#if i had a nickel etc i’d have two which isn’t a lot but its kinda weird that it happened twice

[firstfullmoon]

the relationship between me and relatively unknown young women poets from canada via my poetry instagram is something that can be so personal

[1moremilgram-enjoyer]

Trying (and Mostly Kinda Failing) to Give Meaning to Lyric Placement and Background Shapes in "Cat"

(Or: me going insane over things I’m not even sure mean anything)

Hello people of the jury! Today I want to talk about a few things about Kazui’s latest MV, Cat, which have been eating at my brain for a while. Essentially, the way that the transcribed lyrics show up all over the place, out of order, in different colors and languages; the shapes we see throughout the background in different colors; and what both of these things could mean. I emphasize could because it’s all a mess and I’m not entirely confident we’re supposed to read into these things as much as I’m reading into them here. But oh well, if I don’t share this my head is going to explode, so I might as well.

(There’s also a chance a lot of what I say here has been said before. Sorry if it’s redundant)

CW: Suicide and depression, tumultuous relationships, internalized homophobia.

OP what the fuck are you talking about

Let’s start with what I mean by “lyric placement.” As you’re probably aware, the Cat MV has its lyrics transcribed in a very particular way. Sometimes words show up way after the lines are said, sometimes they’re repeated, sometimes they’re in French, sometimes they have extra words thrown in there, etc.

The main thing that tipped me off that something may be up is this line:

As you can see by the subtitles, the line is:

Since when have I ignored my feelings? It’s better to be a let down, than be let down yourself.

However, the MV also has the word “lie” on screen, even though it’s never said in the lyrics. Unless the subtitles are wrong, but I trust that’s not the case.

Now, if I had a nickel for every time a weird-ass MV showing the inner thoughts of a blue haired liar with somewhat homoerotic undertones had English words which appear on screen yet do not correlate to the Japanese lyrics being sung… I’d have two nickels, which isn’t a lot but it’s weird that it happened twice. (/reference)

And it’s not difficult to figure out why that would be the case. If you recall from his second voice drama, Kazui believes he should have kept lying to Hinako, to keep her happy. This is also stated in his interrogation questions.

(T1) Q18: Do you regret your “murder”?

Kazui: I do regret it. I should have kept lying.

Unless he’s lying, which he has no reason to do, we can tell he would have preferred continuing the lie if it meant Hinako stayed happy. That means, in his eyes, being a let down is worse than being let down himself. That’s why the word “lie” shows up when he says the opposite in the lyrics, he doesn’t actually believe it. It’s assumedly just something he told himself right before “letting down” Hinako by telling the truth.

So, since the MV pulls a cute little trick with this line, is it possible that the placement of the other transcribed lyrics is significant? Well, that’s what the rest of the post will try to answer.

Then there are the colors. As you know, geometric shapes of all kinds of colors appear throughout the MV, and I believe these could mean certain things. Take a look here, for example.

to touch, to caress

That’s the lyric we’re shown as Hinako’s crush towards Kazui is made evident for the first time in the MV. And in the background, we see a blue circle and a pink circle intersecting, and in the video, pulsating like a heartbeat. If we assume blue to be Kazui and pink to be Hinako, it’s showing the idea of the two being together, “touching and caressing.” I noticed this thanks to Napkin's MV analysis, I recommend you watch it if you haven't!

So now, if that really is significant, are the other shapes and colors significant? For one, as blueepink07 pointed out in this post, it’s possible large part of the color scheme was chosen to align with newspapers, because Kazui wants us/Es to uncover his lies as if we’re/they’re getting information from a newspaper, or something like that. For more specific ideas… that’s what the rest of the post is for.

Hypothesis

>The placement of the lyrics sometimes recontextualizes their meaning, and we have to figure out how.

>Lyrics in French, which are always smaller, are used in two ways. Either they simply repeat what the English words say, to give them emphasis, or they replace English words, which usually happens when the line alludes to Kazui’s "temptations", aka his homosexuality. And yeah, I’m assuming he’s gay, because in my eyes it’s honestly more heavily implied than some of the stuff we believe about other prisoners. I’ll give some of my reasoning later.

>The color of the lyrics and the shapes in the background can often be important, though there's a non-zero chance a lot of it is just aesthetics. As a warning, some of the wilder things I bring up not even I fully believe, but I'm going for the completionist route. If you have any better ideas for any of these, please feel free to tell me!

>Blue represents Kazui, pink represents Hinako. As much as gendering colors is stupid in concept, it is useful for symbolism, so.

>Light green represents Kazui’s "temptations", since it’s connected to the green apple which shows up repeatedly.

>Yellow… Okay, so this one is where stuff begins to break down. It’s really hard to tell what yellow could mean, but seeing the meanings the color usually has, I’ll say it represents a sort of desire for happiness. It’s similar to light green, but not quite the same, it’s more general. Yet, it still makes the same dark green color when it mixes with Kazui’s blue as light green does. His happiness and temptations are closely linked. Yes I’m even bringing the intersectional colors into this.

>Red represents Kazui’s deepest desires. It’s the color which floods the background as he bites the pigeon, after all. It’s “stronger”, deeper than light green and yellow, but it’s sorta similar still.

>A darker red appears occasionally on some intersections, possibly representing blood and therefore Hinako's death.

>Purple only exists as the intersection of two colors, but its meaning changes depending on which colors are mixing. When blue and red mix, it’s Kazui’s desires; when pink and blue mix, it’s Hinako’s desire to be with Kazui.

>Orange... shows up like once it's kinda weird. I took to google again, and it usually represents enthusiasm, which is different enough from happiness that I'm comfortable saying that's what it is.

>The reason so many colors have similar meanings is to be able to convey Kazui’s emotions with more nuance. Please bear with me.

>Sometimes, colors mix very little, to the point where I think it’s not meant to be important. I have to add this or else the post is impossible. You’ll see what I mean.

Alright, still with me? Sorry for the prelude, but it was easier to explain it all now before we really get started.

Unhinged Analysis, Start!

(Ah, Tumblr 30 image limit my beloved. Making me do shitty collages in Microsoft Powerpoint just so I can have visuals in my post about the funny apple man)

We open with the song title for obvious reasons, as well as blue backgrounds because it’s Kazui’s MV, a small overview of the colors we’ll see later, and a lyric repeated in both English and French for emphasis.

