#idk if this makes sense but yeah those are my feelings :)

[14dayswithyou]

no way you dropped the biggest river lore in the tags and moved on like it was nothing 😭 can i ask if this is still your intentions with him? bc it sounds like you changed your mind halfway 🤔

im ngl though i really enjoy how ren and river are similar and different to each other, but does that mean river would hurt his angel but leave our friends alone the same way ren would never hurt his angel but would unalive all of our friends? since they're suppose to be each other opposites. i really hope this makes sense 😬 my final question is what is ren doing on thursday? i want to go on a cute pier date again 🩷🌸

@secretkoa asked: and can i hear more about what unsent memory is suppose to be about or is that off limits? idk if i asked this in my previous question so ignore me if i did! thank yuo and remember to drink lots of water 🐸🌱

⌞♥⌝ For those who haven't seen the original post, I want to quickly clarify once more that while River was originally my OC, he's since been picked up and revamped by my friend Jesse/@unsentmemory!!

However, now that Jesse has stepped away from the yandere community, River's fate (and da fate of Unsent Memories) has kinda been put on the sidelines for the foreseeable future.

‼️ Massive Unsent Memories and River spoilers under the cut ‼️ CW for: mentions of gore, torture, mutilation, self-harm, etc.

With all of that being said, yes, Jesse's original intention for River was for him to be your standard "serial killer-turned-yandere once he accidentally catches feelings for his latest victim (Bunny)". The only main difference is that I originally planned for River to be a generic murderer first, whereas Jesse had him become a yandere right off the bat.

You also asked to know more about Unsent Memories, and I think giving a general synopsis(?) would be fine?? ^^ But basically... After getting involved in a car accident, Bunny wakes up with amnesia and gets tricked into thinking that this random guy — whom they've never met before — is their loving, supportive boyfriend named River. In turn, he convinces Bunny that staying in their shared home would be more beneficial than staying in the hospital as it might rekindle some old memories, he'd be able to take care of them, and it would be easier for them to recover at their own pace. But surprise!! River is actually a frequent patron at the Murderer Motel™ and now has trapped Bunny in his Torture Basement®!!! <3 He also maaaay or may not've been the one who hit them with Ren's car as well... ^^ Oopsie daisy hehe

And yeah!! Similar to what you've said, River was also supposed to share (somewhat of) a narrative foil with Ren!! I personally wanted them both to have similar, complimenting vibes with each other — all while having completely different/separate motives and incentives when it comes to the object of their affection. I'm glad to see it was conveyed well enough; even after Jesse's additions to River's characterisation :3 I know I already shared some examples in the previous tags, but I can share a few more:

Where Ren puts Angel's feelings and opinions above his own, River purposefully ignores Bunny's and does everything for his own personal benefit. Essentially, "I'm doing this for you" vs "I'm doing this for me".

While Ren would never dream about harming Angel in any capacity, he's perfectly happy to kidnap, extort, torture, and kill everyone else... In contrast to River, who's accustomed to torturing and brutalising others for his own twisted enjoyment and sees it as a way to show his interest in Bunny.

Kinda silly how Ren claims to be a freelance programmer (but is actually a hacker) and how River claims to work at a music shop (it's a coverup for his second torture chamber lmaoooo).

[CW: implications of SH] Ren is willing to go as far as mentally and physically hurting himself if Angel asks him to, whereas River is willing to physically mutilate Bunny if it means keeping them by his side. [end CW]

With that being said, you can assume that Ren is easily swayed by Angel's words, opinions, and emotions, whereas River can easily sway and manipulate Bunny due to his own feelings and emotions.

This is something I've actually mentioned before, but Ren always prefers things to be tidy, so he often cleans himself up after disposing of his victims. Compared to River, who casually wears the bloodstains with pride and blames it on getting a bit rough with someone else during a boxing match.

It's no secret that Ren is willing to change every aspect of himself to earn Angel's love, and River is willing to change his serial killer ways to return Bunny's love. Da power of friendship and repressed childhood memories gksdgjh T_T /silly

Ren pretends to be a Normal Guy© with tons of empathy to spare, whereas River pretends to be a Regular Person℗ with the heart of a himbo.

