#if anyone has used any of these text posts in similar edits before i'm sorry and i credit you for the concept

[violivs]

Beatrice/Benedick + Text Posts (Part 1/?)

[idrellegames]

hi there! sorry if you've gotten a similar ask before. do you write wayfarer directly into twine or do you keep it in a separate doc? do you just have really clearly labeled sections in a word doc or something or is there a specific program you use to keep track of every story path? basically, with something as expansive and w/ as many routes as wayfarer, how do you keep all your writing organized?

I have answered this before, but I can't seem to find my posts on the subject (you may want to peruse my coding in twine tag, the masterpost has a bunch of different resources for this kind of thing!).

But in short, no, I do not write Wayfarer directly into Twine. This could functionally work for a very small game, but I would still advise against it as Twine doesn't really work as a word processor. You can't proof-read in it.

My process has three main steps:

Outlining

Writing

Coding

Compiling

Outside of my big beat chart (which spans the whole game), I break each episode down into their own outlines, and then break the routes of each episode down into their own outlines. Sometimes specific sections end up with their own outlines too. My system probably doesn't make much sense to anyone other than me, but as long as I know what the divisions are, then it's all good.

I write in MS Word. Each episode has its own folder (sometimes with subfolders) and every section of the game gets its own document.

Here's the main folders, each episode goes into its own thing.

This is an subfolder for Episode 1, specifically Route B.

Within my word documents themselves, I use a colour-coding system for separating out branches and sections. This is extremely useful for writing dialogue loops, like this:

I also add in any coding notes (variables, true/false states, stat checks) while I am writing so I know what I need to do when I sit down to code 4+ months later. I usually throw a X or XX on choices after I have written them as a note to myself that I have finished it (this is just personal shorthand - X means I've done the pass version of a check, XX means I've done the pass and fail states).

I use about 8-10 colours in my documents; I have a set of MS Word macros set up so I can easily switch between them.

I share my word documents with my editor via OneDrive, which makes it easy for her to got through and proofread.

I use MS Word because I've been using it to write since the 2000s and it's what I prefer to use. I have also been writing professionally for over a decade now, so I have systems and strategies in place that work for me that I've developed for myself over time. But if you're new to writing and you're looking for a word processor that can also help you with outlining and keeping your story straight, something like Scrivener may be helpful.

One the text is ready to be coded, it's a lot of copy/pasting from Word into Twine. When I'm coding I will typically be running multiple programs at once:

MS Word

MS Excel (for my variable sheets)

Twine

Notepad++ (which has some regularly used code stored in it; I also use it to edit CSS and Javascript, as well as any really code-heavy sections since it's easier to do that in Notepad++ than it is in the Twine editor)

Notepad (just the regular version - I use it for writing notes to myself while I'm coding)

a web browser to launch tests in as I code

Once I am done coding and I have tested things, it's time to compile. The Twine editor can only handle so many passages and text in one file (around 500-700 passages before you hit massive lag), so I break Wayfarer into multiple story files. Having multiple story files also makes it really easy for me to cross-reference events (if I need to grab a passage title to reference it later) because I don't have to look through one big file. If I know the event happens in Episode 2's first scene, then I know I need to open Chapter_2.1.

My Twine library looks like this at the moment:

I am using an old version of the editor (with an up-to-date version of SugarCube) since I didn't like the new one. I don't necessarily recommend using the Twine editor when you can easily make your game with Twee extensions in Visual Studio Code and have better support and functionality, but this is what I like and it really comes down to personal preference.

But because everything is in separate files, I have to merge them altogether. I have Tweego installed on my PC; it's run through the command prompt and outputs multiple story files into one HTML file. I've talked about this process here and here.

And that's basically it! I don't think there's a one-size-fits-all solution to keeping track of your IF. You need to figure out what works for you, based on your writing and outlining habits, how big your story is, and how much you intend to keep track of.

Hope this helps!

[thegothicviking]

As re-entering a link from herzeleid.com never seem to work (??) I usually copy and paste the actual text. Remember a transcription of Flake chatting with fans that I posted from early 00'? Before this Paul had a similar if not the same chat. I have already too long post in tumblr now so it will be broken down in 2 parts!

