#if you read this.... um... thank you

[beepboopappreciation]

Is this anything

[rosemarytrash]

this is so needlessly chaotic but so is act 4 so really if you think about it i'm imbibing the spirit of it all into a lot of gaussian blurring

[luxaofhesperides]

We Are Robins meeting to Signal apprehending Danny ; requested by @zylev-blog!

“Hey, Danny. How are you feeling?”

Danny gives Duke a tired smile, his head falling back against the wall. He’s sitting up today, which is good. It’s definitely an improvement from the many days Danny was unable to do much but lie down and grit his teeth through the pain as Duke checked on the gunshot wound. It’s a good thing Danny’s a meta with a healing factor, or nothing Duke could have done would have saved him.

As it is, the wound was severe enough to keep Danny vulnerable and unable to move on his own without making it worse. Though Duke has looked, he hasn’t had any luck in finding whoever did this to Danny. He hasn’t brought it up to the rest of the We Are Robin gang, but only because Danny only let him help if he kept it between the two of them.

What’s another secret? If it lets him stay close to Danny and make sure he’s healing well, then he’ll keep quiet and carry on the search by himself. He’s got plenty of practice in doing things on his own.

“Busy out there?” Danny asks as Duke sits down next to him, dropping his backpack onto the ground. 

“Yeah, it’s tough with the cops after us, but someone needs to help Gotham and with Batman gone…”

A pained expression crossed Danny’s face. Eyeing him carefully, Duke opened his backpack and pulled out a few protein bars and sports drinks for him. Once Danny takes them and began eating one, Duke takes out the first aid kit, always kept at the bottom of the backpack, and sets it in front of Danny.

The most he can do is offer supplies and company at this stage of Danny’s healing. He gets twitchy and tense when Duke tries to tend to his wound, and seems to have plenty of practice in patching himself up. 

He didn’t answer when Duke commented on it once, so Duke let the matter drop. 

Metas may have legal protection, but that doesn’t stop people from targeting them. Duke has no intention of pushing Danny into remembering unpleasant things while he’s already wounded, hiding out in the upper corner of an abandoned warehouse taken over by a group of homeless people. Most aren’t inside during the day, choosing instead to be out with the rest of the city, which leaves them alone. 

Duke keeps an eye on the ground floor of the warehouse, making sure no one comes in while Danny tends to his wound. When he peeks back, he can see that it’s much smaller than it was the night Duke found him, crawling down an alley with one hand clutching his side, tears slipping down his face. There had been so much blood that Duke was sure he had just stumbled upon someone dying and froze, horrified. 

And then a shout down the road prompted him to move, hauling Danny up and helping him into the warehouse to hide. 

For a normal person, if it didn’t kill them, the wound would still be raw and bleeding, larger than any gunshot wound he’s seen before. But Danny’s wound is closing up quickly, no longer bleeding, the edges a healing pink.

It doesn’t look like it’s going to scar, either. 

“Think it’ll be all healed up by the end of the week?”

Danny glances up, then continues covering it with new bandage, large enough to cover the entire wound. “Hopefully,” he says. “Then I’ll be out of your hair and can figure out a way to get home.”

“Your folks gonna look out for you?”

“Probably. I’m not planning on telling them, though, since they’ll get way too overprotective. The only reason they’re not tearing Gotham apart looking for me is because I came here with my godfather and he told them we’d be gone for two weeks. Can’t believe he tried to kill me on day one…”

“Your godfather tried to kill you?”

“Yeah. Not personally, or anything, but he definitely hired the guy who shot me. Though he also yelled at him for shooting me? Not sure what that’s about, but I never trusted the guy and he didn’t try to help me afterwards when I ran away, so. You know.”

Duke wants to have a conversation with Danny’s godfather. Maybe bring the other Robins along to make sure the message sinks in: Don’t touch Danny.

But Danny, acting so casual about his godfather trying to kill him, would be unhappy about it, and Duke would really rather be able to take care of him than be shut out for trying to take control of the situation.

“Shit, man, that sucks,” he offers, instead of prying for details so he can hunt down his godfather. “You want a hug or something? I can’t really do much else, but if it can make you feel better about all this…”

Danny brightens and shoves the first aid kit away, his shirt (one of Duke’s old ones he offered up to replace the bloodstained one) falling to cover the bandage. “Please. I would love a hug, dude, I don’t remember the last time I felt so lonely.”

Carefully, Duke wraps his arms around Danny, leaning back so Danny could relax fully and not worry about holding himself up. Danny sighs into the hug, going fully limp as he drops his forehead onto Duke’s shoulder.

“Thanks for this. And everything,” Danny says some time later. He doesn’t move to pull away, so Duke stays as he is, watching the weak sunlight slowly move across the warehouse as it spills in from dirty windows. 

“You don’t need to thank me. I mean, I’m a Robin.” He brings up a hand to tap a finger against the R embroidered into his jacket. “It’s what we’re here for.”

.