Lie until it gets better, follow the king of the masquerade

It’s the main thesis of the song, that Kazui, the king of the masquerade, believes it is better to keep lying until things improve than tell the truth and cause harm.

We also see his name and prisoner number, and an interesting introduction to the colors in circles. These are likely purely aesthetic, but if you want an actual explanation... uh.

UNHINGED INTERPRETATION START!

To the left, red and blue intersect and form pink, which doesn't usually happen. Usually, when red and blue intersect you get purple or a deeper red, not pink. I think the colors are partly inverted on this scene, noting the darkened background, so we're meant to take whatever the colors would usually mean, and reverse it. So Kazui and his deepest desires intersect on Hinako? Well, it's actually the opposite. Kazui's deepest desires don't include Hinako. Does that make sense? I say this is the meaning because the lyric there is "Love (plus) Destiny = Crap, smash it, shatter it, bye-bye". Keeping in mind the "destined love" is Hinako, it's clear Kazui doesn't like the relationship, we been knew.

The intersection also exists on the right, but there's also a white circle which inverts the inverted meaning and thus shows the truth. (???) So the part where Kazui is by himself turns into an enthusiastic orange and the intersection with his deepest desires turn into green.

You may have noticed that already makes absolutely no sense. I hope you can forgive me. Remember, I said they're probably just aesthetic here.

UNHINGED INTERPRETATION END!

Anyways, the masquerade lyric and the title show up again but in inverse order for aesthetic reasons, which I think is neat.

I really think this is just an introduction, and there's not much to read into.

The road the car is on is yellow and blue, with them mixing into dark green in the middle (that color does not exist on its own). As everyone does in life, Kazui is trying to stay on the road to happiness. Yes, we start off with quite a stretch, but most of this is going to be reaching, so. The dark green shows that part of that happiness would be something related to his “temptations”, his likely homosexuality.

There’s a pink circle hovering around, Hinako. She also seeks “the road to happiness”, and has her own desires (the red from the intersection of her pink and the yellow). That leads her to getting close to the blue of Kazui. Eventually, she becomes so prevalent in his life that her pink color strikes through the entire frame, showing the two were probably close in some way before the whole marriage thing happened.

I’ve already explained how and why the word “lie” is added into the visuals even though it’s not in the sung lyrics.

Behind “I just wanted” we see a blue and a light green circle intersecting almost fully, cementing light green as the things Kazui truly wants.

The circles behind “to touch, to caress” have already been explained.

“I just wanted to be touched” is accompanied with an interesting visual; a light green and a pink semicircle separated by a yellow triangle. I believe this represents the divide between Hinako and the things Kazui truly wants, the divide being his happiness.

You’ll notice that pink and light green intersect slightly, which is why I said sometimes that doesn’t mean anything. They don’t intersect enough for it to be significant. How much intersection is necessary for us to consider it relevant? Well… whatever fits the scene the best :v

“So” is pink for Whit- wrong fandom sorry

“So, it’s wrong?” With the pink “so”, Hinako stands behind all the regrets Kazui might have about what he’s done.

(My arms hurt from reaching too much-)

This scene is one of many which really makes me doubt the colors actually mean anything most of the time, but I can still try to think of an explanation. A lot of the colors pass by, as if they’re simply events and experiences in Kazui’s life. Temptations, happiness, etc, with nothing intersecting too much. Though worth noting, blue and pink never touch on this scene, as if Kazui doesn’t want to be too close to Hinako, even though she’s an important part of his life.

There is one intersection I think may be interesting, though. Front and center, a blue rectangle is split right through the middle by a red line. Although there’s a lot going on in Kazui’s life, his deepest desires are always right in his core, front and center. That’s part of why red works as these “deepest desires.”

Oh shove that! INNOCENT, isn’t that right?

The lyrics here are just what’s being sung, but it’s interesting that they’re on the floor. It’s almost as if Kazui is looking down on these words, disrespecting them by walking on them. He doesn’t truly think he can shove aside his wrongs, he doesn’t consider himself forgivable. At least, not yet.

(T1) Q19: Do you want to be forgiven?

K: I’m not sure. I also want my weakness to be tolerated, to be honest.

Well, sorry my guy, but I’m still voting you inno, compared to the other people here you did some wrong things but it’s really not that bad.

(I'm skipping scenes that don't have anything relevant)

The blue background is just because this is the turning point of Kazui’s life, when he succumbs to societal pressure to marry Hinako. A bit self-centered to think of your color when proposing to someone else, maybe, but that’s not entirely new for Kazui, huh? Flawed characters, gotta love ‘em.

However, you’ll notice the lyrics never actually make it into text.

Maybe, perhaps… or… could it come true… like It’s for the sake of true love, who wouldn’t lie for that?

These are some of the only lyrics in the song which are never ever transcribed. The others are:

Let’s take a breather

To be caressed by you, that would be perfection - I wanted to be loved, just like a cat

Lick that sin and oppose punishment, until you can meet the king of the masquerade

I cannot for the life of me give you a good answer as to why that happens, but I can give a weird and stupid answer!

Because “Let’s take a breather” is framed as the start of the conversation Kazui and Hinako had which led to her death, it’s possible the lyrics not transcribed are things Kazui said to her in that conversation, and they show up out of order. Not literally, he wouldn’t tell her he wants to be loved like a cat, but more so the meaning behind them. He told her he lied “for the sake of true love”, as he thought “it could come true” if he just stuck with it long enough. He wanted to be loved for who he is (“like a cat”), and, uh… to savor that sin of lying, so she can meet who he truly is? Maybe something like that.

I don’t know. It’s a huge stretch, but I don’t see why else they wouldn’t be transcribed.

Oh, yeah, this clusterfuck.