PAUL CHAT WITH FANS part I

Transcribed by Jeremy Williams

Taken from Rammstein.com chat

October 26 , 2005

_____________________________

Mod: Hello to you all. Thanks for coming out. Paul will be here in just a few minutes. And then we're going to get started.

Paul: Let's go!

niti: +++

Mod: Sorry, there was a technical problem. But the chat will start soon.

niti: +++

**atomrt: how do you chose the sounds for each song because all of them fit perfectly?**

Paul: Thanks a lot! Sometimes that works out well, sometimes not so well.+++

**maria: Your album covers have always sparked a lot of controversy. Which cover is your favourite and why?**

Paul: The cover for Sehnsucht was the most dramatic in my opinion.+++

**Benzramm: What was coming out of the fake penis during the live act "Bück Dich"? **

Paul: That was water with Ouzo to make it milky.+++

**Beurgueur: Good evening, Have you ever thought to write a metal-opera based on rammstein’ story?**

Paul: Hopefully not. We have enough theater elements already.+++

**MafiUndomiel: I was at River Plate Stadium in Argentina, 1999, when you toured with KISS. You did almost surpassed KISS music and show with your impact, and many people was really impressed. I still remember the silence during Du Hast, as Till was singing the refrain. What do you remember of Argentina, of this show? **

Paul: Yeah, that was unbelievable. It's a shame that we can't play in South America this time. Flake was seriously ill.+++

**MafiUndomiel: Did Till write Te Quiero Puta on his own, or had some kind of external help? I know it's not very complicated, nor elaborated in the lyrics, but it's not easy to put two or three sentences together if you don't know the language... believe me! I'm still trying with German!**

Paul: He had some help from his girlfriend and from Flake's friend from Chile.

Paul: But Till can already speak Spanish so well that he only had a few questions about grammar.+++

**monkeyman: What type of gear do you use when recording in the studio?**

Paul: This would take two hours to list. Too much for now. Sorry.+++

**Hugo: Why did you choose almost the same cover for the japanese version of Reise, Reise and Rosenrot? **

Paul: Because we thought it would be a shame to use the cover only for the Japanese edition.+++

**MafiUndomiel: There are many bands that edited DVD and VHS with the footage they got when they recorded their albums, the creative process and all that stuff. Since many R+ fans are really interested in knowing "Rammstein's kitchen", have you considered releasing something of that kind?

** Paul: I filmed some of the footage during Reise, Reise and it will come out sometime on a DVD as bonus material.+++

**blastedop: What happened to Live DVD? It was delayed? **

Paul: Yeah a little bit, but we're going to try to do it this year.+++

**MafiUndomiel: I wanted to know how did you put your setlists together when you go to a country you've never been... you mix old and new material, or you prefer to show your new material above all, and play only the "classics"? **

Paul: We play a mix of both old and new.+++

**Jenna: As you are possibly the most successful band from Germany (singing in German) that you are expected to represent German music and culture to the rest of the world? **

Paul: It was never our plan to play all over the world.

Paul: Sometimes we wonder ourselves how this all happened.+++

**beurgueur: what american film director would you enjoy to make a ckip with **

Paul: Tarantino.+++

**Benzramm: Did you ever get hurt when you were working with fire on the live acts ? **

Paul: Sometimes.+++

**aeon: One Rammstein member said you had a movie project with Werner Herzog. Do you think this project will be carried out and would you like to act in something different from Rammstein videos ? **

Paul: It's been awhile with WErner herzog. Maybe it will work out, there's still a plan to do it.

Paul: +++

**Rammsteinizied: Dear Paul: What is your favorite live performance effect? (like the flamethrowes in Feuer frei or the bow in DRSG) **

Paul: The nose flame throwers that we use in Feuer frei!+++

**MafiUndomiel: Which was your first guitar? Do you still own it? **

Paul: It was a Telecaster copy. A cheap one. I gave away my first guitars at an auction for a good cause. No idea whether it worked out.+++

**Straya: This has been in my mind for a while now, and I must ask. From the sample songs on the official site, it seems Rosenrot might be your 'hardest/loudest' albums, the songs seem 'hard', in a way, like Ich Will, Feuer Frei, and Mein Teil; what do you think of this? **

Paul: I don't think so. There are fewer sequences so the guitars come out better.+++

**Synthema: Do you still feel that being in Rammstein is almost like being in a six-way marriage? Does the band still function as a tight a unit or have things drifted apart? **

Paul: Yeah.

