#if u have one in mind tell me <3< /div> Explore tagged Tumblr posts

[ritz-writes]

I love math puns so here's another I just heard >:D

What does a mathematician use to mow their lawn?

A PRO TRACTOR

AHAHAHAHAHAHA (thank you, thank you, I'll be here all night)

PFT

hey did u know that im a huge math nerd owo AND a huge pun fun OwO

I used to solve for x for fun. LOVE algebra man. was legit excited when we got to learn about the quadratic formula cuz i already had i memorized.

[baeshijima]

u know what would be a cool genshin fic idea? isekai/transmigrated reader, but instead of appearing within the general timeline, you come into the genshin world 500 years prior to the start of the storyline in khaenri'ah.

honestly it could be either a little before the cataclysm, giving enough time to delve into some relationship building + explore some world building with characters like dainsleif, traveller's sibling (which would probably be lumine bc i actually do like her as abyss sibling & aether as traveller), and npcs like halfdan (still crying over him to this day ;w;) and possibly the khaenri'ahn royal guards (assuming you either join them or have a good enough relationship with them), OR it could be you appear during the crisis, completely and utterly lost as to why you were brought amidst the chaos and bloodshed as you watch everything you barely knew about this nation crumble before your very eyes.

either route will still result in reader's existential crises and constant "why am i here? just to suffer?" monologues because really, who would be fine after going through that after coming from /our/ world? and not to mention you've had to endure the next 500 years wandering with no real set path because you don't know this world— this era of teyvat or of genshin. you're merely stuck, unable to die, and forced to live a life of uncertainty with no clear direction for you to go to.

despite it all, you've at least been able to see dain during this course. while your meetings pass far too quickly for your lonesome, and his solemn demeanour is something you're yet to be accustomed to after having been with him before the fall of khaenri'ah (assuming it's the route where you appear before the cataclysm), you're glad to see a familiar face every now and then. after the messy departure with the lumine who left for the abyss order, you've come to appreciate his quiet presence more and more each time.

and then you decide it might be time to settle. you soon realise it's difficult to do so when your lifespan has become far more than that of a human's — of a mortal's — and so you find yourself becoming used to staying in one place for a few years before setting off for the next. rinse and repeat. over and over. it's come to a point where you've witnessed the nations undergo various changes each time you visit. you know change is inevitable, and yet your heart stings each time you witness it; a testament to how the world is ever-changing, yet you're stuck in place as a bystander.

one thing you're grateful for, however, are the bonds you've established amid your back-and-forth over the centuries. from archons like zhongli and venti to long-life beings such as neuvillette and the adepti to regular mortals who have showed you kindness as if one of their own... you've grown to cherish those memories, often reminiscing them when the nights get too long and surroundings too quiet. it was difficult at first, and still is, but you've become used to the inevitable change and the passing of those you once knew.

and after 500 years, you find yourself face-to-face with one you haven't seen since before you appeared in this world; the protagonist of this world, and the one you eventually join in hopes of finally finding a means to an end, aether.

little side notes/extras:

from /our/ world, you would probably know the storyline from up to around current (5.0) or maybe a little after the fontaine aq conclusion. it gives a lot to work with, but you definitely won't remember a lot of the lore after so long other than some main events, especially since most of your knowledge is pretty irrelevant for the next 500 years,,,

i think it would be cool if you had an inteyvat on your person as a little homage of khaenri'ah, which may or may not invoke some opinions from certain characters (*cough* aether immediately being reminded of lumine and having an existential crisis *cough*)

post-cataclysm you would go through a, uhm, long phase of helplessness, wondering why you were even brought to this world so far back if you couldn't even make any contributions. it does eventually morph into a resolution to do what you can to help those you come across if it's within your capabilities, but the nightmares and helplessness come back every now and then as a reminder for what you can't do :D yippee :D

honestly i'm on the fence whether you would have a vision or some other type of abilities (think on the similar lines of aether/lumine's and dain's), but i think having some type of purification mechanic would be a must in your arsenal !! would definitely lead to some moments between you and characters like dain or zhongli who suffer from the erosion as you give them a slight reprieve from what rages within and corrodes them

a little self indulgent, but i'd like to think your first /proper/ meeting with zhongli happens during a lantern rite festival, wherein you're admiring the lanterns in the sky after making a wish of your own and he comes up from behind with "they're beautiful, wouldn't you say so?" and !!

