#if they post hate in her main tags though or on positive posts about her?
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knightlycrow · 1 year ago
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working on some naruto fanart and i just want to say i love sakura so much i almost threw hands with a coworker for calling her annoying the other day. i think she (and a lot of the female characters lbr) was done so dirty and thank god for fandom in that regard. huge fan of stuff that fleshes out the girls.
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occasionalklance · 3 months ago
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shewaslikeasunflower · 5 months ago
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i was scared to show i liked mother ships and all, especially when one of my fave artists actually hated mom ships and would block the tags n people…
SO I GOT REALLY SCARED, i didn’t wanna reveal i liked any of them because i didn’t wanna be hated over it let alone blocked. understandably so why cause they’re all children but auuughh im not even trying to be weird about that and i just wanna like ships..for fun? I wanna be serious with mom art and draw sad stuff but also have fun moments that make me feel happy as the artist drawing it!! and joy!!
umm, im still a little worried showing i liked mother ships now, but honestly i gotta say - the whole reason why I ended up revealing I liked mother ships was because of @nanaten!!! I ended up reallly liking clausten and discovered the clausten blog she has, and i found her main blog llike a good couple weeks later and AAHHHHH ❤️ her clausten art and her blog encouraged me to actually want to draw the ship for the first time - and post it on tumblr too! It’s not even just nana anymore though, there are so many mother artists im mooties with who do ship art too and it feels great!! sure, maybe i’ll be hated, but i’m really relieved i get to be open about it and just..enjoy ships without having to think of who’ll hate it behind the screen because i focus on the positive comments i get with my art iwndkwnjd
it feels good for me to speak about this i think :"D i even considered making another tumblr blog just to do seperate mother ships but i’m glad i chose to go “screw it lets just post on main”, because i then got to meet the right people in the fandom that appreciate it for what it is - and also even people that respect the art even if they don’t like mom ships!!!
as i said, i’m still nervous about showing i like it. but i think talking about this here makes me feel a little better to keep it up
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morally-grey-girlbosses · 2 years ago
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Welcome to the Morally Ambigious Girlboss Tournament!
Have you ever thought "damn, she's a little evil but that's okay"? Has your fave girlie committed warcrimes, perhaps atrocities, perhaps a few murders? Do you need her freed because she only did some of that? Then this may be the tournament for you!
Submission Rules:
Submissions are open until July 29th, though I reserve the right to close them off early if I somehow get flooded with submissions.
PLEASE DO NOT SUBMIT THE SAME CHARACTER MULTIPLE TIMES. You are free to make as many submissions of different characters as you want.
The first serious submission I receive will become the avatar for the blog.
No characters from Harry Potter. If anyone raises concerns about other potentially problematic media, we will hold a vote as to whether it should be allowed.
No characters from real life, or fictionalized/exaggerated versions of real-life people (DSMP characters, youtuber egos etc.) unless its REALLY funny.
No more than two characters from any given work are allowed in the final bracket. If more than two characters are submitted, we will hold a play-in poll to determine which two will enter the main bracket.
Girlbossing is a vibe, not a gender specification. I will probably not be allowing any cis men to enter, but I won't be restricting it to only women, either. If there's any doubt as to whether a character counts as a girlboss, we will hold a qualifier poll.
I will try to include as many submissions as I can! However, in case I somehow get absolutely flooded with submissions, I am capping it at 256 girlbosses.
Because of my personal biases and love for them, Gertrude Robinson (The Magnus Archives) and Anne (Woe.Begone) are submitted automatically.
Tournament Rules:
This will be a double elimination/loser's bracket style tournament, in order to minimize any hurt feelings from people's faves being eliminated immediately.
I will try to reblog any and all positive propaganda, and post any and all positive propaganda asks, but I will NOT be giving attention to any propaganda against a character.
Please remain civil. This is a fun tournament for some slightly evil girlbosses to battle it out. Anyone who starts giving anyone else hate over this will be blocked.
I reserve the right to change or add to these rules as I remember any that I forgot.
Submissions below!
Tags for visibility:
@evilestgentleman @top-fictional-unhinged-women @corrupt-officials-brawl @michaeltournament @judge-and-justice-bracket @hauntthenarrative @greatest-greek-games @cowboycompetition @obscuredilfoff @best-transgender-character @generic-man-in-suit-battle
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muffinsin · 5 months ago
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Welcome to my blog
My profile picture has been created by the talented @zeleneagle , it can also be found on their page. I recommend checking out their #myart tag
𝓜𝓪𝓼𝓽𝓮𝓻𝓵𝓲𝓼𝓽𝓼 𝓯𝓸𝓾𝓷𝓭 𝓫𝓮𝓵𝓸𝔀
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This is a NSFW blog for the most part, so l ask minors not to interact. Even some fluff posts could have mention of NSFW content in them!
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Open
Open, but- requests will take longer to be posted
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𝓕𝓲𝓷𝓭 𝓽𝓱𝓮 𝓯𝓸𝓵𝓵𝓸𝔀𝓲𝓷𝓰 𝓫𝓮𝓵𝓸𝔀:
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╰┈➤ 𝔽𝕒𝕟𝕕𝕠𝕞𝕤 & ℂ𝕙𝕒𝕣𝕒𝕔𝕥𝕖𝕣𝕤
The main focus of this blog;
Resident Evil Village, the Dimitrescu sisters
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Resident Evil:
Donna Beneviento, Jill Valentine
There are some works dedicated to Alcina Dimitrescu that I’ve written :) they’re found in my Masterlists, though I don’t take requests for her at this time
Baldur’s Gate 3:
Orin the Red, others are unspecified at this moment
Far Cry 5
Faith Seed, female or gender neutral deputies/reader only
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Find a list of kinks I will and won’t write HERE :)
I will not write incest, age play or about underage characters, and will not portray non-consensual actions in any positive light
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But I’ll sometimes write a character in addition to one I write for
Eg: Cassandra Dimitrescu & Ashley (re4)
I ask you to be patient, writing a prompt out can take a while :)🙌
Feel free to remind me, though usually prompts just take a while due to the other requests in my inbox :)
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Though, I usually don’t publicly answer inbox vents as this isn’t a venting blog. Vent on my DMs should you need it, though. Equally I don’t allow self promotion on this blog thru the inbox. If I really like an account or post, I’ll promote it :)! Again though, my DMs are open for such things
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There’s actually an anon list of this blog! There you find a listing of all anons and their hashtags, letting you go through their submitted inbox prompts. It can be found
HERE and HERE
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Should you be interested about me, there’s a post on my person available
HERE
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Banners, pictures & co are not created by me unless stated otherwise or sporting my username. The ones adorning my recent posts are made by me using already existing pictures.
My biggest motivators are my girlfriend and some of my moots/friends/followers/anons that I won’t name here for privacy purposes :)!
This blog has been created around December 2023
╰┈➤ 𝕆𝕥𝕙𝕖𝕣
I’m generally up for collabs, if anyone wants to approach me regarding one :)!
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halogenwarrior · 7 months ago
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I posted this as a reply to someone else's post but I want to make it its own post because the original didn't get any likes or reflags, maybe because it didn't show up in the tags.
My take on the hate for Cassie Animorphs that you see a lot is that the perception is that Cassie makes decisions that are questionable or flawed but always turns out to be right in the end because of author fiat/favoritism, which I don't think is accurate when you analyze things deeply though I can see why people say so.
The thing is, how it usually works when the Animorphs are having an argument about morality is that the "failure mode" (the consequences of the action if it doesn't work out) of Cassie's suggestion or decision is that the war is completely lost and all of humanity is enslaved or killed by the Andalites, while the "success mode" is that a small amount of beings are saved and/or there will be a long-term ripple effect that leads to benefits for a lot of beings, both in terms of making the war more winnable and benefits that extent outside the war entirely. For example, letting Tom have the blue box would have led to the loss of the war if the gamble didn't pay off, and does have negative consequences for the war that could have easily led to them losing, but its positive impact is in both Yeerk and Taxxon defectors helping the Animorphs in the war and in, from a "humanitarian" perspective, Yeerks and Taxxons being offered a better choice besides war and conquest or the personal consequences of having to live in their standard bodies.
Meanwhile the "failure mode" of following the plan of someone like Marco can also sometimes be that the Animorphs will just lose the war, or sometimes that they will be back where they started (which is still a difficult and hopeless position with the Yeerks' greater numbers and more advanced technology), while the "success mode" is that they get that much closer to winning the war, such that if they continually forego opportunities like this they will have no chances of winning at all.
And for this reason, it is true that generally, when the others decide to go with Cassie's decision despite those risks, or Cassie acts on her beliefs anyway without the permission of the others, she turns out to be right and they don't all get killed or become Controllers. The plot armor and narrative conventions that they can't have the main characters just lose there, which is usually what will happen if they listen to Cassie and she is wrong. BUT the narrative shows the balance between Cassie's perspective and someone like Marco's both having their places in a different way; by showing the situations where the others don't go through with Cassie's plan, and Cassie is unable or unwilling to do her own thing or sabotage them. Such as blowing up the Yeerk pool in #52, which she explicitly opposes morally. But the others don't agree with Cassie and do it anyway, and it works, and it's clear they would have just lost the war there if they had sided with Cassie. Due to the restraints of the narrative, Cassie being wrong is usually indicated not by the others listening to Cassie or failing to stop her from taking action and her failing, but of them doing the opposite of what Cassie wants and succeeding. It's not as flashy and obvious, the other Animorphs don't sit there and say "wow we are so glad we didn't listen to Cassie or we would all be dead and humanity would be enslaved, isn't she dumb", but it's clear from the consequences of the narrative that she was wrong in that case.
