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bunni-v1 · 3 days ago

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Bunni that lighter x virgin reader was so GOOD??? YOUR BRAIN SO BIG?? it got me all embarrassed reading it, I had to take breaks in between cause the image of soft dom lighter is just so abgssngausgahstshh???? (I was also blasting ‘Like You Mean’ It by Steven Rodriguez when I was reading ur fic like oh god this song fits lighter so much 😳)

Aaaanyways I was wondering if you have any hcs for the day after lighter takes readers first time or any after care that he’d do? Also bit of a tangent but do you think lighter is the type to have cheesy nicknames for his partner like idk…sugar? Pumpkin? Or would he go the normal babe and doll type

Sorry it’s a bit long, I’m just happy to see lighter writers you all are a blessing thank you for the food 🤲🏼

🍓Hello lovely! Sorry I took so long to get to this, I'm p sure the hype around that fic is over, but this has been on my mind for so long and I just haven't had the motivation. I got some now, though, so here it is! (this is less headcannons and more a whole fic in bulletpoints lol) I hope you enjoy <3

TW: Day after; Alludes to previous sexual intercourse; Grammar Errors

Info: Lighter x Reader; Fluff; Headcannons

-You wake up to sunlight filtering in through the small crack between Lighters blinds, the warmth on your face a kindness that calls you to stir to life. There's a heavy weight across your middle and on your chest, accompanied by a different type of warmth -- human warmth.

-Your eyelids flutter open and, of course, you see your beloved partner Lighter curled up into your chest. He looked so peaceful resting like this, like all his worries had melted away from his mind and into the sheets until he woke up.

-You bring your hands up to play with his fluffy hair, smiling when he huffs a bit in his sleep, burrowing himself further into your chest if that is possible. Even in sleep he was trying to find ways to get you closer to him...

-Though he'd technically gotten you as close as possible last night if the dull ache inside you was telling enough. You could feel the sting in your hips already, and you would certainly limp a little when you got up, but you wouldn't trade it for the world.

-His green eyes blink up at you after a while of playing with his hair, foggy and glazed from sleep. He still finds it in himself to smile affectionately at you, and you can't help but smile back.

-"G'morning beautiful," He rumbles out, voice rough from his moaning last night, "Sleep well?"

-You nod at him, leaning down to press a kiss to his puffy lips in appreciation. That was answer enough for him and he lifted his weight off you in favor of leaning over you.

-He asks you if you're aching anywhere, and promptly massages your hips with the calloused pads of his fingers. The friction still surprisingly pleasant, and the ache in your hips eases up a little. It warms your heart, the amount of care he treats you with.

-He'll coo at you sweetly as he tries his best to ease the pain, mumbling about how much he enjoyed last night. How pretty you are. How much he loves you. How grateful he is you trusted him. All the sweet nothings.

-He takes the morning uncharacteristically slow, having been excused by Caesar apparently, or so he claims. He lazes around with you, happy just to have you in his arms for a while. You do, however, have to get up at some point which he grumbles about when you move to roll out of the sheets.

-You were right about the ache in your hips, you end up limping your way to the shower, and standing for the duration of it sucks. Lighter offers to help you out, but you insist on doing it by yourself (you wouldn't be able to keep your hands to yourself if you'd let him).

-Instead, you let him pick out some old clothes of his to wear, since yours don't exactly smell the best at this point. A too big t-shirt and a pair of sweats that no longer fit him find their way to your arms

-He waits for you patiently, like a puppy locked away from its owner during work hours. It's very cute. He's dressed now, cleaned up by himself while you were gone it seems. He practically leaps to greet you, pulling you into a sweet kiss. You hadn't expected him to be so clingy, but it was incredibly charming.

-He guides you carefully through Blazewood to get breakfast from Cheesetopia -- or, brunch more like it. You figured after your first time you would be a bit awkward, but Lighter didn't allow you any room for that. All was as usual, assuring you that nothing major had changed. Which, why would it have?

-Well... there was one thing...

-Caesar sat in a booth as you walked in, and the grin on her face said it all. She waved you over, and Lighter begrudgingly helped you over. You do your best to hide the limp, though it's absolutely futile with Caesars next words.

-"Have fun last night you two?" She teases, and humiliation washes over you -- Lighter's cheeks also turning a deep red, "No need to answer. We all heard you last night."

-Obviously, everyone around here knew of your relationship with Lighter... they didn't need to know the details. When you don't answer in your fluster, Caesar scoffs and waves her hands playfully. "Just kiddin', I stopped by to check up when you two disappeared. Congrats though!"

-She leaves you to eat after nearly giving you a heart attack, and you happily enjoy what you ordered. Feeling incredibly hungry after the night you had. Lighter doesn't seem to interested in his food, though. Just watching you with that same intensity from last night.

-You ask what's wrong, and he smiles wide at you, "Nothing, just admiring what's mine."

-You don't respond to that, because there's nothing you could say that's nearly as smooth as that.

Bonus:

You had me thinking about the nicknames a lot. I think that he definitely uses babe and baby the most. It's simple and easy to say, and people won't bat an eye if he calls you something like that. But he has other nicknames he uses you, some for specific situations, others just because he likes to switch it up sometimes.

Sugar is something he uses almost exclusively during sex. It's his way of coercing you into letting him take care of you, especially when you're acting all shy like it's an inconvenience. Or when you're afraid to make noise, "Lemme hear ya, Sugar~ Don't be shy~"

Darling is one that's more common to hear him throw out at random. However, it does have a specific use: scaring off other people. When someone is getting a little too friendly, he'll watch for a while until he can't bear it anymore and he has to intervene. He'll wrap his arms around you from behind, press a kiss to your temple, and ask "How're you feelin' Darlin'?" With a sharp glare at the offender

Doll is one that he likes to use to get you to squirm, almost always accompanied by a handsome grin. He uses it more to placate you when you're upset at him in a playful way. Like when his fangirls get a little too excited and upset you, he'll take your face in his hands and hum out, "Y'know they're not even half of what you're worth to me, doll. Stop your worrying."

Pumpkin I hadn't considered, but I think he uses it in private when it's just the two of you. It's a soft kind of thing he uses when you're really warming his heart. Curled up into his side half asleep, you'll hear him whisper it into the crown of your head, "I love you, Pumpkin."

#x reader #zzz x reader #zenless zone zero x reader #zzz #zenless zone zero #lighter zenless zone zero #bunni babbles 🍓#zenless zone zero lighter #lighter #zzz lighter #zzz lighter x reader #twisted wonderland x reader #zzz lighter lorenz #lighter lorenz #zzz lighter lorenz x reader #lighter x reader #lighter lorenz x reader #lighter zzz #lighter zzz x reader

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fixyourwritinghabits · 2 days ago

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Editing Your Novel Part 2: The Plot Pass

Okay, it's finally time to edit. You've got all your materials sorted, it's time to dive right in. You want to start with the big edits first, aka the plot pass.

Now listen. You're going to want to linger and fix those little bits of grammar or dialogue, and I know it's so hard not to, but letting yourself get off-track might mean wasting hours on a scene you realize later you have to delete. Fix a few spelling errors, leave a note, and stay plot-focused.

Making Sense (Of the Plot)

In the plot pass, you're asking yourself some basic questions:

Do events follow a clear order? - When you're getting everything down on the page for the first time, scenes might get jumbled up or events might not have clear causes. Maybe you have a car crashing into the cafe pages before, but in a writing haze, you wrote your main characters having a casual conversation moments later. If the bad guy beats your heroes to treasure, is it clear how they got there? (Not everyone can be Yzma.)

Do circumstances feel contrived? If there are any problems that can be solved by your characters sitting down and talking to each other, it may be better to lean into their motivation for not speaking to each other, rather than coming up with bad romcom scenarios. If the plot can be resolved by the mcguffin the grandma had the whole time, it might be better to make finding that mcguffin part of the plot instead.

It doesn't have to be perfect, and you don't have to reinvent the wheel. If someone gets bitten by a werewolf, it's perfectly fine to have them turn into one at the worst possible moment. When it comes to contrived, you're looking for problems that seem easy to solve and look for more interesting ways to complicate them.

Are your character motivations consistent to the characters throughout the story? - They can change throughout the story, but character motivations do need to be linked to the actions they take. An out-of-nowhere betrayal is way more satisfying if you lay the groundwork for it ahead of time.

Take a moment to list out the motivations of the characters in a scene you're not quite sure of can help you figure how to fix it. Having an outline helps with this a lot!

Are you following an "if... then" format? - My brain doesn't work like this when I'm writing, because as a writer you know how A got to Z, and it seems (in your head) obvious how it happened. This is where my scene card outline come in handy, because I can look at my overview of what should happen and why, and then compare it to what actually happens in the scene. I've discovered so many threads I forgot to connect that way, like why a character had a certain device (I forgot to have him pick it up two scenes earlier), or adding a few simmering dialogue bits that make the big fight pay off much better.