As far as I can tell, the lyrics here are only the ones from the following chorus, not the previous lines. I can make out, vaguely:

Love (plus) Destiny = Crap, smash it, shatter it, bye-bye That sticky-sweet sequence: Dinner + Camouflage + You-Know-What Loving Affection (minus) Love, it’s tacky, this two-way deceit Victim and Perpetrator, let’s keep it simple

I believe these lyrics are represented like this to show inner turmoil, a chaos inside Kazui’s mind. He despises the love assigned to him by “destiny” (societal expectations), but he goes with the sequence anyways: dinners (dates), camouflage (lies), you-know-what (you know what? I don’t actually know what that means, though I can assume). There’s affection, but it’s not really love. This love is a two way deceit, as Kazui lies to Hinako and himself, telling himself this is what he wants.

“Victim” and “perpetrator” are written only in blue, pink and yellow, representing the union of Kazui and Hinako in search for happiness, but excluding Kazui’s actual desires. (Or maybe it's just the newspaper thing). “Let’s keep it simple” is in both pink and blue because both of them are involved in the “victim-perpetrator” duo.

Notably, “Victim and perpetrator, let’s keep it simple” also shows up in French, again for emphasis. It’s a core part of Kazui’s character that he blames himself fully for what happened.

So this is the big part for all y’all Kazui/Bartender shippers out there. Kazui grabs a green apple out of a bunch of red ones, and it turns into a glass of an alcoholic drink. (The hand disappears from view for a moment, but it's still the same one as Kazui wears his watch and wedding ring on the same hand). And hey, you know how Hinako is represented by a red apple at the end? (Note how it falls and hits the ground, possibly representing Hinako’s suicide). I and others before me think red apples are women, the ones which Kazui is expected to like, while the green one might be a man.

I say that because it turns into a glass, which may represent the bartender, just as the next line plays:

Phew, oh wow I’m drunk Hey, so what if I said I liked-liked you, what would you do?

Note that he says the line, he doesn’t actually sing it, possibly implying it’s an actual thing Kazui said in real life. Now, it’s actually very possible that this isn’t happening at the bar from half itself. As pointed out by errorscribes in this post, the furniture doesn’t actually match either the bar or Kazui’s home, meaning he might be in a secret third thing. Still, however, the connection between the apple and the glass remains, especially since this “one thing turns into another” trick does actually happen a few times in the MV, notably with the wedding ring.

There’s a few more things which make me believe it, but that was just a small tangent to explain why I'm decently convinced Kazui is gay, since I still see quite a bit of discussion around that.

After confessing to possibly the bartender, Kazui explains he wanted to ask “so it’s out in the open.” Note how that’s color-coded blue, possibly implying Kazui is “out in the open”, as in exposed or, perhaps more literally, out of the closet. He seems laidback and relaxed as he says it, but it’s likely a lie, as the background suddenly turns to an ominous black while he retains the same position.

That’s when he says “I just got a little greedy”, with “greedy” repeated for emphasis. The pink is likely because this is something he wants to tell Hinako, as a sort of half-apology-half-excuse.

The lyrics of the next scene, with Kazui and Hinako having a dinner and all that, are transcribed right after, in what may be both the most interesting and the hardest-to-explain scene for this theory.

So, here's what I think we're looking at here. It's a chronological retelling of everything that happened after Kazui and Hinako got married, that's why the numbers are there. That's why the song's title, Cat, and Kazui's name are constantly on screen; it's the main story of the song.

We start with a glass falling, the calm before the storm, the moments before the disaster. In French and red, we see the lyrics from the scene prior:

All those things I wanna do that I can’t say out loud I gotta keep it inside and act The beating of this heart… see… it’s no longer about good and bad… it isn’t I realize the futility, but I still can’t help but dream

Kazui is repressing his feelings for now, those things he can't say out loud. The desire to express his feelings slowly stops being about good and bad, moral and immoral, it's a primal need, like a cat's need to hunt doves. See the connection to red?

"I realize the futility, but I still can't help but dream" is repeated in English for emphasis. Even though he knows it will be useless, he can't help himself, he wants to act on his true feelings. In particular, I believe the "dream" is to be loved by whoever the hell he confessed to (possibly the bartender), and this is what caused Hinako to commit suicide, seeing the distorted line in his Voice Character Reveal.

I'm so d[um]b... Wh[y] d[i]d I [h]a[v]e to [dr]e[a]m?

Note that "01" is written in both Kazui's blue and the yellow of happiness, showing that this scene is about him looking for happiness (deep analysis there, folks). Note the arrows, too. Hinako's pink arrow is literally between Kazui's blue and his happiness (yellow).

And that was when his feelings were repressed; because then, the glass hits the ground, showing that number 02 is when things went wrong. The lyric in English is "Phew, oh wow I'm drunk", as it's something Kazui isn't afraid of admitting. But in French, smaller, we see something he may want to say a bit quieter: "Phew, oh wow I'm drunk. Hey, so what if I said I liked-liked you, what would you do?"

(By the way, I'm not using direct translations, but rather what the corresponding lyric is in English. Probably should have mentioned that earlier)

We reiterate he’s drunk, potentially to further imply a connection to the bartender, and we have Kazui’s confession. Notice the colors used are yellow and red, possibly because we’re seeing the confession of Kazui’s deepest desires as he attempts to be happy. Well, technically you might say a few things are pink, but since the saxophone is red, I’m assuming that’s the main color we’re supposed to take note of. Instead, the pink is almost an afterthought, as if Kazui is only thinking of Hinako sparsely in brief moments of lucidity from his drunkenness.

03 is the weirdest in terms of colors. The lyric displayed is “Love (plus) Destiny = Crap. Smash it, shatter it, bye-bye.” I believe this is referring to the aftermath of the confession in 02, where the “destined love” of Kazui and Hinako starts to break down.

Why is there orange, then, if the relationship is breaking down? Well, because Kazui doesn't like the relationship. He's originally enthusiastic about revealing the truth and shattering the relationship (orange), because he thinks it will bring him happiness (yellow). Well, enthusiastic is maybe an exaggeration, but it's close to it at least. I'll explain what makes me believe that in a moment, bear with me. However, that's not how that would play out.

To see that it didn't go as Kazui had hoped, we have to look at the blue bars and the orange circles. It took me way too long to notice, but I think the blue bars are for the piano that plays in the scene, like the saxophone that showed up in 02. By that logic, the other thing could be some… kinda flute? I don’t think so. I have no idea what that is.

