#if there is new info going around I don't know it | Explore Tumblr posts and blogs

thankskenpenders · 5 months ago

Text

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

6K notes · View notes

espinosaurusrexex · 1 year ago

Text

Watchful Eyes

CEO!SteveRogers x Female!Maid!Reader AU

read Bucky's story here

summary: When your best friend gets you a new job, cleaning the apartment of the most successful man in New York City, you don't hesitate to accept. The pay is more than good, and the man himself is better than any eye candy you have ever seen. Unbeknownst to you, you've caught his attention just as much. Steve can't keep his mind off you, so much so, that he drives everyone around him insane with his grumpiness when you aren't around. It seems like he has to take matters into his own hands when he realizes, you're too shy to take things further yourself.

a/n: So that just happened... I don't know where it came from, but please enjoy. (Please don’t be discouraged by the word count - I promise you it’s worth it and I kindly ask you to at least try 💛)

word count: 10.8k

warnings: power differences, Steve is pining, watching someone over secret livestream (is this stalking?), women being referred to as objects (not by Steve), just so much fluff, and also angst (there is a happy ending!), smut (masturbation - m, praise kink, oral - f receiving, dirty talk, orgasm control, overstimulation, unprotected p in v, size kink, breeding kink) !MINORS DNI!

ﾟ✫ 𝒎𝒂𝒊𝒏 𝒎𝒂𝒔𝒕𝒆𝒓𝒍𝒊𝒔𝒕 ｡✭･ﾟ✶ 𝒓𝒆𝒂𝒅 𝒐𝒏 𝐀𝐎𝟑 ✧*･ﾟ𝒄.𝒂𝒊 ｡✭･ﾟ

“Can you start Monday?”

“I can start Monday.”

“Perfect.”

Holy fuckidy fuck fuck.

You had a job. A job that would crinkle some noses but it would pay money. Good money actually. Well, better than other offers in the branch.

It had been luck, really. Because during one drunken night, which had originally been dedicated to drowning yourself in self-pity over the last job that had let you go due to staff cuts, your friend Natasha had crashed your party with Chinese food and gossip from her workplace. She was an assistant for one of the CEO’s of Shield Protection Services. And during her lunch with Sharon, the other assistant, Sharon had complained about Steve Rogers and how he had fired the third maid this month because they, apparently, were taking pictures of his home or selling some of his things.

There might have been some talk about how picky and stuck up he could be but the important info was that Sharon was desperate at this point and had asked Nat if she knew anyone with the decency not to breach privacy and willingness to clean the CEO’s home.

The good thing - or bad thing, you weren’t sure - was, Nat knew you were desperate too. So she gave Sharon your number and before you knew it, you were an employed woman again.

❁ ❁ ❁

It was too early for you to be roaming the streets of New York, but you had gotten instructions and so you had gotten up at 6 and headed out to the address. And when you arrived, it felt as though it was the first time you blinked since the subway - you were that tired. Definitely not a morning person.

The building was huge, tall glass fronts stretching into the sky and the ride up to the penthouse took longer than your average elevator rides did.

The doors opened and revealed a beautiful open floor plan. A whole wall of windows brought natural light into the place and offered a view so breathtaking, it took you a moment to collect yourself. The place was ginormous - a lot to clean up - but seemed tidy enough to at least get started right away.

You placed your bag on the counter by the kitchen and took more of the place in when suddenly, a voice startled you.

“Who are you?” You whipped around, big eyes searching for the source until they landed on a tall man standing in what seemed to be a dining area - well, one of them at least. He had broad shoulders, neatly styled hair and one of those toothpaste smiles you only ever saw in magazines. He was wearing office attire, blue dress pants that slightly stretched over his muscled thighs, and when your head wandered back up his body, piercing blue eyes seemed to stare right into your soul.

Holy Shit.

Before you stood Steve Rogers, three-time Forbes Magazine cover story, young entrepreneur turned filthy-rich hunk of a man, and CEO of the most successful security firm in this country. And he was talking to you - staring at you... waiting for an answer.

Talking, you needed to start talking, you reminded yourself.

“I’m the new maid, sir. I’m so sorry I was told to come here at 7 as you leave for work before that.”

Mr. Rogers looked at you with an unintelligible stare. Meanwhile, you were nervously wringing your hands in the doorway, looking down. You hadn’t planned for anyone important to see you today. The worn-down Fleetwood Mac shirt you didn’t mind getting bleach on hanging over some pants you pulled from the back of your closet definitely wasn’t the kind of outfit you expected to greet Steve Rogers in. Great start. This was going awful.

“Well I’m here aren’t I?” His arms folded before his chest as his eyebrow raised, impressive biceps bulging beneath the white button-up, and - damn - it was hard not to stare.

“Right. Yes. Sorry. I’ll come back later.” You turned to leave again but he stopped you.

“No need. I am on my way out.” The left corner of his mouth twitched into a cheeky grin when he grabbed his bag, left the newspaper discarded on the table, and placed his coffee mug in the sink. Interesting.

“Don’t snoop.” He whispered teasingly as he passed you, a whiff of expensive cologne paralyzing your senses and you weren’t sure if he was making a suggestion or actually warning you. That damn perfume seemed to hypnotize you.

Your eyes followed his broad shoulders until they disappeared behind the corner and then the elevator doors shut. It seemed to take all the tension from your face. You exhaled long and then began to look around some more.

The place was huge, you’d already established that. But when you found the third bedroom amongst the private office and Pool table room, you knew you had to make a weekly plan to work off. You had to give Mr. Rogers credit, though. There was rarely any clutter lying around - it wasn’t dirty per se - just had the usual dust you’d expect in a place this size with only one person living in it.

You huffed, resting your hand on your hips once you completed the tour. And then you got started.

❁ ❁ ❁

Steve peered up from his computer screen when Bucky strolled through the doors of his office. A coffee in hand he had most likely tweaked from his assistant's desk on the way here, he shot a grin to his oldest friend and business partner.

“What ya doing, punk?” The brunette asked teasingly when he circled the desk and settled on the window sill behind Steve.

“Just making sure things stay in order.” He leaned back and turned around slightly, just in time to see his friend nod knowingly.

“Heard Nat got you a new maid.” Bucky dipped his chin towards the laptop still open on the desk. “That her?”

His eyes wandered to the screen where a live feed of his apartment streamed you changing his bedsheets. He hummed in agreement.

“She’s pretty,” Bucky commented before sipping his coffee again and Steve felt an unfamiliar feeling bubble in his stomach. “But I bet you don’t care anyway. You’re all ‘don’t sell my stuff’ and ‘having things stolen from a security firm CEO is embarrassing’. Wouldn’t know a pretty thing like that if it climbed you.”

