#if u want a step by step process i can always make tutorial but these are pretty simple idk if anyone would want one :o | Explore Tumblr posts and blogs

cressidascowper · 1 year ago

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hi, your latest edit for thgweek24 is absulutely stunning and i thought if i can ask if you can make a tutorial about the ripped gifs/paper effect? if not, that's okay! have a nice day <3

RIPPED PAPER EFFECT TUTORIAL

hi! thank u :D (thgweek set referenced)

below the cut are the steps that i took to create this effect. this tutorial is very screenshot heavy and assumes some basic knowledge of photoshop and giffing.

i do my best to try and explain my process so hopefully this is helpful! if you have any questions, please don't hesitate to ask.

STEP 1: Choose and arrange your two gifs

with this specific use of the ripped paper effect, there's one gif on the "outside" of the rip and one on the "inside." in this example, the outside is the b&w and the inside gif is the colored:

for me, the outside gif determined the positioning of the inside gif and the position/direction of the rip. as can be seen, outside gif has a lot of space on the left. therefore, i knew i was going to position the subject of the inside gif more on the right so i could create the rip without hiding too much of the b&w gif.

next, you want to arrange the inside gif on TOP of the outside gif. your layers panel should look like this:

STEP 2: Creating the ripped effect

here comes the fun part! in order to create this effect, you're going to need torn paper brushes. here and here are some packs you can download (w credit to owner).

next, create a layer mask on your inside gif. you're going to use the brush of your choosing as an ERASER. then, you can play around with the size and angle of the eraser to create the look you want. this is what the gif and the layers panel now look like:

STEP 3: Adding the paper

in order to add the paper around the edges of the inside gif (where the text goes), you now need to download a paper texture. i found mine on google by searching "paper texture png."

place the paper png IN BETWEEN your outside and your inside gif. this is what everything should look like:

now, similarly to what you did in the previous step with the inside gif, you are going to create a layer mask on the paper layer. using an torn paper brush as an eraser, you will erase the paper, creating the shape you want.

be sure to leave enough room for whatever text you want to be on the paper. also, i suggest making the rips of the paper different from the rips of the inside gif so it looks more organic.

here is what my gif looks like after erasing the paper:

optional: add a drop shadow on the paper layer (right click -> blending options... -> drop shadow)

STEP 4: Adding the text

first, you want to identify the space where you will have room to place your full quote within the paper. if there are no spaces, you can always use your brush/eraser to modify the layer masks.

next, add a layer on top of the paper layer (and below the inside gif). select the text tool and start typing your repeated text!

because you can see which text is hidden by the inside gif and what is on top of the paper, a shortcut i use is the "tab" button and only type words that will be seen.

type the repeated words around the quote you want highlighted:

now, in order to contain the text within the paper, convert the text layers into smart objects. then, create a clipping mask on both layers (right click –> create clipping mask). this is what your layer panels should look like:

with that, your gif should now look something like this, with the text contained inside the paper:

STEP 5: Highlighting the quote

as you can see, it just looked like a bunch of words. so, in order to highlight the quote you carved out in the previous step, add a new layer below the layer of the quote you want highlighted:

now, use a round brush (softness around 10-15% and opacity at 70-80%) with the color of your choice to highlight the words you want.

and there you have it!

i hope that this made sense and was helpful! if you have any questions or clarifications, please don't hesitate to ask :)

#ps ask #ask #*tutorial

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yesloulou · 1 year ago

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Do u have any tips/tutorial how to make gifs so smooth if there's movement? Mine are always choppy and weird :(

Hi anon, ty for sending this ask. I'm sooo honored!! (and plz don't call your gifs choppy or weird i have a feeling they're very lovely 😌)

✨ Gif Tutorial: making movements in ur gifs as smooth as possible✨ (updated)

↳ aka: speed management in gif making

Remember to always source your content responsibly!! Process in this tutorial is simply what works best for me. Every creator has their own preferences and imo there is no right or wrong. We should always make content in the way we enjoy 🤍 Outline: 1. Remove duplicate frames 2. Repair missing frames 3. Speed management in Photoshop 4. Smoother slomo using Video Frame Interpolation

1. Remove duplicate frames

Obviously, if there're duplicate frames in a video, our gifs will end up with lil lags here and there (since some frames get more screen time than others). Although the dup frames are likely barely observable once compiled into gifs, imo this is what makes the difference between smooth and butter smooth. the two daniel gifs above (guy with big brown eyes, if ur not from our fandom 🤍) can hopefully showcase this difference**.

**technical explanation for this that you can totally skip: the persistence of human vision is approx. 0.1s, ie everything we see stay on our retina for this amount of time. since gifs refresh faster than this (eg. 0.04s on every frame for a 25 fps gif), we usually can't pinpoint exactly which frame is a duplicate just by looking at a gif. however. by definition, a duplicate frame will slow down a gif, by making it pause longer than it should. as a result, a movement during this lil chunk of time will move less pixels than your brain would've expected. and this is where we perceive the not-so-smoothness.

ok, now that we've established that we don't like duplicate frames -- I know it's common practice to handle this by looking for an optimal output frame rate to offset the dupes. to me this feels chancy. bc it's a process where you don't have control over exactly which frames to keep or discard. Personally, I prefer making sure my videos are dupe free before everything else. (Again, this is just what works for me. Everybody has their own process and imo there is no right or wrong :)

To remove duplicate frames, the first thing I do with a clip is to play the first few seconds frame by frame to see which one of the following scenarios it falls into:

a. no duplicate frames ↳ best case scenario! congrats!! plz proceed directly to step 2 b. there is a duplicated frame once in a while ↳ This happens most often with (but not limited to) videos from social medias ↳ Reason behind this is frame rate conversion. For instance, instagram/tiktok has a default frame rate of 30 fps. However, many media sources (eg. no brakes, sharl's vlogs) produce at 25 fps. When these videos are uploaded, instagram/tiktok convert them from 25 to 30 fps by duplicating 1 frame every 5 frames, hence twitchiness in gifs when slowed down. ↳ Solution: in photoshop, go through the clip frame by frame, delete dupes manually (recommended) ↳ Alternative solution: use duplicate frames remover softwares (see next bullet point) c. almost every frame has duplicates ↳ This will almost always** be the case with screen record. ↳ What not to do: When there are many duplicates, we may be tempted to use photoshop's 'import 1 out of every n frames' function. this is not ideal bc, the dupes are rarely uniformly distributed. you could end up losing frames you don't want to lose (resulting in choppy gifs) or end up with dup frames still in the mix (resulting in laggy gifs) or, most likely: both. ↳ A better way: is to import all frames into photoshop, adjust the output frame rate to offset the dupes (here is a good tutorial on this) Pros: efficiency; yields decent results in most cases. Cons: again, in my experience this is a process where you don't have precise control over the frames. Therefore runs the same (albeit smaller) risks as the method above. It can also limit how much you can slow down a gif, and generally doesn't work well if the target frame rate (of the clip you're trying to gif) exceeds your computer's recording rate**. **More on this statement: when target rate is comfortably lower than recording rate (~ 55 fps for many), chances are most to all frames will be captured. It is therefore more tolerating towards skipping a unique frame from time to time. However, when target rate (i.e. anything 60 fps) nears or exceeds recording rate, you will be dealing with dup frames as well as missing ones. Using the method above can therefore subject you to the possibility of losing two unique frames in a row, making the gifs noticeably choppy. ↳ Solution: we always have the option to trim dupes by hand in photoshop. But in this case, it can be time consuming, even with keyboard shortcuts. as a result, here is where we can really use a: ↳ Dup remover software: google search 'dup frame remover software' will give you several options and tutorials (here a plug-in for after effects). i've heard good things about some of these but unfortunately can't give recommendations (they do cost money sooo i wrote my own)

Demonstration:

This is a frame-by-frame animation of an ad Charles did for apm. It was produced at 25 fps & uploaded to socmed where the default is 30 fps. You can see that: i. With screen recording, every frame has an unpredictable amount of duplicates. ii. Original clip from instagram has 1 dup frame every 5 frames. iii. After deduplication, the movement becomes lag free and continuous.