In any case, although it's a bit of a stretch, something interesting happens with these bars and circles. It’s hard to describe without the video, but if you look at them (preferably at 0.5 speed or something) you’ll see that when 03 first shows up, the bars and circles appear in a neat pattern, but as the lyric “solidifies”, the bars and circles begin “sputtering”, the pattern breaking down.

Neat pattern, few lyrics.

Broken pattern, full lyrics.

So, I think that's meant to represent Kazui hesitating about the destruction of his relationship. He starts enthusiastic, with the pattern stable. But as the idea that the relationship will come to an end starts to solidify, represented by the lyric slowly forming more and more, he starts to realize there might be some drawbacks he hadn't anticipated, which is why he starts to hesitate, and the pattern breaks down. The pattern doesn't have a concrete meaning, it's meant to give the vibe that Kazui is hesitating, which I swear makes sense if you look at it in the video please I swear I'm not that insane yet please-

The reason for Kazui's hesitation becomes evident in number 04. Do you see those white ovals around this number? Don’t they look a lot like clouds?

I believe this is the balcony scene, when Kazui tells Hinako the truth, and she commits suicide. That’s why her pink is front and center, while Kazui’s temptations lure in the background in light green. They’re the context, the set dressing, for Hinako’s part of the play, if you allow me some half-adjacent metaphors. The colors mix into a dark red which almost looks like blood. I don’t think I need to explain how the death scene is connected to blood.

And with this scene in mind, where Hinako dies after learning the truth, Kazui reaches the conclusion represented by the lyric on screen. “Lie, until it gets better, follow the king of the masquerade.” Repeated in French for emphasis,. After Hinako dies, Kazui starts to believe he should have simply kept lying as he was doing before, when he still was “the king of the masquerade.”

Does any of that make any sense? I am grasping at straws and trying my damn hardest to reconcile all these things, but most of them are nonsensical. I have to remind everyone, I’m still not entirely sure I’m not just looking at nothing here.

The lyric that plays as Kazui falls to his knees is "I can’t stop, I can’t be normal. This feeling, it can’t be gratified", which is transcribed in the next shot.

Before we get to the shapes, we have to talk about the added lyric, which I find very interesting. The word "can't", big in the background and in pink. Possibly because Hinako can't gratify "this feeling." However, there's a funny thing about the word "can't"; it's a homophone of Kant, the philosopher Kazui and Es discuss in the second Voice Drama. I think this might be intentional.

As the characters discussed, Kant believed that lying is always inherently inmoral, even if the liar has good intentions (oversimplification, don't come at me philosophy majors). However, I want to talk about it a bit more in depth. Although I am dumb and I am not very good at philosophy, what I could gather is that Kant believes lying is unethical because it impairs the ability of others to make rational, informed decisions. He argued that because our freedom ends where others' begin, then we cannot lie, for that would impair the other's freedom. Regardless of what you think about this belief system, it's clear some connections can be made with Kazui. Under this logic, his lies impaired Hinako's freedom, as presumably, she wouldn't have married Kazui if she had had all the information from the start.

(Again, I am likely oversimplifying things, but I am not gonna write a thesis on Kant to try and figure out the funny liar Cat-boy)

Why am I bringing all this up? Am I just trying to trick you into thinking I have any idea what I'm doing? Correct! Seems Cat taught you well to avoid misdirection.

But in all seriousness, it's because that logic is the best (read: not actually that good but it's what I have) way I have of interpreting the shapes on the background. There's yellow triangles crossed by blue and then pink, but notably, they intersect little and seem to go in different directions. As if the path Kazui and Hinako are in are different from the one which leads to happiness. The idea here is that while Kazui obviously isn't happy with how things are going, Hinako couldn't be truthfully happy under Kant's ideas. Because she wouldn't have true freedom of thought until Kazui stopped lying to her, so in a way, her own happiness was also a lie. Thus why the lines representing her always go in a different way from happiness. And because she can't be happy, the yellow of her fake happiness turns into dark red as it crosses that word, again possibly referencing her death.

Is it a stretch? Oh, absolutely! I don't even know if I'm interpreting Kant right! But I frankly have no idea what else these things could mean. It's possible some of the shapes are merely aesthetic, and this is one of the scenes which make me believe that. I'm open to audience participation, you figure it out.

More imagery of a scattered and broken relationship, with blue and pink shapes all around Kazui, but which only barely intersect. The small French words are part of the lyrics, "this feeling, it's yearning to be satisfied." As I said, sometimes French words are some of Kazui's more hidden thoughts. This brings up an interesting dichotomy of "this feeling can't be gratified" being expressed in English and bigger font, while "this feeling, it's yearning to be satisfied" is in French and smaller. It's possible Kazui finds it easier to admit that his feelings can't be satisfied, rather than admitting he wants them to be satisfied. Interesting insight if true, it would mean Kazui has an easier time accepting hopelessness regarding his feelings than actually admitting to the feelings themselves. It sounds a bit weird in text, but I think it sorta makes sense in an "internal conflict" kinda way.

Let's take a breather

Thank you Kazui, I really needed a breather after all those stretches I made. Anyways, as part of this MV imposed intermission, I want to explain what I meant when I said Kazui was "enthusiastic" to break off the relationship.

Kazui takes off the wedding ring and turns into a cigarette, as Hinako watches in horror. The symbolism here is important; what Kazui is doing is pulling back the curtain, he's revealing how he actually feels about the relationship. It's like a cigarette, something he engages in for some form of momentary relief, relief from societal expectations, but still something ultimately harmful for him. This truth is why Hinako looks so horrified.

And we see exactly what Kazui is trying to do with this relationship when he puts the cigarette to his hand. He's trying to put it out, and in his mind, this is an abrupt and almost violent act, as that's the impression we get from how fast this frame flashes on screen. It's also worth noting, the act of putting out a cigarette like this would also hurt, showing that Kazui is also harmed by this action.

With the understanding that Kazui is actively trying to end the relationship, also shown by him biting the dove later, his expression tells us a bit of how he feels about it. And it's all smiles and smirks up until Hinako falls.

Now, to clarify, I think Kazui is presenting himself as far more aggressive and enthusiastic than he actually was at the time. I really doubt he actually smiled when he broke the news to Hinako. But I also believe it isn't a complete lie, there was some enthusiasm on his part to maybe try to live the life he genuinely wanted. And that's why 03 has the color orange.