.

.

It’s been years since he saw Danny. After he was fully healed, Duke helped him get to city limits, watching as he boarded a bus and disappeared down the road, leaving his life just as suddenly as he entered it.

After spending so much time together, quiet hours of stillness just looking out for each other, his life feels emptier without Danny in it. He knew it wouldn’t last, that Danny would go home eventually, but it didn’t make the parting any easier.

Even now, as Signal, taking a break from going on missions with the Outsiders to spend some time with the Bats, his thoughts drift towards Danny, wondering if he’s alright. In his darker moments, he wonders if Danny’s godfather has tried to kill him again, if he’s succeeded. In calmer, happier moments, he remembers Danny’s quiet stories about his family, his town, all his dreams and hopes for the future, remembers the easy company and how Danny didn’t look at him with pity when talked about his parents, just quiet and contemplative. 

Sometimes, he can’t resist the urge to look him up, but there are so many Danny’s out there that he doesn’t know where to start. He never got Danny’s last name or learned when he came from.

It’s not like he can just ask the Bats for help finding a guy he knew for two weeks before he ever joined them. They’re all busy with their own missions, and definitely don’t have time for Duke’s reminiscing. 

“Just caught sight of the truck entering city limits,” Oracle says in his ear. “It’s heading towards the Coventry.”

“On it. Any movement from the mobs?”

“None yet. I expect this to change soon. Red Hood and Black Bat are patrolling nearby if you need backup.”

“Got it. Signal out.”

His comline shuts with a little click, and then he’s grappling over the roof tops, keeping an eye on the roads in search of the truck. He doesn’t have time to think of Danny anymore, not when a shipment of new, experimental weapons is passing through Gotham. Spoiler had heard a few whispers of it and Red Robin helped find more solid details; the mobs are all looking to take the shipment for themselves in an attempt to get the upper hand in the nonstop fight for control of Gotham’s streets. 

It’s passing through during the day, visible and a good move to keep from being ambushed at night, but it’s not enough to stop mobs hoping to take out their competition with new weapons. Duke enters the Coventry just as his comline beeps once and Oracle begins giving him specific directions, along with a brief description of what the truck looks like. 

Apparently, the weapons are being moved in a U-Haul rental truck. That is… certainly a Choice™ to make for moving weapons around the country.

He follows it from the rooftops, but nothing happens. The truck passes through the Coventry without incident and takes a turn that keeps it away from Crime Alley and the Bowery. It gets to the middle of East End then pulls to a stop in the parking lot of a diner. 

Two people get out and stretch, then head in to get something to eat.

It would be the perfect time for someone to break in. Duke pulls the light over himself, manipulating it to make him disappear from sight as he looks down from the edge of the rooftop, tense and prepared for anything.

He almost doesn’t see it at first. It’s just a flicker, a flash of color, a shift in the shadows across the street. But he does see it, even if he can’t find it again, and drops down from the roof, creeping towards the truck.

Duke waits, holding his breath, off to the side of the parking lot. 

A minute passes. And then a figure materializes out of thin air, floating right behind the truck. All Duke can see is white hair and a black body suit; they’re either a meta or an alien, but either way, Duke is ready to take them down.

The figure lifts their hands and a bolt of neon green energy hits the truck, melting the back and leaving a large hole that gives them direct access to the weapons. And then they shoot again, destroying the weapons.

“Phantom!” someone shouts, and the truck driver comes tearing out of the restaurant, a white gun in his hand. His companion follows, her gun also out, and the begin shooting. 

Phantom dodges the blasts, then vanishes from sight. He reappears behind them a moment later, tackling back of them into the side of the truck. 

“No you don’t!” Duke say, rushing forward as he pulls at the shadows around him then sends them racing towards Phantom, restraining them. The driver and his companion collapse onto the ground, groaning weakly, and Duke grits his teeth. “O, send someone to look after the people moving the weapons. Apprehending an attacker now.”

He doesn’t wait to hear a response, tightening the shadow’s grip on Phantom, who struggles fiercely.

“We can do this the hard way, or the easy way,” he says, pulling Phantom closer to him.

Phantom doesn’t answer. They just scream, the force of it making Duke fall back. His shadows dissipate, and Phantom flies up.

“Get back here!”

Duke gives chase, dropping in and out of shadows, throwing some at Phantom in the hopes of catching him again. But Phantom is fast and it takes all he has to keep up as they cross Gotham.

He thought Phantom was flying around blindly, but the way they move across the roofs and then through the streets are too confident, too focused to be anything other than someone with a destination in mind. But where? Where could they be going? If they’ve been in Gotham, then Duke would have heard of them.

A flying, powerful meta with a multitude of powers? Yeah, he would have known about them.

Phantom flies through a wall and Duke curses, going onto the roof and looking around, waiting to see them fly out. But they don’t and Duke finds a broken skylight to drop in from, landing on the support beams of the warehouse, well above the ground.