“Because it is embarrassing. And I highly recommend you monitor your staff to make sure they don’t do the same.” Of course, Steve knew you were ‘pretty’. Exactly his type, to be honest. He had noticed it the second you stepped into his apartment this morning. The way your hands wrung beneath you. And he had shot you a teasing remark in hopes of discovering a sassy fire in those timid doe eyes of yours. But you had stumbled over your words like a fawn.

Bucky clicked his tongue disapprovingly. “Nonsense. Peggy is great - and too old to even carry anything valuable out of my place. I trust her with my life and house keys.” And then he pushed off the sill. “I think it’s time for you to get laid again. And that’s why I’m a great friend and organized dinner and drinks with Tony and Sam tonight.”

Steve fell back in his chair, hands over his eyes. “I don’t need your wing-maning me. I’m perfectly fine on my own.”

“Sure.”

“I’m serious, Buck.”

“You can thank me later.” He stout towards the door. “You know... after you’ve been devoured by the pretty little waitress at the Ironbar.” Bucky winked before his face disappeared again.

Steve just huffed as his eyes landed back on the weekly report on his desk and then swayed back to his computer screen.

As unwilling as he was to admit it, it had been some time since his last late-night rendezvous. And as he saw you crawl up on his bed to place the bedsheets properly along his mattress, he felt his pants tighten slightly.

❁ ❁ ❁

“We’ll get one more round of the good stuff.”

“Of course Mr. Stark.” Tony winked and patted his waitress’s butt before she stalked away on her high heels and towards the locked glass cabinet behind the bar.

Steve had designed it himself, a fiberglass shrine-like display for ridiculously expensive liquors, only to be opened by a passcode that got regenerated every week. He watched as Betty - the young and lanky waitress - retrieved a crystal bottle of whiskey and filled four glasses with the golden liquid.

“God, I love that thing,” Tony sighed next to Steve and watched Betty with a satisfied smile.

“You better be talking about that cabinet, Stark.” Steve shook his head with a frown only to receive a wink from Tony, who was sitting closest to him at the round table.

“So...” Bucky leaned over to Steve and spoke in a hushed voice. “You see anything you like?” He gestured at the bar where Tony’s carefully picked waitresses passed with filled and emptied glasses and bottles. They were all wearing tight black t-shirts and skirts or shorts that counted just as scandalous. One could foolishly mistake this place for a Hooters if Tony hadn’t made it one of the most pristine bars in all of New York City.

It was popular amongst the clientele which mainly consisted of bored rich men that came here to get something to look at without being judged for it. But Steve wasn’t feeling the girls today. When Betty shoved her breasts in his field of view, all he could think about was how he had never gotten the idea to get his maids a uniform that catered to his... liking. And when Betty swayed her hips on her way to the bar, his thoughts became clouded by the image of you in a short little skirt, riding up just a little to tease I’m about what was hidden underneath when you kneeled on his bed to get the sheets sorted.

Steve adjusted his pants at the little flashback, clearing his throat and sitting up straighter in his seat.

“Oh, apparently you have...” Bucky grinned before his eyes hushed down to Steve’s crotch and back up just as fast. “Well then,” he leaned back with a satisfied grin. “Which one is it? Samatha? Tiffany? Though I think Megan is more your type.”

“Just shut up, punk.”

“Okay you don’t have to tell me me... either way, my job here is done.” He brushed his hands off fake dust and smiled smugly. “You better be in a good mood tomorrow.”

Steve just huffed and waited for Betty to come back with ‘the good stuff’ to hopefully drown out his annoying friends for the rest of the night. It wasn’t that he didn’t like them. No, he would do anything for the people he chose to have in his life. The group he found himself in right now had been through thick and thin with him, stayed through his fame and fortune, and was just as supportive before it had all happened to either of them. He was happy having the guys because they built each other up and aimed for greatness - together, they were fucking invincible.

But sometimes, Steve felt a little out of place amongst Bucky and Tony. It was in situations regarding women most of all because he could never adapt the attitude to talk about them the way they did. And he never had the headspace to juggle as many as they did. He had tried the one-night stands. But he struggled to navigate the superficial pleasure maze New York City provided in masses. Because just as the ever-passing smiles on the streets, it wasn’t fulfilling enough for Steve. At least not in the way it was for his friends.

He wanted what Sam had. A partner, a family, something constant and beautiful. And that was, why he found himself asking for pictures of Sam’s kids and nephews rather than listen to Tony’s latest bed bunny endeavor whenever the conversations took a turn in that direction.

“Earth to Rogers,” Sam’s finger snapped in front of Steve’s face. “What this I’m hearing? You got a new maid? What happened to the old one?”

“She sold his stuff on Craigslist.” Bucky snorted and took a sip of the drink that had magically appeared in front of them.

“You aren’t serious.”

“I really liked that tie,” Steve grumbled into his cup.

“Man, I’m glad I don’t have to deal with things like that. You rich people really are a different breed.”

“You’re rich, too, Sam.”

Sam just smiled above his crystal glass, having fun with the little joke he liked to pull for ages now. He wasn’t any less successful than any of the other men at their table. But other than them, he had settled in a beautiful neighborhood - despising the concrete jungle each of the other guys lived in. His house felt like home, like a cozy place that had seen love and time and nothing like the polished and sleek man caves the rest of them owned.

“Well, anyways, my amazing assistant organized him a new one, the prettiest thing - really. But he’s refusing to see it.”

Tony chuckled. “Well, that's Rogers in a nutshell, isn’t it.”

Sam just pursed his lips and glanced over at Steve with a soft smile, ignoring the comments of the other guys. They never explicitly talked about it, but Sam was a smart man, and it would have surprised Steve, had he not already figured out that he was more of a family man than their friends were as of right now.

“To new maids that aren’t selling your clothes on the internet then.” He raised his drink and winked at Steve once their glasses clinked.

And Steve? He visibly exhaled, silently thanking Sam for pulling the tension out of their conversation.

❁ ❁ ❁

It had been a little over a week. And so far, things had been going great.

By now, you had cleaned through the entire place once and set up a plan of what to do on which day. You weren’t surprised it actually took a full 6 days to cover every single room in Mr. Rogers’s apartment. You had already figured out which tasks were going to be your favorite and which weren’t. Like his bedroom. You liked doing that. Because even though the sheets were a bitch to get on the ginormous bed, you kind of liked the smell the room had. His pillows smelled of the cologne you couldn’t forget ever since the man had brushed past you on your very first day.

You were pretty sure you would never forget that since your knees literally felt like giving in at that moment.