Can you fix the "Because the Plot Demands It" scenes? - Look, sometimes your character needs to be in that haunted house to see that damn ghost, but your character isn't the type to set foot in such a place. It's really easy, especially in the first draft, to contrive a way in there (she took a wrong turn on her way to grandma's!), but retooling these scenes to connect them to the characters motivations and needs is the way to go. The main character doesn't want to go into that obviously cursed place, but her best friend hasn't shown up for school in three days and now she's crying for help from the second floor window. Your character's strong desire to be there for her friend is a much better way to get her into that house.

This is not always easy - it took me six fricken drafts to realize a critical part of a character's motivation was because his father blamed him for his mother's death - but it is going to be worth putting in the work to hammer down.

Do you have a solid timeline? - This might not seem as important, but it's super easy to accidentally fit two weeks worth of activities in three days. Make sure you have that on reference, even if you don't mention it in the book. Also make sure to gauge your distances if your characters are on a trip, because if you do accidentally say it takes two hours to drive from Seattle to Spokane instead of five, someone will dive down your throat for it. Not me. Just someone.

Okay, maybe me. Slow down, you maniacs.

Next post we'll dive into the structure pass. See you then!

#writblr #editing #editing tips #writing advice #there's no rick-rolls in those links I promise

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regrator-the-ninth · 2 days ago

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Also if an author says that constructive criticism is allowed, that means you can leave criticism that is actionable. A list of grammar/spelling errors to fix, or "the pacing was a bit too rushed, i would've appreciated more downtime between action scenes" is actionable because the author can easily tell what to change in order to make the commenter happier (and decide to follow the advice or not depending on whether they agree).

"It had some spelling errors and pacing issues but i liked it overall" is not constructive criticism because it just says that something is wrong without giving enough info on how to fix it. This is just frustrating for everyone involved because the author can't fix it or learn from it and the commenter will likely see the same issues in future fics because the author doesn't know what to change to make it better.

I wanna know where people have lately gotten the audacity to leave comments on fanfics talking about how much the fanfic sucked and negatively critiquing an author's fic like it's a published book review.

It pisses me off cause I've seen authors abandoned or delete their fics because of this.

You're getting fanfics for FREE! No one asked for your opinion.

I hope y'all know as authors we get email notifications when you comment so we see EVERY comment that's been left.

We also can see the negative reviews you leave when you bookmark our fics

#i do actually care about ppl's negative feedback if they have it #but it has to be written in a way where i can learn from it!#also just bc i am ok with this doesn't mean other writers are #writing #fanfic

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featherandferns · 9 hours ago

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like him (fic)

jj maybank x fem!reader | inspired from this scene and this scene, this request/message, and this incredible, heartbreaking song

content warning: anxiety and panic; mild v!olence; non-specific references to child abus3

word count: 6.6k. (not yet proofread so apologies for spelling/grammar errors)

blurb: at the town meeting for the Maybank property, everything that's happened to JJ in the past forty-eight hours comes to a head. In his internal turmoil, you're the only guiding light back to safety.

Energy can’t be destroyed. JJ wasn’t much of a smart ass at school but he managed to understand that much. He remembers the lesson for some reason: maybe it was the muggy classroom, the hottest day of summer, or maybe it was because he was sat next to you and nearly every memory that has you in it is etched into his brain with permanent marker. But JJ remembers physics class enough to recall that law. Newton’s, was it? Who knows.

Energy can neither be created or destroyed - only converted from one form of energy to another.

Maybe JJ understood that law so well because he’d seen it play out more times than he could count. Practical things like that always had a way of welding themselves into JJ’s intelligence; he was better at hands-on learning. He’d seen it in the ocean, riding on waves, journeying from the power of the currents. He’d seen it when fixing up cars, when fishing on the docks, when lighting up a bonfire. But the time he remembers best is when you burnt yourself.

It was a silly thing, really. You’d been craving mac and cheese and had tried to fix a pan of it up. You’d used the wrong type of lid and placed it overtop of a near to overflowing pan of water. The bubbles pushed and prodded at the glass and the steam simmered up and up. Always one to talk, you weren’t much paying attention. You were leaning on the counter, a hand beside the stove, and gazing up at JJ like he was something special. He wasn’t sure why you looked at him like that, all he knew was that he never wanted it to go away. JJ can recall the moment that the lid of the pan came tumbling off. Water overflowed from the lip and trickled down the sides. The bubbles popped and splashed and a hefty droplet of water landed perfectly on the back of your hand. Your eyes were pink from the tears as JJ held your hand under running water, trying to sooth the burn, ease the injury before it could worsen. His lips had pressed to your forehead in a tender way that he always wished his dad would kiss his after a fall or a scrape. Your voice was stuffy and thick when you cursed water and pans and, sadly, mac and cheese.

Glancing to his left, he spots the faint scar on your hand that remained from the incident over a year ago. It’s a distraction from the legal babble that fills the city hall. His eyes trace the curve of your arm, following it like roads on a map, guiding him to your shoulders and your collarbones and your neck and your face. The jut of your chin and the slope of your nose; the shining of your eyes in the bright light as you stare intently ahead at whatever was unfolding. He didn’t want to know. Didn’t want to hear. Your lips are being brutalised; gnawed on anxiously as you track the conversation between lawyers and councilmen. You were always the clever one. JJ would have you explain things to him in physics knowing damn well that he barely understood. It was an excuse to hear your voice and to make you laugh when he made crude jokes. “Kinetic energy, huh? Think I know a thing or two about that.” Maybe, if there were different circumstances, he’d have you translate the jargon being tossed around in the room to him. Put it into layman’s terms, spell it out in the way only you could that avoided being condescending. Only caring.

But JJ can hardly hear over the sound of his own ringing ears. He can hardly think over the buzzing of his thoughts as if his mind had been infested with cicadas. He can hardly breathe through the thick, musty air of the room. His throat feels tight like he’s having an allergic reaction. His heart is aching and pounding all at once in that awful, annoying way it likes to do when things feel like they’re out of control. And, boy, did things feel like they were out of control.

You wince as your teeth pull on a loose piece of skin of your lower lip. It draws blood. Not much, enough to be gone in a swipe of your tongue. JJ remembers his previous line of thoughts. How natural for his mind’s path to be derailed by you.

Energy. The pan. The pressure. JJ felt pressure. He felt like that pan. Inside of him, it was building. The bubbles and the steam, pushing its ways up, churning through his stomach, pressing against his chest, fighting up his throat. It was invading his head. Shrinking his thoughts, clouding his mind, blurring his vision. It was squeezing him, suffocating him. He’d been on the heat for too long. Too many things, not enough time. Too many thoughts. Too many curveballs. If this was a baseball game, it would have had people’s heads spinning. JJ’s head was spinning. There was too much, too little, too big. He didn’t like big. No, he liked small. He liked simple. He liked the house and the garden and the shop and you. He liked his life. But it wasn’t his life. Nothing was his life now. It was building - the pressure. Building and building and building and–

–And any second now, he was going to explode.

Lid on the stove. Water over the edges. Burn on the hand.

Your hand is on his leg. You’re looking at him. It takes him a moment to register. He feels miles away from his body. Eyes slanted with concern, you’re frowning at him.

“Are you okay?” you whisper. Never condescending; only caring. JJ gives a stiff nod and, purely because he can’t stand to see you look at him like that, like he’s something good, he turn his attention back to the front of the room.

“We are scheduled to hear from some of the members of the community,” boldly-locks in the glasses announces into the microphone. “Beginning with a representative from the occupants of the Roger’s Point property, which used to be the Maybank property.”

It’s funny how Maybank has been JJ’s last name his whole life, but hearing it this time, out loud, it doesn’t feel like he knows it anymore. He props an arm up on the stall’s edge, running his fingers over his lips. A representative, huh?

“Anybody feeling brave?” Kiara asks in a hushed tone.

Energy. JJ’s pushing up onto his feet. “I am. I got this.”

Your hand latches onto his arm before he’s fully risen.

“Whoa, whoa, whoa,” John B murmurs in alarm. JJ looks down at John B, then at you. You’re half-apologetic as you shake your head ‘no’.

“Sit down, okay?” Pope demands in a hiss.

“Not me, then. All right.”

When JJ reunites with the seat, it feels as though the pressure doubles. Your hand reaches for his; fingers intertwined with his. JJ lets your hold linger for a second, enough for you to know he isn’t angry at you, and then he lets you go. He’s too fidgety. Too clammy. Too much, too fast, too little time. You whisper with the others as you try and decide on a voice for the group and, soon enough, John B is volunteered forward. As he stands, JJ claps proudly. That’s his brother.

“Please state your name for the record.”

“I am John Booker Routledge.”

“Damn right,” JJ affirms. In his peripheral vision, he sees you nodding. Susciently, soundly, somewhat calmly, John B fights the Pogue’s corner. He asks the questions that all of you had been asking since this new curveball was fired. JJ felt like he used to be good at dodging things. His dad’s bunches; homework and detentions at school; juvenile and prison and consequence. But now, here, in this room, things are feeling less manageable. Things are feeling more real.

