#if the readmore doesnt work im so sorry

[coridallasmultipass]

brocal for the ship bingo?

The OTP to end all other OTPs... (Man. This wound up being basically Cori's Masterpost of BroCal. AKA... this got long and has some images, since I realized I can post my own art directly instead of just a text link to it lol.)

Wasn't actually expecting this to wind up with a bingo? But I got basically 2?? (Will explain the lighter heart later.) This is A LONG post, and definitely gonna get SUGGESTIVE, bc man, am I obSESSED with BroCal. I'm just gonna go thru each checked box, since I don't know how else to structure this post lol.

Read More to save ppl's dashboards:

I want them to make out with blood: OKAY. I HAVE A WHOLE THING PLANNED FOR THIS CONCEPT. I AM NOT GOING TO GO INTO DETAIL ABOUT IT JUST YET BC I ACTUALLY WANNA WRITE IT. I'm obsessed with this one fanart of Bro licking Lil Cal, and it spurred on an idea I outlined and really wanna write: https://coridallasmultipass.tumblr.com/post/739969858334294016/hiiii-mutual-i-am-secrecy-asking-if-u-have-anymore

((Sorry for the plain text links, Tumblr app is NOT cooperating with me right now to add hyperlinks. I'd post the image directly if that one was mine.))

Basically, I just really need to see Bro and Cal making out with blood in their mouths, and I started a whole convoluted, unrelated outline in order to make that hapen. It'll probably just be a really short thing that ends at the uh climax, since otherwise it's gonna end up sadstuck. And I don't like sadstuck lol.

Undeniably t4t: Bro and Dirk are always trans for me, and Lil Cal's got that uh... what percentage did I calculate it out to be? 13% of Dirk is in Lil Cal [ My shitpost calculations: https://coridallasmultipass.tumblr.com/post/746702663327072256/i-ran-out-of-tags-rambling-about-this-so-im-just ] so Lil Cal is at least 13% trans because of that much of Dirk being in him, plus however you feel about the other components being trans. LMAO this is ridiculous to type out. Moving on.

EDIT: FUTURE CORI INTERJECTING WITH A:

"Lil Cal Top Surgery Healing Progess: Day 1"

Terrible for each other affectionate/derogatory: I don't even know where the affectionate/derogatory split occurs. I multiship BroCal as both Bro/normal puppet Lil Cal and as Bro/evil juju puppet Lil Cal, and whatever combination in between or outside of that. Terrible in that Bro is so obsessed with Cal that he doesn't have normal relationship/social skills and uses Lil Cal as both a crutch and motivator alternately, in a terrible cycle, or maybe rather... spiral. And also terrible in that Bro is caught in the allure of playing the role of puppeteer while also being a puppet for the darker parts of Lil Cal, whether he actively knows it or not. (Honestly though, I feel like it's dismissive if you try to blame all of Bro's faults on Lil Cal like this tho, which is why I tend towards liking Lil Cal as just a regular puppet a lil bit more. Or at least, a regular mildly supernatural puppet since that can be a little more entertaining if Cal can get into mischief while no one's looking or give off the vibes of his mood more directly, rather than like entirely inanimate or 'just LE, trapped in a puppet body.' Again, I like all of these concepts.) ((I mean that can also be a whole post of its own, like, by the time Bro gets ahold of Lil Cal, are any of the other components still alive in there? Like, are ARquius and Gamzee still in there or did Caliborn kill and consume them entirely? Idk how it works, man. This is why I like Lil Cal as his own person, maybe just influenced by the feelings of the others. LaCroix: CalGamARquius essenced water. Lil Croix.))

They need to get weirder with it: YES YES. 1000% YES. I need entirely shameless Bro doing entirely shamless things to Lil Cal. I want them inseparable and doing unspeakable things to each other. I want Bro taking full advantage of Cal having a puppet body and all the intimacy that comes with making repairs and being elbow-deep in stuffing.

Playing with them like dolls cute/psychological torture: This is the same divide as with the 'terrible for each other' point, so I'm just gonna go with the cute one, since the torture one is self-explanatory. I want them fucking married. Like. Full mushy cute romance type of relationship that Bro has never felt for any of the people in his life (cough aromantic cough). I made this comic not too long ago, and I often fondly look back on it, because I adore the concept of Bro being lovey and romantic and everything out of character around Lil Cal because he feels safe and loved and comfortable around Cal:

[ https://coridallasmultipass.tumblr.com/post/750602227910131712/brocal-4-lyfe-so-i-had-this-idea-of-dave-being ]

I made a post a long, long time ago (not gonna link that one bc it was personal and I was being very obviously mentally ill ["C'mon, like you're not being obviously mentally ill while typing paragraph upon paragraph about BroCal still in 2024 like 10 years later??" Fair.]) But the gist of it was that, like, having objectophilia or objectum sexuality is like, from an outsider pov, it's a way to express love to yourself. You filter all your self-hate through the object you love, and you get back unconditional love in return.

Lil Cal is never gonna hate Bro, no matter what Bro does. As a regular puppet, Lil Cal doesn't have the capacity for hate. And so that only brings them closer, since Cal is never gonna reject Bro for any reason. (Back to being a crutch. RSD is real, and Dave is probably a big trigger for that since he's not on the same wavelength of weird as Bro [not blaming Dave, obviously, this is a post about BroCal].) Bro can experience receiving positive attention from Lil Cal, without feeling 'fake' or uncool by expressing that same attention or affection directly to his own self. (Things are always done through multiple layers with the Striders, aren't they?) ((And I'm not saying Lil Cal doesn't love Bro, or that their relationship is just pretend - it's real, I'm just like, 'What's going on behind the curtain in the mundane situation?/ How is the relationship appealing?' Lil Cal luvs Bro 5eva 4 lyfe and that's a hard fact. Could cut diamonds with that shit.)) Example: maybe Bro is dealing with a bout of body/gender dysphoria and is trying to take out his frustration with working out, and it's not helping, even if he's powered through a set better than normal. Then, he notices the way Lil Cal is watching him, and he can feel the excitement seeping off Cal. He can sense the echoes of a wolf-whistle ring out through his mind, and it's like. Okay, none of that shit from before matters, he's got all the validation he needs right there in Lil Cal. Maybe flex in Cal's direction, Bro?

Oh, so back to being cute: isn't it wonderful how the template maker phrased it as 'playing dolls'? But yeah, I want all the mush and everything. Bro has a whole wardrobe for Lil Cal for every minor event that occurs in the Strider household. I want them going on genuine dates. Maybe even... holding hands. Bro blushes for the first time since he was 16. He even gets to take Lil Cal with him when he goes out to DJ or put on a show. Not to mention the whole website business. (I've talked about Cal's role in that before, but I'll mention it in a moment...)

They will die in a heart shaped pool of blood: I mean, kinda did happen, even tho Lil Cal didn't perma die right there. I don't think this one needs any explanation, since it basically happens in canon.

'You should see the other guy...': Okay, so. About 11 years ago, I had a really great idea. About how smuppets enter this world. I expanded on it in the following more-recent post (adult only content lol): https://coridallasmultipass.tumblr.com/post/741683686717669376/back-in-the-day-my-friends-called-me-insane-when-i

To sum it up, whenever Bro makes a new smuppet design, he then gives it a video debut on his website, where uh, Lil Cal births the smuppet like it's a horror movie scene, fake blood and poly-fil gore all over the place as the smuppet crawls out from the viscera. Bro then gets to play aftercare by lovingly and gently cleaning up and restuffing Lil Cal as they get to admire their new creation and rake in the dough lol.

So it's technically not a 'you should see the other guy' kinda situation, but it does involve one of them being... idk what word would describe it. Injured by the other? Usually a character loses a fight and says this to act like they got out of it better than the other guy, but... We could have someone knock on the door during the filming of a scene like that, and Bro has to answer it with fake blood up to his elbows, and be like 'You should see the other guy.' (But obviously, that's a terrible idea and would cause more trouble than it's worth... Maybe worth it for a persistent door to door salesperson, though.)

Though, I guess I should also say, I'm not opposed to Bro beating on Lil Cal in or out of the bedroom. Or in the case of animate Lil Cal, Cal choking out Bro. In or out of the bedroom, lol. Depends on the situation, like I said I will ship this ship any which way. But my preference for animate Lil Cal is to be like a totally normal puppet around Bro (or mushy in-love with Bro) and then evil-murder-puppet towards anyone else in Bro's life, like a... toxic yaoi guard puppet. (New Phrase Achievement Unlocked!) Bro brings home another guy to have sex, who tries to stay the night due to the late hour, but the guy wakes up shortly after to see Lil Cal standing there with a knife in the dark, eyes glowing red. Panic ensues when the guest screams and freaks out, and by the time Bro's got a light on, grabbing his sword, ready for a ninja vs ninja fight (bc an intruder would've had to bypass all the traps), Lil Cal is just innocently splayed across the desk chair, no knife in sight. Relevant post (well, the caption on the post too, saying how Bro can't seem to hold onto any relationships besides Lil Cal):

[ https://coridallasmultipass.tumblr.com/post/741830516962164736/i-want-you-so-youre-mine-always-selfishly ]

Uh, lol, also Cal choking out Bro in the bedroom, adult only drawing: https://coridallasmultipass.tumblr.com/post/754328907438800896/i-wouldnt-wanna-be-my-ex-when-he-found-out-who

Thinking about them always and forever: Listen. My Tumblr as proof, I've had BroCal on the brain for at least 11 years at this point. Definitely longer, since I first started reading Homestuck. I fucking love puppets and dolls and plushies and I always have. Man, if I hadn't deleted Tweets (automated app I used to do, and I couldn't choose what to save) from when I was in high school, you could've seen me @ ing my fave band when they were taking lyric suggestions on a fan-inspired album, where I was telling them 'make a song where the theme is puppets' and, while I don't know if they saw that or took the suggestion (they had responded to me before bc they weren't huge yet), there is indeed a song titled "Puppets" on that album, and it was my favourite song on there. Point is, I was fated to ship BroCal before I even knew it existed.

Sicko 2 sicko communication: I mean, does this even need explaining? Bro and Cal aren't just on the same wavelength of freaky, they're the fucking source of the wavelength, and it's causing a feedback loop between them. And it does as feedback does, which is, it amplifies with time. (Going back to the spiral symbolism here, lol.) ((Actually, time can play a symbol here, too, I guess, but idk how to word it, I'm starting to run out of steam.))

Let them have a happy ending: God, I need this so badly. I know Bro's story ends in Homestuck, but like. Pls. Someone needs to officiate their wedding. Currently placing the dreambubble order, but I can't organize a wedding by myself. OH speaking of. In that lil comic I did above, where Bro is accepting Lil Cal's proposal, I had the Natural Born Killers wedding scene in mind. I was gonna draw that as a follow up, but I think I have too many WIPs going. Just two people on the run, saying "I do" in a scenic but completely ordinary roadside location. Idk why, I keep going back to that movie for things related to Bro (I mention it in a very important scene in a longer WIP I've been writing, as something Bro watched and internalized as a kid lol.) It's not the best movie lol. Anyway.

The devotion omg: I feel like I have already gotten my point across about this, but let me reiterate:

[ https://coridallasmultipass.tumblr.com/post/735842968450269184/in-the-name-of-iconic-magical-girl-anime-ill ]

Bro and Lil Cal absolutely beat the shit outta Jack Noir before he gets prototyped. And even then, they fight together till the death, like. C'mon. Nothing more romantic than fighting a losing battle side by side. Also, like, Lil Cal having his own protective chest for safekeeping as seen in the Strider living room? Like, you don't just have a protective case for any old thing, especially something meant to be handled, especially something that is regularly used to smack other things/humans. What I'm saying is, Lil Cal is durable and resilient, and yet, Bro still has a case for transporting Cal safely. Oh, wait, I just thought of something funny, what if Lil Cal goes feral like a cat, and basically the chest is like a cat carrier so Bro can drive without being constricted lmaoooo, I've been typing for hours can you tell?

Kind of homophobic: Listen. I HAD a Cal. Took him to college. Staked my claim on the top bunk bc I am royalty. Proceeded to not have anywhere to set my water cup and had to use a cardboard box as a table up there. Spilled water. Melted Cal's sharpie-drawn face. And then proceeded to cry. I have a WIP of Lil Cal 2, but that requires actually remembering to work on him. I wanna do better by the pattern, too, since I rushed to finish the first. I have all the material! I have the project started! So it's just a matter of reordering my WIP priorities, honestly.

Where is all the fucking content?!: For realzz. I was actually venting about this the other day (didn't end up posting it), but it's like, either there's no BroCal content, or there IS BroCal content, but I can't reblog it for reasons I don't want to get into on this post. I'm dying of thirst in the ocean, basically. Whatever. This just means I need to make more BroCal content myself, which I am more than happy to do. I've just had a rough past few months, so I'm glad I got to type all this post out, and hopefully I can get back to creating soon.

Last one! I hope this one makes up for the absurd length of the post, it's prob my new fave idea I just came up with on the spot.

[TW drink spiking by a stranger mentioned in this.]

Committing atrocities as their silly little activities: I think we all know what this means, but I am going to ignore that elephant with my special x-ray vision. Because this is a BroCal post. I'm digging deep to the meat and bones of this. Honestly, this could go multiple routes, it depends on how you take your Lil Cal.

One could place emphasis on the 'guard' part of the, ahem ahem, toxic yaoi guard puppet. Maybe someone is actually trying to harm Bro, and Bro legit can't do anything for reasons outside of his control - let's say his drink got spiked a while after he invited a stranger home that he thought was chill. As Bro gets shoved down on the futon, his memory of the night is only a few flickers. Familiar orange plush, roiling around above him like a dancing windsock. Flashes of Lil Cal's face all distorted and stretched wide like a funhouse. J-Lo and Ice Cube on the TV. But when Bro is finally able to fully wake up in the morning, everything is as if he just got home alone last night and passed out on the futon. Cal looks totally normal and content tucked under Bro's warm arm. Except when Bro gets up, there is a pair of shoes too big to belong to him at the door. Maybe Bro knows. Maybe instinct tells him to run. Maybe he does, but he's running towards Lil Cal, every time.

[perenlop]

Aim to be a Pokemon Master! Episode 11: The Rainbow and the Pokemon Master!

It's bad scoob.

I feel mean saying it's as bad as it is, but like... honestly, I don't see the need to hold back. This was a sendoff to one of the most recognizable anime characters of all time, a character that's been around for years and years and years, so his final episode should've been handled with the upmost care. Otherwise, it'd just be disrespectful to the fans AND the characters themselves.

So how did they handle it? Badly. Under the cut because this got really long. Sorry in advance if the readmore breaks.

The episode is a mess of "throw a dart at the wall" style quicktime events with a kinda tangentially related question about what being a Pokemon Master even means. Which, the more you think about it, makes the entire miniseries feel like a waste of time.

Again- I am fine with this miniseries being a relaxed time calling back to old filler episodes by just having Ash, Misty, and Brock chill out and interact with the world. But it really feels like they wanted to have their cake and eat it too with the Eon Duo plot. You cannot act as though the miniseries is just going to be cute filler and then act like there's actually an overarching plot that we should absolutely care about.

What makes the Eon Duo plot feel even weaker is that it barely plays a part in this final episode. It is the reason Ash is now home. Because... the Latis also went home, I guess. Yeah they don't really connect it all that well. But beyond that, and Ash reminiscing about them a couple of times, they have zero relevance to the final episode. It really makes the whole thing feel like a waste of time more than anything.

I'm three paragraphs in and I haven't even talked about the actual plot so let's do that. Although in my defense, the pacing in the episode is awful, so if anything, this post being poorly paced is kind of an artistic choice if you think about it.

So, Ash, Misty, and Brock all say goodbye again in kind of a hilariously underwhelming way (I get that they've done it before, these characters will most likely see each other again, and they were never going to do anything as impactful as the OS finale, but... still) and Ash just kinda fucks around at Professor Oak's the whole time. There is a missing Charmander quicktime event that has nothing to do with the conflict, but it gets Gary to appear and ask Ash if he's closer to becoming a Pokemon Master, which sets up the "main conflict". If you can call it that.

I actually think Gary presenting this question is a good idea. Ash has been chanting about being a Pokemon Master for so long, yet has never had an answer for what that means. So his original rival who used to put him down so often being the one to really make him think about it is nice.

But... why on earth did they put it in the final episode and not the first? Why not have the entire miniseries be about this question? Hell, the marketing made it seem like that was going to be the case by having Gary pose the question in the trailer, implying that this was going to be the main conflict of the miniseries... and then it isn't. It's just the characters dicking around for ten episodes, and THEN we ask "what's next?" and that's really weird to me. Now the conflict has no space to breathe because we've only got like 15 minutes to cover, and any answer he has is going to feel rushed.

Speaking of rushed- boy howdy is this episode just a series of sidequests all shoved out as quickly as possible! Team Rocket's shitty breakup plot has ONE SCENE where they all just sorta huff at each other before they reconcile for the simplest reason ever (they all want to capture Pikachu. Which they were doing anyways and there's no reason why they would think the other members weren't in on that after the breakup). The missing Charmander sideplot leads into nothing and is an episode prompt that was done better in several other episodes before this. Gary is shoved out of the plot as soon as he's said "Pokemon Master".

And then there's Pidgeot who gets its own paragraph because this part of the episode actively annoys me and it's probably the most mean I'll get... I just wanna say... does any actual fan of the show (IE: people who still watch the episodes, keep up with the show, not someone who just kinda accepts stuff like "team rocket are teenagers" at face value because they haven't seen the show in years) actually care about Pidgeot as a character? Because I don't. Pidgeot is nothing to me. Pidgeot has absolutely no substance as a character. All it did was try to eat Caterpie that one time, pop balloons, do search parties, and then leave.

It might seem silly to insist it has no character when it's an animal that can't talk, but that feels like an empty argument when the other Pokemon are so expressive, even if it's just in certain episodes. Even Primeape, who spent muuuch less time on the show, left more of an impression with it's character arc before it left.

But in any case, the reason it seems like the bird has stuck around is because of it's release episode, which caused several people to write clickbait articles about how Ash is actually this fucked up horrible trainer because "he said he'd be back for Pidgeot!! He ABANDONED Pidgeot!! I can't believe the show wants us to think he's good when he was so HORRIBLE to Pidgeot!!" Ignoring that the line was actually a dub-exclusive one and there was never any implication that Pidgeot wanted Ash to come back for it. The idea that Pidgeot was abandoned is fanon. There's nothing to correct. There's nothing to "redeem" about Ash because he did nothing wrong.

But of course JN LOVES its clickbait- I mean, respectful character cameos! So of course we have to spend time in this episode bringing Pidgeot back in the most underwhelming and contrived way possible (Team Rocket nabs Pikachu and Ash left his Pokemon behind for... some reason.... and Pidgeot is just there and helps out and Ash is like "Wow Pidgeot you should join the team again!"). It had to right this horrible sin the OS committed! We gotta redeem Ash in the final episode you guys!! Now all those clickbait articles- I mean loyal dedicated fans are satisfied!!

So basically, they canonized something that people who actually watch the show don't actually care about, because we gotta get those clicks in I guess. Keep in mind, there are other Pokemon that got released that could've used the spotlight way more, that actual fans would have appreciated a lot more than this. Like I dunno... Ambipom? A character that was notoriously done dirty by her original season? Butterfree, a Pokemon more people love and remember? (We even got a glimpse of that in the JN finale so like... obviously it was a plot they knew people would have liked to see) Hell, why not bring it around to the first JN episode and have Pikachu reunite with Kangaskhan? Have a little cohesion and really make the journey come full circle?

Nah, obviously the bird no one cares about beyond misconceptions is more important here.

The actual reunion isn't even good. Usually, when a Pokemon returns to the team, it's an event. It's a stinger, like when Gliscor came back during the Sinnoh league and ended off the episode, and then the beginning of the next one builds off from that. Here... it just kinda happens. Pidgeot rejoins the team and then the episode runs off to the next sideplot with no space to let it breathe. Nothing about the plot would change if Pidgeot just stayed with the Pidgey flock. Wow. What fanservice. They really did care about this plotline you guys.

Anyways. So after that happens, while Delia is trying to give Ash the ugliest shoes I've ever seen (poor woman, her son runs out on her so much that she hadn't had time to make anything better) Ash and Pikachu get stuck in a rainstorm, and they watch the same gen 1 Pokemon they've oogled at all season, go "wow the world is HUGE!!!!" again because of course they do, and Ash is like "Well, I didn't actually feel the champion thing all that much. I think being a Pokemon Master is about loving all Pokemon. So let's go love more Pokemon!" and then he takes the shoes without saying bye to his mom and then he's out of the show forever.

... What

He's been.... he's been doing that the whole time though? Why are they acting like this is an epiphany and this is something Ash has to change if he wants to be a Pokemon Master? Shouldn't he be one already by that logic? If Ash didn't care about becoming champion, why did we spend so much time on that? Doesn't that undermine a lot of the show?

What was the point of any of this?

And I think that's my main issue with this miniseries: there is no point to it. It barely feels like a finale, it just makes the weakest gestures possible to make it seem like a finale, and then it just ends. It's a mess.

It feels less like a respectful conclusion to the character, and more like... "Eh we're gonna try something new next season, but we don't wanna leave Ash off the table if it bombs, so let's just kinda put him on the sideburner and wait and see". It's non-committal. It's frustrating.

"Well, why is that so bad? Pokeani always clings to the status quo, they never let the characters age and grow, why would they stop now?" Well... because it's literally the end of Ash and Team Rocket's time on the show? Because they ARE about to change the status quo by bringing in an all new cast and setting? Because this whole miniseries was advertised as an ending and celebration of Ash, and therefore the expectation is that something substantial has to happen to justify him not being in the show anymore?