Paul: We're still together. Knock on wood. We've been together for 10 years and now that we've gone through our crisis, we feel better than ever.

Paul: We've got money, success, beautiful women and all the rest.

Paul: Things can only get worse.+++

**Jenna: Do you think your videos help to stop you taking yourselves too seriously? **

Paul: We've always taken ourselves less seriously than many people think. our best friends know this.

Paul: At the moment, we don't feel like making any humouress videos.+++

**whiskeypapa: When writing a song, how many/what kinds of revisions does the song go through before finally making it onto an album? **

Paul: Some songs make it out directly as we conceived them. With other songs, we make 20 versions and they still don't make it.

Paul: +++

**Noora: HI! I'm a fashion and design student from Finland and I was wondering about your stage costumes...How much do you participate in the designing and making of the outfits that you use on your tours? I understand that every album has its own look. Do you first design the outline of the look as a band and hen consult a designer and maker? Thanx and welcome back to Finland! :)**

Paul: Most ideas come directly from the band. For the last outfit, we had the idea to combine Bavarian folkloric outfits with industrial.

Paul: Because Bavarian folklore is not very cool and we like to mix things that you're not supposed to.+++

**Beurgueur: Have you ever thought in what your life would be now if rammstein never was created?**

Paul: No. We don't think that way.+++

**minx: It’s been stated in several interviews that the band has two pyromaniacs in the group, but is there anyone who is not so fond of fire?**

Paul: Everybody in the band has a different specialty.

Paul: Each of us is really equally important.

Paul: It doesn'T matter what each does, it could be better when two are on vacation during preparation and actually help us to make a good video this way.+++

**Badeend: Who thinks of the titles of the cd's? Is it some kind of democraty or is it 1 man that decides?**

Paul: We make the decision as a group but it's not really a democracy. More like a board of directors.+++

**Biz: How have older industrial bands (such as Laibach or KMFDM) influenced you?**

Paul: A lot.

Paul: Also Ministry.+++

**minx: What is the oily black/brown liquid that you are all covered with on stage? Is it a fire retardant liquid?**

Paul: No.

Paul: That's a secret.+++

**minx: Why did you wear a paper bag over your head at the concert in Tallin, last November?**

Paul: I wanted to display an Iraqi prisoner.

Paul: There's a photo of a guy behind barbed wire and he's holding his son but he has a bag on his head.

Paul: That photo really had an impact on me.+++

**aeon: Why do you only do signing sessions in London and Paris? Why not in other big cities f Europe or even Germany? Or is anything planned? **

Paul: Actually we've only planned for Paris. London snuck in at the last minute.

Paul: I don't know any more signing sessions details right now.+++

**Badeend: Did you take gitar lessons or did you teach it on your self?**

Paul: Self-taught.

Paul: +++

**minx: I am going to be at the signing in London on Sunday. Do you enjoy doing those types of promotional events or are they just ‘hard work’?**

Paul: Sometimes it's a lot of fun but other times it can be exhausting.+++

**Synthema: It could be said that the "Rosenrot" photos are quite a departure image-wise from what one would expect from the band. Was this something that was decided by the band for a particular reason, or is this the sort of decision that is out of your hands? Does your management or record label have much control over how you present yourselves, or is that left to you?**

Paul: We don't like to repeat ourselves.

Paul: Usually the band always has the last word on these amtters. But weR'e not always interested in all of the details.+++

**Badeend: What is the new instrument you used in the song Te Quiero Puta?**

Paul: Trumpet.+++

**beurgueur: do you think you'll be on stage again when you'll be 60? (like rolling stones for example...)**

Paul: Hopefully somebody will die first. Then we won'T have to worry about that.+++

**minx: Do you do you all do own make-up for the shows?**

Paul: Yes.+++

**OK-River: Will Rammstein play again "Bück Dich" in a concert, or it is something of the past?**

Paul: I wouldn't say no.+++

**blastedop: Rosenrot is so diferent from Reise Reise. How is this possible if these songs are from Reise Reise recording season?**

Paul: I don'T think so. Listen to the whole album.+++

**Benzramm: Are you a sort of scared when flake is going with his boat in the public ? **

Paul: No.