The only exception where they were able to illustrate Cassie being wrong in the opposite way, where they take her side and do what Cassie wants and it's wrong, is with regards to throwing away the device to reprogram the Chee (initially what Cassie wanted and the others did not). This leads to consequences in the last book where it forces Jake to get the Chee's participation by threats and force instead, leading directly to Rachel and Tom's death and the escape of Tom's ship. And this comes down to the consequences happening in the last book of the series, meaning that while it doesn't lose them the war the narrative isn't as restricted to keeping all the main characters alive that it can't demonstrate permanent consequences to following Cassie's idea. But in other cases, Cassie isn't always right but her being wrong is demonstrated by the implications of what would have happened if they listened to her rather than what did happen when they did.
Overall I think her character is treated in a pretty balanced way between her perspective being right and wrong, although the narrative framing (out of necessity due to having to write within the constraints of not having the main characters lose and be killed/enslaved) drawing more attention to the times when she is right makes it look otherwise!
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ladyluscinia · 1 year ago
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With all due respect, maybe people feel like they’re not allowed to post about Izzy because people have argued that sharing the opinion that Izzy was not acting benevolently in Ed’s best interests during season 1 is “spreading izzy anti rhetoric” and should not be allowed in the #Izzy Hands tag.
Look I'm way too lightheaded to answer this with my usual thoroughness, but this is a... 20 month? ...old red herring that has been clarified as such on more occasions than I can count so I'm sure I can find some examples.
So here's the short and sweet version. And here's the multiple, extensive attempts by predominantly poc bloggers to draw attention to and reduce the massive harassment campaign in this fandom with methods that did include asking people to not tag character hate.
Your hypothetical S1 meta was never the problem we were complaining about, though tbh people insisted on being absurd about those too. Yes if you put a meta in the #Izzy Hands tag then people who like Izzy are going to see it and might, gasp, respond because that's kind of what tags are for. Yes tagging negative meta as #Izzy Critical is basic politeness for fans to filter and a logically better organization system if you want people who are interested in your meta to find it and have a tag to hang out in without "the canyon" (which pre-S2 meant everyone who talked about Izzy positively / had the wrong Edward takes). This is the logic behind #OFMD Critical as well. No I cannot guarantee you will never receive a single annoying comment for posting in a public forum but you have got to be real about how big a deal that is before declaring that you are bravely risking harassment by posting a broadly popular and fairly lukewarm take about Izzy being a shithead. 🙄
Also since this is presumably coming off this... If you genuinely think "the canyon" (pre-S2 era or current near-dead state) is a boogeyman mob who hate every single aspect of OFMD except the loser antagonist who they have woobified beyond measure and think is the main character and right in all things, and will relentlessly attack anyone who dares to suggest otherwise... yes, I do think you're pretty stupid. 🤷‍♀️ Like that is a pretty stupid thing to believe if you have any knowledge whatsoever of "the canyon" and a pretty stupid thing to say out loud if you are just taking others' word for it.
Learn to be normal about people having different interpretations of a tv show
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eloise175 · 9 months ago
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Profile and Masterlist info ^^
𖤐 ̊⁎+˳✧༺ Welcome to my blog! ༻𖤐 ̊⁎+˳✧
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Who am I and what do I do?
I go by El for short (most used), Eloise, or even Eli if that’s what you’d prefer (though not very used); she/her prononouns.
Mostly a VADTD-centric blog. My main focus most of the time are Callisto and Penelope, I love them so so much and have made it a mission to yap about them constantly <3
I post lots of my personal headcanons, AUs, memes and even episode/character/series analyses. Novel reader so beware of spoilers, there are plenty on my page!!
I'm a VADTD fanfic writer and artist, tho I rarely post my art. You can find my fanfics on Ao3 (I'll link my profile down below) ^^
➠ Callisto and/or Penelope haters DNI with me or my posts, you will be blocked. Yes, I will block even if see random hate for no reason—most of all misinformation.
What fandoms am I in—manhwas/webtoons I've read?
(These are obviously not all of them, but mostly the main ones);
Villains Are Destined to Die (VADTD/VADD) — my longtime favorite and hyperfixation
Genshin Impact: EU sever; AR 60; Yelan main
Honkai Star Rail (HSR): EU server; TL 67; Acheron main
Sailor Moon — mostly SM Crystal
How to Win My Husband Over — quickly became one of my favorites, may or may not be because I have a thing for men with red eyes (what can I say I’m a woman of culture)
The Siren: Becoming the Villain's Family
A Business Proposal — comfort manhwa, I watched and enjoyed the kdrama too but the manhwa is pure greatness and I will die on this hill
Daytime Star — comfort manhwa yet again, it’s sooo cute
Positively Yours — comfort manhwa pt.3 :))
Unholy Blood — another one of my longtime favs, Euntae and Hayan my beloved <3
Where can you find me?
I have pages on a few other socials, and I'm usually pretty active except stated otherwise. All of my profiles are still very much dedicated to VADTD or underwent changes to conform:
Read my fanfics on Ao3 — For now I only post my fanfics on Ao3 so if you see them posted somewhere else, that is not me! Please let me know if you come across anything like that, or any sort of plagiarism of my works (yes, it has happened before)
Eloise_175 on X/Twitter — Quite active on there lately, sometimes I post things I don't end up posting on here, like threads and whatnot
VADTD Discord server — I tend to be pretty active on discord and consequently on the VADTD server too, everyone is welcomed to join! (please make sure to read the rules carefully ^^)
calliopeys_ on Instagram — I don’t really post much on there as I’m not an Instagram person, but hopefully I’ll get around to posting more on there as well. Created a new account from scratch to maybe post my art and fanfic updates. If I see an influx of people from here on there, I may do some of those quick asks in the stories :))
calliopeys on TikTok — Empty for the moment, but maybe I'll do some silly memes on there
Tags Directory
(might edit this section later on)
Villains Are Destined to Die | Novel | Headcanons | Analysis | My Fanart | Memes | My Fanfics | Merch | Asks | Incorrect Quotes | Scenarios | Reblogs |
Calliope: Penelope Eckhart x Callisto Regulus
Characters:
Penelope Eckhart | Callisto Regulus | Judith Regulus |Cedric Porter | Ivonne Eckhart | Reynold Eckhart | Derrick Eckhart | Winter Verdandi | Duke Eckhart |
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senshisdaughter · 4 months ago
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THE TERUHASHI KOKOMI DOCUMENT (that I forgot I made for like, the past 2 months lmao)
This is a thing I made almost in one sitting while listening to this playlist by CASP, It literally is the best character playlist i've ever seen, it resumes her character arch so well!!
Enough said, he's the thing:
Part 1: Introduction
Kokomi Teruhashi is my favorite character from saiki k. As much as I see myself in Saiki or find characters like Kaido and Akechi funny, no other character has grasped my attention like teruhashi. Her bits were funny, she had some of the most interesting dynamics with other characters, mainly Saiki, and she was the one of the characters that best reflected the themes of the series together with Kusuo.
So, seeing the utmost love I have for her character, you can probably imagine my surprise to find out how so many people who have “watched” the show simply hate her. Some will say she’s annoying, some will say she’s narcissistic, mean or a bitch. Some will hate her for getting in the way of their headcanons or for any other reason you can easily see flowing around. Even worse, this teruhashi hate is not a small minority but quite a big amount of the fandom, to the point that teruhashi lovers will tag any teruhashi positive posts with the saiteru tag, even with the ship not present, so that the few teruhashi lovers from the ship can see it.
In this essay I will firstly analyze Teruhashi’s character, mostly from the anime as I have not read the manga, and after that I will point out some of the reasons people say they hate the character and after question the real reasons behind this hate.  
Part 2: The perfect pretty girl:
Teruhashi, like most characters in the show, gets introduced as a shallow character. The whole joke at first is the expectation breaking that comes from Saiki’s power: the perfect pretty girl does not have a perfect personality like we would expect. She is overly aware of her beauty and uses it to benefit herself. She gets surprised by someone simply ignoring it, to the point of becoming obsessed with Saiki without even knowing his actual name.
Her characterization at the beginning of the series is very straight forward, she is a living illusion, a egocentric person who will manipulate people to get what she wants using her beauty, while pretending to be perfect in all aspects. Most of her jokes come from the absurd levels of power she demonstrates because of her appearance or from Saiki running away from her love schemes, as he doesn’t want all the attention that Kokomi brings with her.
At first, like ALL characters in the first season, Teruhashi is not painted in a good or deep light, mostly being very exaggerated in her worse traits and being targeted by Saiki’s funny remarks. This is the way the show first introduces us to characters. Nendo simply starts as the stupid one, Kaido is the shy and awkward Chuunibyou, Yumehara is the love crazy girl and so on. Here is where I personally find most Teruhashi haters get their distaste from, even though, as it will be further analyzed later, there are still some questionable things about the amount of hate this version of the character gets.