The lid. The stove. The pressure, building.

“Myself and Sarah…We both lost our fathers last year…”

JJ’s eyes squeeze shut. Like whiplash, images flash through his mind. Pictures. Words. ‘I’m not your real dad’. Something that feels like bile creeps up his throat but he forces it down. Your hand reaches out and clenches his knee reassuringly. Pressure. Energy. JJ’s foot taps anxiously against the tiled floor of the building. It’s building.

A kook stands up. Not any Kook. The kook. The prison master in this sick, twisted game that Figure Eight was playing with JJ’s life. He’s perfectly presentable in his black suit, grey hair combed without a single strand out of place, glasses perched innocently on his lightly wrinkled face as if he was destined to age like a fine wine. It’s easy to do that when you don’t know stress. When you don’t know fear.

“Excuse me. May I speak?” he oh-so-politely asks.

“Absolutely.”

“Thank you, Mayor. There seems to be a misunderstanding. Okay? And I think I can clarify.”

“Oh my God,” JJ mutters.

“What an asshole,” you murmur.

With John B’s permission, Mr Zeasy shuffles him out of place and takes over. He talks as though he was born on a soapbox, preaching down the sinners of The Cut, sneering at their poverty, scoffing at their struggle.

“So what the, uh, current occupants of the land don’t seem to understand is that there is an injunction to invalidate the most recent sale.”

JJ’s brows furrow. You shake your head.

“Wh–What does that mean? JJ, what does he mean?” you mumble, glancing at him.

“There was a pre-existing promissory note from the original owner that was in the process of benign finalised when the land auction took place.”

“What the fuck?” you whisper harshly. “Is that even legal? How is that legal?”

JJ can’t move. He can’t breathe. He can’t speak.

Stove. Pan. Lid. Water. Pressure.

“The bank wasn’t legally allowed to go to auction.”

“Bullshit,” JJ mutters. All of it. Everything. Everything was bullshit.

“We have a promissory note right here from the original owner, signed before the auction, and finalised by Judge Holden.”

The applause that follows the announcement feels like a thousand pinpricks into JJ’s eyes.

“That means our sale was invalid,” Pope tells Sarah.

The buzzing is back in JJ’s head. It’s louder now. Deafening. Overwhelming. He has to fight to hear the discourse occurring at the front of the room. His chest feels tight. His throat is closing up. His lungs can’t take in air. They’re shrinking. It’s too little, too much, not enough. Building. Building.

“And where is the original owner and can he validate the authenticity of this document?”

“Yes, he can. He’s right here.”

Mr Zeasy gestures down the aisle. JJ can’t bring himself to move. He’s stuck in place. Until he isn’t, and he’s turning, looking over his shoulder as the room heckles and hollers. There he is. Sitting then standing, taking off some dusty cap. He lingers like a fucking idiot. JJ’s vision blurs. Stove. Pan. Water. Tears. Pressure. Building.

Everything else fades away as Luke locks eyes with JJ. It’s hard to believe there’s any sincerity when he speaks.

“I’m sorry, J.”

It’s hilarious, actually. Everything that’s happened in the past forty-eight hours: what was he sorry for this time? Scratch that, not the past forty-eight hours. His whole life. His whole miserable, bitter existence. His life spent in poverty and in fear and in self-deprecating shadows. Because of Luke. Because of a man who might not even be his father. So, tell me dad, what are you sorry for this time?

JJ can’t take another moment staring at him. He turns back towards the front, bowing his head. His eyes are downcast to the floor. His shoes are dirty. They always are. You always offer to clean them for him but he never accepts. There’s no point, he’d say. JJ was never good at keeping clean.

“Isn’t it obvious? He signs the promissory note and in exchange, he gets amnesty.”

JJ’s jaw clicks. The townspeople are in uproar, hollering out, yelling for justice, frowning upon the inequality of the island. You’re on your feet too. Tossing your arm, yelling out in anger, the pain thick in your voice. Somewhere behind him, somewhere amongst the chaos, is the man JJ thought was his future. The man he thought he was destined to grow into. Why wouldn’t he? They look the same, talk the same, act the same. The hair, the mannerisms, the self-righteousness, the selfishness, the idiocy, the blinding, brimming anger that was always right there on the surface. The man who was JJ’s sign for a deadend - a deadend he was bound to find himself at too, with time. The man who pulled the rug out beneath him merely moments ago.

His head is buzzing. His chest is tight. His throat is dry. His heart is racing. His foot is tapping. His jaw is clenching. His rage is boiling. The pressure, building, building, building. Stove. Pan. Tears. Burn. Too much, too little, too fast. The buzzing is loud, deafening, like a migraine on steroids, and he can’t find a thought, can’t find anything to ground him. You’re not there. There’s no thought of you to invade in and to bring him peace.

It’s building, it’s building, it’s building.

Stove. Pan. Lid. Pressure.

Energy.

It feels like a dream when he pushes onto his feet. His body screams out for relief, for satisfaction, for something. The world lags around him, time dragging like molasses, and JJ feels as though he moves in slow motion as he walks down the aisle of the hall. In the blurring of his vision, there is a clear point of focus, like a road illuminated by headlights in the pitch black of night. Luke comes into view. His father. His dad. His abuser. JJ breezes past him. Makes a right.

Energy can’t be created or destroyed.

His hands grab onto a stray chair. His knuckles whitening with his tight grip on the wooden arms. It feels light as paper when he lifts it from the floor.

Energy can only be transferred.

The glass shatters in a beautiful array of shards as the chair pummels through the window. Daylight floods the room. A breeze brushes over his face as if saying thanks. The fresh air is a relief.

JJ can finally begin to breathe again.

An arm hooks around his neck and JJ’s flailing and throwing himself into action. He grunts and fights and elbows until the grip finally loosens. Another cop is approaching in the pin-point vision and JJ hurls his legs out, leaning back against his aggressor, and kicks the man away. An arm comes loose and JJ uses it to grab at the cop, and then he’s lurching himself forward, tossing the cop over him and onto the floor. Energy. He is full of energy. The first punch lands square on his cheek. The second just skims his jaw. His uniform is scratchy in JJ’s grasp as he holds his down. The man’s face is indistinguishable in the mist of his messy head. It’s Luke. It’s Groff. It’s Mr Zeasy.

The pain of the nightstick is numb when it collides with his back. JJ stumbles forward, grunting. He staggers up onto his feet, disorientated, confused. His vision becomes to sharpen and the room comes back into sight. It’s a cop on the floor. A bloody, bleeding cop.

Oh fuck.

Oh, fuck.

He wobbles back a few steps as his mind tries to catch up with the moment.

Oh fuck, oh fuck, oh fuck.

Your hands grab at the lapels of his jacket. Your face is almost unrecognisable from the panic. But JJ can hear your voice loud and clear as you yell at him.

“Go! Get out of here! Go!”

You give him a push. Energy.

A cop is coming at him, fast. JJ runs out of the room, through the doors, and he grunts as the officer makes a grab for him near the main exit. The two fly out onto the porch and down the stairs. The pain is lessened from the adrenaline coursing through his veins. It’s pure survival instincts as he feels cops surround him, grabbing at him body, holding at his limbs, pushing him against a cop car’s bonnet. The metal is cool against the boiling hot skin of his face. He manages to wrangle an arm free and rams it into the cops face. He imagines it’s Luke’s. The hold on his other arm loosens and he manages to break free, wrestling against the forces.

“Get off me! Get off me, man!”

He’s shoved into the back of a cop car, head first. He grunts as he collides with soft cushions of the seats. But then there’s people at the window, slamming at the glass, yelling at him. No, no this is bad. This is really fucking bad. This is worse than the time JJ spilt wine on your favourite dress. It’s worse than when he accidentally hurt you whilst fooling around. It’s worse than when he thought you’d drowned on t he boat. It’s worse than when you burnt your hand at the stove. JJ looks around frantically but he’s surrounded by people. Everywhere.

What the fuck is going on?

It’s a reflex when he shields his face from the glass of the back window. Squinting, he sees a trainered foot kicking through it. He recognises those trainers. It’s you.

“Back up! Back up!” he yells out the window. It’s you. Pope’s by your side. JJ kicks out his leg and knocks out more glass, clearing a space. You’re there with the others, grabbing at his arms, trying to pull him out as he wriggles his way through the clearing, over the seats. His legs feel like jelly when he gets to his feet.

He stares blankly at John B and Pope, staggering backwards as they drive him away. Then you’re pushing through the two of them, grabbing at his face, simultaneously encouraging him away from you.

“Go! Run, JJ! Go!” you shout.

Never condescending; only caring.

JJ nods.

Energy.

JJ starts to run.

His feet pound rhythmically on the concrete. It’s endless, the energy pounding in his body. He could never be exhausted. For the first time in what feels like his whole life, JJ feels free. And as JJ runs through the abandoned streets of Kildare County, he feels like he’s chasing down the ghost of his father.

