#if the readmore doesnt work im so sorry

[coridallasmultipass]

brocal for the ship bingo?

The OTP to end all other OTPs... (Man. This wound up being basically Cori's Masterpost of BroCal. AKA... this got long and has some images, since I realized I can post my own art directly instead of just a text link to it lol.)

Wasn't actually expecting this to wind up with a bingo? But I got basically 2?? (Will explain the lighter heart later.) This is A LONG post, and definitely gonna get SUGGESTIVE, bc man, am I obSESSED with BroCal. I'm just gonna go thru each checked box, since I don't know how else to structure this post lol.

Read More to save ppl's dashboards:

I want them to make out with blood: OKAY. I HAVE A WHOLE THING PLANNED FOR THIS CONCEPT. I AM NOT GOING TO GO INTO DETAIL ABOUT IT JUST YET BC I ACTUALLY WANNA WRITE IT. I'm obsessed with this one fanart of Bro licking Lil Cal, and it spurred on an idea I outlined and really wanna write: https://coridallasmultipass.tumblr.com/post/739969858334294016/hiiii-mutual-i-am-secrecy-asking-if-u-have-anymore

((Sorry for the plain text links, Tumblr app is NOT cooperating with me right now to add hyperlinks. I'd post the image directly if that one was mine.))

Basically, I just really need to see Bro and Cal making out with blood in their mouths, and I started a whole convoluted, unrelated outline in order to make that hapen. It'll probably just be a really short thing that ends at the uh climax, since otherwise it's gonna end up sadstuck. And I don't like sadstuck lol.

Undeniably t4t: Bro and Dirk are always trans for me, and Lil Cal's got that uh... what percentage did I calculate it out to be? 13% of Dirk is in Lil Cal [ My shitpost calculations: https://coridallasmultipass.tumblr.com/post/746702663327072256/i-ran-out-of-tags-rambling-about-this-so-im-just ] so Lil Cal is at least 13% trans because of that much of Dirk being in him, plus however you feel about the other components being trans. LMAO this is ridiculous to type out. Moving on.

EDIT: FUTURE CORI INTERJECTING WITH A:

"Lil Cal Top Surgery Healing Progess: Day 1"

Terrible for each other affectionate/derogatory: I don't even know where the affectionate/derogatory split occurs. I multiship BroCal as both Bro/normal puppet Lil Cal and as Bro/evil juju puppet Lil Cal, and whatever combination in between or outside of that. Terrible in that Bro is so obsessed with Cal that he doesn't have normal relationship/social skills and uses Lil Cal as both a crutch and motivator alternately, in a terrible cycle, or maybe rather... spiral. And also terrible in that Bro is caught in the allure of playing the role of puppeteer while also being a puppet for the darker parts of Lil Cal, whether he actively knows it or not. (Honestly though, I feel like it's dismissive if you try to blame all of Bro's faults on Lil Cal like this tho, which is why I tend towards liking Lil Cal as just a regular puppet a lil bit more. Or at least, a regular mildly supernatural puppet since that can be a little more entertaining if Cal can get into mischief while no one's looking or give off the vibes of his mood more directly, rather than like entirely inanimate or 'just LE, trapped in a puppet body.' Again, I like all of these concepts.) ((I mean that can also be a whole post of its own, like, by the time Bro gets ahold of Lil Cal, are any of the other components still alive in there? Like, are ARquius and Gamzee still in there or did Caliborn kill and consume them entirely? Idk how it works, man. This is why I like Lil Cal as his own person, maybe just influenced by the feelings of the others. LaCroix: CalGamARquius essenced water. Lil Croix.))

They need to get weirder with it: YES YES. 1000% YES. I need entirely shameless Bro doing entirely shamless things to Lil Cal. I want them inseparable and doing unspeakable things to each other. I want Bro taking full advantage of Cal having a puppet body and all the intimacy that comes with making repairs and being elbow-deep in stuffing.

Playing with them like dolls cute/psychological torture: This is the same divide as with the 'terrible for each other' point, so I'm just gonna go with the cute one, since the torture one is self-explanatory. I want them fucking married. Like. Full mushy cute romance type of relationship that Bro has never felt for any of the people in his life (cough aromantic cough). I made this comic not too long ago, and I often fondly look back on it, because I adore the concept of Bro being lovey and romantic and everything out of character around Lil Cal because he feels safe and loved and comfortable around Cal:

[ https://coridallasmultipass.tumblr.com/post/750602227910131712/brocal-4-lyfe-so-i-had-this-idea-of-dave-being ]

I made a post a long, long time ago (not gonna link that one bc it was personal and I was being very obviously mentally ill ["C'mon, like you're not being obviously mentally ill while typing paragraph upon paragraph about BroCal still in 2024 like 10 years later??" Fair.]) But the gist of it was that, like, having objectophilia or objectum sexuality is like, from an outsider pov, it's a way to express love to yourself. You filter all your self-hate through the object you love, and you get back unconditional love in return.

Lil Cal is never gonna hate Bro, no matter what Bro does. As a regular puppet, Lil Cal doesn't have the capacity for hate. And so that only brings them closer, since Cal is never gonna reject Bro for any reason. (Back to being a crutch. RSD is real, and Dave is probably a big trigger for that since he's not on the same wavelength of weird as Bro [not blaming Dave, obviously, this is a post about BroCal].) Bro can experience receiving positive attention from Lil Cal, without feeling 'fake' or uncool by expressing that same attention or affection directly to his own self. (Things are always done through multiple layers with the Striders, aren't they?) ((And I'm not saying Lil Cal doesn't love Bro, or that their relationship is just pretend - it's real, I'm just like, 'What's going on behind the curtain in the mundane situation?/ How is the relationship appealing?' Lil Cal luvs Bro 5eva 4 lyfe and that's a hard fact. Could cut diamonds with that shit.)) Example: maybe Bro is dealing with a bout of body/gender dysphoria and is trying to take out his frustration with working out, and it's not helping, even if he's powered through a set better than normal. Then, he notices the way Lil Cal is watching him, and he can feel the excitement seeping off Cal. He can sense the echoes of a wolf-whistle ring out through his mind, and it's like. Okay, none of that shit from before matters, he's got all the validation he needs right there in Lil Cal. Maybe flex in Cal's direction, Bro?

Oh, so back to being cute: isn't it wonderful how the template maker phrased it as 'playing dolls'? But yeah, I want all the mush and everything. Bro has a whole wardrobe for Lil Cal for every minor event that occurs in the Strider household. I want them going on genuine dates. Maybe even... holding hands. Bro blushes for the first time since he was 16. He even gets to take Lil Cal with him when he goes out to DJ or put on a show. Not to mention the whole website business. (I've talked about Cal's role in that before, but I'll mention it in a moment...)

They will die in a heart shaped pool of blood: I mean, kinda did happen, even tho Lil Cal didn't perma die right there. I don't think this one needs any explanation, since it basically happens in canon.

'You should see the other guy...': Okay, so. About 11 years ago, I had a really great idea. About how smuppets enter this world. I expanded on it in the following more-recent post (adult only content lol): https://coridallasmultipass.tumblr.com/post/741683686717669376/back-in-the-day-my-friends-called-me-insane-when-i

To sum it up, whenever Bro makes a new smuppet design, he then gives it a video debut on his website, where uh, Lil Cal births the smuppet like it's a horror movie scene, fake blood and poly-fil gore all over the place as the smuppet crawls out from the viscera. Bro then gets to play aftercare by lovingly and gently cleaning up and restuffing Lil Cal as they get to admire their new creation and rake in the dough lol.

So it's technically not a 'you should see the other guy' kinda situation, but it does involve one of them being... idk what word would describe it. Injured by the other? Usually a character loses a fight and says this to act like they got out of it better than the other guy, but... We could have someone knock on the door during the filming of a scene like that, and Bro has to answer it with fake blood up to his elbows, and be like 'You should see the other guy.' (But obviously, that's a terrible idea and would cause more trouble than it's worth... Maybe worth it for a persistent door to door salesperson, though.)

Though, I guess I should also say, I'm not opposed to Bro beating on Lil Cal in or out of the bedroom. Or in the case of animate Lil Cal, Cal choking out Bro. In or out of the bedroom, lol. Depends on the situation, like I said I will ship this ship any which way. But my preference for animate Lil Cal is to be like a totally normal puppet around Bro (or mushy in-love with Bro) and then evil-murder-puppet towards anyone else in Bro's life, like a... toxic yaoi guard puppet. (New Phrase Achievement Unlocked!) Bro brings home another guy to have sex, who tries to stay the night due to the late hour, but the guy wakes up shortly after to see Lil Cal standing there with a knife in the dark, eyes glowing red. Panic ensues when the guest screams and freaks out, and by the time Bro's got a light on, grabbing his sword, ready for a ninja vs ninja fight (bc an intruder would've had to bypass all the traps), Lil Cal is just innocently splayed across the desk chair, no knife in sight. Relevant post (well, the caption on the post too, saying how Bro can't seem to hold onto any relationships besides Lil Cal):

[ https://coridallasmultipass.tumblr.com/post/741830516962164736/i-want-you-so-youre-mine-always-selfishly ]

Uh, lol, also Cal choking out Bro in the bedroom, adult only drawing: https://coridallasmultipass.tumblr.com/post/754328907438800896/i-wouldnt-wanna-be-my-ex-when-he-found-out-who

Thinking about them always and forever: Listen. My Tumblr as proof, I've had BroCal on the brain for at least 11 years at this point. Definitely longer, since I first started reading Homestuck. I fucking love puppets and dolls and plushies and I always have. Man, if I hadn't deleted Tweets (automated app I used to do, and I couldn't choose what to save) from when I was in high school, you could've seen me @ ing my fave band when they were taking lyric suggestions on a fan-inspired album, where I was telling them 'make a song where the theme is puppets' and, while I don't know if they saw that or took the suggestion (they had responded to me before bc they weren't huge yet), there is indeed a song titled "Puppets" on that album, and it was my favourite song on there. Point is, I was fated to ship BroCal before I even knew it existed.

Sicko 2 sicko communication: I mean, does this even need explaining? Bro and Cal aren't just on the same wavelength of freaky, they're the fucking source of the wavelength, and it's causing a feedback loop between them. And it does as feedback does, which is, it amplifies with time. (Going back to the spiral symbolism here, lol.) ((Actually, time can play a symbol here, too, I guess, but idk how to word it, I'm starting to run out of steam.))

Let them have a happy ending: God, I need this so badly. I know Bro's story ends in Homestuck, but like. Pls. Someone needs to officiate their wedding. Currently placing the dreambubble order, but I can't organize a wedding by myself. OH speaking of. In that lil comic I did above, where Bro is accepting Lil Cal's proposal, I had the Natural Born Killers wedding scene in mind. I was gonna draw that as a follow up, but I think I have too many WIPs going. Just two people on the run, saying "I do" in a scenic but completely ordinary roadside location. Idk why, I keep going back to that movie for things related to Bro (I mention it in a very important scene in a longer WIP I've been writing, as something Bro watched and internalized as a kid lol.) It's not the best movie lol. Anyway.

The devotion omg: I feel like I have already gotten my point across about this, but let me reiterate:

[ https://coridallasmultipass.tumblr.com/post/735842968450269184/in-the-name-of-iconic-magical-girl-anime-ill ]

Bro and Lil Cal absolutely beat the shit outta Jack Noir before he gets prototyped. And even then, they fight together till the death, like. C'mon. Nothing more romantic than fighting a losing battle side by side. Also, like, Lil Cal having his own protective chest for safekeeping as seen in the Strider living room? Like, you don't just have a protective case for any old thing, especially something meant to be handled, especially something that is regularly used to smack other things/humans. What I'm saying is, Lil Cal is durable and resilient, and yet, Bro still has a case for transporting Cal safely. Oh, wait, I just thought of something funny, what if Lil Cal goes feral like a cat, and basically the chest is like a cat carrier so Bro can drive without being constricted lmaoooo, I've been typing for hours can you tell?

Kind of homophobic: Listen. I HAD a Cal. Took him to college. Staked my claim on the top bunk bc I am royalty. Proceeded to not have anywhere to set my water cup and had to use a cardboard box as a table up there. Spilled water. Melted Cal's sharpie-drawn face. And then proceeded to cry. I have a WIP of Lil Cal 2, but that requires actually remembering to work on him. I wanna do better by the pattern, too, since I rushed to finish the first. I have all the material! I have the project started! So it's just a matter of reordering my WIP priorities, honestly.

Where is all the fucking content?!: For realzz. I was actually venting about this the other day (didn't end up posting it), but it's like, either there's no BroCal content, or there IS BroCal content, but I can't reblog it for reasons I don't want to get into on this post. I'm dying of thirst in the ocean, basically. Whatever. This just means I need to make more BroCal content myself, which I am more than happy to do. I've just had a rough past few months, so I'm glad I got to type all this post out, and hopefully I can get back to creating soon.

Last one! I hope this one makes up for the absurd length of the post, it's prob my new fave idea I just came up with on the spot.

[TW drink spiking by a stranger mentioned in this.]

Committing atrocities as their silly little activities: I think we all know what this means, but I am going to ignore that elephant with my special x-ray vision. Because this is a BroCal post. I'm digging deep to the meat and bones of this. Honestly, this could go multiple routes, it depends on how you take your Lil Cal.

One could place emphasis on the 'guard' part of the, ahem ahem, toxic yaoi guard puppet. Maybe someone is actually trying to harm Bro, and Bro legit can't do anything for reasons outside of his control - let's say his drink got spiked a while after he invited a stranger home that he thought was chill. As Bro gets shoved down on the futon, his memory of the night is only a few flickers. Familiar orange plush, roiling around above him like a dancing windsock. Flashes of Lil Cal's face all distorted and stretched wide like a funhouse. J-Lo and Ice Cube on the TV. But when Bro is finally able to fully wake up in the morning, everything is as if he just got home alone last night and passed out on the futon. Cal looks totally normal and content tucked under Bro's warm arm. Except when Bro gets up, there is a pair of shoes too big to belong to him at the door. Maybe Bro knows. Maybe instinct tells him to run. Maybe he does, but he's running towards Lil Cal, every time.

[cerealmonster15]

scuse me i gotta go be embarrassing under the cut brb 🚶

@cosmiccoincidence @felix-the-lemon-king well FUCK ok hi lol 👋

so like images from the engtwst translation that altered my brain forever:

so like. 🧍🙈 URGHGHHHG lol. felix u may have heard some of or all of this tangent before in the dms LOL but

my attempt at long story short: friend and i were into twst well before engtwst came out, so when we saw the official translation translated cater's "leona-kun" to "leona, sweetheart," we were like 🤨sweetheart?🤨🤨🤨 jkslajKLDJL like ik it's a casual thing meant here but. however. you see LOL

longer details: me being how i am as a person™, i let this fester in the back of my brain and it gradually grew out of control. i dont like. theyre not a pair i think of when i think of My Cater Ships. HOWEVER as i do with most leona potential ships(???) they read as exes to me here JSDLFG like. me with my soap opera lenses on [they are never off. sorry.] has me running wild w/this like leona/cater having A Thing of some undefined nature like maybe last year. tapping into cater's implied vibes of not always letting people get super close / used to kinda keeping things surface level and making the most of Being In The Moment and less concerned about making lasting ties bc hes used to stuff not lasting from his moving around etc etc whatever. like cater and leona starting off w/ a bond of just quietly being in each others space [i mean caters a chatterbox LOL im thinkin those rare moments where hes like mask off kinda lethargic or something. caycays such an interesting character w/a lotta mystery in that regard but i do NOT have time to get into that so just!!! bear with me LOL JFKLSDJF]

anyway i feel like i recycle the same plotlines with characters/ocs forever but thats just too bad: cater+ leona bonding somehow dont worry about it. idk leonas a spelldrive star and caters really good at flying so They Could Bond -> somehow falling into like a Casual Lowkey Relationship where theyre like 'we arent DATING dating, no labels and mostly just hang out when no one's around but Something Undefined is happening here. they kiss or whatever lol -> they emphasize w/e they have is strictly casual and 'doesnt mean anything' -> perhaps cater emphasized the 'doesnt mean anything' part more idk -> some forbidden feelings kinda spark anyway but one or both of em are just kinda. ignoring/denying it lol -> ive had a specific image in my brain for a Long Time of like. cater kissing lion boy. then being like ✌️its ok, its just for fun dont worry doesnt mean anything ✌️ -> and like its a mutual neutral feeling At First but like eventually i think their Situation falls apart for one reason or another and theres Tension

^i said takes place the year before the game starts but i think i also had it in my mind toying w/the idea of it as like a SUMMER FLING/ROMANCE(?) that ended RIGHT BEFORE school started. or idk maybe it ended right before they got out for break. WHATEVER.

point is those screenshots are from book 2 which is still pretty early on in the school year so ive got the vibe of like "oh things are still awkward between them, the 'breakup' is still relatively fresh, and leona feels bitter about it and is playing extra hardball with these guys and also harshly teasing them about it bc caters there and hes Emotional but taking it out sports style" lol. and supplementing that Specific Image In My Head^ i imagine in that convo in the screenshots w/cay being like 😔leona sweetheart plz chill😔 leona would just be like 😒well. it 'Doesnt Mean Anything' so whats the problem here 😌 😒

anyway. you maybe didnt really ask for the extra headcanon au lore whatever details but i gave them to you anyway LOL my LeoCay Messy Breakup AU. but i ALSO just like drawing them together bc cay is my fave and fun to draw, and leona is Also fun to draw 😔 my fave character cay + character i have been dragged kicking and screaming to kind of respect over time KLJFSDKLJFL every time leona says or does something that makes me think hes cool or smart i get SO MAD about it. seething at book 6 LOL SJDKLFJD twst with their damn complex characters making me Think Deeply 😒 and then i steal their deep blorbos and put them in my funny little barbie dreamhouse soap opera recycled romance drama plotline loop forever and ever and ev

ahem. so yea on the surface. pair that probs would never ever work out HOWEVER it's MY mind palace and i can make up whatever silly rules i want!!!!!!!!!!!!!!!!

[perenlop]

Aim to be a Pokemon Master! Episode 11: The Rainbow and the Pokemon Master!

It's bad scoob.

I feel mean saying it's as bad as it is, but like... honestly, I don't see the need to hold back. This was a sendoff to one of the most recognizable anime characters of all time, a character that's been around for years and years and years, so his final episode should've been handled with the upmost care. Otherwise, it'd just be disrespectful to the fans AND the characters themselves.

So how did they handle it? Badly. Under the cut because this got really long. Sorry in advance if the readmore breaks.

The episode is a mess of "throw a dart at the wall" style quicktime events with a kinda tangentially related question about what being a Pokemon Master even means. Which, the more you think about it, makes the entire miniseries feel like a waste of time.

Again- I am fine with this miniseries being a relaxed time calling back to old filler episodes by just having Ash, Misty, and Brock chill out and interact with the world. But it really feels like they wanted to have their cake and eat it too with the Eon Duo plot. You cannot act as though the miniseries is just going to be cute filler and then act like there's actually an overarching plot that we should absolutely care about.

What makes the Eon Duo plot feel even weaker is that it barely plays a part in this final episode. It is the reason Ash is now home. Because... the Latis also went home, I guess. Yeah they don't really connect it all that well. But beyond that, and Ash reminiscing about them a couple of times, they have zero relevance to the final episode. It really makes the whole thing feel like a waste of time more than anything.

I'm three paragraphs in and I haven't even talked about the actual plot so let's do that. Although in my defense, the pacing in the episode is awful, so if anything, this post being poorly paced is kind of an artistic choice if you think about it.

So, Ash, Misty, and Brock all say goodbye again in kind of a hilariously underwhelming way (I get that they've done it before, these characters will most likely see each other again, and they were never going to do anything as impactful as the OS finale, but... still) and Ash just kinda fucks around at Professor Oak's the whole time. There is a missing Charmander quicktime event that has nothing to do with the conflict, but it gets Gary to appear and ask Ash if he's closer to becoming a Pokemon Master, which sets up the "main conflict". If you can call it that.