also as for love interests, as much as i would love for human/mortal characters, a part of me feels like this story would be better suited for the immortal/long-life characters as love interests?? idk i feel like considering that 500 years is, well, a long time, the bonds you would have with them compared to characters like, say, alhaitham or diluc would be way too different ?? though i would definitely still add them as love interest bc i am a sucker for so many of the human characters ;w; it would also add to the angst and hurt/comfort ahahha...

anyway thank you for reading this massive brain dump of a fic bc i absolutely would put this as a long term project, and if u made it this far then i would like to say that dain solos—

[knifebaby3000]

💬

[angelsdean]

ppl who watched s1 while it was airing with the framework of sam being the main character...........i would like 2 study you bc i do not understand 

[songtwo]

guys i think it’s time i come clean. i accidentally cheated on my bf for like 2 seconds last week at a party while my friend was throwing up in the bathroom and her friend was holding her hair and i was there for emotional support and suddenly she turned to me and held my hair and kissed me 😭 all this while he was waiting outside and my friend was still throwing up

[jrueships]

im going into my new work tomorrow, first time ever😐

[stuck-in-the-ghost-zone]

k, m, n, t for pd and/or suck!!! >:33333

K - What character has your favorite development arc/the best development arc?

-> you know i gotta say wiwi. i have to. that character was Made For Me i swear to GOD . genuinely i cannot think about prime defenders season 2 episode 39 without feeling physically sick bc i love it so much. its the only one i havent relistened to since i heard it the first time. i KNOW its gonna make me cry again so i genuienly have not touched it even though theres things in there i need to hear again for character research. his arc is so like. narratively satisfying in a way that hits me so fucking deep to my core in an extremely personal way. and like. there were definitely some Decisions that i was REALLY ANNOYING about hating when they were brought up because im used to media with bad storytelling/creators that do not care about their characters but. looking back on it i would not change a single thing about it. i love you wiwi so much.

-> FOR SUCK.... its not over yet. so i cannot definitively say. campaign finale comes out tomorrow so my answer may change depending on that but for right now i think i gotta say arthur. i joke a lot about hating arthur for no real reason in particular but. man his story is just REALLY good. not going 2 give you suck spoilers (hehe) but i also really like how shilo has grown through the campaign. hes my little guy :]

M - Name a character that you’d like to have for a friend.

-> TIDE. TIDE!!!!!!!!!!!!!!!! TIDE TIDE TIDE I LOVE TIDE SO MUCH. thats my dad thats my best friend i love tide so much dude. every time he is mentioned or on screen i am just like :D HI TIDE I LOVE YOU TIDE

-> grefgore :] light of my life this is how i feel anytime i think about grefgore

N - Name three things you wish you saw more or in your main fandom (or a fandom of choice).

-> CHARACTER STUDIES. PLEASE FOR THE LOVE OF GOD. I LIKE A GOOD SHIPPING FIC AS MUCH AS THE NEXT GUY BUT PLEASE GOD WRITE THEM IN CHARACTER. EXPLORE THEIR THOUGHTS AND EMOTIONS AND WHY THEY MAKE CERTAIN DECISIONS THE WAY THEY DO. this doesnt even go for just pd and suck this is like. true for every single fandom ive ever fucking been in. do you know how hard it is to find character studies in the danny phantom tag on ao3. nobody has even fucking watched the show how are they going to write character studies they just want (<< i cannot legally finish this sentence without getting in so much trouble) I HAVE TO DO EVERYTHING MY FUCKING SELF AROUND HERE. ALL I EVER WRITE ARE CHARACTER STUDIES BC THATS THE WAY I THINK ABOUT CHARACTERS. I LOVE THEIR MOTIVATIONS I LOVE TO GET INSIDE THEIR BRAINS LIKE A LITTLE PARASITE AND IT IS ALWAYS SURPRISING TO ME WHEN OTHER PEOPLE DO NOT THINK LIKE THIS. (edit im just now reading through this and realized the question says three things. i did not process that. my three things are all more character studies please)

T - Do you have any hard and fast headcanons that you will die defending? 