2. Repair missing frames

At this point, our video clip is (hopefully) free of duplicate frames, which makes our gifs lag-free (yayy!!). At the same time, we don't want choppiness in our gifs either. Choppiness in a gif is usually caused by missing key (unique) frames. To check if there is any, replay the clip, look out for the sudden jumps/fast forwards in movements. Three possible scenarios:

a. no missing frames ↳ best case scenario! congrats!! plz proceed directly to step 3 b. a lot of missing frames ↳ This is usually the case if the target frame rate (of the clip you want to gif) exceeds the screen recording frame rate. ↳ Solution, imo: (surprise!) is to leave things be. Reason is that something like this would be quite tedious to fix, but not that noticeable if made into a gif that's fast enough ↳ Alternative solution: Record at 120 fps c. occasional missing frames If a video clip misses frames, but not a lot, chances are it's only gonna happen very occasionally, i.e. 1 or 2 occurrences in total. A frame-miss in this case is usually due to either the screen recording skipping a frame by mistake, or that the original video misses frames/contains bad frames to begin with. ↳ Solution (for screen recordings): record again, find missing frame (chances are it will be captured on a second try), insert frame back into original timeline in PS ↳ Solution (if video misses frames or contains bad frames to begin with): Let's talk about ✨ VFI ✨. VFI (Video Frame Interpolation) is the process of synthesizing in-between images from a given set of images. It can increase videos' frame rates (i.e. 30 fps to 60 fps), achieve smoother slomos, and by definition, also help with missing/bad frames. There are many software products that let you use VFI by simply dragging videos into the app and clicking 'export'. Afterwards, all we need to do is to find the missing frame generated by the app & insert it back into the original timeline in PS (ahh technology). For more info on VFI, see "4. Smoother slomo". ↳ Note that VFI processed footages will likely differ slightly from the originals in terms of colors & lightings. This may be tuned out using clipping masks (allow a group of adjustment layers to only apply to one frame/layer, keyboard shortcut: Command+Opt+G)

3. Speed Management in Photoshop (✨ updated ✨)

At this point, our clip is without dupe or missing frames (or at least as close as can be). Whether you dodged the first 2 steps like a breeze or freshly emerged victorious from photoshop covered in blood to get here, good news is, things will be very straightforward for this point on. congrats!!!

🎉🎊🎉

As mentioned before, in terms of smoothness, our clip is now in ideal shape. The important thing is to keep it this way throughout the rest of the process. My workflow looks something like this:

Open file, crop, resize, sharpen, color, export gif, reopen gif in photoshop (which won't compromise quality), assign frame delay, export finalized gif

If you're used to finding a comfortable frame delay or speed/duration combo at the beginning, this process might feel unnatural. But it's so so so so important to leave the speed related settings alone until right before exporting. Here's why:

By not converting frames with modified delays into timelines with fps, we avoid having to give our finished product a frame rate (which photoshop timelines have to specify). This is crucial bc, there is no such a thing as frame rates in gifs. According to the syntax of GIF89a (the current '.gif' format, screenshot below), gifs control their speeds through (and only through) how much time to wait in between frames, aka delay time. Our process above does exactly that. It compiles frames directly into gifs, and avoids expressing frame delays (a gif concept) through frame rates (a photoshop concept), a conversion where dupe frames and missing frames come from**. In other words, using frame delays to control speed is simply more natural to a gif's syntax. **Why would this conversion cause dupe frames? ↳ On paper, frame delays should translate into frame rates seamlessly (i.e. 1 second ÷ 0.06s per frame = 16.67 fps). In reality, photoshop does not support direct translations like this. When converting frame animations into timelines, PS defaults outputs to 30 fps, regardless of frame delays. This disagreement between frame rates is where dupe frames come from. ↳ Some examples: i. Consider a frame animation where frame delay = 0.04s (25 fps), to convert it into a timeline defaulted at 30 fps, 5 out of every 25 frames will be 'duplicated' by photoshop (30-25=5) ii. Now, consider a frame delay = 0.06s (16.67 fps roughly 17 fps), to convert it into a timeline defaulted at 30 fps, 13 out of every 17 frames will be 'duplicated' by photoshop (30-17=13) ↳ (the 'duplicated' was in quotes bc photoshop achieves this thru assigning a frame roughly twice it's original screen time instead of actually adding another) ↳ (afaik, currently there's no way of changing the default 30 fps as long as u start with frame animations. If anyone does know how please let me know 😳) **Why would this conversion cause missing frames? ↳ This happens when one tries to reverse the harm done by photoshop in prev step by changing the 30 fps frame rate back to what it's supposed to be (using function 'Set Timeline Frame Rate') ↳ Let's use the last example again. As mentioned, to go from 16.67 fps to 30 fps, 13 out of every 17 frames will receive roughly twice its original screen time (0.033s * 2 ≈ 0.07s). On the other hand, 4 out of every 17 frames' screen time will remain the same (0.03s). to go from 30 fps back to 16.67 fps, photoshop resamples frames from its 30 fps timeline in 0.06s intervals. As a result, any frame with screen time less than 0.06s runs the risk of 'slipping through the cracks', namely ones whose screen time remained 0.03s ↳ (gifs require frame delays to be rounded to the nearest hundredth of a second) ** What if I open the file as video object, instead of importing as frames? ↳ Indeed, when opening as video object (i.e. command+o instead of command+i), photoshop inherits its frame rate as is. We would then have the option to manipulate it's speed by right-click ➡️ adjusting the percentage (of how much to speed up or slow down). ↳ Here, if we slow down a gif without changing its frame rate, we risk introducing duplicate frames into the result (since frame rate is now higher than needed). If we slow down a gif and lowered the frame rate, but the math didn't check out, we also risk losing unique frames (frame rate not high enough). The same (opposite) goes for speeding things up. Therefore the best and easiest approach is, again, leaving speed related settings alone until right before exporting.

(the block of GIF89a syntax responsible for graphic control:)

Ok in hindsight this probably isn't exactly like. the most straightforward thing ever but the execution part is very much so 😳 here goes:

1. Open file in PS via Command + O note the (25 fps) on bottom left

without changing speed, duration, or frame rate: 2. Trim ✂️ 3. Crop 4. Resize 5. Sharpen 6. Color

(Updated!!!) 6. Export gif, and then reopen it in Photoshop **Compare to the original method (timeline into smart object, smart object back into frames), the updated method has the following benefits: i. Avoid lowering gif quality by converting into smart objects ii. Reopening gif into frames and reassign frame delay saves time (bc less steps) and won't hurt the quality at all (bc no image processing required)

7. Assign Frame Delay (i usually go with original frame delay + 0.01s) 8. Export ✨

Tada!! Speed = managed!!

