#if this looks weird its because i sketched this back in may and only just finished it now

[ube-bluebay]

shes so cool i love you okalani

[leidensygdom]

Just a bit of a personal thought, but I have grown to deeply dislike how social media, with its' competitive algorithm and need to have a perfect performance, is often giving people a really wrong idea of what is it actually to do art.

Most times, artists are rewarded by posting only their best work: A badly performing post in places like Instagram may affect how well your next post performs. It also prefers you to post finished pictures, very presentable sketches, that kind of stuff. Which is rarely the bulk of an artists' work. Even speedpaints have been chewed down into palatable videos barely reaching 15 seconds. Tiktok and Instagram reels prefer extremely short videos, and speedpaints are mostly just few (sparkles) aesthetic (sparkles) shots of minuscule parts of the process.

And all of that, I've found, gives people this really weird image of what is art actually like. A lot of starting artists grow to make idols out of bigger ones, thinking that these people can only create perfect pieces effortlessly, but that's not how it works. Very far from that. It's mostly that artists that keep active social media and have grown to know the game, know that showing the rough parts of art is not what gets you favoured by the algorithm.

I've been thinking about this ever since I saw a video on twitter of a fairly long speedpaint for what you usually see in social media, I think 4 minutes long, where the person redrew portions of the sketch up to five times. And a lot of people mentioned it was enlightening to see the struggle, to see that even a competent artist sometimes will struggle doing a little phone cord for an hour.

I think that's something I have kind of experienced, too. I'm not a big artist, but a lot of people have mentioned they find me intimidating still, up until they know me on Discord or something and realize I'm just a goof like any other. Up until I mention a face refused to work for 2 hours and I gave up, or how I randomly keep learning new basic functionalities in my drawing software of choice. And I think that's crucial to share too: Art is not a linear road! It isn't a smooth trip! You'll fail again and again and sometimes will end up going back to a previous point, then take another path. Sometimes you render a whole drawing and decide it looks bad so you start over. Sometimes you realize the lines came out wonky as hell and end up redoing it. Sometimes you gave a character 6 fingers or forgot people have eyebrows. It happens! And it's part of what making art is!

I mentioned this on Twitter- I rarely have visible proof of these struggles, but for an Artfight drawing (where I am trying to be speedy), I struggled with a cloak. For long. I made a thumbnail, I made a sketch, realized the cloak didn't work out, so I redrew it over and over again. I deleted most of the discarded sketches, but here's a few of the things that survived.

And like, I'm tired of not talking about this! I'm sad that people think they're failing because their art process isn't as smooth as it could be! So, yeah: I guess rant over, but I just have been thinking about this a bunch lately. If you'd like, do please feel free to reblog or share in replies any similar situations, struggles and flops. I think it could help people to realize how this is actually just a natural part of the process.

[omaano]

SW Hades AU August Update

Links and previous updates: May - June - July, everything else in this AU

In contrast to the July update, I didn't make as much progress in August as I'd intended, but all the same I'm quite happy with what I get to share with you here:

In the previous poll I only promised to get Echo and Fives to lines and flat colours by this (more than a bit belated) update, but thanks to @lesquatrechevrons keeping me company while I was working on them I managed to get the Domino Twins character art to a state of "almost finished". (I had posted them as "finished" but that was before I realized that I'd forgotten to add the little specks of neon colour to them, but oh well, I hate that stage anyway XD)

I also did some brainstorming with the amazing @elwinged about all the characters, as well as the various weapons and their aspects for this AU. They had some great theories and ideas, and also made me actively think about these things, which was real fun!

Before I go into some ramblings about what went into Echo and Fives' art and design (gotta pad this update with something, and some of you seemed to enjoy it with Omega last time), let's have another poll for next month! I've looked over my table of characters and plans, and I came to the delightful realization that I've made far better progress than how it feels on a day-to-day basis. So maybe it's time to work a bit on the boon-giver characters for a change:

Also would anyone be interested in a taglist for these updates, or are you all fine with me just putting these out whenever and let tumblr do its thing in getting them to you? (send me an ask or reply here if yes, I know my tumblr is a mess XD)

Now on to some thoughts on Echo and Fives:

Depicted but not illustrated in its fullest is that Rex has been a constant presence next to Echo and Fives (and to Cody, too, previous to that). It bears repeating that I really wanted to make sure that the clones are the same in size, and share as many colours as possible (so Cody also stood around as moral support when it came to Fives' hair). So you can also see how the shading on their faces are very similar in their shapes, except for the shadows in that part where nose, cheek and mouth meet, because I wanted to make the Dominoes look a bit younger.

Same with how Rex still has that wrinkle in his forehead that I oddly fixate on so much (don't ask), but Echo and Fives very clerly don't. I'll claim that it had been a completely conscious decision, and not just time passing between the two designs - well over half a year - during which I got it into my head that I should depict the clones during wartime as close to their barely-20-ish age as possible.

One thing I didn't commit to enough though (because I chickened out) was to make Fives look a bit more "dead" and ghostly before I put the blue-green soft light adjustment layer on him was the deeper and darker circles under his eyes, and I fully intended to leave out the light reflection from his eyes... but in the end I went back and added a duller shine to them because I'm weak, it's barely visible and he looked too grumpy and mean already T^T I also didn't want to make his cheeks more hollow or anything, because then I would just feel bad and weird about taking away the roundness from their shapes that I've worked so hard to put on them.

As I was working on this piece I've also thought a lot on the style that I've been trying to mimic through this project.

The thing that gave me pause is that I see more and more of my own style slipping into these pieces, I allow my lines to round out more... and I can claim that it is mostly because that's the compromise I can make with the clones, but I open up and look at Hades references less and less, and I just go freely with what's stuck in my brain while I'd tried to wrap my mind around the style when I first went at it.

I've also always had trouble with grouping my shadows and shapes, and this is exactly what I should be pushing more from now on forward. I keep letting myself get distracted by all the tiny details that I so enjoy to put into my work (case in point all that scarring on Echo, and even Fives' hair - as well as Cody's previously, but I didn't know how else to convey the texture of their hair in less and larger shapes). Hades character designs always feel so rich with detail, but at the same time they are a lot more streamlined than what I'd do if i let my own instincts and desires run wild. I'll try to work with that in the future!

Last but not least a few words on Echo's armor:

I'm slowly but surely stretching my artistic muscles a little and going a bit off-model for the characters, so I wanted Echo to wear armor that is a mix of his ARC and Bad Batch commando armor. So he's got the old plates on his arms (where he still has one LOL), all the straps and pouches (and both blasters!) and old kama hanging from his belt, as well as the hand print paint (because that is personally very very important to me that he has it). Then, beause I desperately needed some other colour in my characters that's not blue or black or grey, he's got elements of the red and orange paint he wears later in TBB (I really wanted him to have that orange stripe down the middle of his chest piece too, but I couldn't make it work with the handprint :() I'm real happy with this balance, and particularly with the shades of blue in his worn paint ^^

I also really wanted to give him a hand (I'll never not be frustrated at how Echo was kept literally handicapped with only his left hand to shoot and grab things (and people) with. It's good that he'd been an ARC and trained in dual wielding, but in a world where people keep losing their appendages (and sometimes half of their bodies) as if it was np big deal at all, it couldn't have been too difficult to get him a hand!! ANYWAYS. I'd first learned how to draw mechanical prosthetic hands/arms during my time in the Overwatch fandom, and I don't think I could draw them any other way (especially the fingers and the lights showing through in their joints) than how I'd done for Cole Cassidy way back when he still had a different name XD

I know there is a relatively limited way in how and what parts you can use to build up a hand/forearm, but I just cannot unsee it, and I thought I'd share this tidbit fun fact as well XD

I hope you enjoyed these ramblings, and I promise to try and keep to the normal mid-month-ish schedule for September!

[tw1l1te]

𝓣𝓱𝓮 𝓒𝓱𝓪𝓲𝓷 𝓗𝓮𝓪𝓭𝓬𝓪𝓷𝓸𝓷𝓼- 𝖕𝖆𝖗𝖙 2

Part 2!! This will include Hyrule, Four, and Legend ₍ᐢᐢ₎

Warnings: mention of scars and negative mental health

Please read with the warnings in mind, this one is heavier in terms of mental health topics.