Paul: But it was always Oli last year.+++

**whiskeypapa: Which of your songs invokes the most emotion from you?**

Paul: Seemann.+++

**MsBehaviour: Greetings from Finland and good evening! My question is, you have been playing together as a band for quite a many years now, and there is a big difference in the sound of Herzeleid and the sound of Reise Reise. Does this "evolution" come naturally to you, or do you make conscious decisions as to where to direct your sound? How do you feel about the change?**

Paul: There are some of us who want to stay the same.

Paul: There's some of us who want to always change.

Paul: These parties fight each other and the result is a new album or a black eye.+++

**MafiUndomiel: Have you heard a cover version of Keine Lust made by a Russian guy called Miguel? What did you think about it?**

Paul: Not yet, unfortunately.+++

**Badeend: Do you have a private jet or do you have to rent a plane?**

Paul: When the record company pays, we fly Business. When we have to pay, it'S Tourist class. Sometimes, when the connections are difficult, we rent a litlle jet.+++

**luna: First "Snow White" now "Rose Red". Do the members of Rammstein have a fondness for fairytales?**

Paul: Who doesn't?+++

**Synthema: Do you still enjoy performing live after all these years, or is it more of a chore now?**

Paul: If we didn't like it, we wouldn't have been around so long.+++

**Benzramm: Is there a double meaning in the songtexts of your songs ? **

Paul: Yeah. But the subtleties and double-meanings get lsot in translation.+++

**Badeend: What is your favorite song or cd?**

Paul: Kill Bill 1.+++

**DRS2G: Is "Hilf Mir" inspired by a Heinrich Hoffmann's tale?!**

Paul: Yes.+++

**Synthema: Have you ever felt that the success of Rammstein has been a negative thing for you in your personal life? That it makes it difficult to decide who to trust and who not to?**

Paul: It is difficult to stay normal despite money and success.

Paul: We fight this on a daily battle but we usually win.+++

**Beurgueur: from a viewer: what guitar do you use for your c tuning, and what guitar does richard use for this?**

Paul: I play a Gibson Les Paul and Richard plays ESP guitars.+++

**Benzramm: Did you really go to the mountains for the videoclip "Ohne Dich"?**

Paul: Yes. The was the funnest video of them all.

Paul: The thin air up there was difficult.

Paul: I'm impressed by mountain climbers who go even higher.

Paul: It was difficult for our crew and us.+++

**MafiUndomiel: how did you and richard decided who was going to be lead and who rythm guitars?**

Paul: Good question.

Paul: We're both stubborn.

Paul: It's a fight every time but we're still doing alright up to now.

Paul: Actually, the winner is supposed to be the one who plays the best solo.+++

**Badeend: Do you still have to take guitar lessons to play better?**

Paul: No.+++

**blastedop: Do you visit fansites? How about a Top 10 Fansites in the official page?**

Paul: From time to time.+++

**Badeend: Why did you pick just that girl for the Texas vocal in Stirb nich vor Mir?**

Paul: It was our producer's idea.+++

**MafiUndomiel: Paul, is there any country that you´d like to visit or going on tour, and you haven´t yet? Why?**

Paul: Yes, we would love to go to Turkey, Mongolia, Iraq. We know we've got lots of fans there.+++

**Jenna: Which current musicians (Not youselves, I'm sorry) do you think are creating the best work at the moment?**

Paul: System of a Down, Muse, Snoop Doggy Dog, Eminem, Slip Knot, etc.+++

**Rammsteinizied: Dear Paul, How do you feel about us fans?**

Paul: It's an honour.+++

**Minx: Do you have a favourite guitar part in a particular song you really enjoy?**

Paul: +++

**DRS2G: Will "Rosenrot" be the 2nd single from your new album?!**

Paul: Yes.+++

**Straya: I'm wondering how this question has not come up yet... but, plenty of people are asking if you guys will tour in America and Canada. I don't mean for this to be one of those annoying questions. But, has anything be talked about?**

Paul: I'm certain that we'll tour North and South America with our next album.+++

**rammsteinuk: I read in a recent interview that there were some arguments within the band during the production of 'Mutter'. Have there been any more strong disagreements like this since?