Who is he?

JJ had always thought he knew that answer. JJ Maybank: delinquent, future tax-evader, loyal friend, son of a lowlife. A Pogue. A grifter, a grinder. Despite all his ailments in his life, he had never needed to question where he came from. It was plain as day, clear as light, who JJ was. Who his father was. Who JJ would wind up being. Luke had told him so, with every hit he landed on his puppy-fat cheeks, with every slap swiping across his youthful face. Any blood drawn came with the assertion that this was what he deserved. This was who he was. A good for nothin’, low-life just like his father. A waste of space. A high school dropout.

He turns onto a side road and realises he’s heading for Main Street. It’s weird, seeing the town so hollow, nothing but a shell of its buildings. It unsettles him further. He could never run out of energy. JJ keeps running. In the distance, that figment never becomes clearer, never becomes closer. But he follows it anyway.

Luke looked like JJ. The blonde hair, now faded into shades of grey. The lips and the nose and the eyes. It was more than that; it was the temperament too. The frustration and the short fuse, passed down through genetics like an Olympic torch. At least, he thought. So, what did that mean? It was never inherited? Was JJ just fucked up from the start? What was that theory you were trying to teach him about - back when he had tried to win your affection, offering up study dates to help try and pick up his grades. Any excuse to be in your orbit. It’s nature versus nurture, JJ, you’d said, smiling sweetly. Your fingernails were rounded and painted pink, chipping at the tips, as you point at the diagrams. But JJ was watching you, he wasn’t paying much mind to the image. Look! Come on, you have to focus! He’d said something then, something to make you laugh, something that had you all flustered and blushing and him smirking. But then he’d looked. He’d listened. Some traits can be inherited from genes - nature - but some come from upbringing and environment - nurture.

Was that what this was? Nurture? Had all the years spent wrapped up in the daily missteppings of his father moulded JJ into some tormented, tainted failure. Had his soul been pure before and his future been clean and bright, and Luke had used his grubby hands to reshape it into something ugly as if JJ was nothing more than a scrap piece of clay. A scrap that could be thrown away.

He was thrown away, though. Wasn’t he? Groff didn’t want him. Groff didn’t care for him, not like Luke did. He didn’t feed him, didn’t bathe him, didn’t teach him how to fish, how to ride a bike, how to roll a cigarette. He didn’t care for him. He wasn’t a father. But Luke wasn’t either.

Luke wasn’t his father but he hit him like there was the same amount of honour ladened into every punch.

What did Groff look like? JJ can hardly picture his face in the dimming brightness of the streets. The streetlamps were coming on now. The hours were ticking away. Nobody around, time seemed to stand still. His steps ease up just slightly. He isn’t tired though. He just needs to concentrate more on what Groff looked like. But he can’t seem to formulate the picture in his mind. It’s blurs and snippets of shapes and colours. Blonde and white and shifty. Rich. Kook. No, fuck that, JJ wasn’t any Kook. He wasn’t. He couldn’t be. But still, for some reason, JJ finds himself obsessed.

Do I look like him?

Somewhere in the midst, JJ swiped a baseball bat. The whole journey is a daydream. A fever dream, really. It doesn't make sense. There’s no chronological order to it; just flashes of moments like a busted old film reel. You’re the star. You always were in JJ’s life. The brightness, untouched and untarnished, beaming bright on him. The thing he wished on and the thing he planned his life around. He can remember the break in your voice as you yell at him to run. He should run. JJ keeps running.

Something makes him stop. Crickets chirp. He’s panting but not nearly as much as he should be, right? Why isn’t he tired? You’d know. You know everything - maybe even more than Pope. Sirens wail in the distance like a warning. They’re coming. He pushes those thoughts away to the back of his mind. He tries to push that other thought away too, but it won’t budge. Instead, it stands front and centre like the banquet of a movie theatre. Do I look like him?

JJ realises he’s staring at the window of a shop. A jewellery shop. The lights are on because these Kooks can afford to keep the electricity running after hours. They’d never understand what it’s like to go without. To feel so hungry you think your stomach might start to digest itself. JJ knows that feeling - knows it well. JJ isn’t a Kook. A smile presses onto his face. It feels like breathing.

Energy.

He yields the bat and takes a swing. Bam! The glass shatters musically. It’s so beautiful the way it cracks and splinters. He swings the bat, licking at his lips, and saunters along the pavement. The alarm is like an accompaniment to his symphony of vandalism. The door’s window break is a little tougher; JJ grunts. Glancing inside, his eyes latch onto one of the displays. The silver ring glints temptingly in the fluorescents like it’s from Lord of the Rings. You flash through his mind. The images of you that he saved in that corner he hardly liked to go in, too scared of the world in which it might not come true. Images of you and him, married, happy, you round-bellied, a house and a dog and a life with him. With a nobody like him because JJ was not a Kook.

But, do I look like him?

He’s delicate as he removes it from the mannequins hand. He studies it closer and feels settled on his choice. This’ll look good on your hand. You deserve nice things.

“Thank you,” he says, pocketing it. JJ staggers back onto the road. His eyes glance down the empty street and he’s relieved to find the ghost has faded away. Sirens whir like a doomsday call.

“Oh, here they come,” he grins. “Okay. So, y’all wanted one island, huh?”

He approaches a car. He’s never owned a car. Never been gifted one for his eighteenth; never thought that he’d manage to afford anything nice, either. Just a banged-up, second-hander. That’s the life of a Pogue. JJ wasn’t a Kook.

“I’ll give you it,” he grunt, hurling his bat at the vehicle. “Over here, fellas! Y’all wouldn’t want to miss the game.”

Every hit he takes feels like a stone lifted off his shoulders.

The fuse box causes a magnificent explosion, akin to a supernova on earth, and JJ flinches as sparks crackle out. Energy can’t be destroyed. Rooky error.

“Let’s play ball.”

The trashcan clatters as if falls to the floor. Trash spews out onto the street. JJ digs about in his pocket, muttering, and procures his lighter. It’s the one you got him for his sixteenth. The flame flickers.

“Let’s really light it up.”

The fire catches quick. He remembers that from when the chateau burnt down. There’s fun in the chaos, JJ finds, singing under breath and taking swings at windows and doors like they’re nothing more than targets on a fairground game. Every splint of glass is like resolution for JJ. Every hit is like catharsis.

“Oh, that felt good.”

The mannequins are undeterred by his violence. It reminds him of you. You never once budged whenever he’d spiral. Would you budge now, after this?

“Where are my manners?” JJ wonders jovially. His hand cups at the plastic dolls and he guides his lips down to the back of it. The same hand that you had the burn on. His teasing continues on with every toss of the bat. His eyes glance over the male mannequin. The blonde wig and the uppity suit. Did Groff wear suits? What was he wearing when JJ met him?

Do I look like him?

He doesn’t want to think about that right now. No, no, he can’t. It’s too little, too much, too fast. He was just starting to feel in control again. He grabs for the bar stool and builds up some power before tossing it through the window a cafe. Energy. JJ is pure energy. He’s chaos reincarnated. Babylon humanified.

He admires his work like an emperor surveying his kingdom. Just how he imagined the Kooks to do so once they capture his land, his home, his life.

But was it ever his? What is his life, if more than half of it is a lie? What does that amount to then? What does that leave? What’s left of him if he doesn’t have himself - his identity?

Who is he?

JJ takes off running again. This time, he feels like he’s being chased. The figment, the ghost, whoever the hell it is, is behind him now. Haunting him. Hasn’t he always felt haunted? By his mother, by his father. By his future. JJ runs faster. The sirens are like lines of cocaine, propelling his legs ahead. He glacnes frantically left and right and takes a sudden turn.

The streetlamps cast the streets in an eerie orange glow. The trees look like figures looming by the roadside. The houses and buildings lights are mostly off. Dogs bark, sirens echo. A sign comes into sight as if he was guided to it by some divine force. Zeast Realtors. JJ smiles knowingly at his new best friend.

“Light her up.”

The stairs don’t creak as he makes his way up the building. His stairs always creaked. They were rotten. Mice lived under his house as a kid. His family house that no longer holds any significance in his life, just the way his name doesn’t. JJ is without a name.

The alarm fires off the moment the glass shatters on the door. It’s embarrassingly easy to get inside. Within the office are plans laid out like a villainous layer. Plots and plans for:

“A new figure Eight.”

JJ loses it. Whatever remaining grasp of control he had on his inhibition is wiped away like his childhood. Glasses and picture frames and ornaments and business cards: nothing is safe from his bat.

“What’s fair is fair! Huh?”

But it isn’t helping like it was before. He doesn’t feel lighter. He feels like he’s sinking, down and down. Why isn’t it helping? JJ batters more things, hoping for it to change, hoping for everything to change. He wants to wake up now. He wants to wake up in his bed, beside you, and have you hold him and kiss him and ask him about what had him moving so much in the night. He wants you to make a joke on how it was keeping you up. He wants his life back.