He knows the warehouse, he realizes suddenly. It’s the warehouse Danny hid in while he was healing. Duke hasn’t been back in years.

“Just listen to me, please,” a voice says behind him, and Duke tense, spinning around to face Phantom, floating just out of reaching distance. “Those weapons are dangerous. No one should have them, it’s why I had to destroy them. Please, you can’t let them get those weapons out.”

Duke stares. Something about Phantom is familiar. The shape of his face, maybe. His voice. Maybe it’s just because he’s in the warehouse again, with someone pleading for his help.

Maybe it’s all in his mind.

“Danny?”

Phantom flinches, floating back a few inches. “What— How—”

“What happened? Is it your godfather again?”

“My— Duke? Is that you?!”

He definitely shouldn’t be doing this, but Danny’s here. Danny’s here in front of him, needing help, and he doesn’t need the Signal. He needs Duke.

He pulls off his helmet and lifts his bare face to Danny.

“Oh,” Danny breathes. “Well. I guess I should have known you’d be a hero. Can you help me one last time?”

“Yeah, of course Danny. Tell me what you need.”

“Those weapons, they were first made to kill me and others like me. It’s a whole thing I don’t have time to explain. But they’ve been changed to affect humans, all types of people, as well. I can survive a few hits from those weapons, but for most people, it would kill them instantly. I need to destroy all of them and stop any further production before the rest of the world gets a hold of them.”

“That’s why you—”

“They have to be destroyed,” Danny says. “And the people making and selling them need to be stopped. I can’t do it on my own. I’ve tried, but…”

“I’ll help,” Duke says, “I’ll help. This is a big enough problem to bring the Outsiders into it. Or the Bats, but they like to stay in Gotham.”

Danny floats closer, looking painfully relieved. “Really? They’ll be able to put an end to this?”

Duke reaches for him. “Yeah. they can do it. I’ll make sure of it.”

Danny’s feet land on the support beam as his hand meets Duke’s. They balance above the rest of the warehouse, drinking in the sight of each other. Duke rubs his thumb over Danny’s knuckles in soothing circles and watches as the tension begins to fall away from Danny’s shoulders.

“Duke,” he whispers, “I’ve missed you—”

The door below is kicked open, and a gunshot rings out. 

Moving on instinct, Duke tackles Danny, wrapping him up in his arms as they fall off the support beam. They hit the ground hard, rolling a bit, and Duke tucks Danny into his chest, bodily protecting him.

“Narrows!” 

The Red Hood stands over him, menacing, a gun pointed at him. 

“Hood?” He loosens his grip on Danny. “What the hell was that for?” 

“Thought you needed back up. You chased after our guy and lost your helmet, I think I’m right to be a little worried about you. So, who’s this?” There’s a hard edge to his voice, and Duke realizes with a sinking heart that all anyone else sees is an aggressor, a meta who attacked a truck full of weapons, attacked two people, and had to be chased down by the Signal. Jason’s seeing a threat and acting accordingly, putting Duke’s safety first. 

And with his helmet off, identity clear, Danny’s even more dangerous now that he has this knowledge.

“I’m sorry,” Danny whispers to Duke. He doesn’t have time to ask for what? before Danny’s shooting another beam of green energy at Jason then taking off, flying through the roof and out of sight.

“Shit,” Jason mutters, straightening up from where he ducked to avoid being hit, then puts his gun away and kneels next to Duke. “You alright? Why’d you let him go? I thought you had him.”

“I’m fine. He’s not… He wasn’t going to hurt me. He just needed help.”

“Sure. And what are you not telling me?”

“I knew him. He’s a good person, but he’s been in danger for a long time. This was him trying to protect others from what he went through.”

Jason takes off the helmet and stares at him. Then he sighs and reaches a hand down to help Duke to his feet. “Alright,” he says, “Let’s head back to the truck. You have until then to convince me that they’re the problem, and if they are, then I’ll help you blow up more of their weapons.” He claps a hand on Duke’s shoulder, then pulls his helmet back on. “Grab your helmet. We’re wasting daylight, Narrows.”

There’s nothing else he can do, no way to search for Danny when there are other leads to chase, so Duke grapples up to the catwalk where his helmet landed and grabs it.

Just before he puts it on, he sees a flicker of white just outside the window he’s facing. He ducks his head to hide a smile. It’s almost like he’s stepped back in time; Danny’s here in Gotham, needing help and asking for it in the warehouse. 

And though so much has changed in those years, there’s still one thing that Duke will ensure never changes: he’s Danny’s hero. Above Robin, or Signal, or anything else, Duke is Danny’s hero.

This time, he has the power to actually help Danny. He’s going to make sure no one ever hurts Danny again.

“Let’s go,” he says, jumping back down to Jason, helmet on. “I’ll tell you everything you need to know.”