At this point in the series most characters are there only to be funny, without too much depth. But, as the season continues, the show starts to allow its characters to gain more depth. As much as Teruhashi still continues to mostly stay as the “perfect pretty girl who actually has a bad personality deep inside” we finally start seeing more depth to her during the later half of the first season. We start to see her develop friendships with Yumehara and the others, allowing us to see more of her personality than just her crush on Saiki and her contradictory personality, even if those are still the main focus of the character. 
But, as with most characters in the show, there is a very important change in tone after season two. We do not see Teruhashi Kokomi simply as the pretty perfect girl, but we actually get to see a bit more than that.
Part 3: The real girl
Kokomi Teruhashi is, above anything else, simply a girl. And that fact gets more and more obvious as we continue in the series. Her behavior that appears perfect is a mask, her thoughts that were very judged by Saiki in the beginning become clearly normal thoughts a teenager would have. Even the way she weaponizes her beauty: we see how all of that is placed on top of a real, normal human girl. 
Kokomi uses people as much as she is used, we get to see clearly how hard it is to “be perfect”, and how much it is expected of her. She isn’t allowed privacy even in her own home (I WILL NOT TALK ABOUT HIM), she isn’t allowed to have common hobbies and behaviors, any change she makes to her appearance is seen and judged and she is not treated like a normal person. The show starts to deconstruct the idea that Teruhashi is faking her perfection out of malice or narcissism, giving us a new view of it.
We see Teruhashi’s internal thoughts: how she thinks she's giving people happiness, how she knows people expect her to embody perfection, how she knows the responsibility and power she got from birth. It changes her relationship with her beauty, no longer is she abusing it, but simply taking back as much as it is taken from her. 
With A LOT of the jokes in the anime, when thinking about them for a little bit, some things become concerning: this 16 years old girl is certain that people will get depressed if she doesn’t show up and perform her perfection (which we know to be true seeing how they all react when she is simply sick), this 16 years old girl is sure that giving chocolates to her crush will start world war three (which, even if we see it as hyperbole, is taken completely seriously by her, and whatever it would actually happen or not is irrelevant, as she feels responsible to stop it even at the cost of her happiness). We see time and time again how much she constantly feels responsible for others feelings and actions, completely changing the reason we think she puts up an act.
Not only that, but we see how much she appreciates being treated as a normal person. Her crush on Saiki, born initially from spite, becomes genuine affection as she grows fond of him mainly because he treats her like she is not special. Of course she hated it at first, she never knew what being treated like a person was! Not only that, Teruhashi feels that she is responsible for others happiness, and here she sees a boy that isn’t happy to see her. As much as it hurts her pride, which is the way Saiki sees the situation, it also directly hits the only thing she sees as her worth, as her responsibility. 
Kokomi at first seems very prideful, and it would be a lie to say she isn’t, but mostly we see how to a certain extend that was a side effect of her mask, and as she gets more and more used to being treated like a normal person, especially by Saiki and Yumehara, she starts to care less about it, even allowing herself to make a “mistake” by forgetting a random thing about what a boy changed after fainting from exhaustion trying to be perfect.
Yumehara herself is one of the most important characters for Teruhashi’s growth. We do not know much about Kokomi’s past, but she clearly doesn’t have a lot of friends at the start or before the series. She, as all of Saiki’s friends, is deeply lonely, as even though she is popular she isn’t close to anyone. That is, before she and Yumehara become friends.
Part 4: Being human
One of the main challenges we see Saiki going through the series is his feelings of alienation from the rest of humanity. He doesn’t feel human, always feels like he is different from others and needs to put on a mask to exist in society. We also see this mentality slowly being melted away by having friends, as they pretty much grab Kusuo by the neck and throw him away from this idea, by showing him love and understanding. This is one of the most important themes of the story, and one Kokomi Teruhashi embodies just as well.
Teruhashi at the start pretty much lived simply to fulfill the role that was given to her by society at her birth: be as perfect as she looked. Boys were too shy to interact meaningfully with her while girls were too intimidated to be friends. When people did talk to her it was mostly to compliment her on her appearance or to try and get something out of her. That at first changes with Saiki.
This random boy from her class, a boy that she still finds the need to make a little happier with her presence (a thing that has ALWAYS happened since she was born), a boy she doesn’t even know the name of. This boy simply gave no fucks about her beauty. He saw Kokomi like he saw everybody else, both in appearance and personality, so he treated her like he did everyone else: indifference.
  Of course Teruhashi doesn’t believe it, something like that never happened before. Of course her first reaction is that something is wrong and that she needs to fix it. At this point she is so immersed in her mask that she can’t even see it is not her real self. And the more she tries the more Saiki treats her like a normal human being.
Then we get the second most important character for Teruhashi’s growth: Yumehara. Yumehara is the first girl we see that not only decides to treat Kokomi as a normal human being, but also to be her friend. We clearly see both of them struggle at first, as Yumehara finds it weird to talk to “the perfect girl” and Teruhashi simply has no experience talking with girls. But we see them building a relationship, caring for eachother and, most importantly, we see Teruhashi being allowed to be a normal girl.
With both of them by her side Kokomi slowly starts to truly become herself, gaining a bigger possibility then the role she had been put since birth. And with time even her other friends in the group start to treat her more and more like a human being. From Hairo and Mera (aroace icons fr) that don’t seem to really care about her beauty, to Kaido and Nendo, who even if they do care about it still end up treating Teruhashi as a friend first.
We can clearly see how much this connections change
Teruhashi's mindset: she becomes less egotistical while still being aware of her beauty, she understands what's more important to her than her perfection, she finally starts to understand that she is allowed to be human.
Part 5: Parallels painted pink and blue
It is so easy to think of Teruhashi’s crush on Saiki as any other joke, like Yumeharas, but there is a very important reason why she and Saiki are placed side by side so much: they are perfect mirrors.
The Disastrous Life of Saiki K is a show about loneliness. Not the psychic powers of quirky people, the main thing everyone in the cast has in common is that they are all deeply lonely. Kaido, Nendo and Kuboyasu are social outcasts, Yumehara and Mera while not being isolated by their peers are also not very social with them, and Hairo, even though he’s popular, doesn’t have anyone to match his freak energy. They all find connection in their weird little friends group. And in this group there are two opposite but mirroring characters: Saiki Kusuo and Teruhashi Kokomi.
Saiki doesn’t feel human, but like a monster. He feels disconnected from his peers as he was born with powerful abilities that, while they can be used for personal gain, he feels responsible to hide as a way to keep others safe. So, he wears a mask of normalcy, not allowing anybody near him and hiding everything that makes him special. He has to deal with the weight and troubles of hiding a part of himself from others, and finds it difficult to show it even to those he knows would accept him.
Teruhashi doesn’t feel human, but like a goddess or an angel. She feels disconnected from her peers as she was born with a powerful beauty that, as it is impossible to hide, she feels responsible to make it as visible and perfect as possible, in an attempt to make others happy. So, she wears a mask of perfection, making it impossible for people to completely get close to her as she hides everything that makes her normal. She has to deal with the weight and troubles of hiding a part of herself from others, and finds it difficult to separate between her mask and herself.
They both grew up with a similar problem: they were alienated from others because of their uniqueness. But, both diverge at the fact that Saiki can hide his powers, while Teruhashi can’t. So while Kusuo fights a part of himself until he doesn’t see it as part of him, Kokomi is eaten by her mask, confusing herself with the mask she wears.
Both characters force each other to confront the truth, as Saiki needs his powers to keep up with Teruhashi and she is unable to mask in front of him. By their similarities they both push each other to become more in tune with their humanity.
Even their real personalities are similar, both being mean to others in their heads while acting very kindly in the end. Both are absurdly competitive, stubborn and even childish at times. They are both good but flawed people, who lost touch with their humanity as it was taken away from them by others because of their unique traits. Even if dealing with it in completely opposite ways, both are, at their core, very similar characters. They are the two who can understand each other the best, having similar problems, from god like abilities and bad brothers (I WILL NOT TALK ABOUT HIM)
Part 6: The haters
Here is where my main problems with Teruhashi haters lie. While anyone is entitled to like or dislike any character, the characteristics that are targeted on Teruhashi are, at its core, characteristics that are very clearly present on Saiki. But, when Teruhashi shows them instead of the protagonist they become a problem.
Saiki is a self-centered guy, who will do everything in his power to avoid others. He is constantly mean to his friends and strangers in his head while being quiet on the outside. Saiki constantly makes it clear, especially in the first episodes, how he needs to lower his abilities, be it physical or intellectual, to keep being normal, because he is better than his peers at both.  
Kokomi does the same, she is self-centered and does everything in her power to get what she wants. She is constantly mean to others in her head while being nice on the outside. She makes it constantly clear that she is prettier than her peers and she does not hide it.
They both have the same unlikable characteristics. but they get framed differently by both the show and the fandom. Saiki can be mean in his head, because if he doesn’t say anything he isn’t being fake, while Kokomi deciding to be nice to others is bad? If Kusuo uses his birth giving abilities to avoid people and manipulate situations it's relatable because he’s being a introvert, while if Teruhashi uses his birth giving beauty and luck (that works in the same level as Saiki’s powers) to get someone’s attention and manipulate situations she is manipulative and a bitch? 