Today, it was bedroom day. That and the on-suite.

With a smile on your face, you entered the apartment on the top floor, each day secretly hoping you’d catch a glimpse of the CEO before he took off to work. But even though you tried to arrive ten minutes earlier (you really couldn’t spare any more sleep for your own good), the first day remained an exception in Mr. Rogers’s daily schedule.

You placed your bag on the stool at the open kitchen island, changed into some other shoes, and headed for the supply closet. Despite the size of the place, you actually got around pretty easily. Mr. Rogers was a very organized and neat man - you’d noticed that the first and only time you met him. So things were almost always where you’d think they would be. Which made your job just that much easier. But also prevented you from the advised ‘not snooping’ you desperately wanted to do.

You knew better though.

People like Steve Rogers probably had cameras installed in this place. And you would certainly not go and rummage through his underwear drawer after he had personally told you not to. Who knows what strings powerful people like him could pull. So, for the sake of not waking up on a cargo ship to Madagascar one day, you restrained yourself as much as possible.

Of course, you didn’t stop your eyes from wandering whenever you swept the shelves in his walk-in closet or closed the drawers in his office space. A girl’s gotta do what a girl’s gotta do. And this girl had a nosy best friend on her back that wanted to know every little detail of her new job... and was also way too invested in celebrity gossip.

Though, as always, there was nothing out of the ordinary today - there never was. Sure, it was still exciting to see how the filthy rich lived but other than that, no scandalous collection of women’s underwear, or drug lord papers lying around. You started to believe that Steven Grant Rogers was a very boring man. Not that you could properly judge in your position, seeing as you did not really know him, but the whole being in his home seemed a little too intimate not to do so.

So that day you finished the tasks for the day, packed your stuff, and made your way back home, hoping to see him in the morning or to at least find something more interesting than dust in his home.

❁ ❁ ❁

Steve greeted the concierge of his building when he entered the marbled entree hall. With a little frown and a look at his watch, the man greeted him back before he resumed his work.

Yes, Steve was home earlier than usual. He regularly stayed even longer than his original work schedule intended. Today, however, he was home even earlier. But after another banter with Bucky about Steve’s non-existent sex life, he couldn’t imagine making it past five in the same building as his persistent best friend. So, he fled the office and decided to work through the rest of his papers at home.

Of course, Steve knew that Bucky only wanted the best for him. But the ways he tried to approach the supposed bothersome loneliness Steve had in his bed just weren’t for Steve. Those might have worked on Tony - hell, Tony probably invented setting his friends up with one-night-stands - but not on Steve.

He huffed and swiped some loose hairs from his forehead as the elevator dinged at the top floor. The doors opened to the window front of his penthouse apartment and Steve stepped over the threshold, immediately stopping in his tracks when he took in the scene before him.

The vacuum was running while you were kneeling on the floor, wiping up some water he only assumed came from the vase missing next to his sofa. He would have found it rather amusing if it weren’t for the way you carried yourself today. Something wasn’t right.

Steve knew that you weren’t usually this messy - that much he could tell from the livestream that had become a constant in his office by now. Your head hung low, your motions hurried and sloppy. He watched as you swiped the floor, one of your sleeves constantly slipping down your arm again until you angrily pushed it up further than necessary.

It was worrisome.

He couldn’t place the feeling he felt in his chest when he sat his briefcase down and approached you from behind. His foot carefully turned off the vacuum and then he stood still, careful not to startle you when you finally looked up at him.

He could see it in your eyes then. The panic, the uncertainty, and something else he hadn’t seen in them before.

You looked around you as if you were seeing the mess for the first time and when Steve was still watching you with an arched brow after a minute of silence, you suddenly sprung up to your feet.

“I am so Sorry, Mr. Rogers. I didn’t realize it was this late already.” You turned a full 360 until your eyes landed on his again. “I’ll have this cleaned up in no time and I'll be out of your way. I promise.”

Steve watched as you scrambled to gather the vacuum cord, struggling with it when it didn’t immediately snap back into the caster. “The subway was stuck in a tunnel for an hour because some guy decided to pull the emergency break for fun. And then this lady passed out next to me and when the fire department finally got us out and the paramedics packed her in the ambulance, I realized that I still had her purse.” You finally got the cord in turning so fast that the wet rag in your hands sprayed some water on Steve. “And do you know how difficult it is to find out which hospital they’re taking people? Because it’s so much more difficult than it looks in the movies. I didn’t know that! And then it was almost 10 a.m. when I got here. I am so sorry. This won’t happen again I promise-“

“Hey,” Steve finally stepped forward and caught your flailing hands with his and it shut you up. “It’s alright.” He spoke softly, guiding your hands down and proceeding to carefully stroke your arms down. “Are you okay? Do you need a day off?”

Your doe eyes stared up at him, round and shiny as if you couldn’t believe he was actually standing in front of you. And Steve had to admit, besides the concern breezing through his body, your face was capturing up close. He traced your lashes with his gaze, the way your lips were parted slightly, your teeth showing past your upper lip, and the way your eyebrows were raised in shock.

“No... no, I’m fine.” You finally stammered and it made Steve relax a little.

“Then take a breath for me, please.” You nodded and Steve watched as your shoulders moved when you inhaled with your eyes closed. It shook Steve out of his trance. He cleared his throat and retreated his hands from your arms, awkwardly standing up a little straighter now that there was no excuse to touch you anymore.

You were fine - that’s what you had said. But you didn’t quite seem that way.

He watched as you opened your eyes and gifted him a small smile. Then your gaze dew to the floor and the mess you were standing in. Your smile turned awkward.

“I’ll clean this up real quick and then I’ll be out of your hair.”

Steve shook his head with a smile. Maybe this was a nice opportunity to do as Bucky had suggested. It was true, Steve hadn’t been interested enough before. Had he taken more time to know his former maids better, he could have probably prevented his things from being stolen and sold. Maybe it wasn’t exactly what Bucky had meant by ‘interested’, but Save decided it would do for now. “You can do what you need to and you can take as much time as you need to. I’ll be in my office for some time, so please don’t rush. I didn’t mean to freak you out by coming home earlier.”

His arms reached up to scratch the back of his neck and your eyes landed on his bicep. Those damn doe eyes. “O- okay.”

He nodded, buried his hands in his pockets, gifted you a tight-lipped smile, and then proceeded to grab his briefcase and disappear into his office at the end of the hall.