[peaceshire]

Dear Mx Peaceshire, thank you for putting out so much quality content of an OT3 that not only made me go from “I don’t know how this could work in a way that I like” to “Oh so THIS is how this could work in a way that I like” but also for inspiring me to write Buggy just about 25 percent more whiny and pathetic than I already did before. I only post my stuff in a very small circle for me and some of my designated weirdo friends (affectionate), but I still was kind of debating with myself wether or not to push my characterization in that direction, but honestly making him even more of a bastardly sniffling coward just helped me find a characterization of him I really like to write and for that , sincerely, thank you,

…. Also thank you for consistently writing and drawin the hottest fucking smut for this OT3 that has me down so bad that upon seeing the newest episode I actually had some sort of perverted Pavlovian response like “Oh yes and after that they are gonna fuck him up nasty style.” Even though logically I am aware that Toei will not show us Buggy getting fucked up by Mihawk and Crocodile nasty style in any capacity on screen.

keep on rocking, you're awesome

- sincerely, an admiring, if sexually confused, fan of your work

This ask made me so happy ... !!! I drew this for you !!! Thank you !!!!

[oobbbear]

Like a hug

[tapakah0]

[saturngalore]

the universe of saturngalore 🪐🌈

[jawz]

i saw the tv glow is legitimately one of the stupidest, most tryhard movies i've ever seen in my entire life. absolute dogshit. and everyone is pretending it's the most lifechanging thing they've ever seen LOL give me a break! the gall to claim this is inspired by fucking DAVID LYNCH??? i can't

[epickiya722]

One of my favorite visual details of a story is when a character's eyes are vacant because they're this shell of what they used to be and then something happens that enlightens them and makes them happy again. 😭

EXAMPLE!!

[spamsandsuch]

A RE-insight on Jolli and Jokir (ft. a little bit of Seam!)

Hello hello, since it's been a long time I wanted to updated my og biographies of Jolli and Jokir since it's like. Severely more outdated than i thought and Jolli and Jokir are like way more different now lmao

I also wanted to make this post to build more of the story in my au, since it's been a gradual process for me and I think posting this first may help aid in understanding future posts of mine that revolve around the twins

here we go!!!!! enjoy

Synopsis

Based on the two joker cards in a deck, Jolli and Jokir are twin siblings that originate and live in the Card Kingdom. They’re two jesters who enjoy performing in acts and entertaining darkners, and Jolli and Jokir often have respective personas when putting on a show. However, most darkners don’t care for the twins’ acts, and as a result their audience is pretty slim to sometimes none. The only opportunity where the twins CAN perform for large audiences is when they get to perform with Seam – the Card Kingdom’s Court Magician – when they host the annual circus for all of Card Kingdom to see. The problem, however, lies in the fact that performers of the circus need permission from the four kings who rule Card Kingdom to participate – something that the kings never grant the twins; since the last time the twins performed in the Circus years ago, an accident involving the twins occurred and caused the circus to end in such a disaster the four kings deemed them both responsible for it – thus kicking them out of the Royal Court permanently. As such, Jolli – the more optimistic twin – works as hard as they can to practice performing and gaining the attention of more darkeners with the help of their brother, Jokir. Through their performances, Jolli hopes they both can one day become popular enough to gain the attention of the Kings again, where Jolli hopes the kings will give the twins a chance to redeem themselves and participate in the circus again – and potentially allow them back into the Royal Court once again. Meanwhile, Jokir – the more pessimistic twin – doesn’t believe the kings will grant them another chance, but doesnt have it in his heart to break Jolli’s spirits. One day, though, a powerful yet strange lightner falls into Card Kingdom and strikes a deal with Jokir, promising to help the twins become popular and gain attention from the kings. Believing this to be the most realistic path, Jokir agrees only to help fulfill Jolli’s dreams of joining the Royal Court again.

Jolli; They/Them; 30 years old (1996)

Being the optimistic twin, Jolli’s slightly younger than Jokir and extroverted at heart. Jolli is a social jester with a confident, charismatic, and sometimes boisterous personality, and is also very genuine; they find no reason to hide their true personality or emotions. At the same time, Jolli can also be very blunt, eristic or stubborn with people – especially when they struggle to find logic behind things that don’t make sense to them. 

Given their sociability, Jolli is friendly to anybody they meet and often tries to make friends; however, due to their strong personality and sometimes brutal honesty, not many people care to indulge in Jolli or their antics past Jolli’s entertainment. As a result, Jolli secretly feels pretty lonely a lot and admittedly doesn’t like admitting they don’t have other friends out loud – it’s one of the few secrets the jester has (this has caused a bit of a misunderstanding from Jokir, who thinks Jolli has a lot of friends due to their sparkling personality when in reality both of the twins are in the same boat). Nevertheless, Jolli tries to not let that get them down and often hangs out with Jokir or Seam to fill that loneliness. 

Jolli, in essence, is also a go-getter; because they dream to join the Royal Court again, Jolli often works hard to practice performing and tries to encourage Jokir to do so as well – even if Jokir isn’t as enthusiastic about it (though, if Jokir is feeling too tired/fatigued Jolli wont force him to practice performing. Instead, he’ll act as the critic!). Jolli is also proactive and tends to take the initiative in general – often preparing themselves for the day or events ahead of time. 