Ash not changing after DP or XY or SM is a little strange, but it's also fine because he's gotta keep on trucking for several episodes. Part of the point of Pokeani was it's longevity, so keeping the general setup and characters the same was part of the point. But now, there's no expectation for Ash to keep up the same routine. He's passing on the mantle to Liko. Why SHOULD he stay the same? Why not take the chance to substantially change up his life to justify him leaving? Why leave Team Rocket in such a depressing spot where they apparently just keep chasing Pikachu their whole lives when that's not actually what their fans wanted?

Why end the character's arc the exact same way the other series probably would have ended it? What exactly is the point of ending it at all or having a celebration in that case?

This episode isn't the worst thing ever, I don't even know if it's one of my least favorites, but it is definitely one of the more frustrating ones to me. It could have been good, but... why challenge anything if we don't want to?

Very disappointing. I'm sad this is the end for Ash and Pikachu. They deserved better.

Oh also some psychic damage for reading this far. I have to end off this long ass project with something worthwhile

[huntershowl-moving]

SHIPPING INFO // ANSWER THE FOLLOWING FOR YOUR MUSES SO PEOPLE KNOW HOW SHIPPING WORKS ON YOUR BLOG.

WHAT IS YOUR OTP FOR YOUR CHARACTER(S)?

i don't have one particular otp — big ships change depending on the Era hellhound is in!

HOW LARGE DOES THE AGE GAP HAVE TO BE TO MAKE IT UNCOMFORTABLE?

nothing illegal obviously — other than that, aside from long-lifespan characters whose mental maturation is slower, i generally stay away from with 10+ year age gaps when the younger muse is under 20. just feels like a weird power dynamic i guess?

ARE YOU SELECTIVE WHEN SHIPPING?

yes! ships on this blog cannot be pre-established — i tend to lose interest fast if they don't build up naturally, either through lots of ooc plotting or through writing. on top of that, seph is ... piiiiicky. she has very specific Types. generally, ships with very gentle, soft, mentally well-adjusted characters are possible, but transient — seph falls out of love after a point, but remains staunchly protective of them.

the long and short of the matter is she's a freak, and you kind of have to match that to be compatible as a long-term partner. but even then they don't always line up perfectly! idk. seph's weird. simultaneously very easy to ship with and very hard to ship with.

WHO ARE OTHER CHARACTERS YOU SHIP YOUR CHARACTER WITH?

oh i've got lots of good ones going on right now!! pls forgive me for gushing. focusing on currently heavily-plotted and/or written ones for this bit bc otherwise it will be pages and pages!! if i forgot someone you have full permission to impale me on a pike i am SO SORRY. (all of these will be under a readmore at the end of the post for length!)

there are more sort of beginnings/potentials for ships that haven't been explored yet which i haven't included here, but i'm truly excited to see where each and every one of them goes!!!

DOES ONE HAVE TO ASK TO SHIP WITH YOU?

yes absolutely hahaha — at least communicating ooc about it is necessary! i'm much more comfortable shipping with partners i mesh well with as a mun and have an easy time talking to.

ARE YOU SHIP-OBSESSED OR SHIP MORE-OR-LESS?

LOOK I. LISTEN. LISTEN... IM FERAL FOR SHIPS. FERAL. even though seph is picky about them — and i promise it's not personal if it doesnt work, it truly is just her dumb creature ass being unable to normal.

WHAT IS YOUR FAVOURITE SHIP IN YOUR CURRENT FANDOM?

N/A for this blog, but as a fun trivia fact, i'm deep in satosugu hell rn

FINALLY, HOW DOES ONE SHIP WITH YOU?

it's all vibes babey. we just start writing their non-romantic dynamic buildup, and if it clicks (or even if u just think ur character would have a crush!) we talk about it ooc and plot some more, then plot some more and before u know it, the angst hammer looms over ur head

Tagged by: @bearratic (thank youuuu!!) Tagging: (points) do it

ship gushing below. <3

@vsagis' villain izuku— i had to put u first bc u kickstarted this shipping renaissance. seph and izuku clicked instantly and started a long-term trajectory that i don't think either of us writers expected. they're just freak enough to match each other, just soft enough to genuinely care. we're really putting these two through the horrors(tm) and watching them fall hopelessly, horribly in love. <3

@spiritcrown's pasha — how could i not mention pasha!! i was so happy to see you back, because pasha and seph's relationship was soooo formative for seph's development wrt romance. seph is absolutely, completely and utterly devoted to pasha. they worship at the altar of her. they would bend heaven and raise hell for her.

@crowshoots' jesper — UAHGHGBBHBH INCOHERENT CRYING NOISES. the first thing seph noticed about jesper was extremely respectable fighting skills, but even then they were definitely uhhhh touch and go for a while there before they started to simmer down and. pin each other down and — one thing led to another and jesper's being antagonized by her antagonists and they're too deeply in love to go back!! i love them. i l

@crowgreeds' kaz — HHHHHHHHH god. hi siri i know ur not around the dash much but idc im writing u into this. kaz and seph both have such a darkness in them that the other recognizes and not only feeds, but when necessary, balances. they're ruthless and violent and mean but at the same time, they have such a softness for each other that they both thought was dead. also, you're the recipient of probably the best rp reply i've ever written (that fucking. hellhound kill description. my GOD im feral for seph protecting him)

@tewwor.... goose is2g we really have the creatures ever. litho — FIRST SHIP!!!! FIRST SHIIIP i still cant believe it took 4 irl years for them to finally admit their stupid feelings. now they're soulmates and there's no turning back. he's the reason seph likes poetry in every verse. the softest snarkiest ship. probably the closest to a true YA-style soulmate seph has. she hasn't forgiven him for all the twilight jokes though tough luck jie & ricochet — the boys... the absolute chaos trio... i never expected seph and jie to fall for each other but honestly i should have. he falls so neatly into her "equally feral" type. ricochet is so calm and seph is kind of intoxicated by that. sheathed claws kind of vibe. just love these three their dynamic balances itself so well

@spungolden's dio — two femmes raised as weapons with deeply suppressed emotions, chillin in a murder alley, five feet apart cause theyre not g— (theyre gay. theyre so gay) these two are so sweet they sometimes make me tear up. they skipped the trauma stage and went straight into lesbian domestic fantasy with only occasional murder.

@chaoslulled oh boy(s). toji — brutally in love. they saw and embraced each other's monster, refused to shy away, and now they somehow revolve in this strange orbit of violent and incredibly soft with each other. i think he's the first of the current ship lineup that seph has in-thread said the L-word to. this ship was so easy to jump right into, the chemistry was like lightning in a bottle. satoru — one of the most genuinely unexpected slowburn ships i've stumbled into. these two read each other for filth INSTANTLY as lonely motherfuckers who, in some way or another, had loved and lost. they haven't even gotten to the oh-shit moment in the slowburn yet but i'm lookin forward to it yakuza sukuna — THE PAIN. THE SUFFERING. AUHHHGHGGGG HOL YOU'RE FUCKING KILLING MEEEE. these two are mirrors in the worst possible way. they've got their throats stuck under their boss' boot heels; they've been disfigured, they've had their siblings used as leverage, they've been made into muzzled dogs. despite hating each other at the start, they can't not recognize that, and it's led to this fierce protectiveness that isssss whoops evolving into feelings. i'm sure nothing will go wrong

@eraserisms' shota — AHHHHHHH god okay most of this ship has been pure plotting vibes and responses to memes, but i truly cannot wait to get into writing more of them because they own my heart and soul. i think they know each other to the marrow in a way that's not super common for seph, and the gentleness and caution with which they're starting to explore revisiting their care for each other is heartbreaking in the best way

@sasouken BEE!!!! ok chronologically(??): deku — so precious and wholesome from the start. your honor he's just a little guy with a big dumb crush. when i tell uuuuuu some of our plotting has literally made me tear up a little??? the absolute bleeding heart on this boy??? HURTS ME??? one day they'll hold hands casper — slated to be our angstiest dynamic, i just Know it. two motherfuckers who love their siblings, inextricably involved in a tangled web of crime and violence. two people who have lost so much and don't want to lose anyone ever again. i will die i WILL satoru — such... a different vibe than i was expecting in an amazing way?? his dynamic with seph is so fuckin sweet? so much physical touch born of trust and comfort. also again: her first ever fwb (for now), which is truly a wild thing to experience. sukuna — i .. . dont even know what to say about this one. (affectionate). he unlocked an entirely new dimension of freak in seph's psyche and attraction style that i couldn't comprehend before we started writing them but retrospectively makes so much sense. what the fuck is going on with these two i have no idea but i am OBSESSED with it. also writing them getting down nasty has been extremely fun, i'm enjoying it a lot

[fiberglassandflowers]

Hey idk if there’s some master post about mbts but if there is may I please ask where and if not could I perhaps humbly request a description because it sounds cool as FUCK

omg yayy okay so there's not a masterpost as of now (though there is a google doc in the works that will probably be. very big) BUT i will try to give a brief rundown. underneath a readmore 👍

OK SO. IN SUMMARY

MARY BELL TOWNSHIP: more like mary bell CLOWNSHIT ha ha. heavy surveillance like everywhere (including in peoples homes. how fun). it's also got some like radiation stuff going on. all the residents are a lil radiation poisoned But it's mostly fine. also the town moves and i dont know why.

VANNIE OVERTURE: based on suburbia overture. the mayor who is a vampire. major control freak. sucks shit. like most of the reason mary bell is the way it is. permasmile swag. has killed before. hates when people are weird freaks and is actively passive aggressive if not outright aggressive.

TRIP LETWO: based on 2econd 2ight 2eer. world's silliestguy contrarian and infamous public nuisance. deeply tortured individual but shes dealing with it i guess. physically cant leave mary bell township. he has too much goddamn lore

LYDIE LAPLACE: based on laplace's angel. so lame. just deeply lame. killed a guy and got kicked out of office building heaven (laplace's inc. id give this its own section but it doesnt really matter all that much). i dont ever think about it unfortunately im sorry women.

MINA BYRD: based on i/me/myself. very sweet very nice. ladybugpilled socialanxietycel. doesnt have a whole lot going on but she is nice im glad shes there. im gonna have a significant relationships section of this but im saying that shes roommates with lia here bc its not really significant otherwise

WALTER LEE: based on ...well, better than the alternative. worlds first cis father to be a butch lesbian. probably a girl but she doesnt know that. weird nostalgia issues so bad his wife left him.

DOTTY LEE: ten years old. strange little girl but i dont really think about it a lot. not much else to say about her really.

LIA CRATES: based on outliars and hyppocrates. her name is pronounced like lie-uh cray-tees not lee-ah crayts. i have to clear this up because i realized most people were wrong LMAO. a little mean but not so much when you get to know her.

WARREN LEARY: based on blackboxwarrior. actually the worst therapist you will EVER meet. isnt even licensed. you book a session with her and she only talks about herself the entire time. constantly referencing a dark and contradictory past.

MARSHA TILLIS: based on marsha, thankk you for the dialectics. slightly better therapist! still not that good. has the spirit of an old man despite being in his 40s. will begin to psychoanalyze your behavior upon the first thirty seconds of knowing you.

NORMAN LEE: based on love, me normally. guy trying really really hard to be a regular guy. has a loooot of problems that stem from this. hugest people pleaser the world has ever known. a little bit offputting. has hair symbolism :-)

MORTIMER: based on memento mori. doesn't have a last name. worlds silliest grim reaper death thing. works in the death division for laplace's inc. lived a pretty normal life. then it died :-(. more here

FERN O'DYNAMIC: based on thermodynamic lawyer. hates his bitch wife (who is a praying mantis for. unknown reasons? will elaborate). just has a lot of anger inside him and doesnt know how to deal with it so he takes it out on other people. he kind of sucks but he's a neat character.

MIRANDA WRIGHT: the person being sung about in thermodynamic lawyer. bug wife (i can blame anything on radiation). she wasnt always a bug she just kinda did that idk. there's not much about her but she's an etymologist.

COTARD LETWO: based on cotard's solution. she has so many problems oh my gooood. deeply lonely person. fascinated with the macabre. its like coping mechanism that makes you worse. im insane about her writing a basic description is so difficult fkdjsfhsjd

RAMONA MCLAREN: based on red moon + hand me my shovel (though the latter was included later on bc it fit her). worlds most intelligent and stupid single celled organism. patheticswag. absolutely batshit insane. attempting to solve the end of the world.

KUIPER SUNSHINE: based on dr sunshine is dead. uh. i dont really know much about her to be honest SORRY... its really silly though + haver of prophetic dreams that she is NOT transparent about. fucks with people a lot just for funsies

COLIN THESIER: based on cover this song. girl who used to be in a band but got kicked out bc of friend drama. survivor of a toxic codependent queer friendship. trying to be a better person bc she used to suck pretty bad unfortunately. a bit more here

theres like a couple more characters but none of them are really important enough to give their own sections. debbie letwo is trip and cotards mom, laplace is the head of laplace's inc, maude is walter's ex wife who left him (heres the scoop on that).

OK NOTABLE CHARACTER DYNAMICS TIME:

VANNIE/NORMAN: norman has been pretending to be a normal dude this whole time + vannie totally fell for it. normans stuck in this friendship bc hes too much of a people pleaser to break it off even though vannie actively drains him emotionally. also he feels validated by vannie thinking hes normal. its so awful im so insane about their dynamic

VANNIE/TRIP: THEY HAAAATE EACH OTHER. their entire core beliefs are at odds (guy who thinks everyone should do their best to conform vs. guy who loves being a weird freak and doing fuck all). their dynamic is honestly pretty simple in comparison but theyre so petty and stupid its insane. if you put them alone in the same room one of them isnt coming out

TRIP/NORMAN: theyre gay together. there's a weird lore thing about the way relationships are handled in mary bell but long story short theres paperwork that has to be filled out if you want to be registered for one and trip thinks its really funny for xem and norman to constantly break up so they'll have to fill out the paperwork because it fucks with vannie. theyre also kind of awful and tragic

WALTER/DOTTY: that is a father and his daughter. walters trying his best and hes doing well but nothing would have been better than just moving out of mary bell township to raise his child.

WALTER/NORMAN: they’re brothers 👍 not much else to say there but they’re cool

WALTER/MAUDE: already linked a more in-depth explanation of their deal but ill summarize it here. maude thought living in mary bell township was really bad for a child (and it is) but since walter has issues about idealizing his childhood he was like "whaaat well i was raised here and im fine" and they fought about it and once it became clear walter wasnt changing his mind maude figured shed just spare herself from all of it. so she left 💯

WARREN/MARSHA: what if the two worst therapists ever were queerplatonic and violated hipaa together. also what if one of them [marsha] was helping the other [warren] because they're on the run from the law. would that be crazy or what

FERN/MIRANDA: actually awful. they really want to divorce but trip and norman keep clogging up the paperwork so theyre on a waiting list forever. their relationship was really good at one point but its not anymore :-( more info here

NORMAN/FERN: fern haaates norman because of the previously mentioned paperwork debacle but normans ass cant deal with the thought of anyone disliking him so hes just been really trying to get on his good side to no avail. also theyre coworkers so its more relevant

MORTIMER/TRIP: man how do i even summarize this one. due to lore reasons that you can read about in the link provided in trips session they have a super weird dynamic present day. or at least on trips end, mortimer is just super friendly to them and it wigs her out.

TRIP/COTARD: OUGUIGHJ. AOAUYFGDSFHSJ. tragic sibliiings. man i dont even know if i can go into this. go here and here if you want to learn more about them. jesus

COTARD/COLIN: frienndsss :-] classic extrovert forcing themselves into introverts life trope a little bit. they play music together and its great. mina's also in their little group but the two of them are closer

KUIPER/RAMONA: have been described by my friend as being "nonromantic freak4freak" and this is true. theyre working together on the end of the world stuff. they also rope cotard into it but thats lore i havent talked much about yet. go here and here for more info about them.

that might??????? be it?????? if there's more ill update it but thats the general basics i think. thank you for being interested and hopefully reading i greatly appreciate it :-)

[planetary]

oh im so mad i have a cavity in my tooth and like what the fuck i brush my teeth twice or sometimes three times a day i literally Have to or i cant relax enough to sleep i floss after eating like anything and before i brush i have special mouthwash i use in the middle of the day too i am Obsessive about my teeth. and i get a fucking cavity. WHAT IS THE POINT GRRR IM SO SICK OF DENTAL WORK two abcesses a wisdom tooth and that whole debacle with my stupid fuck of a dentist shoving a broken piece of my tooth INTO MY SINUS CAVITY and now i have to get a FILLING maybe multiple bc who knows there could be others LIKE wtf. just take them all out at this point whatever omfg.

AND MY DENTAL INSURANCE DOESNT COVER SHIT so this will be probably like a thousand dollars again hopefully not more and what else? yeah i cant stop thinking of that fucking episode of CatDog where they went to the dentist because when i first saw that episode like 10 years ago i got so fucking mad i still have a screenshot of me bitching about it. heres an excerpt from the episode sypnosis

“When the dentist opens Dog's mouth and examines it, he finds his mouth perfect, which surprises Cat. Then, he checks Cat's mouth and notices that his mouth is unclean and loaded with all sorts of decay. The dentist scans CatDog through an X-ray and discovers that whatever damage Dog does to his teeth will affect Cat's teeth and vice versa.”

so thats fucked right now let me go transcribe the screenshot i have from 10 years ago. ok heres my thoughts from 2014

“before i send this i would just like to say that ive been watching a lot of CatDog recently and it's on now and im SOrry. but it needs to be said. have you ever seen catdog? it was on TV about ten years ago and it's about this cat and this dog that were attached to each other. ive got some concerns about it. the show isn't ever fair to Cat. especially in this one episode, where CatDog goes to the dentist. Cat eats very good food and Dog eats literally shit. Cat brushes and flosses after each meal and Dog is still eating shit. but because of some logic that has no scientific backing at all, whatever one does to his teeth affects the other. so Dog just gets to be a shit-eater and be rewarded while Cat is punished no matter how hard he tries. its just... so unfair. you get where im going with this?”

LIKE DO YOU GET IT IM LITERALLY CAT RN AND IDK WHO DOG IS BUT WHEN I FUCKING GET THEM IM KILLING THEM sorry this is long but im not putting it under a readmore you followed me so you agree to see me complain on the dash. you love it. I HATE TEETH

[wickedsick]