This ad actually came out last December where I was aware of like, maybe 5% of what's in this post. Here is what my original gif looks like. I'd say what we have rn is a big improvement :)

Now, imo there are situations where it simply makes more sense to start with frame animations (imported using command + i). For instance: when we need to remove duplicate frames by hand, when there is a missing frame/bad frame that needs to be repaired, etc. My workflow would then look like this:

1. Command + i 2. (do things to frames) 3. Set frame delay to 0.03s 4. Convert to video timeline 5. (the rest will look exactly like the workflow above)

This works bc when frame delay is set to 0.03s, photoshop will treat your video timeline as a "natural" 30 fps timeline and leave your frames alone. Therefore maintains its uniform speed.

4. Smoother Slomo using Video Frame Interpolation

As mentioned above, VFI (Video Frame Interpolation) is the process of synthesizing in-between images from a given set of images. It can increase videos' frame rates (i.e. 30 fps to 60 fps), hence smoother slomos. There are many software products that let you use interpolation by simply dragging videos into the app and clicking 'export'. I've had very good experiences with Topaz and After Effects.

Let's talk about After Effects first. If you have Photoshop, chances are you have AE as well. To use AE's Keyframe Interpolation:

i. Import ii. Set speed to half iii. Click square twice until you see lil arrow iv. Export

Topaz is a production grade video enhancing software. It's capable of enhancing frame rates (i.e. 30 fps to 60 fps), increasing resolutions (i.e. 540p to 4K/2160p) and more. Unlike AE who uses only the two neighboring key frames to generate an in-between frame, Topaz takes the whole sequence into account, hence better reliability. It's also more user friendly than AE imo.

Here is a before-and-after interpolation using Topaz.

That's all 🎉🎉🎉

To sum up: remove dupe frames (if any), repair missing frames (if any), use and only use frame delay to control speed, and software enhance frame rate if needed.

This post got way longer and more technical than I had planned and I honestly have no idea where all this stuff came from lol. But it was really fun and I hope you'll find it helpful. Feel free to message me if you have any questions. Have fun moving-picture making!!

#f1edit #gif tutorial #asks #*#my gif tutorials #photoshop #dailyresources #allresources #completeresources #this was. 3k words?????? what?????

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creatorping · 5 months ago

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I'M SOO OBSESSED WITH HOW YOU COLOR.. please.. tutorial... i beg..

aweee thank you! Idk how to make a comprehensive tutorial unless you want me to do the most insane info dump rambling that’d most likely confuse u more 😭 so I boiled my process to the simplest 3 steps in one pic.

Note: these are my learning experiences and my comfortable coloring style. Smudging can be very useful for realistic shading but because I like some sharpness in my art, I don’t use smudge.

When coloring/shading, I always keep things in mind:

WHERE IS THE LIGHT COMING FROM. WHAT COLOR IS THE LIGHT? WHAT FEELING SHOULD THIS IMAGE GIVE?

How to convince viewers that this is (ex: feathers) and not something else (ex: scales or fur)

if light is warm, shadow must be cool. + vise versa

I don’t have clear step by step process of how I rendered Martin, only a few screenshots I took when I was coloring. (procreate either gives blurry images during replay or gives a super 30 sec video that explains nothing lmao)

Thanks for submitting! Hope this isn’t too confusing 🧍‍♀️

#ping rambles #process #glad you submitted something!#martin kratt

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bryce-bucher · 2 years ago

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Basidia Post #4

Vintage CGI:

Modus Interactive and I have been spending the last week or so learning how to use Alias Power Animator 9 which is essentially an old version of maya. It was used on sgi workstations back in the day on games like ff7 and mario64 for all the pre-rendered stuff. For a long time Modus and I have been pretty invested in learning how to replicate the look of old pre-rendered stuff, and, as it turns out, the best way was just to do it how they did it. For so long I tried to wrap my head around how old cgi stuff was modeled because the sorts of shapes that were often created seemed like they'd be unnecessarily hard to create with polygons. The thing that specifically stumped me for a while was how they handled wrinkles in clothing and organic shapes. As it turns out, the answer was hidden right under my nose the whole time. They weren't using polygons at all! Instead they were modeling with NURBS! It seems very obvious in hindsight, but I feel like I deleted the memory of NURBS once I exited highschool, and nobody ever seems to talk about or use them these days. If you don't know what they are, it's basically a style of modeling that involves making a bunch of bezier curves and using them to define surfaces. It's a totally different style of modeling from polygons with a lot of pros and cons, but it achieves that smooth look we're after extremely well.

Scout Rifle Render:

As shown in the pics above, I decided to make a model of the scout rifle in Basidia so that we could use it for an item icon. The process was definitely a learning experience, and one of the things I learned is that modeling like this is super fun. It's like creating each shape is a puzzle where you need to theorize what is the best approach to take, and following through is always a multi-step process of defining a surface and slicing it up. I find it super satisfying to pull off, and making slapping materials on it is always fun as well. Moving forward we are probably gonna use this program and/or older versions of maya to create any pre-rendered item icons or backgrounds that we'll be needing. Modus actually made new versions of the vials in it as well which I will put right here \/

Wow there it is would u look at that. Power Animator just has an amazing way of outputting some unique, rich colors that are hard to get in modern software. I mean, just look at that cork. How do you make a cork have such interesting colors? Amazing. Fuck it, I'm gonna show off a little guy I made in power animator that has nothing to do with Basidia. I've been hyperfixating on this program since I downloaded it so I owe this to myself.

Here he is! Power animator has this amazing glow effect you can put on any shader that adds this bloom as a post processing layer. I used it on the head in this one, and I think it achieves a particular dreamlike effect really well. The sorts of shapes I can get for cloth out of NURBS is also super fun and rewarding, as shown with the cape here. Character modeling is something I'm always really excited about, and I'll definitely be modeling some Basidia characters in this thing.

Conclusion:

I am loving this program and I cannot stop thinking about it. Anyway, I have some commissions to take care of before switching back to midwest lost development, so I may or may not be posting about that game next week. I'm trying to buy an old sgi workstation with the commission money, and, if I can pull that off, then I will have access to all the old software they used back then (including the IRIX version of poweranimator). If you want to check out power animator yourself then here is a link to the program, and here is a helpful tutorial. Oke bye take care!

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arkarti · 7 months ago

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Hi, I hope you're doing well! If you don't mind me asking, what is your whole drawing process and how did you manage to develope your style? I really love your artwork and it's inspired me to try practicing in a similiar art style, but the problem is I'm still kind of a beginner and don't know where to start lol. Even just some general tips as I struggle a lot with perfectionism.