While Jolli is often responsible, Jolli also loves playing pranks and causing chaos (they are an energetic clown, after all). When Jolli and Jokir were part of the Royal Court, Jolli would often playfully prank the inhabitants that lived there — including the Kings — much to people’s annoyance though they didn’t take it too seriously as, for the most part, the pranks themselves were pretty harmless (and at the time, a lot of darkners enjoyed Jolli as an entertainer anyway). Nowadays, though, since their relationship with the Kings is strained Jokir asks Jolli to keep their pranks to a minimum to avoid trouble and tarnishing their reputation (they may not live in the castle anymore, but who knows how long word would spread to the Kings if a prank went awry – people love to gossip). As a result, Jolli tries to reserve their pranks for Jokir sometimes but most often for Seam (as they enjoy seeing the plush’s reactions every time), but sometimes they slip up and cause chaos where they shouldn’t. 

While Jolli is a pretty energetic darkener themself, Jolli also has a weak soul (much like Jokir). Jolli’s soul will sometimes cause chest pains as well as make them suddenly feel weak and fatigued, making it difficult to even walk sometimes. While this instance happens sporadically, if Jolli overexerts themself the likelihood of it happening increases. Because Jolli doesn’t recognize their own limits sometimes, Jokir often reminds them to take breaks and is there to care for Jolli if they’re suddenly too fatigued. 

In performances, Jolli’s persona is somewhat similar to their personality; when acting, Jolli plays as the “Happy-go-lucky” jester who is quite energetic and silly. In these performances, Jolli loves to perform and act in stories/tricks/jokes they and Jokir wrote (though in terms of jokes, Jokir writes most of them). They serve as the counterpart of Jokir’s persona. 

Jolli’s optimism stems from their belief that life is much more enjoyable when you hold onto hope and determination – whether that be for yourself or the people you care about. Jolli also believes that even one cannot truly enjoy life if they don’t do the things that make them happy. 

Jolli, unlike Jokir, also tends to take things more literally at points. As a result, sometimes the meanings behind certain jokes or comments will fly over their head (unless Jokir explains it to them). Jolli isn’t that great at telling jokes, either, which Jolli personally considers their most fatal flaw as a clown. 

Due to their energy and go-getter attitude, Jolli tends to get bored easily. As such, they crave excitement and prefer to occupy themselves as often as possible with either their current hobbies or responsibilities (e.g. chores, practicing for performances, gardening, etc.); Jolli also likes trying new or exciting activities, too. As mentioned before, though, Jokir reminds Jolli to take breaks and pace themselves for the sake of their soul. 

Regarding the twins’ relationships with each other, the two are very close. Jolli considers Jokir their best friend and looks up to him a lot (even if Jokir can be annoying), and they wouldn’t trade Jokir for anybody else. However, Jolli also wishes their brother would gain more self confidence in themselves and tries to encourage him or help Jokir in social situations for that reason.

Jokir; He/They; 30 years old (1996)

Being the pessimistic twin, Jokir is slightly older than Jolli yet strikingly almost the opposite of them; Jokir is mostly reserved and introverted, often observing situations rather than commenting on them. He is also pretty soft spoken, and likes to speak in lyricism and rhymes when conversing with others. At the same time, though, Jokir has major social anxiety when interacting with many people and often looks to Jolli for help. 

Around others, Jokir often acts shy and nervous due to their anxiety and unconfidence when talking to others they’re uncomfortable or unfamiliar with; similar to Jolli, this has caused Jokir to feel lonely due to their difficulty in making friends (though he’s more verbal about it), and as a result Jokir tends to stick with Jolli and/or Seam most of the time. 

However, whenever Jokir’s around their sibling or friends, their true personality blossoms as Jokir becomes much more laid-back, easygoing, and witty. Feeling more comfortable, Jokir is much more chill around Jolli especially and likes to joke around with them often — sometimes to the annoyance of Jolli. He also doesn’t get stubborn easily (unless you count not wanting to talk to people, to which yes, Jokir can get pretty stubborn with that), and is pretty flexible when it comes to changes as Jokir doesn’t particularly care. Around Jolli and Seam, Jokir also likes to be goofy on purpose sometimes too.

When Jolli and Jokir lived in Card Castle and were part of the Royal Court, Jokir’s personality was much more apparent as he acted much more silly and often told jokes to other darkners in addition to entertaining the Court. Additionally, he also partook in pranks and caused chaos with Jolli because it was fun and it was a sort of bonding time between the twins. After the accident years ago, though, Jokir developed a sort of fear and anxiety with getting into trouble, so he tries to steer Jolli away from causing it. This is because whenever Jolli gets in trouble, Jokir also gets in trouble, too – much to the uncharacteristic annoyance of the latter at first (likely stemming from Jokir’s insecurity revolving their reputation) This situation has also caused Jokir to dislike causing disruptions or chaos. 