After some time, he heard the vacuum pick back up. Steve peaked through his open office door and caught a glimpse of you roaming his living room every now and then. It was relieving to know that you were functioning again. You had him worried for a second there - a feeling the successful CEO hadn’t welcomed in a hot minute. But it was kind of nice, made him feel a little more human than usual. So he didn’t mind having you work while he was home. On the contrary, actually, even though he had a huge stack of papers to go through, having to do them with a little bit of white noise was much more efficient than he had thought. He liked it when the occasional sound of items being set down snook its way to his office just to be interrupted by the vacuum again. And before he knew it, the workload he had taken home with him today, was worked through.

Steve made his way to the kitchen to get a cup of coffee. Though, as he waited for the machine, he found himself leaning against the counter and watching you work in front of him. You were currently bent over the sofa, arranging the cushions after shaking them out, your shirt riding up ever so slightly and exposing a strip of skin on your back.

The fresh grounding of coffee beans covered the way Steve gulped loudly at the sight of you in front of him. This was definitely different than watching on his laptop screen. He felt his pants tighten ever so slightly as he imagined walking up to you and just taking you from behind. Your face would press into the pillows as he would easily push into you, hearing your drawn-out moans through the cushions.

He couldn’t help himself, you were just so pretty.

The smell of coffee drew Steve back to reality. It wasn’t that simple. Because Steve wanted you to want him as well. But you didn’t know him well enough yet.

You pulled the vacuum around the corner and seconds later the sound of the storage room door closing echoed through the apartment. You walked back into the living room, adjusted the book on his coffee table, and then looked at your work with your hands on your hips. It was kind of cute to watch, Steve had to admit.

“Well done,” Steve praised and your shoulders jerked in surprise.

“Woah, didn’t see you there, Sir.” You relaxed again and then moved to change your shoes, before packing the other pair in your bag. You looked like you were about to leave, but Steve didn’t want that.

“Would you like some coffee?” He offered and turned to grab the mug that was just filled with the steaming hot beverage.

But you shook your head, raising your hands. “Oh, I wouldn’t want to intrude. I’m sure you’ve got work to do...”

“I wouldn’t have asked if it were an inconvenience.”

You looked down and nodded, which made Steve smile and hand you the cup. Your hands encased it like it was a cold winter's day, timid looks roaming the room and landing everywhere but him.

“You seem uncomfortable,” he tried, cautious not to intrude.

“I’m not. It’s just that... I’m not used to,” you gestured around the kitchen, “all this.”

“I know it sounds stupid but sometimes I feel the same.” Steve took in the high ceilings and shiny surfaces, the expensive paintings and furniture he had no part in picking out.

You just stared at him again before nodding and averting your eyes once more. It seemed like you were holding back, but Steve didn’t feel like he was in the position to ask. So he just had to do with your fleeting glances and diffident presence. It was fine for now. Though he didn’t know if he could actually stand it for long.

“You got this job through Bucky’s assistant, right?”

“Natasha, yes. She’s my best friend.” Your eyes lit up and Steve celebrated the little victory in silence. He had finally found something to talk about with you.

“How long have you known each other?” He took a sip of his own coffee, acting indifferent, though his gaze hung on your lips.

“We’ve been friends since high school. But then we went to different colleges and for a moment, we lost contact. But when I called her after graduation, we reconnected. We coincidentally both moved to New York. It’s nice to have her back.”

“That does sound nice. I know a thing or two about reconnecting with old friends.” Steve smiled reminiscent.

“Right, your business partner. Mr. Barnes.” You set your mug down when Steve shot you a surprised look. “Sorry, but it’s hard not to know things about you when every tabloid in the country has covered your story.”

Steve nodded, being reminded once again how different his life was now. Not that he didn’t appreciate it... it just used to be simpler.

“Yes, Bucky is my oldest friend... we’d lost contact in-between as well. Now we spend so much time together, I sometimes wish it was that way again.”

“You don’t mean that,” you laughed and Steve swore it was the prettiest he’d ever heard.

“Of course not.” He set his cup down once he noticed that you had finished your coffee and had grabbed your bag from the stool.

“I should go,” you smiled sadly and Steve just nodded with a similar expression on his face. Then he pushed off the counter and walked you to the elevator. He caught your small wave before the doors closed, leaving his stomach feeling warm and fuzzy.

This was definitely new.

❁ ❁ ❁

The next week was pure torture.

Steve couldn’t work from home like he had wanted to. He also couldn’t go to work later to at least catch a ‘good morning’ from you.

It had only lasted a couple more days. He had managed to trap you for a conversation with coffee two times after the first one and then it all went downhill from there.

Steve’s work seemed to pile up in unusual amounts of papers on his desk. His e-mails and meetings were longer than ever and his frustrations built with every new message Sharon redirected to his phone.

It wasn’t until Bucky pointed out how unusually grumpy he was, that Steve realized, he missed you. How could that have happened? He barely knew you and talked to you even less than that. But he knew he was missing you. Because as silly as it sounded, the time he spent with you, he was more relaxed than ever before.

“I’m headed home, now. Do you need anything before I go?” Sharon popped her head through the door of Steve’s office after the knock she placed there.

Steve just sighed as he closed one of a dozen tabs on his computer. Then he shook his head. “See you tomorrow.”

“Bright and early!” She beamed and Steve just waved her off.

The door fell shut once again and Steve moved to close a second tab. The one open beneath was the video footage of his home. It was paused because Steve had categorized it as ‘not suited for work’ once he saw you climb on his bed to straighten out the sheets and his dick reminded him just how deprived he really was.

Looking at the paused video now, his pants tightened again. There you were, on all fours on his bed, tugging the sheet under the headboard side of his mattress - ass up and struggling. Fucking hell.

His hand instinctively moved to his crotch to relieve some tension and then his eyes fell to his office door. Sharon had gone home. He was likely the only one left. His gaze wandered back to his computer screen and before he knew it, he was rubbing his hard cock through his pants.

He groaned lowly at the feeling spreading through his body, the image on his screen just intensifying the scenarios he usually imagined when he got himself off. Because now they had your face. And your perfect body. If he squinted at the screen, he could actually see a sliver of your underwear peaking out the top of your pants.

“Jesus Christ,” He pushed through his teeth when his hands worked to open his belt and pulled his rock-hard length out. He was already leaking from the angry red tip.

His thumb grazed over his sensitive flesh, spreading the beads of precum and his whole body shivered when he imagined you doing it instead. His knees spread further apart in his office chair as he squeezed the base of his cock, concentrating on his breathing to slow. And then, without thinking, his other hand moved to play the video.

Steve’s eyes never left the screen as he watched you tug the sheets tight. Your ass bounced up and down with the motion and he began to pump his shaft, imagining pushing into you from behind. Then you crawled back slowly, careful not to pull the sheet off again, but one corner came loose anyway. As you leaned forward, your new position seemed even more obscene - with your arms stretched forward and your ass still slightly lifted off the mattress.