-> oh dude i have so many hmmmmmmm how to choose just one. i have a LOT of feelings about wiwis original death and i might write something about that when i can get over my shrimp emotions about him. dakota cole audhd truther but that ones pretty much canon anyway so i dont think it counts. vyncent and his relationship with growing up in fantasy world and then being thrown into prime and how he adjusted to that. I think he really lies shitty syfy channel type horror movies that are so stupidly bad. and also plays a lot of video games but again i think thats mostly canon already. i think tide listens to dad rock but also like. ocean man by ween. you already know about my william and ashe being each others emotional support at concerts. i think william and ashe should hang out and do emo kid things more. i also have a lot of feelings about ashe and coping with the crippling loneliness of basically growing up alone and how the pd becoming like INSTANT best friends was so much for him in sooo many ways. you already know how i feel about mark i am in the middle of dissecting him like im in a high school biology class as we speak. uhhhhhhhhhhhhhhhhhhhh i know im gonna think of something really good after i hit the post button so stay tuned

[mochinon-yah]

I have proven once again that i am indeed a very good matchmaker hehe

Harmony (@.harmonysanreads):

And you know who i matcher her with? Well, in short: sampo, aventurine, topaz (platonic?), and blade >:D

Context: this reblog of mine!

[asterparfait]

excited for doppio’s tkrb warriors stream this saturday!

[infinitelyweary]

Louis Unreliable Narrator Rant

It rly does piss me off bc some ppl with 100 percent sincerity refer to Louis as “a liar”. I keep scrolling past a fanfic on ao3 that called him “the duke of deception” or some shit

What does Louis ever lie about???

(besides armand/rashid but a. obvs that was an armand decision since armand is The Canonical Liar even though ppl don’t always act like it for some reason, and b. that doesn't concern Louis's veracity in telling the story of his past cuz armand/rashid is in the present)

Anything Louis gets “wrong” about his story are details he’s suppressed due to trauma/misremembered/or interpreted differently from others ("lestat") due to his state of mind. None of these things are lying. Unreliable narrator does not mean LIAR bc thats not how stories work. MEMORY IS A MONSTER is the tagline of his story. MEMORY IS A MONSTER - You FORGET, it doesn't. Not "MEMORY MAKES YOU LIE ABOUT THINGS" or "LYING IS A MONSTER" or "LOUIS LIES A LOT AND LOVES IT BC HE'S A MONSTER"!

~Louis' more prominent discrepancies:~

-Was it raining: He doesn't remember. Not a lie

-Claudia's reaction after Lestat's "death": Louis is demonstrably traumatized by the attempt to kill Lestat and has repressed some of the aftermath of that night due to that trauma. He literally doesn't remember Claudia's objections/choking her. When Daniel points out that she sounds upset with him in her diaries, those memories come flooding back - as we see in little jarring bits of flashback. Those jarring flashbacks are Louis REMEMBERING WHAT HAPPENED. If Louis was purposefully "lying" those flashbacks wouldn't resurface in that way: the show is (very effectively) presenting that information in the same way you would be confronted with a traumatic memory. Louis is visibly rattled by this and has to run and kneel in his traumagarden to process this bc HE LITERALLY HASNT PROCESSED IT BC HES BEEN REPRESSING IT FOR 80 YEARS Not a lie

-Could Claudia dream or not: She wrote in her diary that she couldn't and he believed her. Not a lie

Then the trial flashbacks

(For the sake of argument I’ll assume "Lestat’s" versions of events we see flashbacks of in the trial are more accurate depictions than Louis’ original descriptions bc that is essentially the way they are framed and Louis tells Daniel to use that version in the book)

ALTHOUGH IT IS IMPORTANT TO NOTE: THESE ARE ALSO A PART OF LOUIS’ DESCRIPTION OF EVENTS!!!! Lestat is not present at the interview, Louis is. Lestat is not turning to the camera and breaking the fourth wall to tell us his version; Louis says that as Lestat spoke he felt transported back to those events and was seeing them differently. That's why we see them in flashback. We cannot have a true flashback from Lestat's perspective in s1-2 bc Lestat is not here to tell his story (and it would break the entire structure of the show). Any flashback we see is Louis' recounting. In the case of the trial, Louis is literally recounting Lestat recounting a version of events that Louis is then recalling and processing with added context (this show is a mindfuck).