A framed photograph of Mr Zeasy sits pretty on the mantle. JJ studies it for a moment. Scans over the pressed suit and the quiffed hair and the stagnant smile. The falseness that lies in the act of being proper. His reflection catches in the light. JJ’s face twists in disgust.

“No way am I a kook.”

The sirens are suddenly very loud. Shit. JJ ducks down out of sight from the windows. His back presses tightly against the cabinets. It grounds him. Shit. His head hangs and his lips purse and his mind reels. This is it. Luke was right. He was a lowlife, a delinquent, a failure. He’ll spend his life in prison. Fuck, he can’t think of how many charges he’s racked up by now. It might be a new record. Maybe for ocne his dad would be proud of him. That’s all he ever wanted.

“This is what I was talking about, son!” Shoupe hollers out.

Son. Son to who?

Who is he?

“You’ve gone too far and we’ve got a serious situation.”

He isn’t Luke.

“I told you this shit would happen and here we are.”

He isn’t Groff.

“I need you to put down any and all weapons you may have, or you will get shot.”

JJ rises to his feet.

“I don’t want that, so just come on out with your hands up.”

He isn’t anybody, anymore.

“JJ, listens up, son-”

“No, you listen up Shoupe!” JJ hollers. “I’m not just gonna come out there so you can take what's ours and let them win again. It was ours, fair and square. So I have a right to fight for what’s mine.”

“JJ! Can you hear me?”

It’s Kiara.

“Just, please, do what they say! This is getting dangerous!”

“No!” JJ shouts. His anger twists. “I’m done kissing the feet of people who’ve taken from me my entire life!”

His voice cracks. Tears sting at his eyelids and he wills them away. It’s not fair. None of this is fair. He was happy: truly, really happy. Maybe he’s cursed. Maybe he isn’t meant to be happy. Maybe that’s who he is.

“Y’all might have given up,” JJ shouts. He swallows. Everything hurts. To himself, he makes a stand. “But I’m not done fighting.”

“So, Shoupe. You want me, you’re gonna have to come get me.”

He starts quickly down the hallway. The beckonings from the cops sounds like the devil trying to lure Eve in to bite from the apple. The sound of whistling and crackling has him ducking for cover. Bullets.

“Jesus Christ.”

No, not bullets. Fireworks. He looks up to find a microwave. His mind works fast. What would you do? Something smart. Think, JJ, Goddamnit. Think!

‘Metals are conductors’, you explain as you stir the mixture in the beaker. JJ’s toying with the bunsen burner, mesmerised by the flames in a way that has you joking he’s an arsonist. ‘Fun fact about it is that if you put it in a microwave it starts sparking and shit. It can even start fires. Something about it reflects the microwaves. It acts like a mirror. Pretty cool, huh?’

JJ scrambles in the kitchen for cutlery. He comes up with a handful of forks and crams them into the microwave. He starts it up and smacks it farewell. Thank God for you and your wonderful mind. There’s no time to waste; JJ races up the staircase of the building. There’s chaos outside. People yelling. He can hear Sarah and Kie’s screams. They’ll be fine. He can’t help them, for once in his life. Maybe he never could. He opens the window and steps out onto the roof. He closes it behind him. Leave no trace, just like his childhood.

He teeters on the edge of the roof and looks down. Shit, that’s a hell of a drop. They’ll be behind him, though, hot on his trail. There’s no time. Sucking in a breath, JJ prepares himself for the landing before jumping off the roof. The metal of the car smacks against his skin and side. JJ’s knee shifts uncomfortably when he makes contact and he grunts. Rolling off onto the grass, he takes a second to check that he’s really alive.

“JJ.”

He blinks and looks up. It’s you.

“Oh my God, JJ,” you mutter, dropping to your knees.

“What–Where–”

“It’s just me, I slipped away from the others, they don’t know I’m here,” you hurry out. You’re hands on his body, helping him up. JJ grunts and registers a dull ache in his leg. The adrenaline works well as pain relief. “We gotta go. Now.”

“No, no, I can’t drag you into this,” JJ panics, trying to shake you off him.

There’s a humour in your eyes as you tell him, “I was already in this. Come on.”

There’s no time to be wasted in arguing. JJ complies and the two of you take off running down the street. You’re guiding the way. JJ doesn't question it. He trusts you. Hell, you might be the last person on earth that he trusts truly and deeply. The limp in his leg slows him down so he lingers behind by a few steps. Your hair is swaying as you race down the street. The streetlamps bask you in an ethereal glow. There’s small cuts on your legs from where you broke the glass of the cop car to break him out. JJ can’t believe you’re here.

“Come on, through here. I know somewhere we can lay low and think,” you tell him. JJ doesn’t ask any questions. The two of you pant as you run down the road. Soon enough, you come to what looks like an abandoned barn. You guide the two of you around the back and push back some metal siding. It reveals a hole big enough to crawl through. You go first and JJ follows, careful to secure the siding back once the two of you are inside. There’s blind patting around before you let out a sigh of relief, and JJ can hear the rattle of something in a box. When you light a flame, he realises it’s a box of matches. Your face comes into view in the faint light and you look around for something. A candlestick that sits in an old-timey holder is balanced on an old piece of machinery. You take it and light it, and place it back. There’s enough light to make out JJ’s face and his yours.

For a moment, the two of you just stare at one another. Then you’re hurling your arms around his shoulders and pulling him against you.

“Oh my God, JJ, I was so worried about you,” you tell him into his shoulder. JJ slowly coils his arms around your body. The warmth of your skin through your dress is like medicine. He tugs you tight against him and suddenly can’t think of anything worse than letting you go. His face buries into your neck and he breathes in the smell of you. It sends him back through time; through adventures and restless nights and sleepless mornings and peaceful evenings and joyful afternoons and mornings spent in Physics class together.

His mind clears enough from the imminent panic of survival that it can make space for that one damning thought.

Do I look like him?

JJ isn’t aware that he’s crying until your running a hand up and down his back soothingly. You shush him gently, almost swaying him, and JJ can’t help but cry more and more. His fingers grapple desperately at your dress and he tries to pull you impossibly closer. He can’t lose you too. He’s lost everything he knows: his dad, his mother, his house, his life, his freedom. He can’t lose you too.

“Are you okay? Are you hurt? Lemme see you,” you worry, unfortunately pulling away from him. Your hands are soft as they brush over the skin of his face, sweeping hair off his forehead, swiping tears off his cheeks. Your smile is sweet and tender when he looks at you through wet eyes. “Are you hurt?”

“Do…” JJ can’t find his breathe. Your brows tug together slightly.

“Does something hurt?”

Everything.

“Do I…” JJ gasps for air and clenches his eyes shut. He knows how it will sound. Like a petulant, pathetic child asking his dad what ‘JJ’ stands for. Like an idiotic, dreaming infant asking his dad where his mother is. Like a useless, stupid teenager asking his girlfriend: “do I look like him?”

When he opens his eyes, you’re studying him, confused and concerned. He thinks you might not have heard him.

“Do I look like him?”

You lick your lips. “Do you…Are you meaning Groff?”

JJ almost winces. He sniffs and nods, trying to steel himself. His shoulders square. He stares at you and waits. Your mouth moves as if to form words but nothing comes out. Sighing, you study him - really look at him - and then you give a half-smile. It’s solemn and sombre.

“No, JJ. I don’t think you look like him. Not really.”

JJ’s eyes press shut. A sob wracks up his throat. He suddenly realises that he wasn’t sure which answer he wanted to hear. Which answer would hurt the least?

I don’t look like him.

“What’re you thinking right now?” you whisper.

JJ swallows thickly. He wipes roughly at his cheeks with the back of his sleeves. You’re expression breaks his heart when he meets your gaze. Your hand cups his cheek, thumb sweeping over his skin like a mother soothing her child in their sleep. JJ wonders if his mother ever did that to him.

He doesn’t know who he is anymore, but he can try and find out. There’s only one way to do that.

“I need to go see Groff.”

Your eyes flicker with withheld surprise. But you’re good at saving face. Smiling, nodding, you back him like you did since day one, sat side by side in physics class due to the fates of a seating plan. From strangers to classmates to lab partners to friends to lovers. And the love you had for him, the love JJ had for you; that was the most powerful energy he'd ever known. An energy that could never be destroyed.

“Okay,” you say quietly, nodding. “Let’s get you to Groff’s.”

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yours-lovingly-cho · 3 days ago

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𝐇𝐚𝐧𝐝𝐬

Hurrayyyy! Finally a Johan post by me 🥳🥳. Very clearly, me simping 😪. G/n. Silly. Grammar errors. Established relationship.

Interact w post! gives me dopamine & I live for it 🤌

Mlist

You love his hands.

Way too much

He's seen you stare at them ever so often, with such intensity at that, he felt his tummy tickle.

