things up by getting married right away, right there in the hospital - because they’re sure.

There are more core things (and revisits) to all characters but I won’t go deeper into this because I want to talk about Buddie (with more details)... so…

All 3 power couples got introduced and redefined anew for the new audience, but the core of what makes them Bathena, Henren, and Madney remained the same - just bigger, bolder, stronger… What remains, in the spectrum of main relationships, waiting to receive the same treatment, is Buddie.

EDDIE:

Through season 7 and 8 so far we got to see main aspects of Eddie - soldier, father, widower, best friend (yes, there are elements of them being more, of some deeper feelings, especially from Eddie’s side - this is the part of the continuity from previous seasons… but because seasons 7 and 8 are new seasons 1 and 2, Buddie is leaning a little more to the “best friends” side - for now… it just started to change with episode 8x05).

We learn about Eddie’s character - he’s caring but also sassy, he works great under pressure, he’s not superstitious, he panics when relationships get too serious (not full blown panic attacks this time, but catholic guilt plays the same role here).

The big moment from Eddie’s past is Shannon’s death. The show can’t tell this story again, can’t kill Shannon again, but they can show the new audience the impact Shannon had (and still has) on Eddie’s life -> and here we have the whole “Kim plot”.

One more thing worth mentioning about Eddie and parallels is that he left Chris and his wife in the past -> now Chris is the one who left him, and the only relationship his son has to offer to Eddie is a glitching facetime video in a moment of the day when he’s busy (Chris) - sounds familiar.

Yes, there are more big moments in previous seasons, but each of them is intertwined with Buck, ergo can’t be discussed without him. So let’s jump into Buck now.

BUCK:

Just like with Eddie we get the reminder of main characteristic of Buck in form of: infodumping, ingenuity, thinking outside the box, being good/capable on a job, abandonment issues (Eddie spending time with Tommy), craving for approval/affirmation (he hates Gerrard and still seeks that pat on the back and “good boy” comment), his spiraling and believe in supernatural, and he’s like a kid in 118 family.

I feel like we got all of his aspects (and the same with Eddie’s) that we know from previous seasons in an easy to swallow pill, coated with a bit of comedy.

Big moments in Buck’s life include Eddie, but there are few relationships that are very important to this character that are highlighted in seasons 7 and 8).

Christopher. For now we don’t really see the depth of Buck’s and Chris' relationship. New audience can safely say he is somewhat of a “fun uncle” for Chris (right now Chris is his best friend’s son) - this is because we still haven’t seen the equivalent of what created the bond between them - the tsunami (I believe we will get that when Chris comes back from Texas or his return will include scenes related to their bond and this big event from their lives).

Maddie. This one is simple for now, they’re great siblings, they support each other, the upcoming scene with Maddie should add more.

Best friend Eddie - partners on a job and in crime, knowing each other so well they can read every small signals (it’s mostly visible in 7x01 and 8x01), showing up for each other etc - you all know what I mean - Eddie jumping into idea of bachelor party, Buck confronting Eddie about Kim, Buck’s coming out, Eddie asking for help with Chris (twice) - all of that have (mostly) subtle Buddie themed moments (smiles, looks, wording) but what screams loudly is that they’re best friends (like you’ve never seen better friends than them). Like I said before it started to change in 8x05, and even earlier we see a little bit more of Eddie, like he’s kind of in the background - just remember this, I’ll explain in more details later.

Bobby. This relationship is highlighted the most, and after the first 3 episodes of season 8 nobody has any doubt that Bobby is like a father to Buck (in case somebody missed it in 7x10). In previous seasons we saw how this father-son thing evolved between them (whole season 1, lawsuit, Buck spiraling because of radiation Bobby “absorbed”, coma dream, etc), and now we get the speed run through it to establish how it works.

There is one more very important relationship in Buck’s life that also counts as Buck’s big moment. And it’s Abby, who is represented by Tommy. Older, more experienced love interest, who shows Buck he still has something to learn about relationships, who changes his perspective. It goes further. Remember the guy who was catfishing girls with Buck’s photos? Remember when he was in a meeting with Abby and a girl came up to them? Abby didn’t like what she heard and left Buck cold in that cafe/restaurant. Sounds familiar? Yeah, it should. His first date with Tommy, interrupted by someone, where Tommy didn’t like Buck’s behavior and left him on a curb. What’s important, none of them (not Tommy nor Abby) told him it was over, they were disappointed, of course, but left with the vibe “contact me when you grow up”/”I don’t do dramas”. Again, this is parallel, the revisit to the past event (core of the scenes remains) but the point here is not to tell the same story again but show something new, so Buck’s relationship with Tommy goes in its own way.

