uhhh thoughts on alabasta ratman sleep-deprived and weed fueled ace vs peak chad energy fuckboy prime wano ace?? like which one do you prefer, do you have any thoughts if he’d treat/think of luffy any different? in these two periods of his life?
(also ugh I adore both and there’s something special about alabasta ace who went after luffy to drum island, made sure everyone knew he would be waiting for luffy in alabasta, then went and sat there for 10 days with no other purpose but to wait for luffy. bc he just wanted to see him so so much. brocon alabasta ace is uhhhgggghh insane vibes but. there’s also something about wano graciously giving everyone big tits and a healthy layer of fat tissue on top of all that muscle. also the fact that portgas d “i hate when little children follow me around” ace willingly befriended and took care of tama. also promised her the same thing he promised luffy. idkidkidk I just like to think luffy was on ace’s mind 90% of the time, wherever he went, and he often just thought about him bc a lot of thinks reminded him of luffy. like things luffy would like, things he’d like to eat, things he’d find funny etc)
I thought this would be easy to answer but then I had like a whole essay typed up in my head. so. thank you for this ask, I have a lot of feelings about it apparently. 😂😂
they really do feel like 2 different characters, maybe bc Oda was still firming up the details of marineford/wano when Ace first appeared in alabasta? In any case it's always fun seeing which "version" of him fans lean into in fanart/fic/headcanons hahaha. like do they make him more scrungly and sleazy (but maybe also secretly doting)? you got yourself a greasy Ace fan. do they make him all upstanding and softly affectionate and soulful? wano ace wano ace wano ace
(a lot more rambling from here)
I have to admit...... and I'm ashamed to say it............... but I was only half-aware of Ace in Alabasta—like at that point, he was just another "wacky cool shounen guy" to me. It took Marineford breaking my brain down to its component parts and rearranging them for my full Ace brainrot to set in, and at that point he was closer to Ethereal Fridged Wife wano Ace, so I'd probably go with that one? God I do need to rewatch Alabasta tho, I feel like it'd be such a trip of fawning over greasy ratman Ace this time around ahahahah
I think it took until Marineford for me to really latch onto Ace bc it was outwardly like:
Alabasta Ace: I'm cool
Marineford Ace: I'm cool [ironic][hiding INTENSE self-worth issues]
I agree with everything you said though... I love wrinkly, wrung-out-to-dry Alabasta Ace and his devil-may-care coolness. His vibes of being just a bit more of a rebel than any of the Strawhats even, the thing that makes people cast him as a guitarist or artist in modern AUs. that fuckin,,,,, crouch/perching thing he does,,,, The WAITING... he's so understated with his devotion, like, this panel??
he's trying to be so cool and older brother-y but really he just wants his little brother to visit him sometimes!!! he waited for luffy for 10 days when he's been prioritizing this mission over everything else, even being with his other found-family crew, and I just!!! sigh
"any thoughts if he’d treat/think of luffy any different" I so agree that Wano Ace is pre-Whitebeard Ace, meaning that even though he's presenting himself as independent and a leader/captain, there's a part of him that's still very angry and searching for acceptance. And yesss, bc of that he was probably holding his memories of Luffy so close all the time, seeing his brother who loves him in the innocent, trusting kid he helps, and unable to stop bragging about his brave little brother to the brash, impressive club-weilding guy he runs into.
meanwhile I feel like Alabasta Ace is actually more mellowed-out in his feelings toward Luffy, in a way? like idk, maybe—I might be completely off—but he's more secure in himself and his attachment to Luffy... or at least he tells himself he is. I just feel like that explains why he's shown to be so openly brag-y about Luffy in his Wano days, but seems way more laidback in Alabasta, haha (but the brocon devotion is still there, just better-hidden, lmaoooo) (and it gets ripped to the forefront during Marineford—he's forced to confront all that fear and attachment when he sees Luffy hurtling through the air toward him AH)
god tho. wano ace. wano ace and this gif
the things. the things i want to do to this man. the morals i would abandon. unspeakable.
and this???? him??????????????? sunkissed angel backlit like the once-in-a-lifetime love interest in a twee indie film???
yeah I... in summary, I feel like I have 60/40 preference for Wano Ace over Alabasta Ace, but really it's that mix of all those qualities that I like to bring in when i can.
(my secret third answer is Marineford Ace. the blorbo who started it all, lmao)
25 notes
·
View notes
Live long and fuck in Hondas (or 'why that Vulcan salute is way more significant than you think it is')
Hey. Hey Holz. Did you know Deadpool and Wolverine fucked in the Odyessy? Did you know that they now live in a one-bed with Blind Al? Did you know that -
Yes, friend. I know all of it. And you're all super fucking valid for pointing it out.