Whenever they’ve gotten into trouble, Jokir often feels the need to take responsibility on behalf of Jolli; this gives darkners the impression that Jokir is the more responsible twin, but this isn’t really the case. Jokir doesn’t really like doing a lot of work or planning, as he often feels unmotivated or drained to do work (or even take care of himself, sometimes); Jokir coughs it up to just being ‘lazy’ though. Whenever Jolli’s fatigued, though, Jokir is willing to drop everything and take care of them (or if he can’t, Jokir will ask Seam for help). 

Similar to Jolli, Jokir has a weak soul – though the way their soul affects Jokir manifests differently. Consistently, Jokir has chronic pain (taking in the form of dull aches) mostly in parts of their upper body (e.g. arms and shoulders), though if he over-exerts himself Jokir may also experience chest pains too. This is also partially why Jokir doesn’t like doing things a lot because doing too much manual labor makes them fatigued (though not to the extent of Jolli). 

Unlike Jolli, Jokir isn’t very adventurous. He prefers to stay indoors and read books or write poetry/new material for their performances. Though, Jokir will go out with Jolli if Jolli wants to hang out, but Jokir likely won’t do anything really extreme and instead will probably just observe/joke around with his sibling.

Jokir’s pessimism mainly stems from his fears and anxiety for things going wrong and negatively affecting the twins. He also tends to look a little more negatively at the reality of certain situations and tries not to get their hopes up. Inwardly, he sort of believes that optimism isn’t really realistic (based on past experiences), but Jokir would never admit this to Jolli – after all, he could be proven wrong. Notably, though, Jokir doesn’t like letting his pessimism affect others – he prefers to be more of a chill jokester and treats others equally; Jokir is surprisingly very kind to others, but not as much towards himself.

In performances, Jokir’s persona is what most darkner’s impression of him is rather than his actual personality: a sad, negative clown who worries about everything. Jokir acts in this persona because in performances, he finds it easier to play as someone else than to be more genuine (even if it means exaggerating their anxiety). 

Regarding the twins’ relationship with each other, Jolli is also Jokirs’ best friend and loves their sibling a lot. While Jokir may not share Jolli’s optimism he does respect it (as opposed to thinking Jolli is foolish/naive) and admires Jolli a lot. Jokir see’s Jolli as the coolest person he’s ever met, and sometimes wishes he was like them.

Seam; They/It/She; 35 years old (1996)

Seam – pronounced “Shawm” – acts as the official magician for the Royal Court. They’re a friendly, easy-going darkner who gets along with others well. It’s also been good friends with Jolli and Jokir since the twins were part of the Royal Court years ago. Whenever Seam visits the two, they often bring all sorts of nicknacks it’s bought or found to show off, or she also likes to stay for tea or board games the twins have. When the three play games, Jolli is the one that usually loses while Seam and Jokir are equally matched even towards the end. This usually makes the end of the game more intense as to who’ll win (or at least, Jolli makes them intense by adding dramatic narration), but there’s generally a 50/50 chance either Jokir or Seam will win (the two never take it too seriously like Jolli, though, and like to laugh about it). 

Before the accident, Seam often worked alongside the twins to entertain the Kings with her magic tricks, which it still technically does today; however, since the twins have been kicked out Seam acts as the sole entertainer of the Royal Court – which can sometimes be stressful or unfulfilling as Seam is alone and the Kings are generally not amused. When the annual circus comes around, additionally, Seam feels more stressed as they’re in charge of planning preparations as the host (though luckily she doesn’t have to lead the circus thanks to the ringmaster, just plan and direct it – Seam can just play as the main magician performance-wise); this is different from when the jester twins were part of the Royal Court as the two often helped Seam out with preparations for the circus (being the other two Royal entertainers), but now that the two can’t join the Kings forbade Seam from seeking help from Jolli and Jokir (which Seam has broken a few times anyway to ask for advice from the twins. I mean, who’s gonna stop them?). Seeing how badly the twins want to join the circus and be part of the Royal Court again as well, Seam asked the Kings many times to grant them one more chance to perform in the circus but to no avail – the Kings won’t listen, especially the King of Spades. 

Even though the jester twins were kicked out of the Royal Court years ago, Seam visits them sometimes anyway because she enjoys their company and as friends. Seam enjoys Jolli’s enthusiasm and antics (though is always surprised somehow (comically, so) by their pranks, but Seam laughs at itself anyway afterwards), and Jokir’s laid-back and humorous attitude is also enjoyable to be around. She also finds the occasional bickering between the two twins very amusing, as well. However, Seam’s noticed how the two seem so hard on themselves in regards to their situation (with Jolli always pushing themselves despite their disability, and Jokir’s insecurities and anxiety manifesting in criticizing himself), and because of that Seam sympathizes the twins and wishes they wouldn’t push themselves so much (and tells them such) – the two have inherent value even if they don’t ever end up performing in the circus or joining the Royal Court again.