Steve’s fist pumped harder up and down his cock, he was panting. He could already feel the orgasm building. His balls were on the edge of bursting - but he wanted to hold out a little longer.

For a second, his gaze jumped to the little speaker icon at the bottom right corner of his screen. His right hand still pumping with a tight grip, the left moved to slightly turn up the volume on the stream.

Just then, you released a frustrated groan, followed by a throatier, softer noise that could almost be mistaken for a moan and Steve lost it. His fist stroked his thick cock in hard fast motions, the tingle in his body building with every heavy breath you released. His thumb grazed over his tip when you fell forward like a fawn and it was enough to make him burst.

He closed his eyes and threw his head back on the chair. With a last firm push, he tumbled over the edge, squeezing his flesh as he felt the hot ropes of cum cover his hand. His heart beat in his ears once the ecstasy subsided, his chest rising and falling with deep breaths.

Steve stared at the ceiling, sighing in defeat. He was in deep now.

❁ ❁ ❁

“So... how’s it going?” Nat’s voice rang through your speaker and you pressed your phone a little harder to your ear to hear her over the street noises.

“It’s going really good. I don’t see him that often but he’s not messy at all, so it’s really not that bad.”

“Good, I’m glad!” Nat cheered on the other end of the line and you could hear her computer keys clicking beneath her fingernails. “Anything you wanna tell me?” Her tone was suggestive, and you kind of hated how well she knew you.

“I don’t know what you’re talking about.”

“Oh, come on, we’re stating the obvious here. He’s hot!”

“Nat!” You gasped appalled. “I’m not going around asking you if you think your boss is hot.”

“Why not? I'm not ashamed to admit it. My boss is hot,” she stated plainly and shorty after a distant ‘You got that right, doll!�� was heard through your speaker.

“Oh my god,” you muttered, watching around you as if anyone could hear what Nat was saying.

“So...?”

“Okay, yes he’s super hot and I wish he would just grab me with his big muscled arms and kiss the life out of me every time I see him. Are you happy now?”

“Yes, very.”

You waved at the concierge when you reached Mr. Roger’s apartment building and then stepped into the elevator. “Good. I can’t believe I just made me say that out loud.”

“We both know it’s true. No shame in a little crush.” You could practically hear her grin through the phone and it just annoyed you even more. How could she call you out when she was a mile away?

“Great, now I’m actually imagining kissing him and running my hands down his chest,” You huffed as the elevator door opened and turned the corner just to stop in your tracks.

“I knew it!”

“Nat, I’ll call you later.”

“Okay, but-“ and then you ended the call as your eyes were glued to the kitchen counter.

You stepped closer, your eyes never leaving where they had landed upon your arrival. There, on the polished black marble, stood a vase with a beautiful bouquet of pastel flowers.

Your breath hitched in your throat as your fingers traced the colorful petals, and you leaned in to smell them. This was so sweet! A little giddiness shot through your body at the sight of the flowers. You’d never expected them from Mr. Rogers and it was nice to be appreciated.

Feeling excitement all over, your fingers reached for the little white card lodged between a eucalyptus branch. But when you turned it over, all of it fell like someone had turned on gravity again.

Happy one month!

Your mind repeated the words over and over again until they registered.

Happy one month.

You dropped the card and it made a dull clicking noise on the counter. How could you have been so naïve? Nat had put this stupid haze in your brain, getting you all giddy and excited. Of course, he had a fucking girlfriend. How could he not? He was Steve fucking Rogers.

You needed to take a step back and breathe. Those were a few too many emotions to feel in the early morning for you. Now you even felt guilty about wanting to run your fingers down his body. God, you’d even said it out loud - how embarrassing!

“Okay, girl. Relax. Nobody heard,” you reminded yourself out loud. And then you took a deep breath with your eyes closed.

“It’s not embarrassing if nobody saw. I’m the only one that can decide the level of awkwardness here.” Maybe stop talking to yourself then. You nodded and carefully placed the card back in the bouquet.

“This never happened,” you whispered, more so to ensure yourself. “Just move on with your day.”

Thank god it wasn’t kitchen day - you wouldn’t be able to stand the sight of those flowers any longer.

With your shoulders pulled back and your head held high, you made your way to the supply closet and got to work.

It’s just another day. You reminded yourself when you pulled your cleaning supplies out and into the office.

Just like any other day...

❁ ❁ ❁

Boy, had you never been any more wrong.

Your phone rang at 7.30 that evening. You had already made yourself comfortable on your sofa, ready to binge a whole season of Gilmore Girls, after a successful day of pretending you hadn’t gotten the biggest turn-down of the century this morning. You had finished your cleaning plan, you had gone grocery shopping, bought yourself some own damn flowers, and even showered all before the sun had set.

But now your phone rang and the caller ID could not mean anything good.

“Hello?”

“Good evening!” Your name echoed through the speaker of your phone, a - for your taste - way too cheery woman on the other end. “I am very sorry I have to call so late. I hope I’m not interrupting anything.”

“That’s alright, what do you need?” You bit your lip nervously, only dreading the next words of Mr. Rogers’s assistant.

“Well, actually it is not I that needs anything. Mr. Rogers requested for you to see him. Is that possible?”

“What? When?”

“Now would be amazing.” Your eyes widened at her words. Mr Rogers wanted to see you and it couldn’t wait until tomorrow? You must have done something horribly wrong. Oh, god, had he noticed you messed with the flowers? Had he seen you sniff his pillows? All possible scenarios of wrongdoing swarmed your head when you sprung up and bolted for your closet.

“I can be there in thirty minutes,” you hurried through the speaker just to receive a satisfied hum from the other end.

“Amazing! Thank you so much.”

She had hung you before you could even answer. It didn’t matter. You looked through your clothes, trying to decide what an appropriate ‘getting fired’ outfit would consist of - probably no sweatpants, so you could find the closest bar and drink your sorrows away in connection to the dreaded talk.

You pulled out something, you could see yourself crying in and headed for the door.

❁ ❁ ❁

8.00 pm on the dot, the elevator doors opened to reveal a beautiful New York Skyline. Unfortunately, you neither had the headspace, nor the time to appreciate it properly. As soon as you turned the corner you saw Mr. Rogers casually leaning on the kitchen island.

Instantly, you felt intimidated. He had never done anything to make you feel scared or in danger, but his mere presence was so powerful, you didn’t quite know how to act around him. Especially, because on top of it all, he was the most attractive man you’d ever laid your eyes on.