I'll repeat it because this really isn't something I want to be misinterpreted on. While Kazui was somewhat enthusiastic to break off a relationship which was clearly making him unhappy, the video is very much exaggerating how much enthusiasm he actually had. At least, that's how I see it.

As stated, the lyrics cut back and forth very quickly to give the scene an aggressive edge, as if Kazui revealing his feelings is somehow a visceral act of violence. Accompanying the words are the definitions in French, because why the hell not. And yes, some parts aren't transcribed. Don't ask.

Like I said, red floods the background, as Kazui’s deepest feelings become all encompassing for the scene. They’re what caused Hinako to commit suicide, after all.

As I mentioned, “to be caressed by you, that would be perfection. I wanted to be loved just like a cat” aren’t transcribed, but:

Maybe act capricious, at my word and at my fancy

Are the words which make up a silhouette of Hinako as she’s about to jump. If you’re unaware, “capricious” essentially means unpredictable, acting on impulses. So, like a cat. I believe the pictogram here is meant to represent how Kazui’s “capricious” actions led to Hinako’s suicide, and it doesn’t have to be more complicated than that.

… Well, there’s also a way to read this where Hinako is the one acting capriciously, killing herself purely on impulse. You know, it’s been pointed out before that Hinako’s hair was already fluttering when Kazui bites the dove, implying she was already falling when Kazui revealed his feelings and destroyed the marriage. If you want, you could read this as saying that Kazui is subconsciously aware that his truth wouldn’t be enough to push the average person to suicide, so Hinako was “already falling” in the sense she had some pre-existing issues which contributed to her decision. For example, if she was already suffering from depression. And thus, in a sense, she also acted unpredictably, capriciously, when she jumped.

I think this is a possibility, and it would make Kazui’s inner world more nuanced than it already is. He’s a smart man, so even if he can’t quite get himself to believe it, it’s possible he logically understands suicide isn’t something which people usually do for only one issue. I’m not sure if he would call her capricious, though, feels a bit mean in my eyes.

Anyways, while I wanted to acknowledge that possibility, I still think the first thing I said is the most straightforward interpretation.

Finally, my torture the video ends with the ever prevalent “Lie until it gets better, follow the king of the masquerade,” this time with yellow, blue and pink. For aesthetics mostly, I imagine, but it is interesting that once the apple splats, presumably representing when Hinako hits the floor, the color pink disappears, so “follow the king of the masquerade” only gets blue and yellow.

Another interesting thing is that the word “Lie” accompanies Hinako as she falls backwards, and it almost looks like a mountain of lies is pushing her back, as in, pushing her to suicide. “Until it gets better” and “follow the king of the masquerade” also have fun visual things, but I do think those are purely aesthetic.

Red consumes the background as we see Kazui covered in blood, the result of his deepest feelings in his eyes.

Finally, the last line, “lick that sin and oppose punishment, until you can meet the king of the masquerade”, isn’t transcribed anywhere. I’ve always found that line interesting, though. What does “licking the sin” imply? Is he speaking to us when he tells us/Es to “oppose punishment”? And have we not met the king of the masquerade yet? Presumably there’s a good bit of background we’re still missing on Kazui, but how far does it go? Is he trying to manipulate us/Es into an innocent vote?

… I swear, this fucker better not have a complete heel turn on trial three. I’m choosing to trust him… for now, but I might have to look into it further.

Still innoing him now though.

Conclusion

So what did we learn? Not really all that much, most of this is somewhat nonsensical, and almost everything else could be gleaned from the lyrics themselves. I just wanted to share my pain, even if I have my doubts about a lot of this. There were a few interesting things to note, I guess. I don’t know what else to add, frankly.

Anyways, inno Kazui. And while you’re at it, inno Amane too.

If you made it this far, then I think you deserve the color yellow! Take care!

[glowyjellyfish]

October Halloween Movie Fest Day 27:

Tonight I watched Idle Hands! I’ve seen it before, and liked it, and then promptly forgot about it right up until @devantheimpaler recommended it, and I’m glad they did! I remembered it being fun and dumb, and it was, but it was like intentionally dumb in a way that made it more fun. The characters were more dumb than the movie, if that makes sense. All of this in a good way. It has good effects and a fun spooky vibe, and some AMAZING Evil Hand acting which I am a bit of a sucker for, and Seth Green is always great. My only complaint is the paper-thin personality of the Sexy Love Interest, and I’m sure she gave the target demographic exactly what they were looking for, and she improved a bit by the end. Good choice, will definitely watch it again sometime.

Treehouse of Horror 27 (Dry Hard/BFF R. I. P./Moefinger)

I think these segments were pretty good generally, but I am really noticing how short each segment is and how overstuffed the episodes have become. I get that this was the 600th and they wanted to go crazy, but they had a respectable opening with past villains, then a second opening that was a overly long couch gag masquerading as a segment of its own, and then three whole segments after that, each of which felt like they ended too soon. It was too much to cram in, really. Anyway, Dry Hard was a great mixed parody of The Hunger Games and Mad Max Fury Road with cool designs and lots of fun character deaths—and the “part one” “part two” etc title cards got funnier the deeper they went. Not terribly spooky other than the death, and as I said above it did feel slightly rushed, but i think this one did a little better on that front than the others. BFF R. I. P. was a very good little Lisa story—I will have to update my stats someday—and brought the most Spookiness IMO. Also, if I had a nickel for every time I saw a living thing be put in a microwave and zapped to death tonight, I’d have two nickels. Which isn’t a lot, but it’s weird it happened twice. Moefinger had the most abrupt ending I think, but did have a spectacular fight sequence like it’s inspiration, antagonist Homer was a lot of fun, and I think it was a more interesting and creative use of Moe than some of his other THOH outings. Pretty good overall, I just wish each segment was a little bit longer. Oh, and TheRealJims’ video about THOH deaths mentioned that he’s convinced the writers were very deliberately killing off a huge number of characters in this episode, perhaps for the 600th occasion, and I can’t unsee that. There were a lot of deaths! My list is now 1, 5, 4, 7, 6, 3, 2, 20, 9, 8, 17, 27, 23, 16, 15, 25, 26, 19, 13, 24, 21, 12, 14, 10, 18, 22, 11.