And it’s not only traits she shares with Saiki that are badly seen. She is annoying to Saiki and never leaves him alone? So is Nendo, but when she does it it’s bad, even though we know Saiki never went and rejected any of his friends' affection directly. People will say she can’t take no for an answer when no was never said to her. 
People expect a character who’s whole life was told she is perfect to not think she is. People expect a character who’s been given everything she wants her whole life to not expect that? Saiko thinks exactly that, and like Teruhashi starts to learn that things are not like that, but he still will default to thinking this. But when he does it’s not a problem, but when Teruhashi does it she is entitled and bad.
Like it was said before, disliking a character is something anyone can do for whatever reason, but I do find it important to analyze why you hate a character, especially if the reasons you give are only a problem when given to a confident female character. The whole point of her bit is that, the fact she knows she is beautiful and uses it to her favor is something that would surprise and get people mad, and seeing it be realized by people outside the anime makes it ever so clear why her characters has such a hard time being true to herself. If she didn’t pretend to be perfect the hate that she receives from the fandom would be very similar to the hate she would receive in her world.
But then the question becomes why? In a show full of self-centered characters, who are inconvenient, who are entitled, who are arrogant, why is Teruhashi the one who gets the most hate for any of these characteristics? While I do believe for some people they just didn’t find her bit funny, I do really think that for most it was simply misogyny. She is a confident woman who knows and uses her beauty to get what she wants. In real life women like this will get targeted and harassed, they are hated simply because they don’t act “pure and innocent” as it is expected, as it is completely shown in the show through Teruhashi. She is a character molded by misogynistic stereotypes, and while I do think the show does well in using them while criticizing it, a big portion of the fandom simply was not able to see this character without the lenses of misogyny the character itself is made to criticize.
I find it to be very important to analyze why you hate Teruhashi if you do so. Did you not find her funny or were you bothered by a woman showing character flaws? Did you get annoyed she got in the way a ship you think is better? While I cannot convince everyone to stop hating a fictional character, I urge you to ask yourself WHY do you dislike her, and to see if you dislike male characters with the same flaws you say you hate. 
Part 7: The tragedy of Teruhashi Kokomi 
Of course, it does sound a bit contradictory for me to say that “anyone is entitled to like or dislike any character” and then write a big ass dissertation on why you should not hate Teruhashi. But there is a big reason why I really wanted to do this: I really really love her character.
It's tiring to see many many people hate on a well written character, and sadly, the reason she is hated is BECAUSE she is well written. The show doesn’t say out loud that Teruhashi is fine, that she is a normal teenage girl that was cursed with unending beauty in a world that will never allow her to acknowledge it. The social behaviors criticized by her character are only made more explicit by the way a portion of the fandom treats her, and sadly, that was inevitable with a character like her.
So in the end I can only hope to see more positive things about her in the future, as I do love this character as much as I do Saiki. And even though I know people will still hate Kokomi, I hope some people can see what a great character she actually is.
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apollo-likes-writing · 6 days ago
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FEBUWHUMP DAY 1: Vocal Chords
Character(s): Sunday, Gopher Wood, Robin (mentioned)
Summary: Sunday's voice has always had some peculiar power behind it. Those around him become more lenient to his suggestions after listening to his commands. Gopher Wood is not amused.
Word count: 2,509 words
Tags: Whump, Febuwhump, prompt challenge, abuse, domestic abuse, surgery, mentions of medical practicss
Author's note: I accidentally posted this on the 7th of January after a missclick and I genuinely nearly cried. Had to redo this whole thing lol. In other news, I yapped too close to the sun and 800 words became 2.5k whoops.
Also, I hate Gopher Wood. If he has a million haters I'm one of them. If he has a thousand haters I'm one of them. If he has one hater that's me. If he has no haters it's because I'm dead.
@febuwhump
Main Masterlist | Febuwhump Masterlist
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The power of one's voice is an exceedingly powerful instrument. One that, when used correctly, can change the course of history for an entire planet. The combination of dozens of powerful voices can be the making of either a beautiful gospel choir or chaotic dissonance between what is known and unknown. It took far too long for Sunday to distinguish a difference.
The Harmony and the Order are two different beings though are incredibly similar. One commands symphonies of equality, the other dictates peaceful compliance. Depending on your world view, one can both be just as inviting as the other. Sunday was raised under the divine choir of the Harmony, then gave his voice and power to the Order to ensure peace for everyone. Seven rest days and all that.
Robin was always the musician out of the two siblings. Her voice had transcended the material plane at a young age and reached a paramount; one that exceeds that which is the limitations of the Family. That instrument in her throat is ubiquitous. Omnipresent. It has followed Sunday through his entire childhood and beyond, even after Robin splayed her wings and took flight for the cosmos.
That said, Sunday can hold a note or two as well.
As young children, the two young Halovians would sing together; like two doves trapped in the same cage. They would tweet and chirp about all manners of things: their favourite teddy bears or a pair of mice they saw in the pantry or a plate of dinner they particularly disliked. All would be subject for their song.
Halovians have a knack for their silver tongues and beautiful voices. Sunday learned that, unlike his sister, his vocal chords would be better utilised for command. He found his joy in conducting instead of simply being a member of the band. A simple hum from his chest would cause the violin to start playing and invisible fingers to tap the keys of the grand piano. A high-pitched whistle from his lips would make the trumpet toot tunes and the oboe play low and rhythmically. For his throat to hold a note for a few seconds would result in an entire unmanned orchestra to play magnificent pieces of art, floating in the air as if they were held aloft by unseen masterful instrumentalists.
He found that, strangely enough, this worked on people as well.
When he and Robin were first taken in by their adoptive father, Sunday found that the servants and maids would be more lenient if he refused to go to sleep or if he wished for a sneaky extra slice of cake after dessert. He also found that the footmen turned a blind eye when he told them not to tell Gopher Wood that he had snuck out of bed to visit his sister, despite their alleged loyalties and promises of honesty.
Sunday simply assumed it was because of his position as future head of the Oak Family that he got away with so much. It was only in the middle of his adolescence that he realised the truth behind it all.
It happened when he was fifteen. He was training to be the Confessor of the Oak Family at the time, and spent many hours in the confessional listening to the sins of the guilty day in and day out. He was on his way home from his studies and asked his escort to leave him to his thoughts, and so they did.
He was strolling along the pavement near Clock Studios Theme Park when a brutish man approached him with a dagger in his hands. He stunk of sickly sweet alcoholic SoulGlad and sewage, and he stumbled towards Sunday with an utterly enraged expression on his face. Nowadays the Oak Family head can't remember what the man was demanding of him, but he knows it wasn't anything of benefit for Sunday.
With each staggered step the piggish man came closer to Sunday until the young boy was pressed up against a brick wall. The thug was a foot away from him when the Halovian finally found his voice.
“Stop!”
The man stopped. The knife that was once raised and ready to strike was now held calmly at his side. The young Sunday, baffled, continued.
“Go away!”
The man went away.
It was only when the large lump of a man turned the corner and disappeared from sight that Sunday released a harsh breath that he was holding. It was on that day that the boy realised the power of his own voice, and he vowed not to use it against another person again.
That was until the Order came to power. The Aeon gave him unimaginable strength through the use of the Harmonious Choir and the Great Septimus. It is quite ironic looking back at it. The use of a harmonious thing while forsaking its very namesake that gave Sunday purpose. He used his ability to control the minds of many. It sickened him, but he was told it was for the greater good.
He knows now that this whole ordeal was Gopher Wood's fault. He was the one who wished to revitalise Ena the Order in the first place, and he was the one who groomed Sunday into carrying out his dirty work for him.
Fighting the Nameless was not something he wished to do, yet he did it anyway because Gopher Wood told him to. His father. His master. He had never failed him until that moment. His lapse in judgement caused the fracture between his Sweet Dream and reality, and so he failed. Spectacularly so.
So, after all that exposition, this is where he stands - or rather, kneels - with Gopher Wood's gloved hand crushing his windpipe.
“I gave you a task, Sunday. A complex task, yes, but not an impossible one. Yet you failed.”
Sunday's own hands are gripped tightly around the wrist of the Dreammaster. He wants to struggle, but he knows that to do so would result in harsher punishment. He opens his mouth to say something, but the only thing that leaves his throat is a strangled gurgle.
The Dreammaster continues. “What was it? Robin? Those fools from the Astral Express? They must have said something to you - convinced you to commit blasphemy of all things.” His hands tighten around Sunday's larynx and black spots begin to dance around his vision. Through eyes that begin to tear up, he looks at Gopher Wood from where he stands above him, visage a picture of pure rage.
Trying again, Sunday opens his mouth and attempts to speak. “I-I'm, I'm-.”
“‘I'm-, I'm-, I'm-,’” the man interrupts, high-pitched and mocking. He brings his head closer to Sunday's face. Inches away from each other, Wood scowls. “You're what, Sunday? Where's all that practiced eloquence, hm? Where are all those honeyed words you know I despise?”
With a surprising feat of strength, Gopher Wood lifts Sunday from his knees by his throat. He is raised so high his toes no longer touch the floor, and the realisation makes the younger Halovian panic further.
It's the Dreammaster who is the one looking up this time, an expression of pure disgust on his face. “You want to speak?” he asks, bringing Sunday closer again. Spit lands on the blue-haired man's cheek as the Dreammaster talks. “Go ahead. Speak.” With that, Sunday is suddenly weightless for about half a second as Wood throws him into the far wall of the Head's own office. His back smacks into a shelf of one of his bookcases before he falls onto the ground. Now on all fours, he coughs and heaves for an achingly long time. His lungs feel as if they're catching on fire, licks of flames scorching his trachea.