It's perfectly fine if you don't want to answer or have any advice, regardless I wish you the best and want you to know how awesome your art is! And also make sure you're not overworking yourself, but other than that have a good day :D

First of all: aww thats so sweet! thanks anon 😊💖 And for drawing: The more you draw, the more you see what you actually like from your artworks: for me it was the rather sketchy/loose lines with flat colors. kinda messy, kinda rough - not 100% polished all the time. Fun fact: started out with semi realism, then came back to "simple" flat colors 😂 actually did the spongebob meme irl:

Anyway, this style works the best for me, cuz I don't get hung up in too many details (like I usually do). I can draw something relatively quickly in a few days rather than spending weeks on one drawing. I have like 300 wips at once so I gotta draw EVerYThInG as soon as possible 👀 idk how to really describe finding your style - I guess it comes naturally? 😅

Now, for starting: it's best to draw something you're passionate about: animals, fanart or whatever you like! biggest motivation ever. And of course the classic fundamentals: - learning anatomy (first thing) - perspective and framing - color and all that jazz

start simple: break things down into simple shapes 🙏 for example this hand:

step 01: ALWAYS use a reference when drawing - it helps! step 02: If you can't see shapes you can always try to draw them over the image to help you understand things better - great for learning!

There are plenty of great drawing tutorials on youtube where u can learn :3

And finally: don't be too hard on yourself! 🔥

#ask #anon #I tried to explain hope that helps :'3

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jackshiccup · 9 months ago

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Hi! The book you did for otnwas is SO BEAUTIFUL!! I was wondering if you have any tutorials on how do to your own book binding? I would love to turn my fave fanfics into real life books :DD

aww thank u so much !! i actually collated a few resources for my friends about bookbinding so u r in luck ⭐:)

but before all that, i want to mention the most important thing and it is to always get the permission of the author of the fic you're wanting to bind first and to never print any art related or not to that fic without the artist's permission !!!!! let's keep it respectful in these streets yeah? BUT printing your own art though.. that's a slay 🤞🏽

ok hehe to the fun stuff yippeeeee

bookbinding tools & materials (beginner friendly) - super helpful + in depth, i recommend starting with this one to really get a good idea of the entire process (she specializes in journals though so it doesn't include printing process or anything like that!)

14 helpful hints before getting started - very very useful hacks that will probably save you a lot of mistakes in the long run, also i love this man (one thing i have to mention though is that paper grain is not entirely important unless you're looking for a more advanced bind)

how to bind fanfic tiktok series - this is a good one that has a step by step guide which includes the typesetting + printing process

tutorial focused videos

DIY book press - very useful + efficient, but if you can't be bothered to make this (like me oops) you can just use really heavy books or weights

DIY binding cradle - essential tool to punch holes in your signatures, honestly saved me money and also my life, once again i love this man where would i be without this tutorial

french link stitch - easy to follow, has some good sewing tips too!

weaver’s knot - important hack, you don't want your thread to be too long when sewing it's a nightmare

hardcover case binding - good tutorial on hardcover but this one is flatback - it's still fine to follow though if you switch the spine to card stock to give it more flexibility especially if it's a thick book

whew, sorry for the long ask i hope this is helpful enough ;; another important thing is to be patient and have fun !! try to enjoy the process especially bc it takes SO long but trust it's very worth it <3 there's also a lot of materials and tools so pick whichever is the most accessible to you ok byeeee

#jackshiccup ask #anon #i didn't include anything about the book cover bc i totally winged that LMAO #it IS my design tho #ALSO i've been reading everyone's tags on my post and it made me giggle and scream and kick my feet and everything sniffff..#supremely glad otnwas made us all clinically insane #if anyone is curious about my process specifically i can maybe talk about it ?? perchance .......#i'm planning on making another copy atm with less mistakes this time hopefully 🥺#AIGHT ENOUGH YAPPING

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kamiliora · 9 months ago

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Too people who want to get "prettier" and have a "glow up" Do NOT expect it to go over night.

Plenty of people believed that you just become pretty with no effort like you see on TV. It's never that easy. It takes steps, processes and Discipline. Always start with the basics like :

Hygeine

Make a skincare routine for your skin

Know your skin type and build you skincare routine from there

body care for the entire body

Scrubs , lotions and body butters are a must

Exfoliate 1-2 times a week

haircare (hair is everything even if u have a hijab hair care is still possible)

Oil train your hair and know you hair porosity to know what products to use

Use a non sulphate or silicon shampoo

Conditioner and a hair oil of your choice based on your hair problem

Hair mask 1 times a week

Know ur hair pattern to be able to use the right products and not damage your hair pattern

Do not straighten your hair everyday!!!

Use Silk pillows and silk scrunchies instead of elastics!!!

Getting a closet and hair cut for you

Find your best colors and body type

Therefore you would know which colors make you shine the most as well as

Find your seasonal color and which fraction ur in (like winter bright , summer light and etc)

Find which type of hair cuts and bangs suit your facial featured and face shape most

I recommend looksmaxing or the Yt channel Dear Peachie to help you including makeup tutorials, which archetype you are and which closet you can do

Look for styles that match your personality and makes you stand out

Build up a hobby

like sports photography, drawing, crocheting, dancing, and etc.

Doesn't have to be time consuming just something to do when ur bored or free even

Also depends on your time to be careful on what you commit to

Try to explore more options without much costs before fully committing to something that isn't for long-term

Exercise ( unless you already do)

Exercise requires discipline for you to be able to do it continuously for progress

If you can't afford a premium membership take a walk/jog/run around the block,street,park

If you feel unsafe you can do a YouTube work outs as they are effective depending on your goal

I recommend channels like :Madfit ,Hinafit, Shirley kim, April Han, ema wong, and Chloe ting

Take time for yourself (not all the time)

If you dont have time for yourself your body and brain will get stressed (from experience)

It can be as simple as drinking your daily detox water, green juice, coffee, tea or reading a book

Get 8 hours of sleep

Make sure not to stress for something so complete a task when given no matter how far the deadline is!!!

Reduce screen time to 3 hours a day (outside of school/work related stuff)

Diet

Never go too extreme like you see those people online do

Unless you are talking to professionals such as dieticians, Nutritionists and etc. (Bc most public figures do have professionals that they seek help too for these types of situations)

stick to a healthy diet like the 80/20 method

Or you can also do keto/greek/high carb or protein just never go extreme as it will slow down your metabolism

Find who you really are and trying to be better

People never really open up to try different things you should try more to find what you like most or which you are most stable with

See the perspectives on how you act im different situations and see what your mistakes are to try to avoid doing them again

Fix your mentality (watch wizard Liz, Song Jia,) and read quotes to inspire you to do better and the most you can

Always Analyze the situation before commenting or doing action unless its an emergency

Do not let people decide for you or get to your head it is their opinion not yours. You opinion is never invalid and justified in your perspective

Confident vs Arrogant vs Egoistic

Confident people never brag nor do they drag people down. They know they are THAT person and will NOT care about your opinion of them.

Arrogant people like to Brag about something that they have and thinks their all That. They bring down people for not having the luxury they have. But when someone has more and better than them they always try to avoid them, argue with them or get annoyed by them as They want to show supremacy

Egoistic people tend to make fun of people. Self-centered people that only think about themselves without knowing or thinking that they hurt others. Their too preoccupied with themselves to think of others helps or needs

(Sorry its so long and unorganized I made this at 2:30 am bc idk and these are just some tips)

#glow up #glowing up #haircare #skincare #skincare tips #body care

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devotedlyghostlyenemy · 8 months ago

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Tutorial 3D model to sims2

(first part )

Now that I'm learning how to convert Sims2 clothes from 3D models, I'm going to write how I do it in case anyone is interested.