GATCAATGAGGTGGACACCAGAGGCGGGGACTTGTAAATAACACTGGGCTGTAGGAGTGA

TGGGGTTCACCTCTAATTCTAAGATGGCTAGATAATGCATCTTTCAGGGTTGTGCTTCTA

TCTAGAAGGTAGAGCTGTGGTCGTTCAATAAAAGTCCTCAAGAGGTTGGTTAATACGCAT

GTTTAATAGTACAGTATGGTGACTATAGTCAACAATAATTTATTGTACATTTTTAAATAG

CTAGAAGAAAAGCATTGGGAAGTTTCCAACATGAAGAAAAGATAAATGGTCAAGGGAATG

GATATCCTAATTACCCTGATTTGATCATTATGCATTATATACATGAATCAAAATATCACA

CATACCTTCAAACTATGTACAAATATTATATACCAATAAAAAATCATCATCATCATCTCC

ATCATCACCACCCTCCTCCTCATCACCACCAGCATCACCACCATCATCACCACCACCATC

ATCACCACCACCACTGCCATCATCATCACCACCACTGTGCCATCATCATCACCACCACTG

TCATTATCACCACCACCATCATCACCAACACCACTGCCATCGTCATCACCACCACTGTCA

TTATCACCACCACCATCACCAACATCACCACCACCATTATCACCACCATCAACACCACCA

CCCCCATCATCATCATCACTACTACCATCATTACCAGCACCACCACCACTATCACCACCA

CCACCACAATCACCATCACCACTATCATCAACATCATCACTACCACCATCACCAACACCA

CCATCATTATCACCACCACCACCATCACCAACATCACCACCATCATCATCACCACCATCA

CCAAGACCATCATCATCACCATCACCACCAACATCACCACCATCACCAACACCACCATCA

CCACCACCACCACCATCATCACCACCACCACCATCATCATCACCACCACCGCCATCATCA

TCGCCACCACCATGACCACCACCATCACAACCATCACCACCATCACAACCACCATCATCA

CTATCGCTATCACCACCATCACCATTACCACCACCATTACTACAACCATGACCATCACCA

CCATCACCACCACCATCACAACGATCACCATCACAGCCACCATCATCACCACCACCACCA

CCACCATCACCATCAAACCATCGGCATTATTATTTTTTTAGAATTTTGTTGGGATTCAGT

ATCTGCCAAGATACCCATTCTTAAAACATGAAAAAGCAGCTGACCCTCCTGTGGCCCCCT

TTTTGGGCAGTCATTGCAGGACCTCATCCCCAAGCAGCAGCTCTGGTGGCATACAGGCAA

CCCACCACCAAGGTAGAGGGTAATTGAGCAGAAAAGCCACTTCCTCCAGCAGTTCCCTGT

CTGAGCTGCTGTCCTTGGACTTGAAGAAGCTTCTGGAACATGCTGGGGAGGAAGGAAGAC

ATTTCACTTATTGAGTGGCCTGATGCAGAACAGAGACCCAGCTGGTTCACTCTAGTTCGG

ACTAAAACTCACCCCTGTCTATAAGCATCAGCCTCGGCAGGATGCATTTCACATTTGTGA

TCTCATTTAACCTCCACAAAGACCCAGAAGGGTTGGTAACATTATCATACCTAGGCCTAC

TATTTTAAAAATCTAACACCCATGCAGCCCGGGCACTGAAGTGGAGGCTGGCCACGGAGA

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CAGGCTGGGGTCCAGGCTATGACCCAACTGTTCAGTTTTGCAACATCCAGCATGGCTGCC

TGATCAGGGGTGCATATGTCAGAGGAGCCTTCAGCTGGGAAGTGCTGACAAATGACCCAG

ACCTGACCTGCCCGATGCCAAGGCCTCCTTTAGTACATCCCATGGAGGACACTTGAGACA

AAGTCACAGCTCAGCCCGTTGATTTCCCATGCTCTGACTGTGCGGTGCAGCAGGACCCCT

AGCAGGCAGCATGTGTTCAAGGCAGCGATATCCAAATGCTATGAATTGCTGTCCTGATGG

TTATTTTCCTGCATACAGTAGAGCTGATCCCTGTACAATGCTGGTCCTAAATCTCACCTT

TGACAGTGCGCTGATGTGCAATGTTTGCTTTTGTTTTATTTGATGGAACATGGCTAATTG

CTAAGAAGGTGACATGCTGCCCACTGACCACCCAATGTTCATTCTCCTCTTCTTCCTTAC

TAACAAAACTGCGGTGGTGGTGGTGAGGAGAGGGAGGGGGTATAACAAATGTGCCAAGCC

AAGAGTTTATATTTGCAAGCCTCTCTTATACCTAGAGTTGATCGTGACACAGCTCTGGCC

AATGATGTGTAAGCAGAAGTTGCTTGATGTGACTTCTGGCAAAGCTCTTAAGGAGAGGAC

TGACCTGTTTCCACATATCTTTTTCCTTTCCGTGTCCTTAGTCCTGGCTGGGATGCAGAT

GAGATGCAAAAGGTGGAGCAGCCATGTTGTCATCAGGCAGTAACAGGTCTGAGGGTAGAA

GCTGCATTCTGATAATACCAGGGAAAAATAATACAAGTAGTCTAGGGCCCAGAGATATCA

CAGATGTCCATTTGAACCCCAAATTACCTGTCTCCAGATTTGCTATCAGGCAAGAAAAGG

AAATCTTTCATTAGTTTAAGCTGTAGTTTACTCCAGTTTTCTATAACTTTCGGCCAGATA

TAACCCTAAATTGACAAAGGGGGCAAGTGCTTAACTGCAAAGCAGTTAAAACTCAAACAC

AGGCCTTCATTTCTTCAGGGTTTTAGTTTTTTCTAGGGAAGAATCTTAACTACTGCTACT

AAAAGTTATAGTAGGCCAGGGATGGTGACTCACGCCTGTAATCTCAGCACTTTGGAAGCC

CAGGCAGGTGGATCACCTGAGGTCAGGAGTTCAAGACCAGCCTGGCCAACGTGGTGAAAC

CCCATCTCTACTAAAAATACAAAAATTAGCCAGGCATGATGGTGCATGCCTGTAGTCACA

CCTACTCAGGAGGCTGAGTCAGGAGAATAGCTTGACCCAGGAGGCAGAGGTGGCAGTGAG

CCAAGATCGCACCACTGCACTCCAGCCTGGGCGACAGAGCAAGACTCTGTCTCAAAAAAA

AAAAAGTCATAATCAAAGAGGAAGACTGAGATAAATGTAGAGTCAAAGGGCTAAACAGAA

ACATAACACATGGGTTTTAAGCTAAGCCTTCACATTATCCCTTATACAATTTTATCTACA

CCGATTTCACCAAAGCTCAAAGTTATATTATTGGCTGAGATTGGCATTGGGATGGAGTGG

TGAAGCTAAGAAATTCGTTATCCCTTTGTTCCAGTGCTGCTGGACTTTTCACTAAGTGAA

GAGGTAAATGCTGAGTCTCCCAGGAGGCTGACTCCTCCTGGCTCTGGGTGTGCATTCTGA

TGAAGGTTCTTTATTGTAGGCACCAACAGAAGGCTCATGAGAGGGCAACATGGATCTCCA

TTTCTGAGCAGATGTTTAAACGCTGAATCAGGTCCAAGGCTTCCCAAATGAACTCAAGGA

GTTTCTTTTTCCCAAGCCATAGAAAGTGGCGATAGCAATCCAGGGTCTGCACTGGGAAGG

AGCACTGCCAGGACACGTCCCTCCCTGCCATTCCCCCACCCTCGCCCAGGAGACGTCCCT

CCCTGCCACCACACAGGACACATCCCTCCTTGCCATCCCACCCCCCTTCCCAGGACACGT

CCCTCCCTGCCATCCCATCCCATTCCCCCACAAGGACACGTCCCTCCCTGTCATCCCACC

CCCCTTCTCAGGACACATCCTTCCCTGCCATCCCACACCCCCCCCAGGACACGTCCCTCC

CTGCCATCCCACGCCTCCCCCCAGGACACATCCCTCCCTGCCATCCCACCCCGCCCCCCA

GGACACACAGGTCCGTGAAATCAGTATAGACACTTGTATCAAGCAAGAAGAAGCATGTTA

CTCAGAAGAACACAATTTTGTTGTTTTGTTTTTGTTTCTGGGTTTTGGTTGTTTTTTTTG

TTTTTTTTTTTGGGGAATTAAACAAATAATTTCAAGTTCTACCTCCACCACCTACCAGCT

GCATGATCTTAGACCATTGACATCACCTCCCTGACCGTGATTTTCACATCTAGAGAATGG

GAGGGGAAGAACCATGCCTTGGGGGCCAGGCTGAGGATGAACTATGAAAACCCGTCCTAT

TGGGCACTCTCGAACAGTCACCATTGTTGGTATGAGGCCCACTATCAGTGAAACTGATTG

AAATTGGTGTACATCTGAGACCTGAGGACAGCCATCAAGTGTCTATTAACTTAAGCTTTA

TGTAGCAAGCATTTATTGCACATGATCCTAGGTCCCAAGTATGCTTCGGTAAATTAAACA

CCCTTGGTCCCTGCCCTCACAAGCCGTTCATAATCTAGACAGATACATAAGATATAAATG

CACAATTGTTCATTGAAAATCTCCGAAGTCACTGGCTATTTTCTGTGGTTCTCGGCACCA

TCACCACCCTTCCAAATTCTCTCCTGTTCTCAGGGGTTAGAAACCTGCAAACTACATTCC

CTAGACTTCCTTGCCTGTAGGAGCAAAATGATCCCATGTATTACTGCGAAATGGTAGTGT

CTGGGTCCCAGAAGACAGTTAGTAGAATCAGAATGTAGGAAAGTGTGTGCCACAGCCACA

CATGTTCATGATAGTCATAACTTGTTCAGTAGGAATTTAGAGAAGACTGACTGTACACAA

GGTATTGCTAAATGCTATGCGGGATACAGAGATGCCTGTGCCTCTAAGAAACTTGGTAGA

AAAATAATAACCCACACATATTTGGCTTACCTTCTCTTTGAATAGAGCAATTGGCAGTTT

AGATTCAGTCATTCTTCAATTCATTTAGCCAAAATTTATTCTGTGATGGCTGAATCCAAC

AAATGAAGTCTCTACTCTCATATTATTTTCCATTTTGTTCCACTGAATTTCAGCAAACAT

AGACCAGACAAGCATCCCTTTGAAACCTGGACTTGGGATGAGGGTCTGCTGAGATTGGGT

TTTCTCCATGCCCAGATGCCTCTGATCAAATATCAAGTCCCAAAGATACAGATGAGAAAG

TTATTAAGTGTTCTGGGATTGGGACATCGGAGATATTAATTAACCCTGGCTTGAGATGGG

AAGAGGGGGCAGGTAGCTTTCTTTGTGTAGTGTTTAGGAAGGTGATTGCCAATCTAGGAG

AAGTGAGTTCCCCAGAGGGAGGGGGGCTCTTGGCCAGCAGGGTGACCCATATGTTCTGGT

CTGCCTGGAGCTGTGGTCCTTGGGTTCACAGCGGCCCCTTTGCACTCAAAGCACCCTAGC

TTGGACAATAAATTCTACAGTCAGTTCTGCAGTGACGATCTTCAATTCCTAGGGCTGCCA

TAAGAGAAGATCATAGACTAGGGGTGGTACACGACAGAAATTCATCTTCTCCCAGTTCTG

GAGCCTGAAAATCCAAAACAAGGTGCTGTCAGGGTTGGATTCTCCTTGGGCCTCTCTTCT

TGGCTTGCAGGTGGCTGTCTTCTGGCTGTGTCCTCGTGTGTCCCCAACATCCCCCTGTGT

GTGTGTGCAACCCTTATGTCTCTTCCTCTGCTCATAAGAAAACAGTCCTATAGGACTAGG

ACCACATTCTTATGGCCTCATTTAACCTTAATTACCTCCTTTAGGGCCCTGTCTCCAAAT

ATGTTCAGTGGAGGTTTGGGGCTTTGGCATATGAGTCTTTGGAGGCCACAGTTCTGTCCA

GAACACACTGACCCTATCCACCAGGTACTGCCACACCAATGGCTTTCAGCATTAGACAGA

GCCCCCCTGGGCTCTGTAACCCCACCCAGGGTGTTAAGAATGAGGAGTGAAAGTCCACAC

ATGTACACACATGTTAATAGCAGCATTATGCGCAACAGTCAAACAGTGGACACACCCAAA

TGCCCATCAGTGGATGATGGATACATGCAAGGTGATTTATCCAGACAGTGGCATCATATT

CTGTGGCCGGAAACAGGAGGGGAACGCTGACACTTGGCACAACACGGAAGACCTTTGAAA

ACATATTGCAGCAGATTGAATGAAAAAACAGAGAGAAGAATCCAGCCGCCTCATATAATT

TCTTTTTAACTTGCAAATGTTATTTTTAATCAAAATGTTATTTACATGGCACTGAGTGTA

CGGACAACCTTTGAAAACATGGTGCTGAGTGTAAGAACCAAACAGGAAAGGCCACGTGTT

GTTCATTGATAGGAAATGTCCAGAATAGGATGTTCTAAAGAGACTGAGAATGGATAAGTG

GCTGCTTAAGTGGGGGGGTGGAAGGAGGATAGAAGAGTGATAGCTAAAGGGCACAGTTTC

TTTCTGAGGTGATGGTATGTTCCAAAATTGACATTGGTGATGGTTGCACACACTGCAGAT

ACACCAAAATCCACCAAGTTAAATTGAAATGCACACTTTACACTATTGAATTATATACTT

TAAGTGGCTGAATTGTATAGCATATGAATTACATTTCAATAAAGCCTTTTAAATAAATCA

TGCATGGGTAAAATGTCCACTCAAAGTAAGATAAACCAGCGCATTGTAATGTAATAGAGT

ACAAAATGCATGGGTATGGAATTCCACTTACAACCCATCATTAATCAACCACTACTTATC

AAAGAAACCCCAACTTGTCAAATTTCAGTGTGATGTCAAACAAGATACCCAGTGTTACCT

GAGAAGGCTAGTAAGACACTCATCTCTTTTCAAACTACTTGGAAGTATGAGGCCAGGTTC

TTTTCCTATTCTTCAACCAAAACAATGTATTGCAACAGATTGAATGAAAAAAACAGAGAG

AAGAATCCAGCTGCCTCATGTAATTTCTTTTTAATTTGGAAATGGTATTTTTAATCAAAA

TGTTATTTACATTAGCAATAATAATTTTTTTTAAAAAAGAATGAGGCTTGAGACGGAGAC

TCAGTGGCTGTGTCTACCGGCCTCAGTTGTAAAACAAGCACTGTTCATCCCGAGCCGACA

TAGCTGCTCATTCACTCATTCAAAAATAATCTTTGAACACCCGCTCTGTGATGAGGTGAT

GATGATGATGACGATGATGATGGTATCAGTACTGGCTAATATAATAAACTAGCTACTATG

TGCCAAATGGTTTCTCAATCTGAGCCATTTAACCCCCACAGCAGCCCTGGAAAGTAAGAA

TCGTTACTAGCTCTAGGAGGCAGCCCCAGGGATAGGTCTGCGGTGCGTGTTCCAGAGTCG

GGAGCCCTGGCCGAGGTCTGCGCTGGCTTTTTCCTCCCTGGGTGACCTGCACAAGAGGCA

GGAGGTTAGCTGTCTGCTGCTACGGCTAACACACAGGCTCTCCTCATGGGGCTTGGGGAG

GTGGATAAATTACTGTTCCTAATGTTTTTAGTGTGACTGAAGTGCTGGCCACTCAGTCAC

TCGTTTGCCCTTTCACTCATTCATTCATTCCTTCATTCAGTGATATATGAAGTGCCCACC

GTGAGCCAGAGTGAGACGCTTTCCTGAGATCCCAGGATTTCTTAAACAAAATACACAAAG

CACTTACGTAAAAGATCGATACACTGATTGCATTAAAATTAAGAACTTCTGTTTATCAAA

AATTCCTTCAAGAAAATGAAGACAAGCTACAAACTGGGAGAAGATATTTCCAACATGTGT

AATTGAAAAAACATTAATATTAATTATATATATATATGTGTACGTATATAATGTGTATAT

ATGTGTGTGTGTGTATGTATATTTTCATATTTAAAACCAGACATCATTAATGCAAAGATA

AATGCACCAATCAGAAAGTGAACAAAAATATAGAAACAGACATTTCACAAGAGAGAAAAT

ATAGCTGGCCAATAAACATTTGAAGAAAAACCCAACTTAATTAGTAATTAGGTTAAGTGA

AAAAAAGCAAGTACCGGAAGACTACATGCAGCATGATATTCTTTCTCAAAATAAAGGCTA

GAAAATCAGATAAGATAAATAATATGCTCTGAGGCATCCATGTAGATATAACACAGCTAT

TTTCAGAGAAGGAATGATCAGCACTAACTTCTGTAGAAGTTTATAGGCACATGCAAGTTA

GTTTGCTAGTTCCTGGGTGGCATGGTGGATTCATGGGAGTGCCTTGTGTTGTTAAAAATA

AAGAAACTAGGCCTGGTTTGGTGGCTCATGCCTGAATCCCAACATTTTGGGAGGCTGAGA

AGGAGGATTGCTTGAGCCCAGAAGTTTGAGACCAGCCTGGACAACGTGGTGAAACCCGTC

TCTACAAAAATACAAAAATTAGCTGGGTGTGGTGGTGCACACCTGTGGTCCCAGCTACTT

GGCAGCCTGAGGTGGGAGGTACACTTGAGGCCAGGAGGTCAAAGCTGCAATAAGCCGAGA

TCACCCCACTGTACTCCAGTCTTGGTGATAGAGTGAGACCCTGTCTCAAAAAAATAAATA

AATAAAATAAAGAAACTAAAAATAACAACAATGATGATAATAATAATAATAGACTAGGCA

CAGTGGTTTACACCTGTATTCCCAGCACTTTGGGAGGCCGAGGCAGGCAGATCACTTGAG

GTCAGGAGTTGAAGATCAGCCTGGCCAACATGGCGAAACCTCGCCTCTACTAAAAATACA

AAATTAGGCCCGGTGCGGTGGCTCACACCTGTAATCCCTGCACTTTGGGAGGCGAGGTGG

GTGGATCACCTGAGGTCAGGAGTTCGAGGCCAGCCTGGCCAACATGGCGAAACCCTGTCT

CTACTAAAAAAAAAAGAAAAAGAAAAAATTAGCCAGACGTGGTGGCGGGTGCCAGTAATC

CCAGCTACTTGGGAGGCTGAGGGAGGAGAATTGCTTAAACCCCGGTAGGCAGAAGTTGCA

GCGAGCCGAGATCACACCACTGCACTCCAGCCTGGGTGAAACGCTCTCTCAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAGTCAGGAATGGTGGCATGCGCCTGTAATCCCAGCTACT