⋆｡°✩

𝕳𝖞𝖗𝖚𝖑𝖊

About 18/19, a couple years after his journey is done

Average height, his build is still toned but more on the leaner side because of height and anatomy

light freckles across his cheeks/nose and skin is tanner than the rest of the boys

Has 2 small cartilidge piercings, small silver hoops

Part fae, I know a few others headcanon him as fae too I just think it suits his character

Speaks and writes Hylian well, takes a bit longer to read though (he's trying his best)

Closer to Legend, they're the downfall duo :3, but also close to Sky

I wanna say he's like one of the last few boys to feel attraction towards Y/n. Fae bonding to humans is weird and Hyrule doesn't wanna freak you out and needs to really process it.

When he realizes he fell for you? Oh boy. Definitely more clingy and obsessive and frets over your safety, more than Sky even.

Major sweet tooth, favorite food has go to be spoonfuls of honey

Keeps a journal, lots of sketches and notes on herbs and flora and some thoughts on Y/n

Has a.... difficult relationship with Hylia/Zelda/the Goddess

Knows about some of Legend's past, not as much as Y/n though

Has a large scar on his lower stomach from Dark Link, and faded white scratches on his back from a past incident that I may or may not bring up later down the line

Do not let him near a cooking pot. Don't do it.

𝖋𝖔𝖚𝖗

Our favorite smithy is about 18-19

He may be short, but don't let his height fool you. Mr. swordmaker here is built. You think all the hours hammering away at metal don't build muscle? You'd be wrong

Anywayss, I headcanon Four as having heterochromia, one eye green and the other a dark blue.

Has the lightest stubble, hardly noticeable because he shaves it everyday

Recently has also started tying up his hair in a pony tail, so he honestly looks like a younger Time from far away

Has lots of ear piercings and stacks rings on his fingers, most of which he made himself from spare parts. He made a few rings for Legend and Y/n

Develops feelings for Y/n slowly, though it hits him like a brick after the Yiga clan incident after realizing how close he was to losing you

Has a few scars on his hands and arms, a few burn marks from reckless accdients both in and out of the blacksmith shop

Has a tattoo of the Four Sword on his forearm

Ironically enough, close to Wild and Wind. He's keeping a tally of how many swords Wild has broken So far it's 46

Similar to Wild, he kinda has shaggier hair, though its only really visible when his hair is fully down without the headband

REALLY GOOD AT SHIELD SURFING FOR SOME REASON-

𝖑𝖊𝖌𝖊𝖓𝖉

19, slightly older than Four and Hyrule

Average height, leaner build, and I wanna say he's on the paler side. He gets sunburned crazy fast like no amount of suscreen can save him

Pink hair, duh, but its more faded than it was when he first shifted into his rabbit form. It's more like leftover on his bangs and on part of his head.

Pinky is decked out in rings, every single finger is stacked with rings for functionality, protection, etc., but some he just thinks are neat.

Double pierced lobes, a few cartilidge piercings, maybe even a Hylian-equivalent of an industrial and has a dick piercing shh

Does not like wearing pants. no sir. Only if absolutely necessary.

Can speak/write Hylian and Lorulean pretty well, though pretty rusty on the latter because he hasn't used or read it much since his adventures

Like the 4th person to develop feelings for our protagonist, he's a little lost to be completely honest. Part of him wants to succumb to his feelings, the other is terrified of losing someone again

Close to Hyrule, Wild, and Wars ironically enough (mostly because of the bickering :D)

Keeps a scrap of Ravio's scarf in his bag, holds it sometimes.

Has a deep long scar along his forearm from a fight, some burn marks from the fire rod. He also has other scars that he doesn't show or discuss, those are difficult to talk about. He wasn't in a good place after.... everything.

Snarky and grumpy, but he softens up around people he trusts. He just needs time and love ₍ᐢᐢ₎

[quitealotofsodapop]

Hey Mac, we thought you were dead;

Sequel to this post on Macaque being back in the "Century Stone Egg Au".

After the pregnant Monkey King breaks his shock, he'd run to embrace Macaque, even if he'd just been super close to clawing his eye out (again) and that they're last meeting was a huge fight. He only holds back because he's honestly a little scared/worried how and why Macaque is there. Wukong is immediately trying to apolgise for his violent reaction, but Macaque just laughes out; "Nah, it's my fault. Should've asked first." It's only with the shadow monkeys' breathy, almost *fond* laughter that Wukong realises that Mac is truly there for peace. Mac's interaction with PIF further confirms this.

The reincarnation gang + the dragon couple are super sketched out though. Pigsy is the one to loudly ask "How do you know it's him and not some weird copycat?", mostly cus he's legit worried for Wukong in this moment. Somebody's dead partner don't just show up one day!

Wukong responds with his Gold Vision + its hard to fake the way Mac smells. The gang still refuse to leave the two alone together until they recieve a decent explaination.

The fact that Macaque literally looks like he crawled out of the grave quickly gives everybody a bad feeling, and they def force Mac to sit down and explain how tf he came back to life before he's even allowed smell Wukong.

Macaque: "I may have agreed to do something... kinda stupid in hindsight." Wukong, : "Mac... look at me. What did you do?" Macaque: "...ok don't be mad." Wukong: "I'm preemptively seething." Macaque: "I accepted a deal from the White Bone Spirit." Wukong: "I'M FURIOUS!!!" *starts throwing whatever's closest at Mac* Macaque, dodges a pillow: "Pfff! Calm down, it's not like I'm actually gonna do it! She brought me back to life to release her from a tomb or something and I chucked the key away the second I got back." The whole Room: "..." Wukong: "Mihou... thats the stupidiest thing you could have done!" *summons hair clones to throw stuff at Mac* Macaque, now failing to dodge fruit: "OW! Why are you upset!? We both know nothing good will come of letting that demon free!" PIF: "Mihou, if this Bone Demon was able to bring you back from the dead, then she has the power to track you down and recind her offer." Macaque: "...so you're saying that I have to fufill her deal, or I might get dragged back to Diyu?" Wukong and PIF, at the same time: "YES!!!" Macaque: "Shit." The Whole Room: *covering Red and Mei's ears* "LANGUAGE!!" Tang: "You should work on that before the baby gets here.

Oh you better believe Mac's in the doghouse until they can figure out how to resolve the LBD business deal. PIF calls up her lawyer to go over the exact terms and conditions.

Fire Star: "Ok, I've got good news and bad news." Macaque: "Bad news first." Fire Star: "The Lady Bone Demon's geas is airtight. You will have to open her tomb *slash* free her spirit in order to keep your place in this mortal realm - less you be recalled at a later date for a task of similar value or until she makes you redundant." Pigsy: "Translate for the non-lawyers please." Fire Star: "Either he does it, or she makes him do it, or she just takes his soul." Macaque: "Shit." Wukong & PIF: *glaring daggers at Mac* Macaque: "So what's the good news?" Fire Star, slyly: "Those are the only conditions to the geas. There's a reason you need lawyers for these kind of things nowadays. She didn't stipulate say... where to release her. Or whom would be present to greet her when her tomb opens." Everyone: *shares similar delighted/scheming looks* (*a few hours + a few calls to a worried Nezha later*) Macaque: *unlocks LBD's tomb* LBD: "Freedom! Freedom! Fr-" All of Wukong's allies in the Heavenly Army + Diyu officials:

LBD: "Oh bother."

As the Bone Demon gets carted away for conspiracy to destroy the world, she gets yelled at by all of the Underworld/Diyu officials that now have to deal with the fallout of her actions.

King Yama: "Do you understand how much paperwork I have to do to mark this monkey as alive!? He doesn't have a death date! It's been blotted out! I'll be correcting his files for months!!" Macaque: *high fives Fire Star for the solid lawyer-ing*

As far as Hell/Diyu is concerned, Macaque performed a service and was paid upfront. They don't want the headache of trying to take him back if his mate (someone who's trashed Hell before) wants to keep him.

Wukong is still super-mad at Mac for a variety of reasons, don't get hom wrong. But he's atleast glad in the moment to have his mate back. And glad that LBD is gone for the forseeable future.

[strawberryicemoon]

Does anyone else feel like the Della that was set up and the Della we actually got were two different characters.