[brydeswhale]

A random list of weird things I read in GOT/ASOIAF fics, in no particular order:

This one where a dude decided ravens weren’t cool enough and replaced them with eagles. I know I’ve complained about this before, I WILL do so again, eagles are all eye, no brain. Pigeons can actually do the work but no one loves them I am going to use pigeons in one of my works.

The one where Robb physically assaults Sansa after rescuing her from the Lannisters because she, get this, refused to marry a Lannister. You know, the disgraced house that she was held hostage and abused by, that one. For some reason the narrative was trying to blame HER for the conflict, rather than her brother, who was trying to marry off the PRINCESS OF THE NORTH to the house he had already defeated.

The ones where Oberyn “rescues” Sansa by marrying her himself and then Ellaria is just fine with it and becomes basically Sansa’s maid/grooms her alongside Oberyn. If I had a nickel for every fic along those lines I’d read, I’d have two nickels. Which isn’t a lot, but it’s weird it happened twice.

The one where Sansa killed her rapist(a Lannister OC) and his supposed good guy son was all mad at her, instead of just being like, “Oh, shit, my dad was a rapist, good thing he’s dead.” I’m starting to suspect this fandom has a misogyny problem.

The one where Catelyn was, like, randomly evil? You know I’m not a Catelyn fan. She is not invited to my dinners. But this one had her being all evil and stupid and decided that Barbrey Dustin(?) was supposed to be the good mom to the stark kids. It was really dumb.

The one where Arya and Sansa switch personalities and Sansa is forcibly married to Jaime Lannister and decides to just have sex with him. When she’s, like, twelve. I wasn’t going to like the fic anyhow bc it’s by that author who likes to pretend quitting a fic is the same as finishing it, but that one was really dumb.

The one where an OC sensed a “secret evil” inside Sansa and decided Sansa was OPPRESSING HER RELIGION by inviting her to a sewing circle. Bear in mind, Sansa had literally just seen the OC, smiled, and invited her to hang out. Amazing. Simply amazing.

There are a lot of fics out there where Sansa randomly decides she was wrong and she IS a warrior with sword after all, and they just make no sense and bother me so much.

There’s this weird thread going thru certain pieces of fandom where they seem to think the problem with book/season 1 Arya is that she doesn’t just submit and become a little tradwife, rather than the fact that she’s an obnoxious little jerk who throws tantrums and treats the people around her unkindly for no reason. Like, there’s a lot to criticize about Arya, but her rejection of traditional gender roles isn’t one of them.

Presumed incompetence. It’s so weird, but despite the narrative having to go out of its way to kill Robb, capture Sansa, do the whole Arianne plot goes wrong thing, etc, etc, fandom seems to have taken this stance that the Starks and the Martells and the other “good guys” are somehow incompetent and stupid for, ya know, having ethics.

Presumed competence. Tywin is a bad lord, father, brother, and son. Danaerys is a literal slaver who only alters her trajectory when she can’t afford the slaves she wanted to buy, as well as a self deceptive hypocrite. Yet many fics out there would have us see both of these different sides of fascism as somehow pragmatic and heroic. In reality, they’re both shitty at their jobs, and even Danaerys is, while sympathetic, not a particularly good person.

Presumed Ned Stark good guy. Ned is a complicated dude, despite fandom’s large dismissal of him as a “too good for this sinful world” tragic hero, and I wont argue that he definitely will do the right thing if presented with an opportunity(unless the right thing involves treating his eldest daughter with actual care and consideration). However, this is also a guy who lives in a country with a large slave soldier penal colony made up of mostly non-violent property crime offenders, who plays favourites amongst his children, and has not only held a teenager hostage since the boy was a child, but also forces him to attend what basically amounts to rehearsals for his own murder. So, yeah. He’s complex.

The idea that the old gods are superior to the new is kind of straight up disputed by the books, yet fandom keeps churning out fic after fic where Sansa(and it’s almost always Sansa despite the fact that she canonically worships both sets of gods) repents of her sin of coming from a multi religion family and turns completely to the old gods. Which is just dumb. They both kind of suck in different ways.

[iolitewitchcraft]

Since you know a lot about jewelry I was wondering if you had any metal recommendations for someone who: has sensitive skin, needs something durable, and wants a band ring with no gems. Are inscriptions likely to get dirty over time? Would it be better to engrave the top or underside of the band? Are certain brands known for better metal quality? Sorry I know nothing about jewelry and am not even sure if I’m asking the right questions

These are great questions! It depends on your budget and how sensitive your skin is. Typically people react to jewelry for two reasons - they're either allergic to a metal (usually nickel, but sometimes copper or other base metals), or dirt and bacteria build up under the piece and irritate the skin. Assuming the first is the issue, the purer the metal, the better - if you've only ever worn silver and base metal jewelry before, give 14K gold a shot (but if you get a 14K white gold, go for one with palladium in it). If 14K still isn't working for you, or you know you react to it, you'll probably need a very high-purity metal. While you COULD go for high-purity gold, the very best option is platinum, which is usually 90-95% pure and often alloyed with other metals that won't cause a reaction. Platinum is also a great choice because it's very dense, so it doesn't wear away over time like gold does. It will, however, develop a "patina" (more of a matte/satin darker grey finish) over time due to fine scratches and dents in the surface, but it can be repolished to a high shine again by your jeweler!

The second cause of irritation, dirt buildup, is often overlooked. If you have sensitive skin, it's really important to clean your jewelry OFTEN - take it off and scrub it at least once a week! Any soap, dead skin, sweat, bacteria, fungi, lotion, etc will build up on the underside of your jewelry and will irritate your skin, especially if there are convenient little pockets for it to get trapped in, like the underside of a gemstone setting or a deep engraving. So if you do have sensitive skin and want a plain band engraved, the simplest option (if you want to avoid needing to scrub your ring every few days) is to have the engraving done on the outside, and keep the inside smooth and polished. That way you can also see when dirt starts to build up and you can clean it accordingly!