“What did I do?” It just sprung out of you, your arms wanted to hug your body but you willed them still. He didn’t need to see how worried you really were.

To your surprise, however, his face scrunched up in amusement instead. He pushed himself off the counter and gestured towards the flowers still standing proud on that polished marble top.

“You forgot your flowers.”

“My... my flowers?” He nodded with a small frown, probably confused by your reaction. And to be honest, you were too.

“Yes... I got you flowers. You’ve officially been working here for a month. That’s a record.” He shook his head with a chuckle and then rubbed the back of his neck. “I’m... very picky.”

His eyes met yours and a whole new wave of uncertainty washed over you. You didn’t miss the hesitation in his tone, the carefully chosen wording for something he didn’t exactly say.

“So, I’m not fired.” God, why did it take so long for you to register. You just looked so stupid right now.

“On the contrary.” Mr. Rogers took a step closer, though still keeping a respectable distance. “I think I can trust you. I’m very pleased with your work. You deserve them.”

“I do?” You looked up at him with big eyes when he took another step closer. He was so tall, you had to tilt your head up now that he was so near.

“Can I trust you?”

His chest would almost touched you, if you were to breathe any heavier. Your breath hitched in your throat when the faint remains of his perfume reached your nose. It was as intoxicating - the way his eyes stared down at you - intense and looming. “Ye- Yes.”

“Good.” His voice was a raw timbre. His gaze drifted to the side, where his hand slowly reached up to lay on your shoulder. You felt warm and tingly from the touch.

Not knowing what to do exactly, you just held your breath and stared up at his eyes. They were so blue - and up close, they were so much more captivating than any magazine photograph could ever display.

You wanted to touch him, reach out, and pull him down towards you, but he had just told you he trusted you. Were you really going to risk this perfectly good job for a heated moment?

His other hand came up to graze your cheek with a careful touch and the worry of losing your job suddenly became very small. Mr. Roger’s hands were warm, his fingers almost hot even compared to your heated face.

So you did it. Your hand reached forward and landed on the top of his chest, one of them traveled down the hard plane of his torso while the other clawed at his shirt collar. His thumb traveled to your lower lip, pulling it down and then stroking over the soft flesh, touching your teeth as well.

Guided by the heat traveling through our body, your right hand tightened around his shirt and pulled him down and onto your lips. The blonde man jerked forward until his mouth crashed onto yours, immediately moving in perfect sync with yours.

Your insides were tingling from the kiss when you felt his lips pull into a smile. His big hands roamed your body until they snook around your back, pulling you flush against his body and making you sigh contently.

Mr. Rogers chuckled and then kissed you deeper. His touch was everywhere, yours too. Your mind was free of anything that wasn’t the tall, built, blonde man in your arms as soon as his tongue traced your bottom lip - asking for you to let him in. And you did just that. When he began to explore your mouth, you melted even further into his embrace.

No man had ever kissed you like that. Which was why you dreaded the moment you had to pull away for air.

Your hand landed on his cheek, thumb softly stroking his beard, eyes locked with his.

“You’re very good at this.”

He just chuckled and pecked your lips once more. “Up.” He demanded, suddenly, he grabbed your thighs and lifted you as if you weighed nothing.

“What are you doing?”

“I'm gonna show you how good I am at this.”

Then he set you down on the bed and pushed you back until your head hit the comforter. His scent, the one you’d secretly been craving ever since you started working here, engulfed you like a big blanket. He stood above you, big and broad-shouldered, looming over you like a wild animal. But you weren’t scared.

“You know how long I’ve wanted to do this?” His lips attached to your collarbone, sucking and licking bruises to your skin until you moaned beneath him and your hands clung to his hair. “I’ve been watching you,” he murmured to your neck and a shiver traveled down your spine.

“I knew it,” you gasped when he reached a spot behind your ears that sparked more pleasure. The thought of him spending his day watching you made you all excited and impatient.

“The way you stumble about this place when you clean it... How do you navigate the world being this clumsy, Bambi?” A whimper escaped you at the nickname he chose for you. “You need somebody to take care of you, huh.”

You arched your back to brush up against him. His hard cock was already straining his pants, pressing into your own deliciously. “Ah, yes.”

“Don’t worry, Bambi, I’m right here. I’ll take real good care of you.” His fingers traveled down your body until they reached the hem of your jeans and began to tug on them.

You pulled him down to your lips once more, guiding his head back to that spot behind your ear that had you squirming on the sheets. “So needy.”

His voice was so low and husky now, you barely noticed he had already worked your pants open and halfway down your legs. You kicked them off the rest of the way and arched yourself back against him just to have him grind down on your core.

“Feel so good, so big,” you mumbled through the haze you already found yourself in. God, what was it with this man - he was out of this world.

“You can’t wait any longer, can you, Bambi?” His hands moved beneath your shirt and began to massage your breasts. “But I get it. I don’t wanna wait any longer, either.”

In a swift motion, he had you flipped on your stomach, his hands traveling to your hips to pull you on all fours in front of him. Then the bed dipped and you felt his fingers press to your soaked underwear. He rubbed the drenched fabric over your entrance, only driving you wild with need when his fingers reached higher to your clit. “So pretty.”

“I need you,” you whined, “need you so bad.”

“Believe me, I need you too.” He pulled the black lace over the curve of your ass and you felt the cool bedroom air hit your wet core, only making you shiver once more.

“You’re so fucking perfect, you know that.” You could only whimper in response when his hand pushed your head into the comforter and his face suddenly pressed into your pussy from behind.

“Oh, god.” A yelp escaped you as his tongue teased at your entrance, only to be pulled back to lick a long strip from your clit back to it. His hand massaged your cheeks and the constant moaning to your core shook you from the inside out.

“This isn’t enough, is it, Bambi?” He dragged a strong finger up your spine. “You need me to fill you all the way up, don’t you? Need me to mark you, show everyone you’re mine.”

“Yes, yes, fill me up, give it all to me. Fuck me and make me yours.” You were so desperate at this point. His mouth had you squirming and aching for the promising bulge beneath his pants and you couldn’t wait to feel him raw - you’d let him do anything.

You turned your head and watched as he unbuckled his belt. Within seconds, his cock sprung free from its restraints and your breath hitched in your throat. He was thick and long, a prominent vein running along his side up to his tip, pink and already decorated by a bead of precum. Of course, Steve Rogers had a pretty cock. What wasn’t perfect about him?

“You’re so wet already, Bambi. So ready for my fat cock, aren’t you? You’ll suck me right in, I just know it.”

“Please! I wanna feel all of you.” Another whimper got swallowed by the mattress when you waited in anticipation for him to finally fuck you.