Primarily I think Della's just dumber than we were initially lead to believe. And I think there's something in one of the first things we knew about her was that she had pretty handwriting, where I struggle to believe the Della is patient enough to have neat handwriting. The last Crash of the Sunchaser implied she designed the Spear of Selene. Scrooge said someone who "sees the angles". Like I get that don't speak ill of the dead was in play. And I also get wanting Della's legacy to not match perfectly with her true self, but some of the literally flashbacks we saw implied she was clever (she figured out Dewey was from the future, again, she was sketching the Spear). Having the characters stretch the truth is one thing, but flashbacks is another. I mean we literally saw her Scuba-Diving in a flashback, but in show she hates fish.

Not helped by the fact I assumed she named her children, and was using that as a gauge of her personality. And like. Turbo is very funny. I get why you'd make it a surprise reveal. Recontextualize her personality. But we already were introduced to her in the episode before. Also I just didn't like it tbh. (And kinda like my beef with the whole April May and June thing, I'm not a duck fan, I have no horse in this race, and things can be different, but considering to my understanding the few glimpses of previous iterations of Della, she definitely named her sons, and changing one of the few things that previously existed about the character felt weird to me, cheap even. On one hand I get wanting to show just how disconnected from her son she is and how much the incident cost her. But on the other hand it was just salt in the wound at that point, for a few jokes about the boys names… which have generally been changed to be even more embarrassing than they were previously for more jokes).

I really did like Whatever Happened to Della Duck. The only "Weird' things to me was how technically and artistically unsavvy she seemed to be, when we had scene her sketching the spear of Selene. Like that was a whole ass plot point. And also how oblivious she seemed to what was happening with the Moonlanders when she was presumably "sharp". But y'know. I can excuse one misunderstanding, and she was probably just a bit crazy from being alone on the moon for so long (and any prior mental health issues) and when she gets back other characters will probably be unnerved by her a bit because she's changed. But this was apparently normal Della (aside from not liking her reflection). If someone had spelled out in show the ways she had changed while on the moon I think it would have made all the difference. (Though Ducktales in general has an issue for completely neglecting to state important information until its necessary but long after it was relevant, so the fact no one says that doesn't mean it can't be true tbh).

I think the core of the character, and thus why she caught my attention remained. She's a traumatized woman who did something impulsive (that should have been fine), that had disproportionately huge consequences. And now has to get to know her children. She has to learn to parent on the fly. She has to establish herself as an adult when she's otherwise been stuck in place. She has to reestablish herself with her family, and a new sense of identity in a world that's changed without her.

And looking some of the Della description from the pitch bible we got recently, and the Della described there is closer to the one I thought we were getting prior to her debut. It makes me wonder when that changed. I know early on, in the Moorshire episode, they realized they made Launchpad too dumb after they finished it. To me it feels like they did that with Della (and to a certain extent Donald as well), but then never made the realization about what they did. We already had launchpad as the stupid adult. We didn't need more. Also, to be honest, I struggle to name any strengths over other characters besides the pragmatic "better at flying than Launchpad". Now, don't get me wrong, I still like canon Della. She had a lot of great moments. But to be honest I think all of her best moments, would have also worked with the Della I thought we were getting. Her fears about losing the kids, so lying to them about participating in the fight. Her song. Her punishing Louie for being stupid. The bit where she talked about being unable to look at her reflection and breaking her glass. Teaching Dewey to fly. Realizing how much her kids looked up to her and to what extents they might be idiots to prove themselves to her. I don't want her not to be reckless, just more thoughtful. That said, the way the other characters treated her didn't really help. It felt like at least for a while she was being ignored. Like she wasn't being treated seriously, but also no one was trying to help or understand her. (Which we got Donald blasted off into space after being ecstatic to see her, made me feel like Donald might actually see her... but then 5 episodes in to S3 Donald gets a girlfriend and the twins rarely appear together).

Liking those elements of the pitch bible might be a bit of the classic "the grass is greener" nonsense. And the fact it's just a barebones description not a full fletched character, and to be fair I don't care for every detail in it. But even before the pitch bible, I was bothered by the fact Daisy, not Della was the person who understood Donald best. (My aromantic self does not appreciate the prioritzation of romantic relationships). And here in the pitch bible. It says Della knows Donald best. We didn't get a single glimpse of "was scared to be a mom", even though I'd solidly developed the head canon that the Spear of Selene ride was a form of post-partum fear even before reading this, and I understand that might have been difficult to work into the show, the lack of support for Della in general, or any hints of empathy for why she did what she did doesn't help. Even of dealing with trauma from the instance. I can't say the "stuff just happens" angle is objectively bad. But this is still a story. A narrative. Not reality. It feels cheap as a character, for her biggest mistake to basically boil down to "oops", rather than a huge character flaw. Like yes, being reckless is a flaw. But considering what the family is USUALLY doing, it… isn't? It really isn't any worse than what they family does normally so for her to be punished so harshly for it is a bit unfair.

In the finale the fact it's revealed that Bradford told Della about the spear, also feels kinda cheap to me. I think its an interesting reveal… but considering this is information one of our main protagonists knows it feels bizarre that it is a reveal to the audience. (Or that no one asked Della before). Also it feels a bit like it's trying to absolve Della of blame, but it doesn't address the core problem of (sure the show never states there's a problem but Scrooge makes reference to Della's "one last big adventure" and it's hard not to see this as an attempt to break out of some sort of mental funk. And it again, needlessly victimizes Della. She got stuck in space for 10 years, couldn't even name her own children, loses her leg, gets betrayed, loses her plane kinda-sorta, and is kind of treated like an idiot by many of the other adults around her. Because some guy was trying to mess with Scrooge. Della's moon trip sucks, I don't think they needed to make it worse by making it not even her fault.

I wish we had gotten a scene of Donald telling the boys what Della was like from his perspective. He's her twin. And I really don't want to welcome the comparisons between DT17 and GF. But the lack of any character drawing the parallels between Donald & Della and Huey, Dewey and Louie is absurd. But they don't utilize it. Like at all. No one ever looks at Donald and goes, oh. He lost his twin. That really sucks. The triplets never go. What would it be like if I lost one of you. Like twins are sometimes just siblings. They don't need to have "super special relationship", but in a show about family it's sure awkward that they don't. I am so mad that Huey, Dewey and Louie didn't get to see another side of their Uncle Donald brought out by Della. Or alternatively a Della struggling to connect with her brother. Even better both.

I know the "is the character acting ooc or do you not actually know the character" is well, a thing. I am aware that the post-partum depression, actually clever and observant Della is mostly made up by me. But I also know where in canon it came from to me. Della never acts out of character from once she's introduced. But that character is still a bit off from the character we had come to expect in the first season and a half. She's not completely divorced from what we were told about her. But still. Do I love Della, or the idea of Della. Honestly, I don't know.

This is definitely very OPINION, and not really anything objective.

[a-cat-in-toffee]

POST WHERE I TALK ABOUT MY HERO OUTFIT DESIGNS FOR END OF SEASON 2 SLASH SEASON 3 PRIME DEFNDERS :33 LONG ASS POST FOR THE RECORD

also I have pictures of their og design in this so. warning for white skinny pd jumpscare /joking

for sake of navigation I'm going in the order I drew them, and the order theyre in on the above image heart emoji.

"Virion" Vyncent Sol up first!! also can we talk about how his hero name is straight up just his name. lol. lmao even.

I HAD THE MOST PLAN FOR VYNCENT GOING IN TBH I wanted something similiar to the origami outfit while still staying reminiscent of his old outfit

I knew I wanted the jacket and I went with the turtleneck so it was the same as Jason's outfit. also Jason has really cool glove sleeve things I thought that was so fucking cool guys. and vyncent is generally from an actual outfit standpoint like... really simplistic? so just ourple pants and boots seemed most logical. I liked the mask and it was in both of his old designs so I decided to stick with it.

and then of course. the belts. there are ten total belts on his outfit jot including the two that would come with the sheath LMAO. plus the two pd colored belts on his boots!! I decided while drawing I wanted them all to have something in eachothers colors cause thats really cute.

i MUCHHH prefer the shorter jacket because of how it shows off the outfit and is reminiscent of his s2 post fauna design . . .

generally had the most idea going into his so there was very little in ways of additional sketching

also the Japanese where Jason's jacket had said Origami straight up just says Knife. I thought that was so funny. ENTIRELY ACCIDENTAL THING his outfit is basically just cantrips but colors flipped LMAO

BUT THATS ALL FOR VYNCENT. next up is (drum roll please)

"Wisperer" William Wisp!!! El wiwi himself. OKAY SO AS YOU MAY NOTICE. THIS IS DIFFERENT THAN THE DESIGN I ORIGINALLY POSTED. I had Not been happy with that one because it felt too cluttered and a little out of character so I ended up redesigning his jacket and redrawing the refs.