Your hands would never stay still, always feeling them, gently rubbing against his or drawing meaningless shapes and never ever missing a chance to thread your fingers through his.

When you two are snuggled in the warmth of your bed his face buried either on your hair or shoulders with his arms encircling you and your back is facing his chest, he has woken upto kisses trailing his fingers, knuckles and every space there is. It still remains a mystery to him as to why his hands feel hot and red at every single kiss.

He's so glad you're busy studying his hands as if they're some rubies or diamonds, carefully tracing his veins and knuckles in such awe to not notice the blood rushing at his cheeks

Who knew hands held such intimacy

Ugh, he can't believe he's getting flustered at such silly antics of yours. What the hell did you do to him

He'd tease you a lot, calling you out for being a weirdo but he'd never pull away his hand from yours

Infact he'd 'accidently' brush his hands against yours when he's attention-starved, which increases the more he doesn't get his attention. When the tricks don't work, making his patience run thin, he'd just shove his hand into yours, clasping it himself

A happy little kitty, visibly wagging his tails & ears at the feeling of your hands finally playing with his, relieving him of his much deprived attention. There's an ever so small pink in his cheeks and the tiniest of smiles tugging at his lips which he hides by looking away.

When he thinks about it, he admires your lips and legs the same way you admire his hands, so maybe it makes him the same as you.

He hopes you've never noticed 'cause then you'll have that smug look etched on your face that makes you even more kissable than you already are and he might just act on his urgers.

But if he does that, he'll probably never live it down and he loathes the idea of you having the upper hand at 'who's better at making the other fluster' which, by the way, is solely a creation of his own mind.

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a-mx-writer · 3 days ago

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A couple things. I don't really have a single "I'm gonna read this" deciding factor, but I have a couple "not gonna read this" markers:

Chapter length (total word count ÷ no. of chapters) sub 1,000 words is a pretty guaranteed nope.

Summaries that are just lyrics or quotes aren't particularly inviting to me since they say nothing about the fic.

Tags, naturally, but idk how much that counts because it's less about the quality and more about the genre of the fic, so that's a matter of taste.

Overtagging (i.e. tagging every ship that appears even tangentially in a half-sentence) is a huge turn-off.

As far as positive factors – things that make me want to read the fic – go, a good summary is probably the biggest. Writing good summaries is really hard, and something I myself struggle with a lot (accurate description vs not wanting to spoiler, for instance), but a good summary is probably the most inviting factor about a fic.

But, usually when I'm unsure, I just read the first chapter. Since "clearly garbage" or "clearly the best thing since sliced bread" are extremes that most fics don't reach, most often, I'll click on the fic and take a gander. If the first two paragraphs are so awful I can't keep reading, the fic is out. If the first two paragraphs entice me, I'll keep reading even if i.e. chapter length is off or the summary sucks.

As for the first chapter (or, since I stop early if I don't like it, think of it more as the first page), there's a few criteria there, too:

Formatting. Fics that use simple newlines instead of proper paragraphs, for instance, are an eyesore I can't stand, and so are fics where for some reason each paragraph is separated by ten inches of blank spaces.

Tons of typos or grammar errors right at the start is an instant backbutton.

And so on and so forth. Sounds more complicated than it is, it's really a very quick and simple decision that, on a conscious level, boils down to "oh cool" or "yeah nah", but written out like this, it seems more analytical than it really is.

By this I mean, what is the most influential on your decision? E.g., for me it is the summary because I rarely pay attention to the title or stats, and only read the tags after I've liked the summary enough to want to give the fic a go.

#polls #fanfiction #writing

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thewizardpoliceareafterme · 2 years ago

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Time to answer a question everyone needs answered: how do sparkthrowers/guns work exactly?

I lied no one really needs this answered but I do so here you go!

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In the tutorial, Boochbeard warns us of spark throwers, saying: "Careful of those sparkthrowers! They'll stun you into submission-- that's how guns work in the spiral."

(nice forthwall break)

Now this is probably to make the game more kid friendly but obviously I need l o r e so here are my thoughts: ->

The guns shoot sparks of electricity, but how? I personally believe it is through the use of 'lumina crystals.' These are crystals that are charged with storm magic in a mill in Triton Avenue(w101). Lumina crystals cut small, so essentially you can 'socket' them into the gun and take them out once they need to be recharged.

Now if you want a gun that doesn't need a recharge, I assume there are expensive options-- for example, a gun that is enchanted with storm magic.

Okay so everything described here doesn't need bullets, in fact bullets aren't shown due ya know kidz but then

COOL RANCH

there are silver bullets?? How spark come out of bullet??

Anyways since metal is a conductor I'm assuming maybe it's just charged?? Make bullet and spark MAKE SENSE KINGSISLE PLEASE I SWEAR-

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Last but not least injuries. Since it is electricity wounds will mostly be burns, but enough electricity can kill a person.

To break it down here are symptoms and what happens during electrical shock:

• Outside Body

Can have visible burns but in some cases you look normal. For a sparkthrower, since it shoots out, I'd assume it'd be mostly burns.

• Inside Body

Moving electrical currents can cause damage to organs/stuff around them and cardiac arrest.

- Symptoms

Headache, loss of consciousness, muscle spasms, numbness/tingling, trouble breathing, vision/hearing issues, seizures, and irregular heartbeat.

<- The shock also has a chance to cause Compartment Syndrome.

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Last but not least, handling. Handling a lumina crystal is probably safe as it is in a solid form, but I'd be wary if it's cracked or so.

The most important thing is to not touch the barrel while the sparkthrower is being shot or for some time after. You don't want to accidentally electrocute yourself!

#pirate101 #spiral lore #does that tag go here??#here are my ramblings #feel free to add your thoughts or correct any information especially for the medical facts!#i mostly included the medical stuff for writing #if there are grammar errors no there's not

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smallidarityfan · 4 months ago

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bro let the thoughts win

#smallidarity #guess the build #my art #trafficshipping #mcytshipping #i guess #alt caption:#pov: it's the year 2025 and you open up twitter to a notification from solidaritycouk #it's joel and jimmy getting married #how is this one a banger guys i do not understand the algorithm at all #smallidarity daily #day 1 #so happy nobody pointed out the grammar error haha

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niteshade925 · 4 months ago

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Saw these tags in a reblog of my Chinese museum posts, and thought I have to make a response just so everyone is clear on how archaeological studies are carried out in China:

^Well, the Shaanxi Archaeology Museum is a Chinese museum displaying artifacts found in China, it's not the British Museum lol.

But anyway just so everyone knows, modern Chinese archaeology has a rule, which is that unless it's absolutely necessary, an ancient tomb/mausoleum should not be disturbed. This means that many of these artifacts in the museums are found in a few main ways:

Tombs that absolutely had to be excavated because there were clear signs of grave robbing present, for example when tunnels left by grave robbers were found near a known tomb. This is called "excavating to rescue" (抢救性发掘), it's done by teams of archaeologists, the artifacts found will then be studied and eventually find a home in museums in China. In comparison, actual grave robbers would steal artifacts and sell them for money; many stolen artifacts would end up in auctions, mostly outside of mainland China. This is why there is no "general positive sense" in the phrase "grave robbing with grant money" when it comes to archaeology in China. Modern Chinese archaeology and grave robbing are simply not comparable in any way whatsoever.

Tombs that absolutely had to be excavated because new infrastructure will be built in that location. Such exacavations are also included in excavating to rescue. Examples include tombs in Xi'an city that had to be excavated because a metro was being built. Since Chinese people and Chinese culture are native to China, there are no ethical problems whatsoever, this simply a question of what matters more, the welfare of living Chinese people or the abstract afterlives of ancient Chinese people. Obviously, the welfare of living Chinese people is a more important matter. As for the argument of "but this goes against traditional culture", first, a culture is only alive if the people of that culture is alive and doing well, otherwise that culture is as good as dead; second, a major part of traditional Chinese culture IS focused on the welfare of descendants (ex: the belief that the spirits of ancestors will protect their descendants), so I'm sure our ancestors would be proud to see us doing well.

Tombs that were excavated because archaeologists were absolutely sure that artifacts discovered within would make major contributions to the study of Chinese history. This is pretty much the only exception to the rule of "excavating to rescue", and it is very rarely allowed. An example is the Xia-Shang-Zhou Chronology Project (夏商周断代工程), where the main focus is to gain a clearer picture of the timeline of ancient Chinese history, when dynasties began/ended, when major events may have happened, etc.

Artifacts that were found when arresting grave robbers. These are called "recovered artifacts" (追回文物).

Artifacts that returned to China from foreign countries, these are called "returned artifacts" (回归文物). A big portion of these artifacts ended up in foreign countries precisely because of grave robbers, and another big portion were and are still lost for the same reason as why the British Museum has so many artifacts from around the world.

Artifacts that were discovered scattered throughout China. There are three facts to consider here: 1) China has a long history and as a result, there are vast amounts of existing artifacts; 2) tombs are material things and thus are subject to the elements; 3) not everyone is an archaeologist. Combine these, and you have situations were valuable artifacts were found in places like the chicken coop of a farmer (this is how the eagle-shaped pottery ding was found).

