(tw unreality!)
ayo new theory just dropped and bad news! the implications are cosmically horrifying
in the bulletin from time baby in book of bill, he says bill is a “danger to narrativity”, and that he risks the fourth wall. this kept bothering me. why reference the fourth wall here? why have time baby reference it? yeah the heaven page and shit is a bit meta, but thats just how bill talks, right? Well i was a fool
when you put “seven eyes” into the lost files site, this warning pops up from the oracle question mark? from journal three:
the therapese at the bottom translates to “set coords for dimension: r34lity”.
and putting r34lity into the website gives us this image:
the text below it reads they found a new home. those are “real” fucking images. the henchmaniacs are in our “reality”. the cryptids page might not have been a goof goof bit- they were “real”. (“real” meaning our reality in the book of bill sense of it but still our reality. is that tracking.)
none of the rest of the cast actually references us as a specific audience, or the fandom, or acts like we know them at all. the cast addresses everything they write to a mystery “reader” who needs to be saved from the book’s influence.
meanwhile, in the book of bill:
because bill’s not talking to a mystery “reader” who’s reading this book.
bill fucking sees us.
bill sees reality. REALITY reality. like this earth the one with alex hirsch and gravity falls the show and tiktok and shit. book of bill is a book in our reality for us the reader. (ie. there’s a reference to “they both reached for the gun” if you put gun in the website, which would only make sense if bill was sentient in this “reality” right now.) and someone is trying to get here to hide from him. maybe they’re already here.
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waiting for everyone to get on board with "fiction that depicts dark subject matter is not inherently romanticizing it" so we can move on to "fiction that romanticizes dark subject matter should not inherently be condemned and sometimes the dark subject matter may in fact be Intentionally Romanticized to Make A Point"
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One of my favorite headcanons is that Leo grew up watching telenovelas with Splinter.
It just works so well - his bits of Spanish that he spouts randomly, his showy way of apologizing, and, of course, his love for dramatic betrayals all point to this being a very real possibility.
Plus, it’s very cute to imagine a tiny Leo at his father’s side as they both gasp in shock when the show’s eighth plot twist in just as many episodes happens.
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So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.
And I kept wondering: why?
For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.
So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.
But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.
The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.
Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?
That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.
My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.
Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.
Milsiril the puppetmaster.
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Imagine giving your boyfriend, Dr. Ratio a rubber duck that looks like him as a joke. He does make a comment saying it's idiotic, but he actually keeps it in his bathtub. Every time he looks at it while he's bathing, it makes him feel a warmth in his chest because it's a personalized gift you got just for him. You notice it hanging on the side of the tub the next time you bathe with him and tease him for it. "Hm. I guess it wasn't that idiotic of a present since you kept it in one of your most sacred places." He just ignores your teasing and continues reading his book.
The next time you two decided to take a bath together to relax, you notice another rubber duckie next to the one you gifted him and it looks just like you. You make a comment on it and he's nonchalant about it. His reasoning being "It seemed fitting that you should have one as well since we usually bathe together". All you can do is blush, taken by surprise from his words. He notices this and smirks. "What's wrong dear? Too shy to give one of your teasing remark?" All you can do is look away, moving back to lay on his chest. You quietly say, "It's cute." He slightly chuckles, a fond look graces his features. He wraps his arm around you, bringing you closer into him and rests his face into your hair, leaving a faint kiss to the crown of your head.
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Sometimes I think about how Adrien, throughout the series, constantly grapples with his fear of abandonment. Gabriel conditioned him to believe that any love he receives is purely transactional, and that to earn affection he has to prove his utility. Adrien is constantly trying to prove his worth to his father for scraps of affection, and Chat Noir infamously crumbles on-screen any time he feels as though he is replaceable to Ladybug. It's a constant insecurity of his, like everyone will just dump him like a sack of potatoes the moment they find out how useless he is.
Meanwhile, all Marinette wants to is ensure that Adrien is happy. Because she loves him. She doesn't give two shits about how """useful""" he is. She holds him and tells him that she will never abandon him (both as Ladynoir and as Adrienette), and her fantasies are about saving him, not about him being "useful" to her. Throughout their relationship, Adrien is forced to disappoint Marinette constantly for reasons outside of his control (amok commands), and yet Marinette is still there for him.
At Adrien's lowest point, when he is forcibly torn away from everyone who had ever showed him genuine care, locked away in an all-white room and at his most "useless", right after disappointing Marinette and unable to even join the final battle or contribute in any way, she still saves him. She still loves him. Because he doesn't have to prove anything to her. Because he is loved and cherished for who he is, not for what he does, and that love is not conditional. Adrien's "happy ending" at the end of the first arc wasn't about him finally proving how useful he can be, because he never actually cared about being useful — he just saw it as the only means to feel loved and needed. Instead, in the end, he found out that he was loved and needed no matter what.
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