TAGGAGGATGAGAATCACTTGAACCTGGGAGGCAGAGGCTGCAGTGAGCCAAGATAGTGC

TACTGCACTCCAGCCTGGGCAACAGAGCTAGACTCTGTCTCAAAAAAATAGTAATAATAA

TAGCAAAAGAGGGCCAGGCATGGCTGGCGAGTCATGAACCCAGGCGTGGCATTCCTCAAA

TTATGTGCACCTAAAGTCTGCGAAGGGAAACAAACAAGAATTCAAAAAGCAAGACACCCC

GGGGGTTCTCTGTCCTTCCTTCCCTGCACTCAGTCTGCGTCCTGAGCAGCAACAGTGCTG

ACCCCATAAGCCTCGGCCAGCAGGTAAGGGTCACCTTCTCTTCCCTGCACTGAGGTTCCC

AATGGAGACCAGGAAGTGAAGTGATTTCTAAGGGTTTCCTGTGAGGTCAGGAATCAAGAT

GGAATCATTGCCTCATCCTCTGTTAACCAGAAAATTCTCTAAGCCAAACCCTCCCATAGC

CTCTGGTCTCTTCACTCAGCCGAGGGTTCCCTTGTGTTTAGAGGGCAAGGTGGGCTCTGT

TTCCTCCCACTGGGATGGAGGAGTCAGAAAACTCACCTTACCCCGTTTGCCCCCGACAGT

GCCACGTTACAAAAGTTGCCCAACTTCCTTAAATAATCCTGTCACTTCCTCCTCATTTGC

CTCTGACGCATGAGAGCCTGGGAAACCCCAAGTCGCTTGCTGTAGGGCCTGCAGGAGGGC

CTCCACCCCGACCCTGCACAGGACAGGGGAAGGGAGAACACCCAGGGAACTGAATCTTGA

AACGCACAAAGGGAACACCGTACGGCCGTCTTTTCAAGGCCATTTCCCACAGAGAGCGTG

CAAAAATAAGTGTCCTGGCTGGAGAGCACATTCCAGCTCCAAAGGCTCTGTTCCTTTTAC

TTTCTCCCGCGATTACTCTTATTTTTCTGCAGCTCAACAAGGACGGTCCGCTGATGTGAG

CATCTTGTGATTTCTCCCCCAGCGCAGCCTGCCTGGCAGCTTCCTGTGCTCCCAGCACGA

AGTGGAAGATGACCTTCAGCCGGAGGAGGGAGCGCAGCGCGGATTAGAAGGACATGGCGC

GGGGACTGGCCTGGTTGTTGGGGCGGGGACAGAAATCCATTTCCCTCGTTTTCCTCCACG

CCAGTGTGGGCCACTTCCTGAGTCTCCGCACACACCAGTGTCTGAGGTTCTCACTGACCT

GCTCCAAGGTGAGGGATTCCCCGTATTTGGGGCAGAACAGACGTTCCCACCCCGCAAGGC

TGCAGTGCGGGACAGACACGTGGCCCGGCCCCGAGATGCTGCAGAATGTTTGTCCTGGAT

TTTAACACGTTTTCGTCCCTGGTGGTCCCAGCGGCTGCTGCCAGGGACTAAAACACCTTT

GTCAGATTATCAGAAGGCCCCGGGAAGGGAGGGGAGAGCCCAAGATGAGAGCACTGCTTT

ACCCGAGGCCCTATTTCCGCACGAGAAACTTTTCTCAGCCTGATCGCATCCCGGCTTCTA

AGAAGGGCCTGGTTCAGGCTTTCAGCCTGAAGCCGGAGAGCACGAATGAGCCCTCCCCTG

ACTTCAAAAATAAAATCCCGGTACAGTATGATCATCATGATTATTGTTACCATTATTACC

AGCACTGCAATCATTTGTGCTCTGGCCCTTTCATCCCAGAATTTCAAAGCAGAATGCTTT

ATAAGGAGATGGCTATTCATTTGTTCAGCGAGAGGCATCCTTTGAAAATGGAGCTTTCAG

ACTCTTGATGAAAAAAAAAAAAAAAAAAAAACCTCTGATTTCCACTCAGCGTGATTAACC

AGACAAGGGCTTTCCTGAGAATGAATGTGTCTGTTGAGTGGGGTCCAGACAATGAGGTCA

GAGGCGAGCTCCCGAAACACTCCAGGAAGCAGCACCTCGGGTGTCCAAGCTTCTGAGACT

CTCTGCAGCCCCCTCCCATGGTCACCGTCTTCTGAAGGGCTGTAGGATCGAAAGTCACAG

GCGCACCGGCAGCAGAGCAGCATGGCTAAGCCACAGGTTCCGGCAGGTGGCTTGGGCTCA

AACCCTGGCTTTGCATCTGAAATTCCAGCTGCATGTCCTCGGGCAAGTTACTTAACTGCT

CTGTGCTTCAATTGCTGCTTCCATAAAATGGGGCTAATGATAGTTTCCACCTCTTGGTGG

TTCTGTTAGCTGAGTCATCATAGGCCCTGCCCTGGAAGCAGCATTGGGCACAGAATAAGC

TTTCAGTAAGTTACAGTGATGGGGGCCCTCCGCCGTGGGGATGCCACTCCCTGGCTTGAA

ATGCAACAAGGGCTCCCTGTTGCTCTGATAGGACGCAGATCCTCCGCACAGCACCAGAGG

CTCTCCAGGGCCTGGCTCCTCTTTCCTCCGGGCGTGCTCCTTGGTACTCACCATTACATC

GCCCGCTCCTTCCTCAGCGCTGCCATTGCCTCGTGTGCTCGTCCCCGAAGTCCTCTGTCC

ACCTCACTCACCCTTAGGCCCCTGCGTCGGCCAGCACTTCATCTTGGAGAGCTCCTCCTT

GTACTCATGTCCCTTGGCCAACTTGCCCCAGTCCTTCAGGACTCCTGTGAGTGTCACCTC

TCCTGAGAAGTTTCCCGACTTTCCTGTTTCGATTAGCTGGATCCCCTTCCAGTGCCACAG

CCCATGGCAGGGTCTCCTCCTCCCCCTCTGCCGTCATCTTTCTTTTTCTCCTCCTCCTTC

TTTTTCTGTTTCTCCCACTGGACCCCTCGTTCCCAGCAGGGCAGGCCTTGCCTCTGGCCA

TCTCAGTGCCTGGTTCTTGCAGATGCCCAGAGGCTGCCTGGGAAGCCACTCCCGGCTCCA

CGAGGGGTGCTGCAGCCTCAGCGTATACTTCGGTGTTTGAGAACAAGGTGATGTCCACAC

TTGTCAAGGAAGCTCTTTCCCTTCTATTGGGTGTTTTCGGGGTCAGAGCAGAGACCACAG

GGGAGTCACATGCTGCCTGGCTCACCAGAGGTGCTGAGTCCCTGGTTATGGAGCAGATGG

ATGGGTGTGTGAGAAGGTGAATGGATGGGTGTGTGTGCAGGTGGGCAGCACGGTTCATTC

CAGCTGAGGCTGAAATCCCTCTTTGTCCTGCAGGCGAGGCCCCCTGGTCACCTGGTAAAC

TCATTCACCCGTGTCATCATAAAACCCTCCGACAAATTAACGGAAAACATAGTGACTTCT

AGGGAGACCCCCAATGAGTAGACAGCTTTTTTCATTGTAGTTAAATATCGTAAGTAGCAA

GTTCATTCTGGAAACATATTACATACAAAAACTGTATAGTGGTTCACAGTGATTCATGCC

TGTAATCCCAGCACTTTGGGAGGCCGAAGCCAGTGGATCACTTGAGTTCAGGAATTCCAG

ACCAGCCTGGCCAACATGTCTCTACTAAAAATACAAAATTTAGCCAGACATGGTGGTGCT

CACCTGTAGTCCCAGCTACTCAGGAGACTGAAGCAGGAGAGTCAATTGAACCTGGGAGGT

GGAGGTTGCAGTGAGCCGAGATTGCGACACTGCACTCCAGCCTGGGCAACAGAGTGAGAC

TCTGTCTCCAGAAAAAAAAAAAAAAAAAAAAAGAATTGTACTCAACAGCAGGCCCTTGAC

TGCATTTGAGGTTACCCGGCTGAGAACAAGAAGGTGCTTAAACCAAGGGAAGATATTGGG

TAAGGACTGTGCACTGGTGTCACCTTCAAAGGTCAAGAAGCAGCAGGATGTCTTTGTTCT

TCATATTATCCATTTATTAGCTGACATATGAATTCATTTCTTTCATAAAAACTACTGCGC

CTCAGCTCTGCCGTGGGGTCACCCAGTCATATGAAAACATGAACTATGTAAGAGGAAAGA

CATAGGCATATACTGAAAAGCTGTAAAAGAATCATGGTTTGGGATTGCACATGTCCTCTG

GAGACTGCCTGGTCCCACTGCTGTTTTCAGTTACTGAACACTAGGTTGAGGCACAAGGGC

ACAGAGCAGCCTAGACACTAGCTTGAGGTCACACAGCATCTGCACGTGATCACTGTGCTG

TGCCGCAACCCAGTCCTGCAAACTCATTTCCCCGGTGAGCAAACCTAAGGCGCTCACCAG

GCTGGGAAGACAGCCTGCAATACGCCAACTGTCAGGTCACTGGCCCTCCTGGCATCCAGT

CTTATGCAAATGACCAGTTAACCCCTTTATAGTCTGTCCAGGTCCACCCAGTGCAGAAGC

CCCAGTGTGCCGTTTAGTATTTGTGAGCAAGAAGACACATTCCGCTTCTTGGGGAAGGGC

TTCCTTTCATCTTGGACGTTGGGGATTCACAGCAGTGGCTGTGTTGTACGTCCAAACAGG

GAGGAGTGGCCCAGGCTTGCAGACAGGATCTCACGAGGTTCAGCCTTTCTGAAGTCGGTA

CTGTAGAGACAGGCAGGTTCCCATACATTGCCTTTATGTGCCTGAAGAAGATTATGCTAT

TTTGGGCTCTGGAGACTTTTAAAAACAAATTAGAGACAAAGCACAATAGCTCTGGATGTC

TGACTCACTCAGAAGCAAAGCAGGCCCACCTTCCACGCAAGAAGAGACCGAGGATGCAGA

CAGACAGGGTTCCCAGTGGGAGGACTCTGCCGCAGGAAGCAGGTGGCAACAGTTGTTTAT

TTTGAGCTAACACAAGCTCATCCACTGATGTCCACGGTTCTTCCCAGCACAGGTCATGTG

GGTGAGGGATGAACAATGAAGCCACACCTTCTGGAAGCTGAGAGGAGGCTGGTGGGATTG

GAGGGGGTGGCACCCCCAAACGTCCAATGCTGCCTGAATGTAGCGGCACTCAAGTCCTGC

TGTGAGTAGGCGGCGAGGGGCTGGGCATCCCCAAGGCCTGAGCATATCCCAGGGTCCCGG

GTACCCGTGGACGGCATCGGAAGTTGCTGGTTGTTCTTTGTGGTTCACAGGTTCCTAGCT

GGGACAGCATCCGTGTGGGAGGAGAGCTGGGGAGAAGGCAGAGCTCTGCAGGGACAGAGG

TGGGGAACCAGCTCCATGGCTGCACTGCTGGCTTCCTGCAGCCTCCCACTCCGAACAGGA

CTTTGACATGACAGAGATTCGTCACTTGAGCAAACTTGAGGCAGGCTCCTGATCCCCGCC

TCCAGCAAGGCCCATGCCCACACTTCCCTATGAAATCCAGTTTTACCAAGAGCCCTGCTA

AGTCGTTTTGGCCTGAAACCCCCACCTCCAATATCTGATTAGGTTCCTCATACCCCAGCA

TCCCCCAGAGGAGTCTGACCACCCCGGCCTACCTTCAGCAAGAATCCTGTTAGGTGACTC

GAGCCTGAATCCCCCAGCCCCTGATGTTTCCTCCTAGTCACTTTCCATCCGTGGACCCCG

CCCTGCTCCTGGGCTGTGAATCTCCACTGCCTGTGGCGTGTTTGGAGTTGATCCCGGTTC

TATACCTAGGTCTCTTTCTATTGTAATTGTTCCTGAATAACATCTGTTTTTATCGCTTCA

GCTACCATCCACCATGGGTTTCTTTGACAGATGGGACTCCTTGGCCCGCACTGCTCAGCA

CTGAGGTCCAGCCTCTGACAAGCGAAGTGCAGGCCCCCGGCGCGGGCTCCTGTGTGGATG

CTTCTGCACCCTCTGCCGCACTGGGCACCCGGGGCCCAAGCCCACCTGCCCTCTGAACCA

TTCTCCAGGTCAGGCAGGCAGCATGCAGCCTGTGAGCTCCCTGTGAGCTGAATTAATCCA

CTACTTCACCACATGCATCAGGATGGACCCCCTGCTGTGGGCCGTAGGCTGTGTGCTGTG

TGCTGTGTCCTGTGTGCTGTGTGCTGTGGGCTGTGGGCTGTGTGCTGTGTCCTGTGTGCT

GTGTGCTGTGTGCTGTGGGCTGTGGGCTGTGTCCTGTGTGCTGTGTGCTGTGTGCTGTGG

GCTGTGGGCTGTGTCCTGTGTGCTGTGTCCTGTGGGCTGTGGGCTGTGTCCTGTGGGCTG

TGGGCTGTGTGCTGTGTGCTGTGTCCTGTGTGCTGTGTGCTGTGTCCTGTGTGCTGTGTG

CTGTGTGCTGTGTGCTGTGGGCTGTGGGCTGTGGGCTGTGTCCTGTGGGCTGTGGGCTGT

GGGCTGTGGGCTGTGTCCTGTGGGCTGTGGGCTGTGTGCTGTGTGCTGTGTGCTGTGTGC

TGTGGGCTGTGGGCTGTGTCCTATGTGCTGTGTCCTGTGGGCTGTGGGCTGTGGGCTGTG

TCCTGTGTGCTGTGTGCTGTGGGCTGTAGGCTATGGGCTGTGTCCTGTGTGTGTGCTGTG

TGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCT

GTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGT

GCTGTGTGCTGTGTGCTGTGGGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTG

TGGGCTGTGGGCTGTGGGCTGTGGGCTGTGTCCTGTGGGCTGTGGGCTGTGTGCTGTGTC

CTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGGGCTGTGGGCTGTGTCCTGTGTGCTGT