... But maybe all of you aren't seasoned Trekkies like me. Maybe not all of you gorgeous people understand the true significance of this.
Or maybe you just want a definitive way to win the argument of "are these two fucking?"
But either way, I'm here to help, and to tell you why, amongst all the absurdly homoerotic text of this film, this moment? Might be the gayest of them all.
Now, we must start by saying that although you wouldn't know it from the bullshit Abrams films, these two:
Are the fathers of gay fanfiction. Spock and Kirk here are the reason you're living in the fantastic timeline where you can write/read men fucking without any other shred of plot and that this is a legitimate and normalised internet experience - everyone say thank you, iconic papas. These guys were so homoerotically coded that even in the 60s, the era of wondrously overdramatic performances of all kinds and fairly prevalent homophobia, The Girlies still took notice, still started mailing each other fics and making zines and being just hugely excited at the thought of these two getting space-married. They are fandom as we know it today's beginning, and seventy years later they're still an enduringly popular ship on AO3. (You should all go and watch Amok Time, by the way. Contains the Honda Odyessy scene of the 60s, except there's weird biology and wrestling and just go and put it on your screens, thank me later. They fucked on that planet.)
Anyway, these two were as close as early colour TV could ever allow two men to be, deepening their *coughs* friendship almost every single episode or film - Trek's creator Gene Roddenberry even gave them a unique word in Spock's Vulcan language, with the meaning of 'friend, brother, lover.' (And if that isn't ringing any Poolverine bells, I'm not actually sure what you want out of this post. Enjoy it anyway, love you.)
... And then we get to 1982's The Wrath of Khan, and to that moment that every iconic screen couple must face - the ol' classic, it's you or me and I won't let it be you.
Sure, the set-up's a little different here - the chamber Spock's in is filled with radiation, and the scene's quieter, softer. And Kirk isn't a mutant so he can't smash his way in, he can just sit there and inwardly die as his emotional support Vulcan does.
... But you get where I'm coming from here. Ryan Reynolds doesn't take a million other potential love scenes from across the cinematic ages - no, he takes this. What is for many the romantic acknowledgement of a whole generation. The humble and desperately sweet beginning of it everything we fans know and love nowadays. The most ambiguously romantic homosexual relationship in television, directly comparative to what is now arguably the most ambiguously romantic homosexual relationship in cinema. And lest we forget, Wade doesn't believe in a fourth wall - this is a conscious choice, both in canon and in the writer's room.
Oh it's so clever and so beautiful a girl could weep. Ryan just introduced the MCU to the gays, just as Kirk and Spock did all those years ago to the masses of the time.
And then there's what it means.
This is the Vulcan salute, created to mean either 'live long and prosper' or 'peace and long life' - it's used more or less interchangeably.
But part of that's irrelevant when you're as immortal as these two.
So we're left with the sentiments of prosperity and peace, given to a man who up to this point can't imagine ever prospering again, is the furthest thing away from being at peace. Wade gives Logan the opportunity to go on, to find the things he's been lacking for so long now - things he has already helped him find. Spock tells Kirk during The Wrath that 'the needs of the many outweigh the needs of the few,' and that's exactly what Wade's doing here - sacrificing himself for the greater good of his friends and his newly beloved, however much it will hurt them all.
And that's lovely, and poignant, and character-growing, and I think we all would have been content to leave it at that and have our noble sacrifice, however much we would have wept. Kirk goes on to find the remnants of Spock's soul in the next film in the series, to bring him essentially back from the dead because he felt it was more than his own soul's worth not to have done... which, again, ringing a bell anyone?
Because Logan, in not so many words, tells dear Wade to fuck right off, and we get this.
What we've got here is a direct translation of one of cinema's gayest moments, made somehow infinitely more gay. A true achievement here - I genuinely think I spontaneously acquired tetanus in the cinema for a good minute, my jaw dropped so hard on seeing this. The pillars are the same colour as Kirk and Spock's original uniforms, for fuck's sake. I'm dying out here.
What we've done here is create narrative equality. The whole film's kinda done that leading up to this anyway - they're both mentally fucked up men who can't die, who are constantly dying anyway, who are evenly-matched in battle and both enjoy Honda fucking, who have forged a real love even as they piss each other off at every turn.
But here, they place one another in narrative equality for the first time. It's not about a sacrifice, not now, even though they're assuming it is one - it's about what should be done. It's about righting wrongs, being heroes, being together because every option other than that is unacceptable, because neither understands quite how to lose anyone else. They've both made the same choice, and that's not to let the other die alone.