Donations. Some artifacts were family heirlooms that were donated to museums.

#chinese archaeology #archaeology #china #以正视听 #edited because i typed this out on my phone so there were minor grammar errors

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newtexcwl · 2 months ago

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Undertale were the two doomed siblings swap roles

Asriel is the narrator ghost and chara becomes a weed

#my art #undertale #artists on tumblr #fanart #chara dreemur #chara undertale #chara dreemurr #asriel dremuur #asriel #flowey #flowey undertale #undertale au #undertale fanart #ignore the grammar errors

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bunni-v1 · 2 days ago

Note

sunday x m reader who wont shut up while hes working so he makes reader cockwarm him to shut him up

Cockwarming With Sunday

🍓Dom Sunday makes my skin crawl. Anyway, I went for a softer take than what you wanted, sorry lol. Even when Sunday tops I can't see him as all that mean, at least, not in the way this was worded lol. Anyway, I'm very well Sunday's biggest hater (I love him more than life itself), so I hope you enjoy this. I want him dead.

Tw: NSFW; Implied power dynamics; Mean(?) Sunday; Grammar Errors; ts kinda ass

Info: Dom!Sunday x M!Reader (it's hard to tell lol); Cockwarming; pre ae sunday; Nsfw

Word Count: 1.5k

Sunday was always considered to be a patient man, especially with those he considered important to him. He had put up with plenty of Robin's silly plans and humored her with delight -- he loved her after all, and any plan she had wasn't truly all that silly so long as it came from her. He even enjoyed her endless conversations when he was meant to be finishing up paperwork. His time with her was sparse, he could afford extra time away from his duties for her. She never kept him for long anyway, understanding his position better than anyone else.

You, however, did not have the excuse of being his darling sister. You spent a significant amount of time with him, both in and out of work, and he had all the time in the world to spend with you. Which meant you knew better than most others how much he needed to fill out this report today. Yet... you kept running those stupidly pretty lips of yours.

He wasn't even sure what you were talking about, he'd tuned you out about ten minutes into your talking. Nearly an hour had passed, and you were still going on and on about something or another -- he catches that it's about an up-and-coming artist you'd seen, not that he cares for any musician that isn't his sister. It wouldn't be so bad if you were just talking, he'd mastered the technique of ignoring things that seemed to get under his skin, but you needed assurance that he was listening.

He would occasionally have to pause and answer questions without much context, or hum in acknowledgement of your words. Your incessant rambling is normally incredibly endearing to him, but with the deadline looming over his head, and the ache stinging between his brows it was enough to make it vexing.

He lets out a sigh, hands pressing the pen to the desk just a bit too harshly. You silence yourself, flinching back a little in surprise. He nearly coos, he hadn't meant to scare you, but you were very cute when frightened. (Perhaps he shouldn't be thinking such things...)

"My love," He hums, meeting your gaze with a calm smile, "you know I love having you around, don't you?"

You nod, nervousness shining in your eyes, giving you away despite the brave front you put on. You were always too easy for him to read, a bit concerning considering the enemies he has, but he'd prefer you pliant than hardened -- at least, in that way.

He gestures to the papers on his desk, "You also know how important it is that I get this done today, yes?"

"Of course," You answer immediately, and he can see the realization of why he was scolding you across your face. So very cute. "Was I talking too much?"

He hums an affectionate smile on his face, and gestures for you to come to his side. You do so with no arguments, as expected. He turns in his chair, grabbing you by your hips to situate you between his legs. You flush a bit at the contact, predictable as always, but he chooses not to comment on it.

"I need to get this done, angel," He asserts again, and you frown shamefully.

"Would you like me to leave?" You offer, but the idea sours something in his chest.

He shakes his head adamantly, "Of course not. I love having you here, but you'll have to behave for me."

There is a spark behind your eyes at his words that makes him ache a bit, his member coming to life much too fast for his liking. The effect seems to be mutual, as far as he can tell from his position near your crotch. His placid smile morphs into a slight smirk, and his eyes meet yours again, "You can behave for me, can't you?"

You nod adamantly, "Of course, s-sir." The title is stuttered, somehow unsure despite your knowing very well what he wanted from you now. It was so adorable how concerned you were with overstepping with him. You truly could do no wrong in his eyes, even when you were getting in the way of his work.

"Then," he pushes you to step back, leaning back in his chair, "Take your pants and underwear off for me. Quickly, I'd like to get this done as soon as possible."

You nod again, doing as he says like a well-trained pet, pretty eyes looking to him for approval as you shove the clothes to the side. He rewards you with a smile, leaning forward to run a finger along the bottom of your hard cock. You hiss at the sensation, drawing a chuckle from his chest.

He eases himself out of his pants as he tugs on your sensitive member a few times, enjoying the little whimpers you give him. His dick springs free, hitting his stomach. He leans back again as it does, telling you what to do with his eyes alone. You follow along like in a trance -- he'd almost believed you were under the influence Harmony, if it weren’t for the fact that he wasn’t using it in the moment.

You hiss lowly as he slides into you. Going raw must've been painful for you, but it felt heavenly for him. Your ass squeezed him so well like it was meant to hold him deep within. He smiles reassuringly at you as you finally sit fully on his lap, taking your chin in his hand to settle a kiss to your lips.

"Very good," He compliments.

You bite your lip, averting your gaze, "Thank you, sir."

He tuts at you, drawing your gaze back just as quickly as it left, "You can sit still and wait like a good boy, can't you? If you can't well..."

"Of course I can!" You respond with a desperation that surprises both of you, quickly adding, "Sir."

"Good, good," he hums, pressing a warm hand against the back of your neck. Your chin rests against his shoulder on instinct, getting comfortable against him. Once he's satisfied with you behaving, he leans forward and starts back to working on the document you'd been distracting him from.

The scratching of his pen is one of the only things keeping you grounded in reality. The stretch of his thick cock in your ass is almost too much for your brain to handle. You shouldn't have been talking so much, honestly, this is no one's fault but your own. Still, the torture of not being allowed to move for fear of worse punishment is enough to make you want to cry.

You sit there pretty on his dick like a good boy, though. Always so obedient for him, if only he didn't have to tell you to behave. No one is perfect, so this was a sacrifice Sunday had to make to keep things as he liked.

His fingers climb up your spine, tingling across your body right to your achingly hard cock. You almost hear Sunday chuckle when it twitches between the two of you, but it's so quiet you believe you might've made it up in your fucked out brain. You wiggle your hips in an attempt to get some friction, but all Sunday has to do is place his hand on it and you cease all movements.

Sunday seems, on the outside, entirely unaffected by everything. For the most part, he really is. He's blasting through his work faster than before, but that was because he couldn't wait much longer to bend you over the papers and reward you for good behavior. Each squeeze around him has him swallowing down groans, determined to not give into your temptations -- no matter how wonderful that sounded.

When he signs the last dotted line and closes the stack of papers back to the front page he lets out a sigh that resembles more of a moan than anything as you clench anticipatorily around him yet again. His pen is set on the desk with a little 'click', and he finally looks at you after agonizing minutes of your squirming. Lust has clouded over his gaze, and he looks positively angelic nearly lost to his own sin.

You are no better, pleading with your eyes for him to fuck you like the sweet thing you were. Tears pricked at the corners of your lashes, a picture of absolute beauty. He smiles at you, wiping them away from your cheeks as they spill over.

"You were very good, my sweet angel," He hums, moving his hands to your hips, "you deserve a reward for behaving, don't you?"

You nod adamantly, your heart picking up in excitement. He raises an eyebrow expectantly at you, and you know what you're meant to do next without the need for words. Standing from his lap, hissing as he leaves your tight hole, and bending over his desk like the good pet you were.

"Very good..." He hums, and your spine tingles in excitement as you hear his pants and belt hit the floor around his feet.

#x reader #bunni's treats 🧁#sunday #sunday x reader #sunday hsr #hsr sunday #hsr sunday x reader #sunday hsr x reader #hsr #honkai star rail #sunday honkai star rail #honkai star rail sunday

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lichanicksstuff · 3 months ago

Text

Professor Gadling always knows which student wrote their paper and which one used chat GPT. Nobody knows how he does it. No paraphrasing program can dupe him. He can always tell. Every one of his colleagues is amazed by this skill, they always ask for his help judging if the essay was written by an AI or a person. And he does that with a wide smile on his face.

It's really easy. All it takes is to give his old friend a good cup of tea and a red pen to mark the ones that were not written by a human hand. "The imitations don't have souls," his friend says. And this is what he tells his students. They never understand and Hob finds it very funny.