GTCCTGTGGGCTGTGGGCTGTGGGCTGTGGGCTGTGTCCTGTGTGCTGTGTGCTGTGTCC

TGTGTGCTGTGGGCTGTGGGCTGTGTCCTGTGTGCTGTGTCCTGTGTGCTGTGGGCTGTG

GGCCATGGGTCATGGGGCTGTGGGCTGCATGCTATGGGCTGTGGGCTGCTTGCCAGGCAC

TTAGGAACCGAGGCACAGCATGAGTGAGTCCCTGCCTTCAGGAAATGTCTGGTCTGGTGT

GAGAACAGGCGCGTAGACACTCAGTCATAGTGCAGGCATTGTAGGGTTTGGCATAGCTAC

GGATCATACAGAGATCATCTCCTCATGTGGCAGCATGAAAAATGTCCCCCAAAGATGTCC

ACGTCCTCATCCCAGAGCCTCACATGGCATAGGGCCTTTTTGGGTGGGATTAATGTAAGG

ATCTTGAGGTGTGGATTTATCCTGGAGTAGTCAGGGTTGTGGGGAGTGATGCCATCACAG

AGGTCTTTGTAAGAGGCAGACGGGAGGGTCAGAGGCAGAGGGGGAGACAGAAGGAGGAAG

CAGCGGTGAGGGAGAGAAGGAAAGATGCTGGACTGCTGGCTTTGAAGACGGAGGAGGGGG

CCATGGGCCAAGGATTGCCGGCGGCCTCTGGCAGCTGGGAAAGGTAAAGAGAAGGAGGCT

CCTCTGGACCCTCCAGGAGCCAGTGCTGCTGACACCAGAATTCTGGGACTTCTGGCCTCT

AGAAATGTAAGAATACATTTGTGCCATGTTGAGTCTCTAAGTTTATGGAGACCCCAATTT

TGATACAGCAGTCATAGGACACAAATACCTCATTCCCCGACCCCCACCAACAGTCTGTGG

ATGAAAGAAAACAGGGTCATGAGCTGGAGAGCAAGCAGAAGAGGAGGGTGCACGTGGATA

CTTTAAAATCTTTACTGGGTTGGAGGGGGTGACCTCTGAGCAGAGGCTTGATGGGTGAGG

AGGGGCCAGCCCAGGGCCGTGGAGGTCTGAAAAGTCAGCGAGAGCCAAGGCTAGTGTGCA

GTCAGCAGCACAGTCTGAGGCTGTGCCCAGAGCGACTGGCTCCACCCCCTGTCCTGGTTC

AGGTGCTTTTGTTCTTCTTATGGTCCAGCACCAGATGTCATCCCATGACCCCCAGCCCAG

AGCCCCGCCCCTGACTGCACAAAGCTCTTTCTTGGATTGCCCCAACCCCCTCCTAGCCTG

GGTGGTGAGAGAGAGCTCCAAGGGTATGGTCTGGCCTTGGGAGTGGGGGGTCCAGCAGAG

CTCCCCATGTAGTAAAGAATGTGGCCTGGCCTGCAGAGAGGTCTGCCCTTGTCCTCGGCT

TCTGGGAGGGGCTTTGTTGAGACTGTGGCGGTGCCAGATCTTCAGGTGGGGTTGACCATG

CCAGAAAGACCAGCCCCGTGGCTCAATCATCAATCAGTCTTGCACACGGAATGGAGCCCC

GATGAAGCCCCGGACACTGGGACTCAGGGGAGCTCACCAGCTTGGTGGTGCTCCATGCCT

CTTGTGACACCTCGATGCCAAGAATGTGACATATCCTGACTCCACAGGGAGAGGACACCG

GCAGCCTCAGGTCTGGAGTCCCCGGCCCCAGCCCCGTTTCCTCCTTGGGTTGACTTGATC

TGTGTCCTTTCCTGTGATAAACCATGGCTATGAGTAGAACAGCTTTCAGTGGACACTGAG

TCTTTCTAGCAAGTTAGGAAACCTCAGGATGTTTGGGGAAATCCCCCAAGCTTTGCGCTT

TGCAGTCCATGTCAGAAGTGCAGTTAATGGTCACCTGCATGAGACCAGGTCCCCTAAACT

TTGCAGTTTGCCTAGCTCTGGGTAGACTTTTCCATCCTGGAGGGGTAACCCTGGGGTCTC

GCAGGCCCAGCAATTCACTGCAGGCCCCAAGTGCTGACCTGCTTGGCTGGGTCTGACCGT

GCTGGTTGTCCTCAGCTCTCCCACCCCAAGAAGGGCTCGAGAACTGAGGTAGCTGAACAA

CCGCTTTCACGTTCCGGGTCCTTTGCTATTAGTTGTTATGGCTTTGAGTTTTCTATCAAA

TGTGAGAAAGTCAGCTGCACTGGTTGACCACCTCAAAAATGCAAATTGGTGTAATTTCAG

TCAATACATGCGCACTGGGCATTAAAAATGCAAATTTCCTGCTGTGCAGAGAGCAAGAAA

GTACAGCACCTTGTTTAGGAACAAAACTCAGGATGGCAAGAGAACCTTTCCTCTTCCCCA

AATGGATATTAGGTCCTTCTCTGGGACAGAGGACGAGGGTGTGGCCACAGCTCTAGGTAA

GGGACCTCAGATGCATCTCATGGCCCCAGCTTAGTCTGTACTGTTATTAAAAAACAAACA

GACAGATGCTGGCACTGTGGCCAGCCAAGCAGGCCAGCCCTGCAGCCCCTTTAAATCAGA

GGGAAAGATAATCGCTTCCACACCCTAATTTCTTTCTTGATTCTCTTCCACTTTCCTTTC

TCATCTGAGCCCACAGTGAGAACCGTTGTGCTGGGTGGGGCCTCCAACTCCCACATGGGA

GCAGAAGTGAGAGGAGACCTTTGGGAAGGCTCTGGAAGCCACACCGCCAAGGTGCACCCA

GTCGAGGCGAGGGGAGAGCTCGGAAGCCCAGGCCCAGACCTGTCCACACCTGGGTTGCGC

TGAGGGCAGGTGCACATCTGTGCCTTCTGAGCCAGCACACCAAACCTAGGTCCTGAGTTT

GGATCTGTGTGGGTTACAAATATCATGAGCACCTGGAGGTGACACTGATATTTCTCAACC

AGCTTGTGTTTCCAGAAAGGTGCCCTCCACTTTCCTGGCCTGGTCTAACCCTCTGTCCCC

CGCATTGCCACCAAGTGGTCTCCCTGCACCAAAAGCCTCAGTTTTGCAGCATAGTCCGGC

TGACACATGTCAATGTGTGAATATCTGACCTTGTCCACCTGCGTCTCAGCTCCTGTGGGC

AGGCGCCAACTCTGCTTTGCTTCAACCTGTGCCTTGCACAAAATGTGTTGCAATGAATGA

ATGAATGAATGAATGATACCCATCTCCTAATCTGTTCAGAAACTCCGAATAATGATTTCT

AGATTCCAAGGTCTAGTCTGACCTTTTACCTAGACAGGAAGTCCCTGTGCGGCACACCTG

TGGGATGGGCACCCCGAGCTCCTGCAGGGACAGGACATGGGTGTCTGAGCCAGCTGTCTA

TGGTGTGAAACAAATCACTACAGATTTAGAGGCTTAAGCCACACCCATTCATTATCTCAC

AGCTGCTGGGGGTCAGGAGCCAGGCTGGGTCCTTCAAGTGGGTCTCACAGAGTCCATCAA

AGAGTCAGCAGGGGCCGAGGTCTCATCTGAGCTCAGGGTCCTCTTCCAAGCTCCTAGGGT

TGCTGGCAGAATCAAGTTCCTTGCCACTGTGGAGCTCATGGTGGCTTCCTTCCTCAAGGC

CAGCAGAAGAGAGAGCCTGGGACTCTGGCCCCGGAGGGCCCTCACCTGATTAGGGCGGGC

CCACCCAGGGGAACAGCCTTTTGGAGGAACTCAACATCAAATGATTAGGGACTTTAATGA

TGCTTACAAAAGCCCTGCCCCTTTGCCATAGGCTACTGGCTTGGAGCAAATCACAGATCC

AAACGTATGTGAGGGTGGACATGCCCACGGGGCCATCTGAGAACTCTGCTCGCTGCAGCG

TCCACAAGGCAGCCCATCCTCAGCCTCCTGGGACACGAAGTTTTCCTTCCCATGGGGTGA

ACCCCACGTCCTCCTTGGCCAGGCTACCTGGCCTGGCCCCTCCTCCACCCCTAACCCTAG

CTGCCCCGGGACTGCCCGCACAGTTCTCTGCTCTCAGCTCTGTGCATCTCCCCCATGGCA

CCCACCCAACCCAGGCTGCCTCTCTGCCTGGAAGGCCCCTCCCCCTCCCCCAGGGCCTTG

TTCCTCCCCACTCCACATCCGAAAGCAAAACCATCCCAAATGTAGCTCCCTTCCTCCACT

TCCATCCTGGCCACCAGCAGCCTTTTCTTCTCCGGACTCAGATTTTAGACTGTTCCTTGA

CCCGACCTTTCTTTCAGAACCTGCATTTTTGCTGCGTGGCTCACATCTAGCCCTTCGCCT

TCCTCCCAAAGCAGAGTCCTGGTCAGCCTGGCCCCATGGCCTTAGCAAACGGACACCACC

CGTCGCTATCCTGTACCTGGCCCTGGGCGGCCGTCTGGCAGGACTTTCTGTTTGGTTCCT

GTGTATCTGGGGAGGCCGGAAAGGACAAGCAACACTTGCTCACCTCAAGAGGAGGAAGGT

CTGTGCTGGGCCGTGTGCTCACGCTACTTATCCGGAATCATCTTGCCTCCCAGGGTGGAT

ATTGTTTCTCATTTTAGGGAAGAGCAAACTCAGGCTGCGAGAAGTTAAGACCTGCCCGGG

TCTTAGCGCTGCAAGATGAAATACAGGATGTCCAGTGTAATTTAAATTTCAGATGAATGA

ATGAATGAATGGTGCCTGTCTCCTAATCTGTCCAGAAACTCAGAATAATGGGTTCTAGAT

TCCAAGGTCTAGTCTGCCCGTTTTATCTAGACAGGAAGTCTAGAACCTATCTCGTACCCA

TCATTCCAGCCTGGGCTAGGTAGGTGACCTGGGGGAGCTGCACGGACCTGAGAGCAGAGG

ACTGTGTGGGGGAGTCCCGGAGAGCAAGTGGCAGGGGTGGCAGAGGGAATAAATATAAAT

GTAAGCTGAAGAATAGCTCAAATACAGCAAGGGCTATACTTACACTAACACAAGCTCGTT

TATCTGCAATTCAGATGGAACTGGGCACCTGCCTCTATCTGCTAAATCCGGCCACTCTAC

CTGGGTCACACAGCTAGTAACTGACACAAGAAAATGAAGCGGAGTCTACATCTGATGCCG

GACATCAGGCTCTGGTCCTCTGGTTTGCTATCTGCCTGGTGATAGGGACCTGTCACCACC

TCTCATTCTGCCTCGCTCCACTGGTGAGCAGGGCCTCCAGCAGCAGCCCTGGGCAGCCTG

GTGGCAAACTGAATGCCTGTGCATGAGTCGGACGAGACAGCGGGTCCTTGCTGTTGCAGG

GATGGCTTTCCTGCCGATGTTGTCCACACTGGCTCTCGCTCTGTAGTGCAGGCTCAGCTC

CCTGCCTGCAGAGGCTGCCCCCGCTGGTCCTTTTTGGAAGGCCTCACCCCCACACCTGCA

GCCCTTGTTCTCTGCCTTTGCTTTTTATCAATGCAGAGCGGGCCTGGTACATGAAACCCT

CGAATTAAAAGTTATTCGGGGTAATGATTCCAGTGATCCATCTGCGCTGGAAGTGGGGCA

GCTTTTCCTCCTTTGCACGTTACCGCCCATATTAAAGTGTCATATGTAAATGATTAAGCC

GATGAACAGTTTTATTTCCTCCAGCAGCTGACAATTCCACAAAATGGAGAGATTTTAATT

TAAAGGGGCACAATAAAGAAAACCCTTCTGGGTGCTCGGAGTCTCAGGAAGGAGGCGCTG

AGGGATCCCTGGAAGCCTGTTGCTCAGTAGTTAAGGAAGCCTCCGCCCTTGGGTGGGGAC

CAGTTCTGGCCATGGGTCACTTGTTTCTGTAGAGCCCATGCCAAGAGTCTCCTGGCTTGG

GACAGCTGGCCAGTCCCCTGCACTGGAACATCTCAAACTCTGTGCTTAGAAGTTGGAGAC

AAAGAGCTGCTCTGTTTTTCAGTCAGTTTTGGACTGTTTTTATGTCTTTGTGGGTGGTGA

GAAGGTCTGGTCTTTACATTTGGAGTTGAGACACCTGTCAGAGCTCAGCTGTCCCCCAGC

ACAGCCCTGGGCTCCTCTGTGGGGTCACTCGCCCTCTGTTCCCACAGAGGAAACCCCAGA

GGGAGCTGCTCCCAGCTGTATCCCAGCAGCCTGCAGTTTGCCTGTACCTCGGTCCCTGCA

GCCCTGCACCTGGGGCCGCTGGCAAAGGCGAGGCGGAGGCTGCTGCTCCCCCAGGAGCTG

TCCAGGCCAGCCTCTCCATGCCCAGTCCCCTGTCCATCCCCTGCCCTCACCCTGAGACTT

GCTGAGCAAACTGCACCTGGCTGCTGCACTCCACACCTGGCCTGCCCTTCCTTGTCTTAG

TGCACTGCAAGCCTACTTACAGGAAAAAAAAAATCTGATACGGAGTCTCTGCCAATCCTC

ATGGTGTAAATGCTCCCAGCTGGGCCAATTTAAGCCACTATCTGTGTAACAACCTGTTCA

CAAAATTCCTGAACACCCAACAATCGGCTCTAGTGTGCCTGCCCACACCGGCTCCTGACC

ACCACGGCACGTACCGCAAGTTGTCCACACCAAGGAGCTGGGTTGCTGTGCTCATGTCTG

TTTTGTCTCTTCTGGACACTTCCTCCCAGAGGGCAGGGCAGGGCCCACATCTGCTCCATC

GTGCTTGCATCTACAGGCCAGGCTCTTCGCACTCCACAAACATTGCCCACCTTGGTGATG

CATGCTGGGACTGCCATCCCCAGGTCCAAGGGCTCACCTTGCCCACCCGCCCCTTCCACC

TCCCACCTCCTCCTCGGGCCCCGGCAGCATAGAACCTGCGGCTCCTACTTGCCTGCACCC

AGCCCTCCGCCTGGCCCCAGCTCCCAGCTGCCTCAGCACAGGTGTGCCGTCTCTTGCTCC

AGGAATCTCTCCTTGGCCAGCCACCTCTTGGCCAGGTTAAGGATCCCCCAGCCCTGCACA

GATCTCAGCATGTTCTCGGCACTTCATGTTATAATTATCTGCTGTGGTCCCTCTGCATGA

GTGGCAAGTCTGAGGTCTCATTCAGACTTCAAAACATGCACCAAGAAGCACAGTGCCTAG

AACACAAGGGTTGAGGGAACCTTGGCCGAATGAAAGAATGGAATCTGCCCAGGCTGCAAA

CACGGCTTCAGGGGAGTGGGAGCCCATTGGTGGAAAACCCCAGAAGCGCTGCTTGATCCC

AGCTCCTTGGAGTCAGGCCCTACCCTTCTGTTCACTCTTGGATCCACCTGGGCAGGCCCA

GGAGACACTGACCACATGCTCAGCTCCACGGGCCACGGTAGGTGCTCAATAAAAGCATAA

TTGGGGAATGAATGCAGGTGGTTCCTGGAAGACAGTGCCATTTATCAGCTCGTTACAGAC

CCAATCACCGTCGAGGGGAGGGAGGGGCAGGTTTGCTCCGGGTTTGCAGCTCCTCCTGTC

AGAAAACCTTTGGAATTAAGGCATTGGCATTAATTGCGATAGATCCTCTGAAAAGCCTTC

CTGTTTATAATTTGGACAAATTGCCCCACATCCTCTCTCGCTGCGTGTCTGTGTGTGATG

TGCCTCAGGGAGGTATTGATTTATTTTTGGTTATAAGTGAGAGTTAATACCGTGTTGGTG

GCTGCTCCCTGTAGATGTGGGGACATGGCCTTCTCCTGGAGGCAGCAGAGATATTTCACA

CCCAGAGCCTTCATCTCCAGGGAGACTCGGGCACTCTGTGAGTGCAGGAAAGAGCTTGGA

TGGAGCTGCAGCCCAGACTTGTCTGTCACTCCTCGGGAGGCATGAGACAGGCGGTGGAGA

TGCCACTCACTGTGGAGGACCACGGGCTGCAGCAAAGCTTTAAAGATACCCCAGGCCCCA

GTCTCTGCTGCCCAGCCCAGGCCTGGAGCCACCTCAGAGTGAGCCACATGAAGGCAAATG

CAGGTGGCACCCAGTGGTCACCTGGACGTGGATTCTGGAGTCAGACACATCCAGGTTCCA

GCCTCCACTCTGCACATAGTAGCTGCGTGGCCTGGGCTGAGTTAGTGAGGGCCTCTGGGT

TTCAATTTGCAAGAAACGGCGTGGGAGTCAGGGGTAGGAGTGGGGGGATGTTACCTGCCC

TGGTAAGCATGGTGTTTGTACAGCGTCCCTCCCTGCGAGAGCCATGGCCTTCCTCTCTGT

GGGTTCTTGCAAGAGTGTCCATTAGCTGCCCCATTTCACCCTGGCAGCTGCAGGCTGGCT

CACAGGGAAGCCTCCCCAATTTCTCACTTGTAGTTCTCTCTTGTAGAATGTGCCAGAAAG

TAACACCCTGAGATAGGGATGAACTGGCTGGAATAGCCCAGGCTCTATTCCAGGCCCACC

GTCCCCCAGAAAGAGATGTCCTTTAGCTCAGTGGGGCCTGTGGCCCTAAGGTATGAAACC

CAGGGCGGGCTACTTTCTAGGGTCCTTCAGCTGCGGTGCAGGTGGGGCCCGAGCCAGGCT

GGGCAGCTTTCGTGAGCCTTGGGGAACCAGCTGGCCATGAACTTTCAGCTCTGCTGCCTC

TCGATGCCCATCTAGGAGGTGTTGAGCTGCTTCATGTAACCTGTGTGAGTGTTCTATCTC

ACCAGGCTCAGACACGTCGGTAACCAGTGCACAGGGAATCTGCTTCACAGCCGCCCCTCC

CCTGCAGCAGGGAGGAGGTGTCACCAAAGCAGGGCCTGTCGGAGTCTCTGGCTGTGATAC

AGACCTTGAGGATGAGAGCTGTGGGGGATGCTTCTACAGGTGCAGTGGCCCTCTTCCCCT

TCCTCCTGATTTCCTGCTCCCCCTTCCCATCAGCCATGGCCATGCATCTGCCAGCAGCTG

GACACTGGGCAGAAGCAGTGGATTCCACCTCCGGGCCTGGCCAACCAAACCCTCTCAGAG

GACACCCCCATGGGCTTTTCTGTTTTGGTGGCAGGGATGGAGATGGCCTTCTGGGTGACC

TTGGGAAAAGCCACACATGGAAGGAGTGTGGGCCCATGGATCAATGTCTTGGAAAACCCT

GGAACAGTAACTCCTAGACAGGACCAGACACAAGCAGAAAATAAACTCTATTTTGTCAAG

TCTCTGTGATTTGGGGTTAAACTGAGGAAAGCTGGCACAGGGAGCAGACGGCAATCCTGG

CCTGCCTATGGCAATCTCGCCAGCCCATGCAGAGGCTGAGAAGAGTGAAGATCCCACGGA

GAGGAGGCAAGCGAGAGGGAGAGCCCTGGCTGTGGGGTTTGGGCTCAAGGAGGTTTGGCC

CCTATCAGGGGCCGGCTGCACCCCAGACCACCAGGCACTCTGGCAGGTGGATTTTCTCTC

TCTTTTTTTTTTTTAGGGAGATTGGCTTGGTTTTCTGCCTCGTGGGTGCACCTTGTTGCA

GGGATATGGGGAAAATTTGCCCCGATGGTGGAGGTGAAGCTCGCAGCACTATGAGGAGTT

GGTTCTCATGGACATTATTCCCTGTCTTTTCCCATTGGCCTAGAGAAGCAGCATTCGTGC

AAGTGAGAGTGACAGAAGGACGCTTACTCACGGCGTCCAGCCCGGCTCCCTAGGCAAAGC

CACTGTGGGAGGGCATCTCTGCCAGGACCGGGCTGAAAGGCTCTCCTGAAGGACGCATGG

GCCAGGGCCACTCACAGAATCTGGAGGAGCCATGTACAGCTATGGTCTCTGTAGAAATAG

GTGGTGTGGGGGCAAAGCTGGGGACAGGAGGTGGGGAGGAAAGCAAACCAGGTGACTGTG

CATGTGTGTCCCTCGGAACAGGGCGGGTGGAAGGAGAATCCGCTTTGGAGTCTGGAAGCA

CTGGTTTGCTGCTCACCTGCGTGGGACTCACTTGTTGGAATGCATCTTCATGAGTTCCTG

CCATGACAGATTCTAACTCAGTGGGTCTGGTAAGGGTTCAGGCATGTCTGTTGAGGCCCA

GGCTGAAGATGGTTTGTAAGTGCAGTCGCGGCGGCCCCCAGGTGGTGCTGGGTCAGCTAC

CCCGTATGGAGTGGCTGGATGAGGGGAGTGTCAGCTCTCTGTTCCTGGGGCTCATGGAAG

ATGGGACACCCCTGGGCAGTGTTAGTCGGTCATCCCTGTAGGGTGACCATCATCTGGTGA

CCTGTTGCCCCGGCACCTGGTCAGTTTGGCATGTGTGTCAGATTTTTCATTTTCTAAACA

AGTTTACTGTGAACATTCATATTAAAATAAGCAGGACATGGTCTGGTAGACTCTACCTTG

ACCCCTGGTTTCGGCAATGATCTTGTCCACTAGTGAATGAGACATGTGAGTGAGCAGTTT

TTAATTTAACCTGTGGTTCCAGACCACTGGCAAGGACCAGTTAAGCTTGTTTTCAGCTCT

TTCCAGACCCAACAGCCATGCCTCCCTATCCAGGACTGTACCTGGGCACCACGGAGGAAG

CTACTCAGACATCAACCCAGGTAGAACTACCTCTTTCTGGCCCCAAGCAAGAAGGCAGAA

ATGTCCCACGTTACTGCCCCCTGCCCACTGTGGCCAACACTGGGTGGACAACTCTGCTAT

GGCCCACGCCACACCTGAAAGACGTCAAAGCCACCAGATACCAGTCTTGGGGTCCGTTGG

ACATTACAGGGCAAACGTGTGAAATGCAATGAAGAAATAGAGGCTGGGTAACCCTAAACA

CAGACAGGGAGCTGCTGCGCACTCTTGCTACAGGTGATCATCATTGTTTTGTGGGATGAA

CATACAATAAGTTATTTATTTTCTTGCTTGCTAATGCTTTTAAAATTTTTTAATAAACTC

ATTTGATAGCAATGAGCTAAAATAATGGAAGTACGTGTTTAACGAAAAAGCACAGAATTT

CCACTGGCCATTAATATTGATGACAAAGGTGCAGCTTGCACAAAATACATATTGGCATTA

TTTTGACCTCAGAAAAGCCAAAGAATCATCATCTGCTAGAGAAACAGCCACATCTACTTC

CAAAGACGGTGGTCGAAGGCTTTGCTGAAGACAAGGGCATGCAGTGTGTGGCACCAGAAG

GTCAGAGCATGGTTTTTCATTTAGATCAAATGCTGCTCTTCTACTCTCAGCTCACACTTG

GCAGCTAAGCTTCCCTGTGCGTGTCTGTAAAGTCAAGCAGTTAACTGTTCATGTGCCAGC

ACCACTAGCAGAAGAAAAACTCAGTAAACAGTCATTGAAGCCAGTTTCGAATGACAACAT

CTGATACTTCATAGAGGAAGTCACTGAATTCCAGGAATAGGCCCTTGGTTTTCAATCACA

TTTGTGAACTAAAAAAGCAACTTTTAGAATTTCATTCTGGCCTGCAATCCCAGCATTTTG

GGAGGCCGAGGAAGGTGGATCACCTGAGGTCAGGGAGTTCAAGACAAGCCTGGCCAACAT

GGTGAAACCCCATCTCTACTAGAAATGCAAACATTAGCTGGGTGTGGTGGTGCACGCCTG

TAGCCCCAGCTACTTGGGGGGCTGAGGCACGAGAATTACTTGAACCCGTGAGGCAGAGGT

TGCAGTGAGCTGAGATTGAGCCATTGCACTCCAGCCTAGGTGACGGAGTTGAGAATCTGT

CTCCCAAAAAAAAAAAAATTTCATTCTGTCTGAGGGGAGATATTTGAGACTCTGATGAGG

ACTACTGCAAATTCAGTTAAAAGGTTCCACACTGAGGCTGGGAGCAGTGGCTCACGCCTG

TAATCCCAGCACTTTGGGAGGCTGAGGCAGGCGGGATCGCCTGAGGTCAGGAACTCGAGA

CCAGCCCGGCCAACATGGTGAAACCCCGTCTCTACTAAAAATACAAAAATTAGCTGGGCT

TGGTGGCGCACGCCTGTAATCTCAGCTACTTGGGAGGCTGAGGCAGGAGAATTGCTTGAA

CCTGGGAGGCAGAGGTTGCAGTGAGCCAAGATCGTGCCATTGCACTCCAGCCTGGGCAAC

AAGAGCGAAACTCCGTCTCAAAAAAAAAAGAAAAAAGAAAGGTTCCACACTCAATATGAA

ATTCCTTGTTTCATTGTAGTGGTCACATATGGACATACTAGATAACAGTTTCTGGGTAGA

AGTGATGTTCTTATTATATGAAGATACCTACGGAGCAAATATGAACCACGCATGGGTTAT

AGGGCACCTTCATTCAAACTTGTGTCCAACAAGTTGGGATAATCTAACAATCGAACAATA

TAAGTCGTAGTTGCACAAACTTACAAATATTTATATGCATACAGTTGGAGTAGCCGAATT

ACAACACTTTGTGACAAAGCTGATTTTGTCTTTATTTTATTTTATTTTATTTTATTTTAT

TTTTTTTGAGACGGAGTTTTCCTCTTGTCCCCCAGGCTGGCATGCGGTGGCGCAATCTCG

TCTTACTGCAACCTCCGCCTCCCAGGTTTGAGTGATTCTCCTGTCTCAGTCTCCCGAGTA

GTTGGGATTATAGCCATGTACCACCACACCTGGCTCATTTTTGTATTTTCAGTAGAGACA

GAGTTTCACCATGTTGGCCAGGCTGGTCTCAAACTCCTGACCTCGGGTGATCTGCCCCCC

TTGGCCTCCCAAAGTGCTAGGATTACAGGTGTGAGCCACCGCACCTGGCCACAAAGCTGA

TTTTTAATTTTAAAAAGATCTCAGTGTGCGGCTATGCCCTCTCCCTGTGCCCATGCTGAG

GGTGATTCTATAAACCAAGCCCATAGAAAGCTGCCTTGTAAGTCAACCCAAGGGTCCTAC

ACTGCAGTGAGACCTTCTGTAAAGGAATCCTCTAAATTTTGGTTGCACCAAATAATTTAA

TGAATTCGATAAATAGAGCAATGACAACAAACTTCAGCTTTTTTTTTTTTTTTTTTTTTT

TTAGACAGGATCTTTTTCTGTCACTCAGGCTGGAGTGCAGTGGCACAATCACGGTTAACT

GCAGCCTCAACCTTCTGGGTCCAATCAAACCTTCCACTTCAGCCTCCTAAGTAGCTGGAA

CTACAGGTATGTTCCAGTTAATTTTTGTATTTTTTGTAGAGACAGAGTCCCAGTCTATTG

CCCAGGCTGATCTCGAACTCCTGGGCTCAAATGATCCTCCTGCTTTGGCTCCCAAAGTGC

TAGAGTACAGGCATAGGCCATCTTGCCTGGCCTCAAACTTCAGTTTTTAAAGCTTCTAGA

AAATTGCAAATGTTGAAGACAAAGCTTGCAAACAGGAAGACATTAAATATACCCCTTACA

AGTGAGGGAGGGATGAGATAAATTCAACAATGAGTGTCCTGACAGCATATAAGATTTAAT

TTTGAAATTATGTAATTTTGCTTCAGAATATCTCAACGTATGGAAGGCATCTTTTAATGA

AGCCCTATTTTTAATCAAACACATTTATAAACTGTACCAAAATGGGACAAAAATAAAAGA

TGTACAAGTTTGCTGTATCTAAAATTTAAGAAACATTCAAGAGAAACTTACAGAGAAACA

ACTCCAAGATAGACAACTTATTTAATGAATTTTCTCTTGTAAAGGTATCTGAATGGAGCC

AAAAAACCAACATCTGGAAGTGCATTTGGGTGAAATAGTTTCACTTTTCAGTGTGGAAAA

AAAAAAAAAAAAACAGTGAGCAGAATTTACTTTGAGCTCACCAGGTACCCCTGAACCTGC

AGAGAGAAAATTGTCTTAATTAAAATGGTTACGGTCTAACAGAGAGGAGTCAGTTTAAGA

TGTCAACAATTTCTAGCATACTAACCAAAAAAAAAAAAAAAGCAACTTTGAAGAAGGGCA

TAGCAATTTTAAGAAAATATTTTTAAAATGTTAGGACTCTATTGAAAAGAAACTCCTTTA

GAAAAATTTCAATGGATTCACCAATATATTAAAACCAACTTACCAGTCTCTCTCTATATT

TATATATAATATATGTTATATATTATATATGAAGTAAATATATATCTAATTAAATAATAA

ATTAAATATATATTCATTATATTTATTAAATATAATAAATAAATAATAGATCTAATTAAA

TAATAAATATATTACATTTGTACAGGAGTAATTATGGCAGGCCAGGCGCGGTGGCTCATG

CCTGTAATCCCAACACTTTGGGAGGCCTAGGCAGGTGGATCACCTGAGGTCAGGAGTTCG

AAACCAGCCTGGCCAAAATGGTGAAACCCTGTCTCTACTAAAAATATAAAAAATTAGCTG

