#idk part of why i like dick & babs is that both of them could shine individually & carry their own titles & also be part of the bat family
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Sometimes I wonder if certain Titans fans are really mad that Dick Grayson left their corner of the universe for the Bats and his own titles in the 90s, or if they're actually mad that a lot of the New Teen Titans were never able to or given the chance to stand on their own like Dick has ever since.
#maybe i'm chatting shit but sometimes i feel ntt fans need to stop being aggrieved about other blorbos thriving#80s titans additions were even overshadowed by ogs roy & wally & upstarts jesse chambers/bart allen/kyle rayner/rose wilson since the 90s#idk part of why i like dick & babs is that both of them could shine individually & carry their own titles & also be part of the bat family#dick grayson#titans#new teen titans#teen titans#batfam#bat family#dc comics
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I’d say the thing about some characters lending themselves better to some stories than others actually can apply to the Batfam as well, and is a sign of how well-developed they actually are. I know I’ve ranted in the past about the tendency to try and fit the Batkids into niches like the smart one and the angry one and all of that, but in terms of story TYPES, I think they do have certain niche-like feels that mean some of them are better suited to certain GENRES of story than others.
For instance....I didn’t love Grayson, but that was more due to the overshadowing circumstances and the fact that I just think King and his writing suck. A lot. But the basic premise was not at all out of Dick’s wheelhouse. He IS well predisposed to kinda globe-trotting, spy versus spy, switching disguises like they’re outfits, making the most out of his ability to make friends everywhere he goes and turn enemies into allies.....those types of stories. Not saying these should be his only stories, by any means, or that he can’t center in all kinds of other types of stories, but I’m just saying, these kinds of stories do have more of a Dick Grayson feel than they do various other Batkids.
Similarly, Jason is better suited to gothic horror types of stories than the others, just in general. His history with the Lazarus Pit, his general disposition, his THEMES, like....they speak to the same kind of aims and tones that gothic horror both births from and embodies.
This might just be me, but to me, Tim is best suited to kinda oddball, off the wall sorta stories, and that’s part of why I’m so meh on him just being shelved into the uber-genius, mini-Bruce, heir to the best detective mantle kinda thing. I’ve spoken before about how much I miss 90s Tim, but to me, Tim was always at his best, and at his best-defined, most feeling like uniquely HIM, when he was playing the underdog. When he was just this well-intentioned kid who plunged into this world that was so much larger than viewing it through his camera lens had prepared him for, but he had spunk and determination and he wasn’t about to back down or let anyone think he was in over his head so he was gonna make it through whatever the superhero life threw at him even if flying by the seat of his pants the whole way. So to that end, I mean, I think Tim is at his best when just dealing with totally WTF kinds of stories. The cross-dimensional capers, the time travel mishaps, the ‘great, I was abducted by aliens on my lunch break and now apparently I have to save planet FUBAR with nothing but my pocket knife and scathing dry wit.’
I would fucking kill for Cass at the center of noir type stories where its like, idk, the Maltese Falcon and she’s the jaded but still optimistic-at-her-core PI when trouble walks into her derelict office wrapped up in an eggplant shawl and the name Stephanie. Maybe its just that I don’t think there’s enough focus on the fact that Cass is SMART and she’s as much a detective as any of the family, does plenty of investigative work and if she’s heir to the cowl she’d be just as good at the mystery side of things as Bruce is, but just......noir stories just FEEL like dappled shadows and eerie shades of blue and black with hints of moonlight spilling through slatted blinds and all of that just screams Cass to me, faint notes of jazz in the background, a wry smile on her lips as she plays her informant like a fiddle when chasing down clues.
Duke is another globe-trotter in feel to me, like his backstory and his family and his stories with the Outsiders, like, I really want to see Duke on more superhero teams than just the Outsiders now that that’s over, because he’s better suited to stories not confined just to Gotham, I think? Like, Duke fits the conspiracy theory chasing niche to me, like, his character really comes to life when pursuing leads all across the world, digging into his past, his family’s past, seeing how it all connects to various mysteries of the DC Earth that are generations old but still affect the present....like I don’t know how many people have read Planetary, but that to me is a PERFECT fit for Duke, and I would love to see him with his own Planetary style team or even just part of one.
Damian is best suited to coming of age stories, which sounds vague, but the thing is, it really is its own genre. So much of Damian’s character, the best parts I think, are about Damian FINDING himself, DEFINING himself......he more than any of the others, debuted so clearly defined by his origins, his parents, who he was CREATED to be.....and so he more than anyone else is perfectly poised to star in stories that are all about him breaking away from that mold, from parental expectations or preplanned destinies, or even just searching for things to define him on his own terms rather than through the eyes of others. Stories that are about choosing your own path, making a self-realization or having an epiphany about who you truly are or what you want to do with your life....that to me, is Damian’s best niche. Again, doesn’t mean that other characters can’t be great in these kinds of stories as well, just that if I’m pairing one character to one genre they lean into best, this is what’s that for Damian, IMO.
Steph is a bit of an oddball for me, and I don’t quite know how to describe this, but she’s best suited IMO to those kinds of stories that like......there’s not really a specific NAME for this type, but you know them when you see them. The best comparison I can think to make is like.....the kinds of stories Harley Quinn stars in? To be clear, I’m not drawing parallels between Steph or Harley or saying they’re the same kind of character at ALL, I’m just saying like.....Harley is another character who overall is very hard to pin down in specific concrete terms, but nevertheless is centered in various stories and adaptations that are nevertheless very clearly HER.....and that’s the kind of thing I picture for Steph. She fits that niche that isn’t really a niche for anyone BUT her, because nobody else can summon that type of feel for it......the kind of story that you can’t switch anybody else in for her because the story only works with her specific kinda....energy. Bleh. I really wish I could describe it better, like its very clear in my brain, but its a story that’s more of a kind of FEEL than it is a specific description? If that makes sense like at all? LOLOL. Whatevs.
And Babs, like, I would love love love to see her centered in a proper cyberthriller. I mean, they’ve done stories kinda like that with her as Oracle, but not to the extent I’m thinking. I mean just full on cyberpunk dialed up to 11. Give me Babs enlisted by the JLA because Brainiac is loose in the internet and she has to go into cyberspace utilizing different avatars of herself and calling in allies as needed as she relentlessly hunts a villain through landscapes of data she maps and molds and turns into traps. Babs hyper-fixating on her task, her hunt, to the degree that she has to be reminded to pull herself out at times and take care of her physical needs, has people grounding her so she doesn’t get lost in cyberspace and the lure of it all, this place that’s her domain and where she shines the brightest. And so it balances that razor edge that makes for the best cyberthrillers IMO. The ones where all the possibilities of the future as embodied in technology and cyberspace are balanced with the necessity of remaining human, of being human and with roots and history embedded outside of it, in the real world. And with there being a clear juxtaposition between the two even as the protagonist goes back and forth between the two extremes of their existence, the physical and the ephemeral.
Anyway. Like I said, you can mix and match and its not like Dick can’t star in gothic horror and Jason can’t do off-the-wall dimensional hijinks or noir detective stories and Tim and Cass can’t do coming of age, etc.....its just in terms of what I was talking about, how some characters lend themselves MORE easily to certain kinds of stories than others.....this is how I perceive the various Batkids.
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