It takes an agonisingly long time for Sunday to stop hacking up his lungs as he regains oxygen. Once he does he looks up at Wood from where he hunches over on the floor, tears breaching the corners of his eyes. Mustering the strength he needs to speak, the younger man attempts to start talking.
“I'm sorry, Sir,” he pleads, voice shaky. With great effort, he leans back and sits on his calfs, the occasional aftershock of his coughing fit tearing through him.
“I'm sure you are, mutt,” Wood shoots back, biting off his pristine white gloves by the middle finger with his teeth. He folds them carefully and places them neatly on the large circular table in the centre of the room. Such a sight is not unfamiliar to Sunday, and the man freezes up from where he kneels.
The only time where the Dreammaster removes his gloves is when he is in need of getting his own hands dirty. An incredibly rare occurrence. Like Sunday, Gopher Wood is quite the clean freak, and would rather eat his own foot than dirty his clothes. To remove his gloves means that blood was to be spilt. This is a fact Sunday knows well, as he has seen such a phenomenon happen many times whenever he messes up. A streak of pure fear shoots through the Oak Head, and his eyes widen.
“Master- I- please don't. I'm sorry. I'm so sorry- I won't mess up again please don't do this I'm so so sorry-”
His rambling is cut off abruptly by the Dreammaster raising a bare hand. “How many times have I taken your word for truth only for you to go back on it? You say you ‘won't mess up again’, but how can I trust that? You said that the last time; and the time before that, and the time before that. Why should I believe you'll change now?” Wood takes a singular step forward and Sunday, terrified, scrambles backwards on the floor. Another step, and a weak sob of inevitability escapes his throat. Another, and Sunday's back crashes against the bookcase again. It's only when Gopher Wood is directly above him that Sunday says a coherent word again.
“Stop!”
His master stops.
Sunday stares, mouth agape. Where Wood's hand was originally raised, readying for a strike, it now falls to his side loosely. The smaller man was acting purely on prey-like instinct. He didn't register the use of his own peculiar ability until it was too late.
He knows where this will land him and in a hurry he stumbles to his feet. Looking side-to-side for a moment, he considers his next action. Should he run for it? Should he attack Wood? He decides on the former and ducks out of the menacing but still figure of the older Halovian and begins to make his way towards the door of his office.
Or, at least, he tries to.
He travels a mere 3 feet before freezing fingers wrap around his wrist and yanks him backwards. Gopher Wood, now clearly out of his stupor, lifts Sunday painfully off the floor by his arm.
“You dare use that wretched power of yours against me, mutt?” he spits. “You know that it doesn't work well on me. I'm just as, if not more, in tune with the Harmony than you are.”
A pained shout leaves Sunday's throat as his arm is twisted cruelly. Tears fall freely now, and the younger man reverts to his pleading a second time. “I'm sorry sir- I didn't mean to. It was an instinct. I promise, master. I'm so sorr-”
He is then thrown into the wall again and the edge of the shelf thwacks against the back of his head. After that, the world around him promptly turns black.
When he awakens, he's in a surprisingly comfortable bed. A feathery pillow lies under his head and a thin weight rests on his torso - a blanket, he'd presume. His eyes remain closed though he strains his hearing to see if he can gather information about where he is. The beeping of some kind monitor reaches his senses and a soft murmuring is heard a distance away from where he lies.
His eyes crack open ever so slightly and he's met with a white ceiling and a blinding LED light blaring directly in his face. He squeezes his eyes shut again as he tries to block it out. The motion does not go unnoticed, as a voice next to him startles him out of his groggy torpor.
“Sunday.”
The tone and deepness of the voice scares him into a sudden sitting position. His head complains as pain bubbles around his skull, though that is pushed to the back of his mind as Sunday opens his eyes to see Gopher Wood sitting beside his bed, an overtly genial smile on his face.
It's then when he realises that he is in a hospital, the mutters now known to him as the general chatter of the members of staff outside his ward in the corridor.
The smaller Halovian opens his mouth to talk, but is stopped by a now-gloved hand. “Do not speak, Sunday, for it will only harm you further.”
The Oak Head closes his mouth, lips forming into a tight line as he fights the urge to furrow his brow. Was that a threat, or words of advice? Why was he in a hospital? The events occurred in the Dreamscape. After getting knocked out, he should have awoken back in his personal Dreampool back in the Reverie. What happened? Questions like these shift around his brain at rapid speeds. Wood allows his thoughts and fears to marinate for a few moments before speaking again.
“That pesky ability of yours was always annoying, don't you agree?”
Sunday snaps out of his stormy thoughts to look at his adoptive father with clarity now. He opens his mouth again, but shuts it firmly a second time as he wars with the thoughts in his mind.
“You are far too used to getting your own way. You have been since your childhood. Don't think I was unaware of you sneaking away to spend time with Robin in the dead of night. I knew. I always knew. I should've cracked down on your poor discipline when you were much younger,” Wood sighs. “Now look at you. You're an entitled brat. Did you know that?”
An anger begins to form in Sunday’s gut, twisting and curling around itself. To let his rage out has always been a bad idea, so he decides to school his complexion into curious neutrality.
“The surgeons did a wonderful job. I don't think there will even be a visible scar in six months. Truly brilliant work.”
His anger turns into confusion, and Sunday can't help but show his complete bafflement. The Dreammaster chuckles, rich and threatening.
“You still haven't caught on? Very well, I'll tell you. I took the liberty of surgically removing your vocal chords from your throat.”
Oh.
What?
Sunday lifts his hands to his throat, and the soft texture of clinical bandages meet his fingers. Confusion quickly turns into unadulterated horror.
“That pesky ability of yours is no more, and I don't have to hear your ceaseless whining. It's great, right?”
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lightofraye · 6 months ago
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hi, i'm new on tumblr and first thing i did was search the Jensen Ackles tag.
your blog was one of the firsts to appear, weird seeing that apparently, it's a hate blog, not pleasant.
perhaps you should consider not to tag your stuff with his name, just for the sake of new fans who are searching for a positive experience on Tumblr.
i get it, you're crazy for him, you want to hate his wife for whatever reason and dream that someday he's going to leave her an marry you. and it's ok if that's what you like, no shame on kinks.
just don't do it on main, no one wants to see this bs about a person they admire.
Hi anon.
Hmm. I call bullshit. On posts involving his GOOD news, I use the main. As is my right as it is good stuff for him!
Alllllll the other stuff, I mark as #jensen concern and #jensen supportive, even though it’s not hateful.
Any “hateful” stuff is about his so-called wife, who has done so many awful things publicly that you stans want to ignore and pretend was done under humor or “self-defense”.
But go off. I sincerely doubt you’re being honest about how you found my blog.
I support Jensen and see his true unhappiness. You stans do not.
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atopvisenyashill · 2 years ago
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🇵🇸 🇵🇸 🇵🇸 🇵🇸 🇵🇸 🇵🇸 🇵🇸 🇵🇸 🇵🇸 🇵🇸 🇵🇸 🇵🇸 🇵🇸 🏳️‍🌈🏳️‍⚧️🇵🇷🐢🏝️ i got tired of complaining constantly on my main blog (@thewingedwolf is me!) about how sansa and rhaenyra did nothing wrong and also i needed a way to organize my theories and stuff. yes i have read all the books. yes i have (unfortunately) seen the whole show. yes i have seen all of hotd as well. so here we go. my stances are this, so you have an idea what to expect:
i am a catelyn, sansa, brienne, elia, lyanna and rhaenyra stan FIRST and a person SECOND
i would die for Gaemon Palehair, Lady Essie, and Sylvenna Sand, those are my canon OCs, and that’s why they’re my header.
maegor rhaena and aerea also could have saved westeros & jaehaerys should have been aborted in the womb.
Sansa and Bran are my favorites! I am a Sansa will be Queen in the North truther and a Bran will be the King in Harrenhal conspiracy theorist, It Is Heavily Foreshadowed In The Text and I stand on that!!
I'm well aware Rhaenyra has plenty of faults, I am saying that the greens (as in, the characters) do not like her because of her gender, and not for stuff she does that’s actually wrong, also, idc that she did all of that i simply think she’s fun.
Helaena really IS the one who did nothing wrong tho.
i am a Dark Daenerys believer. no, i don’t hate her - in fact, i really love her, although i do hate her show counterpart - I just think her arc is heading towards a dark path and being a villain protagonist is the more interesting route for her character.
House Martell will rise or I will piss in old man germ’s cornflakes.
I Will talk about the racism Dorne faces in the text and outside of it and neither your favorite house nor my favorite house is exempt from this. If you have a problem with that, keep it to yourself bc i do not care 🙏🏽
i multiship!! just bc i ship it doesn’t mean i think it’s gonna happen in the series, i just like the dynamic!!
i am in fact the annoying book jonsa truther they warned you about. i will Stay bitter about this. argue with the wall.
with that said, i also like theonsa, throbb, daemyra, laenyra, rhaewin, nedcat, braime, briensa, and a million other ones. faves listed here. several of them are dead dove-esque; what can i say, that's just george's style.
you decide whether it’s romantic or platonic when it’s an incest one, my opinion changes by the hour & im gonna fight grrm for making me think this much about incest.
i don’t like jonerys!!!!!! i'm sansan & sanrion ambivalent and i simply do not care about littlefucker like that. i would say i’ve thought positively about basically every other ship.