GGTGTGGTGGCAGGAGCCTGTAATCCCAGCTACTCAGGAGGCTGAGGCAGTAGAATCACT

TCAACCCGGGAGGCGGAGGTTGCAGTGACGCGAGATTGCACCATTGCACTCCAGCCTGGG

CAACAAAAGTGAGACTCCACCTAAAAACTAAACAAACAAAAAAATAGAGTAATTATAGCA

AAATCATGATTACTTTTGTACCAACTTCATATATTTTTTAATAAATTTATACAATAAATA

TATATGCTGTACATATTATATAATATGTATATGTTACATATTTAATTATATAATAGTTAA

ATATATAATATATTTTATGAAATATATATTTAATATATAATATGTATCTTATATATAAAT

AAATAAATAAATATATATTCATTTATTTTCAGTGCCTGCTTCCCTCTATAAATTGTCCTC

ATTTGGAGAACACTTGGACACAGGGTGGGGAACATCACACACCAGGGCCTGTTGTGGGGT

GGGGGGAGGGGGGAGGGATAGCATTAGGAGAAATACCTAATGTGATAATAAAAAAAATAA

AAAAATAATAAAAATAAATAATAATAATAAAGTGTCCTCATTTGGATGGCAGATTGAATG

ATTATCCTACAGATTATCTAAGTGTGTCTAGAACAGACGTTTTCAAACTTTAGGTTTTCC

AGGATGGTTTATTCCCTTCTGATGCATGTGGTCTAAGACCTTTTTTAAAAATCAAGGTAT

AATTGAGAACACAGTAAGTGTACCCTCCAGTAAGTTTTGACATATGTATACATCCAGGTG

ACCAGCACCCACTCAAGATAAGGAAGGTTCCCATCACTCTAAGAAGTGGTTTTGTGCCCC

TTTTGCAACTAGTCCTGCCTGCAGAGGTCACCACCCTTCTGATTTCTGTGGCCGAAGACT

ACGTTTGCCTATTGAGACCCACATTCTGAGAAGCTCAGGTCTCTGGTCTTTGGAGACCCT

GGGATAGAAAGCGCAGGTTGTCTTGGACGGGCCGTGATTCTGGCCTGTTTATTGCAGGGT

TCTGTGGGTGTAGCGGAGGCTGAGAGCCCCTTAACAGAGACCCTAGAGGCCTGGAGGGCA

CCTTTGGATAGCACGGCAGAAAGTGTGCTGCTCCAGATGGGGGAGATCACAGGCAGGGGG

GTCACAGGGGCTGGCCTCCCAGGGGCTCGGCCTCCCAGGGGCTCAGCCTCCCAGGCCTGA

CACTGACCTGAGATCCAGCCCTGCCCCTGCCCCTGCCCTTCCCAAGTCAGACCTCAGCAC

CCCTGGCCCCTCCACCCCAGGCTGACCTGGCTGCTCCTGCTCCTCAAGACTGTGTGACTC

ATTCCACCTCAAAGGTGTGACTTCTGCTGTGGGCACGTGGCAAGACCTGGTGGGATGAGG

AAAGATGCCCGGTGTTGGTCCTTCCCTTTAGAGACTGAGAAGTTTGAGGGTCTTTTCAAG

AGGAGAAGGTCTGGGTATCAGAGCACTAAAGGTGCCCACCGAGTTTCCAGGGAGGACCAG

GCAGCACTTTGGCCAGATGGCAGAGCCCAGCCCCTGCCCAGCCCCTGCACGAATGCATTG

GTGTCCACCTTCCTGCCCCACTGCCTCGATTCCTGCAATGTAGAGGTTGAGATCCAGGTG

AGGACAGCAGCACCGACACTCAAGCCAGTACAAACCGAGGCTGGGGCAAGAAATTCAGCA

CACACCGAGCTGTGATAGGAGTACCAGGAAAGAAATCAGGCCTGGCAGTGGGGCTGGTGC

CTCTAGCCTCAGCGGGGCCTGTCGCAAGTTCAAGGGTGGTCGGCATGTCCACTGTGAGGG

GGGGACCTCTAGCCTCAGCGGGGCCCGTCACGAGTTCAAGGGCGGTCGGCCTGTCCACTG

TGAGTGCTAACCATGACCATGACCCCAGTCAGGGCAAACGCCAACTCTGGGTGAGCAGCA

AGTTGGAGGCGAGGGAAGGGATCACGACCCCACCAGATACTAAGGTATGGAGGAAACAGC

TTGGGGTGACACCCCACTGTGGGAGCTCAGGAGGATGTGGGTCCGAGTCCTGGCTCACCA

CAGACCAGCTGTGAGCATCCACTGGGCTAGCTGCTCATACTCTCCAAATGACAGCCCAGC

CCAGGGTCACTGAAAGATACCAGGAGTTGATAAGGTGGTTGGCACAGGGTTGAGGATACA

GTGAGCACTCAGTAAACAAGAGTGAGGGTGGAAATGATAAAGAATAGGGTCCCACTAGTG

TGGGATTCTGTCTCCATGGAGGAACTGAGATGACACGATCTTATAGTCTGATCTGACAAG

GCGTCCTTCTCTCCCCTTCCAGTCTACCAGGTGTCCTCCCTGCCTACCAGGTGCCCTAGC

TGTATCAGAGGTGTCCTCTCTGCCTACCAGGTTCCCTAGCTGTATAAGAGGTATCCTACC

TGCCTACCAGGTGCCCTAGCTGTATAAGAGATATCCTACATGTCTACTAGGTGTCCTAGC

TGTACTTGTCTACCATGTGTCCCACCTGTCTGCTCAAGCTCCCTGCAATCTTCCTTCTTT

AGACTGTGTGCACCCCATTGTCTGGAATTCTCTCTTCTCCCTGAAAACTCTTCTCCCTTC

CTACTCCAAGAGGGCTGCATGCATTCCCGAGCACATGCCACCTACACACGTGTCCCACCC

ATCTGGGGCCCTCAGCTCAGGTCTACCCCTCGATGACACACCAACATCCTCATTGTGTGC

ACCGGGTTTAGCACCCAACACAACCCAAAACCTGCACAGGAGGCGAGCCTTGGAGCCTGG

CAGCTGACACCTATGTGAGTCGGCAGCCCTCCTTCACTGTAATTAGTTACTAATGACATG

ACGATTATGAGTCCCTGGGAAACGTCGTTTCACAAACTGAATGTTAGACACCCTGCATGG

TAAGCCTCACTATACCCACTGGATAGGTGATATGGCTGAGGCTTGGATAAGTTAGACCAC

CTGAACCTGTGAGAAAGCACTGGCCCCCCCTCTGCTCCACCCTGCTTCCCCAATGGAGGG

GTGGGTGAGCCCAACCTGCCTGTGCCCCCTCCTCGACCGGACCTCAAGGCCACCTCGGCC

CACTTCCAGAGGCCCCTGTGCAGCAGGCCTGGCCTGTTAGGAAGTTCCCAAGAGACTCTG

ACACGAGGCCTACAGGGGCCCCCAGCCAGTGGGGCCAGCGTTCTCTACAGCCCCTGCACC

TCCAGGGTGCAACCCCCCGGGTTGACACTCTGTTACCCTGAGGGGGACAGGAGGCCTCCG

AGACCCTCCCTGGACCCAGCAGTGCCACTCCTACCCCTGCCCCTGCACATGGGGAGAGAT

GAGGGGCCCACTGTGTCTCGCCAGAAATCAGCCTGGCTGGCATCTGCGCTCCACACTGCC

AGCGCTGCAGGGATTATTTTTACCTGCGATCGCTTGTTGAATGTGTCTGATAATGTATTT

ATAACGGCCCGAGTAACTCAGCTAGTAGCAACCGCCCTGAGAGACAAGGAAAATGGTTAG

AAATTGTTCCCTGTAAAAATAATGAGCTCCGCTGAAATGAGCCAATCAAAACAGCCTCTG

AGTGGCTCCCGCGCAGCCAGGTGTGGGGTGTGGAGGCGGGGCAGGTGCCGGCTGGCAGGG

CCGCCTGGTCTGCTCTCGGTACGATTTCTGGGACAGGATCTGGGTGGCCGGGGGTCCCTG

TCCATTCCTCGGGCCCTGCCAGCAGTCTGTCCCCAGGCACCACACTGGGGAAGCCCAGCT

ATGACGGGGTGGCCCAGAGGACGATGCCAGCAGTTTGAACCATCCCCTGAGGAGTGACCC

AAGCCCGTGTCTACATAGCAGCAGGAGCCTGAGTCTCGAGGCCAGCCCATGTGAGCGTCC

CCCAGCCACCTGCCCATGGGCCCAGAACTCTCAGTCCCCTCCAACCCGTGCAGTGTGACC

TGTCCCCTTCAGCCCTCATCCACCGCTCTGGAATGTCCCCCTCCTGCCCTCCCCATTGCT

CTCTTTGCCAGGAACATTCCAGCATCTCCTTTCCCCAGTTCACCTTGTCTGTTCCCCCAG

ACTCATTTCAAACAGCACTCCCCTCCACAGGGCCCGTCACTGCCCAGCTGGGAAGAGGCC

TTTGCTCTGAGTCCCAAAGAGCCACAGGAGGGTGCCACCCGAACTCAGGGATGGGCTGGG

TCTCTAGACACCCTTCTGCTTGTCTGTTTGCTCTACTAGAATGGGGACCTCCTGGGGCCT

GAGGCCACACCTTCCTTTCCCAGGTAACTGAATTGTGTGAGGTTGAGAACAGGAGCCTGA

ATCTGAATGAAGAGCGAGGAGCGGGAGTTTGCACAATTGCCTCATAGAATCTAGGGGACG

CTTCGTTCCAGATCACAGATGGCCTGTTCTCCAGCACAGATCCTTATCTGCCTCATCCTG

TCTCCTCCTCACCCTGATTCTCAGTGGCCAGCTCTGCAGATTTGCCCTCTAACTATATCT

TCCTGTCTTCCTCGTCCCCACTTCCACCCCCTTGGCCTCGGCTCGGGGCTCATCAGCTCT

TGCATTGGCCCAGTCTGTGGGCGGCCAACCGGTCTCCCTGCCTCCCACTTGCCCTCTTCA

AAGCTTTCTTCCTTGGGGTCCAGTCTGACTCTGCTGCTGCTCTGTGTCTCACTCCTCCAT

GGCTCCCCAGTGCCTGGACCGTGGAGGCTGAGCTCAGTCCCCGTGGTCACGCCGCCTCTC

CCCTGCAGCCTAGGAAGTCCTCAGTCCCAGCTGCAGACCGGACACACTCCTACAACGAGT

CACTGTTTCCCACTCAGAGGGCTTAACTCACATTGTCCCTTTTCCCCCATGCCTGCCCTC

CCCAGCTGCCCTCAGGGCCCTCCGTCCTCCGTAGAGCCTGGTCACTCCTGGAGATCCTGC

CCCTCTGCCACACCCGAGCCAGGCAGATGCTCTCGTCCGCATGCCCGGCGGAGCATGTGT

TTTAAACGCGGGAATGCATGTCGCTGTGTTTGCACCTCCTGTGTCGCACCTGGATCGTCT

CTTCATGGGGAGGCTTGCCCGTGAGCTTATGGAGTGAGGCAGAGGACCATGTTCCCTCTC

TTTTGAACCCACACTTACAGGGGCCCTGCATTCCACAGGCCGGGGCTGAGTTCACACAGG

AAGTAAAAATTGGTCCTGCAGAGTCAAAGTCAGAATGGCAAGAGCTTGTTTAAGCCTTGT

TAAGTGATTGCGGGCACCTGCCCCCGTGTGCACATGGCCTGACCTCATCCCTAGGATGGC

TTTGTGGGGTTTAGCGGTTATTCTCATTCTGCAGACAGGGAGCATGGTGGAGACCATGTC

AGGCTCAGGTGCAACCAGGCACTAATGTTTCCAGGCCCCACTGTGCCTCTGCTGCACCCA

AAAGCCCCCGCAAAAGTCCCAGGGTGGAACTGTGGCAGAAGGGGACTGAGGCAGATGGTC

TAGAAACCGAGCCCCTATTGAAAGCTGGAAGGATGTGATGTTGCAAAGCCTGCCAATAAA

AAGTTTGTCTGGGGGTTTTTCTCCTGCGTCCAGATAATTTGGTGTTTCTGTCAGGGCCCA

ATCAGTGTAAAGGAAACACATGGTATATGAACAAGGAAAGACTAATTCAAAGCAAGGCTC

ATGGTAACAAGGGACGGGACCAAGCAGGGCTTAGCCTGAGGACAGAGCCCCTGAGCAGGG

AGGTCTTCTGAGGCTGCAGGCTCTGCCCAGAAGATCTGATGGGCCCAGTGCCAAGGGCTG

GATGTGAATTCTGAGAGTCTCAGGCTGACTTCAGAATCTAACTACTCTACTGTTTAAGTG

GATCGCAAACTTAGTGGAATAAAAGCCTTTTCTCTGCTGCTGCCAAATGGTGAGTGTAAA

AGCGATGGTGTCTGTGTCAGCACTCGGTTCAAACCGAGTCGTGGATGAGGCAAATTGGAT

CATTATTCATTTTATCGGTTACTTATTTTTAGAGCAATTTAACAATTACATGTAAAGTGC

AAAGCACAGACCCGATTTACAGCGAAACTGTGAATTTACTGCCTCCACTTGGGCACCTGA

CAATTTGTGTGTTTCCGTTTAGCATATTTTCCCCTTCCCTCAGGTGCCTGGGTTTAACAT

TATCTTTCTATCAATTTATAGGAGAATCCTTCGGGAGGATGAAGGTGTAAAGAAGTCGGA

ATGAAAGCCACTAGCACGTGGACTAGTCCATGTTCTAGAGTCCTGCGGATAACCAGGGCC

TGTGTAGATGCCATGGAGCCCCACAATCCTTTGTGGGGCTGGTGGGGCAGGAGGCACAGG

GAAAGACCCTCCCAGGAGAGACCCCAACCCCATCCCTGGACTCTGCAAGCTTCTCTGATG

GTGATGGTGTGTCTAGGGGATGGGATCATCGTACTGAACCCTCAGAAAAGAAAGAGACAT

CAGCCCAGGAGCCCTTTGCATCCTCAGGGGAAGCCTTCCTGATATGGGCTTCTGGACGGA

GGTGTGCTCCTGACTGTTTCTGAAAAGCATACACACCCTGGCAGCCCAGGAATGCCCAGG

AGCACCAGGCTCTGCTGAGAAGATTCTGACCTTGGTAGTCAAGGCGGCTGTCATGGTGTA

CCGATCCTACAGAGAGATTAACAGAAAAGGGGAGAGGAGGCGGGGTGGCGAGGAGGGGAG

GGAGAGGAAGCAGGAGAGGCACGGGGAGGGGCAGCCTCCTACCTGAACCCAGGCCGCAGG

CCGCCTGGACTCCATGTCTGTCTTATCATGGACCCCATCAGGCCTGTGCCCGGGTGACCC

TGGGAACCGTCTCTGGTTTCTCACTCACTGTGTCCTTGCAGGAGAGCCACTGTGGCTGGC

TGAAGGGATCCAGGGCACATTTGTGTGGAGGAGCGGGAGGAGATTGCCCACCTCCCACCA

CTGCTTTCCCTTCTAATTGAATGCTGGGGAAATGACAGGTCATTGCCTCCAGTTTTATTT

GTTGGGAAAATGGAGGAAAGTGCTACAGATTGTGATCGGGAACAAAGCTGAGCAGATAAC

AGGAGACCCGCCTTGGGCCTGCAGAAAGACAAAACCCGGTCCCTGATTAGACGCTGAGGG

CAAGGCCGGGAGGGGGCAGTGGGCGGGACATGGAGTGTCATTTGATTGTCTCTGCTGGCA

GCGCTCCCCGGAATTGCCATTTAAATTATTCAGCGTTTTTAAGCACCGTTGGACTTGGGG

TATTGTCAGCTGCACAGGGAGGCCGAGTGTGGGGCTGCCTCAGCCCCGGCAGCTGGATGA

CGCGTATTCTCCTGTCATGGTATTTCTAACAGTGACTCTCTCCCTCTCTGTAGCAGGCAC

CATCTTCCCTCCTCCTTTAGGGAAAGGGCACCCACATCTCCTTTGGGGACCCCCACTTCA

TTCTCTCTCGAGGAGCCTGGGGGCCTTCCTGGTTTCAGCTGATCAGCATTTCCCATGGCT

GTGGCCCTGGCCCCAGGGATCCATGCACAGGAGGGCACATGGCCTATGTTGGCTCCACTC

GAGGGACCTCTCACCACCTTCTGGGAGGGGTGAGACAGACCAGAGCTCAGTCTCTCCCAC

AGGATGGGCAGGGGAAGAGAAGAGCACTGGCCCAGGGGGTCGATAGTCATTAGCACTGGT

GAAAGGAGAGTCAGCCTCAGAATGAGACCTGAAAGCAGGAAGAAGCGGTCAAGCGCAATC

AGGTGGAGTGGGGCATGAGTCAAATTGTGGGGCCTGAAATCCATGCCTACCTGGAACCTA

GAATGTGAGGTCTTTGCAGAGGTCATTAGTTAAGACAAGGTCAGCCGGGGCAGTGGCTCA

CACCTGTAATCCCAGCACTTTGGGAGGCCAAGACAAAAGAATTGCTTGAGCTCAGGAGAT

TGGGACCAGCTTGGGCAACATAGTGAGACATCATCTCTACAAACAATAATAATTTAAAAA

AAAGCTATGGTGGCACACACCTGTGGTCCTAGCTACACGGGAGGCCGAGGTGGGAGGATT

GCTTGAGCCTAGGGTGTCGAAGCTGCAGTGAGCCAAGACCTTGCCACTGCACAACAGCCT

GGGTAACACAGAAAGACCCTGTCTCCAAAAAAATGAGGTCATACTAGAATAGGGTGAGCT

ATATGTGCAATATGACTGGAGTCCTTATGAGAATAAAAAGAACCTCAAAGAGGCTCACTG

TAAAGACGGCCATGTGAAGAATGAGGCAGAGATGGGAGCAATACAGCCACAAGCCAAGGA

ACAAGAAAGATTGCCAGGAGCCATGAGAAGCTATGAGAGAGACTCAGAGGGAGCCATCCC

CAGGGCCTTTGGAGGAGGGATGGGCCTGCCCACAATTTGACTTCAGATCTCAGGCTTCCA

GAACTGTGAGACAACACCTGTTGTTTCAAGCCAAACAATTGAGTTATGTTGTTACTGCAT

TTAGGGAACTCATCAAGAAGTATAACTGGGCTGTGGGTGTTGAGGCTTTCCCACCCCTGG

ACCAGACAGTGGAGTTAACTGGGCTTCCAAATGCCCTGCCTTGCTTCAGCCAGTTTAAAG

TGGGTCATGGTGAATTGTGACCAGTGGATTCCTAATGGACACAGCCTCCACAACAAGCAA

GGGAACACATCTGGCTGGGCAGGAGTACGAAATGTGCATGTCAGTGCAGAAAAATCTGTA

CCTCAACCACTCAGTGAACACATCCCAGACCCCTCCCCAGGCTCCCTCACAGCTCAAATA

GCCAAATATTTAGCCCCCTTTTGAAGTGCTCAAGTACTGCTGGAAAAAGAGAGATGCAAG

CTACATAACTACAATTCAGCTTACTACAGAAAAGCCACTGCAGGAATTCACAGATGGCTT

GATCCTGCCTGGCCAGTTTGATCATCAAAGGCTGCATTTAGAGGGCAGCATTTAAAATTA

GACATTTCAATGCCTCATATTAATGGATTGGGGAATATAAATTATTTCTGAGTGACATTT

TAATGTACTACATATCCCTTCAATCTAAATTACCAAAGTTTATAAACATTGAATTCCTAT

TGATGAAGAAGCAAATATTTAGCTCCTTACTGCTAAGACCATGAAATCACTTTTCAAAGG

GTGGAGCTGAACTTGACCTACTCACTTCTGTTGTTTAGTTCTTGGTCCCAGTCAGGAAAG

GAGGAGAGAGCACTGTTTTTGAGTGCTTATGTGCCAGGGTTTAGACTATACATTTTCAGG

TGTCTTTTCCCAATTTTCATAACAACCCAATGAGGAACATAGTATCTGTCTATTTCAGCT

CAGGAACTAGGTTTAGAGTAGTTAAAAAAAACTTTCCCAAGATCACACGACTGGGTAGTG

TTTCAATGTGATTCTGTTTGGTTCTAAAACTCATGCTTTTTCATTTCTACCAAACCATGC

TTCATCGCTACAGGTTTAAAAGGACAAAAGGCCCAAAGTGGTTACAGCCTGGCCTAAGGT

CACAAGGAGGGTCGGGGTAGAACTGAAGATGGAGTTGAAGACTTGCCTGGTTGGTTCTCA

GCTCACCCTCTATGCATCCCTTACTCTTCCCTGTGTGTGCTAAAATGTTAGGTAAGACTC

TTAATACTCAGAAGTAATCCTCAGAAAACTCATTTGCATTTTGTTTTCCTAACAAGGAAA

ATGGGGCAAGCTTCACCTTGTCAGTCCTTCAGGGGAGCAAACATTCCAGAAGGAAGTAGG

TTTGGATTGTTGAGGTCTGGTCCTCCTTACCCCTGGGTGGGGTAAACTGACTCATTTTAA

AATATCTCTAATCTGGGCTTTTTTTTCCCTATGGACAGCCCATGCACATGCTAGCTGGAC

CAGGAGGGAGGATGGGAGGAGGGAAAGTGGTACTCCGGGCCCTGAGATGTGGCTACCTGA

GCCTCATGCTGACAACATGTGCCCAGGGACAGCAGAGGGAGCAGCAAGGGGGCTGGCCCT

GGGAGGCCCGAGGCAGGGGCAGCTGTCACCTGTGTCTTCTCCCAGGCACCCACAGGTTAA

CTGTGAGCTCACTGAAGAACTGCAGAGCATGTGTGCTGGTGGGGTGTGACAGGCAGGTTG

GTTCACCCCACTGTGGAGATAGGGAGAAGAGGACCC

But seriously bitch if you ask someone "where are you from" and they say I was born here and after you wait for them to elaborate they say and ... So were my parents like I feel like that is end of . You do not have to keep pressing. Fuck you want all my DNA

[fagcrisis]

sorry what do you mean your mother's coup. elaborate

this ended up being long as hell so readmore time

so i live in this old fucking apartament building right, turns 120 soon, hasnt really been renovated in 50 years. and our apartament has the attic built in, which wasnt a feature originally and the previous tenant did it himself, badly, meaning weve had a hole in our roof for about 5ish years now that we just have not been able to fix. last november we had a pretty big storm that fucked the hole up even worse and our previous solution of just "put a bucket under it and leave the room" has stopped working because too much water was getting in and my sister had to start sleeping in a different room so safe to say, shit state of affairs

my mum got a contractor to come take a look at it and the dude concluded that its dangerous to be left unfixed and hes gonna have to climb in between the attic walls and the roof bc due to the hole theres a shitton of mold that needs to be cleaned out. overall this wouldve cost us 600k forint thats more than my mum makes in 2 months and i had 9-5 at that point but my shit salary was not gonna fix this. so my mum had a breakdown and decided that well sell the apartament and try moving, which sucks bc when we got this place it was still cheap but since then the housing market has gone to shit and we wouldve had to live in a rental we probably wouldnt have been able to afford. but my mum still called an agent to check the house out, and he told us that theres no way were selling it, because of the big fucking hole, the messed up pipes and bc the building isnt insulated (legally cant be bc its a historical monument lmao. europe)

HOWEVER he also said. since this is an apartament building with 12 flats we have a house representative and we pay *google translate help me* common cost every month, to cover repairs on the house, that we shouldnt have to pay for the repairs, the house should. cause. its the whole houses roof not just our apartaments.

my mum went to the house rep (józsi) to ask about this, and he told her that this isnt true and that he wont pay for the repairs. which made my mum mad and she went and found a lawyer who said the house does have to pay for repairs. but józsi was still like i will not.

so my mum talked to all 12 of our neighbouring flats individually and found out that literally everybody has grievances with this dude. there has been an ENTIRE TREE growing on the roof for years now that we havent been able to get cleaned out, the staircase is borderline life threatening to use, we could technically get authorization for insulating the house but the rep needs to apply and józsi hasnt, one of the gates to the yard is like not working, etc

they ended up calling the first house meeting in years (were supposed to have those every month lol) where they ended up voting to have a new rep, and also to fix our roof. which got fixed by the way, and the mold was also cleaned out

BUT the story doesnt end here bc they still need to vote a new rep in. and my mum found this company who represents apartament buildings professionally and sure itd cost us some money but we pay the common cost anyway, and they have contractors they work with so itd be soooo easy to fix shit in the house. but for some reason some people decided they want this dude instead, who owns one of the flats in the building but does not live here, his insane mother does who hates me. and he DOESNT LIVE HERE the entire problem with józsi was, that he was like not helpful in any way and now they want a guy who doesnt even live here??