I could go on but you get da point lol

So, yeah!! This is essentially the vibes we had planned for River (and Unsent Memories) before Jesse stepped down /pos ^^ I feel like talking vaguely about UM is fine since River only has a small cameo in 14DWY — and I'm sure that if Jesse ever returns from war (/silly), they'll give River muuuuch more justice than I possibly can :3c

[unknownati]

iv. ekko x gn!black!reader hcs

a/n: they got me yall.

sorry for whoever followed me for tlou content we'll be having a brief intermission i'll come back to them in a minute js let me get this out my system 😭🙏🏾

warnings/tags: no use of y/n, no mention of reader's features (except for being black, but it's only in a few points 🤷🏾‍♀️ so it can be read otherwise), arcane s2 spoilers (minor), sfw and nsfw hcs, (oral sex, kinks, riding), in some au where everyone is happy and nothing bad ever happened 😊, never proofread we ball 🔥

______________________________________________

sfw:

- i feel like ekko is a bit shy (awkward shy though, not shy-shy...does that make sense) when you first get into a relationship with him, and it's just because he's shocked that he's managed to get with you. at first he's stumbling over words, playing off your compliments, desperately trying to keep eye contact with you but if he does he just keeps smiling because you look so good.

-one time, while riding past you on his hoverboard, you waved at him. he waved back, but even as you walked away his eyes kept following you. if it wasn't for scar warning him at the last second, he would've crashed straight into a wall.

- his cockiness comes later into your relationship, every successful action he does followed by a grin that you roll your eyes at.

-and did y'all see the way he looked at powder in ep. 7? his puppy dog eyes are LETHAL.

-he doesn't even know it either. every time he wants something, he just looks at you with those eyes and murmurs "please, ☆?" you fold so quick.

-(you've tried to learn to resist his eyes as they are what caused you to sprain your ankle in a hoverboarding accident since he begged you to race him. he just wanted to show off, too. he didn't stop apologizing for weeks.)

-he usually doesn't really like people touching his hair. he's fine with the kids doing it from time to time, but in general it's not his favorite thing in the world.

-you, however

-you get a pass because you get it. you know how it feels for your hair to just be like a petting zoo from time to time. you know exactly how to help him care for his hair, so much so that he's stopped doing his own retwists. (not like they stay in for very long, you immediately help him sweat it out 😊)

-he's made a lot of random little things for you, like a small chain necklace with an empty locket. he kind of sucks at wrapping gifts though, so he just handed it to you with a stupid smile while you two were perched at the top of the firelight tree.

-"ekko, this is so cute," you mutter, your bottom lip jutted out in adoration as you inspect the delicately crafted chain. small mistakes here and there, but you loved it.

-he also learned how to sew just so he could make you a bonnet/durag. he even sewed a crude little "e" in the corner of it, and made himself one with your initial in it as well.

-will randomly shadow box you out of no where. it's some form of cuteness aggression or something, because you'll be talking about your day while absent-mindedly twiddling with the hem of your shirt, and suddenly there are fists flying towards you that he knows to never let connect.

-"...ekko, the fuck are you doing?"

-he makes small noises that sound like "shoo" every time his fist flies, watching you stare at him with an unimpressed look.

-saw someone else say this but yeah ekko can't hoop. sorry

-he CANNOT hide his facial expressions. he may tell you one thing, but his face will never lie. if you're out eating and you feed him a bite of your food, you can watch his face contort into one of disgust, so much so that he almost looks offended. upon realizing that he doesn't want to yuck your yum, he'll fix his face into the fakest smile you've ever seen and nod.

-"...ekko, go spit it out."

-you've never seen him reach for a napkin any quicker.

-idk who the arcane universe's michael jackson is but, when he was younger he absolutely learned all the dances.

-probably the biggest softie the world has ever seen. he's very tough in public, but once he closes the door behind you two and climbs into bed with you, he's clinging onto you like a sloth.

-if you like painting your nails, he'll (hesitantly) allow you to paint his nails to match yours.

-(these next few ones are sliiightly for me 🤭)

-loves when you draw on his arms.