I JUST FINISHED A REREAD and i Have started a rewatch of the tv series as a form of torture.
i first read this series when i was 16 in like 2012-2013. i love to bitch about the takes i’ve seen. i sometimes reblog really old ass graphics bc they deserve new life even tho the creators are long since deactivated. i sometimes make graphics that look like they’re from 2014 bc we should bring that style back dammit i hate the typography movement going on rn.
big on tagging triggers so lmk (i’ll tag for all characters & major triggers but i’m fine with adding a specific one if asked and don't worry about it being a "weird" trigger - if sean bean's face or knives or wolves or whatever trigger you, i'm happy to tag for that!). my spoiler policy is that i’ll tag everything from this season as “hotd spoilers” and any of the Big Events with “episode title spoilers” but i can’t guarantee I can be consistent longer than like 2 days though i will try!! i Will be talking about any book canon events tho, the books have been out for years either you know how to avoid them or you know everything, i’m not tagging that.
i have a tag page that is more organized than the slapdash nonsense on this post, feel free to check it out here.
i may sound angry but i promise i am genuinely just here for a laugh. i just have resting bitch voice and no feel for tone and use the word fuck too much. it’s fine and unserious.
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zhaohuis-lost-walnut · 2 months ago
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ok i just saw this while going thru the tags and i need to yap with someone about it but. opinions on [HEADCANON] different ethnic groups strewn throughout Zhou, but mostly Libei and Bianjun and potentially some of the characters being from different ethnic backgrounds than most people in Qudu might be.
I made a post abt it and I'm only in book 2, I don't mind spoilers related to this topic I just want to talk about this headcanon and its possibilities. canon universe but not related to plot-ish?
Anyways I'd like to hear your thoughts!!
This is such a fun topic! I will say that I am unfortunately unfamiliar with specific ethnic groups to draw one-to-one or inspirational correlations, but I am a fan of the idea that each prefecture/region has different sub cultures. Though I feel it's impossible not to have diversity when you're dealing with an empire as large as Dazhou/Great Zhou.
Much like real life, the land the prefectures and cities reside on greatly affects the society of the people who live there. I love the world building in general. When it's mentioned that some characters hide their dialects after moving to Qudu for official positions, it serves as a reminder for how big the nation really is.
I will try not to be too spoilery, but to make up for my ignorance, I would like to go into some of the silly things I remember from each region of Dazhou/ Great Zhou~
Libei is hands down my favorite. The residents are badass, but on top of that, Libei is known for it's grasslands and mountains. So naturally (light pun intended), the people that grew up/choose to live there are very in tune with nature and care for animals. They do not play when it comes to their horses. They're also know for their skilled craftsmen and they take great pride in their work. I love to see it. I could honestly make an entire brainrot post on Libei and their values, but I really want you to read and experience it for yourself. It's really interesting and sweet in my opinion~
Next is Qudu: I hate these people. I could go on about these weirdos forever, but it is truly so jarring going from three volumes with Qudu as the main setting, to all the other places. Obviously, bad things tend to happen where the elite congregate, but jeez. If you're not rich, it sucks to be in Qudu. Even the well meaning imperial officials are serving cult. It's honestly humorous how much people outside of Qudu could not care less about who the emperor is. To give them a little grace, I suppose Qudu is considered the center of education. Qudu is home the Imperial College, which is a place quite a few side characters mention trying to get into. ...But the students there are INSANE, so I can't take them seriously. Qudu scares me. Moving on.
Juexi is known for it's port , merchants, and it's granaries. Very straight forward. I'm honestly a little sad we didn't get to learn more about it. I feel like if I were to live anywhere in this empire, it would be in Juexi. The Biansha ain't gonna get me, plenty of job opportunities, and life just seems pretty chill. Except when they have natural disasters, but that's okay. The characters we meet from Juexi are pretty normal, which also affects my overall positive opinion of it. Cool place.
Qidong is mostly desert...I think? We eventually go to a Qi Clan estate and I was genuinely shocked to realize people actually lived there lmao. A lot like Libei, the people that live there are mostly military families. If you aren't joining the Qidong Garrison Troops, why are you here? I don't remember too too much about Qidong, but from the few things I do, I got the vibe that the men are very macho and really value their legacy. One of the main conflicts surrounding Qi Zhuyin is the fact that she can't get an official title, and the reason that's important is because all of her military achievements won't be recorded in history without one. And while every region values legacy to an extent, the way each one differs in the intensity of that importance makes a huge difference in my opinion. I feel like the people in Qidong are much more individualistic compared to the other prefectures, but the topic is nuance I think.
Finally, we have Zhongbo! Now, Zhongbo is interesting because we get to read the prefecture go through many manifestations. We get to see it after the massacre. We hear what life was like before the tragedy. We see it slowly change for the better and what the characters hope for it to become. Before Juexi took over as the "nations granary" after Zhongbo's fall, Zhongbo provided most of the military provisions to Qidong and Libei. We learn a lot about Zhongbo over the course of the story. And once again, I don't want to spoil much, but I will say the people from there tend to really value their family. Obviously everyone cares about their family in the story...well... most of them... anyhoo. But there's something about the way family and relationships are discussed by those in Zhongbo that really resonates with me. I feel like the reason family is an especially sacred topic in Zhongbo is because so many people lost theirs in the Biansha attack. And that grief over the years transformed into really holding onto those they have left. I don't know how to articulate it, but I think it's very beautiful how a lot of my favorite romantic moments happen in the various cities Zhongbo~ Residents in Zhongbo tend to be really resilient. A lot of terrible stuff happens there, and as a woman, I would never willingly go there. But the people who care about their fam care about them HARD! It's really nice. But seriously, it's still a nightmare there.
And because I can't help myself, mini bonus: The Twelve Tribes of Biansha!!! Okay, I won't actually go into every single tribe, but I adore the detail the author put into them! While, overall, they share some values, each tribe has their own thing going on and intertwined history. I love how they weren't just a "mindless evil enemy", but another group of humans with their own wants and needs. Their reasons for fighting are just as valid as Great Zhous! And both sides have done evil crap to "win" so I'm even less inclined to "pick a side". The world building in this story is just too good man. I'd love to one day read a spin off if the author ever felt like it njsduegfi
I don't know if this quite what you meant, but I sure did yap a lot ToT
Thank you for the ask. I went to read your original post and thought it was really fun! Other readers of this post, you can find it here!!!
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defire · 2 months ago
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Ghost of Seattle Chapter 24
Prev
Content: taken prisoner, restraints, beating, interrogation, forced to watch
Chase was brought into a shadowy corner in what was once a cheap meeting-room, with heavy drapes over broken windows. A guy shoved him back against a wall as several sentries took up positions nearby.
Two at gaps in the curtains. One at each door. Most of the rooms in the building had been busted through, but this one near the center of the second floor was intact. The other sentries went back to their posts, except for 4. Those ones grabbed Connor tight, threw her to the floor and zip-tied her wrists and ankles together. They started kicking her, demanding where she got the water. Chase tried not to see.
The main attacker was Timothy. The second guy kicking her was Grad. The other 2 stepped back, one keeping eye on Chase with his pistol held ready, though pointed at the ground at his side.
The floor was rubbery and filthy. Walls drywall, ceiling was paneling. They'd replaced a few. But no clear exit.
Chase was also unable to move from his place quickly. He was in a former closet, but the drywall had been removed so wiring and 2-by-4's were visible, and he could unhappily see what they were doing to Connor. No pretending that her groans were exaggerated when he could see the shit for himself. And he really hoped he wouldn't have to fight with a broken arm.
Timothy was wearing heavy boots, hitting her in the chest. When he stomped on her arm, she screamed and started sobbing. Grad was kicking her in the legs and making her cringe away. She buried her face in her shoulder, keeping it away from the boots.
Chase stood there stone-faced while they kicked her, almost casually, pausing to ask her the question again.
"Where'd you get it?" Timothy kicked her hard in the chest.
She coughed.
"Not telling you." She groaned, voice muffled by the jacket she had her face in.
Grad had tried the water she'd brought. He'd said it was clear and sweet; best water he'd ever had. Chase thought so too.
"You tell us where you got the water, we'll stop." Grad said. "We'll let you live."
They stepped back, breathing hard.
"Good workout on a cold day," Timothy said, glancing at Chase and his bare right arm.
Grad glared at Timothy for that.
Timothy, panting, squatted down and moved Connor's long bangs off her squinted eyes. She flared her nostrils and glared at him. Lips pressed together in pain, you could see cute little dimples on her cheeks. 
Chase winced. He hated seeing people in pain.
Timothy glanced at Chase in time to catch that reaction.
"Sure you wanna just watch your friend get beat up?" He said. "Look at her, all determined. You might as well end this short, and tell me."
Chase said nothing.
The 4 looked at each other. Timothy shrugged. 
"Let's regroup outside." He said. "And we're gonna have to find a runner to get Oldman. He's gonna wanna know about a water supply."
Oldman was the leader of Shiver.
Tag list: @joyjoygorl @cepheusgalaxy
Let me know if you want to be tagged!