So even the more “”TRUE”” version ppl like to use as evidence of Louis’s “”lies”” is also coming from Louis!!!!! Louis is the one correcting his own account!!!

The show is built around Louis telling Daniel/the audience his story. Anything we see of the past storyline (New Orleans-Paris) comes from Louis's mouth or Claudia's diaries (and sometimes Armand). Lestat is not a part of any of this. People who frame Lestat is some truth-teller revealing the "REAL story" behind Louis's "lies" is forgetting that Lestat is not part of the interview. Any ""truth"" Lestat tells is coming from LOUIS.

Some quotes from 207 bc I don't have a disc drive on my macbook to screenshot my blu-ray lol

This is our transition into the first nola flashback

<Armand: Lestat stood on that stage, took all the familiar pieces of Louis's life, defiled them, bent them into a Lestat-shaped effigy.>

(Including this to show that even though Armand is co-narrating this part of the story, Armand was ready to discount everything Lestat said. He frames Lestat as taking 'familiar pieces of Louis's life' aka the events as Louis recalls them, and 'defiling and bending them' aka changing/misrepresenting them to make Lestat look better. Any representation of "Lestat's perspective" being valid/"true" is coming from Louis's mouth)

<Louis: But some...Some of it now...

Daniel: What?

Louis: I remember...being out of my body at the time. I was in Paris, but also in New Orleans. Lestat took me there.>

The flashback is Louis remembering things differently, not Lestat's own memory.

-Claudia's turning: Louis's and "Lestat's" account actually don't differ that much. Lestat has a few extra lines of dialogue and is more emotional, Louis tries to turn Claudia himself and begs more profusely, but the basic events are the same. Louis brings Claudia in as she is dying, begs Lestat to turn her and Lestat does it. Louis was near hysterical in this moment so he didn't recall it with complete accuracy. Not a lie!

<Lestat: But he was in a terrible panic. Guilt had seized reason. Claudia on the ledge of death.>

...

<Louis (at the trial, to Claudia and the audience, looking visibly confused): It's not how it happened.

Louis (in Dubai): It is how it happened. I didn't think it at the time. But...yeah.>

As Louis realizes he misremembered events, he corrects himself. We see him do this several times over the series. We also see him insist he wants to get "every detail right" and "wants to remember". Where are people seeing a lying liar who delights in lies???? The whole purpose of the interview is "truth and reconciliation"?????????

-Coffin room exchange: This is one of the most traumatic events in the series/Louis's life so I think it goes without saying that he wouldn't be able to recall it with complete accuracy BUT ALSO!! We see the domestic abuse in 105 recounted from Claudia's perspective. We go from Louis narrating Claudia's diary entry about realizing she was made to be Louis's sister, to her returning home and the ensuing violence as it was witnessed through her eyes. She can hear snippets of an argument but was not privy to what happened in the coffin room. The only part of this that is from Louis's recollection is when Lestat takes Louis into the sky, and we return to Claudia's perspective after Louis is dropped.

The coffin room exchange was omitted in Louis's original telling because it isn't in Claudia's diary entry. If you think about it in-universe, Louis is reading Claudia's diary to Daniel describing the violence breaking out - then they go into the coffin room, Claudia is slumped on the floor outside the room trying to catch her breath, and then Lestat bursts through the wall with Louis - when Claudia watches Louis taken into the sky, Louis would naturally feel the need to fill the gap of 'what happened' before he plummeted to the ground, bc Claudia is certainly wondering what happened in her diary entry. It wouldn't necessarily make sense for Louis to interject over Claudia's entry (describing her feelings at hearing them through the wall, being convinced the violence was over and attempting to recover and then her fear at seeing violence break out again) to say "hey also me and Lestat exchanged words in the coffin room", there just isn't a natural narrative gap there like there would be for Louis/Lestat vanishing into the sky.