First of all you should know that this is my way of doing it, I don't know if it is the most correct, if someone knows other things they can contribute them here 🤗

You must keep in mind that you have to be very patient, not everything turns out well the first time, nothing happens, you try as many times as you want until you get the result that you like the most. 😉

It is just a game, it is not real life nor is it a job nor is it an obligation, therefore you should not get frustrated, just have fun ☺️

We start 🕞

You will need :

-- a page to download free 3D models, there are many, you just have to search on Google or your usual search engine.

-- blender and milkshape

-- simpe

-- adobe photoshop or similar

-- bodyshop

We download a 3D model that we like, and we put it in a work folder that we are going to use 📂

Preferably we are interested in OBJ files, but the 3D models are not always in this format, if they are in DAE they are also useful for us

If you don't know what format you downloaded your 3D model in, right click, properties on the file and it will tell you what type of file it is.

If your file type is OBJ, you will go directly to the Milkshape phase, which I will explain later, if your file type is DAE... follow these steps:

open Blender

click on any point to remove that screen

You will get a white cube that we have to eliminate

now we can start

We import our 3D model with DAE format

We look for our file in the folder where we have saved it, when we have found it we click on import (up to the right)

We zoom in on our model by clicking the mouse wheel to increase its size and see it well if you want.

and we export it as an OBJ file, which is what we really need, you don't have to do anything, blender transforms it, you just click on file export wavefront obj

Choose which folder you want to save it in and give it a name, then click export OBJ (top right)

Close Blender, it is not necessary to save the changes when it asks you, so exit without saving if you want

Open Milkshape :

(If your file was OBJ from the beginning, you skip the entire Blender process and start here directly)

we import our 3D model obj file

Normally it sells completely black, I explain how I change it, I eliminate the material that is assigned,

I select my clothes, (group, select)

and I hit vertex, cat's normal smoother… and now we have it white

Now comes the most entertaining part, for this you will need your patience, normally the 3D model will not have the right size for the Sims 2 body, so you will have to modify it to adjust it

First, import a base body, of the age you want (adult child, etc.), the one you need according to the clothes you are making.

file, import ,sims2 unimesh import v4.09 , say acept, say noi

you choose your base body and say no

and say yes

now you have the sims 2 body and you can see the size difference in my case 😅

It's time to have fun, we select our clothes, (group select), and change their size until we find the one we want, (model scale)

We must change the numbers of X Y Z,

If we write 1.98 in X, 1.98 in Y, 1.98 in Z, we point to U and click on scale (the scale button below where the letters x y z ) our clothes will grow

If we write 0.98 in the three x y z, doing the same, our clothes will shrink

to be continue ...

#sims2 #devotedlyghostlyenemy #sims2tutorial #sims2cc #sims 2 #s2cc #sims 2 tutorial #3Dmodel sims2tutorial

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minhosblr · 9 months ago

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hello! i hope ur day is going well! im not really sure how to word this but ur one of my favorite gifmakers on this site!! and i was wondering if u have any tutorial or would be willing to tell how!! do u make ur gifs so sharp! along w being so smooth and gorgeous im foremost always just stumped at how beautifully sharp ur gifs r!! not to mention the coloring!! regardless of if u get to answer any part of ur process or not, i just wanted to tell you ur gifs r very very beautiful. im always so awed and admiring wnv i see them! so warm and prettily colored yet so sharp!! apologies for gushing here, pls have a good day!!!

AHHH THIS MAKES ME SO HAPPY, ANON! It always makes me so happy, when I get any kind of compliments on my gifs, so this really really really warms my heart!! ♥

I did a gif tutorial like 1,5 years ago which you can find here! My sharpening has changed slightly from back then, so I'll just tell you what I do now.

Much more detail under the cut (this got way longer and detailed than I had expected)!

This is a walk through of my sharpening/effect process, so if you want any tricks about colouring or anything let me know!

The first important step to sharp gifs is the video quality! The higher the video quality is, the prettier and sharper your gifs will be. TS files are the highest quality (most of the time, sometimes they kind of scam you ngl) files you can get. Else 4k videos are great too! For me I usually don't go under 1080p (with few 720p exceptions). Sometimes I don't really like TS files, because they're a bit too sharp for me. This is mostly if it's a variety show. Concerts tend to be not as sharp in my experience.

I use vapoursynth to resize my gifs before putting them in photoshop. I usually don't do any sharpening or denoise in vapoursynth. This site has everything you need for vapoursynth!

For sharpening and stuff in photoshop, I usually do camera raw + topaz denoise + sharpening + 1% blur at 30% oppacity.

A bonus tip is, if you've done everything and tried soooo hard to make it non-grainy, but you just can't get it to do whatever you want it to... embrace the grain and add a noise layer! I do this with big gifs (540x540) usually.

To go more in depth, my settings for those are as following...

Camera raw

Texture (tekstur) I usually go between 20 and 30, depending on the thing I'm giffing. For Clarity (klarhed) I do the same number as texture, but minus 10. Idk why, it's just how I usually roll!

For Topaz denoise I usually only use a little bit. Like 0.04-0.06 overall strength. I don't really have any "this is what I always do" settings, but usually my shadow is at 0.90 and my highlight is 0.48 (because I liked it one time and then just kept it). You can also use the denoise option in vapoursynth, I just prefer photoshop, because it feels like I have more control over it. I know a lot of people don't use denoise at all, but I usually do with files less than 4k quality!

OBS! Using topaz denoise on smart objects in photoshop is a bit tricky, but I made a video about it once, so here you go! (the video is kind of outdated for me, so ignore the sharpening part and focus on the "how to do after you've put denoise on your gif" part. Also ignore my voice, thank you).

Sharpening:

These are my settings for sharpening. If I think the gif is a bit too sharp after I've added a blur filter, I change the amount (mængde, sorry my ps is in Danish) to 80% and that usually does the trick!

If you use all of these, this is how the smart object will look, before you convert it into frames

Let me know if you have any other questions or anything at all!! ♥

#ask #answered #anon #tutorial #kind of #I've kind of considered doing a “maja's tricks and tips for colouring and other stuff with gifs” post so let me know if that has any intere #i answered this as soon as i got home cause I got excited that someone was asking me for tips ♥

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daeyumi · 10 months ago

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How would you recommend people practice digital art? Your work is beautiful and I'm curious what journey brought you to this point <3

Ooh this is a good one- okay so imo, the most important thing is to practice by drawing/painting things u enjoy. If you’re drawing something you love, that automatically makes it easier to want to keep doing it & improving.

As far as the technical side of it goes, I’d say experiment & try a bunch of different processes to find what works for you. There’s obviously tons of different tutorials out there from people who have wildly varying art processes and I think it’s important to try many different ways of doing digital art, because the possibilities are quite literally endless.

Personally I recommend doing studies of game screenshots or even other artists’ work that you admire, in order to help understand how people use color, value, shade, etc. (I used BotW screenshots for studies personally early on, because I really admire the game’s color scheme and it helped me get a much better grasp on how I wanted to use color in my own work, especially as it pertains to environments & landscapes.) I also personally find studies to be a lot more productive than watching tutorials, because it allows me to go at my own pace and just observe- but obviously everyone has a different learning process so what works for me may not work for everyone.

And don’t be afraid to use the resources that are unique to digital art! Things like filters, HSB adjustments, curves/levels, even just different brushes can all help you get your art looking the way you want. Personally, procreate’s “color balance” options are my best friend- I use that option a ton even still, especially when I’m planning out my color schemes.