WILLIAMS OUTFIT WAS REALLY FUN THO I ended up going with a gas mask like he had in the greyscale arc, hoodie (which will get its own paragraph), cargo pants!! for his cargo and gadgets and gizmos, and then. because it's me and he's william. platformish boots laced with the orlther pds colors.

the hoodie was the thing I had changed in the new design because the old design wasn't william wisp enough for me yknow

i wnjoyed the outfit and it looked really need but it was much more complicated than his original hero suit and didn't really seem like smthn he'd design and wear.

i really liked the wisp belt and wanted to keep that wisp motif, which is why I ended up putting the flames on his sleeves! it looks cool as hell and keeps w the flame designs. IM ALSO SUPER ATTACHED TO THE WISPERER W THAT WAS ON HIS ORIGINAL HERO DESIGN.... so the hoodie has a stylized w.

also dakota and vyncent beads :)

I HAD A.... PROCESS MAKING THIS ONE LMAO. SO THERES A HANDFUL OF DRAFTS

i cinsidered adding stuff to make his outfit like Silhouettes then remebered i haye Silhouettes outfit. the images are out of order but I'm on mobile and can't be fucked to fix it. NEXT UP!!!!!!

"DC" Dakota Cole! only SLIGHTLY better than vyncent just using his name, bro is using his initials......

I CHANGED THE LEAST ABOUT HIS DESIGN HONESTLY. it was very nice to just get to draw Dakota though :)

the most I changed was I made it a bit simpler, and changed the jacket to be more like the Hexpert armor

also made the zipper look like her weird chest thingy....

I REALLY DISLIKE THE SHOES AND THE LITTLE BITS ON HIS ANKLES THOUGH. SO I CHANGED EM. they're now his thing in the others color heart emoji. I'd like to think they all sat down together and brainstormed ways to encorperate eachother into their costumes.....

i also made a little note of the back of hia jacket and I tried to make it look like a jersey

because he played soccer :)

ALSO.... DAKOTA COLE HONEY YOU SHOULD NOT ME WEARING A BELT EITH A BUCKLE. but it looks cool </3 if a little impractical

BUT THATS ALL OF EM FOR NOW..... love these guys.

next I. tackle redesigning this thing.

sighs. I so got this

[another-clive-blog]

au where clive runs for prime minister just to try one-upping b*ll h*wks

Anon, I want you to know this may be my favorite ask so far. The AU itself is amazing, but the censoring Bill Hawks' name ? Priceless. I feel like Socrates himself has come to enlighten me with incomparable wiseness-

Alright so sketches and writing under the cut ! =) No trigger warnings for this one. I had fun, I'd love to do more about this AU whenever I get the time !!

When you didn't think things through 😔 Which leads us to the fanfic-

"Professor, look !!"

Hershel Layton put down his cup of tea, anticipating the moment his apprentice would shove his newspaper in his face. With a patient smile, he took the paper in his hands and let Luke point out what piece of news had caused such excitement.

"'Clive Dove as the new prime minister' ?" Layton read out loud.

The article was front page and there was more about it in the following pages : it only made sense, with the agitation this news had caused. Bill Hawks had been prime minister before, and was the favorite candidate for this next mandate : him losing was quite surprising- quite surprising indeed.

"He doesn't look too happy," Luke said, tiptoeing to see over the professor's arm.

Layton looked at the picture in the middle of the page. On it, a shockingly young man was visibly upset, turned away from the journalists : he seemed to be yelling at someone on the side, cut off from the photo. "That is one way to put it." Layton hummed, his eyes staring at the young man a moment longer, before going to read the actual article.

"I'd be happy, I think, if I had just won the elections," Luke mused out loud. He couldn't even imagine it happening, actually : running for Prime Minister was so much work on its own !! Always giving speeches, moving around, discussing boring things- oh, and it must cost so much money too !! It must be so difficult just being a candidate.

Yeah, he'd probably be happy if he won after all that. This Dove guy was just weird.

"Say, Professor, don't you think he looks like me ? Maybe this is a sign I'll be Prime Minister some day !"

The professor didn't answer, focused solely on the paper in his hands.

-_-_-_-

"I am not doing it," Clive Dove said firmly. "I am not running this country. I quit."

John, his new personal assistant, a guy here just to listen to his every word and give him the attention Bill Hawks was desperate to get, protested loudly. "No offence Sir, but you have been prime minister for 47 minutes. The people want you as head of the country and you therefore deserve this post, especially after all the hard work and money you invested to get it."

"I don't care about the money or the people," Clive snapped. "I don't actually want this stupid job."

John was quiet for a moment, and Clive hated how unsurprised he looked. He didn't even seem disappointed or concerned, simply... irritated. It made sense for a government official : they only ever cared about things going smoothly, not making any disruptions, following the protocol.

Too bad, because Clive only cared about making their lives as difficult as they had made his.

"Well," John finally sighed, "you can always resign if you really wish to."

"Great." The faster he got out of this agonizing office, the better it would be. Clive took his coat in one hand, pushing the chair back with the other. He had no time to waste, because he was supposed to give his first speech as the new Prime Minister in about fifteen minutes.

He therefore only had fifteen minutes to leave this pathetic building and get as far away from this despicable life as possible.

Clive had his hand on the door handle when John spoke up again. "If you go through with your resignation, you'll need to sign the official declaration first."

Clive let out an exasperated sigh. Why were there declarations for everything ? Would he need a declaration to slam the door on his way out ?! "I'm leaving, what more is there to say ?!"

John was still facing the office, rearranging the files Clive had left behind : he seemed oddly calm for someone who'd have to announce both the nomination and resignation of the new prime minister. "Plenty, actually. But the more important part, the one we should focus on, is naming your successor."

Clive scoffed. "Why do I have a say in this ?"

"You don't," John simply answered. "But you'll have to confirm your official resignation, therefore leaving this post to the next best candidate. I believe Bill Hawks was the people's second choice."

Clive froze. That scum would actually get the job ? After everything he had done to keep him from it ?

Clive didn't want to rule the country- he had only run for the job to keep Bill Hawks from getting it. And he had succeeded ! But quitting now would give Hawks both the job and the pride to come out on top.

He couldn't do that. He didn't want to run the country, wasn't fit for it. He had no idea how to do it and he didn't want to learn. He hated this government, never cared about its people.

John was still rearranging the papers on the office, a peaceful smile on his face. He knew he had won, because winning was all that these miserable people cared about.

Well, Clive wouldn't let any of them win- not as long as he was head of this country. "Come on," he said, putting his coat on. "I have a speech to give."

[hereforthefunnyguys]

I wanna hear your Yu-Gi-Oh genderbend ideas so bad. Please tell me please 🥺🙏

okay okay so

I have a lot of half-sketched out designs and i have like none of them on hand one sec

Like in canon, Yugi starts out looking kinda immature both in dress style and also appearance - like, at the beginning of the story, she basically dresses in the normal domino high uniform and doesn't wear any fancy makeup + lets her hair down and all floppy. By the end of the series she has both grown up a little (e.g. a little taller, slightly more muscular, doesn't wear as much baggy clothing, etc.) and also has a much more obviously alternative fashion sense that only gets stronger as an adult. Hot Topic is shooting a new advertisement campaign with her as we speak. Also her hair is both a little longer + fluffs up a lot more since she's taking care of it now.

Atem, by contrast always has so. much. Hair. It literally comes down to her waist. Why, you may ask, did I give her so much hair? Simple i watched dbz and i know that hair length directly correlates to power level

Cut because this got So Long I promise it gets better as it goes on

Speaking of: Atem starts out the series as dressing extremely edgy and more sexual-undertone-y than Yugi because she feels the need to look as confident as possible, kinda like a cobra puffing itself up, plus seem what Yugi would consider "mature", which in her case equals "sexy and dresses in absurd amounts of leather." As the series goes on and she develops her own identity plus more solid evidence she doesn't have to be in Scary Evil Ghost Mode 24/7 she starts dressing more like herself, which is a little more like... practical than yugi? probably similarly feminine, just less goth-y and more regal. Like the princess of the universe has decided to bless your local game shop by showing up in full ballgown regalia.