But I think more likely Louis doesn't remember the coffin room exchange BECAUSE we see a flashback of it in 207 and as I've established, these flashbacks are Louis remembering things. They are not a direct line to Lestat's memories, because Lestat is not in the interview to recount his own memories, and even a memory he recounts during the trial is being recalled by Louis in the Dubai present. Outside of Claudia's diaries, we only ever have access to Louis's memories of things (barring 205). There is a clear slant towards Lestat's POV in the coffin room memory, so I think it's safe to assume it's Louis recalling the memory as Lestat presents it during the trial. Part of why I think this is the basic framing, but also there are a couple lines of dialogue from Claudia's POV in 105 that we don't hear in 207 specifically when she is sitting outside the coffin room:

this part we hear in both POVs

<Louis: It's okay. We're done. It's over. Stay where you are, okay?>

this part we only hear in Claudia's POV

<Louis: We had it out*. We just...[coughing] need a moment here. [coughs] Just...[gasps]>

The second dialogue time-wise lines up with a moment in Lestat's 207 POV when Lestat is panting on the ground and sitting up for a few seconds and all we hear is silence before he says "You're gonna leave me." The show could have had Louis's second dialogue here muffled or in the background or something but it omits Louis's words entirely to show that this is Louis's recollection of Lestat's remembered version of events, and is not entirely "accurate" either. Why would Lestat focus on/acknowledge Louis comforting Claudia in this moment, when he is thinking about Louis leaving him? He wasn't thinking about that, and his POV reflects that. I don't think the show forgot these extra lines or something, cuz they have the script and easily could have inserted them in the space where Lestat is silent but they did not. A deliberate choice to show Lestat's account is not the omnipotent "truthful" account, but is just one perspective.

(We also know that the coffin room exchange was included in the trial script to make Louis less sympathetic to the audience, because when Lestat says "I am burdened with my maker's temper" Santiago corrects him back on course by saying "Uh, no. You were teased until you toppled." The coven wanted this exchange in the trial script to frame Lestat's drop as an escalation brought on by Louis aka to victim-blame him and make Lestat look less culpable. So even if this is "truth" it is being presented with bias)

Also it is interesting that we get no reaction shots/commentary from Dubai Louis during this entire part. We see Paris Louis once before the "You're gonna leave me" starts and he's shaking and looking confused as Lestat speaks, but there is no assertion on Louis's part of "this is how it happened" or not the way he did with Claudia's turning. We don't even get a shot of Dubai Louis again until after Lestat goes off script to take accountability for the violence.

It actually looks like Armand was the one narrating this entire part to Daniel (Lestat's account of the violence-the coffin room exchange-the apology) because the next time we cut back to Dubai, when Armand tells Daniel that the projections went off-sync, Daniel is already sitting facing Armand and Louis is sitting silently with his hands in front of his mouth. It looks like Dubai Louis hasn't spoken at all since he told Daniel to go with Lestat's version of Claudia's turning. He doesn't speak again until Daniel asks him what he thought of Lestat's apology.

I'm not totally sure what to make of Louis's silence here...because I don't think Lestat fabricated the coffin room exchange. I think because this comes on the heels of "You should go with Lestat's version" of the other flashback we see, this is another instance of Louis going oh, okay I guess it happened like that, you can put that in the book too. But it is a more significant departure from what we were previously shown than Claudia's turning, so idk why they don't have Louis comment on it at all. Either way, Louis doesn't object to what Lestat is saying, which is at least a passive acknowledgement of the events as he presents them as reflected upon by Louis after the fact so NOT A LIE!

Anyway Louis has basically never lied in his entire life so I'm gonna need ppl to stop calling him a liar :)))) it would also completely undercut the main fucking theme of the first two seasons for Louis to be characterized as a ~~~~liar~~~ vs. a person who is being Monstered by Memories so if you call Louis a liar you are calling Rolin Jones a liar and I'm gonna tattle on you to Sir Jones so he won't let you watch the show anymore <3

*netflix subtitles this as "we had enough" but that doesn't sound like what he's saying to me and the netflix subs match the AMC subs which are notoriously inaccurate so!