**Paul: Thankfully not. There's always stress when six stubborn people meet, but nothing serious.+++

**minx: Most influential musician on yourself?**

Paul: Laibach, Ministry, Metallica, Nirvana.+++

**blastedop: Did you like Benzin video? Schneider didnt.**

Paul: I don't think it's that bad.

Paul: We've had three really good videos in a row, so it'S hard to keep the standards so high.

Paul: I'm glad that there's some variation, next time we'll improve.+++

**whiskeypapa: First, Reise Reise saw a "country moment" with Los, and now Rosenrot has Te Quiero Puta. If you could make a fusion of Rammstein and any other world music (for fun), what would it be?**

Paul: Yes, I interested in all combinations of things that don'T fit together.+++

**Biz: Are there any downsides to being famous?**

Paul: We're famous but we can still buy groceries in Berlin without bodyguards.

Paul: We've got nothing to complain about.

Paul: Our band is famous around the world but we still have normal lives, thank God.+++

**minty: Paul are you looking forward to the world cup next year? who will win?**

Paul: Yes. It doesn'T look good for Germany right now.

Paul: I hope that a miracle happens.+++

**aeon: Do you hope your music will still be appreciated in many years from now or it doesn't matter to you ?**

Paul: I think that we're relatively timeless.

Paul: But that'S probably what every band thinks and two years later nobody cares ...+++

**DRS2G: Was it good to be directed by Jonas Akerlund?!**

Paul: Yes, he's just a cool guy.+++

[mirekat]

Hello! Sorry if this is a weird thing to ask, but I'm working on this essay about section 28 and I was wondering if you had any recommendations on super basic LGBTQ+ historiography? It turns out going from studying early modern history to very recent stuff is a trip because as an early modernist I could read books from the 90s and it was mostly fine, but now if I read books from the 90s, section 28 was still in law!

Heya! And omg it's not weird at all--thank you for asking! Other than the piece of my brain that's reserved for Star Trek, this is my whole intellectual life and I will talk about it endlessly.

I feel like I should preface this with the caveat that I do mainly English history, and mainly postwar history, so my reading list is skewed in that direction. That said, trying to answer this made me realise just how few surveys of UK LGBTQ+ history actually run all the way up to 2003! There's a good volume of LGB historiography covering c.1880-1967, a decent amount about the Gay Liberation Front and HIV/Aids activism, but when I went back over my exam list the only survey I saw that covered Section 28 repeal was Jeffrey Weeks, Sex, Politics, and Society (the 2017 edition). Weeks is basically the doyen of the field, though--his Coming Out (1977) is still the text all us whippersnappers have a go at to prove ourselves--so he’s good to have in your bibliography. There's also a chapter on Section 28 in Trans Britain (2018), ed. Christine Burns. The book is more a set of personal essays than a survey, and it's not pitched at an academic audience, but it’s still the only text I know that covers UK trans history from 1950s-present.

If you're looking at the big sweeping questions that have defined the field, there’s a crucial split in the mid-2000s. On the one hand you’ve got books like Harry Cocks’ Nameless Offences (2003) which is a history of gay Victorian men--as in men he defines as gay--in the tradition of Weeks. And then you’ve got books like Matt Houlbrook’s Queer London (2005) covering 1918-1957, which are asking instead how ‘gay’ and ‘lesbian’ became identity terms in the first place, and how we should tell queer stories when our subjects didn’t define themselves that way. Sharon Marcus Between Women (2007) made a similar move to Houlbrook’s w/r/t Victorian women’s relationships. Laura Doan even had a public fight with herself about it: Fashioning Sapphism (2000) calls itself a history of interwar lesbian culture, and Disturbing Practices (2013) repudiates the earlier book, arguing that we can’t project concepts like ‘lesbian’ onto women who desired women before that desire was called lesbian. The intro to British Queer History: New Approaches and Perspectives, ed. Brian Lewis (2012) has an overview of this kind of push-and-pull between historical methodologies; the essays in it run through the 1970s. 