I would like to address the lightning strike here, because I believe this event won’t get “the revisit” treatment. It was mentioned in background in season 7 - the locker room scene with Eddie and how Buck tells Tommy the night they met was the best one he had since he died (or something like that). So the lightning strike exists already in season 7 and 8 narrative for the new audience.

Ok. In previous seasons we saw all main couples dating and getting married - basically becoming what they are now. And we saw how Buck’s and Eddie’s relationship grew and evolved throughout the seasons - but they never reached the status of a couple.

So we are now at 8x05, we have all main characters introduced, all power couples redefined by some huge events that made them stronger. We have Buck and Eddie - best friends for life - now is the time to show Buddie of it all.

BUDDIE:

Believe it or not, episode 5 is about Buddie in so many ways, but not in a way you think it is… It’s about retelling their emotional journey, their bonding path and what makes their relationship so special. Yes, I’m using “retelling” here, because the story of their feelings never reached the conclusion, it was always between the lines, and now it can be told anew. Tim already had the perfect recipe for them, so now he is using the core ingredients, to once more reach the point where making them a couple will feel natural. It’s not only about making them canon, it’s about telling beautiful love story - patience is important, their emotional state is the key and has to be set up just right.

Ok. Masks. This title is a red herring in itself. If we talk about who is wearing a mask the answer is simple - everybody, it’s a Halloween episode. Going deeper we can say - it’s Eddie with his ‘fine’ mask. Let’s go even deeper, it’s not a noun “masks” (in plural), it’s a verb. The whole episode is masking itself, and it’s masking who the story is about. We have two major plot lines here, Buck’s (a comedy) and Henren (drama), both very loud and over the top, making the audience look in one way when in the background another story is unfolding. Red herrings everywhere.

What are the big moments from Buck’s and Eddie’s life that are hidden in this episode? When did Buddie truly start? Firetruck, tsunami, lawsuit, fight club, divorce era… yes, it’s all there… well, tsunami is only mentioned there because it’s Buck and Chis arc, but the important moment for Buddie after the tsunami is still represented in this episode by Karen’s words “You saved him”. Let’s break it down.

BUCK:

Firetruck: the event itself is represented in Denny’s accident. He’s pinned by the vehicle, Karen is holding his hand while others are trying to save him, there is and audience to his tragedy, a lot of people (in this case firefighters) are working together (building the construction) to get him out, the accident was caused by a man who was driven by vengeance/seeking justice, in the end Denny has his leg in cast - the same leg Buck had.

Lawsuit: The whole Buck’s curse plot - injury on a job (to his limb), aftermath of which he ends up with a medical condition (boils = blood thinners), which causes him to focus solely on himself. Buck is so self absorbed in this episode he doesn’t notice his own boyfriend, let alone his best friend (if you want me to write a longer post about Buddie in corelation to Buck and Tommy and why imo Buck is a lame boyfriend in this episode let me know - I won’t do that in this post).

The things above are like playing with the form of what I mentioned before - revisiting previous events. What’s important here is the emotional state of Buck. He learns very quickly he can come back to his job (Eddie is asking about it, because he knows how important it is for Buck) but the boils ultimately send him on a spiral and right back to the self absorbed state of mind - and the reason for it is to make him blind on what’s going on with Eddie.

EDDIE:

Fight club and divorce era are played out here only in Eddie’s emotional state because the show is putting Eddie in the background on purpose so we can’t have big moments played out in a form of parallel scenes.

But just like with the fight club, Eddie is distancing himself from the firefam. I said already that Eddie is kinda in the background - this is the part where we can see Eddie isolated and alone, in this episode it screams the loudest (compared to the previous ones).