-until he can't get whatever marker you used off of his skin in the shower, so now he's walking around looking like a coloring book with little flowers, hearts, and signatures on his arms.

-he hangs up all the drawings you make of him up along his work space. sometimes he forgets one and leaves it on his desk, so it's a pleasant surprise to find a drawing of himself among scattered and disorganized papers while he was cleaning up.

-has gotten used to you randomly biting him. you'll come up behind him while he's working, and he already knows it's coming when you rest your chin on his exposed shoulder. 2 seconds later, your teeth are sinking into his skin. he just chuckles, but he does ask once.

-"why do you do that?"

-"oh, i dunno. i just like doing it. 's how you know i like you."

nsfw (very brief i'm sorry):

-praise kink. you couldn't tell me otherwise

-loves giving praise, loves receiving praise.

-when he's giving you head, he almost does it for his own pleasure. feeling your hand rub against his undercut while you whine and mutter "fuuuck, ekko, you're so good. don't stop please" is all he needs

-and i'm glad we've all agreed he's a thigh guy too 🙌🏾

-and IK we say this about every fictional man but HE WHIMPERS.

-he starts off with groans and grunts, but the closer he gets, the more his voice starts to shake and his words start to become whines.

-he looooves when you ride him holy shit

-looking up at you while your face contorts in pleasure is absolutely on his top 10.

-and if you stare into his eyes while you do it? his soul has left thanks!

-in general he loves eye contact. when you look up at him with his length between your lips, you can see his brain start to short-circuit.

-he's definitely the type to make sure you finish first before he even gets to think about his own pleasure.

-he's usually super sleepy afterwards too, but he refuses to lay down for a second until he makes sure you're all cleaned up and comfortable before he's out cold on your chest.

______________________________________________

[napoleon-usher]

KEYFRAME TUTORIAL FOR THOSE WITH A WORKING KNOWLEDGE OF PHOTOSHOP AND GIFMAKING

This is my gif with the coloring I want it to have eventually (including the manipulated color). I changed the yellows and reds in the scene to be purple. I want the majority of the gif to be purple and cyan, but do not want it to be on her skin.

First add a layer mask to the adjustments that are creating the color you want to remove. I used several layers to create the purple coloring, so I grouped them together and added the layer mask to the group instead of having to do them individually. In this case, I erased anywhere the purple was on her skin.

She is walking away in this scene, so this layer mask alone is not enough. This is where keyframes come in.

In the timeline window, scroll to the layer that your layer mask is on (or in my case, group). On the far left side, each of the layers should have an arrow which toggles a drop down menu. Click it and it will list options for Opacity, Layer Mask Position, and Layer Mask Enable. Make sure the current time indicator (small blue arrow and red vertical line in the timeline window) is positioned at 00:00:00 and then select the clock icon next to Layer Mask Position. It should place a small yellow diamond at the same place as the indicator. Each successive move of the mask will place a grey diamond at the timestamp that you move it.

CMD+click on the layer mask in the Layers window so that the area of the mask becomes outlined with a dotted line in the main workspace. Click the chain icon next to the layer mask in the Layers window to unlock the mask's movement.

The next steps are the most tedious. You have to manually move the layer mask every few frames to a new position that follows the movement of the gif. I usually zoom the timeline in so that each second is broken into six sections and pick a new layer mask position at approximately each section. If there is more rapid movement in the gif, you may have to pick new positions at more frequent intervals and vice versa.

After the initial layer mask is set at the 00:00:00 point in the timeline, select the next interval that you want the layer mask to move to. Do this by moving the time indicator to your chosen point. Now with the move tool, click within the layer mask and drag it to where it needs to be to keep coverage on your desired area. The longer/more frames in the gif, the more keyframe points you will have to select. This gif was about 2.5 seconds long and I used 14 different points.

These are just a few of the keyframes I made on this gif. You can see here that the original area that I erased in the layer mask doesn't quite cover all of her skin throughout the movement. I just erase a bit more until I'm satisfied with the coverage.

Once you have mapped all the points out, deselect the mask area and click the blank space where the chain icon was to make it reappear and return the mask to a locked position.