She has a definite "warrior princess" type aesthetic and personality going on because she had to take the throne when everyone else really really wanted a male heir instead so she took over until she can find a "suitable husband" (spoiler: she never will)

Back to the modern day! Jonouchi and Honda are butch

I will not take arguments on this

Honda's just kinda always been like that and part of why she acts so tough and hard to get to know at first is because she's needed to be to cope with the bullying and ~social expectations~ of all that shit

Jonouchi was a sukeban and used to wear the long skirt + had long hair tied up in a pony-tail + in general just looked more feminine while being a street punk

I have the hc that then becoming more explicitly more masculine is tied to reinventing herself with a different identity, + accepting parts of herself she wasn't able to before + kinda comes with the whole concept of 'butch chivalry' which if i am completely honest she is not good at she is not chivalrous under no circumstances should Joey be your knight

Ryou has a similar thing to Yugi where she dresses fairly tame but it's to cover up for the fact that she fantasizes about dressing what she considers 'cool', which for Yugi was punk type clothing but for Ryou is more gothic lolita clothing. However she is way too shy to try pulling it off lol

Yami Bakura will not be contributing to this fantasy because she has the fashion sense of a racoon crawling out of a goodwill bin. Sad!

I just realized that the whole gag of Ryou being constantly harassed by a crowd of fangirls does come off as much more uncomfortable once the genders are swapped and its instead a nervous teenage girl getting pursued by fifteen overly insistent male admirers doesn't it

hmmm.

Anyways I support Yami Bakura being exactly as weird and creepy as a girl as she was as a guy. Maybe spiders are living in her hair who knows

As the TKB (TQB?) (That makes her sound like some exotic barbecue technique) sauce comes back she starts regaining some fashion sense that is mostly limited to an attempt to appear Big

Trenchcoats galore. So many trenchcoats. Make it stop

Big fan of the invention of pants

Yami Bakura wears skinny jeans for the Edgy Aesthetique but TKB mostly wears either plain shorts or skirts still because literally who the fuck is gonna run and jump and thieve around in skinny jeans??? who???????

Speaking of back in Ancient Egypt TKB kept up a fairly androgynous image with the help of a lot of rumour-spreading and a lot of chest bandaging (she was cursed with backbreaker boobs. Not for long though as you see pharoah atem my deal with zorc necrophades included breast reduction surgery for the small small price of me sacrificing half of Egypt to the infinite void)

the reason for this was simply that the criminal element in ancient Egypt was probably not going to be intimidated or very impressed by a pompous teenage girl and it would have most likely been detrimental to her survival to come across as openly feminine while out on the streets esp if we consider the fact that she was probably at least as attractive as Ryou is

”I am bakura the angry teenage girl” -bad, makes it sound like I watch fullmetal alchemist and cry over my chemical romance yaoi vs. “I am BAKURA the ADULT MAN and KING OF ALL THIEVES” - makes me sound cool and mature and like a sexy arc villain in one piece

back to the modern day (pt 2)

Seto is interesting to talk about in terms of presenting as masculine vs feminine because on one hand she needs to come across as suitably “one of the men” in order to gain respect in the business world but also she needs to be feminine and ostentatious enough to gain attention as a celebrity + it tends to make businessmen suspicious if you act too much like a man because what if you get the crazy idea you’re on their level hahaha

eugh

outside of public presentation I don’t think seto cares that much about what she looks like but that doesn’t matter because her whole life is public presentation anyways

my gender is blue eyes white dragon - seto Kaiba, 1997

marik (malikah????) is a femme lesbian and is soooo. Sooooo. Something about it

something something I was denied personal possessions and a sense of independent self as a child so now I will make myself as constantly fabulous and eye catching as possible while flaunting my wealth in the process

A lot of people interpret her fashion sense as just “sexy bimbo Barbie doll” type stuff but honestly I think for her it’s just as much about appearing elegant and in control as much as it is about being attractive to others

Marik wears so much makeup because she has such a specific image she wants to project so she is practically sweating foundation half the time. Same thing with the absurd amount of foundation garments she wears, e.g. the bodysuits and leggings and push up bras and girdles and shit

i am not a fan of foundation garments b t w they are evil and i dislike them this has been a psa from yours truly

Yami marik is pretty much the manifestation of everything she doesn't want to be, so she has a disheveled appearance, torn up clothing, very "imperfect" look in general

kind of has a dominatrix vibe about her because what is yugioh duel monsters (1996) without vague bondage themes

I have a design idea where she just dresses in the foundation garments marik was wearing under her clothes that have gotten all tattered and dirty just for extra ~symbolism points~

Pegasus dresses in 1980s power suits WITH extra shoulder pads

picturing a leopard print minidress pegasus in my mind its a really good image

TKB is nought but a roguish lesbian fundamentally and the parts of yami bakuras soul that are made of zorc juice are in a constant fight to keep her from getting distracted from the mission by whatever somewhat attractive young woman that catches Bakura's attention

I'm. Running out of text

Tumblr won't let me text no more

There is no point in a genderbend au if you can't be weird about the genders in it btw

i forgor to mention I have five hundred pictures of thee guys made

[kihakugato-art]

The Harriet Pinup Art Project

Session 1- 3Dification & Sketchification

I initially got a little stressed when using the 3D posing in CSP so to give myself a breather I did some traditional art sketches of Harriet! I played around with a few expressions as well as experimented with her having a ponytail (another hat tip towards Mordred Fate, plus I think Harriet just looks good in a ponytail!) which I think I’ll have for her for the planned bigger art piece.

But to answer question from session 0- “how well can I mess with the 3D model to the pose(s) I need”? Doable, but a lil rough; It’s very easy to misclick during the process and mess things up.

[WEEEEEE- those are some broken-ass limbs there!]

It’s also a bit of a learning curve to try to remember which controls affect the 3D model in certain ways. Not to mention controlling/posing the limbs to how you wish can be quite fickle depending on the limb;

Say you want to turn the leg calf horizontally cause its turned a lil weird, it will only let you move it up-down from the calf direction controls, so you’ll need to control the thigh as well as the foot/ankle, which can be a bit unintuitive.

The fact you can save poses (both for fullbody and just hands) was quite handy though to ensure I could reuse or fall back onto a pose or reuse a pose if I needed to.

In the end I tried two different sitting variants; one with one of the legs up, and another where both legs are hanging down. While the latter could give a powerful image if used by a clever enough artist, I couldn’t really nail it, so in the end I chose the former.

["It looks identical"- it's because the changes are pretty subtle without overlaying the two versions over each other. There's a difference between them I assure you!]

Not sure if the Manga toggle is quite the best choice for this piece either since the change isn’t hugely dramatic for this specific piece (it’d probably be better for a piece that’s more action-packed), but I chose it anyways. Now let’s get to sketching!

Not Bad, but it felt off. Some of it is because at the end of the day I did just trace/follow over the 3D image which feels a little unsettling for me in this context- but I gotta remember I posed/positioned the 3D model myself It's not from default poses available in the CSP library. I may redraw over the sketch later without the 3D model to try to maybe try to break any stiffness that may have bled through from tracing which could contribute tot he oddness. Even with that though, something still felt off.

“Where do the wings connect to the back?” was the question one friend gave to me once I showed this WIP with my concerns. She was right; the wings were placed too high, they look like they are directly to the shoulders, which just feels *wrong*.

A little fiddling and the wings were shifted so that they are implied be connecting *below* the shoulder blades. Much better. Now to the setting/background!

[Image source 1, Image source 2]

Among my background inspo folder the retaining coastal wall seemed the most doable. Not to mention my brain was craving it a little bit from back when I got to visit near one of the Great Lakes this year.

Not bad! If I kept the background relatively simple/plain and did contrast between Harriet and the wall it could look pretty good. However- as my one friend pointed out- the pitch for this project I more or less said/implied she’d be on her ship. Which I unfortunately I have to agree.

I’m not super keen on figuring out the deck layout for Harriet’s ship though, since I’m far from done designing her ship. It’d also be different if I had a 3D asset of a schooner ship, but with the work it took to get the posed 3D model in place as well as the fact I’d likely have to pay for such a 3D asset, that route ain’t happening, that ship has sailed (lol punny).

Maybe we can avoid those details by having her sit high up on one of the masts? People go up on masts right??? Alright then- Time to update the inspo/reference folder for backgrounds/settings!