Other texts building off this 2000s historiography I can think of at the moment:

Rebecca Jennings, Tomboys and Bachelor Girls: A Lesbian History of Postwar Britain, 1945-71 (2017)

Simon Avery and Katherine L. Graham, eds. Sex, Time and Place: Queer Histories of London, c. 1850 to the Present (2016-v eclectic but intro and post-80s chapters might be useful)

Brian Lewis, Wolfenden’s Witnesses: Homosexuality in Postwar Britain, (London: Palgrave Macmillan, 2016)

Alison Oram, Chris Waters and Frank Mort have a lot of articles that cover the 20s-70s; might look up their faculty pages for ideas. 

Zooming out further, there are a handful of foundational US history texts that get cited in most UK bibliographies as well. I’d say the ‘essentials’ trilogy would be Kennedy and Davis’ Boots of Leather, Slippers of Gold (1993; 2ed 2014)--which you mentioned you’d read!--George Chauncey’s Gay New York (1994) and Susan Stryker’s Transgender History (2008; 2ed 2017).

Finally, this is all v white and Global North and Anglophone and (mostly) not trans-inclusive, which is...well, the field to some extent. But it’s getting better! Idk how much of this would go directly into a paper on Section 28, but for good measure here are some historically-minded works in my own wee subfield: Jules Gill-Peterson’s Histories of the Transgender Child (2018), which shows how gender in the US can’t be disentangled from race; Afsaneh Najmabadi’s Professing Selves (2014) on medical transition in post-70s Iran; Howard Chiang’s After Eunuchs (2018) and Transtopia in the Sinophone Pacific which literally came out three weeks ago so I can’t speak to it yet but I’m hype for it. 

Ooh, and if you like oral histories there’s the Oral History Digital Collaboratory, which is North American-centric but has a big list of digitized projects!

Anyway, that’s a by-no-means-exhaustive overview. Putting this out into the world in hopes that anyone else among this tumblr crew of supremely well-read folks might have other recs! What are your queer/LGBTQ+ history go-tos?

(Also, OP, I’d love to hear what recs you have for the early modern period!)

[thedevilliers]

Hey, I've been reading your story for a while, and I'm enjoying it very much. Following the De Villiers has been so fun, and you've inspired me to create my own royal Simblr!

Can you maybe share some tips about what to do with your royals? I'll be posting my family within the next few weeks, and I have already planned out several engagements + events, including visits to parks/schools/hospitals, parties, and news surrounding a royal pregnancy. I've also planned out the first arc. I don't know what else to do, and I've barely started! If you have any tips related to the beginning of your Simblr that you didn't cover in your other post, I would so appreciate them. I want to get all this nailed down *before* posting, so my blog is the best that it can be.

Also, if you have any advice on how to make things as efficient as possible (especially regarding posing sims, editing/writing posts, etc.), I would love that! I want to cut down on time wasted wherever I can.

Thank you!! :-)

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA 🥺🥺🥺🥺🥺 me?!!?!?! ME ??????? omg 🧍‍♀️ thank u for reading my story 🥺 and AAAAAAAAAAAA your own royal simblr !!!!!!!!!!!!!!!!!!

ill answer everythin under the cut !!!!! spoilers: it got long sorry

first of all, remember we ALL started somewhere. you can look at my first like... fifteen and even MORE posts and they are BAD. oh my gawd idk why i thought they were good, but hey! i learned things from them. you will more than likely change your mind about certain things from the beginning of your blog to who knows, four months from now. don’t focus and worry a lot on ‘perfection’ and setting up ‘high standards’ from the beginning. treat it like a learning curve! this is something we all do for fun, so don’t get stressed a lot on it. you can always change and adapt things and that’s no problem!

i love lists, so im gonna list a few things of advice/tips basing myself on what you said!!!

i personally don't do engagements anymore, so i can't really help you in this regard of even more activities you could do 🧍‍♀️ what i could recommend for people to get to know your characters' personalities and private lives and grow attached to them, add in BTS posts.

continuing on my BTS’ post thing, they are a GREAT way to show more than what the public sees for your royals. because from a press and public point of view, you don't really know 'what goes on behind closed doors'. they could be all happy in public, but in privatE??!??!!?!?