ANYWAY TODAY THE PLOT FUCKING THICKENED. because. my mum started looking over the houses finances with 2 of our neighbours one of whom is i think a lesbian but im not sure anyways they found out that józsi has been STEALING MONEY. FROM THE COMMON COST. WHICH IS WHY FUCKALL GOT FIXED IN THE HOUSE!!!!

anyway the coup is still ongoing but i hope u enjoyed my mums tale of intrigue. shes having so much fun w this shes having secret meetings with people to talk about this all day

[romanceddawn]

video editing

related to the ask i answered from @whats-amata-you about video editing, i'm going to go into a more in depth guide on editing with CapCut on desktop under the readmore ^-^ there are other editors out there obviously but this is the best free one i've worked with so far

this is very long and im sorry for that, i just have adhd and wanted to talk about everything, i hope its helpful and if theres anything thats confusing let me know!

basics:

before you start you wanna go into your settings and make sure Proxy is turned on, this will help with lag from any big file sizes

to give a rundown of what i know about the capcut menu so far (and whats the most useful for basics imo):

the tool bar section essentially, for splitting/cutting down whatever section you have selected, mirroring it, rotating it, etc

the main edit section- video, audio, and speed are the basics that you'll need but ill go into some of the other parts listed in a few

how to resize the output ratio, depending on the ratio of your clips/videos you may need to resize them to whatever you want the output to be. i use 4:3 most of the time and resize the videos to fill the space correctly (if you mass select the clips you can resize them all at once)

the zoom bar for the timeline so you can work more precisely or quickly with clips

once you've got your new project started and all your clips and audio imported, you wanna click and drag those files down to the timeline and itll put them in the middle 'cover' layer, HOWEVER, you wanna drag video clips ABOVE the cover layer after, and then 'hide' the cover layer. this is because the middle layer locks video clips in place and offers very little freedom to work, doing it on free layers is better (when you drag itll look like the first pic, with a line highlighting above the main layer. the eye symbol in the second pic is how to hide a layer)

you can also edit the ratio of the output and mass edit the videos to fill the video player while you've got your clips in one place

NOTE: i try to move all the videos so that there is a good bit of empty space in the beginning of the project, this is where your song and actual edit will be worked on, and you want some empty space between the song and the videos you're using so that you have space to move them around and cut them down later on

from here, you wanna cut down the song audio you want to use and put it at the very beginning of the timeline. you wanna pay attention a bit to the intro and outro so things dont sound disjointed or off beat or have too much dead silence, but for the most part it doesnt have to be perfect. you can also edit the volume of the song in the audio menu top right so its not blasting your ears out while editing

also, a tip for audio: if you need a section to be shorter or longer, you can sometimes splice the audio up and piece it back together. its easier to do this if you zoom in really far and pay attention to the beats and sounds, but with enough practice you make a song work better for the edit while still flowing smoothly!

you should also decide if you want any speaking parts for your edit or any neat sounds and set those clips aside, the clips that you dont want to have audio you can mass select and right click them, there'll be an option to extract audio which you can them mass select and delete (if you decide you want audio later you can right click and do recover audio on any clip that needs it) if you have a clip where you only want part of the sound, you can extract the audio and cut it down so only that section of audio remains, but make sure to keep it synced with the video!

the next step is just fitting your clips to the audio! it doesn't have to be 100% perfect, nor do you have to have a new clip on every single beat, but it is good to use the beats of the song or the words as a general idea of where you should cut the clip to so it looks smoother. if you zoom in far you can see on the audio tracks where the beats are along with listening and you can use a marker (highlight in yellow on the first pic) to tell you where it is later, this will also help the clip snap into place when resizing (second pic)

EDIT: there is also a button on the tool bar that will mark the beats for you if you dont want to do them yourself (no, this is not gen ai, its just a beat detection tool)

this is pretty much the last of the basic stuff, aside from whatever little edits you want to do to size, speed, audio, etc. when im fitting clips i always do it all over the place so just take your time and dont worry about making it like a puzzle, just fit clips to wherever you think they look and sound the best

for everything after this, its not a necessity or anything, if you just wanna slap your watermark on the video and export it you totally can i do that all the time when i dont wanna deal with other stuff, but ill give the rundown of extra stuff just in case you want it too-

colors, sharpening, filters

so, while you can adjust each video's colors individually, its a lot easier to nab an adjustment layer from the top and pull it down to the timeline, then resize it to your edit (first pic). you'll mostly want the basic section which will give you clarity, saturation, etc (second pic), and the curves section which can help you edit the colors of the video, either to an extreme or light amount (third pic) i havent played with hsl too much but you can mess with it to your liking too! (if you need a few clips adjusted a certain way you can also split the adjustment layer so you only edit the clips it's above as well)

you can also use the pre made filters for this, right next to adjustments, but not all of them work great with animation

animations/transitions, text, edits

so to make your clips move and look more lively, you have two options: animations or transitions (or both if you want)

for animations, you click on a video clip and go up to the animation section where you can choose a combination of in, out, or combo. theres a lot of really fun ones here and you can adjust the durations of them until they look how you want, you can also add in AND out animations together on one clip

for transitions, you go to the section up top, pull one of the transitions down between two clips, and then you can edit the size of it. you cant add two transitions at once but they can go along with clips that have animation added to them so you can layer the effects!

effects and stickers are in the same vein of just fun stuff you can add, i havent played around with stickers a huge amount but capcut has a pretty good amount of neat things for edits tbh, but also if you want to make your own 'stickers' you could probably just import a transparent png image and put it on a layer above your video

for text, i usually just do default text and edit it to my liking but i know they have some neat premade stuff too, either way you wanna put it as the very top layer so none of the adjustment or effects layers are doing anything to it

theres a few other things that capcut has to offer that i havent explored yet or thought they were a little more than basic, but once you have all this down then the editing program is your oyster to play around with as you please!

exporting

after everything's the way you like it, you wanna delete all the extra clips/audios you didnt use, that way the program will default to ending at the actual end of your edit, then you wanna go up to file and select "Export" and you'll see a menu pop up

now it defaults to saving in a hidden folder in your appdata which is the most annoying thing in the world so you wanna select the folder to export (highlighted), save whatever folder is best for you, and then click export! it chooses video automatically so you dont really need to do anything extra, you also dont have to choose a folder every time, it will save into whatever you first chose every time after this

afterwards, you simply upload to your social media of choice with whatever caption and tags you want!

i hope this covered everything, and you have a fun time editing! ^-^

[tigerdrop]

I think we should talk more about breeding kinks here specifically with whatever men you're currently thinking about. I finished read your snippets on your website so that inspired this anonymous question.

god. i have a lot of insane things i could say about it. WRT daniel and jamie. i want to put it under a readmore b/c im embarrassed but i dont want to use one b/c they dont work right on my theme (SO IVE LEARNED) so heres captain sisko cardboard cutout

this is probably going to get weird but daniel is a weird guy. full disclosure

uh. god. i had a whole long thing typed out justifying it but all u really need to know is that daniel is one google search away from being a massive furry. if he had any idea how much anthro knotting porn is out there on the internet he would never leave his fucking room. he has it so bad dude

so like. this poor fucking guy wants to come in something so badly he cant see straight (who doesnt) and the only thing hes got is another dudes mouth on a blue moon. it would be a lot easier if he could just sniff out who wants to fuck on the air like a big stupid dog. a big mean doberman fursona with a spiky collar and a stupid hat. yknow. whatever

i think the idea of being a thrall to instinct and not having to navigate impenetrable social norms in order to have sex appeals to him. hes learned the hard way that he cant wrap his head around the intricate rituals. so its really great for his, uh. self-actualization. that he ends up with a buddy who likes to play along and makes it really, really obvious that he wants to use daniel like a dishrag

the ultimate torture, though: being a guy with a breeding kink dating a guy who gets off on edging you and stringing you out. imagine

daniel: i need to come in you so fucking bad. I need to knock you up jamie: Thats great buddy. If you come before i do im going to fucking kill you

tbh jamies standpoint on it is that he both never wants to have kids and is physically incapable of having them in the first place so daniels whole breeding kink is. like. a little oddity to him. something he feels a little conflicted about, given, you know, the gender . its a thinker

but really in the end its the ideal scenario b/c he gets to indulge daniel and play pretend with no consequences. its the same as if he was a cis dude indulging him. and tbh its worth it to see how fucking strung out it makes him. daniel sweating bullets at the idea of nutting in some big muscular hairy dude..........its neat. to him. and not to me. i dont care

its also neat to have jamie be a big ol bully about it too. all demanding and pushy. treating him like a bit of an animal about it...............whatever. insane animal style sexo while jamie doms the unholy hell out of him. sweet and sour both. Whatever

ultimately tho the goal is to nut in jamie and to do it over and over again and i think thats great for him. i think its even nicer if he accidentally comes too quick. all sweaty and desperate......poor guy.

(as an aside: jamie would never be for-real mean about his dick because - and not to be a huge fucking dyke here for a moment - your dick doesnt need to work like a pornstars b/c you dont even NEED one to have insane screaming bed-shaking sex. his fingers work just fine, right? get in there, buddy. finger your cum deeper into him. Jesus christ man)

alternatively. overstimulation. jamie using his iron thighs to keep daniel right where he is after he comes while jamie gets off. its like a punishment in its own right.....making daniel stay in place, all raw and sensitive and trembling......he would whimper. i think. cant do nothin but feel it. really really cute. stuff. i think

ok. sorry. this went a lot of places. goodbye forever

[teacorgi]

Hi I really like Lily's style! She's super cool but I was wondering, is she still a vampire? The fangs are a great look! (⁠☆⁠▽⁠☆⁠) What all does vampirism entail in your world/setting? There are so many different interpretations of the curse and I like learning about everyone's ideas on it!

HEWWO ! >W< ty for the ask abt lilly waah !!

i feel like this got too long for the dashboard so ill throw my answer under a readmore !

She is still a vampire ! Part of the time, anyway ! In her main universe/the main universe i write with her in she is a human but ! i do have an AU i poke around in sometimes w/stories where she's a vampire still bc its Very important to me that she gets to keep her vampirism somewhere u know x3

The Curse(tm) depends on the type/'rank' of vampire in most my universes that i write w/them.

Lillian, for example, was changed by a man who held a moderate amnt of control over her following the change. While under his influence/control she could only drink blood n was unable to go out during the day w/out it severely burning her.

Killing him herself n drinking some of his blood basically released her from him + buffed her vampy powers up a bit. She can eat normie human food sometimes w/out getting sick and sunny days just feel like when you go outside w/a not-quite-healed sunburn- warm, tingly, hurts a little bit but its bearable. some of this is due to alien tech given to her by her husband tho to help her deal w/negative side effects.

there are also...alien vampires in this universe which are responsible for introducing vampirism to earth many centuries ago. they don't typically come to earth themselves but lilly's daughter is friends w/a few of them =3

some of these alien vamps don't really suffer many negative effects at All and have more abilities ( can turn into various beasts, teleport, turn invisible, ect ) but others are weaker than ur average earth vampire. it just depends !

ooh also if u do not consume enough blood, even if you are able to eat human food n have been doing so, you can go into a frenzied starvation mode. when this happens, people lose control of themselves and seek out a food source indiscriminately.

lets see... what else... vamps can feed off other vamps but its not as effective/does not taste good... there are some alien species w/highly prized blood... holy water and the like mostly only effects lower tier vamps and only rly works bc of the strong emotional energy behind the process of making the vamp hunting items... silverware tastes extremely bitter and acidic to them... a weaker vamp could paralyze a stronger one if their venom was different enough...

i kno there is more but. sleepy....... sleepy... i am so VEWY sleepy so im sorry if this sounds rambly or doesnt make sense DX TY AGAIN a lot for the question ;w; i havent talked this much abt oc stuff publically in 500000 yrs no joke lol

[packedice]

what genres of music does each aqours member like to listen to? i think all of guilty kiss are metal fans

This needs to be under a readmore. i... genuienly thought i coudl get through this without needing it but im pausing like halfway in because.... yeah she needs it

Something tells me you listens to like the most radio pop ever. just anything about YEAAAHH LIFE IS AWESOME LETS PARTY ABOUT ITTTT!!!!!!! and also mildly angsty poppunk stuff (and thinks about the Great Chikariko'ing of her life from s1)

and chika is of course a theater kid... im influenced by anju (her seiyuu) being a MASSIVE THEATER KID but also every one of her solos is theatrical soooo. Who's overthinking it its not me!!!!

Ruby of course listens to jpop the most. i think she tried to get into kpop (time period accurate ofc so 3rd gen ish iirc) but i think some of the industry differences + the general Sound Differences make her not very interested. I think also ruby would like izone (i never was into them so idk about canon time accuracy but imagine.)

and then dia loves jpop too obvs but i think she genuinely listens to a litlte bit of everything. i think mari's metal interest (youre so right btw about gk) bleeds into kanadia because once that throuple stops being toxic they are INNNNSEPARABLEEEEEEE..... but dia genuinely likes anything. shes into idol music, shes into more heavy stuff, shes into radio pop, shes into retro, while she doesnt love ANY SONG OF ANY GENRE, she can definitely get into SOME SONGS of any genre! i think dia really really enoys music as a hobby in general so she enjoys trying and finding new things. growing up being fixated on idol culture and music will to taht to you.....

SO OF COURSE MARI LISTENS TO METAL. i think though new winding road is a really interesting tell into her other interests. (...ignoring that her seiyuu is an insanely talented traditional singer (is that the right word. im sorry im high and blanking. please correct me ifthis is like... weird white person vague and i will fix im just soo high and cant think)

hanamaru listened to music but i think was not much of a "Music Consumer" until she was a little older so i think as a result she mostly listens to songs her friends listen to too... her and kanan both i think listen a lot to the actual style Of azalea songs. like edm or whatever. kanan is also a pop radio kinda girly. just whatever plays in her parents shop while shes working etc

yohane liste4ns to ANYYYTHINGGG metal and ANYYYTHINGGG thats like Ohhhh i hate m,yselffff Ohhh im so evillllll... any genre if the lyrics speak to her not being the biggest fan of herself side OR her "little devil" hehe Im evil for fun side.... Ya. its on the playlist. Forrrr sure. To me also the most yohane gk song is kowareyasuki and because of t hat i think songs that sound similar to that are also super up her alley

I will admit i have not been a friend of riko until recently starting to like her a little more.... so my answer is very basic with metal and like piano instrumental/ballads/cute poppy love songs

[femmefaggot]

you dont need to read this its NOT bad but it is a bit too desperately horny. not explicit or anything.

i need kaladin to lash me to a wall so badly sorry he does it first bc I call him bridgeboy and its very much oh i hope this doesnt awaken anything in me. cue me being annoying (not w that name almighty I respect him as a person) to goad him so much. im sorry i find it hot when hes annoyed with me. actually im not at all sorry you chose to read this if youre here.

i wish i could do two readmores

just. touches him on the shoulder, back of the neck, makes him turn and bristle a bit (never... badly. i like to think ive got a good read on that sort of thing all fucking things considered) gets a little too close while wearing cologne i know he likes offers to spar with him oh I can help you with your armor ive been doing this since I could walk practically can you help me with my spear work I feel a little rusty can we do it when everyones gone i like having the space to spar with you (can you pin me to the ground) huh no im not letting you win cmon kal what do you mean this is too easy. are you calling me easy. youre just stronger than me. youre telling me you dont work to maintain that upper arm strength please i dont believe you. (can we kiss)

[kil9]

re: the taemin thing (sorry im so annoying about this but i feel you wanna talk about it as much as me!). i wanted to mention his blinking habit too, but as someone who is not autistic myself (not diagnosticated at least lmao) i was afraid it was just me making assumption but you noticed it to so!!! cool. anyway i could say many more things but the line between being just a strange little dude and being a strange little autistic dude is so thin!!! (like the fact that he eats random stuff at unlikely times of the day or that he's so forgetful). ANYWAY!!!!!! i just really love him and how shinee adapts their behaviour around him to make sure hes comfortable

YES ur never annoying i absolutely wanna talk abt it forever 🥺🥺

(this got kinda long so im putting it in the readmore lol)

but yeah the blinking habit for real !!! ur definitely not wrong to pick up on that ! (i even sponged it from him sometimes lol x_x) its cool that non autistic ppl have an interest in this stuff tbh :3 i think that more ppl understanding autism and all the weird specifics of it is rly the key to our happiness ykno 🤔because most non autistic ppl know literally. jack shit.

also the eating thing YEAH 😭😭 thats also so autism to me. shinee is so good to him !!!! u can tell that even if they dont know WHY he is the way he is, that theyve figured out how he works and how to treat him....

there was such a moment in the 15m thing when key was asking taemin to "prepare" the veggies... and taemin got such a look of dread where hes like "what...... wdym.. ?" & kibum has to be like "CUT THEM taemin" lol 💀💀 its such a silly moment but its SOO quintessential to me for both what its like to be autistic (ie: what the fuck are u saying to me "prepare" this. as if im supposed to know what that means), and what its like to be close with an autistic person (kibum having to kinda remember to "translate" what hes saying for taemin so he knows what hes talking about, it reminds me of how my partner is with me sometimes 🥺)

also back to when im saying they probably dont know why he is the way he is, even if they know all his ins and outs, i think this is probably the same for taemin 🤔 he strikes me as someone who prob doesnt know hes autistic, just knows hes "weird" and "different" and has figured out how to live like that despite. reminds me of myself kind of, cos i wasnt "diagnosed" (used loosely) until maybe 19 ? which is still young but at that point i had already been thru school and everything not knowing x_x its definitely possible to figure your life out & how you work without a diagnosis, and i think it happens all the time, but its also really really hard. i think having a name for it and something u can actually research & learn about is rly helpful. so even tho hes like 30 now im still kinda always hoping he realises 🤔 if it makes his life that much easier ykno ?

this is also why it pisses me off so much that ppl get THAT up in arms when this is brought up. ppl act like falsely "accusing" someone of being autistic will ruin their life, when really its basically harmless (obviously unless ur directly using it as an insult). even the opposite might be true 🤷‍♂️ someone can rly benefit from realising about themselves. also why im so pro self dx !!! even if everyone is "misdiagnosing" themselves these days (🙄 which prob isnt true anyway) like. whats the worst that could happen ? why does it matter if someone is wrong... they might still find some info that will help them 🤷‍♂️ theres not really any autism "resources" that are in scarcity so i dont rly care if someone thinks they are even if theyre not ?

[rarepairnation]

hiiii denethor anon here!! wow you’re really IN IT now (denethorposting). not to add more fuel to your anger but last week i saw someone say they hated denethor. and i just realised god they don’t get him even on tumblr do they. since then i’ve been silently fuming in rage. anyway… i am very Very Intrigued by both your faramir-goes-to-rivendell-au and denethor-thorongil relationship (if you ever want to write another 800 words about this, i am here for it 👀) and this line “each of them sharpens himself upon the whetstone of the other…” fuck. fucking insane actually.

unfortunately i won’t be replying for several days (i’ve had to keep my phone in another room to keep myself from getting distracted) . my exams have started AND i’m going through some shit irl :( it’s alright tho i’ll have more Faramir and Denethor Hours soon <- chanting this constantly haha. but i am with you when denethorposting IN SPIRIT okay. oh and can we please please please have denethor december? 🙏 bye will be here soon after my exams (that will be after the 23rd march i’m afraid)

hiii denethor anon <333 i am SO sorry this is so late truly attempting to figure out how to write AND see my friends AND do things like clean my apartment and go to the grocery store while working The Job...it has eaten my life. and this week my regular coffee shop switched their hours bc i live in my old college town and they are on spring break and it has sent me directly to hell. the death of My Routine…i have coped by INCESSANTLY denethorposting on tumblr dot com. i am somehow EVEN MORE in it than i was when you sent this ask. i hope you enjoy me being truly crazyinsane whenever you get a chance to look at all those posts lol. would love 2 hear your thoughts on them. but ANYWAY as always it is so lovely to see you, i'm sorry things have been tough but truly with my whole heart i bestow upon you the strength of denethor's sixty-year psychic war (with none of the associated madness) to make it through. looking at the date i hope you are free now.

here is the mandated readmore because i have never met brevity in my whole life. u said write another 800 words and i took that as a challenge um this post is like 2000 words. well...back on my bullshit

i mean this with all the love and joy in my heart but i laughed so much. no my dear friend they do not get him on tumblr. they have not gotten him on tumblr from the beginning. if you have been spared the incessant tomato jokes i truly…[crying] I Wish I Were You So Bad. this guy doesnt even know about the tumblr denethor slander (POSITIVE) (YEARNING). its the trenches out here for real. i just live in my little bubble with me and you and like four other mutuals/Denethor Understanders and that is it.

speaking of denethor and the rivendell au. i miss the days when i was working on the faramir-in-gondor scenes. emotionally it felt like dying but i kind of knew what was going on. now i am in rivendell taking and failing this history of middle earth exam. and i am so very….the next time we see denethor for real is in return of the king. now girl…how will i survive another 80k words. i miss my boy my dear darling my tortured victim of the narrative. and according to the paragraph i just wrote faramir does too but is Refusing to admit it to himself<3

im also RIDICULOUSLY torn on how i want to resolve his arc. now just between you and me. and anyone who bothers to click that read more. I DONT WANT TO KILL HIM I WANT HIM TO LIVE. GOD I WANT HIM TO LIVE. I WILL WRITE YOU A THOUSAND HAPPY ENDINGS. except its not a happy ending its a you are not allowed to die you are forced to contend with your choices you must keep living ending. because he will always be tragic no matter what. but its ALSO a you can rest now you can be at peace son of gondor you have won your war. all you sacrificed has been worth it. you have given your all when that's what duty asked you for and it has been enough. and that makes my poor heart weep.

like on one hand the idea of resolving his storyline with faramir.......the opportunity for some kind of reconciliation, some kind of understanding between them...god. delicious. i know in my heart that faramir comes home and IS the lord that denethor once dreamed of being. not playing at it...he is high and lordly and gentle and the world bends around his will and he knows exactly what to bow to and when to stand his ground and his powers are honed to a keen edge that he uses with the utmost care and. AUGH. he walks into the citadel the IMAGE of his father. it makes me feel FERAL. and how would denethor react to that. man.

BUT ON THE OTHER HAND HOW DO I END THE STORY. like. LOL. do u know what i mean. likelihood of me being able to just have a triumphant coronation and tie it all up with a bow is soooo small. the narrative contortions i would have to go through. to have denethor accept that and still be in character. Girl....no thank u <3 so we havent worked THAT out yet. like how much of the madness and despair do i want to put into the narrative. We Shall See. IM not politically savvy enough to get real into the weeds with it all so im kind of rotating just. a beautiful set of reunions with the fellowship. eowyn and faramir get engaged. boromir and faramir see all their dreams of a gondor restored come true. we skate over the political minefield and deeply navigate the beginnings of denethor and faramir's relationship in this new world. and among it all, within it all, is hope, and a new dawn. and curtain.

i got distracted but re: we are in rivendell. it IS kind of fun to think about the themes and narratives. i am pushing my Let Faramir (And Denethor) Be Numenorean + Let Numenoreans Be Weird agendas so so sooo hard and i am having the time of my life with that specifically. birds follow him around and pick up the tunes he sings. he hears the voices of the people he loves in his head. he falls into a river and after having a breakdown about it promptly decides that The River Is Testing Him And He Has Passed. he gets to rivendell and INSTANTLY knows that there is someone Very Like Him Here (its elrond. the elrond-elros-faramir connection has me FROTHING at the mouth. faramir looks at elrond and sees his father and sees every statue of elros in minas tirith and Knows that this here is the son of earendil, gil-estel, his brightest north star. elrond looks at faramir and sees his brother, his dear dead doomed brother, and every numenorean descended from him and all their sins and all their glories and yet, kind as summer, sees beauty and knowledge and a strange quiet man who carries all the weight of his country on his shoulders and yet knows him, knows the legends; perhaps the blood of numenor is not yet spent in the south)

i just think that Every Elf that meets faramir along the way is like woah...hold up. there's something up with THIS guy! men ARENT supposed to do that! not anymore anyway! galadriel is Lowkey Threatened by him. and isnt that beautiful. woman who could be queen of the earth sees god's special chosen boy and goes hang on a minute. Fuck. i think they work out their shit by the time the company leaves lothlorien but like...just thinking about how faramir lowkey blamed her for boromir's death in rotk! idk how their dynamic is exaclty gonna manifest but there's definitely some sort of similar mindreader2mindreader tension!