[Image source 1, image source 2- uhhh hoping the licenses for some of these ref images doesn't apply here for the first image or I'm gonna have to remove these images from here- which fair enough, my bad to only realize this now]

The first ref I depended on for a little bit- but then for whatever reason my brain began to REALLY struggle. The beams were easy to set up with the ref but nothing else. I think the image ref just had too much going on in such ways that I couldn’t make a “shape” out of it in my brain, I can’t even tell what some of the parts are on the mast! So after a lotta artist malding I decided to grab the second ref to make things simpler and more clear to visually understand.

[There were far more breaks when drawing this background/setting than I'd like to admit]

And boom! Although I like the retaining wall version, I think the mast is definitely the way to go for the final piece. Some of the rope placement was vaguely bullshitted but it’ll suffice. The cooked fish on a skewer in Harriet’s hand kind of blends in a bit through the background mess though, so I’ll probably resize the fish to be MUCH bigger to make it pop out a little better.

From here I’ll be turning the sketch lines all into one colour (I did different colours to help my brain keep track of the different components in the setting), and we’ll see where I go from there!

[Session 0]

[spikeinthepunch]

i havent posted like anything of the penrose development i have done, visual wise, as its all been on my discord (join here and get the "projects chats" role to see it). so! i am gonna talk. long post ahead.

above is some March actually, way back when i was trying to think of other characters and shapes. The three on the right were random mainly, except Hayden will be an actual character. not decided design however. i also tried "mouth/nose line" on mick and eden, which gave them more cat appearance. i did not keep that. very far right wolf looking guy is actually Mars... if anyone remembers that red wolf.

Noir Morozov, who i drew in that image with the numbers 76. i will commonly call him 76. he is the admin (76days76nights) of twistedroots.net. in his late 20s. clearly based on a goat.

Above is some design tests of "no ears" versions of characters. i have loads of thoughts about this-- basically these guys (mick and eden namely) have been ambiguous humanoids, but technically based on cats. still, the only feature were the nose and ears. however i have wanted my big projects to not be furry associated and the ears are enough to see them as that. considering how simple they already were, i wondered if i could take away the need for ears at all.

in doing so i realized how plain eden looks and came to certain conclusions about these: mick is already very normal, skin colored, and has two main colors. eden's hair being smooth makes it look pretty flat without the sharp ears, and she only has one color is she doesnt have the white spot. 76 is clearly the most animal like, and taking away his features leaves him look a bit weird. hair texture for eden was worked on (right image) and may change on mick, not sure.

i wanted to get rid of eden's white spot because it was a marking like on fur, but because she is just black and nothing else i wanted to work in a second color-- which came to me adding it to her hair! which i quite like.

as much as i loved that finished art i did of 76 recently, i do expect to change his design as well.

most recent developments of design-- first one is just normal present day mick with no ears. i am still unsure how to present her however as im unsure about her hair and nose/face shape. right image is eden at age 14-16. just a little sketch of her at a younger age (and i need to practice/design the difference between her age appearance tbh)

lastly! just a timeline of faces that i made when trying to think about new designs/what to do. theyre not in complete chronological order, but its close enough. its given me more thoughts on how i wanna tackle designs. mainly that i really want to do *something* about mick and eden's face shapes. i lost some sharpness of mick's and i think its part of whats throwing me, as she is all round shapes. i am generally happy with eden, but with both of those girls i need to sit down and try to see how i can work their ages into their designs just a *little* so.

thats kinda where this project is right now. designs have still been tough for me, especially because i havent fleshed out the story enough to include more significant characters either.

[adultswim2021]

Tim and Eric Awesome Show Great Job #50: “Man Milk” | May 3, 2010 - 12:30AM | S05E10

Tim & Eric wish you happy holidays in this special half-hour series finale (unless you count specials) of Tim & Eric Awesome Show Great Job. In this episode, we get a little bit of everything. But is any of it classic or good?

Yes, one is, it’s the sketch where Paul Rudd plays a businessman who who sits down at a computer to view virtual dancers, all of whom resemble himself. They have names like Celery Man (a skinny tie, shiny-suit wearing slickster), Oyster (a rough-around-the-edges-but-slightly-contrived punk), and Tayne (a hedonistic hat-wearer with a vaguely mambo flavor). He is turned on by these sexy dancers to the point where he ignores an emergency phone call from his wife. He asks the program for a print out of Oyster smiling, and, most controversially, to generate a nude Tayne. The computer warns him that it’s not suitable for work, but he presses ahead.

To my knowledge, this is the only thing Paul Rudd ever appeared in that was Tim & Eric related (Tim does show up in one of the Ant Man movies, but that’s On Cinema Tim, so I won’t count it). This one’s really great, and pretty irresistible. Silly dances with silly names are pretty standard fare in the Tim & Eric universe, but this is basically a one-man show with Rudd being hella charming and legitimately very funny. This one has absolutely earned its reputation as a viral hit, which is why I’m naming it the Talk Soup Clip of the Week. 

There’s the Italian Massage sketch, which is fairly funny but nothing too deep. Tim & Eric do dumb accents and pour pizza toppings on a fat guy and rub it around. It’s brief, and features a cameo from Fred Armisen, but I like it anyway. This one is reprised in one of the weaker “Great Job” interludes, where we see a man in the restaurant react to multiple hairy bites of his nasty pizza slice. I’m not even sure why they bothered shooting that.

Another sketch features Tim & Eric pitching a partnership with Ben Stiller and their freak slave Ben Hur. They show him a jingle proposing that Ben change his name to Ben StillHur. Stiller is baffled, because there’s no actual project attached. Ben Hur just sits there and winks at Stiller in a flirty manner. Stiller does his Hollywood prick shtick that we should all be tired of by now, but it’s not too bad all things considered. Later, Stiller chases down Ben Hur in the parking lot to become partners, but cut Tim & Eric out of the action, and the entire time you can see a disgusting redspot on the back of Ben Hur’s head, which Stiller gets perilously close to when he starts stroking Hur’s bald head during a spirited hug. 

This one hearkens back to their Rolo jingle from, I think, season one, and the Tom Skerrit jingle from not season one. Tim & Eric’s old website had a whole section with bogus would-be jingles for various companies, and those sketches (and this one, too) are a continuation of that. This isn’t that great, but I guess it’s exciting to see another movie star being bad on TV.

The Cinco Privacy Helmet brings Tennessee Winston Luke into the Tim & Eric fold. This product is a helmet that plays a loud beeping noise and sprays vision-obscuring fog in front of your eyes while your head is completely encased in an unwieldy spherical helmet. This is so you can hang out next to people having sex. The commercial specifically advertises its intended use for guys sharing dorm rooms (“Cinco helps you bang girls in your dorm”).

Despite that last bit coming off sorta college-humor-esque, this is maybe another highlight for the episode. It does return to the well of having weird old guys act like college dudes like in the Cinco Sleep Watching Chair (Doug Prish-Preed saying "they gotta be hot" is funnier than anything in this). Those two sketches might have benefited from airing in separate seasons. Still, I like this one quite a bit. The more traditionally-college-looking guy is truly a terrible actor. Also the girl in the sketch is actually pretty hot, tell her I said wazup.

Richard Dunn gets one final starring role in Bald Face Predictions, where Dunn shaves a child’s head in order to show them how they’re going to go bald as they succumb to old age. I am a sucker for comedy where grown men disappoint children, and I think this one plays to Dunn’s strengths. Him gleefully growling about the kid becoming a weird-looking old man some day is pretty fun, and him offering to see him every week so he can “bald (him) out” is also good. He kisses the boy’s head and throws his head back and utters the line “hairy LIPS!” which I’m not sure is actually funny, but that line comes into my brain every time I kiss a beloved pet on the head.

Short/bad-sketch speedrun: Quallstions has James Quall answering sincere questions. It’s not funny, but it seems like it’s meant to be not-funny, but it’s still not funny. One last “Where’s my Chippy”, which was nice to see. I like when Eric crosses out the chipmunk on screen. A Brule sketch where he briefly discusses the difficulties of e-mail. Finally: a medical-themed sketch about what to do if you suspect that you have pools of blood in your stomach. That one’s total nonsense and it doesn’t pay off, and it rehashes the “be provocative, be organized” chant from Crows. 