I actually think Gary presenting this question is a good idea. Ash has been chanting about being a Pokemon Master for so long, yet has never had an answer for what that means. So his original rival who used to put him down so often being the one to really make him think about it is nice.

But... why on earth did they put it in the final episode and not the first? Why not have the entire miniseries be about this question? Hell, the marketing made it seem like that was going to be the case by having Gary pose the question in the trailer, implying that this was going to be the main conflict of the miniseries... and then it isn't. It's just the characters dicking around for ten episodes, and THEN we ask "what's next?" and that's really weird to me. Now the conflict has no space to breathe because we've only got like 15 minutes to cover, and any answer he has is going to feel rushed.

Speaking of rushed- boy howdy is this episode just a series of sidequests all shoved out as quickly as possible! Team Rocket's shitty breakup plot has ONE SCENE where they all just sorta huff at each other before they reconcile for the simplest reason ever (they all want to capture Pikachu. Which they were doing anyways and there's no reason why they would think the other members weren't in on that after the breakup). The missing Charmander sideplot leads into nothing and is an episode prompt that was done better in several other episodes before this. Gary is shoved out of the plot as soon as he's said "Pokemon Master".

And then there's Pidgeot who gets its own paragraph because this part of the episode actively annoys me and it's probably the most mean I'll get... I just wanna say... does any actual fan of the show (IE: people who still watch the episodes, keep up with the show, not someone who just kinda accepts stuff like "team rocket are teenagers" at face value because they haven't seen the show in years) actually care about Pidgeot as a character? Because I don't. Pidgeot is nothing to me. Pidgeot has absolutely no substance as a character. All it did was try to eat Caterpie that one time, pop balloons, do search parties, and then leave.

It might seem silly to insist it has no character when it's an animal that can't talk, but that feels like an empty argument when the other Pokemon are so expressive, even if it's just in certain episodes. Even Primeape, who spent muuuch less time on the show, left more of an impression with it's character arc before it left.

But in any case, the reason it seems like the bird has stuck around is because of it's release episode, which caused several people to write clickbait articles about how Ash is actually this fucked up horrible trainer because "he said he'd be back for Pidgeot!! He ABANDONED Pidgeot!! I can't believe the show wants us to think he's good when he was so HORRIBLE to Pidgeot!!" Ignoring that the line was actually a dub-exclusive one and there was never any implication that Pidgeot wanted Ash to come back for it. The idea that Pidgeot was abandoned is fanon. There's nothing to correct. There's nothing to "redeem" about Ash because he did nothing wrong.

But of course JN LOVES its clickbait- I mean, respectful character cameos! So of course we have to spend time in this episode bringing Pidgeot back in the most underwhelming and contrived way possible (Team Rocket nabs Pikachu and Ash left his Pokemon behind for... some reason.... and Pidgeot is just there and helps out and Ash is like "Wow Pidgeot you should join the team again!"). It had to right this horrible sin the OS committed! We gotta redeem Ash in the final episode you guys!! Now all those clickbait articles- I mean loyal dedicated fans are satisfied!!

So basically, they canonized something that people who actually watch the show don't actually care about, because we gotta get those clicks in I guess. Keep in mind, there are other Pokemon that got released that could've used the spotlight way more, that actual fans would have appreciated a lot more than this. Like I dunno... Ambipom? A character that was notoriously done dirty by her original season? Butterfree, a Pokemon more people love and remember? (We even got a glimpse of that in the JN finale so like... obviously it was a plot they knew people would have liked to see) Hell, why not bring it around to the first JN episode and have Pikachu reunite with Kangaskhan? Have a little cohesion and really make the journey come full circle?

Nah, obviously the bird no one cares about beyond misconceptions is more important here.

The actual reunion isn't even good. Usually, when a Pokemon returns to the team, it's an event. It's a stinger, like when Gliscor came back during the Sinnoh league and ended off the episode, and then the beginning of the next one builds off from that. Here... it just kinda happens. Pidgeot rejoins the team and then the episode runs off to the next sideplot with no space to let it breathe. Nothing about the plot would change if Pidgeot just stayed with the Pidgey flock. Wow. What fanservice. They really did care about this plotline you guys.

Anyways. So after that happens, while Delia is trying to give Ash the ugliest shoes I've ever seen (poor woman, her son runs out on her so much that she hadn't had time to make anything better) Ash and Pikachu get stuck in a rainstorm, and they watch the same gen 1 Pokemon they've oogled at all season, go "wow the world is HUGE!!!!" again because of course they do, and Ash is like "Well, I didn't actually feel the champion thing all that much. I think being a Pokemon Master is about loving all Pokemon. So let's go love more Pokemon!" and then he takes the shoes without saying bye to his mom and then he's out of the show forever.

... What

He's been.... he's been doing that the whole time though? Why are they acting like this is an epiphany and this is something Ash has to change if he wants to be a Pokemon Master? Shouldn't he be one already by that logic? If Ash didn't care about becoming champion, why did we spend so much time on that? Doesn't that undermine a lot of the show?

What was the point of any of this?

And I think that's my main issue with this miniseries: there is no point to it. It barely feels like a finale, it just makes the weakest gestures possible to make it seem like a finale, and then it just ends. It's a mess.

It feels less like a respectful conclusion to the character, and more like... "Eh we're gonna try something new next season, but we don't wanna leave Ash off the table if it bombs, so let's just kinda put him on the sideburner and wait and see". It's non-committal. It's frustrating.

"Well, why is that so bad? Pokeani always clings to the status quo, they never let the characters age and grow, why would they stop now?" Well... because it's literally the end of Ash and Team Rocket's time on the show? Because they ARE about to change the status quo by bringing in an all new cast and setting? Because this whole miniseries was advertised as an ending and celebration of Ash, and therefore the expectation is that something substantial has to happen to justify him not being in the show anymore?

Ash not changing after DP or XY or SM is a little strange, but it's also fine because he's gotta keep on trucking for several episodes. Part of the point of Pokeani was it's longevity, so keeping the general setup and characters the same was part of the point. But now, there's no expectation for Ash to keep up the same routine. He's passing on the mantle to Liko. Why SHOULD he stay the same? Why not take the chance to substantially change up his life to justify him leaving? Why leave Team Rocket in such a depressing spot where they apparently just keep chasing Pikachu their whole lives when that's not actually what their fans wanted?

Why end the character's arc the exact same way the other series probably would have ended it? What exactly is the point of ending it at all or having a celebration in that case?

This episode isn't the worst thing ever, I don't even know if it's one of my least favorites, but it is definitely one of the more frustrating ones to me. It could have been good, but... why challenge anything if we don't want to?

Very disappointing. I'm sad this is the end for Ash and Pikachu. They deserved better.

Oh also some psychic damage for reading this far. I have to end off this long ass project with something worthwhile

[machinedramon]

the worst part abt interacting with so much spiderverse content (particularly miguel) is that I'm getting weird ass imagines and xreader fics (particularly boring heteronormative ones!!) all over my for you page and I am going to lose my fucking mind

[thatneoncrisis]

Sorry to keep dragging you through Arcane hell (the new season is... oof) but I am curious what your thoughts on silco are? Realising more and more that silco and sevika are the only part of the show I gave a fuck about and my love of season one was really just those two.

i keep putting things under a readmore so if ppl dont want to see me go "damn this was good i wish it was better" they dont have to

i think silco on paper has potential to be one of my favorite characters on the show, and barring that at least one of the most layered and well crafted. his and vanders dynamic is by no means unique, its very professor x and magneto, which is already something i can take or leave. "oh we were childhood friends and allies fighting for a better future but one of us got soft while the other became hardned and radicalized" the narrative of the terrorist freedom fighter, one corrupted by power is done a Lot bc of a general apprehension in shows like this to endorse violence on the behalf of the oppressed class BUT i think his relationship with jinx was a good addition and if like one or two changes were made it could have been some of the best the show has to offer

for the sake of this post, im going to ignore the reveal that silco knew jinxs mother before her death i think that was dumb and bad. essentially, the show begins with silco and vander at odds- they both are doing what they believe needs to be done in order to secure zauns future, and both of them are ultimatrly hurting zauns people; silco is flooding the streets with shimmer and vander is working with enforcers. silco is primarily motivated by power, but vander is motivated by his love for his kids, this is the only way he has even the slightest assurance that he can keep them from run ins with the law, a law that has a precedent for tossing children in maximum sexurity prisons.

vanders death and silcos subsequent acqusition of jinx flips the coin. there is now something in his life to love, to protect, to care for. he is falling into the same behavior that vander was, even if he is far worse at it bc hes a terrible father whos also a drug lord and just kind of lets his unstable daughter sit in a. ave and build bombs all day. hes not *good* but he *cares* evidenced by him literally needing to be sedated when jinx gets surgery so he didnt flip the fuck out

in a straightforward narrative, this is a story about a man having to choose between his daughter and his passion project. zaun is something he has given his life for, hed do anything to have it succeed... except one thing. that one thing. "there is nothing so undoing as a daughter" is probably one of my favorite lines in the show. i really do wish we had gotten More of them, especially at the beginning when she was a baby and silco doesnt really know what to do with her, which brings me to my next bit-

i think sevika is an indespensible part of the triangle of silco and jinx triangle. i find her position interesting as she is not only second in command, but second to jinx, a literal child. she can be the best right hand man a guy could ask for, she is so dedicated to his cause she betrayed vander, she has given her life and limb for this shit. but she will never be jinx. and i think the conversation of like, how far will silco go before he is forced to choose is kind of awesome. the ultimatum jayce gives him is good it is the breaking point of him trying to do both. he is directly responsible for the "monster" piltover is hunting, he didnt try to keep her in line, he let her do whatever she wanted and he is now directly reaping the consequences. frankly, i think sevika should have been present for that choice in some capacity, eavesdropping or something, so certain that hell make the right choice, its just a girl. and she sees him falter. him not choosing is a choice, he cannot actually make the sacrifices required to get shit done. hed orphan a thousand children to build his utopia, but he cant let go of his girl

anyway all of that was really cool and interesting so you imagine my frustration when his choice is taken from him via jinx flipping out, kidnapping him then shooting him. it was so. anticlimatic. it *feels* like its supposed to be a tragedy, oh she assumes the worst when he was actually going to choose her, but those conclusions feel too. private. like he dies with basically no one knowing he was this close to selling zaun up a river for his girl. i dont think he should have died i think he should have been disgraced for daring to have it all. anyway i think instead of jinx overhearing him talk outloud and coming to the wrong conclusion sevika should have deliberately led her there 1. to piss her off on purpose and 2. prove a point to silco that jinx is unstable and a liability, but not assume shed go far enough to kill him, bc they both still care about him.

overall any of my issues with how his story goes is just a combination of my distaste for that particular archetype, where he is so incredibly comically evil i cannot take a single one of his points seriously even though they Are correct (killmonger. its just killmonger again) and the show just once again not having time for anything with him that is not The Plot. the fondness he has for jinx is apparent i just wish it could COOK longer i wanted MORE, i wanted to see him foster that love of inventing in her, even though it is clearly just because the weapons she makes are helpful to his cause, i want to see her genuinely give input on his ideas, i want to see them talk about vander. his human elements are like too sparse for me to latch on to its like the Idea of them, i go oh i see what you guys are Trying to do. there is too little of him i see him cooing over his daughter then going back to his crack cocaine mines staffed by orphan children and i ask does the show jave anything to say about this cognative dissonance? no? i find it really telling that one chem baron was pissed at the enforcers for her son dying, and yes they were Definitely a factor but WHY DO YOU HAVE YOUR SON WORKING IN THE CRACK COCAINE MINES MAAM. YOU WERE KIND OF ASKING FOR IT. theres no like, conversation about what the corrupting influences of power does to the next generation even when the best of intentions are had. jinx constantly taking shimmer in season 2 for power ups, a direct product of her fathers worst tendancies, and it having NO ill effects on her, shes not reduced to the animalistic state of the drug addicts we are CONSTANTLY seeing on the streets bc. why. is she built different. the metaphor is RIGHT THERE her father/shimmer enable her but they are also killing her from the inside mein GOTT.

also the first time i watched this show i kept confusing him with viktor lol

[huntershowl-moving]

SHIPPING INFO // ANSWER THE FOLLOWING FOR YOUR MUSES SO PEOPLE KNOW HOW SHIPPING WORKS ON YOUR BLOG.

WHAT IS YOUR OTP FOR YOUR CHARACTER(S)?

i don't have one particular otp — big ships change depending on the Era hellhound is in!

HOW LARGE DOES THE AGE GAP HAVE TO BE TO MAKE IT UNCOMFORTABLE?

nothing illegal obviously — other than that, aside from long-lifespan characters whose mental maturation is slower, i generally stay away from with 10+ year age gaps when the younger muse is under 20. just feels like a weird power dynamic i guess?

ARE YOU SELECTIVE WHEN SHIPPING?

yes! ships on this blog cannot be pre-established — i tend to lose interest fast if they don't build up naturally, either through lots of ooc plotting or through writing. on top of that, seph is ... piiiiicky. she has very specific Types. generally, ships with very gentle, soft, mentally well-adjusted characters are possible, but transient — seph falls out of love after a point, but remains staunchly protective of them.

the long and short of the matter is she's a freak, and you kind of have to match that to be compatible as a long-term partner. but even then they don't always line up perfectly! idk. seph's weird. simultaneously very easy to ship with and very hard to ship with.

WHO ARE OTHER CHARACTERS YOU SHIP YOUR CHARACTER WITH?

oh i've got lots of good ones going on right now!! pls forgive me for gushing. focusing on currently heavily-plotted and/or written ones for this bit bc otherwise it will be pages and pages!! if i forgot someone you have full permission to impale me on a pike i am SO SORRY. (all of these will be under a readmore at the end of the post for length!)

there are more sort of beginnings/potentials for ships that haven't been explored yet which i haven't included here, but i'm truly excited to see where each and every one of them goes!!!

DOES ONE HAVE TO ASK TO SHIP WITH YOU?

yes absolutely hahaha — at least communicating ooc about it is necessary! i'm much more comfortable shipping with partners i mesh well with as a mun and have an easy time talking to.

ARE YOU SHIP-OBSESSED OR SHIP MORE-OR-LESS?

LOOK I. LISTEN. LISTEN... IM FERAL FOR SHIPS. FERAL. even though seph is picky about them — and i promise it's not personal if it doesnt work, it truly is just her dumb creature ass being unable to normal.

WHAT IS YOUR FAVOURITE SHIP IN YOUR CURRENT FANDOM?

N/A for this blog, but as a fun trivia fact, i'm deep in satosugu hell rn

FINALLY, HOW DOES ONE SHIP WITH YOU?

it's all vibes babey. we just start writing their non-romantic dynamic buildup, and if it clicks (or even if u just think ur character would have a crush!) we talk about it ooc and plot some more, then plot some more and before u know it, the angst hammer looms over ur head

Tagged by: @bearratic (thank youuuu!!) Tagging: (points) do it

ship gushing below. <3

@vsagis' villain izuku— i had to put u first bc u kickstarted this shipping renaissance. seph and izuku clicked instantly and started a long-term trajectory that i don't think either of us writers expected. they're just freak enough to match each other, just soft enough to genuinely care. we're really putting these two through the horrors(tm) and watching them fall hopelessly, horribly in love. <3

@spiritcrown's pasha — how could i not mention pasha!! i was so happy to see you back, because pasha and seph's relationship was soooo formative for seph's development wrt romance. seph is absolutely, completely and utterly devoted to pasha. they worship at the altar of her. they would bend heaven and raise hell for her.

@crowshoots' jesper — UAHGHGBBHBH INCOHERENT CRYING NOISES. the first thing seph noticed about jesper was extremely respectable fighting skills, but even then they were definitely uhhhh touch and go for a while there before they started to simmer down and. pin each other down and — one thing led to another and jesper's being antagonized by her antagonists and they're too deeply in love to go back!! i love them. i l

@crowgreeds' kaz — HHHHHHHHH god. hi siri i know ur not around the dash much but idc im writing u into this. kaz and seph both have such a darkness in them that the other recognizes and not only feeds, but when necessary, balances. they're ruthless and violent and mean but at the same time, they have such a softness for each other that they both thought was dead. also, you're the recipient of probably the best rp reply i've ever written (that fucking. hellhound kill description. my GOD im feral for seph protecting him)

@tewwor.... goose is2g we really have the creatures ever. litho — FIRST SHIP!!!! FIRST SHIIIP i still cant believe it took 4 irl years for them to finally admit their stupid feelings. now they're soulmates and there's no turning back. he's the reason seph likes poetry in every verse. the softest snarkiest ship. probably the closest to a true YA-style soulmate seph has. she hasn't forgiven him for all the twilight jokes though tough luck jie & ricochet — the boys... the absolute chaos trio... i never expected seph and jie to fall for each other but honestly i should have. he falls so neatly into her "equally feral" type. ricochet is so calm and seph is kind of intoxicated by that. sheathed claws kind of vibe. just love these three their dynamic balances itself so well

@spungolden's dio — two femmes raised as weapons with deeply suppressed emotions, chillin in a murder alley, five feet apart cause theyre not g— (theyre gay. theyre so gay) these two are so sweet they sometimes make me tear up. they skipped the trauma stage and went straight into lesbian domestic fantasy with only occasional murder.

@chaoslulled oh boy(s). toji — brutally in love. they saw and embraced each other's monster, refused to shy away, and now they somehow revolve in this strange orbit of violent and incredibly soft with each other. i think he's the first of the current ship lineup that seph has in-thread said the L-word to. this ship was so easy to jump right into, the chemistry was like lightning in a bottle. satoru — one of the most genuinely unexpected slowburn ships i've stumbled into. these two read each other for filth INSTANTLY as lonely motherfuckers who, in some way or another, had loved and lost. they haven't even gotten to the oh-shit moment in the slowburn yet but i'm lookin forward to it yakuza sukuna — THE PAIN. THE SUFFERING. AUHHHGHGGGG HOL YOU'RE FUCKING KILLING MEEEE. these two are mirrors in the worst possible way. they've got their throats stuck under their boss' boot heels; they've been disfigured, they've had their siblings used as leverage, they've been made into muzzled dogs. despite hating each other at the start, they can't not recognize that, and it's led to this fierce protectiveness that isssss whoops evolving into feelings. i'm sure nothing will go wrong

@eraserisms' shota — AHHHHHHH god okay most of this ship has been pure plotting vibes and responses to memes, but i truly cannot wait to get into writing more of them because they own my heart and soul. i think they know each other to the marrow in a way that's not super common for seph, and the gentleness and caution with which they're starting to explore revisiting their care for each other is heartbreaking in the best way

@sasouken BEE!!!! ok chronologically(??): deku — so precious and wholesome from the start. your honor he's just a little guy with a big dumb crush. when i tell uuuuuu some of our plotting has literally made me tear up a little??? the absolute bleeding heart on this boy??? HURTS ME??? one day they'll hold hands casper — slated to be our angstiest dynamic, i just Know it. two motherfuckers who love their siblings, inextricably involved in a tangled web of crime and violence. two people who have lost so much and don't want to lose anyone ever again. i will die i WILL satoru — such... a different vibe than i was expecting in an amazing way?? his dynamic with seph is so fuckin sweet? so much physical touch born of trust and comfort. also again: her first ever fwb (for now), which is truly a wild thing to experience. sukuna — i .. . dont even know what to say about this one. (affectionate). he unlocked an entirely new dimension of freak in seph's psyche and attraction style that i couldn't comprehend before we started writing them but retrospectively makes so much sense. what the fuck is going on with these two i have no idea but i am OBSESSED with it. also writing them getting down nasty has been extremely fun, i'm enjoying it a lot

[fiberglassandflowers]

Hey idk if there’s some master post about mbts but if there is may I please ask where and if not could I perhaps humbly request a description because it sounds cool as FUCK

omg yayy okay so there's not a masterpost as of now (though there is a google doc in the works that will probably be. very big) BUT i will try to give a brief rundown. underneath a readmore 👍

OK SO. IN SUMMARY

MARY BELL TOWNSHIP: more like mary bell CLOWNSHIT ha ha. heavy surveillance like everywhere (including in peoples homes. how fun). it's also got some like radiation stuff going on. all the residents are a lil radiation poisoned But it's mostly fine. also the town moves and i dont know why.