I’d also say, more as a general art tip than something specific to digital art- if you have an idea of something you want to draw or paint, but you don’t think you know how to do it or don’t think you have the skills to draw it yet— do it anyways!! Look up all the references you can, see how other people made a similar piece, and just draw yours anyways! You’ll learn a lot more by stepping out of your comfort zone and just going for it then you will by “waiting until you’re ready”. And if you don’t end up being happy with the finished piece, you can ALWAYS redo it later— just because you’ve drawn something once doesn’t mean that you’re never allowed to revisit that concept.

Overall I’d just say, experiment, play around & have fun! Find what you enjoy and it will make creating your art a lot more fulfilling.

I hope this is helpful somewhat! 🩷

#answered asks #dae answers #art process #anyways ofc if you do studies of other ppl’s work make sure you either don’t post it or if u do- EXPLICITLY SAY that it is a study!#i’m sure the vast majority of ppl (esp artists) know this already which is why i didn’t go into it in the main body #but always give credit where credit is due if you’re doing a study or otherwise heavily referencing another person’s work in order to learn #hope everything here makes sense haha #but overall just try to have fun with your art!

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foster-the-moths · 2 years ago

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If you don't mind, could you give us a tutorial or brief explanation on how you render hair? /nf

YES!! unfortunately i got. very tired after making this so this is only one hair type :( was gonna go into all the different types of hair textures but. i will just have to do that later. also keep in mind i drew this in like. 7 minutes its just a simple guide to get out the basic steps

^i didn't put music in this so. listen to whatever u want while ur watching this (its 6 minutes 40 seconds). also its slightly sped up this isn't real speed

elaboration of each step under read more:

step 0: look at other hair tutorials/pictures of real hair to figure out how light reflects off of them. then completely disregard that and just make things up (this is the best artistic process trust me i do it every day)

step 1: just get out that basic shape. it doesnt have to be anything fancy,

step 2: just fill it in and adjust the shape as needed

step 3: figure out how the hair moves and flows, which parts go out more (highlights), which parts are closer to the head (shadows/base), etc. i highly recommend just looking at pictures of hair online, or taking pictures of your own hair. for coily/curly hair, you just kind of have to do this for each curl/coil. one thing to keep in mind the highlight is in the middle of the curl/coil and the shadows are on the edges (usually). i'll elaborate more on that once i have an actual video for it

step 4: just make it so the edges of the highlights transition a bit more smoothly into the base color. it just helps for later steps tbh. try not to over do it, don't want to completely get rid of the highlight, just soften it

step 5: add more highlights with thinner brush. this should be where the light would bounce off the hair the MOST. i think i forgot to say in the video uhhh add in some base value too. maybe a few shadows. mostly this step is for highlights tho.

step 6: idk what else to put here sorry. ngl just get silly with it

step 7: it is very important to do one stroke per area in this one. do not lift your pen off the screen/tablet/whatever until the little area youre working on is one smooth transparent shade, then move on to the next. idk if i'm explaining this right hopefully this makes sense.

step 8: complete opposite as step seven. make as many strokes as you feel it needs. not TOO many, just enough to get some texture and then some yk? i recommend making a copy of the layer youre working on before doing this so that if you mess something up you can always go back to square one.

also a lot of these steps apply to pretty much any hair type just. in a completely different shape with completely different rules. which is to say its exactly like this but it actually isn't like this at all. which is why i plan on making other videos some day (hopefully) also look up "hair texture chart" it will help you find the words you need to look up good refs

remember: always get silly with it. the only rule to to make things up and change your mind 400 times. bring a 'fuck it, we ball' mentality to your art program that the haters (your brain) really won't like. practice makes perfect and all that, do NOT expect to get something good first try, sometimes i still struggle with drawing hair in a way that i like and just scrap the whole thing. also i'm not kidding about those real hair reference pictures it helps so so much

hope this helped at least a little bit bc i am not good at explaining things 👍

#foster's art tag #asks #someday i will make refs for how i draw long/med length and straight/curly/coily hair but. todays not that day rip #edit: just realized a bit of text pops up in the middle of step 3 that is. not supposed to be there so i editted it out👍

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lemon-wedges · 3 years ago

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Hi wedges! I had a question about your art. How do you do the cool patterns on clothes or the logos? They're always PERFECT! Do you draw them all yourself? Or somehow manipulate images on top of the clothes in such a detailed way? Sorry I am just fascinated after seeing Rowena's floral pantsuit and Claire's t shirt in the group shot you recently posted!

Hello anon and thank you for the ask!! :D

I use patterns in these sets!! Tho what I do to them depends on the clothing.

Since rowena's jumpsuit is one large piece I just set the pattern on flat (kind of like using washi tape in traditional drawing) this is what she actually looks like without any shading:

And with a multiply layer I simply paint in some shadows to brings out a little more form.

On the other hand claire is wearing a logo I took from an actual t-shirt pic. Those can be a lot harder to work with since those pics come with their own wrinkles and lighting. Its also smaller so painting over it like rowenas suit isn't gonna look as right. So first what I do is erease everything but the logo and slap it ontop of a of her shirt that's already filled with a solid color Then i use the warp tool on the logo to make it look like it's going over her breasts. (If u zoom in u can totally see all the mistakes lol but I'm not really looking to make it seemless. I just think it looks cool in contrast to my lineart :3)

#asks #anonymous #hope this hepled!!!#im in bed and answering using whateber my pics my phone has lol #if u want a step by step process i can always make tutorial but these are pretty simple idk if anyone would want one :o

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apocalypticgargoyle · 4 years ago

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𝙅𝙀𝘼𝙇𝙊𝙐𝙎𝙔 | 𝙠𝙖𝙧𝙡 𝙟𝙖𝙘𝙤𝙗𝙨 (18+)

∘ request(s):

Ooh maybe edgy!karl teaching skateboarding :o. I’m also in uni and I remember my first frat party was quite interesting 😂 -🦋

ahhhh part four of your edgy karl was soooo good!!! could i get jealous karl? maybe someone else is hitting on the reader at a party

please please please more edgy!karl if u can. like maybe where him and reader get into a fight because he gets like jealous and he just shows the reader who they belong to fjsjjsj thankyouuu !! 🤍🪐 x

∘ pairing: edgy!Karl Jacobs x fm!reader

∘ warnings: nsfw (18+ minors dni), smut, light bdsm, jealous, somewhat toxic behavior, crude language, frat boys (again), mentions of masterbation, biting, domination, spanking

∘ word count: ~3200

∘ links: 𐐪 ao3 𐑂 𐐪 previous part 𐑂 𐐪 submit an edgy!karl edit 𐑂

a/n: not me having to watch daddy tony hawk tutorials for this bc I'm uncultured and only skateboarded for like three months when I was 14 :)))

thank you for all the requests (especially 🦋 ily). if any of you have ideas for what I should call this series, lemme know! as always, have a great week and happy reading :)

♡ ᵍᵉⁿᵉ

The parking lot behind the campus union was barren. The morning dew in the air left a sweet smell to combine with Karl’s cologne as he walked beside you, his arm bumping yours as he listened to you nervously ramble on about one of your classes. You weren’t sure why, but the thought of falling on your ass in front of Karl terrified you more than anything. This man had degraded you and made you completely submit to him in the past, yet you were worried that not being able to master his ~craft~ would ruin his image of you.