The wraparound for this one is fairly mixed; not exactly a home run but not terrible. Both Tim & Eric develop long swollen nipples and start lactating. Their milk is indisputably delicious, so they decide to bottle it up and give it as a “gift for free”. Luck would have it, Eric’s little nephew Koy is in town, hiding behind their Christmas tree, and they have him hand-deliver their Man Milk to various Tim & Eric cast members. Eventually, they realize that all the milk they sent out was unpasteurized, and it proves to be fatal for all involved (except Tim & Eric themselves). Merry Christmas. 

This one has an air of effort to it; it’s shot particularly well, almost seeming like a dry-run for their upcoming feature Billion Dollar Movie. The things that fall flat are some of the horse-around aspects, as well as the unfunny, musical number. It feels like padding. Also, the use of the word “tit” just sounds wrong for some reason coming out of their mouths. You expect “bubs,” “bub-bubs,” “blobs”, or maybe even “swollen hammers” to come out of their mouths before the unrefined “tit.” But in the spirit of Christmas, I will forgive them. The montage of their misfit character actors all succumbing to their lethal juices is pretty satisfying, even though it’s a little sad to see Dunn die on screen in retrospect. Guy died for real a little over a month later. RIP pep-pep.

That’s roughly the end of Awesome Show. Scrappy and imperfect, and sometimes fairly lazy, but when it was funny it tickled me like nothing else. I always found the show charming enough to watch even when it was at its worst. Not sure if I can do my customary “top ten” until sometime later. I just don’t have it in me right now. Maybe for…Chrimbus? Oh! Maybe I’ll wait for the 10th anniversary special! 

Okay you know what actually I just did one just now without really putting a ton of thought into it. If I were to mathematically go through every episode and rank each sketch and weigh each episode in some highly scientific way, it’d probably shake out differently. I just went by what grabbed me after going through the episode guide real quick. It's in airing order, not preference.

S01E01 Dads

S01E08 Anniversary

S01E09 Hamburger

S02E05 Forest

S02E10 Embarrassed

S03E02 Chan

S03E06 Jim & Derrick

S04E03 Universe

S04E09 Brothers Cinco

S05E09 Greene Machine

[slightlyhopefulromantic]

Oooh that's an interesting premise for requests! :] May I perhaps suggest then... Uh honestly kinda feeling Terry/Nicky for this one! Also ehshsjskkwjwke maybe Jodie/Ron??????

silly little fan kid prompts

in a wildly out of character moment for me, i COMPLETELY skimmed over the rodie part of this ask fdhjgbdhb so i will ! do that next and @ you in it! BUT hey. hey. shakes a terrick kid at you

this is cameron, my new baby girl sweet daughter cameron. i like to headcanon that samantha always did terry's hair when he was young, so it was cute to me to imagine that terry would do the same to her :] and of course, nicky has to introduce cameron to all the sick ass movies that glenn showed him, including the ever famous predator handshake.

both the stamplers and the close-foster-etc families have very specific like. through-lines in their families which make this combo interesting for a fan kid? im gonna put my further notes under a cut along with some etc rambling because this is just. exciting to me. i usually make fan kids with a story already in mind, but this exercise is kind of the opposite where i have to figure out the story as i go, and thats really fun to me :D

mild spoilers for the newer episodes of season 2, but i decided to uh. Pay Attention To Biology here since terry jr was revealed to be infertile, and i think thats interesting, so cameron is adopted!! this obviously left my options pretty open, but i decided to still stick with a mixed kid, Black/Chinese, since 1. feels kinda against the point of a fan kid if i just did a random design lol and 2. considering nicky's odd genealogy as well as his severe issues with wanting his dad(s) to be proud of him and the way hes so lopsidedly attached to his family, i figured he would be the type of guy to want his adopted kid to look like him. i dont think terry would care, but he would want nicky to be happy, so it all works out in that regard ! i went back and forth a bit on if i wanted her to have freckles, i thought it could be a cute tie back to jodie, but decided against it.

she does follow the Ron -> Terry -> Ron -> Terry naming scheme, originally i was gonna go for a terry name but i figured a ron one would make more sense lol so her name is cameron! i think she would take a lot of fashion inspiration from her parents, ive always seen them as both very. emo/alternative. terry less so as he grows older, but nicky definitely clings to it, and i think that would rub off on cameron. shes not as dark and edgy as they are - i think she would be a pretty bright and bubbly kid, actually - but i kinda like the idea of her being lowkey scene/scemo. yes im biased because thats one of my favorite sub-cultures, but its CUTE. i didnt really feel like doing full outfit sketches but just know that if i did. she would be scene. and like both of her dads as teens (and nicky still into adulthood), she does dye her hair pretty heavily hehe

the only real unfortunate thing about fan kids for a series thats like. already very heavy with canon kids. is that it kind of leaves everything in a weird place where its like... do cassandra and taylor exist in this? do veronica and scary? and uhhh i dunno ghbfjdgdfhjh up to interpretation, i suppose. its easy enough to just have cassandra and nicky be divorced, but the veronica/terry of it all is murkier ... food for thought, i guess. scary would fuckin hate cameron though i think they would argue LMAO

[frankhightower]

Refsheet commission Prices 2023 (and FAQ)

I am now taking refsheet commissions! Prices are for the most common combinations, but you can pick and choose your add-ons!

FAQ:

So how does it work?

I will ask you about your character, both their appearance and personality, and then (once there’s payment) sketch out what I think they look like. If you think I got it right, I’ll fine-tune the proportions, check again, color, check again, publish.

Why are you standing so weird? Every refsheet I’ve seen just shows the character stand at-attention!

Because a good refsheet should do three things:

Show what the character looks like

Show what their personality is like (I am very jittery, even in real life)

Show all the details at a glance (“backing away slowly” is a clever in-character way of showing the pad bumps on the bottom of the foot paw, for example)

Why not just do an inset detail like most other refsheets?

For the artist using the refsheet in the future, inset details are an additional thing to look at (and hence, an additional thing to forget / error to make / step to have to redo). For the refsheet creator, it’s an additional thing to draw (and hence more time). For the refsheet buyer, it’s additional cost (I count insets as “explanatory poses/details”)

Why are half your examples naked?

A refsheet must show how the character is put together. Often the only way to do that clearly is by drawing them naked. If the clothing they wear does not get in the way of this, then the poses can be fully clothed.

Why are “explanatory poses/details” more expensive than outfits? You’re still doing an additional drawing for outfits!

Because, generally, there is more than one alternative outfit, but I can copy and paste elements between them (notice how, for instance, not only are both “outfit poses” the same, the curve of the jacket at the button holes is too!) or indeed from the main pose (in this case, the guidelines from the main pose were copied and pasted)

Why would I want explanatory poses/details?

As a general rule, more poses is better, because they show not only how a character moves, but also what deviations from the “canon” design are acceptable (notice that my mouth and claws disappear in the upright running pose, for example, but I still have exactly 4 whiskers)

Can I get a reference object and explanatory poses?

Yes. Each of these is an add-on, but I present it like this to make the mental math easier on you (e.g. if you want two explanatory poses and a reference object, It may be easier for you to look at the existing example with two explanatory poses and add the $20 of the reference object, than to add the prices of single main pose + additional main pose + 2×explanatory pose + reference object)

Can I get outfits too?

Yes. Reread the last one more slowly.

Why do you price “additional main poses” as an add-on?

Because some characters require three and even four poses (e.g. a character has a mark on their back that is not visible from the side, or their left arm is substantially different to their right arm). I want to make clear I'll put the same amount of care into those.

Will the reference object always be some kind of ruler?

No. It will be whatever best shows the scale of the character (and the character would credibly be found around). For a macro living in New York, for instance, the reference object could be the Empire State Building; for a pokémon, it could be its trainer.

Don’t you think your prices are a little low? You’re undercutting all the “good” refsheet creators out there!

Refsheets are probably the only true barrier to fully participate in the fandom, so I believe offering them “cheap” is important. I price them as I would price an equivalent non-sketch-quality drawing (in other words, the color labels “free”). You can always then take my refsheet to a more experienced artist later and get a “proper” at-attention-posed refsheet and they will be glad to have a starting point already made.

What’s up with those color labels anyway?

One of the most important things a refsheet does is establish what colors to use when drawing your character. Most artists use the eyedropper tool to pick that color out so a big circle target is appreciated. Some artists prefer to mix their own colors, though (usually for fancy lighting effects), which is where the color’s name is useful. The Leader Lines connecting the color to the body part are just for clarity: when using a refsheet that just shows a rainbow palette to one side, I always have trouble determining what each one corresponds to.