VANNIE OVERTURE: based on suburbia overture. the mayor who is a vampire. major control freak. sucks shit. like most of the reason mary bell is the way it is. permasmile swag. has killed before. hates when people are weird freaks and is actively passive aggressive if not outright aggressive.

TRIP LETWO: based on 2econd 2ight 2eer. world's silliestguy contrarian and infamous public nuisance. deeply tortured individual but shes dealing with it i guess. physically cant leave mary bell township. he has too much goddamn lore

LYDIE LAPLACE: based on laplace's angel. so lame. just deeply lame. killed a guy and got kicked out of office building heaven (laplace's inc. id give this its own section but it doesnt really matter all that much). i dont ever think about it unfortunately im sorry women.

MINA BYRD: based on i/me/myself. very sweet very nice. ladybugpilled socialanxietycel. doesnt have a whole lot going on but she is nice im glad shes there. im gonna have a significant relationships section of this but im saying that shes roommates with lia here bc its not really significant otherwise

WALTER LEE: based on ...well, better than the alternative. worlds first cis father to be a butch lesbian. probably a girl but she doesnt know that. weird nostalgia issues so bad his wife left him.

DOTTY LEE: ten years old. strange little girl but i dont really think about it a lot. not much else to say about her really.

LIA CRATES: based on outliars and hyppocrates. her name is pronounced like lie-uh cray-tees not lee-ah crayts. i have to clear this up because i realized most people were wrong LMAO. a little mean but not so much when you get to know her.

WARREN LEARY: based on blackboxwarrior. actually the worst therapist you will EVER meet. isnt even licensed. you book a session with her and she only talks about herself the entire time. constantly referencing a dark and contradictory past.

MARSHA TILLIS: based on marsha, thankk you for the dialectics. slightly better therapist! still not that good. has the spirit of an old man despite being in his 40s. will begin to psychoanalyze your behavior upon the first thirty seconds of knowing you.

NORMAN LEE: based on love, me normally. guy trying really really hard to be a regular guy. has a loooot of problems that stem from this. hugest people pleaser the world has ever known. a little bit offputting. has hair symbolism :-)

MORTIMER: based on memento mori. doesn't have a last name. worlds silliest grim reaper death thing. works in the death division for laplace's inc. lived a pretty normal life. then it died :-(. more here

FERN O'DYNAMIC: based on thermodynamic lawyer. hates his bitch wife (who is a praying mantis for. unknown reasons? will elaborate). just has a lot of anger inside him and doesnt know how to deal with it so he takes it out on other people. he kind of sucks but he's a neat character.

MIRANDA WRIGHT: the person being sung about in thermodynamic lawyer. bug wife (i can blame anything on radiation). she wasnt always a bug she just kinda did that idk. there's not much about her but she's an etymologist.

COTARD LETWO: based on cotard's solution. she has so many problems oh my gooood. deeply lonely person. fascinated with the macabre. its like coping mechanism that makes you worse. im insane about her writing a basic description is so difficult fkdjsfhsjd

RAMONA MCLAREN: based on red moon + hand me my shovel (though the latter was included later on bc it fit her). worlds most intelligent and stupid single celled organism. patheticswag. absolutely batshit insane. attempting to solve the end of the world.

KUIPER SUNSHINE: based on dr sunshine is dead. uh. i dont really know much about her to be honest SORRY... its really silly though + haver of prophetic dreams that she is NOT transparent about. fucks with people a lot just for funsies

COLIN THESIER: based on cover this song. girl who used to be in a band but got kicked out bc of friend drama. survivor of a toxic codependent queer friendship. trying to be a better person bc she used to suck pretty bad unfortunately. a bit more here

theres like a couple more characters but none of them are really important enough to give their own sections. debbie letwo is trip and cotards mom, laplace is the head of laplace's inc, maude is walter's ex wife who left him (heres the scoop on that).

OK NOTABLE CHARACTER DYNAMICS TIME:

VANNIE/NORMAN: norman has been pretending to be a normal dude this whole time + vannie totally fell for it. normans stuck in this friendship bc hes too much of a people pleaser to break it off even though vannie actively drains him emotionally. also he feels validated by vannie thinking hes normal. its so awful im so insane about their dynamic

VANNIE/TRIP: THEY HAAAATE EACH OTHER. their entire core beliefs are at odds (guy who thinks everyone should do their best to conform vs. guy who loves being a weird freak and doing fuck all). their dynamic is honestly pretty simple in comparison but theyre so petty and stupid its insane. if you put them alone in the same room one of them isnt coming out

TRIP/NORMAN: theyre gay together. there's a weird lore thing about the way relationships are handled in mary bell but long story short theres paperwork that has to be filled out if you want to be registered for one and trip thinks its really funny for xem and norman to constantly break up so they'll have to fill out the paperwork because it fucks with vannie. theyre also kind of awful and tragic

WALTER/DOTTY: that is a father and his daughter. walters trying his best and hes doing well but nothing would have been better than just moving out of mary bell township to raise his child.

WALTER/NORMAN: they’re brothers 👍 not much else to say there but they’re cool

WALTER/MAUDE: already linked a more in-depth explanation of their deal but ill summarize it here. maude thought living in mary bell township was really bad for a child (and it is) but since walter has issues about idealizing his childhood he was like "whaaat well i was raised here and im fine" and they fought about it and once it became clear walter wasnt changing his mind maude figured shed just spare herself from all of it. so she left 💯

WARREN/MARSHA: what if the two worst therapists ever were queerplatonic and violated hipaa together. also what if one of them [marsha] was helping the other [warren] because they're on the run from the law. would that be crazy or what

FERN/MIRANDA: actually awful. they really want to divorce but trip and norman keep clogging up the paperwork so theyre on a waiting list forever. their relationship was really good at one point but its not anymore :-( more info here

NORMAN/FERN: fern haaates norman because of the previously mentioned paperwork debacle but normans ass cant deal with the thought of anyone disliking him so hes just been really trying to get on his good side to no avail. also theyre coworkers so its more relevant

MORTIMER/TRIP: man how do i even summarize this one. due to lore reasons that you can read about in the link provided in trips session they have a super weird dynamic present day. or at least on trips end, mortimer is just super friendly to them and it wigs her out.

TRIP/COTARD: OUGUIGHJ. AOAUYFGDSFHSJ. tragic sibliiings. man i dont even know if i can go into this. go here and here if you want to learn more about them. jesus

COTARD/COLIN: frienndsss :-] classic extrovert forcing themselves into introverts life trope a little bit. they play music together and its great. mina's also in their little group but the two of them are closer

KUIPER/RAMONA: have been described by my friend as being "nonromantic freak4freak" and this is true. theyre working together on the end of the world stuff. they also rope cotard into it but thats lore i havent talked much about yet. go here and here for more info about them.

that might??????? be it?????? if there's more ill update it but thats the general basics i think. thank you for being interested and hopefully reading i greatly appreciate it :-)

[wickedsick]