As for brands, there's definitely some variation (Tiffany silver for example is notorious for its fast tarnishing) but it's all in the proprietary alloy they use. Most jewelers just use standard alloys mixed by a few large refineries. I'd say 95% of the issues with jewelry come from poor workmanship, not poor metal alloys! As long as you buy from a reputable company, to the average person, platinum is platinum and 14K gold is 14K gold.

And finally, if you're allergic to typical base metals but don't want to dish out the money for a high-purity precious metal, try an innovative metal like titanium! Innovative metals are a huge topic of their own so I won't get into them too much here, but for the most part they're quite inexpensive, very hard, and can be great for people with skin sensitivities.

[chariot313]

Western social media has no respect for Japanese online artists - and it’s killing online art

The visual arts have evolved to suit the most popular medium of each era. In nowadays’ case, the internet is the go-to method of sharing the fruits of one’s labour). However, as stated in that tweet thread of mine you can see if you scroll down a bit (assuming you’re viewing this post on chariot313.tumblr.com) different cultures have different attitudes towards how their customers react to their products. This include you know what fuck the formalities, I’ll just say it: The exclusively western concept of someone seeing something they like online and hitting the share button to stimulate the “Haha, upvotes go ‘brrr’!” dopamine in their smooth-ass lizard brain will be the death of online Japanese artists. Or rather, it has been already, and you would know that if you’ve ever seen an artist’s Twitter bio be in mostly Japanese save for one sentence in English; “Reprint is prohibited.”.

If you want to hear me rationalize the absurd claim I just made, feel free to click the “Keep reading” button. Otherwise, turn back now and save yourself from me possibly wasting your time.

Alright, you’ve chosen to stick with me. Just remember, you asked for this.

Introduction

Social media as a whole is based around sharing (posting, uploading, submitting, tweeting, blogging, streaming etc.) and other’s reactions to what one has shared (views, likes, subscribers, favorites, followers, upvotes, retweets, reblogs, crossposts, etc.).

However, miscommunication and culture shock due to language barriers and cultural differences is one of the many factors that can negatively affect one’s experience on social media. For example, the Japanese artist community, active on sites such as Twitter, Pixiv, NicoNico Seiga, FC2 blogs, etc.. Twitter is mostly inhabited by English-speaking users. Here in the west, our main motive for sharing something on social media (such as art) is for fame and recognition. However, over in the East, most online artists only upload their works to the internet for personal use. I’m not saying one cultural attitude towards sharing art is better than one another, but when these two worldviews collide, the culture shock can negatively affect the careers of artists who are unaware of the other culture’s differing views on sharing art.

So, I’ve listed numerous social media platforms below and I’m going to elaborate on how each of them contributes to the alienation and discouragement of Japanese artists.

DO NOT WITCH-HUNT OR HARASS THE CULPRITS I’VE LISTED AS EXAMPLES; THEY ONLY SERVE TO BACK UP MY ARGUMENT

Twitter

Go into the twitter search bar and type in the name of an anime character (usually female). What do you find? Most likely an account named after said character that does nothing but post unsourced fan art of said character with cheesy “in-character” captions on them.

Exhibit A [NSFW]

Exhibit B [NSFW]

Exhibit C [very NSFW]

Aside from that, Twitter isn’t that bad in this regard, as a lot of the art that gets stolen is originally uploaded to Twitter anyway. But I’m just getting started. 

Wattpad

Ah yes, Wattpad. One of the “trinity” of fan fiction communities (the others being fanfiction.net and AO³), featuring many different stories with varying degrees of readability. The problem is the option to add a picture to adorn your fanfiction, at which point most of the authors google “<fanfic subject> fan art” and use something from there without considering the repercussions. This causes Wattpad to be one of the top results when reverse image searching to find the source of some fan art, aside from another site I’ll mention later on...

Reddit

There’s a subreddit I often browse called r/ChurchOfJirou, a community for sharing anything relating to the character Kyouka from My Hero Academia (I mean come on, she’s like the cutest thing ever). A lot of the posts on that sub are sharing fan art of the aforementioned character. One of the rules in the sidebar is “always include the source in the title or the comments”. And most of the submissions make good on that rule. However, a lot of the posts are from Japanese artists on Twitter or Pixiv, and following the source link leads you to find the artist’s bio, which usually has something along the lines of “don’t repost my work”. And what’s more, the biggest offenders (of submitting art to the sub without OP’s permission) were the moderators of the subreddit. You know, the ones who are supposed to be enforcing the rules? I even got so fed up that I called it out, to which one of the mods replied,

“It doesn’t really make a difference, does it?”

Luckily, not all subreddits are like this. For example, other MHA-related subs like r/BokuNoShipAcademia or r/ChurchOfMinaAshido have moderators that are more considerate of artists’ wishes. Overall, Reddit is usually a hit-or-miss when it comes to this kind of thing. At best, you’ve got subs like the two I just mentioned which make sure to respect artists, and at worst you’ve got people trying (and failing) to edit out watermarks. Also, not to self-promote, but this tweet of mine represents this situation pretty well:

Imgur

Imgur isn’t that bad compared to the rest of these, but it’s a common one that people link to when asked for the source of whatever they’ve shared on Twitter or Reddit or whatever.

Amino Apps

Amino Apps is a strange case. I don’t know much about it since I’ve never used it, but from what I do know it seems similar to Reddit in that there are numerous communities for different niches. That said, judging from the way it clogs up Google image search results, I doubt OC art is posted there often.

YouTube

Now, you may be thinking, “How does a video site rip off others’ art?”. The answer is uploads of soundtracks. Look for any OST from a video game or anime on YouTube and the picture used for the video will likely be some fan art by a Japanese Pixiv artist, usually one that forbids reposts of their work. Not only that, but if the uploader did bother to add the source in the description, it’s usually not even a link to the actual source, more likely a link to Zerochan or Pinterest or something. Now take into account that some of these videos get millions of views. Imagine working hard on something, and some numbnuts takes it, slaps some music onto it, uploads it to YouTube, and gets millions of views while you get next to nothing in comparison.