His one hand grabbed your ass and the other aligned his cock with your entrance. You could feel his head already breaching, a delicious stretch sending shocks through your body in hot and cold waves of pleasure.

He groaned lowly and it sent shivers down your spine. “Relax, baby girl. You’re so tight. You’ll be so stuffed with me.”

“I need you de-. I- ah just please!”

He worked himself forward with small rocking motions, each time reaching a little deeper into your core and when you thought he was finally all the way in, he pushed even further until your ass was pressed flush to his thighs.

You screamed into the covers and reached for something to grasp when he groaned behind you. “Gripping me like a vice, Bambi. Are you gonna be able to take it?” He shivered behind you and you could tell he was struggling to hold still until you answered him.

“I can take it. Your big cock feels so good inside me. Oh, god, please move.”

“Fuck.” Wet noises filled the room when he drew back almost all the way, just to slam back into you. In this position the curve of his cock stroked your walls perfectly, making it hard to hold back the building orgasm.

“I’m so close already, sir. I’m-”

“Fucking call me Steve,” he roared and pushed your face further into the covers. “You gonna come? Gonna squeeze my cock with your pretty little pussy already, huh?”

You could only whimper in response, the steady stroke of his body clouded your mind until you felt like you were floating.

“I-“Another scream ripped through your speech when the pleasure exploded within you. Steve slowed his motions, seemingly unable to move with the way your muscles contracted around him. And when the pulsing pleasure lessened after what felt like minutes, he picked his pace back up again.

“That was so sexy. You gonna do that again for me? I’m so fucking close.”

His hand reached around you and began to massage your clit in tight little circles and your body lifted off the bed. Steve had pulled you up flush against his chest and watched his hand work on your clit over your shoulder.

“’S too much! Ah!” You were still pulsing around his cock with every circle he traced on your bundle of nerves, making your legs quiver.

“You’re doing so good, Bambi. You can give me another. Milk my cock dry.” He kissed your neck and bit your skin. “So fucking beautiful, how’d I get so lucky?”

“Steve!” You felt another wave of pleasure approaching, just for his fingers to still on your clit, his hand now pressing into your stomach.

“I’m almost there, baby. Hold it a little longer.” His face fell into your neck and you could feel his cock twitch inside you while his hot breath licked down your shoulder. “Don’t you fucking cum until I say so.”

“I don’t know if I-“

“Yes, you can!” Steve pushed you until you fell onto all fours again and then guided your hips to meet his hard strokes. His movements became frantic and fast, making you lose your mind.

“I’m gonna fill you to the brim, Bambi. Make you drip with my cum for days. You’re mine.”

“Steve! Steve!” You couldn’t hold it any longer, it was too much. He was so big, and his movements so fast, there was no way you were lasting any longer.

“Wait. Almost there.”

“I can’t. I can’t! I’m- Oh my god!”

“Fuck, fuck, fuck, fuuuuuuuuck.” With one last hard slam, Steve shot his hot seed in your pussy. Your walls clenched with every lewd sound he pushed through his heavy breaths. “Cumming so much for you, Bambi. All for you. Uhnggghh.” He rutted into you a couple more times and once the intense feeling faded into lazy pulses, he fell forward and pulled you into his chest.

Still buried deep within you, Steve pulled the covers over your bodies. Every little movement made you squirm and your pussy clench down again, drawing small grunts from the man behind you.

“You did so good.” His hand stroked over your hair and his face nuzzled into your shoulder. “Now, rest. You deserve it.”

And with that, you let your body fall into its well-needed sleep - warm, content, and without a care for the morning.

❁ ❁ ❁

Steve woke up to the sound of his alarm. He smiled before he opened his eyes, his mind still reminiscing the night before. He felt warm and content at the thought of it. Your kiss was like nothing else.

He felt around his bed blindly after turning off the alarm only to be met by a cold mattress. Opening his eyes, he called out your name and sat up in bed. But when no answer sounded from his apartment, he got up and looked for you. After a few minutes of searching, he was sure you weren’t there. And it worried him. He had planned to order you breakfast. He wanted to talk about last night. He wanted to tell you how much it had meant to him.

A look at the clock on his wall made him frown. Maybe you’d gone home to change for work. He decided to wait and get to work a little later today. It would all resolve itself, Steve was sure.

But when seven rolled around, there was no sign of you. And even after another 25 minutes, there was no indication you’d show up soon. Steve really couldn’t push his time anymore. There was a lot of work waiting for him at the office. So he got up and grabbed his briefcase, only to be interrupted by his phone.

“Good morning, Sharon.”

“Good morning, Mr. Rogers. I’m just calling to let you know your maid just called in sick.”

“What? Until when?”

“She didn’t say. But she’ll call when she is better.”

“Do you know what she has?”

“I believe that’s private. Mr. Rogers.”

Steve just hummed absentmindedly. His brain already playing all the possibilities in his head.

“Would you be so kind so send me her number?” He asked almost hesitantly, but still demanding enough for Sharon to agree right away.

“Of course, one second.” And then his phone pinged with a message from his assistant.

“Thank you.” Sharon just hummed in response and then she hung up the phone, ever the busy assistant he knew her as.

Steve didn’t hesitate to call you right away. With every peep. His heart hammered faster in his chest. And when he was about to give up, a familiar rustling rang through his speaker.

“Hello?”

Steve took a second to breathe and then he said your name - steady but careful.

“Mr Rogers,” you sounded surprised, and Steve tried to suppress the sting in his heart at the sound of his last name. You had called him Steve just last night. Why’d you stop?

“Yes... I heard you’re sick. Do you need anything?” He cringed the second he said it. You obviously didn’t want anything from him given that you had fled from his apartment before he even woke up this morning.

“No, no. I’m good thank you.” There was an awkward tension in the static connecting the two of you. But Steve didn’t understand where it came from. Had you not enjoyed last night. Had he only imagined the affection you gifted him then?

“Well... I hope you are able to come back soon.”

You huffed into the phone. “Uh, yes. Okay.”

“Alright, then. I’ll see you.”

“I’ll see you.”

And then the line went dead. And Steve couldn’t shake the feeling that you had sounded a lot colder than before...

❁ ❁ ❁

Steve had taken the next day off. His mind was too occupied to work, anyway. He had caught himself glimpsing at his video feed several times that day, even though he knew you weren’t going to show. He guessed, somehow that you would appear anyway. It didn’t happen of course.

So today, Steve had to learn to do nothing. That included not thinking of you as well. Because as much as the thought of you distracted him from work, not working wasn’t exactly the best move to get rid of his thoughts.