GATCAATGAGGTGGACACCAGAGGCGGGGACTTGTAAATAACACTGGGCTGTAGGAGTGA

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GTTTAATAGTACAGTATGGTGACTATAGTCAACAATAATTTATTGTACATTTTTAAATAG

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TCATTATCACCACCACCATCATCACCAACACCACTGCCATCGTCATCACCACCACTGTCA

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CCACCACAATCACCATCACCACTATCATCAACATCATCACTACCACCATCACCAACACCA

CCATCATTATCACCACCACCACCATCACCAACATCACCACCATCATCATCACCACCATCA

CCAAGACCATCATCATCACCATCACCACCAACATCACCACCATCACCAACACCACCATCA

CCACCACCACCACCATCATCACCACCACCACCATCATCATCACCACCACCGCCATCATCA

TCGCCACCACCATGACCACCACCATCACAACCATCACCACCATCACAACCACCATCATCA

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CCATCACCACCACCATCACAACGATCACCATCACAGCCACCATCATCACCACCACCACCA

CCACCATCACCATCAAACCATCGGCATTATTATTTTTTTAGAATTTTGTTGGGATTCAGT

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TTTTGGGCAGTCATTGCAGGACCTCATCCCCAAGCAGCAGCTCTGGTGGCATACAGGCAA

CCCACCACCAAGGTAGAGGGTAATTGAGCAGAAAAGCCACTTCCTCCAGCAGTTCCCTGT

CTGAGCTGCTGTCCTTGGACTTGAAGAAGCTTCTGGAACATGCTGGGGAGGAAGGAAGAC

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ACTAAAACTCACCCCTGTCTATAAGCATCAGCCTCGGCAGGATGCATTTCACATTTGTGA

TCTCATTTAACCTCCACAAAGACCCAGAAGGGTTGGTAACATTATCATACCTAGGCCTAC

TATTTTAAAAATCTAACACCCATGCAGCCCGGGCACTGAAGTGGAGGCTGGCCACGGAGA

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TGATCAGGGGTGCATATGTCAGAGGAGCCTTCAGCTGGGAAGTGCTGACAAATGACCCAG

ACCTGACCTGCCCGATGCCAAGGCCTCCTTTAGTACATCCCATGGAGGACACTTGAGACA

AAGTCACAGCTCAGCCCGTTGATTTCCCATGCTCTGACTGTGCGGTGCAGCAGGACCCCT

AGCAGGCAGCATGTGTTCAAGGCAGCGATATCCAAATGCTATGAATTGCTGTCCTGATGG

TTATTTTCCTGCATACAGTAGAGCTGATCCCTGTACAATGCTGGTCCTAAATCTCACCTT

TGACAGTGCGCTGATGTGCAATGTTTGCTTTTGTTTTATTTGATGGAACATGGCTAATTG

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TAACAAAACTGCGGTGGTGGTGGTGAGGAGAGGGAGGGGGTATAACAAATGTGCCAAGCC

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AATGATGTGTAAGCAGAAGTTGCTTGATGTGACTTCTGGCAAAGCTCTTAAGGAGAGGAC

TGACCTGTTTCCACATATCTTTTTCCTTTCCGTGTCCTTAGTCCTGGCTGGGATGCAGAT

GAGATGCAAAAGGTGGAGCAGCCATGTTGTCATCAGGCAGTAACAGGTCTGAGGGTAGAA

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AAAAGTTATAGTAGGCCAGGGATGGTGACTCACGCCTGTAATCTCAGCACTTTGGAAGCC

CAGGCAGGTGGATCACCTGAGGTCAGGAGTTCAAGACCAGCCTGGCCAACGTGGTGAAAC

CCCATCTCTACTAAAAATACAAAAATTAGCCAGGCATGATGGTGCATGCCTGTAGTCACA

CCTACTCAGGAGGCTGAGTCAGGAGAATAGCTTGACCCAGGAGGCAGAGGTGGCAGTGAG

CCAAGATCGCACCACTGCACTCCAGCCTGGGCGACAGAGCAAGACTCTGTCTCAAAAAAA

AAAAAGTCATAATCAAAGAGGAAGACTGAGATAAATGTAGAGTCAAAGGGCTAAACAGAA

ACATAACACATGGGTTTTAAGCTAAGCCTTCACATTATCCCTTATACAATTTTATCTACA

CCGATTTCACCAAAGCTCAAAGTTATATTATTGGCTGAGATTGGCATTGGGATGGAGTGG

TGAAGCTAAGAAATTCGTTATCCCTTTGTTCCAGTGCTGCTGGACTTTTCACTAAGTGAA

GAGGTAAATGCTGAGTCTCCCAGGAGGCTGACTCCTCCTGGCTCTGGGTGTGCATTCTGA

TGAAGGTTCTTTATTGTAGGCACCAACAGAAGGCTCATGAGAGGGCAACATGGATCTCCA

TTTCTGAGCAGATGTTTAAACGCTGAATCAGGTCCAAGGCTTCCCAAATGAACTCAAGGA

GTTTCTTTTTCCCAAGCCATAGAAAGTGGCGATAGCAATCCAGGGTCTGCACTGGGAAGG

AGCACTGCCAGGACACGTCCCTCCCTGCCATTCCCCCACCCTCGCCCAGGAGACGTCCCT

CCCTGCCACCACACAGGACACATCCCTCCTTGCCATCCCACCCCCCTTCCCAGGACACGT

CCCTCCCTGCCATCCCATCCCATTCCCCCACAAGGACACGTCCCTCCCTGTCATCCCACC

CCCCTTCTCAGGACACATCCTTCCCTGCCATCCCACACCCCCCCCAGGACACGTCCCTCC

CTGCCATCCCACGCCTCCCCCCAGGACACATCCCTCCCTGCCATCCCACCCCGCCCCCCA

GGACACACAGGTCCGTGAAATCAGTATAGACACTTGTATCAAGCAAGAAGAAGCATGTTA

CTCAGAAGAACACAATTTTGTTGTTTTGTTTTTGTTTCTGGGTTTTGGTTGTTTTTTTTG

TTTTTTTTTTTGGGGAATTAAACAAATAATTTCAAGTTCTACCTCCACCACCTACCAGCT

GCATGATCTTAGACCATTGACATCACCTCCCTGACCGTGATTTTCACATCTAGAGAATGG

GAGGGGAAGAACCATGCCTTGGGGGCCAGGCTGAGGATGAACTATGAAAACCCGTCCTAT

TGGGCACTCTCGAACAGTCACCATTGTTGGTATGAGGCCCACTATCAGTGAAACTGATTG

AAATTGGTGTACATCTGAGACCTGAGGACAGCCATCAAGTGTCTATTAACTTAAGCTTTA

TGTAGCAAGCATTTATTGCACATGATCCTAGGTCCCAAGTATGCTTCGGTAAATTAAACA

CCCTTGGTCCCTGCCCTCACAAGCCGTTCATAATCTAGACAGATACATAAGATATAAATG

CACAATTGTTCATTGAAAATCTCCGAAGTCACTGGCTATTTTCTGTGGTTCTCGGCACCA

TCACCACCCTTCCAAATTCTCTCCTGTTCTCAGGGGTTAGAAACCTGCAAACTACATTCC

CTAGACTTCCTTGCCTGTAGGAGCAAAATGATCCCATGTATTACTGCGAAATGGTAGTGT

CTGGGTCCCAGAAGACAGTTAGTAGAATCAGAATGTAGGAAAGTGTGTGCCACAGCCACA

CATGTTCATGATAGTCATAACTTGTTCAGTAGGAATTTAGAGAAGACTGACTGTACACAA

GGTATTGCTAAATGCTATGCGGGATACAGAGATGCCTGTGCCTCTAAGAAACTTGGTAGA

AAAATAATAACCCACACATATTTGGCTTACCTTCTCTTTGAATAGAGCAATTGGCAGTTT

AGATTCAGTCATTCTTCAATTCATTTAGCCAAAATTTATTCTGTGATGGCTGAATCCAAC

AAATGAAGTCTCTACTCTCATATTATTTTCCATTTTGTTCCACTGAATTTCAGCAAACAT

AGACCAGACAAGCATCCCTTTGAAACCTGGACTTGGGATGAGGGTCTGCTGAGATTGGGT

TTTCTCCATGCCCAGATGCCTCTGATCAAATATCAAGTCCCAAAGATACAGATGAGAAAG

TTATTAAGTGTTCTGGGATTGGGACATCGGAGATATTAATTAACCCTGGCTTGAGATGGG

AAGAGGGGGCAGGTAGCTTTCTTTGTGTAGTGTTTAGGAAGGTGATTGCCAATCTAGGAG

AAGTGAGTTCCCCAGAGGGAGGGGGGCTCTTGGCCAGCAGGGTGACCCATATGTTCTGGT

CTGCCTGGAGCTGTGGTCCTTGGGTTCACAGCGGCCCCTTTGCACTCAAAGCACCCTAGC

TTGGACAATAAATTCTACAGTCAGTTCTGCAGTGACGATCTTCAATTCCTAGGGCTGCCA

TAAGAGAAGATCATAGACTAGGGGTGGTACACGACAGAAATTCATCTTCTCCCAGTTCTG

GAGCCTGAAAATCCAAAACAAGGTGCTGTCAGGGTTGGATTCTCCTTGGGCCTCTCTTCT

TGGCTTGCAGGTGGCTGTCTTCTGGCTGTGTCCTCGTGTGTCCCCAACATCCCCCTGTGT

GTGTGTGCAACCCTTATGTCTCTTCCTCTGCTCATAAGAAAACAGTCCTATAGGACTAGG

ACCACATTCTTATGGCCTCATTTAACCTTAATTACCTCCTTTAGGGCCCTGTCTCCAAAT

ATGTTCAGTGGAGGTTTGGGGCTTTGGCATATGAGTCTTTGGAGGCCACAGTTCTGTCCA

GAACACACTGACCCTATCCACCAGGTACTGCCACACCAATGGCTTTCAGCATTAGACAGA

GCCCCCCTGGGCTCTGTAACCCCACCCAGGGTGTTAAGAATGAGGAGTGAAAGTCCACAC

ATGTACACACATGTTAATAGCAGCATTATGCGCAACAGTCAAACAGTGGACACACCCAAA

TGCCCATCAGTGGATGATGGATACATGCAAGGTGATTTATCCAGACAGTGGCATCATATT

CTGTGGCCGGAAACAGGAGGGGAACGCTGACACTTGGCACAACACGGAAGACCTTTGAAA

ACATATTGCAGCAGATTGAATGAAAAAACAGAGAGAAGAATCCAGCCGCCTCATATAATT

TCTTTTTAACTTGCAAATGTTATTTTTAATCAAAATGTTATTTACATGGCACTGAGTGTA

CGGACAACCTTTGAAAACATGGTGCTGAGTGTAAGAACCAAACAGGAAAGGCCACGTGTT

GTTCATTGATAGGAAATGTCCAGAATAGGATGTTCTAAAGAGACTGAGAATGGATAAGTG

GCTGCTTAAGTGGGGGGGTGGAAGGAGGATAGAAGAGTGATAGCTAAAGGGCACAGTTTC

TTTCTGAGGTGATGGTATGTTCCAAAATTGACATTGGTGATGGTTGCACACACTGCAGAT

ACACCAAAATCCACCAAGTTAAATTGAAATGCACACTTTACACTATTGAATTATATACTT

TAAGTGGCTGAATTGTATAGCATATGAATTACATTTCAATAAAGCCTTTTAAATAAATCA

TGCATGGGTAAAATGTCCACTCAAAGTAAGATAAACCAGCGCATTGTAATGTAATAGAGT

ACAAAATGCATGGGTATGGAATTCCACTTACAACCCATCATTAATCAACCACTACTTATC

AAAGAAACCCCAACTTGTCAAATTTCAGTGTGATGTCAAACAAGATACCCAGTGTTACCT

GAGAAGGCTAGTAAGACACTCATCTCTTTTCAAACTACTTGGAAGTATGAGGCCAGGTTC

TTTTCCTATTCTTCAACCAAAACAATGTATTGCAACAGATTGAATGAAAAAAACAGAGAG

AAGAATCCAGCTGCCTCATGTAATTTCTTTTTAATTTGGAAATGGTATTTTTAATCAAAA

TGTTATTTACATTAGCAATAATAATTTTTTTTAAAAAAGAATGAGGCTTGAGACGGAGAC

TCAGTGGCTGTGTCTACCGGCCTCAGTTGTAAAACAAGCACTGTTCATCCCGAGCCGACA

TAGCTGCTCATTCACTCATTCAAAAATAATCTTTGAACACCCGCTCTGTGATGAGGTGAT

GATGATGATGACGATGATGATGGTATCAGTACTGGCTAATATAATAAACTAGCTACTATG

TGCCAAATGGTTTCTCAATCTGAGCCATTTAACCCCCACAGCAGCCCTGGAAAGTAAGAA

TCGTTACTAGCTCTAGGAGGCAGCCCCAGGGATAGGTCTGCGGTGCGTGTTCCAGAGTCG

GGAGCCCTGGCCGAGGTCTGCGCTGGCTTTTTCCTCCCTGGGTGACCTGCACAAGAGGCA

GGAGGTTAGCTGTCTGCTGCTACGGCTAACACACAGGCTCTCCTCATGGGGCTTGGGGAG

GTGGATAAATTACTGTTCCTAATGTTTTTAGTGTGACTGAAGTGCTGGCCACTCAGTCAC

TCGTTTGCCCTTTCACTCATTCATTCATTCCTTCATTCAGTGATATATGAAGTGCCCACC

GTGAGCCAGAGTGAGACGCTTTCCTGAGATCCCAGGATTTCTTAAACAAAATACACAAAG

CACTTACGTAAAAGATCGATACACTGATTGCATTAAAATTAAGAACTTCTGTTTATCAAA

AATTCCTTCAAGAAAATGAAGACAAGCTACAAACTGGGAGAAGATATTTCCAACATGTGT

AATTGAAAAAACATTAATATTAATTATATATATATATGTGTACGTATATAATGTGTATAT

ATGTGTGTGTGTGTATGTATATTTTCATATTTAAAACCAGACATCATTAATGCAAAGATA

AATGCACCAATCAGAAAGTGAACAAAAATATAGAAACAGACATTTCACAAGAGAGAAAAT

ATAGCTGGCCAATAAACATTTGAAGAAAAACCCAACTTAATTAGTAATTAGGTTAAGTGA

AAAAAAGCAAGTACCGGAAGACTACATGCAGCATGATATTCTTTCTCAAAATAAAGGCTA

GAAAATCAGATAAGATAAATAATATGCTCTGAGGCATCCATGTAGATATAACACAGCTAT

TTTCAGAGAAGGAATGATCAGCACTAACTTCTGTAGAAGTTTATAGGCACATGCAAGTTA

GTTTGCTAGTTCCTGGGTGGCATGGTGGATTCATGGGAGTGCCTTGTGTTGTTAAAAATA

AAGAAACTAGGCCTGGTTTGGTGGCTCATGCCTGAATCCCAACATTTTGGGAGGCTGAGA

AGGAGGATTGCTTGAGCCCAGAAGTTTGAGACCAGCCTGGACAACGTGGTGAAACCCGTC

TCTACAAAAATACAAAAATTAGCTGGGTGTGGTGGTGCACACCTGTGGTCCCAGCTACTT

GGCAGCCTGAGGTGGGAGGTACACTTGAGGCCAGGAGGTCAAAGCTGCAATAAGCCGAGA

TCACCCCACTGTACTCCAGTCTTGGTGATAGAGTGAGACCCTGTCTCAAAAAAATAAATA

AATAAAATAAAGAAACTAAAAATAACAACAATGATGATAATAATAATAATAGACTAGGCA

CAGTGGTTTACACCTGTATTCCCAGCACTTTGGGAGGCCGAGGCAGGCAGATCACTTGAG

GTCAGGAGTTGAAGATCAGCCTGGCCAACATGGCGAAACCTCGCCTCTACTAAAAATACA

AAATTAGGCCCGGTGCGGTGGCTCACACCTGTAATCCCTGCACTTTGGGAGGCGAGGTGG

GTGGATCACCTGAGGTCAGGAGTTCGAGGCCAGCCTGGCCAACATGGCGAAACCCTGTCT

CTACTAAAAAAAAAAGAAAAAGAAAAAATTAGCCAGACGTGGTGGCGGGTGCCAGTAATC

CCAGCTACTTGGGAGGCTGAGGGAGGAGAATTGCTTAAACCCCGGTAGGCAGAAGTTGCA

GCGAGCCGAGATCACACCACTGCACTCCAGCCTGGGTGAAACGCTCTCTCAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAGTCAGGAATGGTGGCATGCGCCTGTAATCCCAGCTACT

TAGGAGGATGAGAATCACTTGAACCTGGGAGGCAGAGGCTGCAGTGAGCCAAGATAGTGC

TACTGCACTCCAGCCTGGGCAACAGAGCTAGACTCTGTCTCAAAAAAATAGTAATAATAA

TAGCAAAAGAGGGCCAGGCATGGCTGGCGAGTCATGAACCCAGGCGTGGCATTCCTCAAA

TTATGTGCACCTAAAGTCTGCGAAGGGAAACAAACAAGAATTCAAAAAGCAAGACACCCC

GGGGGTTCTCTGTCCTTCCTTCCCTGCACTCAGTCTGCGTCCTGAGCAGCAACAGTGCTG

ACCCCATAAGCCTCGGCCAGCAGGTAAGGGTCACCTTCTCTTCCCTGCACTGAGGTTCCC

AATGGAGACCAGGAAGTGAAGTGATTTCTAAGGGTTTCCTGTGAGGTCAGGAATCAAGAT

GGAATCATTGCCTCATCCTCTGTTAACCAGAAAATTCTCTAAGCCAAACCCTCCCATAGC

CTCTGGTCTCTTCACTCAGCCGAGGGTTCCCTTGTGTTTAGAGGGCAAGGTGGGCTCTGT

TTCCTCCCACTGGGATGGAGGAGTCAGAAAACTCACCTTACCCCGTTTGCCCCCGACAGT

GCCACGTTACAAAAGTTGCCCAACTTCCTTAAATAATCCTGTCACTTCCTCCTCATTTGC

CTCTGACGCATGAGAGCCTGGGAAACCCCAAGTCGCTTGCTGTAGGGCCTGCAGGAGGGC

CTCCACCCCGACCCTGCACAGGACAGGGGAAGGGAGAACACCCAGGGAACTGAATCTTGA

AACGCACAAAGGGAACACCGTACGGCCGTCTTTTCAAGGCCATTTCCCACAGAGAGCGTG

CAAAAATAAGTGTCCTGGCTGGAGAGCACATTCCAGCTCCAAAGGCTCTGTTCCTTTTAC

TTTCTCCCGCGATTACTCTTATTTTTCTGCAGCTCAACAAGGACGGTCCGCTGATGTGAG

CATCTTGTGATTTCTCCCCCAGCGCAGCCTGCCTGGCAGCTTCCTGTGCTCCCAGCACGA

AGTGGAAGATGACCTTCAGCCGGAGGAGGGAGCGCAGCGCGGATTAGAAGGACATGGCGC

GGGGACTGGCCTGGTTGTTGGGGCGGGGACAGAAATCCATTTCCCTCGTTTTCCTCCACG

CCAGTGTGGGCCACTTCCTGAGTCTCCGCACACACCAGTGTCTGAGGTTCTCACTGACCT

GCTCCAAGGTGAGGGATTCCCCGTATTTGGGGCAGAACAGACGTTCCCACCCCGCAAGGC

TGCAGTGCGGGACAGACACGTGGCCCGGCCCCGAGATGCTGCAGAATGTTTGTCCTGGAT

TTTAACACGTTTTCGTCCCTGGTGGTCCCAGCGGCTGCTGCCAGGGACTAAAACACCTTT

GTCAGATTATCAGAAGGCCCCGGGAAGGGAGGGGAGAGCCCAAGATGAGAGCACTGCTTT

ACCCGAGGCCCTATTTCCGCACGAGAAACTTTTCTCAGCCTGATCGCATCCCGGCTTCTA

AGAAGGGCCTGGTTCAGGCTTTCAGCCTGAAGCCGGAGAGCACGAATGAGCCCTCCCCTG

ACTTCAAAAATAAAATCCCGGTACAGTATGATCATCATGATTATTGTTACCATTATTACC

AGCACTGCAATCATTTGTGCTCTGGCCCTTTCATCCCAGAATTTCAAAGCAGAATGCTTT

ATAAGGAGATGGCTATTCATTTGTTCAGCGAGAGGCATCCTTTGAAAATGGAGCTTTCAG

ACTCTTGATGAAAAAAAAAAAAAAAAAAAAACCTCTGATTTCCACTCAGCGTGATTAACC

AGACAAGGGCTTTCCTGAGAATGAATGTGTCTGTTGAGTGGGGTCCAGACAATGAGGTCA

GAGGCGAGCTCCCGAAACACTCCAGGAAGCAGCACCTCGGGTGTCCAAGCTTCTGAGACT

CTCTGCAGCCCCCTCCCATGGTCACCGTCTTCTGAAGGGCTGTAGGATCGAAAGTCACAG

GCGCACCGGCAGCAGAGCAGCATGGCTAAGCCACAGGTTCCGGCAGGTGGCTTGGGCTCA

AACCCTGGCTTTGCATCTGAAATTCCAGCTGCATGTCCTCGGGCAAGTTACTTAACTGCT

CTGTGCTTCAATTGCTGCTTCCATAAAATGGGGCTAATGATAGTTTCCACCTCTTGGTGG

TTCTGTTAGCTGAGTCATCATAGGCCCTGCCCTGGAAGCAGCATTGGGCACAGAATAAGC

TTTCAGTAAGTTACAGTGATGGGGGCCCTCCGCCGTGGGGATGCCACTCCCTGGCTTGAA

ATGCAACAAGGGCTCCCTGTTGCTCTGATAGGACGCAGATCCTCCGCACAGCACCAGAGG

CTCTCCAGGGCCTGGCTCCTCTTTCCTCCGGGCGTGCTCCTTGGTACTCACCATTACATC

GCCCGCTCCTTCCTCAGCGCTGCCATTGCCTCGTGTGCTCGTCCCCGAAGTCCTCTGTCC

ACCTCACTCACCCTTAGGCCCCTGCGTCGGCCAGCACTTCATCTTGGAGAGCTCCTCCTT

GTACTCATGTCCCTTGGCCAACTTGCCCCAGTCCTTCAGGACTCCTGTGAGTGTCACCTC

TCCTGAGAAGTTTCCCGACTTTCCTGTTTCGATTAGCTGGATCCCCTTCCAGTGCCACAG

CCCATGGCAGGGTCTCCTCCTCCCCCTCTGCCGTCATCTTTCTTTTTCTCCTCCTCCTTC

TTTTTCTGTTTCTCCCACTGGACCCCTCGTTCCCAGCAGGGCAGGCCTTGCCTCTGGCCA

TCTCAGTGCCTGGTTCTTGCAGATGCCCAGAGGCTGCCTGGGAAGCCACTCCCGGCTCCA

CGAGGGGTGCTGCAGCCTCAGCGTATACTTCGGTGTTTGAGAACAAGGTGATGTCCACAC

TTGTCAAGGAAGCTCTTTCCCTTCTATTGGGTGTTTTCGGGGTCAGAGCAGAGACCACAG

GGGAGTCACATGCTGCCTGGCTCACCAGAGGTGCTGAGTCCCTGGTTATGGAGCAGATGG

ATGGGTGTGTGAGAAGGTGAATGGATGGGTGTGTGTGCAGGTGGGCAGCACGGTTCATTC

CAGCTGAGGCTGAAATCCCTCTTTGTCCTGCAGGCGAGGCCCCCTGGTCACCTGGTAAAC

TCATTCACCCGTGTCATCATAAAACCCTCCGACAAATTAACGGAAAACATAGTGACTTCT

AGGGAGACCCCCAATGAGTAGACAGCTTTTTTCATTGTAGTTAAATATCGTAAGTAGCAA

GTTCATTCTGGAAACATATTACATACAAAAACTGTATAGTGGTTCACAGTGATTCATGCC

TGTAATCCCAGCACTTTGGGAGGCCGAAGCCAGTGGATCACTTGAGTTCAGGAATTCCAG

ACCAGCCTGGCCAACATGTCTCTACTAAAAATACAAAATTTAGCCAGACATGGTGGTGCT

CACCTGTAGTCCCAGCTACTCAGGAGACTGAAGCAGGAGAGTCAATTGAACCTGGGAGGT

GGAGGTTGCAGTGAGCCGAGATTGCGACACTGCACTCCAGCCTGGGCAACAGAGTGAGAC

TCTGTCTCCAGAAAAAAAAAAAAAAAAAAAAAGAATTGTACTCAACAGCAGGCCCTTGAC

TGCATTTGAGGTTACCCGGCTGAGAACAAGAAGGTGCTTAAACCAAGGGAAGATATTGGG

TAAGGACTGTGCACTGGTGTCACCTTCAAAGGTCAAGAAGCAGCAGGATGTCTTTGTTCT

TCATATTATCCATTTATTAGCTGACATATGAATTCATTTCTTTCATAAAAACTACTGCGC

CTCAGCTCTGCCGTGGGGTCACCCAGTCATATGAAAACATGAACTATGTAAGAGGAAAGA

CATAGGCATATACTGAAAAGCTGTAAAAGAATCATGGTTTGGGATTGCACATGTCCTCTG

GAGACTGCCTGGTCCCACTGCTGTTTTCAGTTACTGAACACTAGGTTGAGGCACAAGGGC

ACAGAGCAGCCTAGACACTAGCTTGAGGTCACACAGCATCTGCACGTGATCACTGTGCTG

TGCCGCAACCCAGTCCTGCAAACTCATTTCCCCGGTGAGCAAACCTAAGGCGCTCACCAG

GCTGGGAAGACAGCCTGCAATACGCCAACTGTCAGGTCACTGGCCCTCCTGGCATCCAGT

CTTATGCAAATGACCAGTTAACCCCTTTATAGTCTGTCCAGGTCCACCCAGTGCAGAAGC

CCCAGTGTGCCGTTTAGTATTTGTGAGCAAGAAGACACATTCCGCTTCTTGGGGAAGGGC

TTCCTTTCATCTTGGACGTTGGGGATTCACAGCAGTGGCTGTGTTGTACGTCCAAACAGG

GAGGAGTGGCCCAGGCTTGCAGACAGGATCTCACGAGGTTCAGCCTTTCTGAAGTCGGTA

CTGTAGAGACAGGCAGGTTCCCATACATTGCCTTTATGTGCCTGAAGAAGATTATGCTAT

TTTGGGCTCTGGAGACTTTTAAAAACAAATTAGAGACAAAGCACAATAGCTCTGGATGTC

TGACTCACTCAGAAGCAAAGCAGGCCCACCTTCCACGCAAGAAGAGACCGAGGATGCAGA

CAGACAGGGTTCCCAGTGGGAGGACTCTGCCGCAGGAAGCAGGTGGCAACAGTTGTTTAT

TTTGAGCTAACACAAGCTCATCCACTGATGTCCACGGTTCTTCCCAGCACAGGTCATGTG

GGTGAGGGATGAACAATGAAGCCACACCTTCTGGAAGCTGAGAGGAGGCTGGTGGGATTG

GAGGGGGTGGCACCCCCAAACGTCCAATGCTGCCTGAATGTAGCGGCACTCAAGTCCTGC

TGTGAGTAGGCGGCGAGGGGCTGGGCATCCCCAAGGCCTGAGCATATCCCAGGGTCCCGG

GTACCCGTGGACGGCATCGGAAGTTGCTGGTTGTTCTTTGTGGTTCACAGGTTCCTAGCT

GGGACAGCATCCGTGTGGGAGGAGAGCTGGGGAGAAGGCAGAGCTCTGCAGGGACAGAGG

TGGGGAACCAGCTCCATGGCTGCACTGCTGGCTTCCTGCAGCCTCCCACTCCGAACAGGA

CTTTGACATGACAGAGATTCGTCACTTGAGCAAACTTGAGGCAGGCTCCTGATCCCCGCC

TCCAGCAAGGCCCATGCCCACACTTCCCTATGAAATCCAGTTTTACCAAGAGCCCTGCTA

AGTCGTTTTGGCCTGAAACCCCCACCTCCAATATCTGATTAGGTTCCTCATACCCCAGCA

TCCCCCAGAGGAGTCTGACCACCCCGGCCTACCTTCAGCAAGAATCCTGTTAGGTGACTC

GAGCCTGAATCCCCCAGCCCCTGATGTTTCCTCCTAGTCACTTTCCATCCGTGGACCCCG

CCCTGCTCCTGGGCTGTGAATCTCCACTGCCTGTGGCGTGTTTGGAGTTGATCCCGGTTC

TATACCTAGGTCTCTTTCTATTGTAATTGTTCCTGAATAACATCTGTTTTTATCGCTTCA

GCTACCATCCACCATGGGTTTCTTTGACAGATGGGACTCCTTGGCCCGCACTGCTCAGCA

CTGAGGTCCAGCCTCTGACAAGCGAAGTGCAGGCCCCCGGCGCGGGCTCCTGTGTGGATG

CTTCTGCACCCTCTGCCGCACTGGGCACCCGGGGCCCAAGCCCACCTGCCCTCTGAACCA

TTCTCCAGGTCAGGCAGGCAGCATGCAGCCTGTGAGCTCCCTGTGAGCTGAATTAATCCA

CTACTTCACCACATGCATCAGGATGGACCCCCTGCTGTGGGCCGTAGGCTGTGTGCTGTG

TGCTGTGTCCTGTGTGCTGTGTGCTGTGGGCTGTGGGCTGTGTGCTGTGTCCTGTGTGCT

GTGTGCTGTGTGCTGTGGGCTGTGGGCTGTGTCCTGTGTGCTGTGTGCTGTGTGCTGTGG

GCTGTGGGCTGTGTCCTGTGTGCTGTGTCCTGTGGGCTGTGGGCTGTGTCCTGTGGGCTG

TGGGCTGTGTGCTGTGTGCTGTGTCCTGTGTGCTGTGTGCTGTGTCCTGTGTGCTGTGTG

CTGTGTGCTGTGTGCTGTGGGCTGTGGGCTGTGGGCTGTGTCCTGTGGGCTGTGGGCTGT

GGGCTGTGGGCTGTGTCCTGTGGGCTGTGGGCTGTGTGCTGTGTGCTGTGTGCTGTGTGC

TGTGGGCTGTGGGCTGTGTCCTATGTGCTGTGTCCTGTGGGCTGTGGGCTGTGGGCTGTG

TCCTGTGTGCTGTGTGCTGTGGGCTGTAGGCTATGGGCTGTGTCCTGTGTGTGTGCTGTG

TGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCT

GTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGT

GCTGTGTGCTGTGTGCTGTGGGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGTGCTG

TGGGCTGTGGGCTGTGGGCTGTGGGCTGTGTCCTGTGGGCTGTGGGCTGTGTGCTGTGTC

CTGTGTGCTGTGTGCTGTGTGCTGTGTGCTGTGGGCTGTGGGCTGTGTCCTGTGTGCTGT

GTCCTGTGGGCTGTGGGCTGTGGGCTGTGGGCTGTGTCCTGTGTGCTGTGTGCTGTGTCC

TGTGTGCTGTGGGCTGTGGGCTGTGTCCTGTGTGCTGTGTCCTGTGTGCTGTGGGCTGTG

GGCCATGGGTCATGGGGCTGTGGGCTGCATGCTATGGGCTGTGGGCTGCTTGCCAGGCAC

TTAGGAACCGAGGCACAGCATGAGTGAGTCCCTGCCTTCAGGAAATGTCTGGTCTGGTGT

GAGAACAGGCGCGTAGACACTCAGTCATAGTGCAGGCATTGTAGGGTTTGGCATAGCTAC

GGATCATACAGAGATCATCTCCTCATGTGGCAGCATGAAAAATGTCCCCCAAAGATGTCC

ACGTCCTCATCCCAGAGCCTCACATGGCATAGGGCCTTTTTGGGTGGGATTAATGTAAGG

ATCTTGAGGTGTGGATTTATCCTGGAGTAGTCAGGGTTGTGGGGAGTGATGCCATCACAG

AGGTCTTTGTAAGAGGCAGACGGGAGGGTCAGAGGCAGAGGGGGAGACAGAAGGAGGAAG

CAGCGGTGAGGGAGAGAAGGAAAGATGCTGGACTGCTGGCTTTGAAGACGGAGGAGGGGG

CCATGGGCCAAGGATTGCCGGCGGCCTCTGGCAGCTGGGAAAGGTAAAGAGAAGGAGGCT

CCTCTGGACCCTCCAGGAGCCAGTGCTGCTGACACCAGAATTCTGGGACTTCTGGCCTCT

AGAAATGTAAGAATACATTTGTGCCATGTTGAGTCTCTAAGTTTATGGAGACCCCAATTT

TGATACAGCAGTCATAGGACACAAATACCTCATTCCCCGACCCCCACCAACAGTCTGTGG

ATGAAAGAAAACAGGGTCATGAGCTGGAGAGCAAGCAGAAGAGGAGGGTGCACGTGGATA

CTTTAAAATCTTTACTGGGTTGGAGGGGGTGACCTCTGAGCAGAGGCTTGATGGGTGAGG

AGGGGCCAGCCCAGGGCCGTGGAGGTCTGAAAAGTCAGCGAGAGCCAAGGCTAGTGTGCA

GTCAGCAGCACAGTCTGAGGCTGTGCCCAGAGCGACTGGCTCCACCCCCTGTCCTGGTTC

AGGTGCTTTTGTTCTTCTTATGGTCCAGCACCAGATGTCATCCCATGACCCCCAGCCCAG

AGCCCCGCCCCTGACTGCACAAAGCTCTTTCTTGGATTGCCCCAACCCCCTCCTAGCCTG

GGTGGTGAGAGAGAGCTCCAAGGGTATGGTCTGGCCTTGGGAGTGGGGGGTCCAGCAGAG

CTCCCCATGTAGTAAAGAATGTGGCCTGGCCTGCAGAGAGGTCTGCCCTTGTCCTCGGCT

TCTGGGAGGGGCTTTGTTGAGACTGTGGCGGTGCCAGATCTTCAGGTGGGGTTGACCATG

CCAGAAAGACCAGCCCCGTGGCTCAATCATCAATCAGTCTTGCACACGGAATGGAGCCCC

GATGAAGCCCCGGACACTGGGACTCAGGGGAGCTCACCAGCTTGGTGGTGCTCCATGCCT

CTTGTGACACCTCGATGCCAAGAATGTGACATATCCTGACTCCACAGGGAGAGGACACCG

GCAGCCTCAGGTCTGGAGTCCCCGGCCCCAGCCCCGTTTCCTCCTTGGGTTGACTTGATC

TGTGTCCTTTCCTGTGATAAACCATGGCTATGAGTAGAACAGCTTTCAGTGGACACTGAG

TCTTTCTAGCAAGTTAGGAAACCTCAGGATGTTTGGGGAAATCCCCCAAGCTTTGCGCTT

TGCAGTCCATGTCAGAAGTGCAGTTAATGGTCACCTGCATGAGACCAGGTCCCCTAAACT

TTGCAGTTTGCCTAGCTCTGGGTAGACTTTTCCATCCTGGAGGGGTAACCCTGGGGTCTC

GCAGGCCCAGCAATTCACTGCAGGCCCCAAGTGCTGACCTGCTTGGCTGGGTCTGACCGT

GCTGGTTGTCCTCAGCTCTCCCACCCCAAGAAGGGCTCGAGAACTGAGGTAGCTGAACAA

CCGCTTTCACGTTCCGGGTCCTTTGCTATTAGTTGTTATGGCTTTGAGTTTTCTATCAAA

TGTGAGAAAGTCAGCTGCACTGGTTGACCACCTCAAAAATGCAAATTGGTGTAATTTCAG

TCAATACATGCGCACTGGGCATTAAAAATGCAAATTTCCTGCTGTGCAGAGAGCAAGAAA

GTACAGCACCTTGTTTAGGAACAAAACTCAGGATGGCAAGAGAACCTTTCCTCTTCCCCA

AATGGATATTAGGTCCTTCTCTGGGACAGAGGACGAGGGTGTGGCCACAGCTCTAGGTAA

GGGACCTCAGATGCATCTCATGGCCCCAGCTTAGTCTGTACTGTTATTAAAAAACAAACA

GACAGATGCTGGCACTGTGGCCAGCCAAGCAGGCCAGCCCTGCAGCCCCTTTAAATCAGA

GGGAAAGATAATCGCTTCCACACCCTAATTTCTTTCTTGATTCTCTTCCACTTTCCTTTC

TCATCTGAGCCCACAGTGAGAACCGTTGTGCTGGGTGGGGCCTCCAACTCCCACATGGGA

GCAGAAGTGAGAGGAGACCTTTGGGAAGGCTCTGGAAGCCACACCGCCAAGGTGCACCCA

GTCGAGGCGAGGGGAGAGCTCGGAAGCCCAGGCCCAGACCTGTCCACACCTGGGTTGCGC

TGAGGGCAGGTGCACATCTGTGCCTTCTGAGCCAGCACACCAAACCTAGGTCCTGAGTTT

GGATCTGTGTGGGTTACAAATATCATGAGCACCTGGAGGTGACACTGATATTTCTCAACC

AGCTTGTGTTTCCAGAAAGGTGCCCTCCACTTTCCTGGCCTGGTCTAACCCTCTGTCCCC

CGCATTGCCACCAAGTGGTCTCCCTGCACCAAAAGCCTCAGTTTTGCAGCATAGTCCGGC

TGACACATGTCAATGTGTGAATATCTGACCTTGTCCACCTGCGTCTCAGCTCCTGTGGGC

AGGCGCCAACTCTGCTTTGCTTCAACCTGTGCCTTGCACAAAATGTGTTGCAATGAATGA

ATGAATGAATGAATGATACCCATCTCCTAATCTGTTCAGAAACTCCGAATAATGATTTCT

AGATTCCAAGGTCTAGTCTGACCTTTTACCTAGACAGGAAGTCCCTGTGCGGCACACCTG

TGGGATGGGCACCCCGAGCTCCTGCAGGGACAGGACATGGGTGTCTGAGCCAGCTGTCTA

TGGTGTGAAACAAATCACTACAGATTTAGAGGCTTAAGCCACACCCATTCATTATCTCAC

AGCTGCTGGGGGTCAGGAGCCAGGCTGGGTCCTTCAAGTGGGTCTCACAGAGTCCATCAA

AGAGTCAGCAGGGGCCGAGGTCTCATCTGAGCTCAGGGTCCTCTTCCAAGCTCCTAGGGT

TGCTGGCAGAATCAAGTTCCTTGCCACTGTGGAGCTCATGGTGGCTTCCTTCCTCAAGGC

CAGCAGAAGAGAGAGCCTGGGACTCTGGCCCCGGAGGGCCCTCACCTGATTAGGGCGGGC

CCACCCAGGGGAACAGCCTTTTGGAGGAACTCAACATCAAATGATTAGGGACTTTAATGA

TGCTTACAAAAGCCCTGCCCCTTTGCCATAGGCTACTGGCTTGGAGCAAATCACAGATCC

AAACGTATGTGAGGGTGGACATGCCCACGGGGCCATCTGAGAACTCTGCTCGCTGCAGCG

TCCACAAGGCAGCCCATCCTCAGCCTCCTGGGACACGAAGTTTTCCTTCCCATGGGGTGA

ACCCCACGTCCTCCTTGGCCAGGCTACCTGGCCTGGCCCCTCCTCCACCCCTAACCCTAG

CTGCCCCGGGACTGCCCGCACAGTTCTCTGCTCTCAGCTCTGTGCATCTCCCCCATGGCA

CCCACCCAACCCAGGCTGCCTCTCTGCCTGGAAGGCCCCTCCCCCTCCCCCAGGGCCTTG

TTCCTCCCCACTCCACATCCGAAAGCAAAACCATCCCAAATGTAGCTCCCTTCCTCCACT

TCCATCCTGGCCACCAGCAGCCTTTTCTTCTCCGGACTCAGATTTTAGACTGTTCCTTGA

CCCGACCTTTCTTTCAGAACCTGCATTTTTGCTGCGTGGCTCACATCTAGCCCTTCGCCT

TCCTCCCAAAGCAGAGTCCTGGTCAGCCTGGCCCCATGGCCTTAGCAAACGGACACCACC

CGTCGCTATCCTGTACCTGGCCCTGGGCGGCCGTCTGGCAGGACTTTCTGTTTGGTTCCT

GTGTATCTGGGGAGGCCGGAAAGGACAAGCAACACTTGCTCACCTCAAGAGGAGGAAGGT

CTGTGCTGGGCCGTGTGCTCACGCTACTTATCCGGAATCATCTTGCCTCCCAGGGTGGAT

ATTGTTTCTCATTTTAGGGAAGAGCAAACTCAGGCTGCGAGAAGTTAAGACCTGCCCGGG

TCTTAGCGCTGCAAGATGAAATACAGGATGTCCAGTGTAATTTAAATTTCAGATGAATGA

ATGAATGAATGGTGCCTGTCTCCTAATCTGTCCAGAAACTCAGAATAATGGGTTCTAGAT

TCCAAGGTCTAGTCTGCCCGTTTTATCTAGACAGGAAGTCTAGAACCTATCTCGTACCCA

TCATTCCAGCCTGGGCTAGGTAGGTGACCTGGGGGAGCTGCACGGACCTGAGAGCAGAGG

ACTGTGTGGGGGAGTCCCGGAGAGCAAGTGGCAGGGGTGGCAGAGGGAATAAATATAAAT

GTAAGCTGAAGAATAGCTCAAATACAGCAAGGGCTATACTTACACTAACACAAGCTCGTT

TATCTGCAATTCAGATGGAACTGGGCACCTGCCTCTATCTGCTAAATCCGGCCACTCTAC

CTGGGTCACACAGCTAGTAACTGACACAAGAAAATGAAGCGGAGTCTACATCTGATGCCG

GACATCAGGCTCTGGTCCTCTGGTTTGCTATCTGCCTGGTGATAGGGACCTGTCACCACC

TCTCATTCTGCCTCGCTCCACTGGTGAGCAGGGCCTCCAGCAGCAGCCCTGGGCAGCCTG

GTGGCAAACTGAATGCCTGTGCATGAGTCGGACGAGACAGCGGGTCCTTGCTGTTGCAGG

GATGGCTTTCCTGCCGATGTTGTCCACACTGGCTCTCGCTCTGTAGTGCAGGCTCAGCTC

CCTGCCTGCAGAGGCTGCCCCCGCTGGTCCTTTTTGGAAGGCCTCACCCCCACACCTGCA

GCCCTTGTTCTCTGCCTTTGCTTTTTATCAATGCAGAGCGGGCCTGGTACATGAAACCCT

CGAATTAAAAGTTATTCGGGGTAATGATTCCAGTGATCCATCTGCGCTGGAAGTGGGGCA

GCTTTTCCTCCTTTGCACGTTACCGCCCATATTAAAGTGTCATATGTAAATGATTAAGCC

GATGAACAGTTTTATTTCCTCCAGCAGCTGACAATTCCACAAAATGGAGAGATTTTAATT

TAAAGGGGCACAATAAAGAAAACCCTTCTGGGTGCTCGGAGTCTCAGGAAGGAGGCGCTG

AGGGATCCCTGGAAGCCTGTTGCTCAGTAGTTAAGGAAGCCTCCGCCCTTGGGTGGGGAC

CAGTTCTGGCCATGGGTCACTTGTTTCTGTAGAGCCCATGCCAAGAGTCTCCTGGCTTGG

GACAGCTGGCCAGTCCCCTGCACTGGAACATCTCAAACTCTGTGCTTAGAAGTTGGAGAC

AAAGAGCTGCTCTGTTTTTCAGTCAGTTTTGGACTGTTTTTATGTCTTTGTGGGTGGTGA

GAAGGTCTGGTCTTTACATTTGGAGTTGAGACACCTGTCAGAGCTCAGCTGTCCCCCAGC

ACAGCCCTGGGCTCCTCTGTGGGGTCACTCGCCCTCTGTTCCCACAGAGGAAACCCCAGA

GGGAGCTGCTCCCAGCTGTATCCCAGCAGCCTGCAGTTTGCCTGTACCTCGGTCCCTGCA

GCCCTGCACCTGGGGCCGCTGGCAAAGGCGAGGCGGAGGCTGCTGCTCCCCCAGGAGCTG

TCCAGGCCAGCCTCTCCATGCCCAGTCCCCTGTCCATCCCCTGCCCTCACCCTGAGACTT

GCTGAGCAAACTGCACCTGGCTGCTGCACTCCACACCTGGCCTGCCCTTCCTTGTCTTAG

TGCACTGCAAGCCTACTTACAGGAAAAAAAAAATCTGATACGGAGTCTCTGCCAATCCTC

ATGGTGTAAATGCTCCCAGCTGGGCCAATTTAAGCCACTATCTGTGTAACAACCTGTTCA

CAAAATTCCTGAACACCCAACAATCGGCTCTAGTGTGCCTGCCCACACCGGCTCCTGACC

ACCACGGCACGTACCGCAAGTTGTCCACACCAAGGAGCTGGGTTGCTGTGCTCATGTCTG

TTTTGTCTCTTCTGGACACTTCCTCCCAGAGGGCAGGGCAGGGCCCACATCTGCTCCATC

GTGCTTGCATCTACAGGCCAGGCTCTTCGCACTCCACAAACATTGCCCACCTTGGTGATG

CATGCTGGGACTGCCATCCCCAGGTCCAAGGGCTCACCTTGCCCACCCGCCCCTTCCACC

TCCCACCTCCTCCTCGGGCCCCGGCAGCATAGAACCTGCGGCTCCTACTTGCCTGCACCC

AGCCCTCCGCCTGGCCCCAGCTCCCAGCTGCCTCAGCACAGGTGTGCCGTCTCTTGCTCC

AGGAATCTCTCCTTGGCCAGCCACCTCTTGGCCAGGTTAAGGATCCCCCAGCCCTGCACA

GATCTCAGCATGTTCTCGGCACTTCATGTTATAATTATCTGCTGTGGTCCCTCTGCATGA

GTGGCAAGTCTGAGGTCTCATTCAGACTTCAAAACATGCACCAAGAAGCACAGTGCCTAG

AACACAAGGGTTGAGGGAACCTTGGCCGAATGAAAGAATGGAATCTGCCCAGGCTGCAAA

CACGGCTTCAGGGGAGTGGGAGCCCATTGGTGGAAAACCCCAGAAGCGCTGCTTGATCCC

AGCTCCTTGGAGTCAGGCCCTACCCTTCTGTTCACTCTTGGATCCACCTGGGCAGGCCCA

GGAGACACTGACCACATGCTCAGCTCCACGGGCCACGGTAGGTGCTCAATAAAAGCATAA

TTGGGGAATGAATGCAGGTGGTTCCTGGAAGACAGTGCCATTTATCAGCTCGTTACAGAC

CCAATCACCGTCGAGGGGAGGGAGGGGCAGGTTTGCTCCGGGTTTGCAGCTCCTCCTGTC

AGAAAACCTTTGGAATTAAGGCATTGGCATTAATTGCGATAGATCCTCTGAAAAGCCTTC

CTGTTTATAATTTGGACAAATTGCCCCACATCCTCTCTCGCTGCGTGTCTGTGTGTGATG

TGCCTCAGGGAGGTATTGATTTATTTTTGGTTATAAGTGAGAGTTAATACCGTGTTGGTG

GCTGCTCCCTGTAGATGTGGGGACATGGCCTTCTCCTGGAGGCAGCAGAGATATTTCACA

CCCAGAGCCTTCATCTCCAGGGAGACTCGGGCACTCTGTGAGTGCAGGAAAGAGCTTGGA

TGGAGCTGCAGCCCAGACTTGTCTGTCACTCCTCGGGAGGCATGAGACAGGCGGTGGAGA

TGCCACTCACTGTGGAGGACCACGGGCTGCAGCAAAGCTTTAAAGATACCCCAGGCCCCA

GTCTCTGCTGCCCAGCCCAGGCCTGGAGCCACCTCAGAGTGAGCCACATGAAGGCAAATG

CAGGTGGCACCCAGTGGTCACCTGGACGTGGATTCTGGAGTCAGACACATCCAGGTTCCA

GCCTCCACTCTGCACATAGTAGCTGCGTGGCCTGGGCTGAGTTAGTGAGGGCCTCTGGGT

TTCAATTTGCAAGAAACGGCGTGGGAGTCAGGGGTAGGAGTGGGGGGATGTTACCTGCCC

TGGTAAGCATGGTGTTTGTACAGCGTCCCTCCCTGCGAGAGCCATGGCCTTCCTCTCTGT

GGGTTCTTGCAAGAGTGTCCATTAGCTGCCCCATTTCACCCTGGCAGCTGCAGGCTGGCT

CACAGGGAAGCCTCCCCAATTTCTCACTTGTAGTTCTCTCTTGTAGAATGTGCCAGAAAG

TAACACCCTGAGATAGGGATGAACTGGCTGGAATAGCCCAGGCTCTATTCCAGGCCCACC

GTCCCCCAGAAAGAGATGTCCTTTAGCTCAGTGGGGCCTGTGGCCCTAAGGTATGAAACC

CAGGGCGGGCTACTTTCTAGGGTCCTTCAGCTGCGGTGCAGGTGGGGCCCGAGCCAGGCT

GGGCAGCTTTCGTGAGCCTTGGGGAACCAGCTGGCCATGAACTTTCAGCTCTGCTGCCTC

TCGATGCCCATCTAGGAGGTGTTGAGCTGCTTCATGTAACCTGTGTGAGTGTTCTATCTC

ACCAGGCTCAGACACGTCGGTAACCAGTGCACAGGGAATCTGCTTCACAGCCGCCCCTCC

CCTGCAGCAGGGAGGAGGTGTCACCAAAGCAGGGCCTGTCGGAGTCTCTGGCTGTGATAC

AGACCTTGAGGATGAGAGCTGTGGGGGATGCTTCTACAGGTGCAGTGGCCCTCTTCCCCT

TCCTCCTGATTTCCTGCTCCCCCTTCCCATCAGCCATGGCCATGCATCTGCCAGCAGCTG

GACACTGGGCAGAAGCAGTGGATTCCACCTCCGGGCCTGGCCAACCAAACCCTCTCAGAG

GACACCCCCATGGGCTTTTCTGTTTTGGTGGCAGGGATGGAGATGGCCTTCTGGGTGACC

TTGGGAAAAGCCACACATGGAAGGAGTGTGGGCCCATGGATCAATGTCTTGGAAAACCCT

GGAACAGTAACTCCTAGACAGGACCAGACACAAGCAGAAAATAAACTCTATTTTGTCAAG

TCTCTGTGATTTGGGGTTAAACTGAGGAAAGCTGGCACAGGGAGCAGACGGCAATCCTGG

CCTGCCTATGGCAATCTCGCCAGCCCATGCAGAGGCTGAGAAGAGTGAAGATCCCACGGA

GAGGAGGCAAGCGAGAGGGAGAGCCCTGGCTGTGGGGTTTGGGCTCAAGGAGGTTTGGCC

CCTATCAGGGGCCGGCTGCACCCCAGACCACCAGGCACTCTGGCAGGTGGATTTTCTCTC

TCTTTTTTTTTTTTAGGGAGATTGGCTTGGTTTTCTGCCTCGTGGGTGCACCTTGTTGCA

GGGATATGGGGAAAATTTGCCCCGATGGTGGAGGTGAAGCTCGCAGCACTATGAGGAGTT

GGTTCTCATGGACATTATTCCCTGTCTTTTCCCATTGGCCTAGAGAAGCAGCATTCGTGC

AAGTGAGAGTGACAGAAGGACGCTTACTCACGGCGTCCAGCCCGGCTCCCTAGGCAAAGC

CACTGTGGGAGGGCATCTCTGCCAGGACCGGGCTGAAAGGCTCTCCTGAAGGACGCATGG

GCCAGGGCCACTCACAGAATCTGGAGGAGCCATGTACAGCTATGGTCTCTGTAGAAATAG

GTGGTGTGGGGGCAAAGCTGGGGACAGGAGGTGGGGAGGAAAGCAAACCAGGTGACTGTG

CATGTGTGTCCCTCGGAACAGGGCGGGTGGAAGGAGAATCCGCTTTGGAGTCTGGAAGCA

CTGGTTTGCTGCTCACCTGCGTGGGACTCACTTGTTGGAATGCATCTTCATGAGTTCCTG

CCATGACAGATTCTAACTCAGTGGGTCTGGTAAGGGTTCAGGCATGTCTGTTGAGGCCCA

GGCTGAAGATGGTTTGTAAGTGCAGTCGCGGCGGCCCCCAGGTGGTGCTGGGTCAGCTAC

CCCGTATGGAGTGGCTGGATGAGGGGAGTGTCAGCTCTCTGTTCCTGGGGCTCATGGAAG

ATGGGACACCCCTGGGCAGTGTTAGTCGGTCATCCCTGTAGGGTGACCATCATCTGGTGA

CCTGTTGCCCCGGCACCTGGTCAGTTTGGCATGTGTGTCAGATTTTTCATTTTCTAAACA

AGTTTACTGTGAACATTCATATTAAAATAAGCAGGACATGGTCTGGTAGACTCTACCTTG

ACCCCTGGTTTCGGCAATGATCTTGTCCACTAGTGAATGAGACATGTGAGTGAGCAGTTT