Okay thats all for now, may update this if i catch any mistakes lol (if you read this far thank you!! I appreciate your time!!)

[cream-and-tea]

putting this on the blog on the dash as a warning. i would like to apologize for the person i am about to become.

[itslilacokay]

pls pls PLSS tell me about your NS? au i need to know as much as humanly possible...

sniff... i.... i thought no one would ever ask........... nows my chance...... to yap..........

AHEM.

ns?AVA (normalswap?ava) is my swap au! its not normal

victim and tco both take tsc's role, while tsc just takes victim's role

mercenaries swap roles with cg, though its not exact on which mercenary takes specific a cg member's role and vice versa, theyre quite jumbled around

though one specific stick in the cg doesnt take a mercenary's role and that's yellow, in fact he takes tdl's role! as for tdl he takes tco's role

"so in your au there's like only 3 mercenaries instead of 4?????" no i thought of something else to remedy that

you know that cloaked guy that gave king the command block? yeah hes a mercenary now

speaking of king........ he has a different role as well but that's in ns?avm, which i'll get to later because i need to explain more ns?ava things

so fun fact! the hollowheads have new names for this au

tsc -> The First Victim (tfv)

tdl -> The Chosen Lord (tcl)

victim -> The Return (tr)

tco -> The Second Chosen (scn)

btw the animator is alexcrafter28, aka that minecraft kid in lush caves

for ns?ava lore, i wrote down what happened in ns?ava1-4 a few months ago so if you dont miiind

SWAP-AVA 1 -tfv becomes a rogue animation and destroys the computer -tfv finds the stickfight website and convinces the colorgang to destroy the computer with him, they agree -colorgang gets "ended", which makes ctv want to destroy the computer even more -ends like normal ava1 with the fla closing without being saved, since tfv is bound to that fla file he disappears with it

an extra thing to note is that if this were a video, there would be an ""animation error"" where yellow didnt get shown to be ended, an aucanon explanation would be that yellow managed to escape to the outernet, albeit on accident

SWAP-AVA 2 -tcl is made and destroys the pc, wow what a shocker -alex eventually traps him and just renders him powerless, though tcl's able to still wander around the pc

SWAP-AVA3 -yellow appears back in the pc and starts destroying it again -tcl tries to stop him but eventually joins him and also the code that disabled his power gets removed (yellow did it) -just like normal ava3, it ends with them both completely destroying the computer, ending with a blue screen of death

SWAP-AVA4 -starts like normal ava4, in the middle of an online chat -however, it starts in the middle of scn destroying the computer -scn comes across an fla file and finds tr and co -they hang out for a bit but alex eventually finds the fla with them inside -fight sequence -as soon as alex is about to close the fla a few flashbacks to (swap)ava 1 happen -they come up with a compromise, scn doesnt wreck the pc and alex lets him and his new friends hang out in said pc -a little while later it shows that scn, tr and co are in their own fla, with a house drawn inside it (similar to the stickfight website)

a few extra things i want to add before heading to ns?avm is that in this au, when tfv gets brought back from deletion he tries to immediately go back to the stickfight website in hopes of bringing back the cg

it works, but yellow is still missing

they then find out about the outernet and try to find yellow there

along the way they founded illustratiocorp

just to make it clear they dont care about the animator, or at least getting revenge on the animator is of less importance to them at the moment, for now they just want to find yellow

the reason why tcl is wanted is because he was suspected to have involvement with yellow somehow,,, and also the past instances/news of internet terrorizing but yeahhg

i think thats all for ns?AVA for the moment, now is time for ns?AVM!

so in ns?AVM, gold and king found purple and took him in (purple's lore up until that point still stays, orchid dies and navy leaves)

purple died in the minecraft event and gold feels severe survivor's guilt and now wants to destroy minecraft

unlike king, gold's ,.,,, a child so this hatred against minecraft is more severe

speaking of king, yeah he's still traumatized but he still has a bit of moral left and doesn't want gold to go through with this plan

gold then early on finds out how to enter minecraft because of the cloaked guy (gasp)

in this au, cloaked guy originally resided in the mac and later led gold to said mac

gold decided this would be a good time to start destroying a bit of minecraft currently on the mac, but accidentally ended up being a ruler of the mac village (definitely not because cloaked guy gave him the crown and silently left and the villagers took that as cloaked guy passing down the crown to this kid)

then skip to a whiiiile later, gold and cloaked guy are kinda working together and cloaked guy is also teaching gold how to work with the command block

now that golds more confident on working the command block, his plan to destroy minecraft can finally begin right after making a staff because he still liked his old staff during his time as ruler of the mac village

honestly i havent thought much about ns?AVM as much as i have with ns?AVA so maybe i'll post some other lorethings about ns?AVM after i think some more, but apart from that i thiiink thats about it yeah

[evansbby]

my opinion on the Blake lively situation

[breezy-cheezy]

Febuwhump Day 28: You’re safe now

A voice hushed him in his ear, and a large warm hand continued to gently rub his back in one of the only places that wasn’t covered in bleeding cuts.