First, he had tried to stay in bed until 6. That was hard enough. Then, he worked out a bit, read an article, made a smoothie - okay he ordered one - and then he sat on his sofa watching as the clock above his fireplace ticked to 7 a.m.

It was ridiculous. If every hour would pass this slowly, he’d go insane.

His fingers taped on his thigh as he watched the seconds hand tick. He had to do something, anything.

The moment this thought passed his mind, he heard the elevator door ‘ding’ at his level. And before he could even turn around, your bag hit the ground with a loud thud.

Steve stood up straighter, adjusting a tie he was not wearing, but the motion had become a habit. He was excited you’d shown up - visibly well and healthy that was.

You stared at him for a solid minute and neither of you said a word. Your stare was unintelligible to Steve. He had to admit, that he didn’t know you well enough to read into your silent conversation yet, but he wanted to - he wanted to so badly.

His hands moved to clasp in front of him and then he cleared his throat, but as he was about to say something, you moved past him, straight to the supply closet, and then disappeared into his guest bedroom.

He followed you before he could tell his feet to stop, halting in the doorway of the room and watching as you dusted off the tall shelves above the sideboard.

“What are you doing?” His voice was higher than he anticipated.

“I’m working,” you answered bluntly, moving to the next object to dust off.

“Why?” Steve had promised to provide for you just the other night. And, yes, while he might have been hazy from the incredible pleasure you had created, he had meant every word.

You suddenly turned to him with an angry stare. “I’m working because, unlike other people, I can’t just do whatever I want and not deal with the consequences,” you spat and then turned around again. The dusting motion turned a little more aggressive and Steve felt a cold shiver run down his back. Feisty.

Though, Steve couldn’t quite place your anger. Had he said something to offend you? How did the other night play into any consequences and why the hell were you working still? You’d said it yourself, you wanted to be his. And that was all he ever wanted. It just didn’t make sense.

Steve didn’t move. He just stood there like an idiot and watched you work your anger away on the poor dusty decorations of his home. You obviously didn't want to talk to him and he had no idea what to say to you. So he just watched... and watched until at least ten minutes had gone by.

You were at a completely different corner of the room by now, trying to grab a book to dust off, but couldn’t quite reach. Steve had been standing in the doorway this whole time so he just assumed he was blocking your way to a ladder. But he took it as an opportunity instead.

In three Long strides, he had walked up to you, reached for the item you stretched toward, and handed it to you. And for a second there, he could see those doe eyes return to your face, staring up at him.

Maybe he had misread the situation after all because your gaze drew him in again. He slowly closed his eyes before he could reach your lips, excitement rising in his veins when he thought back to the feeling of your lips on his–

*smack*

His eyes shot open when your hand collided with his cheek, a fire flickering in your eyes that made him take a step back, holding his heated skin.

“You don’t have to mock me, okay?! I know it’s embarrassing and it’s stupid what we did, so please don’t make this more difficult.”

“What?” Steve was baffled, hurt.

It was stupid what we did. Your words echoed in his mind until your voice penetrated the mantra.

“Just leave me alone. Don’t you have work to do?”

He shook his head with an aching heart. You really had no idea. You thought he had used you, made you a bed bunny like Tony or Bucky would - he’d never do that. “I called in sick. I was so... forget it.”

You resumed cleaning and Steve just stood in your way watching. His chest stung with every second he spent with his eyes glued to you, knowing what you thought of him. He couldn’t stand it. He never wanted to make you uncomfortable, much less convey he’d only use you.

“Can I ask you a question?” You ignored him, but he could see your movements stagger for a second. “Do you really regret what we did?”

Then you paused, your eyes trained to the surface in front of you. When you finally looked at him, Steve could see the tears shimmering in them.

“No,” you whispered softly, Steve had almost missed it had his heart not skipped a beat.

He instinctively stepped closer to you again, though cautious not to scare you away. He’d come this far and didn’t want to mess it all up again. “Then why are you ignoring me?”

“I'm not ignoring you.” It shot out of you like a bullet. You sighed, took another breath, and set the duster down. “We don’t know each other. We live in completely different worlds. There is not one scenario in which we could exist together as anything more than... this. I know that now.”

“Why not?”

“Because you’re you and I’m just the maid.” You gestured to Steve and then yourself and Steve hated the way you degraded yourself just because he had a couple dollars more in his bank account. It wasn’t right.

He shook his head, his hand reaching out to you but dropping just before he could actually touch you, curbing into a soft fist instead. “And what if I told you that you are much more to me than that?” Now he finally dared to lay his hand on your cheek, tilting your head so he could come closer to you and still stare into your eyes. “I like you. And the night– ever since you came into my life, my days seem just so much less dull.”

He smiled with shiny eyes, afraid your silence would last forever. “Please say something, Bambi.”

“You like me?” There was awe and disbelief in your voice and Steve wanted to kiss it away until every last doubt was erased from your mind. Whoever had made you this insecure about affection would eat his fist.

Steve bit his lip to hide the chuckle threatening to spill. “I do.”

He slowly got lost in your eyes again. Those beautiful innocent orbs looked at him like he was a different type of special. He loved it so much.

His gaze dropped to your lips, slightly parted and full, and then back up. And before he could lose himself in them again, your hands latched onto his collar and pulled him down toward you.

The kiss was all tongue and teeth, need and desperation melting into sighs and tingles - he could feed off of it forever. His hands roamed your body and pressed you deeper into his. Your arms reached around his neck as your noses bumped against each other in eager anticipation.

Nothing ever felt this right. Steve couldn’t possibly believe you’d doubted the chemistry for a second. Not when it felt like that. But he wouldn’t need to think back on it anymore now... now that he finally had you.

🫵 You cant get enough of this character? Go check out the chatbot I made for him! This way you can explore different endlings, plotlines, or just enjoy his company for a while longer 💕

I couldn't decide which GIF to use, so here are some extras!

If you’ve read this far, I would be so happy to receive a comment or reblog. It helps writers reach more people in the community and also improve themselves. So, if you have the time, please consider giving me some feedback :) until next time ~Meg 💞

Wanna be added to the taglist?

@circe143 @valkyrie418 @mirikusashes @noideawhyimdoingthislol @nikkitc0703 @lethallyprotected @erynnnn @misshale21 @wattpaduser200 @buckyseddie @adoreyouusugar @km-ffluv @fangirl-swagg @mi-amoree1111 @lastwandastan @royalwritersoftheuniverses @dinwifey @stuckysgirl27 @broadwaybabe18 @buckybarnessimpp @goodkittyspost @simpxinnie @blackhawkfanatic @kandis-mom @ashhsage

8K notes · View notes