TTAATTTAACCTGTGGTTCCAGACCACTGGCAAGGACCAGTTAAGCTTGTTTTCAGCTCT

TTCCAGACCCAACAGCCATGCCTCCCTATCCAGGACTGTACCTGGGCACCACGGAGGAAG

CTACTCAGACATCAACCCAGGTAGAACTACCTCTTTCTGGCCCCAAGCAAGAAGGCAGAA

ATGTCCCACGTTACTGCCCCCTGCCCACTGTGGCCAACACTGGGTGGACAACTCTGCTAT

GGCCCACGCCACACCTGAAAGACGTCAAAGCCACCAGATACCAGTCTTGGGGTCCGTTGG

ACATTACAGGGCAAACGTGTGAAATGCAATGAAGAAATAGAGGCTGGGTAACCCTAAACA

CAGACAGGGAGCTGCTGCGCACTCTTGCTACAGGTGATCATCATTGTTTTGTGGGATGAA

CATACAATAAGTTATTTATTTTCTTGCTTGCTAATGCTTTTAAAATTTTTTAATAAACTC

ATTTGATAGCAATGAGCTAAAATAATGGAAGTACGTGTTTAACGAAAAAGCACAGAATTT

CCACTGGCCATTAATATTGATGACAAAGGTGCAGCTTGCACAAAATACATATTGGCATTA

TTTTGACCTCAGAAAAGCCAAAGAATCATCATCTGCTAGAGAAACAGCCACATCTACTTC

CAAAGACGGTGGTCGAAGGCTTTGCTGAAGACAAGGGCATGCAGTGTGTGGCACCAGAAG

GTCAGAGCATGGTTTTTCATTTAGATCAAATGCTGCTCTTCTACTCTCAGCTCACACTTG

GCAGCTAAGCTTCCCTGTGCGTGTCTGTAAAGTCAAGCAGTTAACTGTTCATGTGCCAGC

ACCACTAGCAGAAGAAAAACTCAGTAAACAGTCATTGAAGCCAGTTTCGAATGACAACAT

CTGATACTTCATAGAGGAAGTCACTGAATTCCAGGAATAGGCCCTTGGTTTTCAATCACA

TTTGTGAACTAAAAAAGCAACTTTTAGAATTTCATTCTGGCCTGCAATCCCAGCATTTTG

GGAGGCCGAGGAAGGTGGATCACCTGAGGTCAGGGAGTTCAAGACAAGCCTGGCCAACAT

GGTGAAACCCCATCTCTACTAGAAATGCAAACATTAGCTGGGTGTGGTGGTGCACGCCTG

TAGCCCCAGCTACTTGGGGGGCTGAGGCACGAGAATTACTTGAACCCGTGAGGCAGAGGT

TGCAGTGAGCTGAGATTGAGCCATTGCACTCCAGCCTAGGTGACGGAGTTGAGAATCTGT

CTCCCAAAAAAAAAAAAATTTCATTCTGTCTGAGGGGAGATATTTGAGACTCTGATGAGG

ACTACTGCAAATTCAGTTAAAAGGTTCCACACTGAGGCTGGGAGCAGTGGCTCACGCCTG

TAATCCCAGCACTTTGGGAGGCTGAGGCAGGCGGGATCGCCTGAGGTCAGGAACTCGAGA

CCAGCCCGGCCAACATGGTGAAACCCCGTCTCTACTAAAAATACAAAAATTAGCTGGGCT

TGGTGGCGCACGCCTGTAATCTCAGCTACTTGGGAGGCTGAGGCAGGAGAATTGCTTGAA

CCTGGGAGGCAGAGGTTGCAGTGAGCCAAGATCGTGCCATTGCACTCCAGCCTGGGCAAC

AAGAGCGAAACTCCGTCTCAAAAAAAAAAGAAAAAAGAAAGGTTCCACACTCAATATGAA

ATTCCTTGTTTCATTGTAGTGGTCACATATGGACATACTAGATAACAGTTTCTGGGTAGA

AGTGATGTTCTTATTATATGAAGATACCTACGGAGCAAATATGAACCACGCATGGGTTAT

AGGGCACCTTCATTCAAACTTGTGTCCAACAAGTTGGGATAATCTAACAATCGAACAATA

TAAGTCGTAGTTGCACAAACTTACAAATATTTATATGCATACAGTTGGAGTAGCCGAATT

ACAACACTTTGTGACAAAGCTGATTTTGTCTTTATTTTATTTTATTTTATTTTATTTTAT

TTTTTTTGAGACGGAGTTTTCCTCTTGTCCCCCAGGCTGGCATGCGGTGGCGCAATCTCG

TCTTACTGCAACCTCCGCCTCCCAGGTTTGAGTGATTCTCCTGTCTCAGTCTCCCGAGTA

GTTGGGATTATAGCCATGTACCACCACACCTGGCTCATTTTTGTATTTTCAGTAGAGACA

GAGTTTCACCATGTTGGCCAGGCTGGTCTCAAACTCCTGACCTCGGGTGATCTGCCCCCC

TTGGCCTCCCAAAGTGCTAGGATTACAGGTGTGAGCCACCGCACCTGGCCACAAAGCTGA

TTTTTAATTTTAAAAAGATCTCAGTGTGCGGCTATGCCCTCTCCCTGTGCCCATGCTGAG

GGTGATTCTATAAACCAAGCCCATAGAAAGCTGCCTTGTAAGTCAACCCAAGGGTCCTAC

ACTGCAGTGAGACCTTCTGTAAAGGAATCCTCTAAATTTTGGTTGCACCAAATAATTTAA

TGAATTCGATAAATAGAGCAATGACAACAAACTTCAGCTTTTTTTTTTTTTTTTTTTTTT

TTAGACAGGATCTTTTTCTGTCACTCAGGCTGGAGTGCAGTGGCACAATCACGGTTAACT

GCAGCCTCAACCTTCTGGGTCCAATCAAACCTTCCACTTCAGCCTCCTAAGTAGCTGGAA

CTACAGGTATGTTCCAGTTAATTTTTGTATTTTTTGTAGAGACAGAGTCCCAGTCTATTG

CCCAGGCTGATCTCGAACTCCTGGGCTCAAATGATCCTCCTGCTTTGGCTCCCAAAGTGC

TAGAGTACAGGCATAGGCCATCTTGCCTGGCCTCAAACTTCAGTTTTTAAAGCTTCTAGA

AAATTGCAAATGTTGAAGACAAAGCTTGCAAACAGGAAGACATTAAATATACCCCTTACA

AGTGAGGGAGGGATGAGATAAATTCAACAATGAGTGTCCTGACAGCATATAAGATTTAAT

TTTGAAATTATGTAATTTTGCTTCAGAATATCTCAACGTATGGAAGGCATCTTTTAATGA

AGCCCTATTTTTAATCAAACACATTTATAAACTGTACCAAAATGGGACAAAAATAAAAGA

TGTACAAGTTTGCTGTATCTAAAATTTAAGAAACATTCAAGAGAAACTTACAGAGAAACA

ACTCCAAGATAGACAACTTATTTAATGAATTTTCTCTTGTAAAGGTATCTGAATGGAGCC

AAAAAACCAACATCTGGAAGTGCATTTGGGTGAAATAGTTTCACTTTTCAGTGTGGAAAA

AAAAAAAAAAAAACAGTGAGCAGAATTTACTTTGAGCTCACCAGGTACCCCTGAACCTGC

AGAGAGAAAATTGTCTTAATTAAAATGGTTACGGTCTAACAGAGAGGAGTCAGTTTAAGA

TGTCAACAATTTCTAGCATACTAACCAAAAAAAAAAAAAAAGCAACTTTGAAGAAGGGCA

TAGCAATTTTAAGAAAATATTTTTAAAATGTTAGGACTCTATTGAAAAGAAACTCCTTTA

GAAAAATTTCAATGGATTCACCAATATATTAAAACCAACTTACCAGTCTCTCTCTATATT

TATATATAATATATGTTATATATTATATATGAAGTAAATATATATCTAATTAAATAATAA

ATTAAATATATATTCATTATATTTATTAAATATAATAAATAAATAATAGATCTAATTAAA

TAATAAATATATTACATTTGTACAGGAGTAATTATGGCAGGCCAGGCGCGGTGGCTCATG

CCTGTAATCCCAACACTTTGGGAGGCCTAGGCAGGTGGATCACCTGAGGTCAGGAGTTCG

AAACCAGCCTGGCCAAAATGGTGAAACCCTGTCTCTACTAAAAATATAAAAAATTAGCTG

GGTGTGGTGGCAGGAGCCTGTAATCCCAGCTACTCAGGAGGCTGAGGCAGTAGAATCACT

TCAACCCGGGAGGCGGAGGTTGCAGTGACGCGAGATTGCACCATTGCACTCCAGCCTGGG

CAACAAAAGTGAGACTCCACCTAAAAACTAAACAAACAAAAAAATAGAGTAATTATAGCA

AAATCATGATTACTTTTGTACCAACTTCATATATTTTTTAATAAATTTATACAATAAATA

TATATGCTGTACATATTATATAATATGTATATGTTACATATTTAATTATATAATAGTTAA

ATATATAATATATTTTATGAAATATATATTTAATATATAATATGTATCTTATATATAAAT

AAATAAATAAATATATATTCATTTATTTTCAGTGCCTGCTTCCCTCTATAAATTGTCCTC

ATTTGGAGAACACTTGGACACAGGGTGGGGAACATCACACACCAGGGCCTGTTGTGGGGT

GGGGGGAGGGGGGAGGGATAGCATTAGGAGAAATACCTAATGTGATAATAAAAAAAATAA

AAAAATAATAAAAATAAATAATAATAATAAAGTGTCCTCATTTGGATGGCAGATTGAATG

ATTATCCTACAGATTATCTAAGTGTGTCTAGAACAGACGTTTTCAAACTTTAGGTTTTCC

AGGATGGTTTATTCCCTTCTGATGCATGTGGTCTAAGACCTTTTTTAAAAATCAAGGTAT

AATTGAGAACACAGTAAGTGTACCCTCCAGTAAGTTTTGACATATGTATACATCCAGGTG

ACCAGCACCCACTCAAGATAAGGAAGGTTCCCATCACTCTAAGAAGTGGTTTTGTGCCCC

TTTTGCAACTAGTCCTGCCTGCAGAGGTCACCACCCTTCTGATTTCTGTGGCCGAAGACT

ACGTTTGCCTATTGAGACCCACATTCTGAGAAGCTCAGGTCTCTGGTCTTTGGAGACCCT

GGGATAGAAAGCGCAGGTTGTCTTGGACGGGCCGTGATTCTGGCCTGTTTATTGCAGGGT

TCTGTGGGTGTAGCGGAGGCTGAGAGCCCCTTAACAGAGACCCTAGAGGCCTGGAGGGCA

CCTTTGGATAGCACGGCAGAAAGTGTGCTGCTCCAGATGGGGGAGATCACAGGCAGGGGG

GTCACAGGGGCTGGCCTCCCAGGGGCTCGGCCTCCCAGGGGCTCAGCCTCCCAGGCCTGA

CACTGACCTGAGATCCAGCCCTGCCCCTGCCCCTGCCCTTCCCAAGTCAGACCTCAGCAC

CCCTGGCCCCTCCACCCCAGGCTGACCTGGCTGCTCCTGCTCCTCAAGACTGTGTGACTC

ATTCCACCTCAAAGGTGTGACTTCTGCTGTGGGCACGTGGCAAGACCTGGTGGGATGAGG

AAAGATGCCCGGTGTTGGTCCTTCCCTTTAGAGACTGAGAAGTTTGAGGGTCTTTTCAAG

AGGAGAAGGTCTGGGTATCAGAGCACTAAAGGTGCCCACCGAGTTTCCAGGGAGGACCAG

GCAGCACTTTGGCCAGATGGCAGAGCCCAGCCCCTGCCCAGCCCCTGCACGAATGCATTG

GTGTCCACCTTCCTGCCCCACTGCCTCGATTCCTGCAATGTAGAGGTTGAGATCCAGGTG

AGGACAGCAGCACCGACACTCAAGCCAGTACAAACCGAGGCTGGGGCAAGAAATTCAGCA

CACACCGAGCTGTGATAGGAGTACCAGGAAAGAAATCAGGCCTGGCAGTGGGGCTGGTGC

CTCTAGCCTCAGCGGGGCCTGTCGCAAGTTCAAGGGTGGTCGGCATGTCCACTGTGAGGG

GGGGACCTCTAGCCTCAGCGGGGCCCGTCACGAGTTCAAGGGCGGTCGGCCTGTCCACTG

TGAGTGCTAACCATGACCATGACCCCAGTCAGGGCAAACGCCAACTCTGGGTGAGCAGCA

AGTTGGAGGCGAGGGAAGGGATCACGACCCCACCAGATACTAAGGTATGGAGGAAACAGC

TTGGGGTGACACCCCACTGTGGGAGCTCAGGAGGATGTGGGTCCGAGTCCTGGCTCACCA

CAGACCAGCTGTGAGCATCCACTGGGCTAGCTGCTCATACTCTCCAAATGACAGCCCAGC

CCAGGGTCACTGAAAGATACCAGGAGTTGATAAGGTGGTTGGCACAGGGTTGAGGATACA

GTGAGCACTCAGTAAACAAGAGTGAGGGTGGAAATGATAAAGAATAGGGTCCCACTAGTG

TGGGATTCTGTCTCCATGGAGGAACTGAGATGACACGATCTTATAGTCTGATCTGACAAG

GCGTCCTTCTCTCCCCTTCCAGTCTACCAGGTGTCCTCCCTGCCTACCAGGTGCCCTAGC

TGTATCAGAGGTGTCCTCTCTGCCTACCAGGTTCCCTAGCTGTATAAGAGGTATCCTACC

TGCCTACCAGGTGCCCTAGCTGTATAAGAGATATCCTACATGTCTACTAGGTGTCCTAGC

TGTACTTGTCTACCATGTGTCCCACCTGTCTGCTCAAGCTCCCTGCAATCTTCCTTCTTT

AGACTGTGTGCACCCCATTGTCTGGAATTCTCTCTTCTCCCTGAAAACTCTTCTCCCTTC

CTACTCCAAGAGGGCTGCATGCATTCCCGAGCACATGCCACCTACACACGTGTCCCACCC

ATCTGGGGCCCTCAGCTCAGGTCTACCCCTCGATGACACACCAACATCCTCATTGTGTGC

ACCGGGTTTAGCACCCAACACAACCCAAAACCTGCACAGGAGGCGAGCCTTGGAGCCTGG

CAGCTGACACCTATGTGAGTCGGCAGCCCTCCTTCACTGTAATTAGTTACTAATGACATG

ACGATTATGAGTCCCTGGGAAACGTCGTTTCACAAACTGAATGTTAGACACCCTGCATGG

TAAGCCTCACTATACCCACTGGATAGGTGATATGGCTGAGGCTTGGATAAGTTAGACCAC

CTGAACCTGTGAGAAAGCACTGGCCCCCCCTCTGCTCCACCCTGCTTCCCCAATGGAGGG

GTGGGTGAGCCCAACCTGCCTGTGCCCCCTCCTCGACCGGACCTCAAGGCCACCTCGGCC

CACTTCCAGAGGCCCCTGTGCAGCAGGCCTGGCCTGTTAGGAAGTTCCCAAGAGACTCTG

ACACGAGGCCTACAGGGGCCCCCAGCCAGTGGGGCCAGCGTTCTCTACAGCCCCTGCACC

TCCAGGGTGCAACCCCCCGGGTTGACACTCTGTTACCCTGAGGGGGACAGGAGGCCTCCG

AGACCCTCCCTGGACCCAGCAGTGCCACTCCTACCCCTGCCCCTGCACATGGGGAGAGAT

GAGGGGCCCACTGTGTCTCGCCAGAAATCAGCCTGGCTGGCATCTGCGCTCCACACTGCC

AGCGCTGCAGGGATTATTTTTACCTGCGATCGCTTGTTGAATGTGTCTGATAATGTATTT

ATAACGGCCCGAGTAACTCAGCTAGTAGCAACCGCCCTGAGAGACAAGGAAAATGGTTAG

AAATTGTTCCCTGTAAAAATAATGAGCTCCGCTGAAATGAGCCAATCAAAACAGCCTCTG

AGTGGCTCCCGCGCAGCCAGGTGTGGGGTGTGGAGGCGGGGCAGGTGCCGGCTGGCAGGG

CCGCCTGGTCTGCTCTCGGTACGATTTCTGGGACAGGATCTGGGTGGCCGGGGGTCCCTG

TCCATTCCTCGGGCCCTGCCAGCAGTCTGTCCCCAGGCACCACACTGGGGAAGCCCAGCT

ATGACGGGGTGGCCCAGAGGACGATGCCAGCAGTTTGAACCATCCCCTGAGGAGTGACCC

AAGCCCGTGTCTACATAGCAGCAGGAGCCTGAGTCTCGAGGCCAGCCCATGTGAGCGTCC

CCCAGCCACCTGCCCATGGGCCCAGAACTCTCAGTCCCCTCCAACCCGTGCAGTGTGACC

TGTCCCCTTCAGCCCTCATCCACCGCTCTGGAATGTCCCCCTCCTGCCCTCCCCATTGCT

CTCTTTGCCAGGAACATTCCAGCATCTCCTTTCCCCAGTTCACCTTGTCTGTTCCCCCAG

ACTCATTTCAAACAGCACTCCCCTCCACAGGGCCCGTCACTGCCCAGCTGGGAAGAGGCC

TTTGCTCTGAGTCCCAAAGAGCCACAGGAGGGTGCCACCCGAACTCAGGGATGGGCTGGG

TCTCTAGACACCCTTCTGCTTGTCTGTTTGCTCTACTAGAATGGGGACCTCCTGGGGCCT

GAGGCCACACCTTCCTTTCCCAGGTAACTGAATTGTGTGAGGTTGAGAACAGGAGCCTGA

ATCTGAATGAAGAGCGAGGAGCGGGAGTTTGCACAATTGCCTCATAGAATCTAGGGGACG

CTTCGTTCCAGATCACAGATGGCCTGTTCTCCAGCACAGATCCTTATCTGCCTCATCCTG

TCTCCTCCTCACCCTGATTCTCAGTGGCCAGCTCTGCAGATTTGCCCTCTAACTATATCT

TCCTGTCTTCCTCGTCCCCACTTCCACCCCCTTGGCCTCGGCTCGGGGCTCATCAGCTCT

TGCATTGGCCCAGTCTGTGGGCGGCCAACCGGTCTCCCTGCCTCCCACTTGCCCTCTTCA

AAGCTTTCTTCCTTGGGGTCCAGTCTGACTCTGCTGCTGCTCTGTGTCTCACTCCTCCAT

GGCTCCCCAGTGCCTGGACCGTGGAGGCTGAGCTCAGTCCCCGTGGTCACGCCGCCTCTC

CCCTGCAGCCTAGGAAGTCCTCAGTCCCAGCTGCAGACCGGACACACTCCTACAACGAGT

CACTGTTTCCCACTCAGAGGGCTTAACTCACATTGTCCCTTTTCCCCCATGCCTGCCCTC

CCCAGCTGCCCTCAGGGCCCTCCGTCCTCCGTAGAGCCTGGTCACTCCTGGAGATCCTGC

CCCTCTGCCACACCCGAGCCAGGCAGATGCTCTCGTCCGCATGCCCGGCGGAGCATGTGT

TTTAAACGCGGGAATGCATGTCGCTGTGTTTGCACCTCCTGTGTCGCACCTGGATCGTCT

CTTCATGGGGAGGCTTGCCCGTGAGCTTATGGAGTGAGGCAGAGGACCATGTTCCCTCTC

TTTTGAACCCACACTTACAGGGGCCCTGCATTCCACAGGCCGGGGCTGAGTTCACACAGG

AAGTAAAAATTGGTCCTGCAGAGTCAAAGTCAGAATGGCAAGAGCTTGTTTAAGCCTTGT

TAAGTGATTGCGGGCACCTGCCCCCGTGTGCACATGGCCTGACCTCATCCCTAGGATGGC

TTTGTGGGGTTTAGCGGTTATTCTCATTCTGCAGACAGGGAGCATGGTGGAGACCATGTC

AGGCTCAGGTGCAACCAGGCACTAATGTTTCCAGGCCCCACTGTGCCTCTGCTGCACCCA

AAAGCCCCCGCAAAAGTCCCAGGGTGGAACTGTGGCAGAAGGGGACTGAGGCAGATGGTC

TAGAAACCGAGCCCCTATTGAAAGCTGGAAGGATGTGATGTTGCAAAGCCTGCCAATAAA

AAGTTTGTCTGGGGGTTTTTCTCCTGCGTCCAGATAATTTGGTGTTTCTGTCAGGGCCCA

ATCAGTGTAAAGGAAACACATGGTATATGAACAAGGAAAGACTAATTCAAAGCAAGGCTC

ATGGTAACAAGGGACGGGACCAAGCAGGGCTTAGCCTGAGGACAGAGCCCCTGAGCAGGG

AGGTCTTCTGAGGCTGCAGGCTCTGCCCAGAAGATCTGATGGGCCCAGTGCCAAGGGCTG

GATGTGAATTCTGAGAGTCTCAGGCTGACTTCAGAATCTAACTACTCTACTGTTTAAGTG

GATCGCAAACTTAGTGGAATAAAAGCCTTTTCTCTGCTGCTGCCAAATGGTGAGTGTAAA

AGCGATGGTGTCTGTGTCAGCACTCGGTTCAAACCGAGTCGTGGATGAGGCAAATTGGAT

CATTATTCATTTTATCGGTTACTTATTTTTAGAGCAATTTAACAATTACATGTAAAGTGC

AAAGCACAGACCCGATTTACAGCGAAACTGTGAATTTACTGCCTCCACTTGGGCACCTGA

CAATTTGTGTGTTTCCGTTTAGCATATTTTCCCCTTCCCTCAGGTGCCTGGGTTTAACAT

TATCTTTCTATCAATTTATAGGAGAATCCTTCGGGAGGATGAAGGTGTAAAGAAGTCGGA

ATGAAAGCCACTAGCACGTGGACTAGTCCATGTTCTAGAGTCCTGCGGATAACCAGGGCC

TGTGTAGATGCCATGGAGCCCCACAATCCTTTGTGGGGCTGGTGGGGCAGGAGGCACAGG