The haunted house - Hen is terrifying, Chim is scary, even Buck, whose job was to give out candy, managed to freak everybody out (including himself) - only Eddie is this lame and cringe werewolf wannabe. This is a metaphorical, subtle way to show he stands out from the rest of the team. He’s with them but he is alone in the crowd. They have to ask him about Chris, he’s not talking about him himself and he’s keeping his ‘i’m fine’ mask on (pun intended). In fight club era Eddie is grieving after Shannon, now he’s grieving his relationship with Chris. He’s hiding his pain just like he was hiding his bruises.

Divorce era can be seen in a way Eddie interacts with Buck. He’s losing his patience sooner than usual, is meaner in his comments because he’s running on fumes, getting closer to his breaking point (it could escalate, we know he can snap when he can’t deal with his emotions). He doesn’t look at Buck - and I know, it’s because of the things on Buck’s face, hiding behind the magazine, sucking on lollipop… but honestly, do we actually believe that? Or the comedy of those scenes masked that they’re disconnected right now (actually they’re disconnected since Gerrard made them work separately. How they miss each other's eyes in the courtroom - it started there). The episode ends so blatantly showing us Buck talking bullshit with his head so far up his behind he doesn’t think for a second that Eddie needs him. And Eddie, well, he’s fighting alone, just like he was when he stepped into the ring.

WHAT’S NEXT:

If I’m right about all this, and not just insane, we will see 4 more big events - or rather the emotional state those events invoked.

Kitchen scene - Buck being sorry for not being there for Eddie, when he needed him (the tension aspect of the scene would be nice, but the actual core of this scene is Buck admitting he failed Eddie and Eddie actually listening and accepting Buck’s words).

Well - Eddie has to save himself, deal with something on his own (with only briefly mentioning Buck, mostly Chris).

Will - this has to be addressed at some point. We know about the will but people who started watching from season 7 don’t. This will be clear, no red herrings, no telling story in the background.

Shooting arc - Buck being scared he may lose Eddie. It doesn’t have to be a near death experience, it can be Eddie deciding he’ll move to Texas - the core is fear of losing his… right, what? Best friend? When we reach this point they’ll be more, and “best friends” term won’t be enough, not even to the general audience.

After that we can start talking about Buddie canon.

Of course there will be more scenes, new scenes, the characters are still growing but in my opinion Tim is trying to set up and show similar emotional journey for them, right up to the point when we should have had Buddie… and he will pick up where he left them, messed up and vulnerable and so in love with each other it’s overwhelming (shooting arc)… then we will go in a straight line to the Buddie canon.

I don’t want to make predictions, I’m bad at it. I prefer to analyze. But in my opinion and what I know about the next episode, I think the well call will serve as a reminder about Eddie Begins, the actual connection between past and present will be in the mustache scene (or right before the mustache scene).

Final thoughts.

We all see the parallels between different characters and between previous seasons and new ones. We get frustrated about some plot lines and episodes (Bobby episode, Kim plot line)... But if you take a few steps back and look at season 7 as season 1 it makes sense to show these threads again. If you look at all the elements we talk about as a fandom you will see it’s one huge project, not just hints placed here and there. And it’s not just for the benefit of long term fans, it’s for the new audience to get to know these characters, to fall in love with them, to make them curious enough to watch previous seasons.

We all feel it, this carefree vibe from season 1, we’re all falling in love again, saying season 8 has what’s the best in 911, has it all. And I believe it’s because of what I wrote above, these new introductions of characters and relationships.

One relationship remains to be shown in all its beautiful and unhinged glory - Buddie.

And I believe once we get the equivalent of a shooting arc we will get Buddie canon - this time Tim will tell their story how he wanted - with Buck and Eddie together, as a couple, as soulmates.

Wow, this was long. Sorry for the chaos, I never done this type of post before, but I hope you got the gist of it and enjoyed it. Remember, it’s only my opinion, I could be wrong (honestly, I probably am xP) but I wanted to share my thoughts because I got very hyped up about it. Feel free to contact me if you want.

Tagging some people who may be interested (if you want me to remove you from this post let me know): @buddiebeginz @stagefoureddiediaz @lemotmo @inell @jackwhiteprophetic @lover-of-mine @loveyourownsmiilee

Part 2, episode Confessions - HERE

#buddie #eddie diaz #evan buck buckely #911 abc #my stuff #911 meta #buddie meta #if not buddie why buddie shaped?#911 analysis #911 parallels

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