He dropped his skateboard, his feet settling on it lazily as he rolled beside you. You watched quietly as he stopped, kicking his foot down on the front of his board so it popped into his hand. “You won’t fall. I’ve got you,” he joshed, tugging on your hand so you were in front of him.

He set the board down, his hands going to your hips as you stepped on it. His fingers dipped under the hem of your sweatshirt, your skin lighting up at his touch as if his hands belonged on you. “You look like an anemic Victorian boy. I don’t trust you as a safety net,” you grumbled, your hands covering his. You knew, roughly, how to skate from a middle school phase you had. Karl only promised to teach you a few tricks, but to say you were rusty would be an understatement.

He chuckled darkly, nudging you closer to the middle of the board and peering over your shoulder to look at your stance. “I’ve fucked you without your feet touching the floor. I think I can catch you before you hit the ground, baby,” he chided, making you scoff.

Your cheeks flushed with heat at his words. “Dirty, dirty boy,” you mumbled. He instructed you on how to kick the board up to where you needed it. His words were simple and almost plain like he knew you could figure it out. You attempted to push the board up, but crashed into Karl’s arms, your back thumping against his chest.

He giggled slightly as he straightened you up, setting you back on the board as his foot kept it from rolling out from under you. His hands hovered over your hips again as he moved his foot, leaving you to balance on your own. “If you fall correctly, people will just think you were giving really good head,” he jested. You shoved his arms away at his words as he laughed at his own joke.

You attempted a few more times and nearly had it down before Karl’s hands were on your hips again, giving you further instructions. You fought not to smile as his breath ghosted against your neck. You knew he cared about teaching you something that---on paper---was seemingly so easy, but his vulgar teasing was beginning to swarm your head. With his next steps set as your goal as well as the feeling of his hold on you, you kicked the board up and attempted to jump with it. While your brain was up to speed, your feet weren’t, sending the board out from beneath you and you to fall into its place.

Karl snorted as choked back a laugh at you scrapping your hands on the concrete. “Come on, don’t be a pussy. Try again,” he chided, voice uneven and laced with whatever dark humor he was getting from watching you do this.

You rolled your eyes playfully, letting him tug you up in front of him. As you wobbled on the board once again, you let his hands dig into your sides. Obviously, it seemed that he actually was worried about dropping you again, despite the fact that he was holding back some kind of sick laugh. “You would be great at teaching a kid how to ride a bike,” you quipped, the fact that he called you a pussy seeping into your mind.

You gasped slightly as you slipped again, this time Karl’s arms wrapping around you tightly, pressing your body against his. “Awe, you want me to put a baby in you, pet?” He jeered with his lips near your ear. You shrugged out of his grip, breaking up your indecent thoughts at his comment.

You could feel the heat rising to your ears as you balanced on his skateboard again. “Stop, you perv,” you deflected, hoping he couldn’t tell how hard you were having to bite back a smirk.

After your skateboarding escapades, you sat typing away at your computer, Karl occasionally looking over his phone to peer at you. His legs were thrown lazily on either side of you as he stretched out on his pillows.

An alarm went off on Karl’s phone, startling you in the process. He fought against smirking at your surprise as he sat up, crawling over to you. “Okay, I gave you two hours,” he stated, leaning forward to press his lips against yours and gently close your computer. The taste of him on your tongue was like a drug for you, leaving you constantly wanting more.

You smirked into his kiss as your brain finally caught up with you. “I hope that document saved, asshole,” you groaned, pushing him back into his pillows as he chuckled at you. His fingers dragged up the length of your thighs, squeezing the flesh in his hands as you straddled him. “Fucking weirdo, timing me. Who are you, my dad?” You teased, pressing a kiss to his neck and digging your fingers into his hair.

He moaned lowly, grinding against you. “Oh fuck yeah. Call me daddy,” he cantered.

“No,” you answered simply. You sat up, reaching over to his top drawer in search of protection, but running your fingers over a lacy garment instead. Your brows knitted together as your gaze shot to the drawer, your underpants dangling from your finger. Karl tucked his hands behind his head, looking up at you nonchalantly as your mind flashed with memories of your time in the bathroom.

Before you had the opportunity to ask him what he was still doing with them, his door popped open to reveal one of Karl’s roommates, his name beginning with a D but slipping your mind. “What are you guys doing in here?” He asked with a rather dopey smile, gesturing to Karl still between your legs. “Everyone’s downstairs, come on.” You and Karl shared a look as he left.

You leaned back down to him, kissing him briefly before pressing your lips to his neck again. “Wanna come over instead?” You suggested softly, your lips ghosting over his ear.

Karl loped down the stairs in front of you, a heavy layer of smoke hanging in the air above your heads. A mass of people crammed themselves together, finding solace in each other after the long week. If you weren’t so hung up on getting into Karl’s pants, you might have considered joining them.

Before the two of you could reach the door, someone called out for Karl. Their voice boomed over the loudness of the music, making Karl wince slightly. His face flattened into a frown as “Todd” waved at the two of you. Karl took a few slugging steps to stand close enough to Todd’s group that they wouldn’t have to yell at each other. You settled your hand on Karl’s hip as you wrapped your hand around his waist, leaning against him. Todd’s eyes traced over you.

He wet his lips. “You guys leaving already?” He asked, leaning back in his chair and accepting the joint offered to him. From an outsider’s perspective, he looked like the king of the castle. Luckily, you knew better. “Come on, play a game with us!” He suggested, patting the empty spot beside him. Even though you couldn’t see his face, you could tell Karl was rolling his eyes. “I got a seat warmed up for you, baby girl,” he nodded towards you.

You perked an eyebrow in his direction and Karl slipped his hand into yours nonchalantly. “Thanks, but no,” Karl stated.

“Come on, Karl. Don’t make me pull pin.” At Todd’s words, Karl groaned reluctantly, the sound barely audible. You furrowed your brows at him. “Fifteen minutes. We were gonna play Never Have I Ever.”

You leaned towards Karl. “What’s pulling pin?” You mumbled.

“Flexing rank,” he grunted back. He tugged you with him to join the group. Before you could sit down, Todd pulled you into the spot beside him. You laughed nervously, watching as Karl’s features darkened as he sat across from the two of you. Todd handed you a drink, which you took but avoided sipping out of.

A boy beside Karl piped up. “Okay, so never have I ever graduated high school. My degree is literally fake.” The boy smiled before taking a drink, making you giggle slightly. Todd draped his arm around the back of the couch where you were sitting. He wasn’t touching you exactly but every ounce of his being was getting under Karl’s skin.

Todd smugly shook his head. “No, Zeke. Those aren’t the rules. You have to say something that’s not true about you. Like…” he trailed off slightly, his gaze settling on you before his mouth twisted into a smirk. “Never have I ever slashed someone’s tires.”

You humored him with a subtle smile as if to ask if he was serious. He gestured towards Karl, who took a drink. You bit back a grin. “Well, never have I ever masturbated to a girl my roommate’s sleeping with,” Karl retaliated. Your eyes grew wide, suddenly happy to watch the event unfold before you.