It's about holding hands and loving and never letting go, even if it kills them.
... It's just about the most romantic and gorgeous thing I've ever fucking seen.
There are no more instances of masks, once they're done in this station. They don't need them any longer; they will never need them again.
And that's only emphasised by the parting shot we get of this... almost directly after Vanessa and Wade share a final sweet look.
I don't know, man. It's almost like the true conclusion is hidden behind the acceptable masquerade. Imagine that in the MCU, folks.
They've taken one of the most intimate and sweet moments in screen history, and made even more glorious.
They did The Wrath of Khan better than The Wrath of Khan did it.
And that's... that's gay. That's just about the gayest thing they could ever have done, and I adore it to the smallest pieces.
So remember, the next time your friends disbelieve you... show 'em this. Show them that they redid the very beginnings of slash fandom, and did it better.
(And then you can add on that they now live in a one-bed with their grandma, daughter and dog, and will do for the rest of their lives. Kirk and Spock didn't even get THAT shit.)
685 notes
·
View notes
Hi, i hope youre doing well ☺️
Could i request another part to animagus cat reader where reader cuddles with Remus during winter instead of Sirius because its cold and he runs warmer?? Like he'll be in the common room reading in an arm chair while reader catnaps on his lap while being pet and Sirius tells him to stop stealing his gf and James is jealous/whiny that he doesnt get to have cat snuggles.
part 1 / part 2
--
Despite the two blankets layered in an inviting nest on Sirius's lap, Remus is the warmest person in the room. The fire crackes on its logs, offering scorching heat, but what you seek is gentle warmth, and you've found it between Remus's sweater and his undershirt. You're splayed over his chest much like a baby would be, your paws stretched out against his shoulders and your head pressed face-first into his chest. His sweater is tight enough that it holds you in place, and you don't have to worry about falling. It means that you're able to fully relax, and Sirius can hear your rampant purring from where he sits on the couch with a sour scowl on his face.
"If you just wore warmer clothes, you wouldn't be pissy right now," Remus muses, not bothering to grace the man with a glance away from his novel, "She only likes me 'cause my sweater is warm."
That's not entirely true. While Remus does tend to dress for comfort, and Sirius for style, Remus runs naturally hotter than your boyfriend. You don't have the heart to tell him that, though, so you mewl in agreement to Remus's statement.
"Sweaters are dumb," Sirius spits, and no one bothers to mention that he has a small collection of them for the snowy days on the grounds, "I look better in leather."
"Your loss," Remus shrugs, and to add insult to injury, reaches up to scratch a spot behind your ears that only makes your purring louder.
"This is bullshit," Sirius finally huffs, breaking his facade of gloomy indifference, "Prongs, get over here."
James, all too eager to help out his friend and soak up affection to boot, has no problem tipping over sideways to lay in Sirius's lap.
But the man lifts James's head out of his lap by his curls, "No, no, no, not James. Prongs."
"You want me to-?" James asks, but doesn't dare finish, because the prospect of transforming right in the common room sends a shiver of mischief down his spine that he'd be a fool to question, "On it."
"Yeah. Yeah, yeah," Sirius nods, sneering haughtily at Remus, "You're not the only one that's good for a cuddle, Moony. Look at this," He gushes, as James begins his transformation, skin giving way to tight, short fur and enormous antlers that nearly grate against the stone walls around you.
"Oh, he's a perfect fit." Remus nods resignedly, content to continue rubbing at your ears rather than chastise his friends for trying to fit a stag on a loveseat, "Yeah, that'll work nicely- ooh, careful Sirius, almost got stabbed there."
Sirius dodges a prong off of James's antlers, taking them in his hands and holding James's head steady as the oversized buck folds his knobbly knees into Sirius's lap. The back two can't make it, but James fits them clumsily onto the cushion, maintaining his balance out of dramatic willpower rather than the laws of physics.
You decide once they settle that they're no longer in need of your attention, so you turn your head back towards Remus and burrow your face back into his warm chest. You feel it shake with mirth beneath you, presumably at an overdramatized reaction from the two boys opposite you, but you can't bring yourself to care; sleep is at the forefront of your brain in this form.
"Yeah, get real cozy!" Sirius insists, calling so that you can hear him through Remus's thick sweater and beneath the weight of his hand on your ears, "Whatever! We're cozy over here, too, 'never been more comfortable- ah! Prongs, watch the hooves!"
4K notes
·
View notes