GAAAGACCCTCCCAGGAGAGACCCCAACCCCATCCCTGGACTCTGCAAGCTTCTCTGATG

GTGATGGTGTGTCTAGGGGATGGGATCATCGTACTGAACCCTCAGAAAAGAAAGAGACAT

CAGCCCAGGAGCCCTTTGCATCCTCAGGGGAAGCCTTCCTGATATGGGCTTCTGGACGGA

GGTGTGCTCCTGACTGTTTCTGAAAAGCATACACACCCTGGCAGCCCAGGAATGCCCAGG

AGCACCAGGCTCTGCTGAGAAGATTCTGACCTTGGTAGTCAAGGCGGCTGTCATGGTGTA

CCGATCCTACAGAGAGATTAACAGAAAAGGGGAGAGGAGGCGGGGTGGCGAGGAGGGGAG

GGAGAGGAAGCAGGAGAGGCACGGGGAGGGGCAGCCTCCTACCTGAACCCAGGCCGCAGG

CCGCCTGGACTCCATGTCTGTCTTATCATGGACCCCATCAGGCCTGTGCCCGGGTGACCC

TGGGAACCGTCTCTGGTTTCTCACTCACTGTGTCCTTGCAGGAGAGCCACTGTGGCTGGC

TGAAGGGATCCAGGGCACATTTGTGTGGAGGAGCGGGAGGAGATTGCCCACCTCCCACCA

CTGCTTTCCCTTCTAATTGAATGCTGGGGAAATGACAGGTCATTGCCTCCAGTTTTATTT

GTTGGGAAAATGGAGGAAAGTGCTACAGATTGTGATCGGGAACAAAGCTGAGCAGATAAC

AGGAGACCCGCCTTGGGCCTGCAGAAAGACAAAACCCGGTCCCTGATTAGACGCTGAGGG

CAAGGCCGGGAGGGGGCAGTGGGCGGGACATGGAGTGTCATTTGATTGTCTCTGCTGGCA

GCGCTCCCCGGAATTGCCATTTAAATTATTCAGCGTTTTTAAGCACCGTTGGACTTGGGG

TATTGTCAGCTGCACAGGGAGGCCGAGTGTGGGGCTGCCTCAGCCCCGGCAGCTGGATGA

CGCGTATTCTCCTGTCATGGTATTTCTAACAGTGACTCTCTCCCTCTCTGTAGCAGGCAC

CATCTTCCCTCCTCCTTTAGGGAAAGGGCACCCACATCTCCTTTGGGGACCCCCACTTCA

TTCTCTCTCGAGGAGCCTGGGGGCCTTCCTGGTTTCAGCTGATCAGCATTTCCCATGGCT

GTGGCCCTGGCCCCAGGGATCCATGCACAGGAGGGCACATGGCCTATGTTGGCTCCACTC

GAGGGACCTCTCACCACCTTCTGGGAGGGGTGAGACAGACCAGAGCTCAGTCTCTCCCAC

AGGATGGGCAGGGGAAGAGAAGAGCACTGGCCCAGGGGGTCGATAGTCATTAGCACTGGT

GAAAGGAGAGTCAGCCTCAGAATGAGACCTGAAAGCAGGAAGAAGCGGTCAAGCGCAATC

AGGTGGAGTGGGGCATGAGTCAAATTGTGGGGCCTGAAATCCATGCCTACCTGGAACCTA

GAATGTGAGGTCTTTGCAGAGGTCATTAGTTAAGACAAGGTCAGCCGGGGCAGTGGCTCA

CACCTGTAATCCCAGCACTTTGGGAGGCCAAGACAAAAGAATTGCTTGAGCTCAGGAGAT

TGGGACCAGCTTGGGCAACATAGTGAGACATCATCTCTACAAACAATAATAATTTAAAAA

AAAGCTATGGTGGCACACACCTGTGGTCCTAGCTACACGGGAGGCCGAGGTGGGAGGATT

GCTTGAGCCTAGGGTGTCGAAGCTGCAGTGAGCCAAGACCTTGCCACTGCACAACAGCCT

GGGTAACACAGAAAGACCCTGTCTCCAAAAAAATGAGGTCATACTAGAATAGGGTGAGCT

ATATGTGCAATATGACTGGAGTCCTTATGAGAATAAAAAGAACCTCAAAGAGGCTCACTG

TAAAGACGGCCATGTGAAGAATGAGGCAGAGATGGGAGCAATACAGCCACAAGCCAAGGA

ACAAGAAAGATTGCCAGGAGCCATGAGAAGCTATGAGAGAGACTCAGAGGGAGCCATCCC

CAGGGCCTTTGGAGGAGGGATGGGCCTGCCCACAATTTGACTTCAGATCTCAGGCTTCCA

GAACTGTGAGACAACACCTGTTGTTTCAAGCCAAACAATTGAGTTATGTTGTTACTGCAT

TTAGGGAACTCATCAAGAAGTATAACTGGGCTGTGGGTGTTGAGGCTTTCCCACCCCTGG

ACCAGACAGTGGAGTTAACTGGGCTTCCAAATGCCCTGCCTTGCTTCAGCCAGTTTAAAG

TGGGTCATGGTGAATTGTGACCAGTGGATTCCTAATGGACACAGCCTCCACAACAAGCAA

GGGAACACATCTGGCTGGGCAGGAGTACGAAATGTGCATGTCAGTGCAGAAAAATCTGTA

CCTCAACCACTCAGTGAACACATCCCAGACCCCTCCCCAGGCTCCCTCACAGCTCAAATA

GCCAAATATTTAGCCCCCTTTTGAAGTGCTCAAGTACTGCTGGAAAAAGAGAGATGCAAG

CTACATAACTACAATTCAGCTTACTACAGAAAAGCCACTGCAGGAATTCACAGATGGCTT

GATCCTGCCTGGCCAGTTTGATCATCAAAGGCTGCATTTAGAGGGCAGCATTTAAAATTA

GACATTTCAATGCCTCATATTAATGGATTGGGGAATATAAATTATTTCTGAGTGACATTT

TAATGTACTACATATCCCTTCAATCTAAATTACCAAAGTTTATAAACATTGAATTCCTAT

TGATGAAGAAGCAAATATTTAGCTCCTTACTGCTAAGACCATGAAATCACTTTTCAAAGG

GTGGAGCTGAACTTGACCTACTCACTTCTGTTGTTTAGTTCTTGGTCCCAGTCAGGAAAG

GAGGAGAGAGCACTGTTTTTGAGTGCTTATGTGCCAGGGTTTAGACTATACATTTTCAGG

TGTCTTTTCCCAATTTTCATAACAACCCAATGAGGAACATAGTATCTGTCTATTTCAGCT

CAGGAACTAGGTTTAGAGTAGTTAAAAAAAACTTTCCCAAGATCACACGACTGGGTAGTG

TTTCAATGTGATTCTGTTTGGTTCTAAAACTCATGCTTTTTCATTTCTACCAAACCATGC

TTCATCGCTACAGGTTTAAAAGGACAAAAGGCCCAAAGTGGTTACAGCCTGGCCTAAGGT

CACAAGGAGGGTCGGGGTAGAACTGAAGATGGAGTTGAAGACTTGCCTGGTTGGTTCTCA

GCTCACCCTCTATGCATCCCTTACTCTTCCCTGTGTGTGCTAAAATGTTAGGTAAGACTC

TTAATACTCAGAAGTAATCCTCAGAAAACTCATTTGCATTTTGTTTTCCTAACAAGGAAA

ATGGGGCAAGCTTCACCTTGTCAGTCCTTCAGGGGAGCAAACATTCCAGAAGGAAGTAGG

TTTGGATTGTTGAGGTCTGGTCCTCCTTACCCCTGGGTGGGGTAAACTGACTCATTTTAA

AATATCTCTAATCTGGGCTTTTTTTTCCCTATGGACAGCCCATGCACATGCTAGCTGGAC

CAGGAGGGAGGATGGGAGGAGGGAAAGTGGTACTCCGGGCCCTGAGATGTGGCTACCTGA

GCCTCATGCTGACAACATGTGCCCAGGGACAGCAGAGGGAGCAGCAAGGGGGCTGGCCCT

GGGAGGCCCGAGGCAGGGGCAGCTGTCACCTGTGTCTTCTCCCAGGCACCCACAGGTTAA

CTGTGAGCTCACTGAAGAACTGCAGAGCATGTGTGCTGGTGGGGTGTGACAGGCAGGTTG

GTTCACCCCACTGTGGAGATAGGGAGAAGAGGACCC

But seriously bitch if you ask someone "where are you from" and they say I was born here and after you wait for them to elaborate they say and ... So were my parents like I feel like that is end of . You do not have to keep pressing. Fuck you want all my DNA

[planetary]

oh im so mad i have a cavity in my tooth and like what the fuck i brush my teeth twice or sometimes three times a day i literally Have to or i cant relax enough to sleep i floss after eating like anything and before i brush i have special mouthwash i use in the middle of the day too i am Obsessive about my teeth. and i get a fucking cavity. WHAT IS THE POINT GRRR IM SO SICK OF DENTAL WORK two abcesses a wisdom tooth and that whole debacle with my stupid fuck of a dentist shoving a broken piece of my tooth INTO MY SINUS CAVITY and now i have to get a FILLING maybe multiple bc who knows there could be others LIKE wtf. just take them all out at this point whatever omfg.

AND MY DENTAL INSURANCE DOESNT COVER SHIT so this will be probably like a thousand dollars again hopefully not more and what else? yeah i cant stop thinking of that fucking episode of CatDog where they went to the dentist because when i first saw that episode like 10 years ago i got so fucking mad i still have a screenshot of me bitching about it. heres an excerpt from the episode sypnosis

“When the dentist opens Dog's mouth and examines it, he finds his mouth perfect, which surprises Cat. Then, he checks Cat's mouth and notices that his mouth is unclean and loaded with all sorts of decay. The dentist scans CatDog through an X-ray and discovers that whatever damage Dog does to his teeth will affect Cat's teeth and vice versa.”

so thats fucked right now let me go transcribe the screenshot i have from 10 years ago. ok heres my thoughts from 2014

“before i send this i would just like to say that ive been watching a lot of CatDog recently and it's on now and im SOrry. but it needs to be said. have you ever seen catdog? it was on TV about ten years ago and it's about this cat and this dog that were attached to each other. ive got some concerns about it. the show isn't ever fair to Cat. especially in this one episode, where CatDog goes to the dentist. Cat eats very good food and Dog eats literally shit. Cat brushes and flosses after each meal and Dog is still eating shit. but because of some logic that has no scientific backing at all, whatever one does to his teeth affects the other. so Dog just gets to be a shit-eater and be rewarded while Cat is punished no matter how hard he tries. its just... so unfair. you get where im going with this?”

LIKE DO YOU GET IT IM LITERALLY CAT RN AND IDK WHO DOG IS BUT WHEN I FUCKING GET THEM IM KILLING THEM sorry this is long but im not putting it under a readmore you followed me so you agree to see me complain on the dash. you love it. I HATE TEETH

[fagcrisis]

sorry what do you mean your mother's coup. elaborate

this ended up being long as hell so readmore time

so i live in this old fucking apartament building right, turns 120 soon, hasnt really been renovated in 50 years. and our apartament has the attic built in, which wasnt a feature originally and the previous tenant did it himself, badly, meaning weve had a hole in our roof for about 5ish years now that we just have not been able to fix. last november we had a pretty big storm that fucked the hole up even worse and our previous solution of just "put a bucket under it and leave the room" has stopped working because too much water was getting in and my sister had to start sleeping in a different room so safe to say, shit state of affairs

my mum got a contractor to come take a look at it and the dude concluded that its dangerous to be left unfixed and hes gonna have to climb in between the attic walls and the roof bc due to the hole theres a shitton of mold that needs to be cleaned out. overall this wouldve cost us 600k forint thats more than my mum makes in 2 months and i had 9-5 at that point but my shit salary was not gonna fix this. so my mum had a breakdown and decided that well sell the apartament and try moving, which sucks bc when we got this place it was still cheap but since then the housing market has gone to shit and we wouldve had to live in a rental we probably wouldnt have been able to afford. but my mum still called an agent to check the house out, and he told us that theres no way were selling it, because of the big fucking hole, the messed up pipes and bc the building isnt insulated (legally cant be bc its a historical monument lmao. europe)

HOWEVER he also said. since this is an apartament building with 12 flats we have a house representative and we pay *google translate help me* common cost every month, to cover repairs on the house, that we shouldnt have to pay for the repairs, the house should. cause. its the whole houses roof not just our apartaments.

my mum went to the house rep (józsi) to ask about this, and he told her that this isnt true and that he wont pay for the repairs. which made my mum mad and she went and found a lawyer who said the house does have to pay for repairs. but józsi was still like i will not.

so my mum talked to all 12 of our neighbouring flats individually and found out that literally everybody has grievances with this dude. there has been an ENTIRE TREE growing on the roof for years now that we havent been able to get cleaned out, the staircase is borderline life threatening to use, we could technically get authorization for insulating the house but the rep needs to apply and józsi hasnt, one of the gates to the yard is like not working, etc

they ended up calling the first house meeting in years (were supposed to have those every month lol) where they ended up voting to have a new rep, and also to fix our roof. which got fixed by the way, and the mold was also cleaned out

BUT the story doesnt end here bc they still need to vote a new rep in. and my mum found this company who represents apartament buildings professionally and sure itd cost us some money but we pay the common cost anyway, and they have contractors they work with so itd be soooo easy to fix shit in the house. but for some reason some people decided they want this dude instead, who owns one of the flats in the building but does not live here, his insane mother does who hates me. and he DOESNT LIVE HERE the entire problem with józsi was, that he was like not helpful in any way and now they want a guy who doesnt even live here??