Scrub through the gif to make sure that the mask covers everything you want and also that the keyframes make it move smoothly. Shorter intervals and minor position changes between keyframes usually keeps choppiness (this normally presents as the mask noticeably jumping to a new position) to a minimum. You should not be able to notice the mask's movement except in the way it removes color from specific areas as intended.

Export and save the gif as normal.

This is my finished result:

[unordinary-diary]

Blyke and John: Parallel Characters

I’ve written multiple entries about this,

[x] [x] [x]

But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.

‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.

Firstly, this scene:

ch. 121

This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.

“If someone hit your best friend, would you let it slide?”

That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.

John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.

But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.

They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.

I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.

Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:

(ch. 80)

As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.

Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.

Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.

Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.

Another thing I noticed in Episode 80 is this:

Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.

In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.

This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.

But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.

They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.

I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)

A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).

It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?

The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.

(138, 153, 206, & 211)

In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.

For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.

As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.

In the Rowden amusement park, John does start to realize how similar they are:

(249)

Additionally, I want to draw your attention to the parallels between this scene:

Blyke and John’s argument in chapter 249

(which the image limit won’t let me add, scroll until you see red hair.)

And this scene:

Argument in ch. 121 (it’s at the beginning)

Two sides of the same coin.

Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.

[maraskywalkers]

I think about the "all this time everyone thought I was a bad cook"/"you were" a lot because 1) it's hilarious, Christopher's delivery gets me every time & Eddie & Buck's reactions each are great but 2) it's also indicative of the relationship that Chris & Eddie have and how lovely & good it is?? like the fact that Christopher can openly tease him like that & how often they are playful with each other & like even with Buck he can rib him about not having a couch or ofc he knows what a porterhouse is like anyway I just think about the other father son relationships right like Eddie's with Ramon and Buck's with Philip and like it's beautiful that Eddie has made it so Chris can talk to him about his feelings, that it's okay to be sad & angry and helping him learn how to handle those feelings, and he does so in a way that's open & honest & vulnerable because he's still learning too and he's worked really hard at being that for Chris but he's also made it so that they can be silly & playful & teasing because Chris know that he's safe with Eddie and by extension Buck too yeah like it's something I think about a lot as an aunt to young kids you know and just Eddie has made mistakes and he's always gonna be learning & growing right like we all are but he's such a good dad because Christopher can be himself with Eddie like he gets to be a whole actual person and not everyone gets that from their parents or family and you can tell just by their interactions that no matter what Chris is always gonna be loved & safe & respected & cared for with Eddie and Chris knows that and it's just so lovely you know????

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[cryptidapprentice]

ANOTHER song i forgot was SPECTACULAR... feather in the hand... the harmonies in that fkn song really are SO GOOD... fr got me like

in the best way possible!!! this is an expression of euphoria in this case (excuse my tiny crude edit lol)

[ieidolon]

now that i'm playing dragon age: veilguard i understand hbomberguy so much better. think i could probably do a 3.5 hours long video called "dragon age: the veilguard is FINE and here's why"

[byanyan]

me remembering that i used to write the two supernatural muses is like uncovering trauma i forgot about i stg

[agueforts]

me vs eternal grudges abt d20 captions

[daylighteclipsed]

I’m enjoying FF7 Rebirth more than Remake so far (I was so sick of being in that uglyass city), but as someone who is not familiar with the og FF7 the sudden party member affection system absolutely blindsided me

[batsplat]

i mean yes that's how it works

[rabbithaver]

i hate sonic character age discourse so much

[neverendingford]

.

[butterflieswhisper]

hhelp wait this is so funny. didnt you follow me forever ago after a scott themed october song analysis . sorry if you dont remember that and this ask doesnt make sense but this is still funny to me

hi!!!! yeah. it was the cherri crane lives art i think and also where you made your flower husbands tag! I have never really interacted with fh outside of you (and like, seeing pretty fanart) but i am nonetheless deeply invested in your interpretation specifically!!! I honestly haven't watched jimmy outside of rats and the beginning of empires2 either i genuinely have no clue what they get up to you just seem to have a lot of fun with it

[sskk-manifesto]

(*・ω・*)b♪