Exhibit A

Exhibit B (re-upload; original had nearly 40 million views before it was copyright claimed)

Exhibit C

and many many others

Pinterest

Alright, this is the big one. When Pinterest isn’t giving recipes or wardrobe ideas to suburban white moms, it’s clogging up Google reverse image search, punishing anyone who just wanted to find the source of some cute fan art. I feel like this meme by ZebitasMartinexSi on Facebook sums it up:

For example, this piece of Legend of Zelda art by Twitter artist @_nomeri_ (I’ll just link to it, since it would be hypocritical of me to embed the image even though @_nomeri_’s bio warns people not to repost their art). Good art, right? Well, if you right-click and hit “Search Google for image”...

...yeah. Pinterest is a plague. It thrives on theft. Even worse is when someone will post fan art on Twitter/Tumblr/Reddit/etc. and have the nerve to say “IDK the source I found it on Pinterest ^_^”. Or worse yet, they link to Pinterest saying it’s the source.

Instagram

While many other sites rag on Instagram for its reposting of memes, it’s no better when it comes to reposting fan art, especially from Pixiv. I’ve seen lots of stolen pieces with fan fictions written in the description. Personally, if I were an artist, I’d rethink my career choice if I saw my art reposted on Instagram with a half-assed fanfic under it, so I don’t blame Japanese artists who close their Pixiv accounts after seeing that. But that doesn’t mean we shouldn’t try to prevent it from happening in the first place.

DeviantArt

DeviantArt is more “renowned” across the web for its niche circles of bizarre fetish art, but in its defence, there are some legitimately good pieces on there. If you do find a good one though, try checking to see if all of the uploader’s pieces have a similar overall art style, because if not, that’s a sure sign of someone passing off some Pixiv user’s art as their own, which is unfortunately fairly common on DeviantArt.

9Gag

Not a whole lot to say about 9Gag. I mean, it does contribute to reposting of art, but nothing really separates it from the others on this list, aside from its watermarks. At least the watermark gives away the fact that something was reposted.

Know Your Meme

You know that Zelda pic by @_nomeri_ I was talking about earlier? Well, to add insult to injury, it became an object-labelling meme.

Imagine putting hours into something and politely asking others not to repost it, only to find that some nincompoops on r/DankMemes made it into an object-labelling meme.

But this isn’t KYM’s fault, per se. Know Your Meme only documents memes; they do not create them. However, as someone who regularly browses the Know Your Meme image galleries, I can say that the image gallery has essentially become Know Your Fan Art (unlawfully reposted fan art, that is).

Redbubble

There’s an NSFW artist I follow on Twitter by the name of Nico-Mo. A while ago, his Pixiv account was suspended, and there were numerous pictures on there that he had not uploaded to his Twitter or DeviantArt, so I found a mirror of one of those pieces on Gelbooru and reverse-image searched in hopes of finding it on his Twitter. No such luck. What came up instead was a .png of the piece made into a sticker being sold on Redbubble. In fact, that’s one of the major reasons why artists disapprove of their art being reposted, as it may find its way onto a sticker or a T-shirt being sold as merch without the original artist giving consent nor the artist receiving so much as a single nickel.

Facebook

Surprisingly, I think Facebook is one of the least offending sites on this list. Still worth mentioning, though.

Funnyjunk

Like Imgur, Funnyjunk isn’t that bad compared to some of the rest of these, but this exchange in the comments of a repost of an MHA artist that deleted their account (not hard to see why considering people straight-up ignored the big-ass watermark at the bottom) is proof enough of western social media’s flippant attitude towards ruining online artists’ careers.

Aggregator imageboards such as Yande.re, Konachan, Danbooru, Gelbooru, Rule34, SankakuComplex, Zerochan, etc.

I don’t think I need to explain these. But like Imgur, these are what most people link to when asked for source instead of bothering to find the original post.

We Heart It

I don’t know much about “We Heart It”, but it seems to be a “Pinterest Lite” considering it clogs up image search almost as much as Pinterest does.

iFunny

Basically the same as 9Gag, in the sense that its watermarks are a dead giveaway.

4chan

I’m not sure if 4chan really “counts” among these, as it’s a chat board where nearly everything is impermanent anyway. However, I was once on an NSFW subreddit where one submitter used a 4chan thread to get Patreon-exclusive material from an artist to upload to the sub (even though one of the rules of the sub was “no paywall content”), so that alone earns 4chan its spot on this list.

Tumblr

Yes, not even Tumblr is innocent. Although I’m sure you knew that. Similar to what I said about Twitter, look up any blog named after a fictional character and it’ll likely be chock-full of unsourced fan art.

“Why is this even important?”

Because if an artist sees that their work is being reposted, depending on the artist, they may delete the original post when they wouldn’t have to if people had just respected their wishes. Now, if an artist wants their works gone from the internet for other personal reasons, that’s up to them and we should respect them for it. But artists taking down their works due to mass reposting is 100% preventable, which is why it’s sad. If you don’t respect an artist, they won’t create art. Simple as that.

“Why do you care so much?”

Eh, I’m just weird like that. It just ticks me off when anything online, whether it be art, or a video, or whatever, is lost. In my opinion, nothing hurts more than clicking a Pixiv link on an imageboard and being greeted with “The work was deleted or the ID does not exist.”.

“But lots of western artists forbid reposting of their art too!”

Indeed, that is correct. But while many artists of every nationality and culture frown upon reproduction of their work, it seems only western social media is responsible for reposting art in the first place. I mean, why else do you think Japanese artists are saying “Reprint is prohibited” in English when the rest of their bio is in Japanese? Because English-speakers are the ones reposting.

“But exposure can help an artist!”

Yeah, that’s true...

...but “exposure” doesn’t mean much if those “exposed” to one’s work don’t know or care who it came from.

And if you need even more reasons, look no further than these posts about the same topic by other blogs:

https://cranberrywitch.tumblr.com/post/143456002228/stop-reposting-art-from-japanese-artists

https://thegospelofnagisa.tumblr.com/post/143308182398

https://edendaphne.tumblr.com/post/163117317030/ive-been-wanting-to-make-this-educational-cheat

https://marklightgreatsword.tumblr.com/post/190056977650/discourage-art-theft-in-fandom-in-2020-dont

https://letusrespectpixivartistconsent.tumblr.com/post/92189994896/why-is-this-important

also, not to self-promote but I made a thread on Twitter on this topic about a month ago that you can check out here.

That’s all.

posted Jun 14; last edit Jun 21