ANYWAY TODAY THE PLOT FUCKING THICKENED. because. my mum started looking over the houses finances with 2 of our neighbours one of whom is i think a lesbian but im not sure anyways they found out that józsi has been STEALING MONEY. FROM THE COMMON COST. WHICH IS WHY FUCKALL GOT FIXED IN THE HOUSE!!!!

anyway the coup is still ongoing but i hope u enjoyed my mums tale of intrigue. shes having so much fun w this shes having secret meetings with people to talk about this all day

[romanceddawn]

video editing

related to the ask i answered from @whats-amata-you about video editing, i'm going to go into a more in depth guide on editing with CapCut on desktop under the readmore ^-^ there are other editors out there obviously but this is the best free one i've worked with so far

this is very long and im sorry for that, i just have adhd and wanted to talk about everything, i hope its helpful and if theres anything thats confusing let me know!

basics:

before you start you wanna go into your settings and make sure Proxy is turned on, this will help with lag from any big file sizes

to give a rundown of what i know about the capcut menu so far (and whats the most useful for basics imo):

the tool bar section essentially, for splitting/cutting down whatever section you have selected, mirroring it, rotating it, etc

the main edit section- video, audio, and speed are the basics that you'll need but ill go into some of the other parts listed in a few

how to resize the output ratio, depending on the ratio of your clips/videos you may need to resize them to whatever you want the output to be. i use 4:3 most of the time and resize the videos to fill the space correctly (if you mass select the clips you can resize them all at once)

the zoom bar for the timeline so you can work more precisely or quickly with clips

once you've got your new project started and all your clips and audio imported, you wanna click and drag those files down to the timeline and itll put them in the middle 'cover' layer, HOWEVER, you wanna drag video clips ABOVE the cover layer after, and then 'hide' the cover layer. this is because the middle layer locks video clips in place and offers very little freedom to work, doing it on free layers is better (when you drag itll look like the first pic, with a line highlighting above the main layer. the eye symbol in the second pic is how to hide a layer)

you can also edit the ratio of the output and mass edit the videos to fill the video player while you've got your clips in one place

NOTE: i try to move all the videos so that there is a good bit of empty space in the beginning of the project, this is where your song and actual edit will be worked on, and you want some empty space between the song and the videos you're using so that you have space to move them around and cut them down later on

from here, you wanna cut down the song audio you want to use and put it at the very beginning of the timeline. you wanna pay attention a bit to the intro and outro so things dont sound disjointed or off beat or have too much dead silence, but for the most part it doesnt have to be perfect. you can also edit the volume of the song in the audio menu top right so its not blasting your ears out while editing

also, a tip for audio: if you need a section to be shorter or longer, you can sometimes splice the audio up and piece it back together. its easier to do this if you zoom in really far and pay attention to the beats and sounds, but with enough practice you make a song work better for the edit while still flowing smoothly!

you should also decide if you want any speaking parts for your edit or any neat sounds and set those clips aside, the clips that you dont want to have audio you can mass select and right click them, there'll be an option to extract audio which you can them mass select and delete (if you decide you want audio later you can right click and do recover audio on any clip that needs it) if you have a clip where you only want part of the sound, you can extract the audio and cut it down so only that section of audio remains, but make sure to keep it synced with the video!

the next step is just fitting your clips to the audio! it doesn't have to be 100% perfect, nor do you have to have a new clip on every single beat, but it is good to use the beats of the song or the words as a general idea of where you should cut the clip to so it looks smoother. if you zoom in far you can see on the audio tracks where the beats are along with listening and you can use a marker (highlight in yellow on the first pic) to tell you where it is later, this will also help the clip snap into place when resizing (second pic)

EDIT: there is also a button on the tool bar that will mark the beats for you if you dont want to do them yourself (no, this is not gen ai, its just a beat detection tool)

this is pretty much the last of the basic stuff, aside from whatever little edits you want to do to size, speed, audio, etc. when im fitting clips i always do it all over the place so just take your time and dont worry about making it like a puzzle, just fit clips to wherever you think they look and sound the best

for everything after this, its not a necessity or anything, if you just wanna slap your watermark on the video and export it you totally can i do that all the time when i dont wanna deal with other stuff, but ill give the rundown of extra stuff just in case you want it too-

colors, sharpening, filters

so, while you can adjust each video's colors individually, its a lot easier to nab an adjustment layer from the top and pull it down to the timeline, then resize it to your edit (first pic). you'll mostly want the basic section which will give you clarity, saturation, etc (second pic), and the curves section which can help you edit the colors of the video, either to an extreme or light amount (third pic) i havent played with hsl too much but you can mess with it to your liking too! (if you need a few clips adjusted a certain way you can also split the adjustment layer so you only edit the clips it's above as well)

you can also use the pre made filters for this, right next to adjustments, but not all of them work great with animation

animations/transitions, text, edits

so to make your clips move and look more lively, you have two options: animations or transitions (or both if you want)

for animations, you click on a video clip and go up to the animation section where you can choose a combination of in, out, or combo. theres a lot of really fun ones here and you can adjust the durations of them until they look how you want, you can also add in AND out animations together on one clip

for transitions, you go to the section up top, pull one of the transitions down between two clips, and then you can edit the size of it. you cant add two transitions at once but they can go along with clips that have animation added to them so you can layer the effects!

effects and stickers are in the same vein of just fun stuff you can add, i havent played around with stickers a huge amount but capcut has a pretty good amount of neat things for edits tbh, but also if you want to make your own 'stickers' you could probably just import a transparent png image and put it on a layer above your video

for text, i usually just do default text and edit it to my liking but i know they have some neat premade stuff too, either way you wanna put it as the very top layer so none of the adjustment or effects layers are doing anything to it

theres a few other things that capcut has to offer that i havent explored yet or thought they were a little more than basic, but once you have all this down then the editing program is your oyster to play around with as you please!

exporting

after everything's the way you like it, you wanna delete all the extra clips/audios you didnt use, that way the program will default to ending at the actual end of your edit, then you wanna go up to file and select "Export" and you'll see a menu pop up

now it defaults to saving in a hidden folder in your appdata which is the most annoying thing in the world so you wanna select the folder to export (highlighted), save whatever folder is best for you, and then click export! it chooses video automatically so you dont really need to do anything extra, you also dont have to choose a folder every time, it will save into whatever you first chose every time after this

afterwards, you simply upload to your social media of choice with whatever caption and tags you want!

i hope this covered everything, and you have a fun time editing! ^-^

[tigerdrop]

I think we should talk more about breeding kinks here specifically with whatever men you're currently thinking about. I finished read your snippets on your website so that inspired this anonymous question.

god. i have a lot of insane things i could say about it. WRT daniel and jamie. i want to put it under a readmore b/c im embarrassed but i dont want to use one b/c they dont work right on my theme (SO IVE LEARNED) so heres captain sisko cardboard cutout

this is probably going to get weird but daniel is a weird guy. full disclosure

uh. god. i had a whole long thing typed out justifying it but all u really need to know is that daniel is one google search away from being a massive furry. if he had any idea how much anthro knotting porn is out there on the internet he would never leave his fucking room. he has it so bad dude

so like. this poor fucking guy wants to come in something so badly he cant see straight (who doesnt) and the only thing hes got is another dudes mouth on a blue moon. it would be a lot easier if he could just sniff out who wants to fuck on the air like a big stupid dog. a big mean doberman fursona with a spiky collar and a stupid hat. yknow. whatever

i think the idea of being a thrall to instinct and not having to navigate impenetrable social norms in order to have sex appeals to him. hes learned the hard way that he cant wrap his head around the intricate rituals. so its really great for his, uh. self-actualization. that he ends up with a buddy who likes to play along and makes it really, really obvious that he wants to use daniel like a dishrag

the ultimate torture, though: being a guy with a breeding kink dating a guy who gets off on edging you and stringing you out. imagine

daniel: i need to come in you so fucking bad. I need to knock you up jamie: Thats great buddy. If you come before i do im going to fucking kill you

tbh jamies standpoint on it is that he both never wants to have kids and is physically incapable of having them in the first place so daniels whole breeding kink is. like. a little oddity to him. something he feels a little conflicted about, given, you know, the gender . its a thinker

but really in the end its the ideal scenario b/c he gets to indulge daniel and play pretend with no consequences. its the same as if he was a cis dude indulging him. and tbh its worth it to see how fucking strung out it makes him. daniel sweating bullets at the idea of nutting in some big muscular hairy dude..........its neat. to him. and not to me. i dont care

its also neat to have jamie be a big ol bully about it too. all demanding and pushy. treating him like a bit of an animal about it...............whatever. insane animal style sexo while jamie doms the unholy hell out of him. sweet and sour both. Whatever

ultimately tho the goal is to nut in jamie and to do it over and over again and i think thats great for him. i think its even nicer if he accidentally comes too quick. all sweaty and desperate......poor guy.

(as an aside: jamie would never be for-real mean about his dick because - and not to be a huge fucking dyke here for a moment - your dick doesnt need to work like a pornstars b/c you dont even NEED one to have insane screaming bed-shaking sex. his fingers work just fine, right? get in there, buddy. finger your cum deeper into him. Jesus christ man)

alternatively. overstimulation. jamie using his iron thighs to keep daniel right where he is after he comes while jamie gets off. its like a punishment in its own right.....making daniel stay in place, all raw and sensitive and trembling......he would whimper. i think. cant do nothin but feel it. really really cute. stuff. i think

ok. sorry. this went a lot of places. goodbye forever

[teacorgi]

Hi I really like Lily's style! She's super cool but I was wondering, is she still a vampire? The fangs are a great look! (⁠☆⁠▽⁠☆⁠) What all does vampirism entail in your world/setting? There are so many different interpretations of the curse and I like learning about everyone's ideas on it!

HEWWO ! >W< ty for the ask abt lilly waah !!

i feel like this got too long for the dashboard so ill throw my answer under a readmore !

She is still a vampire ! Part of the time, anyway ! In her main universe/the main universe i write with her in she is a human but ! i do have an AU i poke around in sometimes w/stories where she's a vampire still bc its Very important to me that she gets to keep her vampirism somewhere u know x3

The Curse(tm) depends on the type/'rank' of vampire in most my universes that i write w/them.

Lillian, for example, was changed by a man who held a moderate amnt of control over her following the change. While under his influence/control she could only drink blood n was unable to go out during the day w/out it severely burning her.

Killing him herself n drinking some of his blood basically released her from him + buffed her vampy powers up a bit. She can eat normie human food sometimes w/out getting sick and sunny days just feel like when you go outside w/a not-quite-healed sunburn- warm, tingly, hurts a little bit but its bearable. some of this is due to alien tech given to her by her husband tho to help her deal w/negative side effects.

there are also...alien vampires in this universe which are responsible for introducing vampirism to earth many centuries ago. they don't typically come to earth themselves but lilly's daughter is friends w/a few of them =3

some of these alien vamps don't really suffer many negative effects at All and have more abilities ( can turn into various beasts, teleport, turn invisible, ect ) but others are weaker than ur average earth vampire. it just depends !

ooh also if u do not consume enough blood, even if you are able to eat human food n have been doing so, you can go into a frenzied starvation mode. when this happens, people lose control of themselves and seek out a food source indiscriminately.

lets see... what else... vamps can feed off other vamps but its not as effective/does not taste good... there are some alien species w/highly prized blood... holy water and the like mostly only effects lower tier vamps and only rly works bc of the strong emotional energy behind the process of making the vamp hunting items... silverware tastes extremely bitter and acidic to them... a weaker vamp could paralyze a stronger one if their venom was different enough...

i kno there is more but. sleepy....... sleepy... i am so VEWY sleepy so im sorry if this sounds rambly or doesnt make sense DX TY AGAIN a lot for the question ;w; i havent talked this much abt oc stuff publically in 500000 yrs no joke lol

[cerealmonster15]

no wait talk 2 me abt rook&vil they're so silly (unless ur legitimately busy but I will listen if u ever want to talk abt sillies lol)

god i had to restrain myself from literally screenshotting every single convo vil and rook have ever had bc theres Simply Too Much, and even trying to contain myself i still went over the limit LOL god ok anyway love is real and i have to put in a readmore bc i love posting screenshots and talking FOREVER!!!!!

one of my earlier memories of them was back when i first got into twst in 2020 and reading random card stories. i remember the jade leech dorm story and i just got his card recently so i got to relive married couple vil and rook experiencing Jade Leech Behavior

"you're making me jealous~ is he as good as meeee~" and vils like well kinda LOL but also in the rook lab coat story

aka the one where rooks openly thirsting after leona and teases vil about being jealous about it. like hello. ?? ?!?!!?!?!?!

also TWO instances of vil casually dropping that leonas attractive

a pretty face. a good looking layabout. vil no one is making you say these things.

anyway i just love how openly loving rook is in general, but especially with vil 😭

^both from the jade dorm story.... vil shows up and hes like Oh My God Life Is Beautiful. ok well hes like that about everything but he does it More when vils around :')

god this whole second half of rooks lab story is soooooooo hshdhfhehheskefkjjdfjfgfdg yknow????? like the whole story is half rook being So Very Weird About Leona fkjefskljdf "if those sharp fangs of his pierced my windpipe, why, i'd be done for in an instant. the very notion makes my heart quiver" ROOK BE NORMAL CHALLENGE just kidding i love that hes a freak it's so fun. he says something kinda similar about vil??? i cant remember which instance it was - i wanna say maybe when vil got kidnapped in Halloween 2 or book 6 or something? where he said something like "oh no, i know vil doesnt need my protection. if i dared imply such a thing he'd kick me in the head with his six inch heels lol 🤗" like HELLO????

speaking of halloween 2, omg. i forgot to take screenshots but that whole bit makes me insane. he calls vil "my etolle/ my star" and is agonizing over his disappearance......... hes so overjoyed to see him again and rushes to his side when theyre reunited,, and omfg i also forgot the part in masquerade where hes getting ready to leave and hes like "here is a flower, im so sorry im leaving you alone vil, ill be back to you before this flower blooms ♥" like literally why was he so romantic about it. vils like dude you will be gone Three Days fjklsejklfjkls i cant get over it. it's so FUNNY and so,,, hfhdhhhghf. the way he and vil act like parents of pomefiore is so cute too. like when theyre leaving rooks like "dont worry vil ill be with epel to make sure things are going okay!!" and vils like "hmm. yea idk im still worried actually" bc he loves rook but he also knows rook better than anyone LOL

anyway i got distracted, back to the rook lab coat story

this part is so good. rook is going on and on about leona and vils like "ok so just join spelldrive club and bother him there" and rooks immediately like "no. im in science club so i can help you with special effects for your film work to support you " HE LITERALLY SAYS SUPPORT WITH HIS LOVE WAHHHH god they make me go bonkers actually. a lot of what rook does is out of love and support for vil and his pursuit of beauty wahhhh

he likes being close to vil

he knows vils exact measurements, he even says in vils lab story that the only person that looks at vil longer than vil is him lol

he was so enthusiastic about vil and his work that hed run up to him and just talk forever and ever until vil finally spoke back to him and they were just INSEPARABLE after. i think so often about that bit where they say they talked so much they GOT SICK IN THE SNOW!!!! HELLO HI CAN ANYONE HEAR ME- theyre so full of matched passion i love them so much no one understands them like they understand each other AUGHHHH

anyway back to rook mentioning he wants to be up close to vil and his pursuit of beauty,,, i ALSO cant stop thinking about how thats literally one of the reasons he TRANSFERRED DORMS TO POMEFIORE

it means everything to him to be at vils side as long as possible and the fact that he cant when theyre away on their internships in fourth year is devastating WAHHHH 😭😭😭

but also. beanfest.

LIKE. HSDFHDSLJ every time they interact in this entire event is So Charged. hey rook your body is bulked up, i know this because I Was Looking. vil i am so excited to brawl with you one on one ive been anticipating it for a month. back and forth banter with each other and then just

whatever this is. and epel standing there like 🧍‍♂️ I Will Avoid Them Actually. jfksdlfjdkslfjkj

hes So Fucking Excited when it's time to fight vil,,, he even brought evil face trey LOL

"btw you look hot-" thats nice rook

THEY ARE FLIRTING. and then rook literally Sent Trey Away because he was so excited for his 1v1 with his beloved husband skdjfdskl and trey was like "yea i dont wanna be involved Bye 🚶‍♂️" fjlkdsfj no one wants to get tangled up in their Strange Relationship

also this line vil says in the home screen

ive seen fanart about this too thats like "hmm. vil most of you is covered. you have no hard to reach parts. it's like, your hands and neck and face 🤨" and it's so tender, rook putting sunblock on vils hands.... but also WHY cant you do that YOURSELF, HMM?? 🤨🤨🤨

ok ok ok but then. book 5 finale. i remember some people were Rook Haters after that and i simply do not agree!! and apparently some people dont like book 5. cant relate!!!!!!! rook hunt dislikers do not interact book 5 is everything to me!!!!

i might have those out of order but sjdklfjelsjkfdjsklf DFHDLKSJFLDKF GODDDD I CANT TAKE ITTTT 😭 rook going on and on about how it doesnt matter what vil looks like but as long as hes confident like rook knows he is then he will always be beautiful!!! i didnt get screenshots of that part in book 6 where theyre flying back and vil Turned Old but i love how loving and supportive rook is while vils just having his breakdown 🥺

idk man i just really like their interaction about this whole think ;A; like yea vil practically fell over in BETRAYAL when he saw rook voted for their enemy LOL but then i like that hes like "please. i know you and i know you dont make biased decisions ever, you always tell what you truly believe in your heart," and and and god damn it tumblr wont let me post any more photos but vil SMILES and hands rook back his handkerchief to let him dry his own tears and it's just SWEET WAHHH listennnnNNNN. i think it's nice. vil couldve gone off and been super mad at rook but he wasn't 😭 like he wasnt happy lol, but he knows rook. he understands [as much as one can LOL] rook. and rook loves and supports vil with everything he has, but hes also true to his heart and i think thats something vil really values about rook and a big part of why he keeps him around. it can be a positive and a negative, sure- this isnt the only time rooks honest to a fault lol, but i love,, multifaceted characters with deep relationships....

point is i lay facedown on the floor and cry for hours when i think too hard about vil and rook bc theres just So Much Love..... i cant get really coherent points or analysis out i just love repeating parts that happen in the game and posting six million screenshots bc thats all thats happening in my brain constantly JKFLJDSKLDJS i love rookvil. one of the ships ever. theyre married your honor theyre MARRIED and also being in a toxic yaoi polycule with leona is very funny to me jfklejskljfe marriage + divorce love wins(?)

[packedice]

what genres of music does each aqours member like to listen to? i think all of guilty kiss are metal fans

This needs to be under a readmore. i... genuienly thought i coudl get through this without needing it but im pausing like halfway in because.... yeah she needs it

Something tells me you listens to like the most radio pop ever. just anything about YEAAAHH LIFE IS AWESOME LETS PARTY ABOUT ITTTT!!!!!!! and also mildly angsty poppunk stuff (and thinks about the Great Chikariko'ing of her life from s1)

and chika is of course a theater kid... im influenced by anju (her seiyuu) being a MASSIVE THEATER KID but also every one of her solos is theatrical soooo. Who's overthinking it its not me!!!!

Ruby of course listens to jpop the most. i think she tried to get into kpop (time period accurate ofc so 3rd gen ish iirc) but i think some of the industry differences + the general Sound Differences make her not very interested. I think also ruby would like izone (i never was into them so idk about canon time accuracy but imagine.)

and then dia loves jpop too obvs but i think she genuinely listens to a litlte bit of everything. i think mari's metal interest (youre so right btw about gk) bleeds into kanadia because once that throuple stops being toxic they are INNNNSEPARABLEEEEEEE..... but dia genuinely likes anything. shes into idol music, shes into more heavy stuff, shes into radio pop, shes into retro, while she doesnt love ANY SONG OF ANY GENRE, she can definitely get into SOME SONGS of any genre! i think dia really really enoys music as a hobby in general so she enjoys trying and finding new things. growing up being fixated on idol culture and music will to taht to you.....

SO OF COURSE MARI LISTENS TO METAL. i think though new winding road is a really interesting tell into her other interests. (...ignoring that her seiyuu is an insanely talented traditional singer (is that the right word. im sorry im high and blanking. please correct me ifthis is like... weird white person vague and i will fix im just soo high and cant think)

hanamaru listened to music but i think was not much of a "Music Consumer" until she was a little older so i think as a result she mostly listens to songs her friends listen to too... her and kanan both i think listen a lot to the actual style Of azalea songs. like edm or whatever. kanan is also a pop radio kinda girly. just whatever plays in her parents shop while shes working etc

yohane liste4ns to ANYYYTHINGGG metal and ANYYYTHINGGG thats like Ohhhh i hate m,yselffff Ohhh im so evillllll... any genre if the lyrics speak to her not being the biggest fan of herself side OR her "little devil" hehe Im evil for fun side.... Ya. its on the playlist. Forrrr sure. To me also the most yohane gk song is kowareyasuki and because of t hat i think songs that sound similar to that are also super up her alley

I will admit i have not been a friend of riko until recently starting to like her a little more.... so my answer is very basic with metal and like piano instrumental/ballads/cute poppy love songs

[femmefaggot]

you dont need to read this its NOT bad but it is a bit too desperately horny. not explicit or anything.

i need kaladin to lash me to a wall so badly sorry he does it first bc I call him bridgeboy and its very much oh i hope this doesnt awaken anything in me. cue me being annoying (not w that name almighty I respect him as a person) to goad him so much. im sorry i find it hot when hes annoyed with me. actually im not at all sorry you chose to read this if youre here.

i wish i could do two readmores

just. touches him on the shoulder, back of the neck, makes him turn and bristle a bit (never... badly. i like to think ive got a good read on that sort of thing all fucking things considered) gets a little too close while wearing cologne i know he likes offers to spar with him oh I can help you with your armor ive been doing this since I could walk practically can you help me with my spear work I feel a little rusty can we do it when everyones gone i like having the space to spar with you (can you pin me to the ground) huh no im not letting you win cmon kal what do you mean this is too easy. are you calling me easy. youre just stronger than me. youre telling me you dont work to maintain that upper arm strength please i dont believe you. (can we kiss)