Todd took a drink after glaring at Karl. He leaned closer to you, this time his arm dropped to pull you against his side. “Do you wanna take a turn?” You shook your head, flashing your eyes to Karl before looping your fingers with Todd’s. Karl chewed the inside of his cheek, looking like he was holding back another laugh. “Alright, I’ll go.” Todd brought your hand up to his lips, kissing your palm. “Ah, I know. Never have I ever betrayed the secret oath of the frat and called the police.”

Karl took another sip, his eyes on you. “Yeah, because never have I ever set the house on fire trying to light a bong,” he answered, making you snort.

You let your free hand settle on Todd’s knee. “Awe, I’d light your bong for you,” you chided, making Todd laugh as he took a drink.

“I bet you could do a lot for me, Princess,” he flirted, his lips nearing your ear. You raised your eyebrows in Karl’s direction, who was sitting with his chin in his hand. His expression was darkly entertained as you flirted with Todd. “Speaking of,” Todd looked to Karl again. “Never have I ever fucked someone on my roommate’s bed,” he teased, tucking his nose in the crook of your neck.

Karl smirked. “You’re right, you probably haven’t,” he stated simply, downing the rest of his drink. Todd tensed slightly beside you. Karl stood, ruffling the hair of one of the other Brothers that were in the group before holding his hand out for you to take. As the two of you left, you heard one of the guys whistle and say something about never having peed in a pool before.

As the two of you left the house, you walked in time with Karl’s heavy steps, swinging your entwined hands as if you were completely oblivious. “I can’t believe I made you jealous,” you taunted. You could practically see the steam rolling off his shoulders as he opened the passenger car door for you. Before you could slip into the seat, Karl’s hand gripped the back of your neck, bringing you to press your lips roughly against his. He pinned you between him and the cool metal of the car as the taste of beer spread across your tongue.

His fingers dug into your hips, his other hand tightening around your throat. The coolness of his tongue ring was a welcomed sensation as you attempted to find friction against his hips. Your fingers moved to close around his wrist as he pulled away, leaving you gasping for air. His face was expressionless as his gaze danced from your lips to your eyes. “I’m going to fuckin’ ruin you for the way you acted,” he ribbed, stepping away from you.

You nearly slid down the side of the car at his words. “Okay,” you whispered, heat rising to your cheeks and ultimately to your core.

Karl’s calm exterior followed you until you finally got your apartment door open. Karl pinned you against the wood of your bedroom door, reaching to twist the lock as his lips began to commandeer your own. His hands dragged up your thighs beneath your skirt, squeezing at the flesh roughly. He yanked your shirt off, grinding his hips up and against yours as his teeth moved to nip at the skin of your neck before returning to badger your lips.

The taste of beer on his lips blended with your flavored chapstick as your tongue slipped into his mouth. In a mess of tugging and biting each other, your body melted into his rough grasp. You wanted whatever repercussions his twisted mind could come up with. You wanted him to do whatever he wanted to you. You fought against diving your hands into his jeans to beg him to continue, but he broke away from you as you fought to catch your breath.

Your lips were buzzing as the feeling of him still lingered. He brought his hand up to your jaw, tipping your chin up to him. “Fucking slut,” the devil’s grin painted across his face before he continued, pressing his lips against yours once more, his grin dragging your bottom lip between his teeth. “You act like I don’t fucking own you,” he nearly growled, his face hovering over yours as his hand squeezed your throat. You moaned quietly as he regulated your breathing with his hand. You wanted to drink in his dark, commanding appearance.

He pushed you back on the bed, making you instinctively crawl up towards the pillows. He smirked slightly, undoing his belt and slipping it into his hands. He put the garment on your bedside table. After tugging his shirt off, he was on top of you again, pushing you into the pillows and the fluffy comforter. Karl’s lips seared yours, showing you how much command he had over your body. He ground his hips against yours, the fabric of his jeans digging into you to elicit a moan echo from your mouth. You could feel his erection hardening against your leg, the tension deep within you tightening at the prospect of what he was going to do to you.

His fingers tugged at your skirt, gripping the material in his fist and dragging it down your body as if it was nothing. He flipped you, your elbows crowding the pillows as you felt him sit on your back, snapping the belt in his hands again. You let out a short breath as Karl’s nails raked up your back before his fingers dipped in your hair, tugging your head back to look at him. “I want you to scream my name tonight,” he groaned. You obliged as he dropped his grip on you.

He pulled your wrists between the bars of your headboard before binding you to the metal with his belt, yanking the leather to sinch against your skin. He dropped his head to press his lips against your shoulder, a tender nod of affection you knew would be the last. You leaned on your side to watch him sit back on his knees to unbutton his jeans. “Be gentle,” you leered, tugging your bottom lip between your teeth to fight your grin again as you watched him spit into his hand and stroke himself in preparation.

He chuckled. “I’ll take good care of you, sweetheart,” he murmured darkly through a smirk. He pulled your hips up and against his own, forcing your face into the mattress. Your hands tightened around the metal bars, as he angled himself at your entrance before driving himself into with an act of force you knew you deserved. A moan of his name slipped past your lips as his fingers dug into your hips, thrusting into you to drive himself deeper into you. “That’s right. I want the neighbors to know who’s fucking you,” he groaned, snapping his hips against yours.

Moans of pure bliss escaped your lips as his head neared yours. Karl used your hips as leverage for his unwavering pace, leaving you a mess of pleasure beneath him. His lips found their way to your neck as he nipped against the sensitive skin. You wanted him to mark you, to claim you, and he deserved to. His hand from your hair became wrapped around your throat as he began to reach his peak.

His hand slapped your ass with such force you knew there was a handprint, but you were too overwhelmed with the noises escaping his lips and your climax threatened to disobey your control to be concerned with the sting. If anything it threatened to push you over the edge. Your hands pulled against the leather of his belt as he pounded into you.

Your toes began to curl as he leaned over you, his breath fanning against your shoulder as you bit back heavy moans of pleasure. Karl’s hand was knotted in your hair again, his other fisting the sheets beside you. “Who’s making you feel this good? Huh?” You moaned out his name as he punctuated his sentence with the thrusts of his hips. “That’s right, you fucking slut.” You tightened around him, your orgasm sweeping over you with an element of shock.

You could practically hear Karl’s smirk as he moaned at the sight of you coming undone beneath him. He continued to ride you, finishing rather abruptly. He pressed his lips between your shoulder blades before loosening the belt around your wrists. Your back popped as you were finally able to move freely. He bit back a chuckle as you gingerly snuggled beneath the covers beside him. You slipped your hand across his torso, hugging his side against your chest as he rested an arm behind your head.

As you laid your head on his chest, his heartbeat began to steady, his fingers lightly brushing against your skin. “I’d rather eat my own feet than sleep with Todd, you know,” you croaked, realizing just how much your voice was weakening, breaking the silence between the two of you.

Karl chuckled softly. “Me too,” he commented, making you smile slightly. “I’m actually…” he paused slightly before continuing as if searching for what he wanted to say exactly. “I’m actually not sleeping with anyone else.”

You couldn’t fight the smile spreading across your face. “I’m not either.” You hugged him tighter, letting his fingers twirl into your hair. “I’m good with you.”

“I’m good with you, too,” he mirrored, a smirk evident in his voice as his other hand traced over the red marks on your wrists from his belt.

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@mrwinemaker @madsbbg @idiotinnit @xxtakechancesxx

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