Why do you offer single-pose refsheets? Isn’t that just a regular commission?

Sometimes all the details of a character can be shown in a single pose, and as mentioned before, I believe in having price-accessible options. And no, it’s not just a regular commission since, again, a good refsheet needs to both show personality, and show all the details.

Will all single-pose refsheets be facing forward?

No. They will be the angle that best shows the character’s most important details. In this case, the pad bumps were the detail I was most interested in communicating (in the past, the length of the muzzle was the detail I was most interested in, which is why all my old avatar were in full profile). I will let you tell me which details are most important to you.

What’s with the complexity charge?

Characters should be designed to be easy to draw again and again (isn’t that why you’re getting a refsheet?) and I’ve found through experience that it gets hard after three spots/stripes/markings, so I actively discourage it.

Why are tails excepted?

Raccoons.

So there’s a complexity charge for four stripes on each arm/leg, but not on extra arms and legs?

Correct. Taurs and Pegassi are fine. These forms are literally as old as civilization and I know they’re too important to people to create an additional barrier there.

Is there a complexity charge for fur + feathers like with regular commissions?

No. Those charges are for shading. A refsheet must not include shading to make the edges of markings (or lack thereof) unambiguously clear.

Will you do feral/quadruped characters?

Yes.

Will you do humans or nearly-human characters?

Also yes.

Is there anything I can’t ask you to do?

As with regular commissions, I won’t do genitals, nipples or gore. You’re, again, more than welcome to get a simple reference from me, then get another artist to do a gory version or whatever.

Wait, does that mean you won’t do the “severed limb” type of refsheet?

Correct. If you need to show, say, a really cool tattoo near your armpit, one of the poses will have the character lifting up their arm. I won’t do severed arm stubs.

Does that mean you won’t do scars?

Scars are fine. I will do scars.

What if I have a really cool design on the top side of the tail that is totally different from the bottom side?

I’ll try to work it in to the main poses, but if there’s no way to make it clear, it will have to be an explanatory pose/detail. That’s why we need to talk about the character before payment: to determine how many poses are necessary.

What if I can’t afford the extra pose/detail?

Anything that can’t be incorporated into the art / shown at a glance, will be added as text.

Posted using PostyBirb

[humanmorph]

dont mind me just some of my palisade liveposting from twitter. ignore it. i just want them here. this is long and annoying but its my blog and also under a read more smile

(technically not yet palisadeposting just funny to me)

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Road to PALISADE game rankings (29. Mai)

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PALISADE 03 (4. Juni)

guy whos only listened to friends at the table listening to friends at the table: this is just like fr-

this is about me thinking of hieron & some archivists constructing patterns by manipulating events when they talk about the paint shop & bringing palisade on cycle. im also jokin

WHICH. i am pretty excited about (the cycle). its an incredibly cool concept that mostly existed in the bg in twilight mirage (or well, the intros?) but i love it.love to see it come back in a weird and bad way (different weird and bad than the original

& i guess it makes sense for kesh to pull on ideas/ideals/visions their ancestors had, when this whole 'going back to the twilight mirage' is for nideo a reclaiming of their home/origin

dont need rot13 for this though its vague enough that was cool as fuck of jack. i was kind of cruising along like yeah this is pretty nice so far theyre just getting set up with this faction game thing and then woooowww. wah. banger

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PALISADE 04 & 05

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PALISADE 07 (13. Juni)

some PALISADE 07 thoughts. im thinking them

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(? idk which episode this related to. 12. Juni)

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(the rot13 says clementine. lol)

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(lmao)

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PALISADE 13 (1. Juli)

this doesnt have anything to do with what i wrote here but im very excited for the next arc (even if ill be fully caught up then...) with the way the cast has been talking about it

also idk what it was about this downtime but something happened halfway through ep 12 where it clicked and now i am enjoying myself way more. just took me a bit i guess

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PALISADE 15 (12. Juli)

palisade 15 thoughts (from like, last week. its just still vivid in my mind) . this made me go crazy

(this still makes me smile god i wanna know whats up with this so badlyyyy)

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PALISADE 17 (17 Juni)

god upon our grace fucking ruled

this arc was soooo much. just in the sense of things sure kept fucking happening oh my god

(oh this is the one i was looking for the other day after the brninegucci convo. (BLOWS UP) indeed)

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PALISADE 18 (18. Juni)

(man i was straightup not having a good time huh)

(yeah there we go. and i do feel better about it now)

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(just for posterity because this is when i did the first sketch for that long comic. smile)

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I'm at work with my phone on 10% but PALISADE 19 but dice ARE one side of the authority I'm halfway through this shit and the Cause has not gotten a win. I mean it did but that got rerolled & they still have one of those left it's not happening folks

Putting my head on my desk. "But you will win anyways. You must."

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Gathering Information 04 (23. Juli)

wait hold on i didnt think this through IF something tragic happened to phrygian and then leap coming in on the blue channel after oneof their crew members / friend / brnines second in command just died or worse(things can always be worse than dying. see gur). that. yeah. hmmmmmm

(tee hee hee) (im actually still thinking about that last tweet currently im turning it around in my mind. the dynamic. also "what if [things] got worse and also leap was there" still makes me laugh)

[cow-legs]

Of course it does feel a little silly to make big update posts about how im burned out and am trying to take a break from drawing right in the middle of a time where im uploading new art more relatively consistently than i have in a very long time it feels like but i guess it was still important to make the distinction, between things that i enjoy drawing and can keep doing vs things i dont enjoy doing at all and need to stop immediately, just for my own sake.

Openly telling people "yuuup i'm not going to be drawing anything other than super basic shit from now on for a long time" means that whenever i think of drawing anything post-worthy i know i will feel silly for posting it after saying that, and from there if i still decide to go through with it anyway it was probably something i actually wanted to draw and enjoyed doing while if this thought made me self conscious enough to not go through with it then it was probably something i wanted to draw only due to impulsive obligation rather than something i wanted to spend time making just for the fun of doing it so the spell gets broken. So its a functional enough system, i guess.

&now that this distinction has been made in my brain i can spend more time doing shit i actually enjoy instead of letting it get beaten out by the things i "should" be working on every time

Putting my foot down and going "no, i am not going to keep forcing myself to do detailed clean lineart on even more detailed sketches when i get much more enjoyment out of just doing really rough and simple shit instead" after i have found myself independently coming to realizations about what kinds of art just suck the life out of me over and over again and then just disregarding these realizations every single time to go back to the shit that kills me because "well this is how you normally do it" or "this technically looks nicer, in some aspects" and finally just fucking forcing myself to stop doing that is probably overall more helpful to my mental health than just forcing myself to stop drawing altogether when thats a drastic move that may or may not be the actual solution. Now i am finding and re-learning ways to create things that don't make me feel like i am a walking corpse so i think i will take the feeling of thinking i look a little silly for seemingly disregarding my big life updates over never having found these things out for myself at all any day.

I don't really know why i feel like making update posts in the first place when to be honest i dont think it really matters, people arent paying me for any of this and i stopped feeling "sorry" for "not posting enough" or such things as that a long time ago so it's not like i feel any kind of legitimate need to tell people about what my status is creative-wise. But i guess a large part of it is just that i like talking and have a lot of things to say but for various personal reasons have no desire to post 99% of these thoughts publicly so it's the like rare chance i get to actually start saying shit on any of my art accounts that is actually relevant to the subject at hand without crossing my own boundaries and saying more than i am comfortable with

It is a little weird feeling writing update posts though because i dont really know how to word them in any way that doesnt come off as a fanfic authors note going "sorry its been a whole 20 minutes since the last update i got mugged and all my money was stolen and he broke my leg also but im trying my best to write more despite this" like girl focus on the mugging not this shit. When in reality i actually dont care very much about providing Content as much as the hypothetical fanfic author i just felt the need to say something because why not and didnt know how to word it in a way that makes me not come off like that. which is how you get this i guess. anyway i already forgot what the point of this post was i guess i just wanted to say some shit. which tracks i suppose.

The moral of the story or some shit i guess is that even if you are not doing art as a job it can still end up feeling like one and killing your creative spirit like one would and you need to be able to identify when this is happening and what things you dont actually want to create even though you feel like you "should" so you can kill these practices before they kill you

or something like that

I dont really care about having a point here i wrote this at 2 am

i just like talking