Kindle book: Masterpost: Next:
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djarins-cyare · 1 year ago
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Get to Know Me (tag game)
Thanks @burntheedges and @sydneyinacoma for the tags! 💖
I guess I don’t post much about myself on here, so behold the mystery of Jyar’ika revealed under the cut (because I waffle and didn't wanna take up y’all’s dashes)…
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Ahh space to include GIFs (*is happy*)...
1. Were you named after anyone? Hmm, that’s a sneaky way to get a name reveal outta me. Alright, I don’t mind… apparently one of the hosts on Blue Peter (the longest-running children’s TV show in the world - you’re not getting an age reveal outta me too!) had a baby just before I was born. Why my parents were watching a children’s TV show I have no idea, but this host evidently wrote/sang some kinda song on air about calling her baby daughter Jemma with a J not Gemma with a G. So I was named after a terribly trite and obscure TV reference that nobody will ever remember. You may call me Jem if you wish, my friends all do, and if you’re bothering to read this then you’re in that category.
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(If you're wondering about the GIF, the show was always broadcast live and they had several pets. The outtakes are numerous.)
2. When was the last time you cried? I think I’m weird… I don’t tend to cry? Or only if I’m really really upset. Maybe I’m Cameron Diaz in The Holiday? So yeah, I can’t actually remember 🤔.
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3. Do you have kids? Nope, although it’s a fairly recent decision to not have them. I spent much of my life assuming I wanted kids until I realised I had been conditioned by society to think I did. Since I started considering what I genuinely want and need in my life, I’ve never been happier! I'd make an exception to adopt a certain little green guy, though.
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4. What sports do you play/have played? Ugh, I hate questions like this. Nope, I’m a lazy asshole and now you all know it 🫣. I mean, I activity-hopped throughout my school years (gymnastics, karate, soccer), but these days I live in front of a computer. My exercise is lugging 24 bottles of water up 4 flights of stairs twice a week.
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5. Do you use sarcasm? I’m British. Sarcasm is my mother tongue.
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6. What’s the first thing you notice about people? I’m the least observant person ever! So voices a lot of the time, I think. Pretty sure that’s why something clicked inside me as soon as Din Djarin spoke his first on-screen words.
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7. What’s your eye color? Depends on the light, but somewhere between dark blue and grey.
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8. Scary movies or happy endings? I’m an absolute wuss when it comes to scary movies, so I don’t put myself through that. Also, the literature student in me desperately wants to point out that these things are not mutually exclusive, as you can have scary movies with happy endings, so a more appropriate ‘either/or’ scenario would be tragedies or happy endings. But either way, I will say no to the former and yes to the latter. I dislike making myself feel scared or sad – I consume fiction (in all formats) to feel good, so I’ll always look for the positive. I’m currently experimenting to see if I can write a massively angsty fic, and it was supposed to be done by the New Year, but I’m struggling. I will also have to include one of those open-ended ‘maybe it could work out after all’ epilogues. I just can’t leave my characters in pain.
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9. Any talents? Not sure what constitutes a talent… I can sing, play guitar, write a longass Din Djarin fanfic that people seem quite keen on, uh… cook, I guess (though I rarely bother), understand quite a few languages (less proficient at speaking them). I’m sort of a jack of all trades, master of none. I would say I have a talent for procrastination – I can complete a whole workday and get barely anything of substance done!
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10. Where were you born? In a village outside a town in Surrey, England. It's only about 30 miles from London. Lots of trees. Very dull. I left as soon as I could.
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11. What are your hobbies? Writing is my main obsession, specifically Din Djarin-related, of course. Also reading (same genre). Throughout my entire life I’ve enjoyed stories in all formats – reading, writing, watching, listening, proofreading the fuck out of them – so if it’s a good yarn, I’ll have a good time.
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12. Do you have any pets? Not currently, my landlord won’t allow it. I used to own 3 rats who were the most adorable boys and so smart – they knew their names, responded to commands, liked to snuggle. When I can finally buy my own place I’ll probably get a dog, as I like pets that listen to you, even if only sporadically. I had a very non-communicative chameleon once. He was called Minion. He was not a good minion.
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13. How tall are you? 5’4. Not tiny, but sometimes I have to go up on my tippytoes to reach stuff.
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14. Favorite subject in school? English literature (see hobbies question above). When I got to university and enrolled on an English lit/lang degree, I tried to take as many literature courses and avoid the language ones. It wasn’t until years after graduating when I started proofing/editing and writing more seriously that I developed a respect for all the mandatory language courses I had to do. I also liked media studies and film studies; you can guess why. Psychology was interesting too, it’s good to understand human nature if you want to write realistic characters.
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15. Dream job? I wish I could write novels for a living. It’s a goal as well as a dream. I know a couple of authors who’ve self-published via Kindle Direct Publishing (I proofread/edited for one of them), and they were successful enough to turn that into their careers. They keep encouraging me to try, although I’m currently in my ‘obsessed with Din Djarin so just writing fanfic to develop my authorial voice’ era. When my obsession wanes, as obsessions inevitably do, I’ll hopefully feel ready to write something original and take my shot. But I’m not pressuring myself, and right now I’m happy attempting to entertain the Mandalorian fan community. I feel safe here 💖
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Now I know I’m supposed to tag people since that’s the point of a tag game… but I’m that autistic kid in the corner who is too shy and worried about tagging people who might not reply. So I’m foregoing tags today. But, if you’ve bothered to read this and you haven't already played: TAG YOU’RE IT! That’s me tagging you, please take it seriously and thank me for your tag in your own post (I will be genuinely thrilled if anybody does this, and I’m sending advance love to anyone who does – you don’t know how much it means to someone autistic to have the decision-making element dealt with for them). So go on, now it’s your turn!
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fymagnificentwomcn · 1 year ago
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I still have plenty to say on the topic, so bear with me, the original link is here, it would be too much there I think.
Anyway thank you Sol @palaceoftears for these tags that succinctly sum up the main point of the original post, let's bring them as starting point here:
#joanna you ate this!!! missed reading you#truly love how deeply you analyzed that confronting suleyman IS confronting the system!#also the freeing aspect because like freedom doesn't have to mean happiness?#yes ofc hurrem wouldn't be happy knowing ultimately suleyman didn't love her & her children over himself#but it's still freeing to not live yout whole life brainwashed lol?#like I never get how ppl that loves her watch her going from 'i'll kill the sultan' & 'don't treat us as animals' to dependant on suleyman#and just go 'happy ending :D' about it#mahidevran sultan#hurrem sultan#sultan suleiman#magnificent century#muhtesem yuzyil
You know how much I dislike Surrem, but I absolutely get people shipping it without getting it like "happy in love" (huge kudos to my sis Tisha) since it's an extremely complicated, mutually toxic relationship, while yes they do love each other at same time. But they are both each other's heaven and hell simultaneously throughout the whole show, with Hürrem being in worse position due to power imbalance. Power imbalance that never fully goes away. He might also be dependent on her in emotional way since he himself comes to belief she is the only person who would never betray him (because she truly had least benefit in it). Don't be fooled though, if she had e.g. crowned Bayezid in S3 as Sah intended, he would have shown her no mercy. /I once mentioned a bit about them, also historically here./
And LBR she got mistreated by him (please, he told her to kill herself for him, and the goal was not to determine whether she had poisoned Mustafa truly) multiple times before S4, it was only because of the topic covered I mentioned S4 stuff, especially related to how he screwed her kids.
People think of stuff in "tangible" categories and why stuff like mere "awareness" (without leading a revolution or whatever lol) seems to have little meaning.
Which is again one of the main themes of the show - to give voice also to those who lost and as such do not have the "but we won, we were happy, we lived" defence always acting for them. Bah, even controversies or discussions surrounding them. They are losers, not even worthy to talk about, and put on sidelines. We often discuss what motivated the "big figures" who got to become rulers, even if we do not approve of their actions or criticize them. Rarely we talk about "losers". Which is what Mustafa's letter stressed - people will deem me as traitor, while your name will be written in golden letters because of all your victories. This alone will make your name remembered. And even considering that Mustafa was lucky in that people generally did not believe him to be a traitor, with Bayezid it was much harder because yeah he did openly rebel and it's not something we can deny. But some jump to conclusions like 'he was insolent and one day decided to rebel for no reason' (yes, I've seen such takes) is very simplistic. I do not even approve of a lot of his actions there since while I get his anger at Suly and Selim I hate how he involves plenty of soldiers in a fight without a chance to succeed as long as Suly ass lives, but damn takes like above truly erase what brought him to such point. Because he was the prince with bigger support at that time. He could have waited for his father to die soon and easily taken the throne. /And historically - yes if you actually dig up sources, he didn't wake up and decide to attack innocent cookie pacifist Selim lol/. Show! Bayezid telling Defne that he would be labelled as a "rebellious prince" for future generations with obvious evidence backing it up means a lot because even though he IS one, there is so much more to this story and what bought him to this point, starting from his father's attitude to him since he was a kid.