AND. um the idea of faramir travelling with the fellowship discovering that maybe...well. he has never wanted to be a warrior but he has been honed into a blade anyway. by his father and by necessity. and perhaps for the first time in his life...outside of gondor he does not need to be all that. he can be mithrandir's pupil without censure he can be scholarly and witty and cunning - he is all these things, in gondor. but there he has to be them, and now he can discover that yes, this is what he wants to be. and he has never let his father and the expectations of his position STOP him but there is always a weight, there is always the knowledge that your actions are disapproved of, and being away from that for a while is i just think. really good for him. see above re: he comes home the image of his father in a gentler time. keep honking im sitting in my car crying about denethor ii twenty sixth steward of gondor.jpg (<- my greatest creation PLEASE click the link lol)

ALSO IM THRILLED YOU LIKED THAT WHETSTONE LINE LOL i kind of blacked out when i typed it on the page. i think truly the crazy thing about denethor and faramir is that they SHOULD understand each other. they know so much about each other and yet are so incompetent at actually putting it to any good use towards, you know, improving their relationship. faramir is incredibly emotionally intelligent AND can read minds AND has taken so many of what he probably views as denethor's worst traits and turned them to gentler uses. (im talking about his powers but im ALSO talking about that thing he does when he encounters frodo and sam where he plays woe is me my brother is dead and i miss him sooo much to get on their good sides. yes of course he misses boromir more than anything else in the world. no he is not above using it to his advantage. and we see the SAME THING when gandalf and pippin come to minas tirith. hey isn't it crazy that both of them use boromir as a. manipulation chip. even after he's dead. hey thats kind of fucked up actually!) and denethor is…well denethor is denethor. ok im mostly messing around and thought that sentence was funny. i think he Knows most everything that goes on in faramir's head and yet Wilfully Chooses to interpret it in the worst ways because its just soo....very I Thought I Raised You Better Than That/I Honed You To Be My Blade Stop Defying Me. and despite all that the Problem is that they understand each other right up until they don't. they know how THEY feel about each other (incredible love that they can only express in the worst ways/think they're expressing only to be spurned by the other) but cannot POSSIBLY imagine that the other feels the same way.

ive gone on for SO SO LONG ALREADY LOL but. what do i have to say about denethor and thorongil. not enough and too much all at once. they're so toxic and awful for each other they're MADE for each other they're beautiful narrative parallels they're homoerotic besties they're bitter rivals they're pawns in a proxy war they're locked at all times in a psychic psychosexual situationship. um the enemy of my enemy is kissing me with tongue. idk i have more symbolism and actual analysis especially of the denethor-ecthelion-thorongil Issue. but we are just getting into it. so i will start with the situations bc i have two angles for this. on one hand i do think it is very fun if they constantly homoerotically circle each other for years and years and never do a THING about it. like...this is a stitching up wounds wiping blood off each others faces battle couple/situationship situation that THEN turns into a ridiculously high functioning political rival partnership bent together over books long into the night catching each others eye in council meetings using their very real disdain for each other for Manipulation Purposes and getting uh. SO hot over it. like.....Do You Know What I Mean. just. truly unresolved sexual tension THROUGH THE ROOF. it DELIGHTS me. they are always putting themselves in situations. and then NOT making out about it. AND THEY CAN READ EACH OTHERS MINDS!! THE WHOLE TIME!! SO THEY KNOW EXACTLY HOW MUCH THEY WANT EACH OTHER AND STILL ARENT DOING ANYTHING ABOUT IT!!! like thats just really good. but on the other hand.......the idea of just an absolutely terrible beautiful toxic rivals with benefits codependent situationship. i hate you so much and you know what we DO need to make out about it. every time they fuck it is a power play and they are having SO much fun with it. they will both start arguments with each other (AND IN PUBLIC TOO) just so they can fight and make up. the mind reading...Oh You Know What I Mean. taylor swift voice we had this big white city all to ourselves we blocked the noise with the sound of i need you and for the first time i had something to lose! logically thorongil is not yet in his grubby ranger era but the idea of him being dirt smeared all the time and hanging out with prim proper polished denethor. in the fic (which does exist and DOES follow the second model) theres a scene where hes just chilling with his head in denethor's lap and denethor is actually rather delighted and devoting ALL of his copious braincells to pretending not to be. Man. well never say im not a slut for contrast. and now the rest of what i could say is simply straight up redacted for indecency so it is time for this post to be over. the last thing i have to say is that it absolutely ruins denethor's life forever when thorongil up and leaves. sometimes a situationship....anyway. MUCH LOVE TO YOU AS ALWAYS yes we will have denethor december i already have an url saved.

[tezzbot]

now I'm curious, what other opinions abt the dub do you have 👀👀👀 me and my friends think karamatsu sounds like markiplier

RAY CHASE BESTIE I AM SO SORRY but no youre rightJKGHFJGH

THIS GOT LONG IM PUTTING A READMORE

i do actually really really like Ray Chase as kara but the way that Nakamura pitches his voice down for him and then when something karamatsu isnt like. prepared for or whatever happens he goes back up into his regular vocal range or sometimes a bit higher really adds to karamatsu's whole. everything HJGKHFJGH LIKE his whole identity pretty much IS performance so even his voice being part of his front is so fun to me, Ray Chase's voice feels so naturally deep and smooth that its like. his voice is Too Cool for kara yknow like his voice being Actually cool? karamatsu fucking wishes JHKGJFGHD BUT i do think he is one of the better choices that the casting directors made compared to the rest of the brothers

(AGAIN NOT SHITTING ON THESE EXTREMELY PROLIFIC AND TALENTED VA'S this is just my opinion of them as the ososan characters)

like i said before i have Absolutely zero qualms with Max Mittelman as Totty literally thats a match made in heaven I think he was perfect for the role n absolutely killed it hes so funny and from what ive seen the writers actually gave him so many good lines big ups for todo likers

Kyle McCarley as Ichimatsu i honestly havent seen much of his performance but god did he put is whole pussy into the one episode where he INSISTS they have to respect each other, hes honestly really really good at maintaining the monotone voice while also conveying a lot of emotion through his voice its pretty impressive that he can do the yellingscreaming while keeping that up, Fukuyama Jun's like. jump from monotone to YEEEAAGHHK when ichimatsu is At His Limit is really really funny so i think that these two are pretty much on par with each other while putting their own spin on how the character . i dont know. expresses himself i guess. poggers :thumbs up emoji i cant use cus im typing on desktop:

in a ranking id prob put Ray's kara here but i already did him so. just. in case u wanted to know this is where he goes to me lmfao hes pretty on par with Kyle's ichimatsu to me tbh

Billy Kametz as Osomatsu honestly worked pretty well osomatsu is the most some guy ever and when u listen its like. a little over the top(obv bc its an anime dub) but its definitely a voice youd hear and go yeah ive probably walked past someone what talks like that, again Great delivery on some lines, he does sound a lot less SillyGoofy #girl... frat bro vibes in there tbh But i mean if he was american i guess he kinda would be huh GHJFGHDF he kinda lost how cheeky he sounds in jp also like there are moments but for the most part :( also the way they wrote him (again i havent seen much but from what i Have seen) he doesnt have the same I Love My Little Brothers energy idk how to describe it they all feel like they hate each other more rghjbhjgh

Sean Chiplock ouygugh im so sorry king but also not it for Choromatsu...... casting directors, voice directors, whoever else is involved in the process, if youre gonna cast around your initial reactions to how the characters are why doesnt he sound like a fuckin nerd!!! i get that hes initally played as a Straight Man but you didnt have to Just Some Dude him make him sound like the loser he is!! even like a little nasally! i also think he sounds a little too much like Billy's Osomatsu, (which again not the va's faults i feel its a voice direction issue) when they talk at the same time its kinda hard to tell em apart which might be on me for not watching enough and getting used to it but... sorrie... no from me

Michael Sinterniklaas i have so much repect for you but.... i already said in that other post, the voice they okayed..... everything he was made to say....... no. thats not jyushimatsu. that fuckin. companion character in some fantasy anime ass voice, his whole deal in the dub is too childish imo and i get why that was their first impression but oough his character suffers so so much for it moreso than any of the others.... they massacred my guy..... and this is absolutely not a dig at Michael, ive seen his other work hes incredibly talented, just everything they got him to do as jyushimatsu makes me take critical damage in real life my hp bar drops so so much

Also i really like Cassandra Lee Morris as Totoko but I feel like she doesnt capture the flip between teehee totoko chwwaaannn and KILL KILL KILL voices that Aya Endou manages, he voice is very cutesy, but i feel like she doesnt sound mad enough when totoko gets pissed WHERE IS YOUR ANGER? YOUR RAGE??? RISE RISE RISE RISE RI

also also Keith Silverstein as iyami is honestly really good i didnt really know what to expect but i feel like hes p spot on, idk how iyami-likers feel abt him though lol ask telly or sth HJGHJ

SORRY this got long but i probably was never gonna be happy with the dub, im not gonna get too much into the writing in the localisation but ough. it is Just a comedy show to the dub writers and i can respect that, but the show means a lot to people Because of the characters and how they clearly run deeper than they appear thats a huge part of the appeal for ososan imo and i feel like a lot was lost in the translation. But! it can be pretty funny sometimes and thats all it rlly needs to be, funny haha penis anime

im gonna try and give the dub another shot, ill do me best to grit n bear through it GHJFG

[upsidedowngrass]

reading your and jaspers posts about bryce with silent admiration because im too scared to contribute but i really love bryce so much hes my girlfriend and my husband and i like hearing u guys talk about him because youre Right. especially as someone who struggled from grief and trauma and being abused i think bryce's case interests me more than any of the other characters (even though liam is my favorite, and it says a lot because i find all of them interesting) because there is so much to him. i doubt he has processed a single thing about what happened. i think stellas death was recent too honestly, within the last few years at least, and he copes by... not coping. burying himself in work and drinking in the hopes to forget about it. not even to mention the fact that in episode 7 it showed him driving home drunk personally i feel he was past the point of caring to the point of engaging in risky/dangerous behaviors (this speaks for itself, i dont think i need to say why). i think that the plane impacted him so much that within those 7 months after leaving he got his shit together. i cant speak for if hes totally sober or not but at the very least he doesn't drink as much as he used to and i doubt he's putting himself in danger anymore. to be honest i think bryce is one of the characters who has changed the most because of the plane, which makes him being rejoined all the more interesting to me. im probably just making shit up but i like to read into it a little more than "bryce and liam were getting along but now theyre separated and liam has to fix it oh no". sorry this ask is kind of word vomit im not in the headspace to tidy it up but i hope you get what i mean

i think if one had continued for longer than it did it would have been interesting to explore bryce finally accepting and coming to terms with his past (him not seeing his childhood home in the wr anymore kind of representing this). i love bryce and he deserves to heal

TY!!!!!!! im glad my thoughts warrant admiration to you :D!!!!!!!!!!! (i will say tho that every time uve ever posted YOURE thoughts i am like ohhhhh.... ur SO RIGHT. i think u have some of the BEST interpretations of the one characters ive seen!!!!!)

(talked SOOO so much .so there is a readmore :) )

brcye really IS such an interesting character???? ik ive said it before but i AM biased towards protagonists so i usually focus on liam but like ...... bryce really IS probably one of the more. indepth ? characters in one in terms of like. background and how he Acts. i think ALL of teh characters are written really incredibly but i think, given how much of his bg is clarified (esp in contrast with how little is shown of the other characters lives pre-one) his motives, personality, emotions all end up being SUPER super elaborate and i REALLY love how he was written ??

(that said i think the reason he IS elaborated on sm is bc like. one doesnt elaborate on character backgrounds like MOST of the time. even charlotte is mostly left up to interpretation, bc one is more about the HOW people respond rather than WHAT made them respond that way. but charlotte and bryce are both outliers, and bryce ESPECIALLY so. because both obviously have Things they havent worked through properly, but bryce is directly just. Living in it. its the fact that he WONT acknowledge the actual Things that hapepned enough to heal that warrants the elaboration. while the other characters stop acknowledging ANYTHING about their lives , save for charlotte, who gradually works out her issues themselves, because THATS whats effecting her, bryce is CONSTANTLY just. he Needs to go back, but his problems ARE about what happened, and the fact that his life outside of the plane was what MATTERED to him, but that even then, he just Wouldnt acknowledge that life when he Needed to. idk if that makes sense but ohhh i think about the decision to elaborate on some characters and to not on others bc it feels Important)

hes so. he mirrors all of the contestants in some ways, but he mirrors amelia a LOT in that both of them respond to trauma by Setting It Aside. like That Trauma Cant Affect Me If I Dont Look At It. like. ur right bryce has NOT processed ANY of his trauma. which like it makes SENSE bc. it prob feels so much easier to him to not think about it by drinking instead, because its a Lot to think about. its a Lot to come to terms with. but bc he WONT acknowledge it but its still AFFECTING him he just gets More and More miserable (the detail about him driving home drunk and not even caring is so. :( )

what IS one of the most. compelling? aspects of his character to me is the way he responded to Everything after getting eliminated. bc it just feels So Real. because he IS healing, not completely, and not in the best way, but he clearly like. started putting SO much work into improving his life??? (the detail of him finally getting an end table for his bed instead of just... using a cardboard box ALWAYS gets to me. and that + the fact that the photo of stella is put up makes it seem like. THATS what was in that box. he LITERALLY started Unpacking thigns. its like poetry to me.) because it IS hard, and i think hes still putting things to the side, shoving the trauma from the plane to the side now instead of all his other grief and trauma. and the removal of the cans from his room yknow?? that hes getting up for work on time now?? its like. yeah i agree idk if hes necessarily SOBER yet but he really does seem like hes working really hard

its not perfect, but its BETTER and it feels. correct?? (and tbh? trying to brush off the plane as a dream isnt even teh worst thing he couldve done with that, i think, bc reasonably what WAS he supposed to do w that experience?? i dont think there WAS a good answer) bc the plane was a whole new kind of trauma. and i think surface level, one would THINK hed get WORSE after further trauma but like. i think he DID in some ways but in the ways that actually affected how he acknowledged and responded to his pre-existing trauma DID get better bc, as he puts it, hed Thrown his life away before, and didnt want to do it again. bc this time, he very well couldve died. and while he was on the plane, being home, on earth was SO much better than the plane, and it recontextualized Everything. hell, maybe after that, the earth finally felt Less daunting, like somewhere he Wanted to be, because for once, he WANTED to be back, and rationalizing That and the fact that he got Lucky, that something Worse couldve just full on Killed Him Forever really DID mean he didnt WANT the worse to come, at least not as much as before. but that meant he HAD to start actually Working on improving things, and i think he may not have Intended to acknowledge Worse things, but simply because the things he had to do to improve his life, like drinking less, making his house more Livable, they all Forced him to think about things More. hes still certainly not thinking about them as much as he Should, hes still not Processing things, but hes Heading in the right direction . he really was SO changed by ONE

and then liam showing up forces him, once again, to think about something he tried to push to the side. aaaaaaaandd then he rejoins and its so. it feels thematically fitting and IS so so SO interessting. because for once in his life hes REALLY facing his trauma head on. but then is brought straight back into it. and i need to think about that aspect more bc those thoughts are a bit less Focused than my other thoughts but given how complex his writing is after he gets OUT, its. SO interesting to think about how being BACK affects him

esp bc like. him starting ep 18 Pissed Off- which historically his responses to trauma are to either just Be Shocked, as depicted a LOT in ep 14, or to get Very Vocally pissed, as shown through the first half of s1, esp ep 6, and ep 11, and ep 13, and ep 18. ive seen it written as 'he doesnt have anywhere to direct the sheer amnt of STRESS and fear so he just. ends up yelling at people bc what else CAN he do' and i think thats?? probably fairly accurate. i dont think hes as Constantly Irritable and Irrationally Angry as fanon presents him , bc it tends to be. excessive. but he DOES get reasonably angry in response to stress !!! i always think abt how his body language in the 'credits' scene of ep 6 look like hes yelling at airy. and im. lays on the ground. i dont even know if thats ever as much 'just anger' as it is Fear and it FUCKS ME UP

but the way i see it, that ties to ep 18 a LOT. because he was really Getting better. hell, what he thought was the WORST that could happen HAPPENED (dying) but he. came out OKAY? its like he was being forced to think about and work through his trauma and he survived and was ok. but being sent back is like. 'oh god i did that all for nothing.' but i think it also sort of?? serves as the Last Push for him to really, REALLY acknowledge the plane (which is why it makes sense so thematically for him to be the rejoiner. he WAS the only contestant whod Chosen to ignore it all. but that has nothing to do with the plane, he cant choose if the plane ignores Him.) past talking about its affects, how its affected people. because after everything hed worked toward, hes Back. hes back, and everyone else is STILL HERE. liam had said they were all still There but seeing them there is a whole other thing. hed SEEN the effects of making it out after 7 months. but he never saw what it was like to still BE there after all that time. and bryce CARES about them (fanon sometimes treats him as if he is a bit. coldhearted? but i think people misattribute him being unhappy with liam as him not caring. i think the problem is that he maybe cares too much, and was affected a LOT, but didnt and doesnt know how to handle that. so he WANTS to ignore it, because it was all he could do, and haaving to backtrack on his haphazard healing from the plane is. highly daunting and uncommfortable and terrifying. thats not being cold though, thats VERY different) and now he HAS to acknowledge Everything, has to be a part of it Again. and i think its a combination of 'liam was here for 7 months after we all thought itd only be a few weeks. Anything could happen. who knows how long ill be here for?' and 'liam didnt have anything when he came back. will I have anything when i come back?? will i have worked so, so hard to heal and fix my life for Nothing?' and 'i dont WANT to be here again.' and 'oh my god all of them Really Really Are Here. Theyve been here the whole time.' and i think all that culminates in an appropriate amount of horror, and that prompts him to do what hes STARTED doing, which was All He Can. and hes pissed off cus hes terrified, so he spurs everyone into pulling out the plug. and then. it doesnt work. it doesnt work and thats the LAST of what he had, and i think iirc hes the LAST one to close his eyes afterwards. because hed BEEN off the plane, hes the one of them who had any hope to give them anymore. and it didnt work

(i also think a lot about how it mustve felt seeing the contestants all so. resigned. because bryce was like that before all this, but ever since one began he was stubborn, and didnt WANT to give up. and i think finding out that these people youd seen try so, so hard just to Handle Any Of This be SO resigned would be. so fucked up. he knew amelia when she was so determined to leave, and while charlotte seems a bit saddened by her resignation, bryce was there BEFORE that happened. he wasnt there like liam or charlotte was to see it gradually develop, and to develop that despair alongside them. all hes seen is that amelia was so determined. and that he may not have known her THAT well before, he knows shes different. he knows she Gave Up and like. GOD. and also i think abt how he mustve Felt seeing the plug for the first time because ehs the only one of them who hadnt seen it before (given its likely all the other characters had, since they casually refer to it). and given the short time frame between him getting there, and the contestants trying to pull the plug? it almost seems that that was like. the last straw. and ive never posted it but i once drew stuff abt it bc. the damage to it is noticable. and i think hes already aware liam was fucked up, but this is like. a tangible, permanent record of that on the plane. and he cares about liam, and has been grappling with all the things liams told him, but thats. thats something he can See. And i think it all of it culminates in him deciding that what hes been avoiding is doing Soemthing about all this, because before he couldnt, and then it was. an awful idea to, and then he didnt have many choices BUT to help. but now theres hardly anything to do, but he has to try. he doesnt want to give up. and it makes me soooooooooooooooooo. head in hands.)

anyway that was a LONG tangent the point is. YEAH. i think rejoining would be. very very significant for his character i dont think youre making shit up its DEFINENTLY a topic w a lot of things to discuss about it

but god. yeah it wouldve been SO nice to see him come to terms with everything hed been through before one. i think the show purposefully included what it did and ended when it did because it makes more sense thematically for it to go unresolved, because the point was that NOTHING was able to be resolved nicely because unfortunately, many things are Out Of Their Control. things COULDVE resolved almost perfect but enough things went wrong at just the right (or more fitting, wrong) time for all of that to not work. i think him no longer seeing the suburbs may have signalled more that maybe, just maybe, he could Do something to help the other contestants even if HE was Dead, that now he finally HAS a goal, if that makes sense (though i think even in the timeline of the series it still wouldve taken way longer for him to process everything Fully, they WERE only in the waiting room for probably about a day) but the idea of finally seeing the waiting room as it is bc hed finally worked through everything .... man.............. man

ik ive already said it though but i DO think it is sooooo so possible for him to heal post canon. im a firm believer that no matter what, at LEAST bryce and ameliaa get home (liam and charlotte have more room for error but i DO generally interpret the ending as them both getting home too, theres just less room for things to go wrong w amelia and bryce). and i think after everything? hed be able to heal. it would SUCK but i think hes, shockingly, in a better place Logistically for things to improve, because he has a support system, he has what hed already worked on in those 7 months, he has so much to aim for. it would be rough and take long but i think ultimately? hed be able to heal :) and its what he deserves