“I promise Vash, I promise.”

He sobbed.

“Just rest for me Vash, okay? Okay? You’re going to be okay I promise.”

ART FOR @insertsomthinawesome‘s WONDERFUL fic that’s been giving me brainrot lately ;;v;; Hug time.

[harvestmoth]

more rejuv things but its. its just this guy again, im sorry shes all i can draw

[frenchfriedgiraffe]

dghda season 2 and childhood

this is adding on to this post i made a while ago. basically, i fully believe that the writers of this show set up the perfect opportunity to have the theme of s2 be about childhood, specifically exploring the effects of trauma (and escapism/maladaptive daydreaming). its already something that is featured or referenced to, however i think that there was a lot of potential for the show if they fully embraced the theme.

the biggest and most prominent example of the theme of childhood being present is in the character of francis (The Boy), who experiences severe childhood trauma and as a result creates a fantasy world that he can escape to. this world is full of stereotypes of a conventional children’s fantasy, with knights, a magic train, and even a crazy evil wizard guy. yet despite this, the world he created also contains elements from real life, specifically things that he found traumatic. francis witnesses his father get killed with a pair of scissors, and the main weapon used by the characters in wendimoor are a pair of giant scissors. also, in the house within the house, theres a copy of his kitchen, featuring the scissors and smashed flowerpot.

this is probably the most obvious display of the lasting effects of childhood trauma in a character, although there are a LOT more, though they are quite subtle.

dirk may be the second most obvious example of the presence of this theme. his very first scene in season 2 is set in blackwing, the organisation that took him and experimented on him as a child. blackwing is hinted to have abused him as a child, although we only see how they treat him as an adult. (there is a deleted scene of him when he was a child talking to the previous head of blackwing, meaning that there was a possibility we could have seen what it was like for him as a child too.)

however it is clear that he suffered trauma from his time at BW as a child, as many of his mannerisms throughout both season 1 and 2 mirror those of someone with c!ptsd. and having that trauma resurface in s2 also causes him to be more distant and get upset more frequently. (theres more but this is long enough already)

despite escaping blackwing early on in the season, dirk is obviously extremely shaken from his brief time back in there, and its pretty safe to say that the experience brought up a lot of bad memories. he is much more subdued throughout s2, and his previous optimism is rarely present, with his attitude towards the case being very different from s1.

like francis, there are a few tiny hints to escapism as a result of dirks trauma from blackwing (although im probably grasping at straws here). while in blackwing, he frequently dreams about being rescued by todd and farah. while being chased near the end of the season, dirk is lethargic and rather unresponsive, which could be some sort of dissociative state that he entered in order to escape from the reality of his situation.

while these are the most prominent examples where characters are shown to be effected by their childhood experiences, most of the other characters can be interpreted this way too.

farah is another good example, where she mentions the passing of her dad, and talks about how he wasnt a great father figure and caused her to often feel like a failure. she actually gets a resolution to this, with hobbs seeming to step in as her new father figure (yay!)

this was also something that seemed to be half set up for other characters. for example, todd and amanda having to learn to accept the changes in their relationship and amanda having to recontextualize her past. tinas frequent references to her struggles with addiction as well. farson and his whole family… thing. oh, and also like EVERY other blackwing subject. (more examples but again, this is a fucking long post)

essentially, the characters in this season struggle a lot, and a lot of this is because of things that happened (or possibly happened) because of their childhood experiences.

which leads me onto my next point (oh god, theres more!?) about the missed opportunity with this set up. many people agree that a lot of season 2 felt rather… aimless? while things were loosely connected, they definitely felt a lot less connected than in season 1. events happened and because there were plots happening in different DIMENSIONS, there was often very little overlap. having an underlying theme like this would have made each plot connect much more seamlessly, and it would have been a nice opportunity to further develop and explore some characters.

for example, throughout his journey in season 2, dirk could be seen recognising the parallels between the case and his own internal conflict. as he sees the destruction caused by francis’ powers, he could mirror the events with his own experiences and perhaps realise the effects of what pushing down trauma does. i think it would have been nice to see a conversation between dirk and francis about blackwing, ending with francis telling dirk he needs to learn to face the shit he went through and stop trying to ignore his trauma. this would have been a good way to connect their characters more as well.

it would have been a good opportunity to connect ALL the characters, especially if the show embraced the idea of escapism and pushed it further through wendimoor. as they got closer to solving the case, we could have seen them recognising their own flaws and looking back at their pasts.

and they wouldn’t have really had to make any super drastic changes, because theres already so much material for this theme to be introduced!!

tl;dr: s2 set up a lot of cool themes and the season would have been a lot more well-rounded if they embraced them more.

dont even get me started on the concept of good and bad…