[roylustang]

hi this is electricsynthesis (anon cause im a pleb with a sideblog) but i just wanted to tell you that your vision for keith is vivid. i was thinking about it at work actually. on the salesfloor at my retail job considering how a griefstricken keith who entirely forewent bathing for both practical (conserving water) and mentally ill (needs no elaboration) reasons would react to having access to lots of clean water in the Pristine castle of lions. it actually made me think about a lot of things. but mostly i decided he actually kind of likes being dirty. in a My friend the sand kind of way. sorry for being insane in your inbox but thank you for sharing

No no PLEASE be insane in my inbox I wanna hear this. Tell me your ideas bro I am insane about pre-canon Keith I eat this shit up. Also you’re so right oh my god. I think investing literally all his time into investigating the caves and making his crazy little conspiracy theories was probably the only thing that gave him any reprieve from the overwhelming mental anguish of losing the only person that genuinely cared about him (which is why he did it LITERALLY 24/7) that he started associating being dirty with like, being Okay (sort of, not really, but it’s better than being too depressed to move) and also with having a sense of purpose. It gives him a weird sense of comfort esp after they get to space bc being dirty reminds him of being Important (in terms of him having a major role in starting their whole journey to Defend the Universe) which is much better than feeling abandoned. When Shiro disappears again he goes back to neglecting bathing partially out of how much time he spends searching for him but also if they have a mission on a planet that actually requires them to get dirty Keith just. Stays dirty. Bc it’s the only thing that helps.

[itoshi-s]

working at a lingerie / erotic boutique really puts sm thoughts into my head 😵‍💫 how different bllk / hq / tokrev boys would act. what’d catch their attention. whether they’re a bit timid or playful abt it. or maybe they’re so confident it makes the staff go crazy and gush abt u two as soon as u leave the store .. yeah ……

[astrxealis]

me rn having the biggest hots for leon kennedy and astarion sorry LMFAOOO <3

[bylertruther]

people will see a character that was created to be a certain way from the very beginning before everything was even set in stone, then actually written that same way even before The Plot happens in the final product, watch their core personality remain constant all throughout a show's lifespan from beginning to end, and even watch it be highlighted as a Good and True thing to be proud of and that is inspiring to others and sorely needed and not something to ever change or belittle in one of the most emotional scenes of a season that doubles as a high point & character defining moment, and instead of thinking Hm Maybe This Character Just Is This Way And We're Being Told That They Should Love Themselves For It The Same Way Everyone Else Does And How They Once Did Too Before Their Insecurity Got The Best Of Them And Told Them They Should Change, they will instead call it repression and not his true self and something to be changed even though it literally just is who he is. and all of this happens in the show where we are repeatedly hit over the head with the "you should stay true to yourself and love yourself no matter what other people think or tell you you should be". where the motto is literally "never change" nd conformity is killing the kids. like. Okay ❤️

[nostalgia-tblr]

If I could do Fics With A Plot I'd probably attempt An AU Where Lauffey Dies And Odin Goes "Oh Hey, Frost Dudes, I Had Your Heir All Along :D He's Urs Now :D" Except Because This Is A Shit Plan It Does Not Go At All Well. Because it does bother me. Because I worry too much about fictional monarchies having the 'wrong' rules. D:

[mythvoiced]

Aeri can’t decide what she hates more - the way the bejeweled pin in the victor from District 8’s hair is lopsided, or the girl herself. Oh, what Aeri wouldn’t give to wear such an accessory again, or even wear the finery the victor has been gifted to wear to the viewing. That was her once, wasn’t it?

But now? She’s stuck here, watching this spectacle. The brat, who has no idea what privilege she’s been presented with, keeps on creasing the delicate threads of her gown and her stylists also clearly have no idea on how to do the brat’s makeup. And then there’s that damn pin- Aeri’s pin once upon a time- only in place because it’s tangled in there-

And Aeri can’t hold back. When the brat’s stylists are gone, she reaches into the girl’s hair and extracts the pin. Her fingers, callused from years of hard labor that still feels foreign to Aeri, are quick to untangle most of the obvious knots in the brat’s hair before shetwists the locks into a ponytail and then a bun. The pin goes back in.

Aeri glares at the girl through the mirror. Don’t you dare mess up my work.