#i had to get this out of my head #i think it's a really interesting concept #the sandman #hob gadling #the sandman netflix #the sandman comics #dreamling #dream of the endless #the sandman shitpost #shitpost #fanfic prompt #???#maybe?#i wrote it in one go sorry for grammar errors if there are

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four-leafed-queer-gal · 10 hours ago

Text

Anons*

Incorrect Usage of Brackets/Parentheses

Improper Set-Up of Acronyms

Incorrect Capitalisation of Acronyms

Incorrect Capitalisation at the Start of a Sentence

Incorrect Punctuation

Incorrect Capitalisation at the Start of a Sentence

"So" is not a Complete Sentence

If you said it, why did you bring the drama onto your blog?

Anons*

Incorrect Comma Spacing

Incorrect Tense Usage (Started in Past Tense, then used Present)

Anon*

Leigh is also a minor.

What friend are you helping by doing this? You're hating on someone and accusing them of something, and lack the wherewithal to even tag them.

Incorrect Subtitle Capitalisation

Incorrect Number Listing Customs

Anons*

Incorrect Parenthetical Capitalisation

Lack of Punctuation

Incorrect Number Listing Customs

Incorrect Capitalisation at the Start of a Sentence

Incorrect Grammatical Mood and Incorrect Capitalisation of a Name (Should be "Jack's," not "Jacks.")

Incorrect Capitalisation of a Name

Incorrect Word Usage (Should be "of," not "as.")

"So" is not a Complete Sentence

Incorrect Capitalisation of a Name

Incorrect Spacing

Incorrect Punctuation

Incorrect Capitalisation at the Start of a Sentence

Incorrect Comma Spacing

If you know he hurt them, and he hurt you, why are you defending him?

Incorrect Phrase Usage (Should be "So far as to say," not "So far to say.")

Incorrect Spacing

"Atleast" is not an English word. If you're writing a call-out post, stick to one language unless you're quoting someone.

Incorrect Capitalisation at the Start of a Sentence

Incorrect Subtitle Markage

Incorrect Subtitle Capitalisation

Anons*

I'm an equal opportunity corrector of grammar, so this next section is the Anon:

Lack of Comma

Incorrect Quotations, Even for Dramatic Effect

Lack of Hyphen

Wow, way less than you, even if we look at a similar amount of text. Now back to correcting you:

Inconsistent Number Naming (Switches from spelling them out to using the numeral. Incosistencies make you less reliable as a source.)

Anons*

I have seen zero striving on Jack's part.

Anons*

I can't even make enough sense of this sentence to word a correction properly. Your words are nonsensical. Try "So sending these hate anons won't help Jack to be not a, and I quote, 'depressed attention seeking little bitch.'"

Lack of Punctuation

Incorrect Capitalisation at the Start of a Sentence

"try I ng" is not an acceptable combination of English letters. In call out posts, try to stick to commonly used and understood words. For example, "ng" on its own isn't even a phoneme in English, much less a word.

Incorrect Spacing

Incorrect Subtitle Markage

Incorrect Capitalisation at the Start of a Sentence

Incorrect Grammatical Mood and Lack of Name Capitalisation (Yet again, it should be "Jack's," not "jacks.")

Incorrect Grammar ("Jack's other moots and I," not "me and jacks other moots.")

Incorrect Comma Spacing

Factually Inaccurate Statement

What does coke have to do with this?

It is not very close. Not even to how she talked in private about the situation.

Again, I've seen no evidence.

Lack of Punctuation

Again, stick to one language.

Again, stick to one system of referencing numbers.

Accusing*

Incorrect Subtitle Markage

Incorrect Grammatical Mood and Lack of Name Capitalisation (AGAIN, "Jack's," NOT "jacks.")

"Now" is not a Complete Sentence

Incorrect Grammatical Mood and Lack of Name Capitalisation (YET AGAIN, "Jack's," NOT "jacks.")

Incorrect Punctuation

Incorrect Comma Spacing

Yes, Tumblr is easy to learn, but word choices and the like provided further unlikelihood of "Freddy" being a real person.

Lack of Punctuation

Oh wow. Surprising mastery of the use of the colon, considering your other grammatical and punctuation-related mistakes.

Lack of Capitalisation

Comma Spacing Error

Lack of Name Capitalisation

Spacing Error

Now, obviously I can't speak to Jack's mental state at the time of the debacle. However, the way they acted wasn't even as unstable as when I pretend to be stable, and my mental state is constantly terrible. They seemed remarkably lucid, even compared to some neurotypicals.

If Jack is moving on, you should have as well. No need for vaguing people in vent posts, and making massive call-out posts for a specific person.

Spacing Error

Everything past "and" is worded in an unclear way. Perhaps try clearing up your word choices and the like next time?

Until* And even if you want to use the commonly accepted shorthand, it would be 'til*.

Until*

Why should we apologise?

Lack of Punctuation

You can't be confident this was Leigh It could have been someone that you agree with, warning you about the "threat" that they pose (Even though they don't). The phrasing of the anon seems to imply they were recommending you don't interact with Leigh, not that they were drawing attention to Jack's utter clusterbomb of an AU.

She informed us of everything. Namely that she wasn't hate-bombing or hurting Jack.

If hurting Jack is enough to make you crusade against Leigh in such a way, a literal 16 year-old, why do you not crusade against Jack, who has hurt far more people with his actions, over a far longer period of time?

I'd rather RP with the one who didn't erase male SA victims and didn't refuse to back down several times and didn't hate-bomb someone. Guess who checks all those boxes? Gues who only checks one?

Anons*

Maybe we are. But who do you think is doing worse things? The ones advocating for not erasing male SA victims? Or the ones defending someone who did and delivered a severely lackluster apology?

Hate annons? Really hon? [Aka my opinion with new evidence] (y'all might need a snack for this)

okay, mod speaking. So. I know I said I didn't want any drama on this blog.

BUT THE MOMENT I FOUND OUT MY FRIEND WAS STILL GETTING HATE ANNONS , IM GOING FULL ON DETECTIVE MODE!

This post is about @/unhinged-waterlilly, and oooh boy am I going to be getting so much hate for this. But. I am fine with hate asks. Just don't be a coward and don't put annon on. I am a minor, and if you decide to harass me about helping a friend, here we go.

My points against her:

1 she sent, and still sends hate annons (which hurts his mental health)

2 she accused jacks bf (freddy) as being fake

So. I saw a post a while back where "lily" said things about the jack situation, and I thought it was fair. UNTIL I REACHED THE PART WHERE SHE SAID THAT JACK DIDN'T DESERVE ANYTHING HE HAS look, I know that he hurt you with the AU , it hurt me too, but going so far to say that he doesn't deserve anything he has??? That's petty and mean.

Not to mention that he was in a shit mental state at the time he made the AU. Which obviously does not excuse anything, but it atleast explains it.

also, onto evidence number 1:

HATE ANNONS;

Now, this is just one of 3 hate annons Jack got this week. Yes, Jack is aware that he has hurt people, yes he is actively striving to better, so sending these hate annons won't help Jack not being , and I quote : "a depressed little attention seeking bitch" he has owned up to his mistakes, and I've advised him to put the explanation on his blog. And since he is try I ng to be better, he is focusing on himself, his mental health, and moving on.

BECAUSE MOVING ON IS HEALTHY

Me and jacks others moots are aware that no one forgot what he did , that he hurt people. But all that you can achieve by hurting him is a short adrenaline rush, that won't be worth it coke a few days. He is actively trying to become a better person

ALSO I am aware that since this is an annon, it's hard to prove this was actually lilly. But if you were to compare this to her other posts about Jack, you'd see it is very close.

Numero 2

ACUSSING FREDDY OF BEING FAKE:

There were multiple posts accusing Freddy, jacks bf, of not being a real person. Now. All of jacks moots know he is real, due to Jack making posts about him, and him telling us about him and what happened. And honestly? It's plausible that Freddy knew how to use tumblr , because it only took me a day to figure it out

Okay, and now this:

okay, let me get this straight. What jack did was wrong. We all agree on that , including Jack. But he was in a shit mental state while doing it, and he wasn't thinking clearly. Jack is trying to improve, Jack is trying to better himself, Jack is moving on and like a few posts say we all should.

But we can't truly move on 'till Jack stops getting hate, till we apologise and understand and hear out, not necessarily forgive his actions

ALSO

From: @eligha-child-of-hades

A while ago when I recently started this account I got an ask with a link. The link led to @/unhinged-waterlily account and their intro post which had something about the MISTAKE that Jack made.

But with the ask, I didn't click it so I answered with a; ?

Bc I don't trust random links.

They sent another ask with the same link saying this exact thing; 'I suggest you read it. Better to know who you interact with.'

She says this, but she fails to inform others that she's hate bombing and hurting Jack.

Woukd you rather rp with someone whose trying to change? Or someone whi is causing someone more harm?

I'll be getting hate for this. I know I will be harassed and sent hate annons. But it will be worth it. If he can move on, but you can't, if you hold on to anger, and he doesn't.

Then aren't you also doing bad things?

@sillypuppetmeister @braydons-world @penelope-is-waiting @bast-the-best26 @reyna4ever @gaygirldoodles

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