And damn I do need to stress the need for the critical approach to SOW (which does not preclude stanning the characters/getting interested in historical figures ofc)? Maybe not here, but I still see TikTok shit on “The big 5” introducing feminism to Ottoman harem. There is no revolution we can talk of in any case, but truly, where is feminism involved in Haseki institution? It only privileges one woman over others. The others are still required to serve them, which is why we had the Hürrem/Gülnihal and Nurbanu/Valeria stories. And what it ties with what Sol says once Hürrem tries to kill Gülnihal - her parents' ghosts appearing to tell her It's not revenge. It's not what you promised us. Meanwhile, the men are still in power, with a person like Suleiman having unlimited agency. More.. the man selects the woman he gives those privileges too. And even if he grants her freedom (if HE pleases so), it has little actual effect because we all know she is still forbidden to leave him and would have lost her kids anyway if she had done so. Thus said, the moment when show Hürrem slams the door to Sulyass' stupid face is one of my fave Surrem moments without a doubt and one of fave H moments in general ahsmshs. / BTW One day I will finally talk how Westerners focus more on say legal marriage when it that system having multiple sons was more ground-breaking because even free brides from noble families who did not have children had little power and agency. /
There is plenty of irony involved, just as Mahi finally freeing herself from attachment to Suly once he rejects her freedom to which he is entitled by the System. Bah, only he has the power to do so regarding his women. It's all only at his own discretion.
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It is precisely what I also mean by "taboo-breaking" and the questioning Mahi does of Suleiman and the way he (as Sultanate) operates. In that world mere questioning could break the taboo. We do not know what future lay ahead for anyone, but damn what he kept doing was neither just nor wise according to the very norms of the times themselves. Yes, Mustafa was the most promising and fitting candidate for the throne and he did not betray his father, so Suleiman removing him from "open succession" was not even why this method of succession had been established in the first place and demanded from princes assembling their own support, also ensuring that he would be easily accepted to prevent discord and rebellions. Mustafa did it too well, the horror. And that him wanting to do something (also as he himself stated, since he got privilege of being the prince and be able to rule, he should not sit idly, but use it for good purpose and the people) only brought him troubles because of Suly ass own ego only shows again the problems with this system and being centered on one person so much. Suleiman violated a lot for his own agenda, centered around himself, not the future of the state. This is what Mahi is criticizing and stating it to his face when he tried to paint his son as a traitor to present himself as just and acting for the state IS taboo-breaking in itself. Asking the question instead of dismissing it all as "fate", as Mihrimah tried.
Mahidevran tries to awake Mihri, who while rich and "still in power play", is very similar to her in many ways (also with the one big sin that has weighted on them silently). They all lost. Even Selim. Getting Mihri's brother (Hürrem's son) on the throne did not mean triumph and happiness for her. Heck, even Selim is a walking wreck. It's not even about sides because SS truly managed to destroy everyone's lives, not only one side's, so in the end it's not even favoritism. All for him to go with his beautiful words, a show-off victory, and his beloved throne (while saying something else in his monologue). Mahi telling Mihri to stop holding her father blameless IS the moment making someone else's eyes open and maybe do not let actively go for something that will not help anyone out at this point, like causing discord between Selim and his son. These are small things that are important for the theme and how mental freedom is also of value. Same with awareness. Nobody expects revolution or claims something. And we are at a particular point when Mahi already lost Mustafa and says it already in the context with him gone. She won't resurrect him with her words ofc LOL. And Mahi truly didn't have to do this, just take popcorn and look at Hürrem's kids & other descendants fighting even more.
You can precisely see when SS decides how to dispose of Bayezid when Mihri says she will never forgive him and will be dead to him if he executes her brother. The lightbulb over his head in this moment lol. So her continuing to hold him blameless, while putting everything on Selim and Nurbanu is buying his shit and rules of the Sultanate. Mihri might have power, so she can stir things up in attempt to still "win", but.. they all lost. Her acceptance of it and stating it out loud before leaving Topkapi again has meaning. One might continue to have power and live in palace (unlike Mahi), but they all lost anyway. Mere meddling that can cause only chaos to still try to win is meaningless and can ony be harmful. As such, Mahi's words can have at least some impact.
Mahi and fate as Sol's post with Plami's commentary also has this delicious tidbit with mirror - most likely Hürrem would have never ceased to hunt down Mustafa after Mehmed's death because she had decided on eliminating him long before that and kept carrying out the plan via concrete & repeated actions. However, Mahi still questions herself on that because she can never know. And even if it changed nothing, it still tormented her and polluted her conscience. Because culpability is still there, regardless of "system" and circumstances" and whether it has any tangible effect or not. Same with Selim still being culpable even though SS wanted Bayezid executed. He still chose to do so anyway. Bah, he is actually very self-conscious and states clearly that he won because unlike the others he was able to kill his brother.
Similarly, Mustafa, Cihangir, and Bayezid also made their choices. Mustafa could have axed Suleiman and it would have been hard to blame him for this in the situation it boilt down to. Actually, he was the one with biggest support at that moment, so rules of the Sultanate definitely allowed him to dispose of an aging ruler who began making a multitude of mistakes. He had the biggest power at his disposal if he wanted to. Moreover, Musti also chose to invite the member of the opposition faction because she was his sister, despite said sister openly declaring her standing on the opposite side and speaking to him "with her mother's words" last time they met. Once more, instead of rules of Sultanate and how the system expected him to act, he chose familial bonds.
Then again, Bayezid did have Selim on his knees in front of him and chose not to kill Selim, despite Selim never promising him any change or begging for mercy.
They both died, but they also could have chosen differently and compromised their conscience and values in the process.
Yet the opposite choice to adhere to the Darwinist rules and get the throne at any cost is not something mechanic that promises happiness or safety, either. Actually, it can make you painfully blind. We see Hürrem deciding blood will be spilled only of her enemies once she learns her son is going to end up on the throne. When she meets with the witch after Mustafa is dead and the throne for one of her sons IS a certain thing.. it's not what she wanted to hear, starting from her own imminent demise from natural causes. Same with her trust in the "human face" of the Sultanate aka Suly ass:
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The "right, sultana?" is an ironic call-back to the beginning of the episode when she uses same words about Suly's power to exclude herself from the matter of Mustafa's death.
Also let us note the use of the word "destiny"😱 .
Also, Hürrem did not come back to ponder her preceding conversation with the witch earlier, as she had another proof of herself not interpreting it correctly - when she assumed Nazenin's baby would be the one the witch predicated as the Sultan. Nurbanu was after all pregnant with Murad at the same time.. so no, the witch was not mistaken, Hürrem was simply so caught up in her own vision of how it would go (also with Baye taking the throne) or assumed the witch to be mistaken, so she didn't notice it was about her grandson.
Another interesting thing is that the witch also predicts Mihrimah's future and that while her physical illness will pass soon, the spiritual pain will soon start and persist.
Because even if we "win" in that we survive, it does not need to bring happiness with it. At all.
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It doesn't work like this either (Mihri talks about sacrifing Musti and Cih), while we are at it. There are no simple mechanisms like that! And how Mihri adopts her mother stance and calls her out that only one of her sons can survive according to the Darwinist rules (which is also what Rüstem advocates in any circumstances, only for him there is no support for Bayezid really... any can go) is just irony at its finest, and it stems also from her feeling of guilt - I already tainted my conscience and went again familial bonds, so let it at least mean victory for my favourite brother. She is now quick to accept one of them will die, she just wants to ensure it's not Bayezid.
Another of Hürrem's children that do adopt her "survival no matter the cost" agenda (and no, it's hard going for that to "pacifism" agenda shortly after getting what you wanted), and to a bigger extent, is Selim obviously.. Selim states to Bayezid that he will live because he is capable of killing his brother for his own survival. But we know what sort of life this is (and that he won't live long from history). He might later quote his mother to Mihrimah and convince himself that since nobody is innocent under this dome, so only the deserving win, but outside that, he does call himself a "brother killer" and does consider it a burden. /And Selim being his mother's son is another fascinating topic, since he was like.. her least fave and yet he is the one most alike her and who most absorbed her views and agenda.. to later emerge as sort-of third unexpected faction /.
Neither Mihrimah nor Selim ever found peace after adhering to the System's rules of fratricide. Bah, they cannot even be a family again as the only surviving members.. instead they openly accuse each other of being brother killers. Judging by history, they will eventually learn to co-operate, but nothing will be the same ever again. There is no moral victory in it for sure. Selim does not claim it any point. Actually, he is the one to point out that: We all lost. Innocence died and nothing will be as before. We can accuse Selim of many things, but he is a pretty self-conscious character indeed.
The others might be dead, but they did adhere to their principles and values due to choice.
The power of reflection or questioning is also tied to to the concept of choice as what makes us a human. MC never promises us happy ending (how it could, we all know the ending point), but the mere presentation of choice, of humans trying to create something positive, like Mustafa, Bayezid, and Cihangir deciding not to fight against each other as expected, is meaningful.
Instead we got nobody truly winning or benefitting from what happened LBR. It cannot get worse than that, really.
The whole issue again reflects what I said earlier in that post on how Erdogan historical propaganda works. It's not all sunshine and rainbows, but there is no questioning at all. Instead we have normalization of violence and presenting it as something necessary, and that there is no choice or alternative to what happened. The sultan killed his brothers, but he had to. It was necessary, it was automatic. There is even no person behind it, but a robot always doing the right (even if brutal) choice because "it was like that".
And to some up the great ironies of life, we can remember that Mahi who lost it all... survived them all, so she won the Darwinist game in the end despite being rejected by System multiple times:
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