as i said in my starting out guide, i did have around ~15 drafts done before i started posting. just so i could not stress about “oh my god i dont have any posts for tomorrow”. a LOT of ppl do posts and queue them as they go, and they have MANY posts done and usually they start accumulating and they are MONTHS in advance compared to what they’re currently posting. if this method works for you, you can definitely use it!

please, please please read your dialogue OUT loud. is it possible to say a 2093023902 word sentence without a singular use of punctuation? do people in this age and era really talk this way? also please if possible use correct grammar. just a little pet peeve, it can take a reader out of the immersion your story gives them.

we all have our lil dialogue habits. mine is starting sentences with “oh” and the infamous dash “—”. others use ellipses. just make sure you aren’t overdoing it. for example, doing a sentence like “oh— there you are. i was uhm— looking for you. how—how are you? its—i mean where have you uhm— been? yes—ive—ive been fine. you? i mean— your mom” ....just no 😔 it doesnt read well at ALL

you can always do lil filler posts, dont tell anyone tell you otherwise. post a little simstagram post, a little family portrait, updated portraits post, family hanging out, kids hanging out, etc.

for posing sims, i do try and remember where MOST of my poses are in the ingame list. usually creators’ correctly naming the poses helps a lot. for example i need a Mel Bennet pose; hers are usually ALL in the same spot and have the same lil aqua bg so i can easily find them. sometimes, i dl pose packs VERY specifically for a certain scene. am i gonna use them again? no. so i open the .package file in sims4studio and rename them to “00 for emi scene [rest of the og name” so when i open my game, they are around the top of the list! no more scrolling and i easily know what i need it for.

dont be scared to plan things that are happening MONTHS from now or anything in detail. some ppl dont like planning things in detail, or even dont like planning things AT ALL or things that arent happening say, in over 2 weeks because idk, they get bored. i recommend at LEAST having a list of things that HAVE to happen so you have ‘goals’ and you slowly plan out how you’re gonna get there. at LEAST theres some level of planning there. if you’re posting and PLANNING as you go, there’s gonna be holes. and it’s gonna be obvious.

editing wise, i don’t do much. my reshade does most of the work, i just add in my psd, add text and done! this is easily the fastest thing you will ever do.

if you get inspired by someone else doing, idk, a certain layout for the portraits, them adding little things to their captions, a certain edit, etc. if you want to do something similar and you ARE very much aware you were inspired by them, credit them in the caption. i beg. its free, its the nice thing to do, bc if not its rude.

if you get inspired by a certain storyline someone else did and you notice yours is gonna be similar, go ahead and send them a message to let them know and if they have any tips or feel uncomfortable with you doing this. simply put, if you don’t, you’re gonna look bad. we are all bound to do same storylines, such as assassinations, shooty shooty’s, stalkers, first loves, accidental babies, etc. but what changes is how each person approaches it. no ones gonna do it the same way as you and others. if you CONSCIOUSLY start copying else, stop it. and you could even be unconsciously be inspired by someone else too. it happens! just make sure you are able to look at the bigger picture and realize “hey, i’m doing something wrong”

same thing with dialogue. you like a line someone else said in their story? don’t just... steal it and incorporate it into yours word BY WORD

OVERALL: you can be inspired. give credit where it’s due. and don’t copy because someone else is doing ‘something others like’ and you want others to like your story. no no no !

im adding this AFTER i posted it but, be yourself. in the way you interact with others and send questions, etc. don’t try and copy someone else’s personality because they are liked and essentially absorb them. be yourself and i’m sure a lot of ppl will like you the way you are : D

for my writing dialogue etc, this goes back to my point 8. i use milanote, its free and you get 200 free thingies to use, and i plan out how every single one of my posts is gonna go. so i just have to go ingame and i already know what im gonna do. no thoughts, just taking screenshots. for example, this is how a part of my part 2, chapter 3 posts layout looks like. every square is a post that has what is happening, who is in it, what is gonna be said very vaguely, etc:

11. and the most important tip! don’t compare yourself to others. i did it at the beginning. i think we all did at one point. its not good for you at all. please always remember we all are here for share our lil stories with each other and it’s not easy get a following. you’ll get there and its gonna take time. be patient, be nice!!! and i cant wait to see your story!!!!!!!!!!