( congrats lenlen!! you get....aeri, being really resentful, i hope marìa doesn't mind too much ^^' )

@stillresolved | !!!!!!!!!!!!!!!!!!!!! LET HER BE RESENTFUL

---

There's a harshness to being dolled up when you are in no way receptive to it.

María isn't foreign to the roughness of life - she's a fucking Victor, after all, isn't she - she's started working in factories just about around the age even the most moral of District 8 people might turn their back in fear on seeing her walk in, pretending not seeing her would free them of the responsibility of working with a child.

Her hands and nose and palate and lungs had long gotten used and keep getting used to the aftermath of working with chemicals, of being so very intimate with garments and colours, with fumes and heat, with the hard work of surviving, with the hard work of fighting to be allowed a minimal chance at said survival, at figuring that there's little more for people from District 8 to fight for.

Still... it's not the same.

Being pushed around, dressed in things she would have never chosen for herself to serve a people, a man, because she's not stupid enough to not be able to tell what is Capitol and what is Snow and how Capitol is Snow, it's a kind of biting and harsh and rough that doesn't leave behind the usual kind of scars and memories and bruises.

Even surviving the Games had come with a desperately accepted sense of relief, one covered in blood and the humiliation of all she'd done and all she'd thought she'd get to accomplish, only for reality to crash in on her in a victory she hadn't wanted to partake in, hadn't wanted to make possible, when she'd wanted her Games to be victor-less in lieu of ending the Games themselves.

This... this is humiliation in the long run. This has hardly any hope attached to it, waiting for her on the other end of the line. Sometimes, on the worst days, it feels like the true brunt of the battle, walking with blood-stained soles and palms and sparkling as she does, wearing all that might make even the softest source of light appear like flames reflecting off her frame, covering her in fire that had not eaten her alive - much to a few people's disdain.

Picking at things, not holding still, grimacing, shifting her muscles, arms, face to make her stylists' life as difficult as possible, it was all she had to fight back.

The Arena came with death and violence, and living back at home had been physical labour upon physical labour, straining her young body until she could no longer tell if she was broken beyond repair or fitter than children her age should be - had they grown up privileged within the Capitol's safety.

Here she has only threads to tear apart and reflections to glare at.

And a new challenge behind every door.

She feels yanked back, an intensity of motion caused less by the avox suddenly in her hair and more her own stiffness that hadn't prepared her for submission to someone suddenly rearranging her.

After her stylists had left, she'd succumbed to the tension of not wanting to be there, without the added hard work of making sure everybody else does. Lost in her thought, somebody's hands suddenly returning on her had fortified, molten it into a newly forged blade, stiff and ready to strike, tensing everything within her and making a few fingers in her hair turn into a grappling hook tied to a moving mountain.

María is startled enough she can't remember how to glare.

A frown does accompany her widened eyes anyway, making her look... appalled, almost, an addition to her expression so unsuited to typically frightened features, youth tainted by the face of someone used to having to fight to stay alive.

It almost happens in a flash then. The reflection moves and adjusts and fixes and what had started as something that had María's lips split into something acid and trembling, turns into something unpleasant and acrid, but silent, as María sits and lets herself be mandhandled one more time.

That's when she glares. After the avox finishes up, after their eyes meet in the mirror and María sees none of the downturned gazes they're trying to make her accustomed to.

Seeing avoxes pisses her off.

Why take it out on them.

She understands what they are, what they're supposed to represent.

To her, an avox is a statement. No longer a person but rather someone rid of their innate right to be considered one. Even with the determination and life in this avox' eyes, María has come to understand them as tools Snow uses to assert his dominance, people from all circles of life, punished with the robbing of their words... and their detached tongue metaphorically forced to lick away at the tip of the shoes of people like María.

All a scheme.

Infighting.

Use the prey on the prey, make them take each other out.

It'd be easier to feel pity if María could sleep, if the avox hadn't adjusted her appearance, and if the avox wasn't staring her down as if she had any right to do so.

She's oddly beautiful.

She's oddly familiar.

"Why are you helping them?" she hisses, low, whispered, because she might never admit it, but she's... she's a little scared, isn't she? Lately? Devora's face swims before her inner eye, so stern, so wrong.

"I'm on your side more than they are," she adds, pulling a strand of her hair out of the freshly adjusted bun.